(Photo by Lionsgate courtesy Everett Collection)
All Jason Statham Movies, Ranked By Tomatometer
Once, during a long-ago era called The ’80s, Hollywood action heroes roamed the Earth with bulging biceps and names like Sly, Arnold, and Bruce. With a limitless supply of weapons and wisecracks, they saved the world countless times, only to be exiled to the land of Direct-to-Video for their trouble, where they wandered lost throughout the ’90s and much of the aughts. But they’re fighting their way back from extinction, thanks in large part to the tenacious efforts of steely-eyed roughnecks like Jason Statham, the veteran of latter-day genre classics like Crank, The Bank Job, and recent Fast and Furious sequels and spinoffs, who rose to stardom on the strength of his appearances in Guy Ritchie‘s Lock, Stock and Two Smoking Barrels and Snatch. To celebrate his bravery in the face of indie dramas and romantic comedies, we’ve rounded up all of his major roles to offer a comprehensive look back at all Jason Statham movies, sorted by Tomatometer.
Adjusted Score: 4331%
Critics Consensus: Featuring mostly wooden performances, laughable dialogue, and shoddy production values, In the Name of the King fulfills all expectations of an Uwe Boll film.
As war looms in an idyllic kingdom, a man named Farmer (Jason Statham) begins a heroic quest to find his... [More]
Adjusted Score: 7684%
Critics Consensus: Reviewers say Turn It Up has a derivative feel, running through too many urban movie cliches.
In the ghetto, the only thing more dangerous than a gun is a dream. And gifted Brooklyn hip-hop artist Diamond... [More]
Adjusted Score: 3920%
Critics Consensus: No consensus yet.
A desperate man (Sam Riley) takes part in an underworld game of Russian roulette in which gamblers place bets on... [More]
Adjusted Score: 14871%
Critics Consensus: Jet Li and Jason Statham find themselves on opposing sides in the immensely boring War, which is full of clichés but short on action.
After his partner and family are killed, FBI agent Jack Crawford (Jason Statham) becomes obsessed with revenge on an assassin... [More]
Adjusted Score: 13715%
Critics Consensus: Hampered by pretension and undermined by unlikable characters, London proves that the novelty of seeing actors play against type isn't enough to rescue a deeply flawed film.
Upon learning that his ex-lover (Jessica Biel) is leaving New York, a man (Chris Evans) named Syd crashes her going-away... [More]
Adjusted Score: 15993%
Critics Consensus: The One plays more like a video game than a movie and borrows freely from other, better sci-fi actioners, burying Jet Li's spectacular talents under heaps of editing and special effects.
In a stunning dual role, international star Jet Li portrays Gabriel Yulaw, a police officer confronted with a sinister form... [More]
Adjusted Score: 16004%
Critics Consensus: In attempting to meld his successful previous formulas with philosophical musings, Guy Ritchie has produced an incoherent misfire.
Jake Green is a hotshot gambler, long on audacity and short on common sense. Jake served seven years in jail... [More]
Adjusted Score: 25890%
Critics Consensus: John Carpenter's Ghosts of Mars is not one of Carpenter's better movies, filled as it is with bad dialogue, bad acting, confusing flashbacks, and scenes that are more campy than scary.
Long inhabited by human settlers, the Red Planet has become the manifest destiny of an over-populated Earth. Nearly 640,000 people... [More]
Adjusted Score: 31471%
Critics Consensus: A rote, utterly disposable Jason Statham vehicle that just happens to have Clive Owen and Robert De Niro in it.
Danny Bryce (Jason Statham), one of the world's deadliest special-ops agents, returns from self-imposed exile after his mentor, Hunter (Robert... [More]
Adjusted Score: 32988%
Critics Consensus: With little to recommend beyond a handful of entertaining set pieces, Mechanic: Resurrection suggests this franchise should have remained in its tomb.
