(Photo by Warner Bros. Thumbnail: New Line, Vertical Entertainment /courtesy Everett Collection)
Ten years ago, Inception, the dream-team movie collaboration between Leonardo DiCaprio and Christopher Nolan, rode into theaters on a wave of hype and secrecy matching the director’s previous game-changer, The Dark Knight. The dizzying dream heist thriller floored audiences with its complex shots – a city collapsing on itself, along with the practical effects wizardry of rotating hallway brawls – and a densely, literally layered plot. It left audiences wanting more… and we’re here to help. If you’re looking for more movies like Inception, the two other Nolan films that hew most closely are 1999’s brain-splitter Memento, and 2006’s treacherous The Prestige. But you, esteemed Tomato-reader, already knew that, have seen ’em both – probably many times – and thus know the joys of a David-Bowie-as-Nikola-Tesla performance! We present, then, 20 more movies to watch if you loved Inception.
First, there’s Shutter Island, which has a lot of overlap with Inception, and not just because they star the same guy. They’re both slick, dark thrillers that question reality and perception. (See our list of 20 movies to watch if you loved Shutter Island, which has more Incept-y movies like Dark City and The Game.)
What makes a movie like Inception? The initial response is for some cracking sci-fi mind-f–kers. The number of these films has exploded since 2000, especially in the last decade: Think the space-time continuum-whacking Predestination, Primer, and Timecrimes. Movies like Mr. Nobody, The Congress, The Cell, Coherence, Time Lapse, and Enemy explore identity across multiple realities. Inception shares the most in the plot department with Satoshi Kon’s anime Paprika.
But the mood really started in the ’90s. An approaching new millennium felt like crossing a threshold into the unknown future, where technology, like Inception‘s mechanics to hijack dreams, brought limitless opportunities and dangers. The Truman Show, eXistenZ, Being John Malkovich, and The Thirteenth Floor explore this space. Earlier brain-hopping takes include adventure romp Dreamscape, and the absurdly violent Total Recall. Then there’s Rainer Werner Fassbinder, who was on simulated realities in the 1970s with World on a Wire, which Criterion has pressed for its original 3.5 hour cut.
Of course, Inception wouldn’t have resonated if it was all just sleight-of-hands and technical games; DiCaprio’s family drama provided a compelling emotional hook. Movies that have this same melancholic thread in complicated settings include Robin Williams afterlife fantasy/drama What Dreams May Come, and the existentially devastating Synecdoche, New York.
This week on home video, we’ve got the second installment of the successfully rebooted Planet of the Apes franchise, a feelgood drama from Lasse Hallström, and a claustrophobic found-footage horror film to kick things off. Then, we’ve got a couple of Certified Fresh TV shows, a few indie flicks, a rerelease of a Holiday favorite on DVD, and a newly remastered classic starring Jimmy Stewart. Read on for details:
If you were as disappointed by Tim Burton’s 2001 Planet of the Apes reboot as half the critics were, then 2011’s Rise of the Planet of the Apes probably went a long way toward making you feel better about the future of the franchise. Thanks to glowing reviews and a smartly told origin story, we got part two of the reinvigorated series this year with Dawn of the Planet of the Apes, which finds the human race fighting to survive in the aftermath of a “simian flu” that has wiped out much of humanity while Ceasar (a mo-capped Andy Serkis) and his tribe of intelligent apes flourished in the meantime. Jason Clarke represents a community of San Francisco survivors in search of a power source located in ape territory, and though Ceasar sees benefit in maintaining peace with the humans, an angry chimpanzee named Koba challenges his authority and seeks to eradicate the human threat. Critics raved yet again, sending Dawn to a Certified Fresh 91 percent Tomatometer score in recognition of the film’s intelligent, ambitious, and surprisingly emotional script, as well as its skillful use of immersive visual effects. The Blu-ray comes with a number of featurettes, including a look at the production design, the community of apes, the special effects, and an interview with Andy Serkis, among other things.
Lasse Hallström has proven in the past that he can make schmaltzy stories work, and though The Hundred-Foot Journey isn’t quite the equivalent of cinematic haute cuisine, critics still thought it was fairly hearty. The film tells the story of Hassan (Manish Dayal), a young Indian ex-pat chef living in France whose family opens an Indian restaurant across the street from a classical French restaurant run by the fierce, calculating Madame Mallory (Helen Mirren). As a feud ensues between the two, Hassan falls for Mme Mallory’s sous chef Marguerite (Charlotte Le Bon), and soon Mme Mallory herself begins to see Hassan’s potential as a fine chef. This is familiar narrative territory — even for Hallström, who helmed the thematically similar Chocolat — but Helen Mirren is a joy to watch, and Hallström knows what he’s doing, so critics awarded it a 67 percent on the Tomatometer. Special features include an interview with producers Steven Spielberg and Oprah Winfrey discussing what drew them to the project, a look at the production design and the transition process from page to screen, and, as a nice little culinary bonus, a little how-to video recipe for coconut chicken.
