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After breaking into the mainstream as smarm personified in Wedding Crashers, Bradley Cooper seemed poised for a career filled with rude comedies and rom-coms — and for a few years, his filmography threatened to live down to those limited expectations, with stuff like Failure to Launch and All About Steve surrounding his follow-up hit The Hangover. Once he had half a chance, however, Cooper flashed his dramatic chops, giving audiences a feel for what he could really do in Limitless before vaulting into the Oscar-nominated A-list with American Sniper, Silver Linings Playbook, and American Hustle. Factor in his MCU stint as the lovably misanthropic Rocket in the Marvel Cinematic Universe and it’s clear we’ve seen just the tip of what this multi-hyphenate talent can do. For further proof, here’s a look at all Bradley Cooper movies, rounded up and sorted by Tomatometer!
(Photo by Claudette Barius/©Warner Bros./Courtesy Everett Collection)
“Alright alright alright!” Only one man in Hollywood could fully embody the laidback cool of that now-famous catchphrase: Matthew McConaughey. The actor broke into the scene with the landmark stoner comedy Dazed and Confused, and for a while there looked like he was good to just coast on his twangy bro-charm and ample shirtless scenes. Occasional dramas like Amistad and Frailty gave him acting cred, which some would say was squandered on a string of duds like Fool’s Gold, Failure to Launch, and Ghosts of Girlfriends Past – the mediocrity cresting with the 0% Surfer, Dude.
Then came the McConaissance.
It all started with 2011’s The Lincoln Lawyer: He entered one side a laughing stock, and came out the other a bona fide movie legend. The hits followed: Magic Mike, Mud, The Wolf of Wall Street, and an honest-to-God Oscar for Dallas Buyers Club. And there was that critically-lauded turn in HBO’s True Detective. Before 2011, McConaughey had notched six Certified Fresh films over 20 years; this past decade, he’s racked up nine. See where they all place, including his latest The Gentlemen, as we rank the best Matthew McConaughey movies (and the worst) by Tomatometer!
Nude scenes: we love them. Well, most of the time, anyway.
Every so often, a film comes along that contains nudity that transcends “gratuitous” (hooray for Porky’s!) and wanders into “oh dear God, my eyes, please help me” territory. We’ve all been there, whether it was getting that extra bit of Bacon during Wild Things‘ opening weekend, or stumbling across Dennis Hopper without his pants on during a late-night Cinemax airing of Carried Away — but thankfully, Papermag‘s Cinemaniac is here to help you navigate the pitfalls of unclothed celebrities, with a list of the Top Ten Worst Nude Scenes of All Time.
The list is as cruelly humorous as you’d expect — perfect for a Friday, in other words — but we’ll save the prose for those of you who want to follow the link. In the meantime, here’s the list:
Philip Seymour Hoffman, Before the Devil Knows You’re Dead
Donald Sutherland, Space Cowboys
Kathy Bates, At Play in the Fields of the Lord
John Gielgud, Prospero’s Books
Julie Andrews, S.O.B.
Burgess Meredith, Such Good Friends
Terry Bradshaw, Failure to Launch
Jessica Tandy, Camilla
Jay North, Maya
Patrick Dempsey, Some Girls
As the article puts it when referencing Dempsey’s Some Girls scene, “some things are better left to the imagination.” What’s on your personal list of Worst Nude Scenes of All Time?
Hollywood plays the race card this weekend opening a pair of star-driven comedies, one for white moviegoers and the other for black audiences. Matthew McConaughey and Kate Hudson get the wider release with the romantic adventure comedy Fool’s Gold while debuting in 741 fewer theaters is Martin Lawrence‘s family reunion laughfest Welcome Home Roscoe Jenkins. Adding to the mix is the standup comedy concert pic Vince Vaughn’s Wild West Comedy Show which will also try to tickle funnybones from coast to coast. Not all three films will get to laugh all the way to the bank.
Five years and one day after their date flick How To Lose A Guy in 10 Days became a number one hit, McConaughey and Hudson reteam for Fool’s Gold. Directed by Andy Tennant (Hitch, Sweet Home Alabama), the PG-13 picture tells of an ex-couple that must band together to find sunken treasure. The Warner Bros. release looks like a winner on paper. Take two stars with a proven track record, put them in a film that combines romantic comedy with action adventure, and hefty grosses from both genders should come rolling in. The marketing has certainly been pushing all the right aspects trying to sell this as a Romancing the Stone for today’s twentysomethings and thirtysomethings.
But the film’s poor execution will be a major liability in the long run. Reviews have been among the worst of any film in this new year. Since Fool’s Gold will play to an over-25 crowd, the thumbs down from critics could have an impact. Bad word-of-mouth will certainly kick in after this weekend and hurt future weeks. Then again, critically-panned comedies packed with big stars usually sell pretty well with the paying public. Gold will play to the same crowd that powered 10 Days to a $23.8M bow and McConaughey’s 2006 rom-com Failure to Launch to $24.4M. Both skewed female and heavily white. The actor’s latest offering could open in the same neighborhood but should suffer weaker legs. Opening in 3,125 theaters, Fool’s Gold may bow to about $23M.
Roscoe Jenkins will pull in most of its business from the African American audience. Turnout should be robust given the starpower. Sure the family reunion story has been done a hundred times, but moviegoers will want to see all the big names under one roof giving them two hours of laughs. In the right film, and when surrounded by other marquee stars, Martin Lawrence is still a big draw at the box office. His comedy sequel Big Momma’s House 2 opened to $27.7M around this time of year in 2006.
