Paramount courtesy Everett Collection

(Photo by Paramount courtesy Everett Collection)

All Robert Downey Jr. Movies Ranked

Before he became synonymous with playing playboy millionaire rascal Tony Stark, Robert Downey Jr. was…a playboy millionaire rascal, but with an Oscar nomination! Born into minor Hollywood royalty, Downey spent his formative ’80s career as a Brat Pack honorary in films like Weird Science and The Pick-Up Artist. An Oscar nomination for playing the titular silent-era legend in Chaplin suggested a watershed moment for Downey and his future career.

Instead, he spent the rest of the ’90s in a maelstrom of wild parties and tabloid headlines as he publicly battled addiction. Early 2000s work in A Scanner Darkly, Kiss Kiss Bang Bang, and Zodiac told the world he was still capable of intriguing work, though, and the marked the early stages of a career comeback.

His tumultuous decades seem like a lifetime ago, simply a precursor to his role today as the Man in the Iron Mark IV. Director Jon Favreau fought hard to get Downey in as star of the first Iron Man, with Marvel Studios literally put up as collateral, and the rest is modern history. Across nearly a dozen appearances in Marvel Cinematic Universe movies, Downey has utterly owned the Tony Stark role, whose redemption arc mirrors the actor’s own in real life. Downey’s first post-Avengers: Endgame appearance was Dolittle, a high-profile critical disaster. We’ll see where the future takes him (including Jamie Foxx’s All-Star Weekend this year, and Sherlock Holmes 3 next fall), but first we’re taking the time to rank the best Robert Downey Jr. movies (and the worst!) by Tomatometer!

#62

Johnny Be Good (1988)
0%

#62
Adjusted Score: 433%
Critics Consensus: No consensus yet.
Synopsis: High-school quarterback Johnny Walker (Anthony Michael Hall) is being courted by elite colleges nationwide. To get the sports star to... [More]
Directed By: Bud S. Smith

#61
#61
Adjusted Score: 4628%
Critics Consensus: No consensus yet.
Synopsis: Ian (George Newbern) doesn't have the greatest relationship with his father, Richard (David Rasche). The problem is that Ian resents... [More]
Directed By: George Haas

#60

Air America (1990)
13%

#60
Adjusted Score: 13287%
Critics Consensus: No consensus yet.
Synopsis: Despite having just had his Los Angeles pilot's license revoked, Billy Covington (Robert Downey Jr.) is hired by Air America,... [More]
Directed By: Roger Spottiswoode

#59

Gothika (2003)
15%

#59
Adjusted Score: 19639%
Critics Consensus: Berry's acting talents can't save Gothika from its preposterous plot and bad dialogue.
Synopsis: The life of psychiatrist Miranda Grey (Halle Berry) is derailed after she nearly hits a girl with her car one... [More]
Directed By: Mathieu Kassovitz

#58

Tuff Turf (1985)
17%

#58
Adjusted Score: 9356%
Critics Consensus: No consensus yet.
Synopsis: The new guy (James Spader) in a Los Angeles high school does some singing and fights a hotshot (Paul Mones)... [More]
Directed By: Fritz Kiersch

#57

Dolittle (2020)
14%

#57
Adjusted Score: 30541%
Critics Consensus: Dolittle may be enough to entertain very young viewers, but they deserve better than this rote adaptation's jumbled story and stale humor.
Synopsis: Dr. John Dolittle lives in solitude behind the high walls of his lush manor in 19th-century England. His only companionship... [More]
Directed By: Stephen Gaghan

#56

Too Much Sun (1991)
14%

#56
Adjusted Score: 8774%
Critics Consensus: No consensus yet.
Synopsis: To cash in, the homosexual son (Eric Idle) and daughter (Andrea Martin) of a dying millionaire must somehow produce an... [More]
Directed By: Robert Downey

#55

In Dreams (1999)
25%

#55
Adjusted Score: 26622%
Critics Consensus: Some interesting visuals, but the movie is as confusing as a dream.
Synopsis: After clairvoyant Claire Cooper (Annette Bening) has a disturbing dream about the murder of a young girl, her daughter, Rebecca... [More]
Directed By: Neil Jordan

#54

U.S. Marshals (1998)
25%

#54
Adjusted Score: 26328%
Critics Consensus: A rote albeit well-cast action thriller, U.S. Marshals suffers badly in comparison to the beloved blockbuster that preceded it.
Synopsis: An airplane bearing gruff U.S. Marshal Sam Gerard (Tommy Lee Jones) crashes in the wilderness. On board the same flight... [More]
Directed By: Stuart Baird

#53

The Shaggy Dog (2006)
26%

#53
Adjusted Score: 29032%
Critics Consensus: This Disney retread has neither inspiration nor originality, but may please moviegoers under the age of ten.
Synopsis: Deputy District Attorney Dave Douglas (Tim Allen) is a workaholic and frequently puts his job before his family. After taking... [More]
Directed By: Brian Robbins

#52

Lucky You (2007)
29%

#52
Adjusted Score: 34594%
Critics Consensus: Lucky You tries to combine a romantic story with the high-stakes world of poker, but comes up with an empty hand.
Synopsis: Huck Cheever (Eric Bana) is a talented poker player who must balance an intense love affair with the feats he... [More]
Directed By: Curtis Hanson

#51

Hugo Pool (1997)
29%

#51
Adjusted Score: 29271%
Critics Consensus: No consensus yet.
Synopsis: A disabled client (Patrick Dempsey) charms a lonely Los Angeles pool cleaner (Alyssa Milano) and her cynical helpers.... [More]
Directed By: Robert Downey Sr.

#50

One Night Stand (1997)
32%

#50
Adjusted Score: 33318%
Critics Consensus: No consensus yet.
Synopsis: In Los Angeles, Max Carlyle (Wesley Snipes) makes a good living directing commercials and has a happy home life with... [More]
Directed By: Mike Figgis

#49
Adjusted Score: 36289%
Critics Consensus: This portrait of a groundbreaking photographer lacks the daring of its subject.
Synopsis: In 1958 New York Diane Arbus (Nicole Kidman) is a housewife and mother who works as an assistant to her... [More]
Directed By: Steven Shainberg

#48

Eros (2004)
34%

#48
Adjusted Score: 36017%
Critics Consensus: Though Wong's short lives up to the promise of the title, Antonioni's is a serious disappointment.
Synopsis: This anthology film features three different tales of passion. In "The Hand," young tailor Zhang (Chen Chang) is attracted to... [More]

#47

Firstborn (1984)
36%

#47
Adjusted Score: 35330%
Critics Consensus: No consensus yet.
Synopsis: A teen (Christopher Collet) protects his divorced mother (Teri Garr) from her boyfriend (Peter Weller), a drug dealer in a... [More]
Directed By: Michael Apted

#46

Black and White (1999)
39%

#46
Adjusted Score: 41268%
Critics Consensus: The atmosphere is affecting, and the story, at times, is compelling, but with a lean script and limp direction, Black and White doesn't add up to much.
Synopsis: Rich Bower (Power) is an up-and-coming star in the hip-hop world. Everyone wants to be around him, including Raven (Gaby... [More]
Directed By: James Toback

#45
#45
Adjusted Score: 41241%
Critics Consensus: Delightful performance from Robert Downey Jr. can't save The Singing Detective's transition from TV to the big screen.
Synopsis: Hospitalized for a severe skin disease, a bitter writer (Robert Downey Jr.) imagines he is the gumshoe from his novel.... [More]
Directed By: Keith Gordon

#44

Due Date (2010)
39%

#44
Adjusted Score: 47698%
Critics Consensus: Shamelessly derivative and only sporadically funny, Due Date doesn't live up to the possibilities suggested by its talented director and marvelously mismatched stars.
Synopsis: Peter Highman (Robert Downey Jr.) will be a dad for the first time when his wife gives birth in five... [More]
Directed By: Todd Phillips

