This week on home video, we’ve got Seth Rogen and Zac Efron facing off in a comedy, Guy Pearce and Robert Pattinson facing off in a post-apocalyptic road film, and Brenton Thwaites and Laurence Fishburne facing off in a sci-fi thriller. Then we’ve got the requisite smaller releases, a ton of recent TV seasons (and one complete collection of a popular sitcom), and three big horror franchise sets. Read on for details:



With hit projects both as director (Forgetting Sarah Marshall, Get Him to the Greek) and writer (the two recent Muppets movies) under his belt, it might be surprising to learn that Nicholas Stoller’s most successful film to date was Neighbors, a raunchy comedy that opened one week after The Amazing Spider-Man 2 and one week before Godzilla. Pitting Seth Rogen against Zac Efron, Neighbors follows a young couple with a newborn baby who find themselves at odds with their new neighbors when a fraternity moves in next door. Most critics found the comedy surprisingly sturdy, if a bit vulgar, and praised its game cast, which included supporting turns from Rose Byrne, Dave Franco, and Christopher Mintz-Plasse. Special features on the disc include the requisite gag reel and deleted scenes, alongside a handful of making-of featurettes.

The Rover


Australian director David Michod’s 2010 film Animal Kingdom was a powerhouse debut, so it wasn’t unreasonable to set expectations high for his follow-up, The Rover, which opened in limited release back in June. While the latter wasn’t quite the critical darling its predecessor was, it still managed to impress critics to the tune of 66 percent on the Tomatometer. Utilizing the Australian landscape as a post-apocalyptic backdrop, The Rover stars Guy Pearce as Eric, a lone drifter who gets carjacked by a gang of combative thieves. In search of leads, Eric runs into Rey (Robert Pattinson), the brother of one of the thieves, and the pair set out across the desolate landscape to locate Eric’s car, encountering trouble along the way. Moody and violent, The Rover struck most critics as a stylish exercise in ambiguity, with a relatively thin story held aloft almost entirely by its stars’ compelling performances. Only one bonus feature comes with the disc, and it’s a 45-minute making-of doc.

The Signal


Films that rely on sustained tension in service of a big final payoff are difficult to craft; sometimes, they’re more confusing than they need to be, and sometimes the anticipated twist is underwhelming. Unfortunately, there were enough critics who found both to be true for The Signal that the film mustered only a mediocre 55 percent on the Tomatometer. The story revolves around a trio of MIT students (Brenton Thwaites, Olivia Cooke, Beau Knapp) driving across the Southwest whose road trip takes a detour when they begin to receive taunting messages from an MIT hacker. Before they are able to confront their nemesis, however, they black out and find themselves trapped in a mysterious research facility, unable to explain what happened. Critics found The Signal ambitious and initially intriguing, but felt it could have used a lot more narrative finesse to deliver its climactic reveals. The film comes with a feature commentary with the director and writers, some deleted, extended, and alternate scenes, and a behind-the-scenes doc.

Also available this week:

  • Lukas Moodysson’s Certified Fresh Swedish import We Are the Best! (97 percent), about a trio of punk-rockin’ teenage girls growing up in 1980s Stockholm.
  • Claude Lanzmann’s documentary The Last of the Unjust (97 percent), which utilizes archived interviews from 1975 to tell the story of Benjamin Murmelstein, who helped thousands of Jews escape capture by the Nazis.
  • Pawel Pawlikowski’s Certified Fresh Ida (95 percent), about a nun who discovers a dark family secret just before she plans to take her vows.
  • The Calling (50 percent), starring Susan Sarandon and Topher Grace in a thriller about a detective in a small Canadian town tracking down a serial killer with a bizarre trademark.
  • Very Good Girls (17 percent), starring Dakota Fanning and Elizabeth Olsen in a coming-of-age film about a pair of graduating high schoolers who fall for the same boy.
  • Season three of the Emmy-winning drama Scandal (100 percent), starring Kerry Washington as a high-powered fixer.
  • Season two of Nashville (100 percent), starring Hayden Panettiere and Connie Britton as dueling Country music divas.
  • Season two of Defiance (100 percent), SyFy’s action-drama set on Earth in the distant future.
  • The Certified Fresh first season of Brooklyn Nine-Nine (83 percent), starring Andy Samberg and Andre Braugher in a “workplace” comedy set in a police station.
  • The fifth season of Emmy darling Modern Family (83 percent) is out on DVD.
  • Season one of sci-fi series The 100 (72 percent) is available on DVD and Blu-ray.
  • The third season of Comedy Central’s sketch comedy show Key & Peele is available on DVD.
  • We’ve got two new releases from the Criterion Collection this week: Roman Polanski’s 1971 adaptation of MacBeth (84 percent), and Jack Clayton’s 1961 supernatural thriller The Innocents, starring Deborah Kerr in an adaptation of Henry James’s Turn of the Screw.
  • And lastly on this week’s list, we’ve got three horror franchise sets on Blu-ray going on sale. First up is Halloween: The Complete Collection on Blu-ray, which includes all ten films in the series, a collectible booklet, and tons of special features.
  • Next, there’s Saw: The Complete Collection. There isn’t a whole lot of information available on the special features, but the set is only three discs, so there may not be any. That said, it’s selling for $25, which is a great price for seven movies.
  • And last but not least, we have The Exorcist: Complete Anthology. Again, not much info on the bonus features, and sure, the sequels weren’t all that great, but if you’re a collector, this is another good deal at just under $30.
This week at the movies, we’ve got a spy on the run (The November Man, starring Pierce Brosnan and Olga Kurylenko), some haunted explorers (As Above/So Below, starring Perdita Weeks and Ben Feldman/), and four supernatural elimination specialists (Ghostbusters, starring Bill Murray and Dan Aykroyd). What do the critics have to say?

The November Man


Pierce Brosnan is best known for his stint as cinema’s greatest spy, James Bond. He plays a different sort of espionage agent in The November Man; unfortunately, critics say that while the film is slick and competently made, it suffers from convoluted plotting and middling dialogue. Brosnan stars as Peter Devereaux, an ex-CIA agent who’s lured out of retirement to protect an important witness. However, Devereaux quickly discovers that everyone’s out to get him. The pundits say that Brosnan is strong as a thoughtful, haunted protagonist, but The November Man is largely a generic spy thriller that’s weighted down by an overloaded narrative. (Check out this week’s Total Recall, in which we count down Brosnan’s best-reviewed films.)

As Above/So Below


What better place to set a horror movie than the catacombs beneath Paris, where the bones of millions of souls are part of an intricate series of dark tunnels? Critics say As Above/So Below occasionally takes full advantage of its chilling locale, but its characters aren’t particularly well-developed. It’s the story of three adventure seekers on a quest to find a mythical artifact. When they venture into the catacombs, however, they’re forced to confront horrors both tangible and psychological. The pundits say As Above/So Below is atmospheric and occasionally spooky, but it lacks the weight and urgency necessary to be a true head-trip.



If there’s something strange in your neighborhood, who you gonna call? Yes, that’s right: Ghostbusters, one of the most beloved comedies of the 1980s is back in theaters in celebration of its 30th anniversary. Critics found it to be a sublime blend of witty banter and inspired special effects, and it’s barely dated a lick since its original release.

Also opening this week in limited release:

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