Plus with this weekend’s Top 20 set to offer no other films led by black casts, direct competition will be minimal. The Ice Cube comedy First Sunday debuted to $17.7M a month ago and Martin and gang could do better. Reviews will not be very good, but that should not matter much. The only limiting factor will be the theater count. Debuting in 2,384 locations, Welcome Home Roscoe Jenkins could collect around $20M this weekend.
The Eye settled for a decent second place finish over the Super Bowl frame and like most fright flicks, should not enjoy a good hold on the second weekend. The new menu of comedies won’t provide too much competition so a decline of 50% would leave Lionsgate with about $6M lifting the total to $21M after ten days.
Fox’s female-skewing comedy 27 Dresses will take a direct hit from Matt and Kate’s reunion. Look for the Katherine Heigl film to fall by 40% to $5M for a 24-day score of $64M. Playing to a slightly different audience, Rambo took a sizable blow over the Super Bowl frame and should see its drop stabilize to 50%. That would leave the ultraviolent Lionsgate sequel with $3.5M putting the overall cume at $36M.
LAST YEAR: Following soon after his first-ever Oscar nomination for Dreamgirls, Eddie Murphy rocketed to number one at the box office with the powerful $34.2M debut for the comedy Norbit. The Paramount release went on to gobble up $95.7M domestically and about $160M worldwide. Opening in second with a respectable $13.1M was the thriller Hannibal Rising which went on to gross $27.7M for The Weinstein Company. The previous weekend’s top two films followed, but switched their order. Universal’s Diane Keaton comedy Because I Said So held up well and grossed $9.2M while the horror pic The Messengers fell harder and took in $7.2M for Sony. Rounding out the top five was the unstoppable holiday hit Night at the Museum with $5.8M in its eighth frame.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Two promising new comedies target different age groups and look to close off a red hot March box office with strong opening weekend sales.
Paramount offers the Will Ferrell pic "Blades of Glory" while Disney goes after the kids with the animated flick "Meet the Robinsons." Together, the pictures should help the marketplace surge and allow the top ten to cross the $100M mark for the fifth consecutive frame. The box office has not seen this kind of streak since last summer. Smaller films entering the multiplexes include the action pic "The Lookout" from Miramax and Universal’s uplifting drama "Peaceful Warrior."
Comedy king Will Ferrell skates into theaters everywhere looking for another gold medal with his newest laugher "Blades of Glory." The PG-13 film finds the funnyman and Jon Heder playing rival figure skaters who must team up as a pair in order to compete again. Amy Poehler, Will Arnett, Jenna Fischer, and Craig T. Nelson co-star. "Blades" boasts the two main ingredients to a successful comedy hit – a bankable star and a unique concept. Add in the very funny commercials and trailers and Paramount is well-positioned to score its second number one hit of the year joining fellow star-driven comedy "Norbit." Both pics were produced by DreamWorks.
Ferrell left the competition in the dust last summer with "Talladega Nights" which bowed to a robust $47M on its way to a $148M final. "Blades" doesn’t have as big of a marketing push or the prime summer play period so its opening will not soar as high. But the former "Saturday Night Live" star will again prove that he is a reliable draw. The industry had some doubts in 2005 when both "Bewitched" and "Kicking and Screaming" failed to reach $65M. Ferrell’s 2004 hit "Anchorman" debuted to $28.4M and "Blades" should play out like that one, only bigger. Teens and young adults will be the driving force plus there is plenty of cross-gender appeal. Though the marketplace is crowded with many options, there aren’t too many direct threats. "Wild Hogs," the only major comedy, is getting old as is "300" which most high school and college students have already seen. Spinning into over 3,000 theaters, "Blades of Glory" should finish in first place and win about $37M over the weekend.
Disney uses its patented moves to go after the family audience with its latest animated offering "Meet the Robinsons." With most digital toons these days being of the PG variety, "Robinsons" carries a G rating which it hopes will help convince parents to buy tickets for even the youngest of their children. The story follows an orphan boy who befriends a kind family and features the voices of Angela Bassett, Tom Selleck, and Adam West. In the cartoon world, films sell best when they are comedies and feature popular comedians in central roles. "Robinsons" at least has the first factor working for it.
The marketing has been strong and trailers have been funny. But unlike the studio’s last film for kids, "Bridge to Terabithia," this time competition will be a force. "TMNT" and "The Last Mimzy" will only be in their second weekends and are set to steal away about $20M worth of business from the same target audience. Luckily, the weekend’s two other new films will attract different segments of the moviegoing crowd. "Meet the Robinsons" does not have the firepower to reach the heights of Pixar pics. Rather, it may bring out the same size audience as last fall’s "Open Season" which bowed to $23.2M from an ultrawide 3,833 locations. "Meet the Robinsons" bows in roughly 3,200 sites but could exploit its studio’s brand name to deliver a similar gross of about $23M.
Years after leaving the sitcom world of NBC’s "3rd Rock From the Sun," Joseph Gordon-Levitt anchors the heist thriller "The Lookout." The R-rated Miramax release comes from writer-turned-rookie-director Scott Frank and co-stars Jeff Daniels. Starpower is seriously lacking here and that will hurt its box office prospects. Reviews have been good, but the target audience of young adults have "Blades of Glory," "300," and "Shooter" to choose from and all of them offer more for the money. With only so much marketing and distribution strength behind it, the film will have a tough time just getting an invite to the top ten. "The Lookout" debuts in about 1,000 theaters on Friday and could collect about $4M over three days.