#43
#43
Adjusted Score: 50246%
Critics Consensus: Natural Born Killers explodes off the screen with style, but its satire is too blunt to offer any fresh insight into celebrity or crime -- pummeling the audience with depravity until the effect becomes deadening.
Synopsis: Woody Harrelson and Juliette Lewis are two young, attractive serial killers who become tabloid-TV darlings, thanks to a sensationalistic press... [More]
Directed By: Oliver Stone

#42

The Judge (2014)
49%

#42
Adjusted Score: 56499%
Critics Consensus: Solidly cast and beautifully filmed but thoroughly clichéd, The Judge seems destined to preside over a large jurisdiction of the basic cable afternoon-viewing circuit.
Synopsis: Hank Palmer (Robert Downey Jr.), a brilliant but shady attorney, returns to his Indiana hometown after learning that his mother... [More]
Directed By: David Dobkin

#41
#41
Adjusted Score: 53074%
Critics Consensus: Two Girls and a Guy has an intriguing premise and a talented trio of leads, but doesn't do quite enough with any of them to make the end result truly worth a watch.
Synopsis: Two women (Heather Graham, Natasha Gregson Wagner) confront their boyfriend (Robert Downey Jr.), a two-timing actor who professed eternal love... [More]
Directed By: James Toback

#40

Less Than Zero (1987)
52%

#40
Adjusted Score: 52714%
Critics Consensus: A couple of standout performances -- notably Robert Downey, Jr. and James Spader -- and a killer soundtrack can't quite elevate a somewhat superficial adaptation of Bret Easton Ellis' story of drugged-out LA rich kids.
Synopsis: Clay (Andrew McCarthy) comes home to Los Angeles after his first semester of college and encounters some disturbing developments. His... [More]
Directed By: Marek Kanievska

#39

Only You (1994)
54%

#39
Adjusted Score: 55771%
Critics Consensus: No consensus yet.
Synopsis: A childhood incident has convinced Faith Corvatch (Marisa Tomei) that her true love is a guy named "Damon Bradley," but... [More]
Directed By: Norman Jewison

#38

Weird Science (1985)
57%

#38
Adjusted Score: 58606%
Critics Consensus: Hardly in the same league as John Hughes' other teen movies, the resolutely goofy Weird Science nonetheless gets some laughs via its ridiculous premise and enjoyable performances.
Synopsis: Teen misfits Gary (Anthony Michael Hall) and Wyatt (Ilan Mitchell-Smith) design their ideal woman on a computer, and a freak... [More]
Directed By: John Hughes

#37

1969 (1988)
55%

#37
Adjusted Score: 54067%
Critics Consensus: No consensus yet.
Synopsis: Two rebellious youths, Ralph (Robert Downey Jr.) and Scott (Kiefer Sutherland), find themselves struggling with adulthood as the Vietnam War... [More]
Directed By: Ernest Thompson

#36

Heart and Souls (1993)
55%

#36
Adjusted Score: 55277%
Critics Consensus: A charismatic array of character actors bring a lot of Heart to this supernatural comedy, but many will find that it heaps on the sentimentality where its Soul should be.
Synopsis: Harrison (Charles Grodin), Penny (Alfre Woodard), Julia (Kyra Sedgwick) and Milo (Tom Sizemore) die in 1959 when the bus they... [More]
Directed By: Ron Underwood

#35
#35
Adjusted Score: 60111%
Critics Consensus: No consensus yet.
Synopsis: Serial pick-up artist and commitment-phobe Jack Jericho (Robert Downey Jr.) takes lessons in the art of seduction from aging player... [More]
Directed By: James Toback

#34

Charlie Bartlett (2007)
58%

#34
Adjusted Score: 62815%
Critics Consensus: With engaging performances marked by an inconsistent tone, Charlie Bartlett is a mixed bag of clever teen angst comedy and muddled storytelling.
Synopsis: Awkward teenager Charlie Bartlett (Anton Yelchin) has trouble fitting in at a new high school. Charlie needs some friends fast,... [More]
Directed By: Jon Poll

#33

The Soloist (2009)
57%

#33
Adjusted Score: 66132%
Critics Consensus: Though it features strong performances by its lead players, a lack of narrative focus prevents The Soloist from hitting its mark.
Synopsis: Los Angeles columnist Steve Lopez (Robert Downey Jr.) has reached an impasse in his life. His marriage is on the... [More]
Directed By: Joe Wright

#32
#32
Adjusted Score: 61515%
Critics Consensus: No consensus yet.
Synopsis: Rick (Kenneth Branagh), a divorced lawyer, has what he thinks is going to be a one-night stand with the troubled... [More]
Directed By: Robert Altman

#31

Chaplin (1992)
60%

#31
Adjusted Score: 63483%
Critics Consensus: Chaplin boasts a terrific performance from Robert Downey, Jr. in the title role, but it isn't enough to overcome a formulaic biopic that pales in comparison to its subject's classic films.
Synopsis: Re-creation of the life of comic genius Charlie Chaplin, from his humble beginnings in south London through his early days... [More]
Directed By: Richard Attenborough

#30

Game 6 (2005)
62%

#30
Adjusted Score: 62191%
Critics Consensus: Though packed with Don DeLillo's witty dialogue and bolstered by strong performances, particularly by lead Michael Keaton, Game 6 also suffers from uneven direction and overwrought symbolism.
Synopsis: It's 1986, and New York playwright Nicky Rogan (Michael Keaton) faces a series of fears, but none more frightening than... [More]
Directed By: Michael Hoffman

#29
Adjusted Score: 67865%
Critics Consensus: Sherlock Holmes: A Game of Shadows is a good yarn thanks to its well-matched leading men but overall stumbles duplicating the well-oiled thrills of the original.
Synopsis: When Austria's crown prince is found dead, evidence seems to point to suicide. However, detective Sherlock Holmes (Robert Downey Jr.)... [More]
Directed By: Guy Ritchie

#28
#28
Adjusted Score: 67266%
Critics Consensus: Much like a real-life visit Home for the Holidays, this Thanksgiving-set dramedy can get a little bumpy -- but it also has its share of fondly memorable moments.
Synopsis: When her teenage daughter opts out of Thanksgiving, single mother Claudia Larson (Holly Hunter) travels alone to her childhood home... [More]
Directed By: Jodie Foster

#27

Chances Are (1989)
67%

#27
Adjusted Score: 67910%
Critics Consensus: No consensus yet.
Synopsis: A man's love for his pregnant wife, Corinne Jeffries (Cybill Shepherd), is interrupted when a car accident sends him to... [More]
Directed By: Emile Ardolino

#26

A Scanner Darkly (2006)
68%

#26
Adjusted Score: 75006%
Critics Consensus: A faithful adaptation of Philip K. Dick's novel, A Scanner Darkly takes the viewer on a visual and mind-blowing journey into the author's conception of a drug-addled and politically unstable world.
Synopsis: In the near future, as America virtually loses the war on drugs, Robert Arctor, a narcotics cop in Orange County,... [More]
Directed By: Richard Linklater

#25

Soapdish (1991)
71%

#25
Adjusted Score: 73402%
Critics Consensus: Soapdish may not be as addictive as the serialized dramas it's spoofing, but a talented cast helps make this affectionate sendup feel fresh.
Synopsis: Celeste Talbert (Sally Field) is the star of the long-running soap opera "The Sun Also Sets." With the show's ratings... [More]
Directed By: Michael Hoffman

#24

Restoration (1995)
71%

#24
Adjusted Score: 70465%
Critics Consensus: Restoration spins an engaging period yarn out of its bestselling source material, brought to life through the efforts of an eclectic ensemble cast led by Robert Downey Jr.
Synopsis: In order to keep one of his mistresses, Celia (Polly Walker), at arm's length, King Charles II (Sam Neill) asks... [More]
Directed By: Michael Hoffman