Living under cover in Brazil, master assassin Arthur Bishop (Jason Statham) springs back into action after an old enemy (Sam... [More]
Adjusted Score: 32597%
Critics Consensus: Hardcore Jason Statham fans may enjoy parts of Wild Card, but all other action aficionados need not apply.
A bodyguard (Jason Statham) goes after the sadistic thug who beat his friend, only to find that the object of... [More]
Adjusted Score: 39224%
Critics Consensus: Like its predecessors, Expendables 3 offers a modicum of all-star thrills for old-school action thriller aficionados -- but given all the talent assembled, it should have been a lot more fun.
Years ago, Barney Ross (Sylvester Stallone) co-founded the Expendables with Conrad Stonebanks (Mel Gibson). After Stonebanks became an arms dealer,... [More]
Adjusted Score: 34123%
Critics Consensus: Despite some genuine wit, this crowd pleaser is filled with too many cliches.
In a rough-and-tumble British prison, where murderers, thieves and assorted madmen are locked away, inmate Danny Meehan (Vinnie Jones) is... [More]
Adjusted Score: 44156%
Critics Consensus: This middling installment in the Transporter franchise is a few steps down from its predecessors, featuring generic stunts and a lack of energy.
Mob courier Frank Martin's (Jason Statham) latest assignment pairs him with Valentina (Natalya Rudakova), the cynical daughter of a Ukrainian... [More]
Adjusted Score: 43881%
Critics Consensus: Jason Statham is game as usual, but Parker is a thoroughly generic and convoluted heist movie.
Daring, ruthless and meticulous, Parker (Jason Statham) is one of the most successful thieves in the business. But when his... [More]
Adjusted Score: 47174%
Critics Consensus: Mindless, violent, and lightning-paced, Death Race is little more than an empty action romp.
Framed for a murder he did not commit, three-time speedway champ Jensen Ames (Jason Statham) finds himself at Terminal Island,... [More]
Adjusted Score: 49883%
Critics Consensus: It makes good on the old-school action it promises, but given all the talent on display, The Expendables should hit harder.
Mercenary leader Barney Ross (Sylvester Stallone) and his loyal men take on what they think is a routine assignment: a... [More]
Adjusted Score: 46284%
Critics Consensus: While it boasts a capable cast, the disappointingly dull Homefront hearkens back to classic action thrillers without adding anything to the genre.
Hoping to escape from his troubled past, former DEA agent Phil Broker (Jason Statham) moves to a seemingly quiet backwater... [More]
Adjusted Score: 63725%
Critics Consensus: The Meg sets audiences up for a good old-fashioned B-movie creature feature, but lacks the genre thrills -- or the cheesy bite -- to make it worth diving in.
Previously thought to be extinct, a massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at... [More]
Adjusted Score: 48077%
Critics Consensus: A middling crime thriller largely assembled from wearyingly familiar parts, Blitz sacks a game Jason Statham's performance behind the line of genre scrimmage.
A tough cop (Jason Statham) goes after a serial killer who targets police officers.... [More]
Adjusted Score: 50284%
Critics Consensus: While it certainly has more on its mind than the average Jason Statham action thriller, Redemption doesn't quite capitalize on its premise -- or on its star's strong, committed performance.
A troubled war veteran (Jason Statham) assumes a new identity and becomes a vigilante in a bid to atone for... [More]
Adjusted Score: 56450%
Critics Consensus: A stylish and more focused sequel to The Transporter, the movie is over-the-top fun for fans of the first movie.
Mercenary Frank Martin (Jason Statham) has accepted a job that seems easy enough, as chauffeur and bodyguard to young Jack... [More]
Adjusted Score: 59194%
Critics Consensus: Jason Statham and Ben Foster turn in enjoyable performances, but this superficial remake betrays them with mind-numbing violence and action thriller cliches.
One of an elite group of assassins, Arthur Bishop (Jason Statham) may be the best in the business. Bishop carries... [More]
Adjusted Score: 56853%
Critics Consensus: The Transporter delivers the action at the expense of coherent storytelling.