In an unorthodox approach, Universal will be releasing the inspirational drama "Peaceful Warrior" in 615 theaters this weekend but most moviegoers will actually be getting free tickets through a promotion with Best Buy. The PG-13 film starring Nick Nolte was given a limited release last summer and grossed more than $1M from just over 40 theaters. Universal will report box office grosses that include regular paid sales plus full ticket prices for each free admission. With $15M worth of free tickets allocated for opening weekend, it will be unlikely that the paid portion will make up a sizable amount. Film fans who visit the promotional web site can get up to ten complimentary tickets each. However, the studio should get some extra buzz that it could benefit from when the DVD is released a few months down the road.
The Ninja Turtles ruled the box office last weekend in "TMNT," but will face a formidable foe in Disney’s "Meet the Robinsons" which will play to the same audience. A 40% drop would give the animated actioner $14M for the frame and $43M after ten days. Warner Bros has also been raking in the dough with its stylish war epic 300 which has been holding up surprisingly well. Another 40% fall will put the R-rated battle pic at $12M boosting the cume to $180M after 24 days. Mark Wahlberg‘s "Shooter" could decline by 45% to $8M giving Paramount a ten-day total of $27M.
LAST YEAR: Smashing the March opening weekend record set four years earlier by its predecessor, "Ice Age: The Meltdown" shot straight to number one with a colossal $68M debut. The Fox juggernaut went on to gross $195.3M domestically and a towering $657M worldwide giving the "Ice Age" duo over $1 billion in global grosses. Dropping to second was "Inside Man" with $15.4M. Warner Bros. launched its urban drama "ATL" in third with $11.6M on its way to $21.2M. Rounding out the top five were "Failure to Launch" with $6.5M and "V for Vendetta" with $6.3M. The horror flick "Slither" creeped into eighth place with a $3.9M opening leading to a $7.8M final. Sony claimed the year’s most notorious flop with "Basic Instinct 2" which bowed to $3.2M on its way to a pathetic $5.9M before sweeping the Razzie Awards.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
A half-dozen new soldiers enter the marketplace this weekend trying to topple the kingdom of "300" which has reigned supreme at the box office for the past two weeks.
Mark Wahlberg toplines the sniper thriller "Shooter," animated ninja turtles fight crime in "TMNT," and mutated zombies attack in "The Hills Have Eyes 2." In addition, moviegoers will get to choose from the kids adventure "The Last Mimzy," the sports saga "Pride," and the Adam Sandler drama "Reign Over Me." Holdovers should witness some large declines as these new pics all fight over the time and attention of ticket buyers. The box office may not have room for all to survive.
Seventeen years after shocking the film industry with a record March opening, the Teenage Mutant Ninja Turtles are back but in animated form in "TMNT." The Warner Bros. toon features the voices of Patrick Stewart, Sarah Michelle Gellar, and Ziyi Zhang and carries a PG rating that is friendly for kids. Given the violence, "TMNT" should skew more to boys and might even pull in those who grew up with the characters in the late 1980s and early 1990s. With all the R-rated films recently, there have not been too many choices for kids this spring. "The Last Mimzy" is the only new release that will provide direct competition for that audience. Bringing its turtle power to 3,110 theaters, "TMNT" may generate a bow of roughly $16M this weekend.
Hot off his recent Oscar nomination, Mark Wahlberg hits the big screen in the action thriller "Shooter" playing a former Marine sniper trying to clear his name after being wrongly accused of trying to assassinate the U.S. President. The R-rated film comes from "Training Day" director Antoine Fuqua and co-stars Danny Glover and Michael Peña. The film is banking on the starpower of Wahlberg who has been able to anchor hits in recent years. Late summer pics like last year’s "Invincible" and 2005’s "Four Brothers" opened to $17M and $21.2M, respectively, and brought in solid sales overall. "Shooter" is targeting the adult action crowd with appeal that will reach both men and women. Certainly "300" will play to much of the same audience and be a factor. Though no Damon or Cruise, Wahlberg has indeed become a believable action hero and is in a role that audiences will buy him in. Plus his Academy nod for "The Departed" has only increased audience respect for the former rapper. Opening in 2,600 theaters, "Shooter" might take in about $16M for the weekend.
Last March, Fox Searchlight hit gold with the horror remake "The Hills Have Eyes" which bowed to $15.7M and grossed $41.8M overall. A year later, the sequel is born this time coming out through Fox Atomic, the studio’s new division geared towards young adult audiences with genre fare. "Eyes 2" once again is targeting the horror crowd with slick marketing hoping to lure in those seeking R-rated gore and violence. Plus the distributor is premiering the trailer to the upcoming fright sequel "28 Weeks Later" with the new "Hills" installment to help give moviegoers more for their money. Much of the audience for the first pic will probably return, although the sequel will face more competition as "300" and "Shooter" will both be drawing in young men. Attacking 2,500 theaters, "The Hills Have Eyes 2" could open to around $13M this weekend.
New Line studio chief Bob Shaye steps back into the director’s chair with the family adventure "The Last Mimzy" based on a popular short story. The "E.T."-like film about a boy and a girl who find a mysterious animal with mystical powers hopes to attract an audience of kids and parents, but will have to face some stiff competition from its studio’s former heroes, the Ninja Turtles. That toon should take away more boys than girls so "Mimzy" may end up skewing a bit more female. New Line hopes that much of the crowd that spent $75M and counting on "Bridge to Terabithia" will take a spin with this new effects-filled fantasy so sneak previews were held to help raise awareness and get buzz spreading. Still, a competitive environment will probably cut into its potential. Landing in over 3,000 sites, "The Last Mimzy" might gross about $12M this weekend.