#23

Sherlock Holmes (2009)
69%

#23
Adjusted Score: 80466%
Critics Consensus: Guy Ritchie's directorial style might not be quite the best fit for an update on the legendary detective, but Sherlock Holmes benefits from the elementary appeal of a strong performance by Robert Downey, Jr.
Synopsis: When a string of brutal murders terrorizes London, it doesn't take long for legendary detective Sherlock Holmes (Robert Downey Jr.)... [More]
Directed By: Guy Ritchie

#22

Iron Man 2 (2010)
72%

#22
Adjusted Score: 85019%
Critics Consensus: It isn't quite the breath of fresh air that Iron Man was, but this sequel comes close with solid performances and an action-packed plot.
Synopsis: With the world now aware that he is Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from... [More]
Directed By: Jon Favreau

#21
#21
Adjusted Score: 90810%
Critics Consensus: Exuberant and eye-popping, Avengers: Age of Ultron serves as an overstuffed but mostly satisfying sequel, reuniting its predecessor's unwieldy cast with a few new additions and a worthy foe.
Synopsis: When Tony Stark (Robert Downey Jr.) jump-starts a dormant peacekeeping program, things go terribly awry, forcing him, Thor (Chris Hemsworth),... [More]
Directed By: Joss Whedon

#20
Adjusted Score: 78573%
Critics Consensus: A Guide to Recognizing Your Saints is a lively, powerful coming-of-age tale with winning performances and sharp direction from first-timer Dito Montiel.
Synopsis: Dito Montiel (Robert Downey Jr.), a successful author, receives a call from his long-suffering mother (Dianne Wiest), asking him to... [More]
Directed By: Dito Montiel

#19

Iron Man 3 (2013)
79%

#19
Adjusted Score: 92897%
Critics Consensus: With the help of its charismatic lead, some impressive action sequences, and even a few surprises, Iron Man 3 is a witty, entertaining adventure and a strong addition to the Marvel canon.
Synopsis: Plagued with worry and insomnia since saving New York from destruction, Tony Stark (Robert Downey Jr.), now, is more dependent... [More]
Directed By: Shane Black

#18

Bowfinger (1999)
81%

#18
Adjusted Score: 85759%
Critics Consensus: A witty commentary on modern film-making, with enough jokes to keep it entertaining throughout.
Synopsis: On the verge of bankruptcy and desperate for his big break, aspiring filmmaker Bobby Bowfinger (Steve Martin) concocts a crazy... [More]
Directed By: Frank Oz

#17

Tropic Thunder (2008)
82%

#17
Adjusted Score: 91388%
Critics Consensus: With biting satire, plenty of subversive humor, and an unforgettable turn by Robert Downey, Jr., Tropic Thunder is a triumphant late Summer comedy.
Synopsis: Tugg Speedman (Ben Stiller), pampered action superstar, sets out for Southeast Asia to take part in the biggest, most-expensive war... [More]
Directed By: Ben Stiller

#16

Wonder Boys (2000)
81%

#16
Adjusted Score: 85627%
Critics Consensus: Michael Douglas and Tobey Maguire do wonders in this clever dark comedy.
Synopsis: Grady (Michael Douglas) is a 50-ish English professor who hasn't had a thing published in years -- not since he... [More]
Directed By: Curtis Hanson

#15

Back to School (1986)
86%

#15
Adjusted Score: 89042%
Critics Consensus: Back to School gives Rodney Dangerfield plenty of room to riff -- and supports the freewheeling funnyman with enough of a story to keep things interesting between punchlines.
Synopsis: Thornton Melon (Rodney Dangerfield) is concerned that his son Jason (Keith Gordon) is unsure whether to go to college, so... [More]
Directed By: Alan Metter

#14
#14
Adjusted Score: 92640%
Critics Consensus: Tongue-in-cheek satire blends well with entertaining action and spot-on performances in this dark, eclectic neo-noir homage.
Synopsis: Two-bit crook Harry Lockhart (Robert Downey Jr.) stumbles into an audition for a mystery film while on the run from... [More]
Directed By: Shane Black

#13
#13
Adjusted Score: 114139%
Critics Consensus: Avengers: Infinity War ably juggles a dizzying array of MCU heroes in the fight against their gravest threat yet, and the result is a thrilling, emotionally resonant blockbuster that (mostly) realizes its gargantuan ambitions.
Synopsis: Iron Man, Thor, the Hulk and the rest of the Avengers unite to battle their most powerful enemy yet --... [More]
Directed By: Anthony Russo, Joe Russo

#12

Chef (2014)
87%

#12
Adjusted Score: 93968%
Critics Consensus: Chef's charming cast and sharp, funny script add enough spice to make this feel-good comedy a flavorful -- if familiar -- treat.
Synopsis: After a controlling owner (Dustin Hoffman) pushes him too far, chef Carl Casper (Jon Favreau) quits his position at a... [More]
Directed By: Jon Favreau

#11

Zodiac (2007)
89%

#11
Adjusted Score: 100390%
Critics Consensus: A quiet, dialogue-driven thriller that delivers with scene after scene of gut-wrenching anxiety. David Fincher also spends more time illustrating nuances of his characters and recreating the mood of the '70s than he does on gory details of murder.
Synopsis: In the late 1960s and 1970s, fear grips the city of San Francisco as a serial killer called Zodiac stalks... [More]
Directed By: David Fincher

#10
Adjusted Score: 117545%
Critics Consensus: Captain America: Civil War begins the next wave of Marvel movies with an action-packed superhero blockbuster boasting a decidedly non-cartoonish plot and the courage to explore thought-provoking themes.
Synopsis: Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The... [More]
Directed By: Anthony Russo, Joe Russo

#9
#9
Adjusted Score: 107368%
Critics Consensus: Thanks to a script that emphasizes its heroes' humanity and a wealth of superpowered set pieces, The Avengers lives up to its hype and raises the bar for Marvel at the movies.
Synopsis: When Thor's evil brother, Loki (Tom Hiddleston), gains access to the unlimited power of the energy cube called the Tesseract,... [More]
Directed By: Joss Whedon

#8
#8
Adjusted Score: 120986%
Critics Consensus: Spider-Man: Homecoming does whatever a second reboot can, delivering a colorful, fun adventure that fits snugly in the sprawling MCU without getting bogged down in franchise-building.
Synopsis: Thrilled by his experience with the Avengers, young Peter Parker returns home to live with his Aunt May. Under the... [More]
Directed By: Jon Watts

#7
Adjusted Score: 102100%
Critics Consensus: A passionate and concise cinematic civics lesson, Good Night, And Good Luck has plenty to say about today's political and cultural climate, and its ensemble cast is stellar.
Synopsis: When Senator Joseph McCarthy begins his foolhardy campaign to root out Communists in America, CBS News impresario Edward R. Murrow... [More]
Directed By: George Clooney

#6

Iron Man (2008)
94%

#6
Adjusted Score: 104599%
Critics Consensus: Powered by Robert Downey Jr.'s vibrant charm, Iron Man turbo-charges the superhero genre with a deft intelligence and infectious sense of fun.
Synopsis: A billionaire industrialist and genius inventor, Tony Stark (Robert Downey Jr.), is conducting weapons tests overseas, but terrorists kidnap him... [More]
Directed By: Jon Favreau

#5

Baby, It's You (1983)
94%

#5
Adjusted Score: 94799%
Critics Consensus: No consensus yet.
Synopsis: An aspiring lounge singer (Vincent Spano) romances a rich girl (Rosanna Arquette) in 1960s New Jersey.... [More]
Directed By: John Sayles

#4

Richard III (1995)
96%

#4
Adjusted Score: 99154%
Critics Consensus: This re-imagining of Shakespeare's Crookback King relocates the story in 1930 and features an indelible star turn for Ian McKellen as the monstrous and magnetic King Richard.
Synopsis: A murderous lust for the British throne sees Richard III (Ian McKellen) descend into madness. Though the setting is transposed... [More]
Directed By: Richard Loncraine

#3

True Believer (1989)
95%

#3
Adjusted Score: 96324%
Critics Consensus: A compelling mystery, social themes, and powerful performances from a pair of well-matched leads make True Believer a legal thriller that definitely passes the bar.
Synopsis: Jaded lawyer Eddie Dodd (James Woods), a well-regarded activist in the 1960s whose moment has long passed, now smokes marijuana... [More]
Directed By: Joseph Ruben

#2

Short Cuts (1993)
95%

#2
Adjusted Score: 98620%
Critics Consensus: Robert Altman's ensemble drama deftly integrates its disparate characters and episodes into a funny, poignant, emotionally satisfying whole.
Synopsis: Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot (Lily... [More]
Directed By: Robert Altman

#1
#1
Adjusted Score: 127912%
Critics Consensus: Exciting, entertaining, and emotionally impactful, Avengers: Endgame does whatever it takes to deliver a satisfying finale to Marvel's epic Infinity Saga.
Synopsis: Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply... [More]
Directed By: Anthony Russo, Joe Russo

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You may know him as Tim “The Tool Man” Taylor, or the star of comedies such as the Santa Clause films and that Shaggy Dog remake, but what Tim Allen really wants to do is direct.