Ex-Special Forces operator Frank Martin (Jason Statham) lives what seems to be a quiet life along the French Mediterranean, hiring... [More]
Adjusted Score: 59557%
Critics Consensus: While it has moments of inspiration, Gnomeo and Juliet is often too self-referential for its own good.
In Stratford-Upon-Avon, birthplace of William Shakespeare, Miss Capulet and Mr. Montague feud over whose garden is the better. Garden gnomes... [More]
Adjusted Score: 60201%
Critics Consensus: Though it's gimmicky and occasionally feels like a high-end cell phone ad, Cellular is also an energetic and twisty thriller.
Schoolteacher Jessica Martin (Kim Basinger) is abducted by ruthless crook Ethan (Jason Statham) and brought to a remote hideout, where... [More]
Adjusted Score: 62269%
Critics Consensus: While hard-hitting and violently inventive, Safe ultimately proves too formulaic to set itself apart from the action thriller pack -- including some of its star's better films.
Luke Wright (Jason Statham) is a two-bit cage fighter, until the day he throws a fixed match. In retaliation, the... [More]
Adjusted Score: 64573%
Critics Consensus: Crank's assaultive style and gleeful depravity may turn off casual action fans, but audiences seeking a strong dose of adrenaline will be thrilled by Jason Statham's raucous race against mortality.
Chev Chelios (Jason Statham), a hit man wanting to go straight, lets his latest target slip away, then he awakes... [More]
Adjusted Score: 66181%
Critics Consensus: Crank: High Voltage delivers on its promises: a fast-paced, exciting thrill ride that doesn't take itself too seriously.
After surviving an incredible plunge to near-certain death, Chev Chelios (Jason Statham) is abducted by Chinese mobsters. Waking up three... [More]
Adjusted Score: 79634%
Critics Consensus: Wrestling just enough stakes out of its thin plot, Wrath of Man sees Guy Ritchie and Jason Statham reunite for a fun, action-packed ride.
Mysterious and wild-eyed, a new security guard for a cash truck surprises his co-workers when he unleashes precision skills during... [More]
Adjusted Score: 72210%
Critics Consensus: Taut, violent, and suitably self-deprecating, The Expendables 2 gives classic action fans everything they can reasonably expect from a star-studded shoot-'em-up -- for better and for worse.
Mercenary leader Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham) and the rest of the Expendables team reunite when Mr.... [More]
Adjusted Score: 90598%
Critics Consensus: The Fate of the Furious opens a new chapter in the franchise, fueled by the same infectious cast chemistry and over-the-top action fans have come to expect.
With Dom and Letty married, Brian and Mia retired and the rest of the crew exonerated, the globe-trotting team has... [More]
Adjusted Score: 88518%
Critics Consensus: Hobbs & Shaw doesn't rev as high as the franchise's best installments, but gets decent mileage out of its well-matched stars and over-the-top action sequences.
Brixton Lorr is a cybernetically enhanced soldier who possesses superhuman strength, a brilliant mind and a lethal pathogen that could... [More]
Adjusted Score: 78448%
Critics Consensus: With high-octane humor and terrific action scenes, Fast & Furious 6 builds upon the winning blockbuster formula that made Fast 5 a critical and commercial success.
Since Dom (Vin Diesel) and Brian's (Paul Walker) heist in Rio left them and their crew very rich people, they've... [More]
Adjusted Score: 78186%
Critics Consensus: Despite some iffy plot elements, The Italian Job succeeds in delivering an entertaining modern take on the original 1969 heist film, thanks to a charismatic cast.
After a heist in Venice, Steve (Edward Norton) turns on his partners in crime, killing safecracker John Bridger (Donald Sutherland)... [More]
Adjusted Score: 78294%
Critics Consensus: Though perhaps a case of style over substance, Guy Ritchie's second crime caper is full of snappy dialogue, dark comedy, and interesting characters.
