This week on home video, we’ve got a 1980s franchise reboot, a dystopian YA novel adaptation, Woody Allen’s latest film, and a couple of dramedies about dysfunctional families. Then we’ve got some notable TV releases — including the complete series of a popular anime — and some smaller films. Read on for details:

Teenage Mutant Ninja Turtles


After some controversy surrounding whether or not the turtles in the Michael Bay-produced reboot would, in fact, be mutants, Bay himself came forward and told fans not to worry. As it turns out, Teenage Mutant Ninja Turtles had enough other problems for critics to point out. The story remains essentially the same: four turtles and a lab rat are transformed by science into walking, talking, butt-kicking humanoids, and an evil neo-samurai known as the Shredder threatens their fair city with a nefarious plot. The turtles still love pizza, and plucky reporter April O’Neil becomes an unexpected ally in their righteous battle. Directed by Jonathan Liebesman (Texas Chainsaw Massacre: The Beginning, Battle: Los Angeles), the film featured plenty of callbacks to the beloved 1980s franchise (“Cowabunga!”) but little in the way of wit, compelling storytelling, or entertainment value in general, resulting in a skimpy 22 percent Tomatometer. The film comes in a regular Blu-ray/DVD package as well as a 3D release and features a handful of extras like a look at the character design and a look at the real-life evolution of turtles.

The Maze Runner


The latest release in the increasingly popular genre of dystopian young adult novel adaptations is also one of the better-reviewed of the bunch. Starring a cast of relatively unknown young actors, the film centers on a young man named Thomas, who wakes up with no memory in a giant maze alongside others like him. He quickly discovers he and his fellow runners are trapped, forced to cobble together some semblance of a society as they attempt to figure out why they were brought to the labyrinth and how to escape it. Thanks to its unique premise, its embrace of bleak themes, and strong performances from its stars, The Maze Runner garnered a 63 percent Tomatometer score, though some critics wished for a more satisfactory third act. Special features include a long, multi-part behind-the-scenes doc, deleted scenes, gag reel, and more.

This Is Where I Leave You


A dysfunctional family comedy wherein the dysfunctional family in question consists of veterans like Tina Fey, Jason Bateman, and Jane Fonda, as well as rising stars like Adam Driver and Corey Stoll, sounds like a pretty good idea on paper. And for what it’s worth, critics say This Is Where I Leave You has its moments, even if it ultimately underwhelms. Based on the book of the same name by Jonathan Tropper, the film centers around the Altman family, who come together for a week when their father passes away. They bicker, air dirty laundry, rehash past grievances, and attempt to make sense of their own lives, with mixed results. Critics acknowledged the amount of talent on display, which both helped to elevate the somewhat banal material and raised expectations for the end product — it unfortunately fell a bit short on the latter, resulting in a 42 percent Tomatometer score. The Blu-ray comes with a few extras on the making of the film and a deleted scene.

Magic in the Moonlight


Uber-prolific director Woody Allen has had a rollercoaster career over the past several years, consisting of critical hits (Match Point, Midnight in Paris) and misses (Scoop, To Rome with Love). So it might have been wishful thinking to hope that his follow-up to last year’s widely acclaimed Blue Jasmine would also be a winner. Magic in the Moonlight follows a popular stage magician (Colin Firth) who travels to the French Riviera in order to debunk a young spiritualist (Emma Stone) claiming to be clairvoyant and who may or may not be taking advantage of a grieving widow. Critics were split at 51 percent on the Tomatometer; while some lauded the cinematography and period detail for creating a specific mood, others felt the laughs were few and the introspective themes treated with too light a touch.

The Skeleton Twins


It’s not uncommon for comedic actors to diversify and pursue weightier roles as their careers progress — think Robin Williams, Bill Murray, and Ben Stiller, for example — and the end result is often unpredictable. With The Skeleton Twins, however, SNL alums Bill Hader and Kristen Wiig have landed on impressively solid ground. The pair star as estranged twins Milo and Maggie, who reunite under tragic circumstances, prompting Milo to move back home to New York and live with Maggie and her husband (Luke Wilson) for a while. Slowly, the siblings begin to repair their relationship and, with each other’s help, attempt to rebuild their own lives. Critics agreed that Hader and Wiig were in top form, and their strong performances and onscreen chemistry helped lend authenticity to the film’s more affecting moments, leading to a Certified Fresh 86 percent. Bonus features include a commentary track with director Craig Johnson, Wiig, and Hader, as well as outtakes, deleted scenes, and a 15-minute making-of doc.