Variety reports that Allen will be doing just that when he steps behind the cameras for Crazy on the Outside, “an independently financed comedy” that’s set to star Ray Liotta, Carrie-Anne Moss, Julie Bowen, and Kelsey Grammer. Check it out:

Scripted by Judd Pillot and John Peaslee, the adult-themed comedy stars Allen as a parolee who finds life outside a prison cell to be much crazier once he enters his quirky sister’s world.

According to the article, Allen recently wrapped a role in a David Mamet film, which undoubtedly violates at least one law of physics.

Source: Variety

A half-dozen new soldiers enter the marketplace this weekend trying to topple the kingdom of "300" which has reigned supreme at the box office for the past two weeks.

Mark Wahlberg toplines the sniper thriller "Shooter," animated ninja turtles fight crime in "TMNT," and mutated zombies attack in "The Hills Have Eyes 2." In addition, moviegoers will get to choose from the kids adventure "The Last Mimzy," the sports saga "Pride," and the Adam Sandler drama "Reign Over Me." Holdovers should witness some large declines as these new pics all fight over the time and attention of ticket buyers. The box office may not have room for all to survive.

Seventeen years after shocking the film industry with a record March opening, the Teenage Mutant Ninja Turtles are back but in animated form in "TMNT." The Warner Bros. toon features the voices of Patrick Stewart, Sarah Michelle Gellar, and Ziyi Zhang and carries a PG rating that is friendly for kids. Given the violence, "TMNT" should skew more to boys and might even pull in those who grew up with the characters in the late 1980s and early 1990s. With all the R-rated films recently, there have not been too many choices for kids this spring. "The Last Mimzy" is the only new release that will provide direct competition for that audience. Bringing its turtle power to 3,110 theaters, "TMNT" may generate a bow of roughly $16M this weekend.


They’re back.

Hot off his recent Oscar nomination, Mark Wahlberg hits the big screen in the action thriller "Shooter" playing a former Marine sniper trying to clear his name after being wrongly accused of trying to assassinate the U.S. President. The R-rated film comes from "Training Day" director Antoine Fuqua and co-stars Danny Glover and Michael Peña. The film is banking on the starpower of Wahlberg who has been able to anchor hits in recent years. Late summer pics like last year’s "Invincible" and 2005’s "Four Brothers" opened to $17M and $21.2M, respectively, and brought in solid sales overall. "Shooter" is targeting the adult action crowd with appeal that will reach both men and women. Certainly "300" will play to much of the same audience and be a factor. Though no Damon or Cruise, Wahlberg has indeed become a believable action hero and is in a role that audiences will buy him in. Plus his Academy nod for "The Departed" has only increased audience respect for the former rapper. Opening in 2,600 theaters, "Shooter" might take in about $16M for the weekend.


Mark Wahlberg, playing a guy named Swagger, in a movie called "Shooter."

Last March, Fox Searchlight hit gold with the horror remake "The Hills Have Eyes" which bowed to $15.7M and grossed $41.8M overall. A year later, the sequel is born this time coming out through Fox Atomic, the studio’s new division geared towards young adult audiences with genre fare. "Eyes 2" once again is targeting the horror crowd with slick marketing hoping to lure in those seeking R-rated gore and violence. Plus the distributor is premiering the trailer to the upcoming fright sequel "28 Weeks Later" with the new "Hills" installment to help give moviegoers more for their money. Much of the audience for the first pic will probably return, although the sequel will face more competition as "300" and "Shooter" will both be drawing in young men. Attacking 2,500 theaters, "The Hills Have Eyes 2" could open to around $13M this weekend.


"The Hills Have Eyes, Too."

New Line studio chief Bob Shaye steps back into the director’s chair with the family adventure "The Last Mimzy" based on a popular short story. The "E.T."-like film about a boy and a girl who find a mysterious animal with mystical powers hopes to attract an audience of kids and parents, but will have to face some stiff competition from its studio’s former heroes, the Ninja Turtles. That toon should take away more boys than girls so "Mimzy" may end up skewing a bit more female. New Line hopes that much of the crowd that spent $75M and counting on "Bridge to Terabithia" will take a spin with this new effects-filled fantasy so sneak previews were held to help raise awareness and get buzz spreading. Still, a competitive environment will probably cut into its potential. Landing in over 3,000 sites, "The Last Mimzy" might gross about $12M this weekend.


"The Last Mimzy."

Targeting the African American audience this weekend is Lionsgate with its swim team drama "Pride" starring Terrence Howard. The PG-rated film will try to appeal to males with the sports saga and females with its human drama and half-nude muscular men. But Howard has not yet proven that he can open a picture on his own and "Pride" may not be the one to increase his future salary demands. "Remember the Titans" and "Coach Carter" both opened north of $20M and much of that was due to starpower. Plus Chris Rock found out last week that African Americans will not just show up for any film with a predominantly black cast. Diving into 1,518 theaters, "Pride" could swim to a weekend gross of about $7M.


Terrence Howard in "Pride."

Adam Sandler goes back to serious territory with the R-rated drama "Reign Over Me" playing a man whose life fell apart after his wife and kids were killed on 9/11. It’s no surprise Sony is releasing the film given all the cash the comedian has made for the studio over the years. Don Cheadle and Jada Pinkett Smith co-star. Given the subject matter, the rating, and Sandler’s Bob Dylan haircut, the actor’s core audience of immature young males will not be lining up this time. Remember "Spanglish‘"s $8.8M bow? Well, it could get worse for "Reign." After "United 93" and "World Trade Center," demand isn’t very high for yet another look at September 11. Given all the choices in the marketplace, adult audiences will be divided between many films so only a small slice might go this way. Debuting in 1,671 venues, "Reign Over Me" could open with about $6M.


Sandler and Cheadle in "Reign Over Me."

The mighty King Leonidas barely broke a sweat over the last two weeks in his box office victories. But the invading armies this weekend will pose a great threat to "300"’s rule. "Shooter" and "Hills" will provide the most direct competition. A 50% drop may be in order which would leave the Warner Bros. epic with roughly $16.5M for the frame and an impressive $157M in 17 days.

"Wild Hogs" may finally see a normal drop and slide by 40% to $11M giving Buena Vista $121M to date. "Premonition" should lose half of its audience and fall to $9M for a ten-day cume of $30M.

LAST YEAR: Spike Lee and Denzel Washington joined forces for the heist thriller "Inside Man" and found themselves at number one with a potent $29M opening. Universal went on to collect $88.5M domestically and $183M worldwide. The competing actioner "V for Vendetta" dropped from first to second with $12.3M falling 52% in its second weekend. Debuting in third was the horror flick "Stay Alive" with $10.7M on its way to $23.1M for Buena Vista. Rounding out the top five were "Failure to Launch" with $10.5M and "The Shaggy Dog" with $9M, both in their third weekends. Bowing in seventh place was the blue collar comedy "Larry the Cable Guy" with $6.9M leading to a $15.7M final.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Though a highly-paid and well-liked star, Sandra Bullock has never been a big pull on opening weekend for her films. Now the actress hopes to reach a career high with her new suspense thriller "Premonition."