Targeting the African American audience this weekend is Lionsgate with its swim team drama "Pride" starring Terrence Howard. The PG-rated film will try to appeal to males with the sports saga and females with its human drama and half-nude muscular men. But Howard has not yet proven that he can open a picture on his own and "Pride" may not be the one to increase his future salary demands. "Remember the Titans" and "Coach Carter" both opened north of $20M and much of that was due to starpower. Plus Chris Rock found out last week that African Americans will not just show up for any film with a predominantly black cast. Diving into 1,518 theaters, "Pride" could swim to a weekend gross of about $7M.
Adam Sandler goes back to serious territory with the R-rated drama "Reign Over Me" playing a man whose life fell apart after his wife and kids were killed on 9/11. It’s no surprise Sony is releasing the film given all the cash the comedian has made for the studio over the years. Don Cheadle and Jada Pinkett Smith co-star. Given the subject matter, the rating, and Sandler’s Bob Dylan haircut, the actor’s core audience of immature young males will not be lining up this time. Remember "Spanglish‘"s $8.8M bow? Well, it could get worse for "Reign." After "United 93" and "World Trade Center," demand isn’t very high for yet another look at September 11. Given all the choices in the marketplace, adult audiences will be divided between many films so only a small slice might go this way. Debuting in 1,671 venues, "Reign Over Me" could open with about $6M.
The mighty King Leonidas barely broke a sweat over the last two weeks in his box office victories. But the invading armies this weekend will pose a great threat to "300"’s rule. "Shooter" and "Hills" will provide the most direct competition. A 50% drop may be in order which would leave the Warner Bros. epic with roughly $16.5M for the frame and an impressive $157M in 17 days.
LAST YEAR: Spike Lee and Denzel Washington joined forces for the heist thriller "Inside Man" and found themselves at number one with a potent $29M opening. Universal went on to collect $88.5M domestically and $183M worldwide. The competing actioner "V for Vendetta" dropped from first to second with $12.3M falling 52% in its second weekend. Debuting in third was the horror flick "Stay Alive" with $10.7M on its way to $23.1M for Buena Vista. Rounding out the top five were "Failure to Launch" with $10.5M and "The Shaggy Dog" with $9M, both in their third weekends. Bowing in seventh place was the blue collar comedy "Larry the Cable Guy" with $6.9M leading to a $15.7M final.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Though a highly-paid and well-liked star, Sandra Bullock has never been a big pull on opening weekend for her films. Now the actress hopes to reach a career high with her new suspense thriller "Premonition."
The PG-13 chiller finds the acclaimed actress playing a woman who finds herself in a parallel existence where her husband has been killed in an accident. No other major stars are here so this is Bullock’s to make or break. Most of her major hits have opened only in the mid-teen millions. Surprisingly, the star’s biggest debut ever has been only $16.2M delivered by both "Speed 2" in 1997 and "The Divine Secrets of the Ya-Ya Sisterhood" in 2002.
"Premonition" should skew female and play to a mature crowd. Teen interest could be mild. Those who find "300" too gory and violent might choose this pic for their weekend thrills. And when it comes to marketing scary flicks, nobody does it better than Sony. But critics have not been too kind thus far and that may make older women hesitate. Plus "Wild Hogs" will provide some competition as Travolta and company have been drawing a solid female following. Creeping into 2,831 theaters, "Premonition" could open with around $17M this weekend.
Chris Rock takes on the roles of writer, director, star, and producer in his latest comedy "I Think I Love My Wife" playing a bored businessman and husband who is tempted by a curvy female friend. A remake of the 1972 French film "Chloe in the Afternoon," the R-rated pic co-stars Kerry Washington, Gina Torres, and Steve Buscemi. The Fox Searchlight release should play to a mature adult crowd given the theme and may struggle to connect with Rock’s single young male following. The African American audience will make up a significant portion of the overall turnout as the former Saturday Night Live star still has some pull at the box office. But reviews have been underwhelming which could affect older moviegoers. Rock has been out promoting "Wife" feverishly and is counting on his core fan base to show up. The previous spring comedies he headlined were 2003’s "Head of State" and 2001’s "Down to Earth" which bowed to $13.5M and $17.3M respectively. However, those more commercial pics were given wider releases. Stepping into 1,776 locations, "I Think I Love My Wife" could debut to about $9M.
Horror flicks have not exactly been on fire in 2007 and Universal’s new release "Dead Silence" is not about to change things. The R-rated film about a talking dummy that terrorizes victims comes from James Wan, writer-director of the first "Saw" film. That has become its only marketing tool as otherwise, "Dead" looks and feels like any generic fright flick. Even its title is blah. Typically there is always some audience for every slasher pic so a modest bow could result, especially if fans of Jigsaw who don’t want to wait seven months for another "Saw" installment come out to see what Wan has been up to. Young adults looking for violence this weekend are much more likely to see "300" which will be a hard film to battle. Opening in 1,802 theaters, "Dead Silence" might debut with a quiet $6M.
"300" reigned supreme over the box office last weekend leaving the competition in the dust with a colossal opening far bigger than anyone expected. The Spartan war tale has joined the year’s other biggest hits – "Ghost Rider," "Wild Hogs," and "Norbit" – as films lacking critical acclaim but still debuting far ahead of industry expectations. "300" is the best-reviewed of the lot and has generated the most buzz. A large drop is expected since last weekend’s tally included Thursday midnight shows and because of the intense upfront demand which drew so much of the total audience in the first week.
King Leonidas and company have kept the momentum going with strong midweek sales as Monday saw $7.6M and Tuesday dipped to $6.5M. These are huge numbers for this time of year and college students on spring break may certainly be a contributing factor. Competition from the new films will not be much of a factor, however the start of the NCAA college basketball tournament will take many young males out of the picture. A 55% fall for "300" would still give the Warner Bros. juggernaut a comfortable lead in first place with about $32M. The ten-day total would surge to a staggering $127M.