Being trapped underground can be a frightening experience in and of itself, but being trapped underground in the catacombs? You’d think that would add an extra level of freakout to the proceedings. Not so, say the critics, at least not in the case of As Above, So Below, the Paris-set chiller by director/screenwriter duo the Dowdle brothers, who remade the Spanish zombie flick [REC] as Quarantine. As Above follows a group of intrepid explorers who venture into the catacombs of Paris in search of a legendary alchemical catalyst and stumble upon inexplicable supernatural forces. As Above, So Below begins intriguingly enough despite its found footage trappings, say critics, but like many other subpar horror films, it devolves into a barrage of genre clichés executed with little panache. Special features on the release include just one making-of doc.
This week on streaming video, we’ve got a sequel to a popular thriller, a feelgood sports drama, a Certified Fresh sci-fi movie, a not so Fresh sci-fi movie, and the Sharknado sequel. In addition, Netflix has also added a couple of Woody Allen films, a beloved sci-fi spoof, an iconic romance from the 1980s, and more. Read on for details:
Robin Wright and Harvey Keitel star in this half-animated, half-live-action, all Certified Fresh fantasy about the movie business.
Jon Hamm stars as J.B. Bernstein, a sports agent whose clientele is short on major league stars. So he travels to India and holds a contest to find two strong-armed cricket bowlers who have the stuff to become big league pitchers.
Like its predecessor, The Purge takes place during a 12-hour stretch during which all laws are suspended and criminals run wild; this time, a grizzled cop (Frank Grillo) defends several law-abiding citizens while seeking to avenge the death of his son.
Yep, they made a sequel to Sharknado. Nope, it’s not quite as good.
A group of kids discover a small, adorable, owl-like robot from another planet; together, our heroes embark on a coming-of-age journey to return Echo to his home planet and save their hometown in the process.
Tim Allen and Sigourney Weaver star in this loving homage to classic sci-fi films; when they’re mistaken by aliens for real heroes, the cast of a popular space TV show is forced to contend with a cosmic threat.
Available now on: Netflix
This throwback to creature features of old is the story of two guys trying to stop a huge arachnid from destroying Los Angeles.
Available now on: Netflix
Patrick Swayze and Jennifer Grey star in this dance-tastic drama that ushered several mini-generations of teen girls into adulthood.
Available now on: Netflix
This documentary chronicles the tale of Pulitzer Prize-winning journalist Jose Antonio Vargas, who admitted to being an undocumented immigrant in a New York Times Magazine essay in 2011.
Available now on: Netflix
Joseph Morgan, Daniel Gilles, and Claire Holt star in this Vampire Diaries spinoff, about New Orleans’ original vampire family.
Available now on: Netflix
Pierce Brosnan is best known for his stint as cinema’s greatest spy, James Bond. He plays a different sort of espionage agent in The November Man; unfortunately, critics say that while the film is slick and competently made, it suffers from convoluted plotting and middling dialogue. Brosnan stars as Peter Devereaux, an ex-CIA agent who’s lured out of retirement to protect an important witness. However, Devereaux quickly discovers that everyone’s out to get him. The pundits say that Brosnan is strong as a thoughtful, haunted protagonist, but The November Man is largely a generic spy thriller that’s weighted down by an overloaded narrative. (Check out this week’s Total Recall, in which we count down Brosnan’s best-reviewed films.)
What better place to set a horror movie than the catacombs beneath Paris, where the bones of millions of souls are part of an intricate series of dark tunnels? Critics say As Above/So Below occasionally takes full advantage of its chilling locale, but its characters aren’t particularly well-developed. It’s the story of three adventure seekers on a quest to find a mythical artifact. When they venture into the catacombs, however, they’re forced to confront horrors both tangible and psychological. The pundits say As Above/So Below is atmospheric and occasionally spooky, but it lacks the weight and urgency necessary to be a true head-trip.
If there’s something strange in your neighborhood, who you gonna call? Yes, that’s right: Ghostbusters, one of the most beloved comedies of the 1980s is back in theaters in celebration of its 30th anniversary. Critics found it to be a sublime blend of witty banter and inspired special effects, and it’s barely dated a lick since its original release.