The PG-13 chiller finds the acclaimed actress playing a woman who finds herself in a parallel existence where her husband has been killed in an accident. No other major stars are here so this is Bullock’s to make or break. Most of her major hits have opened only in the mid-teen millions. Surprisingly, the star’s biggest debut ever has been only $16.2M delivered by both "Speed 2" in 1997 and "The Divine Secrets of the Ya-Ya Sisterhood" in 2002.

"Premonition" should skew female and play to a mature crowd. Teen interest could be mild. Those who find "300" too gory and violent might choose this pic for their weekend thrills. And when it comes to marketing scary flicks, nobody does it better than Sony. But critics have not been too kind thus far and that may make older women hesitate. Plus "Wild Hogs" will provide some competition as Travolta and company have been drawing a solid female following. Creeping into 2,831 theaters, "Premonition" could open with around $17M this weekend.


Does the premonition say anything about a low box office?

Chris Rock takes on the roles of writer, director, star, and producer in his latest comedy "I Think I Love My Wife" playing a bored businessman and husband who is tempted by a curvy female friend. A remake of the 1972 French film "Chloe in the Afternoon," the R-rated pic co-stars Kerry Washington, Gina Torres, and Steve Buscemi. The Fox Searchlight release should play to a mature adult crowd given the theme and may struggle to connect with Rock’s single young male following. The African American audience will make up a significant portion of the overall turnout as the former Saturday Night Live star still has some pull at the box office. But reviews have been underwhelming which could affect older moviegoers. Rock has been out promoting "Wife" feverishly and is counting on his core fan base to show up. The previous spring comedies he headlined were 2003’s "Head of State" and 2001’s "Down to Earth" which bowed to $13.5M and $17.3M respectively. However, those more commercial pics were given wider releases. Stepping into 1,776 locations, "I Think I Love My Wife" could debut to about $9M.


Chris Rock tries the adult comedy genre in "I Think I Love My Wife."

Horror flicks have not exactly been on fire in 2007 and Universal’s new release "Dead Silence" is not about to change things. The R-rated film about a talking dummy that terrorizes victims comes from James Wan, writer-director of the first "Saw" film. That has become its only marketing tool as otherwise, "Dead" looks and feels like any generic fright flick. Even its title is blah. Typically there is always some audience for every slasher pic so a modest bow could result, especially if fans of Jigsaw who don’t want to wait seven months for another "Saw" installment come out to see what Wan has been up to. Young adults looking for violence this weekend are much more likely to see "300" which will be a hard film to battle. Opening in 1,802 theaters, "Dead Silence" might debut with a quiet $6M.


"Dead Silence," … I’m speechless already.

"300" reigned supreme over the box office last weekend leaving the competition in the dust with a colossal opening far bigger than anyone expected. The Spartan war tale has joined the year’s other biggest hits – "Ghost Rider," "Wild Hogs," and "Norbit" – as films lacking critical acclaim but still debuting far ahead of industry expectations. "300" is the best-reviewed of the lot and has generated the most buzz. A large drop is expected since last weekend’s tally included Thursday midnight shows and because of the intense upfront demand which drew so much of the total audience in the first week.

King Leonidas and company have kept the momentum going with strong midweek sales as Monday saw $7.6M and Tuesday dipped to $6.5M. These are huge numbers for this time of year and college students on spring break may certainly be a contributing factor. Competition from the new films will not be much of a factor, however the start of the NCAA college basketball tournament will take many young males out of the picture. A 55% fall for "300" would still give the Warner Bros. juggernaut a comfortable lead in first place with about $32M. The ten-day total would surge to a staggering $127M.

The motorcycle comedy "Wild Hogs" has been enjoying good legs with a 31% drop last weekend. The new crop of films should not pose too much of a threat and the Tim AllenJohn Travolta pic could retain its silver medal standing on the charts. A 30% decline to $19M should occur leaving Buena Vista with a terrific $103M after 17 days. That would give 2007 three $100M+ blockbusters by mid-March. A year ago, none had reached nine digits at this same point.

LAST YEAR: With a haircut that would later inspire Britney Spears, Natalie Portman debuted atop the charts with the sci-fi thriller "V For Vendetta" which opened to $25.6M. The Warner Bros. release went on to capture $70.5M domestically and $131M worldwide. Falling a notch each were the romantic comedy "Failure to Launch" with $15.6M and "The Shaggy Dog" with $13.4M. Paramount opened the teen girl comedy "She’s the Man" in fourth place with an estimated $10.7M on its way to $33.7M. "The Hills Have Eyes" rounded out the top five with $8M in its sophomore scare.

Source: Gitesh Pandya, www.BoxOfficeGuru.com

For the first time in nearly a month, North America’s most popular movie won’t be about motorcycles. Warner Bros. goes back in time 2,500 years for the epic war saga "300" which aims to conquer the box office with ease.

Other studios have conceded the frame to the effects-driven actioner as the only other film opening wide is the family drama "The Ultimate Gift" which will cater to a non-violent crowd that prefers to keep decapitations to a minimum in their weekend entertainment.

Two and a half years after running the historical epic genre into the ground with "Alexander," Warner Bros. is back to breathe new life into the industry with "300." The R-rated war film stars Gerard Butler as the Greek king who in 480 B.C. led his small battalion of brave soldiers in battle against the mighty Persian army. Directed by Zack Snyder ("Dawn of the Dead"), "300" is based on the graphic novel by Frank Miller and features stylized action sequences and a visual look unlike the endless line of epics that hit multiplexes a few years ago.

Warner Bros. got the ball rolling early last fall with exciting trailers that really energized the target audience of male action fans who now will be very satisfied by the amount of blood, gore, and female nudity in the picture. Momentum has been building ever since and today, "300" is an event film for many. The film lacks a marquee star but that should not matter much. The unique look and feel should compensate for that as moviegoers will find the film to be worth paying top dollar for to see on the big screen. This is not one to wait for on DVD. And unlike other epics, this one keeps it just under two hours which will allow theaters to offer enough showtimes per day. The marketplace is ready for "300." Aside from "Ghost Rider" which is going into its fourth lap, there will be little direct competition for "300" to face so King Leonidas and his men should prevail in this battle.

Other effects-driven R-rated action films have found success recently in the spring months. In 2005, Keanu Reeves‘ "Constantine" bowed to $29.8M and "Sin City" opened to $29.1M while last March "V for Vendetta" debuted with $25.6M. All three films ended in the $70-76M range. "300" looks like it has the strength to go higher. The marketing has been brilliant, competition is weak, and excitement is high. Warner Bros. will score its first number one opener of the year with "300" which invades 3,103 theaters, including Imax venues which will add a few extra bucks. A Friday-to-Sunday gross of about $38M could result.


"300," finally in theaters.

Fox Faith, the new wing of Twentieth Century Fox dedicated to films with uplifting religious themes, rolls out its family drama "The Ultimate Gift" starring James Garner, Brian Dennehy, and Abigail Breslin who comes straight from her high profile Oscar nomination for "Little Miss Sunshine." Based on the best-selling book, the PG-rated film tells the story of a young man who instead of getting his expected inheritance after the death of his wealthy grandfather, is given a series of challenges to help him build character and learn what is truly important in life. Grassroots marketing is being used to court the faith-based audience and a dollar from every ticket sold will be donated to one of a number of different charities. Still, the film is not being given a marketing blitz so large numbers are not expected. Opening in over 800 theaters, "The Ultimate Gift" may gross about $3M this weekend.


"The Ultimate Gift," with Abigail Breslin.