The motorcycle comedy "Wild Hogs" has been enjoying good legs with a 31% drop last weekend. The new crop of films should not pose too much of a threat and the Tim Allen–John Travolta pic could retain its silver medal standing on the charts. A 30% decline to $19M should occur leaving Buena Vista with a terrific $103M after 17 days. That would give 2007 three $100M+ blockbusters by mid-March. A year ago, none had reached nine digits at this same point.
LAST YEAR: With a haircut that would later inspire Britney Spears, Natalie Portman debuted atop the charts with the sci-fi thriller "V For Vendetta" which opened to $25.6M. The Warner Bros. release went on to capture $70.5M domestically and $131M worldwide. Falling a notch each were the romantic comedy "Failure to Launch" with $15.6M and "The Shaggy Dog" with $13.4M. Paramount opened the teen girl comedy "She’s the Man" in fourth place with an estimated $10.7M on its way to $33.7M. "The Hills Have Eyes" rounded out the top five with $8M in its sophomore scare.
Source: Gitesh Pandya, www.BoxOfficeGuru.com
For the first time in nearly a month, North America’s most popular movie won’t be about motorcycles. Warner Bros. goes back in time 2,500 years for the epic war saga "300" which aims to conquer the box office with ease.
Other studios have conceded the frame to the effects-driven actioner as the only other film opening wide is the family drama "The Ultimate Gift" which will cater to a non-violent crowd that prefers to keep decapitations to a minimum in their weekend entertainment.
Two and a half years after running the historical epic genre into the ground with "Alexander," Warner Bros. is back to breathe new life into the industry with "300." The R-rated war film stars Gerard Butler as the Greek king who in 480 B.C. led his small battalion of brave soldiers in battle against the mighty Persian army. Directed by Zack Snyder ("Dawn of the Dead"), "300" is based on the graphic novel by Frank Miller and features stylized action sequences and a visual look unlike the endless line of epics that hit multiplexes a few years ago.
Warner Bros. got the ball rolling early last fall with exciting trailers that really energized the target audience of male action fans who now will be very satisfied by the amount of blood, gore, and female nudity in the picture. Momentum has been building ever since and today, "300" is an event film for many. The film lacks a marquee star but that should not matter much. The unique look and feel should compensate for that as moviegoers will find the film to be worth paying top dollar for to see on the big screen. This is not one to wait for on DVD. And unlike other epics, this one keeps it just under two hours which will allow theaters to offer enough showtimes per day. The marketplace is ready for "300." Aside from "Ghost Rider" which is going into its fourth lap, there will be little direct competition for "300" to face so King Leonidas and his men should prevail in this battle.
Other effects-driven R-rated action films have found success recently in the spring months. In 2005, Keanu Reeves‘ "Constantine" bowed to $29.8M and "Sin City" opened to $29.1M while last March "V for Vendetta" debuted with $25.6M. All three films ended in the $70-76M range. "300" looks like it has the strength to go higher. The marketing has been brilliant, competition is weak, and excitement is high. Warner Bros. will score its first number one opener of the year with "300" which invades 3,103 theaters, including Imax venues which will add a few extra bucks. A Friday-to-Sunday gross of about $38M could result.
Fox Faith, the new wing of Twentieth Century Fox dedicated to films with uplifting religious themes, rolls out its family drama "The Ultimate Gift" starring James Garner, Brian Dennehy, and Abigail Breslin who comes straight from her high profile Oscar nomination for "Little Miss Sunshine." Based on the best-selling book, the PG-rated film tells the story of a young man who instead of getting his expected inheritance after the death of his wealthy grandfather, is given a series of challenges to help him build character and learn what is truly important in life. Grassroots marketing is being used to court the faith-based audience and a dollar from every ticket sold will be donated to one of a number of different charities. Still, the film is not being given a marketing blitz so large numbers are not expected. Opening in over 800 theaters, "The Ultimate Gift" may gross about $3M this weekend.
After opening almost everywhere else in the world, the hit Korean horror film "The Host" makes its ways to American shores through Magnolia Pictures this weekend. The R-rated creature feature debuts in about 70 theaters and has been garnering impressive reviews since its premiere last May at the Cannes Film Festival. Fox Searchlight platforms its family saga "The Namesake" from director Mira Nair ("Monsoon Wedding," "Vanity Fair") in six theaters in New York, Los Angeles, San Francisco, and Toronto. Starring Kal Penn, the PG-13 film about the struggles of an Indian-American family will expand weekly throughout the rest of the month.
After three weeks of motorcycle flicks ruling the box office, a stylized trip back in time with "300" will come as a welcome change of pace. "Wild Hogs," which powered its way to a surprisingly potent $39.7M bow last weekend, will drop out of pole position. With little direct competition, look for a reasonable dip in sales. The Buena Vista release has been a crowdpleaser and will remain the top choice for moviegoers in the mood for a laugh or anything with big Hollywood stars. A 35% decline could result giving "Hogs" a weekend tally of around $26M and a ten-day cume of $74M.
Paramount’s serial killer pic "Zodiac" got off to a moderate start last weekend and will have another R-rated film aimed at adults to deal with. A drop of 40% may occur putting the murder mystery at $8M for a total of only $25M after ten days. Sony’s "Ghost Rider" will become the first member of the 2007 century club and should fall 45% to $6M for a $103M cume. The Nicolas Cage pic is set to take a serious hit thanks to 300.