Also available this week:

  • Grumpy Cat’s Worst Christmas Ever (30 percent), starring the internet’s favorite cat in a holiday tale about a kitty who gets adopted by a young girl and helps avert a couple of crises.
  • At the Devil’s Door (24 percent), a horror thriller about a real estate agent who puts her sister in danger when she attempts to sell a house with a dark history.
  • One choice from the Criterion Collection: Sydney Pollack’s acclaimed Certified Fresh comedy Tootsie (88 percent), starring Dustin Hoffman as a notoriously difficult actor who resorts to dressing as a woman in order to find work.
  • Season two of Certified Fresh period drama The Americans (97 percent), starring Keri Russell and Matthew Rhys as a pair of Russian spies living undercover in 1980s America.
  • The Certified Fresh first season of Extant (83 percent), starring Halle Berry in a sci-fi drama about an astronaut who returns home with a secret after a year in space.
  • Season one of BBC America’s sci-fi series Intruders (39 percent), about a supernatural secret society whose members inhabit the bodies of others to achieve immortality.
  • And lastly, the complete series of the groundbreaking anime (it was the first to be broadcast on Adult Swim in the US, ushering in a wave of Japanese animation) Cowboy Bebop is available on DVD and Blu-ray.
This week at the movies, we’ve got a legendary warrior (Hercules, starring Dwayne “The Rock” Johnson and Joseph Fiennes), a brainy heroine (Lucy, starring Scarlett Johansson and Morgan Freeman), and a curmudgeonly guardian (And So It Goes, starring Michael Douglas and Diane Keaton). What do the critics have to say?



He was the son of a god. He had bulging biceps. He battled all manner of oversized, multi-headed mythological beast. Hercules was essentially an action hero two millennia before the birth of cinema, and critics say much of the fun of Hercules is in its commitment to swashbuckling escapism — this may not be the brainiest flick on the block, but at least it never feels like a dull classics lecture. Dwayne “The Rock” Johnson stars as Herc, who, after completing his fabled labors, assembles a crew of fighters to topple a bloodthirsty megalomaniac. The pundits say Hercules isn’t particularly deep, but it never takes itself too seriously, either, and the result is a surprisingly hearty sword-and-sandal popcorn movie. (Check out this week’s Total Recall, in which we count down Johnson’s best-reviewed films.)



Luc Besson, the director of such cult favorites as Léon: The Professional and The Fifth Element, has never been one for subtlety or nuance. That’s not necessarily a bad thing, though critics say his latest, Lucy, works a lot better as a stylishly eccentric thrill-ride than as a heady sci-fi trip. Scarlett Johansson stars as a student who’s kidnapped and forced to act as a drug mule. When she unintentionally consumes the drug, she quickly morphs into a hyper intelligent, telekinetic killing machine. The pundits say Lucy is short on logic and well-developed characters, but it’s slick, briskly-paced, and often quite entertaining.

And So It Goes


Not every summer movie has to be a pulse-pounding explosion-fest, but a little energy is always nice. Unfortunately, critics say the combined talents of director Rob Reiner and stars Michael Douglas and Diane Keaton can’t do much to elevate And So It Goes‘ predictable script and slack pacing. Douglas stars as a misanthropic realtor who is suddenly tasked with caring for a granddaughter he never knew existed. Eventually, our hero takes a shine to the tot — and develops a kinship with his charming neighbor (Keaton). The pundits say And So It Goes feels more like a sitcom than a film, and only the stars’ considerable talents keep it from being a complete waste of time. (Check out this week’s 24 Frames for a gallery of dysfunctional movie families.)

Also opening this week in limited release:

In Theaters This Week:

Magic in the Moonlight


Rating: PG-13, for a brief suggestive comment and smoking throughout.

Woody Allen’s annual offering is a fluffy comic trifle about spirits and sleight of hand amid the wealthy on the Cote d’Azur. Colin Firth stars as a world-renowned, arrogant illusionist who’s asked to unmask a pretty, young American psychic (Emma Stone) as a fake. Because the movie takes place amid the wealthy in Europe in the 1920s, every single character smokes constantly throughout. There are also séances where Stone’s character claims she’s conversing with the dead — which may freak children out — along with some brief risqué references. But for the most part, Allen’s typically hyper-verbal banter will go over younger kids’ heads and older ones will just be bored.

And So It Goes


Rating: PG-13, for some sexual references and drug elements.

Michael Douglas and Diane Keaton play widows in their 60s who live next door to each other in a Connecticut fourplex and bicker incessantly. Naturally, this means they will fall in love. He’s a real estate agent; she’s a lounge singer. Together, they’re forced to come together to take care of the 9-year-old granddaughter he never knew he had. Rob Reiner’s comedy features some drug references — Douglas’ character’s son is a recovering heroin addict, and Douglas himself must visit a couple of squalid homes where substance abuse clearly is taking place. Douglas and Keaton eventually share a flirtation which turns sexual; Reiner shows up the build-up and the aftermath but not the deed itself. It’s pretty harmless for the most part and has an undeniable message about the importance of family. But it’s also terrible, so if you’re looking for a great Reiner movie that everyone can watch, rent The Princess Bride instead.

New On DVD:



Rating: PG-13, for sci-fi action and violence, some bloody images, brief strong language and sensuality.

This thinky sci-fi thriller starring Johnny Depp is probably best for tweens and up only. It’s full of big ideas about the power of technology — both its potential and its abuse as an invasion of privacy — but the way it’s presented is pretty dull and often silly. But this is the directing debut of Christopher Nolan’s longtime cinematographer, Oscar-winner Wally Pfister, so at least it’s visually striking. Depp stars as an esteemed scientist who’s been experimenting with artificial intelligence with the help of his wife (Rebecca Hall). When a terrorist group targets him, he uploads his consciousness to the Internet to maintain his legacy. There are plenty of shootings and explosions here with quite a bit of blood, but a key part of the story focuses on medical advancements that let people regenerate and heal themselves — so they don’t stay injured for long. Still, it’s extremely violent and long at nearly two hours.

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