After opening almost everywhere else in the world, the hit Korean horror film "The Host" makes its ways to American shores through Magnolia Pictures this weekend. The R-rated creature feature debuts in about 70 theaters and has been garnering impressive reviews since its premiere last May at the Cannes Film Festival. Fox Searchlight platforms its family saga "The Namesake" from director Mira Nair ("Monsoon Wedding," "Vanity Fair") in six theaters in New York, Los Angeles, San Francisco, and Toronto. Starring Kal Penn, the PG-13 film about the struggles of an Indian-American family will expand weekly throughout the rest of the month.


"The Namesake"

After three weeks of motorcycle flicks ruling the box office, a stylized trip back in time with "300" will come as a welcome change of pace. "Wild Hogs," which powered its way to a surprisingly potent $39.7M bow last weekend, will drop out of pole position. With little direct competition, look for a reasonable dip in sales. The Buena Vista release has been a crowdpleaser and will remain the top choice for moviegoers in the mood for a laugh or anything with big Hollywood stars. A 35% decline could result giving "Hogs" a weekend tally of around $26M and a ten-day cume of $74M.

Paramount’s serial killer pic "Zodiac" got off to a moderate start last weekend and will have another R-rated film aimed at adults to deal with. A drop of 40% may occur putting the murder mystery at $8M for a total of only $25M after ten days. Sony’s "Ghost Rider" will become the first member of the 2007 century club and should fall 45% to $6M for a $103M cume. The Nicolas Cage pic is set to take a serious hit thanks to 300.

LAST YEAR: The Matthew McConaugheySarah Jessica Parker romantic comedy "Failure to Launch" debuted at number one leading a new crop of films with $24.4M. The Paramount release found its way to $88.7M. Opening in second place was the Tim Allen kidpic "The Shaggy Dog" with $16.3M followed closely by the new horror flick "The Hills Have Eyes" with $15.7M. Final grosses reached $61.1M and $41.8M, respectively. The Bruce Willis actioner "16 Blocks" dropped to fourth with $7.4M. After two weeks at the top of the charts, the Tyler Perry comedy "Madea’s Family Reunion" tumbled from first to fifth with $5.7M.

Source: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies brings us the profound discoveries of a great Kazak journalist ("Borat," starring Sacha Baron Cohen), a battle between Santa and Jack Frost ("The Santa Clause 3: The Escape Clause," starring Tim Allen), and a tale of rats in the sewer ("Flushed Away," featuring the voice work of Kate Winslet and Hugh Jackman). What do the critics have to say?

Jagshemash! Here in U.S and A., what do critic say about "Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan?" They like! In fact, the scribes are almost universally pleased with the film, and some are going as far as calling it one of the funniest comedies ever. Part satire, part shockumentary, "Borat" follows the gleefully sexist, homophobic, and anti-Semitic title character (Cohen) on a cross-country trek to learn more about our strange nation; along the way he dredges up the seamy underbelly of American prejudice and ignorance. At 95 percent on the Tomatometer, "Borat" is not only Certified Fresh, it’s the best reviewed wide release of the year, topping such acclaimed movies as "Dave Chappelle’s Block Party," "The Departed," and "United 93." That’s a good thing, since Borat himself has said if the movie doesn’t do well, he will be execute.


Borat loves the U.S. and A.

It doesn’t sound like the most auspicious subject for a film: mice and rats are flushed down a toilet, where they find a bustling municipality in the sewer. However, in the hands of Aardman Productions, the endlessly imaginative company responsible for "Chicken Run" and "Wallace and Gromit," anything is possible. And so it is with "Flushed Away," which tells the upstairs-downstairs tale of a coddled mouse who finds action and adventure after a trip through the plumbing. Critics say that while "Flushed Away" may not achieve the dizzying heights of "Wallace & Gromit: The Curse of the Were-Rabbit" (which scored 95 percent on the Tomatometer), it’s an eccentric, inventive family film with plenty of laughs. At 76 percent on the Tomatometer, "Flushed Away" is critically sanitized for your viewing pleasure.


Dive in! It’s fresh!

"The Santa Clause 3: The Escape Clause," was barely screened for critics, much like star Tim Allen‘s last flick, "Zoom." The big difference is that "Clause" at least has a couple good reviews, whereas "Zoom" had none. The story of Santa’s duel with Jack Frost for control over Christmas, "Clause" hasn’t exactly enchanted the critics who have seen it; they say the movie is labored and mostly mirthless. It’s currently at 29 percent on the Tomatometer.


Yes, Virginia, there is a "Santa Clause 3."

Also opening this week in limited release: "Commune," a documentary about the Black Bear Ranch in California, is at 100 percent; "Romantico," a heartbreaking documentary about a musician working illegally in the U.S., is at 100 percent; Pedro Almodovar‘s "Volver," starring Penelope Cruz in a complex tale of womanhood, is Certified Fresh at 90 percent; "Wondrous Oblivion," the story of a boy and his neighbor who bond over the game of cricket, is at 60 percent; "Death & Texas," a death penalty satire, is at 60 percent; the twisty thriller "Unknown," starring Greg Kinnear, is at 29 percent; "Shottas," a based-on-true-events Jamaican crime flick, is at 20 percent; and "Zerophilia," a gender-bending rom-com, is at 18 percent.


Pedro Almodovar and Penelope Cruz take a spectral walk down memory lane with "Volver." Check out our retrospective of the Spanish director’s work here.

Finally, we’d like to bestow props upon the whimsically monikered killthemall4444, who correctly predicted that the equally whimsical "Saw III" would wind up with a Tomatometer of 28 percent. Congrats, ktm4444.

Best Reviewed Wide Releases of 2006:
————————————————
95% — Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
93% — Dave Chappelle’s Block Party
93% — The Departed
90% — United 93
88% — Inside Man
84%– Akeelah and the Bee
83% — Slither
83% — The Descent
80% — A Prairie Home Companion
79% — Catch a Fire

Recent Tim Allen Movies:
——————————–
0% — Zoom (2006)
28% — The Shaggy Dog (2006)
4% — Christmas with the Kranks (2004)
55% — The Santa Clause 2 (2002)
22% — Who Is Cletis Tout? (2002)

Recent Sacha Baron Cohen Movies:
———————————————
72% — Talladega Nights: The Ballad of Ricky Bobby (2006)
55% — Madagascar (2005)
55% — Ali G Indahouse: The Movie (2002)

Another frame packed with four new national releases is led by Oliver Stone‘s 9/11 drama "World Trade Center" from Paramount. A trio of lower profile pics round out the weekend – Sony’s family adventure "Zoom," Buena Vista’s teen drama "Step Up," and The Weinstein Company’s horror flick "Pulse." Despite all the new entries, Will Ferrell will try to win the box office title for the second consecutive time with his comedy "Talladega Nights" which has been racing well ahead of its competition since opening last weekend.

Nicolas Cage, Michael Pena, Maggie Gyllenhaal, and Maria Bello star in the high-profile story of courage "World Trade Center" which Paramount debuted on Wednesday. The PG-13 film tells the real life story of John McLoughlin and William Jimeno, two Port Authority cops who were trapped in the rubble of the Twin Towers on September 11. Rather than focus on any villains, "WTC" only tells the story of ordinary men put into extraordinary circumstances and how their families coped. Mature adults will make up the primary audience. Teen appeal seems limited. Since the box office is currently lacking choices for older adults, the Oliver Stone film will not face much direct competition. Men and women will be equally drawn to this emotionally-charged story of heroism.

There will be many moviegoers that will find it to be too soon for a film about a tragedy just approaching its fifth anniversary. However, curiousity will bring out others looking for an uplifting story about that fateful Tuesday morning. "WTC" should appeal to many of the same people who turned out for 2004’s "Ladder 49." That film featured Cage’s "Face/Off" nemesis John Travolta as a noble firefighter and just told a tale about American heroes doing the right thing for each other, and not really dwelling on any enemy. "Ladder" bowed to $22.1M over three days.