LAST YEAR: The Matthew McConaughey–Sarah Jessica Parker romantic comedy "Failure to Launch" debuted at number one leading a new crop of films with $24.4M. The Paramount release found its way to $88.7M. Opening in second place was the Tim Allen kidpic "The Shaggy Dog" with $16.3M followed closely by the new horror flick "The Hills Have Eyes" with $15.7M. Final grosses reached $61.1M and $41.8M, respectively. The Bruce Willis actioner "16 Blocks" dropped to fourth with $7.4M. After two weeks at the top of the charts, the Tyler Perry comedy "Madea’s Family Reunion" tumbled from first to fifth with $5.7M.
Source: Gitesh Pandya, www.BoxOfficeGuru.com
A pair of new star-driven comedies will try to steal away some treasure from the record-breaking hit Pirates of the Caribbean: Dead Man’s Chest in a laugh-filled battle for the number two slot.
Universal launches You, Me and Dupree starring Owen Wilson, Kate Hudson, and Matt Dillon while Sony counters with Little Man anchored by Marlon and Shawn Wayans. Neither film, though, is expected to come close to the massive second weekend haul that Johnny Depp will take away as his blockbuster sequel looks to shatter the quarter-billion mark in a mere ten days.
52 weeks after Wedding Crashers opened to stellar business, Owen Wilson returns to the big screen playing a slacker in his mid-thirties who moves in with his best friend and his wife who are a newlywed couple. The PG-13 film stars Hudson and Dillon as the lucky duo while Michael Douglas plays the father to Hudson’s character. The date crowd will be the primary audience here and like most romantic comedies, Dupree should skew a little more female. However, the starpower and the concept give the film solid male appeal so both genders should show interest which will be important. Though formulaic and predictable as can be, the Universal release does offer up lots of laughs which will work with audiences willing to check their brain at the door.
As the anchor, Wilson has seen his share of box office hits, especially when there are other stars surrounding him. The R-rated Wedding Crashers with Vince Vaughn bowed to $33.9M this weekend a year ago, 2004’s Starsky and Hutch with Ben Stiller opened to $28.1M, and his last Jackie Chan action-comedy Shanghai Knights debuted to $19.6M. The blonde funnyman plays the exact same character for the umpteenth time, but somehow audiences keep buying it.
June has served up a steady diet of hit comedies like The Break-Up, Click, and The Devil Wears Prada so audiences are certainly not starving for a laugh right now. Competition will be tough and Little Man’s arrival will take away some folks looking for a chuckle too. Even Pirates, which packs a hundred laughs into its two-and-a-half-hour package, will be a factor. But Dupree does offer four big and likable stars even if Douglas has been underutilized in the marketing campaign. The plot has come across very clear in the advertising which is crucial. And the same audience that powered March’s Failure to Launch to a $24.4M opening could be out once again for this one. Making itself comfortable in 3,131 locations, You, Me and Dupree could gross around $22M this weekend.
For the fourth time in seven summers, the Wayans brothers regroup for some raunchy fun in Little Man opening this Friday. Keenan is once again at the helm while younger siblings Marlon and Shawn take to the screen in another high concept story. This time, a pint-sized criminal disguises himself as a toddler in order to uncover a stolen diamond from an unsuspecting couple. CGI allows Marlon to become a little man and laughter ensues. The Wayans clan last hit theaters two years ago in White Chicks which opened to $19.6M and a five-day $27.2M take. Little Man’s plot is not as catchy as Chick’s, but much of their loyal fan base is still likely to give it a try.
Sony has been pushing its latest summer comedy heavily, but with so many other laughers in the marketplace right now, some of the audience will get split. The Wayans team has always had a strong urban following which will once again be out in solid numbers. Waist Deep has been the only summer film anchored by black stars so an underserved audience is sure to come out and drive ticket sales. With about 600 fewer theaters than Dupree, Little Man is likely to find itself debuting in third place with an average that will challenge Owen’s. Poor reviews should not make a difference and a PG-13 rating will open the doors to a large teen crowd that might find Dupree to be too mature. Hiding out in 2,533 theaters, Little Man could make off with about $18M over the weekend.
Dead Man’s Chest set off the kind of box office fireworks last weekend that the industry has never seen before with a towering $135.6M opening and a per-theater average of nearly $33,000 from more than 4,000 locations. Despite its popularity, the Disney smash is bound to see a substantial drop this time coming off of such a large number. Spider-Man, which previously held the record for the largest opening weekend, dropped only 38% in its second session in May 2002 while fellow megahit Star Wars Episode III fell 49%. However, the webslinger was not a sequel and did not have Thursday night preview grosses during its debut frame, and the final Jedi flick had the Memorial Day holiday prevent its decline from surging too high.
Even though audiences are happy with Johnny Depp and his motley crew in their second adventure, big budget summer sequels like Chest are made to erode quickly. Plus with no holiday or expansion to soften the blow, sales could get sliced in half and then some. Weekday sales have been red hot with the Davy Jones pic looting $18.1M on Monday and $15.7M on Tuesday. By the end of its first full week in theaters, Disney should have more than $190M in its chest. A weekend fall to about $66M would give Pirates the third largest sophomore weekend gross in history after Shrek 2 ($72.2M) and Spider-Man ($71.4M). Coincidentally, all three franchises will launch their third installments next May. After only ten days, Captain Jack Sparrow would drink down an amazing $261M worth of rum.
Superman Returns has been completely overshadowed by Pirates. Its 59% sophomore fall last weekend was troubling but this weekend’s decline should stabilize to around 50%. No new action films will be opening which is good news to Warner Bros. A weekend gross of about $11M would give the Man of Steel $163M in 19 days.