Center will also be compared to April’s United 93 which was the first Hollywood film to tackle 9/11. With a subdued release in under 1,800 locations, that pic opened well with $11.5M and a solid $6,395 average. "WTC" has more theaters, more starpower in front of and behind the camera, and is not as grim. Reviews have mostly been good which will help. Long-term prospects are encouraging since the rest of August has nothing major for mature adults. Now playing in 2,803 theaters, "World Trade Center" might open with about $18M over the weekend and around $24M over five days.

Tim Allen plays an ex-super hero who is called upon to train a group of slacker kids in Sony’s new family film "Zoom." The PG-rated pic will have plenty of competition as it marks the fourth consecutive week that studios have rolled out movies aimed at young ones. Only this time, it isn’t a toon. Allen has always been a consistent draw in this genre, most notably in his "Santa Clause" movies which sees its third installment this coming holiday season. Earlier this year, he starred in the Disney remake "The Shaggy Dog" which bowed to $16.3M in March. "Zoom," which co-stars Courteney Cox and Chevy Chase, will not reach that level as it is not generating as much excitement. Plus the volume on the marketing push has been typical of a mid-August opener. Flying into 2,501 theaters, "Zoom" might debut with around $9M.

Hollywood seems to have written a new rule stating that 9/11 films must be counter-programmed with teen-girl pics that explore popular extracurricular activities. "United 93" opened against the gymnastics comedy "Stick It," and now "WTC" will face Buena Vista’s "Step Up" which finds a ballerina and a tough street dancer locking hips. The PG-13 film will play primarily to young females and the studio is hoping to score another low-cost hit like Disney’s April comedy which debuted to a better-than-expected $10.8M. "Step Up" lacks marquee stars, but does offer some faces that add value when it comes to the Clearasil crowd. The bad boy meets good girl formula is once again tested and little crossover to older patrons is likely. Competition for teens and young adults is ample so a breakout bow may not surface, but a respectable showing is likely. Dancing into 2,100 theaters, "Step Up" could debut to around $8M.

Supernatural beasties attack us innocent humans through cell phones and email in the new horror flick "Pulse." The PG-13 film is aimed at teens that have seen every other film and want some quick thrills before heading back to school. With no major stars, and a concept that is far from intriguing, the Weinstein Co. release should be in for some modest dollars over the weekend. "The Descent" will be "Pulse’s" major foe, but like most fright flicks, the chicks-in-a-cave movie should tumble down further on the charts in its second weekend. "Step Up" and "Talladega Nights" will also be distracting teens. Opening in 2,326 theaters, "Pulse" might scare up about $8M this weekend.

In foreign film releases, Yash Raj Films opens the all-star Bollywood film "Kabhi Alvida Naa Kehna" (Never Say Goodbye) in top markets across North America. Shot in New York, the Hindi-language film explores the breakdown of marital bonds. Brazilian actress Fernanda Montenegro ("Central Station") headlines "The House of Sand" which Sony Classics platforms in New York and Los Angeles this Friday. The story of three generations of women in the barren lands of northern Brazil played at the Tribeca Film Festival and will roll out into more cities throughout the rest of summer.

Last weekend’s box office champ "Talladega Nights" hopes to retain its crown in its second lap. The Will Ferrell hit is sure to see a large decline, but competition for teens and young adults is not too fierce. A 50% drop would leave Sony with about $23M for the session and a solid ten-day cume of $92M. Paramount’s "Barnyard" may fall by 40% and rake in around $9.5M pushing its total to $33M after ten days. The Johnny Depp megasmash "Pirates of the Caribbean: Dead Man’s Chest" could drop by another 40% to $6.5M lifting its jaw-dropping total to $392M.

LAST YEAR: Director John Singleton scored a top spot debut with his revenge thriller "Four Brothers" which debuted with $21.2M. Paramount found its way to $74.5M with the Mark Wahlberg drama. Opening in second was the Kate Hudson suspense thriller "The Skeleton Key" with $16.1M on its way to $47.8M for Universal. Falling from first to third was the comedy "The Dukes of Hazzard" with $13M dropping a steep 58% from its bow. Rival comedy "Wedding Crashers" held up much better easing 26% in its fifth frame to $11.8M. Opening in fifth place with $9.6M was Sony’s comedy sequel "Deuce Bigalow: European Gigolo" which ended its run with just $22.3M. The weekend’s other new release, the military drama "The Great Raid," opened modestly in tenth with only $3.4M on its way to $10.2M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Denzel Washington‘s bank heist thriller "Inside Man" snagged the #1 spot at the weekend box office derby, pulling in an estimated $29 million from about 2,800 theaters — which is good news, because if the big-budget, big-actor flick had debuted behind a Disney horror movie or a Larry the Cable Guy comedy, Universal would have been pretty darn angry.

Last week’s #1 title, WB’s "V for Vendetta," plunged more than 50% and raked in an additional $12.3 million, giving it a grand (domestic) total of about $46.2 million. Third place went to Disney’s PG-13 "horror" movie "Stay Alive," which made $11.2 million from 2,000 screens, while fourth and fifth place went to the rom-com "Failure to Launch" ($10.8 million, $63.9m total) and the kiddie flick "The Shaggy Dog" ($9.1 million, $47.9m total).

Debuting in 7th place was Lionsgate’s "Larry the Cable Guy: Health Inspector," which earned about $7 million from 1,700 theaters.

Next week’s big releases are Warner’s urban drama "ATL," Sony’s long-arriving "Basic Instinct 2," Fox’s animated sequel "Ice Age: The Meltdown," and Universal’s tongue-in-cheek splatter-fest "Slither."

For a closer look at the weekend numbers, pop on over to the Rotten Tomatoes Box Office Page!

Not even remotely surprising is the fact that the new Natalie Portman action epic "V for Vendetta" was #1 at the weekend box office, as it’s a title that’s been talked up and touted for about half a year now. The $50+ million project opened a few months later than expected, but it still did so in fairly impressive fashion. The Wachowski/WB production hauled in an estimated $26.1 million from 3,300 theaters, giving "Vendetta" the #1 spot by more than 10 million bucks.

Clocking in at second place was Paramount’s rom-com "Failure to Launch," which added an extra $15.8 million to its $48.4 million total. Third place went to another hanger-on, the Disney remake "The Shaggy Dog." The mutt made another $13.6 million, putting its total right around $35.8 million.

A first-weekend newcomer hit the scene in fourth place: DreamWorks’ gender-switch teen-com "She’s the Man" made about $11 million from 2,600 theaters. Rounding out the top 5 was Searchlight’s "The Hills Have Eyes," which tumbled nearly 50% from last week. ($8m weekend; $28.7m total)

Limited releasers saw some good news and some bad news. Fox Searchlight’s "Thank You for Smoking" debuted in five theaters and earned $52,000 per, while Sidney Lumet‘s "Find Me Guilty" showed up in 439 theaters and made only $1,430 per. Yowch.

Next weekend’s big releases include Universal’s crime thriller "Inside Man," Lionsgate’s "Larry the Cable Guy" movie, and Disney’s PG-13 horror flick "Stay Alive."

As always, the Rotten Tomatoes Box Office Page is open and awaiting your perusal.

By now it’s downright ridiculous, but once again the weekend’s box office winners are also the week’s critical duds, with the aptly named "Failure To Launch" balancing a Tomatometer of 30 percent with an opening B.O. of $24.6 mil.

That’s right, the Matthew McConaugheySarah Jessica Parker rom-com that gave all the scribes fodder for their cannons with its title alone managed to debut at #1 last weekend, with an impressive per-screen average of $8K. According to Variety, we have the over-25 female demographic combined with the hunky powers of McConaughey to thank for this.

Coming in second last weekend was Tim Allen‘s mongrel of a flick, "The Shaggy Dog," which actually tied "Failure to Launch" with 30% on the Tomatometer but performed well below at the box office with a total of $16 million from 3501 theaters.