Meryl Streep‘s The Devil Wears Prada is likely to see more competition from Dupree than from Little Man.this weekend. A 40% drop would give Fox a weekend take of about $9M and a 17-day cume of $81M surpassing the $71.4M of 2001’s Bridget Jones’s Diary which was also based on a best-selling book.
LAST YEAR: Starting an annual tradition, Johnny Depp was the handsome groom and Owen Wilson settled for the best man spot at the mid-July box office. The dashing pirate reteamed with his favorite filmmaker Tim Burton for Charlie and the Chocolate Factory which opened impressively at number one with a $56.2M debut. The Warner Bros. remake would go on to collect $206.5M domestically and over $470M worldwide. Premiering in its shadow at number two was Wedding Crashers starring Wilson and one of his favorite co-stars Vince Vaughn. The New Line sleeper smash bowed to $33.9M but enjoyed amazing legs and eventually outperformed Charlie in North America with $209.2M. The global gross reached a terrific $285M. Dropping 59% to third place was Fantastic Four with $22.8M in its sophomore frame for Fox. More effects-driven actioners rounded out the top five. Paramount’s War of the Worlds grossed $15.2M and Batman Begins captured $6M for Warners.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Are you between the ages of 13 and 19? Do you like … stuff? Then click right here and cast your votes for the 329th annual Teen Choice Awards, which is where you can tell the universe that Puffy is more illing than Snoop Dogg, Will Ferrell is funnier than Brad Pitt, and Katie Holmes is cuter than Katey Sagal. Or something.
Click right here for the ballot, but don’t even think of voting if you’re older than 19. The Teen Choice Awards employ a bunch of enforcers who’ll come to your house and check your birth certificate.
I had to lie about my age to check out the nominees (don’t tell anyone), but the TCAs are poised to celebrate some of the following flicks:
Best Action Adventure: "King Kong," "Mission Impossible 3," "Pirates of the Caribbean: Dead Man’s Chest," "Superman Returns," "V for Vendetta," "X-Men: The Last Stand"
They also have a bunch of actor’s categories, but the choices managed to somehow get even sillier. Click here to cast your votes, kids.
How much money will moviegoers spend on watching two celebrities yell and scream at each other for 106 minutes? That is the question that Universal, and the film industry in general, will be asking itself with the opening of The Break-Up, the new romantic comedy starring Vince Vaughn and Jennifer Aniston.
Just like with last weekend, the frame only boasts one wide release hitting the multiplexes. In scheduling their summer, studios are more likely to have wanted to avoid clashing with the second weekend of X-Men: The Last Stand, than to not go head to head with the swinger and the friend. After a record-breaking bow, the mutant sequel aims to keep its command over the North American box office for the second straight week.
There have been no major star-driven romantic comedies in nearly three months so Universal hopes to fill the void with The Break-Up. Directed by Peyton Reed (Bring It On, Down with Love), the PG-13 concoction is aimed at adult couples with a clearly-defined premise that most can relate to. Vaughn plays a tour bus operator while Aniston plays an art gallery worker. As boyfriend and girlfriend, the two own and live in a spacious Chicago condo, but when they go splitsville, each refuses to move out and the former lovers must learn how to co-exist as just roommates.
Break-Up looks to play to an adult audience and females will surely outnumber dudes. Vaughn has been a rising box office powerhouse in recent years drawing in more moviegoers each year when anchoring comedies. In 2003, Old School was a leggy hit taking in $75.6M while 2004’s summer smash Dodgeball hit the mark with $114.3M. Last summer though, the funnyman struck gold twice with a supporting role in the former Mr. Aniston’s action hit Mr. & Mrs. Smith followed by Wedding Crashers which became the sleeper hit of the season zooming to $209.2M. The Break-Up will end that streak, unfortunately.
Vaughn excels at delivering guy humor opposite funny male co-stars. But this time, he is asked to star opposite a woman and still try to make ticket buyers laugh. Although the highlights of the film revolve around his humor, The Break-Up just doesn’t pack enough laughs to be a huge hit. In fact, the constant fighting between the two lead characters will put off many. What the filmmakers don’t realize is that couples actually go to the movies to get away from that sort of thing. Starpower, tabloid gossip, a lack of comedies, and a decent marketing push will help pump up the opening, but word-of-mouth should lead to hefty declines in the weeks ahead. Bad reviews are not going to help either.
The Universal release has gotten months of free publicity from the endless media attention on the off-screen relationship between Aniston and Vaughn. Last weekend’s birth of Pitt and Angelina Jolie‘s baby has also added some free plugs too. The Break-Up should attract the same crowd that spent $24.4M on the opening of March’s Failure to Launch, although the grosses could be a bit higher since the starpower is arguably greater this time. Competition should not be too much of a factor this weekend. With no other new films in national release, the entertainment media will focus fully on this one. Plus, X-Men and Over the Hedge are playing to different audience segments. The only direct foe it will face is The Da Vinci Code which has been drawing in tons of adult women over the last couple of weeks. Opening in 3,065 theaters, The Break-Up could debut with about $26M this weekend.
Mutant fever ruled the box office last weekend with X-Men: The Last Stand opening to a record $122.9M over four days. That was nearly $3M better than originally estimated giving Fox an explosive start to what could be its final film of the franchise. Super hero pics and sequels tend to fall hard on the second weekend and coming off of a huge holiday bow will certainly up the decline as well. Last weekend’s Friday gross included sales from midnight shows on Thursday night while Sunday was stronger than usual thanks to the Monday holiday.
However, X-Men is not facing much new competition since the Aniston crowd does not consist of too many Magneto fans. Two years ago, Fox launched its effects-driven actioner The Day After Tomorrow over the Memorial Day frame and saw its Friday-to-Sunday gross tumble 60% on the second weekend. The weather disaster pic also had the towering $93.7M opening of the third Harry Potter film to deal with so some of the fall was attributed to the new kid on the block. The first two X-Men films debuted over non-holiday frames and dropped by 57% and 53% respectively in their sophomore sessions. X2 faced only one new opener in its second mission helping to soften the blow.
With more upfront demand and a holiday start, The Last Stand should fall harder. A 60% drop from the massive $102.8M three-day bow would give Fox about $41M for the weekend and the top spot once again. The ten-day cume for the latest adventure from the mutant heroes would shoot to a stunning $183M. With $700M in global grosses from the first two films, the X-Men trilogy should break through the $1 billion milestone in worldwide box office this weekend.
After suffering a steep 56% second weekend decline, The Da Vinci Code showed that long legs are not in its future. Add in the fact that The Break-Up will steal away many adult couples and it looks like another rocky frame for the Tom Hanks mystery. The Friday-to-Sunday take could drop 50% this time around and pull in about $17M. That would give Sony a still-impressive $170M in 17 days.
As Da Vinci fades away this weekend, so will Sony’s market share lead for the year. The studio has dominated for much of the year with six number one openings and more wide releases than any other studio. However, with the surging strength of X-Men, plus grosses from the year’s number one blockbuster Ice Age: The Meltdown, Fox looks to capture the market share lead by Sunday. As of the end of Memorial Day, both studios had about 18% of the box office pie year-to-date with Sony’s $608M sitting $18M ahead of Fox. That lead will be erased this weekend as the two distributors will swap positions but more shifting is likely to occur throughout the summer.
Paramount’s backyard adventure Over the Hedge will remain the only major option for little kids so a good hold is likely. A 40% drop from last weekend’s Friday-to-Sunday tally should lead to a $16M frame and a 17-day cume of $107M. All other holdovers should drift away with less than $5M a piece.
LAST YEAR Memorial Day weekend leftovers ruled the charts as the top three films remained the same, although some musical chairs led to a new order. The DreamWorks toon Madagascar rose from second to first place with $28.1M in its sophomore weekend pushing its ten-day cume to a solid $100.4M. Adam Sandler‘s comedy The Longest Yard also climbed a notch taking second scoring $26.1M. The Paramount remake pushed its sum to $95.8M in ten days. After two weeks on top, Star Wars Episode III tumbled 55% and placed third with $25.1M but watched its overall domestic gross soar to $307.9M. No other film in the year since has reached the triple century mark. Among new releases, Universal’s early Oscar contender Cinderella Man debuted in fourth with a weaker-than-expected $18.3M. The Russell Crowe drama went on to punch up $61.6M. Bowing in fifth was the estrogen pic The Sisterhood of the Traveling Pants with $9.8M while opening in seventh was the testosterone film Lords of Dogtown with $5.6M. Cumes reached a commendable $39M and a dismal $11M, respectively.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Silly Scrat and his "Ice Age" buddies have returned to the multiplexes … and the result was an absolutely mammoth opening weekend frame. Fox’s CG-animated sequel squeezed about $70.5 million from the first-weekend moviegoers, making "Ice Age: The Meltdown" the year’s first bona-fide box office bonanza. (By comparison, the original "Ice Age" made just over $46 million during its own opening weekend.)
Hanging on in second place was Spike Lee‘s bank heist thriller "Inside Man," which added an additional $15.7 million to its $52.8 million grand total. Debuting in third place was WB’s urban skating drama "ATL," which rolled to the tune of $12.5 million from 1,600 theaters.
Fourth and fifth place went to a pair of old pals: Paramount’s "Failure to Launch" exhibited some staying power, netting an additional $6.6 million ($73.2m total), and WB’s "V for Vendetta" commanded another $6.5 million ($56.8m total).
Two other newcomers fared … not as well. Universal’s strongly-reviewed "Slither" was able to scare up only $3.7 million from 1,900 theaters, while Sony’s "Basic Instinct 2" netted an anemic $3.2 million from 1,400.
Next weekend sees the release of four new wide titles: Sony’s sports slob-com "The Benchwarmers," MGM’s gangster flick "Lucky Number Slevin," Fox Searchlight’s "Phat Girlz," and New Line’s dance drama "Take the Lead."
For a closer look at the weekend numbers, head on over to the Rotten Tomatoes Box Office Page!
Denzel Washington‘s bank heist thriller "Inside Man" snagged the #1 spot at the weekend box office derby, pulling in an estimated $29 million from about 2,800 theaters — which is good news, because if the big-budget, big-actor flick had debuted behind a Disney horror movie or a Larry the Cable Guy comedy, Universal would have been pretty darn angry.
Last week’s #1 title, WB’s "V for Vendetta," plunged more than 50% and raked in an additional $12.3 million, giving it a grand (domestic) total of about $46.2 million. Third place went to Disney’s PG-13 "horror" movie "Stay Alive," which made $11.2 million from 2,000 screens, while fourth and fifth place went to the rom-com "Failure to Launch" ($10.8 million, $63.9m total) and the kiddie flick "The Shaggy Dog" ($9.1 million, $47.9m total).
Debuting in 7th place was Lionsgate’s "Larry the Cable Guy: Health Inspector," which earned about $7 million from 1,700 theaters.
Next week’s big releases are Warner’s urban drama "ATL," Sony’s long-arriving "Basic Instinct 2," Fox’s animated sequel "Ice Age: The Meltdown," and Universal’s tongue-in-cheek splatter-fest "Slither."
For a closer look at the weekend numbers, pop on over to the Rotten Tomatoes Box Office Page!