Third in theaters last weekend was the Alexandre AjaWes Craven remake, "The Hills Have Eyes." Faring slightly better with critics (51% on the Tomatometer) seemed to do little good for the mutant hill-people slasher, which brought in $15.5 million (but played in only 2620 theaters and had a much narrower, bloodthirstier audience than the top two flicks).

Interesting results came with the performance of Oscar winner "Crash," which Lions Gate re-released last week following the Best Picture win. Opening in only 175 theaters, the pic brought in a disappointing $357,000, according to Variety.

Also, the mighty "Madea" was finally knocked off its cushy perch by the top three openers and last week’s "16 Blocks," which pulled in $7.3 million to take number 4 at the B.O. "Madea’s Family Reunion" added only $5.8 million to its total so far of nearly $56 mil, and dropped from #1 last week to #5.

For the complete returns from last weekend, click over to the Rotten Tomatoes Box Office page.

This week’s wide releases include a pair of remakes for very different demographics ("The Shaggy Dog" and "The Hills Have Eyes"), and a romantic comedy ("Failure to Launch"). What will the critics say?

"The Shaggy Dog" is a remake of the 1959 Fred MacMurray family comedy. This one stars Tim Allen as a district attorney who is accidentally injected with a chemical that periodically turns him into a dog; family togetherness ensues. Critics say this family fare is not sharp on its own modest terms, and despite some decent moments (many of them courtesy of Robert Downey Jr.), it lacks, ahem, bite. At 36 percent on the Tomatometer, this "Dog" could use a trip to the vet; it’s not as healthy as the original, which stands at 75 percent.

Listen up, Hollywood, because I’m only going to say this once. Don’t you know that you’re asking for trouble from movie critics if you put negative descriptors in your title? It’s like a red cape in front of a charging bull. "Failure to Launch," starring Matthew McConaughey and Sarah Jessica Parker, tells the story of a regular 30-something dude whose parents want him to move out, so they hire a woman to try to go on a date with him. Scribes say the leads have an acceptable level of chemistry, and that the film benefits from quirky supporting players, particularly Zooey Deschanel. But they hasten to add that the title is a bit too apt, for the setup and the script are too contrived for the material to really achieve liftoff. At 34 percent on the Tomatometer, this one’s a… never mind.

Wes Craven‘s "The Hills Have Eyes" gets the remake treatment from Alexander Aja, the director behind the recent slasher fave "High Tension." The film tells the story of a family road trip that comes to an abrupt halt, thanks to a clan of bloodthirsty genetic mutants. Critics say it’s a pretty gruesome experience, and one of the better horror remakes of recent years; whether those are compliments depends on your taste. At 53 percent on the Tomatometer, this one’s a slight notch below the original (63 percent).

Recent Matthew McConaughey Movies:
————————————————
20% — Two For the Money (2005)
86% — Magnificent Desolation: Walking on the Moon 3-D (2005)
38% — Sahara (2005)
19% — Paparazzi (2004)
42% — How to Lose a Guy in 10 Days (2003)

The power of Tyler Perry continued over Oscar weekend, with his "Madea’s Family Reunion" snagging the #1 spot for a second consecutive weekend. Despite a Tomatometer stuck on 30%, the flick just keeps packing ’em in: Madea made another $13 million last weekend, giving her a total purse of $48.1 million.

Debuting in the #2 spot was the Bruce Willis action thriller "16 Blocks," which tallied an estimated $11.7 million from 2,700 theaters. Disney’s "Eight Below" exhibited some strong staying power by hanging at #3 in its third weekend. The frozen dog flick made another $10.3 million last weekend, giving it a grand total of $58.8 million thus far.

A pair of kid-friendly newcomers rounded out the top five. Milla Jovovich‘s futuristic action flick "Ultraviolet" pulled in $9 million from 2,500 theaters, while the teen-girl mermaid comedy "Aquamarine" made about $7.5 million from its own 2,500. (I’d pay nine bucks to see a sequel called "Ultraviolet vs. Aquamarine.")

Next Friday sees the unleashing of three new wide releases: The rather painful-looking Disney remake "The Shaggy Dog," the slacker-boy/smart-girl rom-com "Failure to Launch," and Searchlight’s geek-anticipated revisit of Wes Craven‘s "The Hills Have Eyes."

For a closer look at the weekend numerals, please do stop by the Rotten Tomatoes Box Office Page.

In 1959 Disney released a live-action family comedy about a family man who turns into a dog. Instead of keeping “The Shaggy Dog” out of the public consciousness, for good reason, the remake gods dictated that we needed a brand-new version. And that it should star Tim Allen. Check out the trailer right here. And yes, “Who Let the Dogs Out?” is a song used in the trailer.

Plot synopsis: An uncaring father learns how to love his kids only after turning into a fuzzy sheepdog and causing all sorts of painfully slapstick antics.

Co-starring alongside the humiliated-looking Tim Allen are Kristin Davis, Danny Glover, Robert Downey Jr., Spencer Breslin, and Jane Curtin. The director is (not surprisingly) Brian Robbins, the artist who gave you “The Perfect Score,” “Hardball,” “Ready to Rumble,” and “Varsity Blues.”

March 10th is when it hits, so be careful when wandering the multiplexes that day.

It’s almost here — the one time of year when pigskin-loving jocks and ravenous movie fans come together to salivate over 30-second blocks of pure advertising: Super Bowl Sunday.

Here at RT we’ll be working overtime during Super Bowl XL (that’s 40, not extra large) to bring you a play-by-play of the highly anticipated movie trailers peppered among the talking frogs, soccer-playing Clydesdales, and The Twins of 2006! Check back for updates at halftime and after the game, and let us know which trailers (and other multi-million dollar ads) you enjoyed the most…

Super Bowl Trailer Watch Update:

In between trips to the fridge for beer and snacks, you may have glimpsed the following trailers — but did they convince you to run to your local cineplex when they hit theaters?

At a rumored average price of $2.6 million per spot, the studios sure hope so.

HALF TIME UPDATE – In broadcast order:

Click, (Adam Sandler, Kate Beckinsale)…view it here.

16 Blocks (Bruce Willis, Mos Def)…view it here.

V For Vendetta (Natalie Portman, Hugo Weaving)…view it here.

Cars (Paul Newman, Owen Wilson)…view it here.

Mission Impossible: III (Tom Cruise)…view it here.

The Shaggy Dog ( Tim Allen, Kristin Davis)…view it here.

Poseidon (Josh Lucas)…view it here.

POST GAME UPDATE:


Pirates of the Caribbean 2: Dead Man’s Chest
(Johnny Depp)….trailer here.

Running Scared (Paul Walker, Chazz Palminteri)…trailer here.

Post your thoughts on the 2006 Super Bowl: million-dollar trailers, Mick Jagger (does he still rock at age 90?), Jerome Bettis (is retirement on the horizon for The Bus?), the Super Bowl itself (is it, in fact, still Super??)

GoDaddy.whatever it is, FedEx delivery cavemen, Budweiser’s secret revolving beer fridge, Godzilla gives Mechaman a Hummer, Burger King’s dancing whopper orgy — does anyone else miss the talking frogs??

Anyone up for a Disney remake of "The Shaggy Dog," starring Tim Allen? The one about a guy who turns into a dog? Anyone? If you’re brave enough to check out this trailer, please do leave a comment, and make it something more creative than "Argh, my eyes!," because I already used that one.

Plot synopsis? "Dave learns a valuable lesson about truth and appearances when quite unexpectedly he finds himself changed into a sheepdog."

Cast? Tim Allen, Kristin Davis, Danny Glover, Craig Kilborn, and Robert Downey Jr. (I know; weird, isn’t it?)

Director? Only the man who brought you "The Perfect Score," "Hardball," "Ready to Rumble," "Varsity Blues," and "Good Burger."

"The Shaggy Dog." March 10th. Be there.

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