Illegal boxing promoter Turkish (Jason Statham) convinces gangster Brick Top (Alan Ford) to offer bets on bare-knuckle boxer Mickey (Brad... [More]
Adjusted Score: 77269%
Critics Consensus: Lock, Stock, and Two Smoking Barrels is a grimy, twisted, and funny twist on the Tarantino hip gangster formula.
Eddy (Nick Moran) convinces three friends to pool funds for a high-stakes poker game against local crime boss Hatchet Harry... [More]
Adjusted Score: 84681%
Critics Consensus: Well cast and crisply directed, The Bank Job is a thoroughly entertaining British heist thriller.
Self-reformed petty criminal Terry Leather (Jason Statham) has become a financially struggling car dealer and settled into a pedestrian London... [More]
Adjusted Score: 92414%
Critics Consensus: Serving up a fresh round of over-the-top thrills while adding unexpected dramatic heft, Furious 7 keeps the franchise moving in more ways than one.
After defeating international terrorist Owen Shaw, Dominic Toretto (Vin Diesel), Brian O'Conner (Paul Walker) and the rest of the crew... [More]
Adjusted Score: 104595%
Critics Consensus: Simultaneously broad and progressive, Spy offers further proof that Melissa McCarthy and writer-director Paul Feig bring out the best in one another -- and delivers scores of belly laughs along the way.
Despite having solid field training, CIA analyst Susan Cooper (Melissa McCarthy) has spent her entire career as a desk jockey,... [More]
Two dishes cannibalized the long Thanksgiving holiday box office as tentpole holdover The Hunger Games: Catching Fire and the new animated blockbuster Frozen dominated the attention and wallets of audiences selling a jaw-dropping $200M+ worth of tickets over the five-day Wednesday-to-Sunday period. They generated the two largest grosses ever seen for this holiday frame and accounted for two-thirds of all spending on all films this long weekend. Other new releases found it very hard to breathe and were left with scraps.
Retaining its position at number one for the second time, Catching Fire was red hot and held up better than other major book sequels have during this holiday weekend. The new Hunger Games movie collected an estimated $74.5M over three days (Friday-to-Sunday) and a gargantuan $110.2M over the five-day span. Both figures set new records for Thanksgiving beating the $57.5M and $82.4M of Harry Potter and the Sorcerer’s Stone from 2001 when the first wizard movie was in its second weekend. Ticket prices, of course, were lower back then. Fire’s cume after ten-plus days is a mammoth $296.5M. A domestic final close to the $408M of its predecessor is likely.
The new Games fell by 53% from its November record opening which was a remarkable hold since recent Twilight and Harry Potter films suffered 60-70% tumbles in the exact same situation. When Catching Fire opened last weekend amid deafening hype and grossed just a tick above the first film’s debut, it seemed disappointing since much more was expected. But those fans who didn’t make it out on the first weekend certainly came on the sophomore frame as the ten-day cume (including Thursday night shows before opening day) is the third highest in box office history trailing only The Avengers ($373.1M including 3D surcharges) and The Dark Knight ($313.8M).
Overseas where there has been more audience growth between the two installments, Catching Fire has caught $276.5M to date pushing the current global tally to a massive $573M. The pair of Katniss flicks have now grossed a stunning $1.26 billion worldwide with much more to come from the rest of Fire’s run plus two Mockingjay films set for release over the next two Novembers.
The other big juggernaut sucking up all the dollars and attention in the multiplexes was Disney’s newest animated feature Frozen which also enjoyed a record-breaking debut. The PG-rated film bowed to an estimated $66.7M over three days and $93M across five days with both figures breaking the records for largest Thanksgiving opening ever. The milestone had been held since 1999 by Toy Story 2 which captured $57.4M in three days and $80.1M in five days. Of course, higher ticket prices and 3D surcharges helped Elsa and Anna beat Woody and Buzz.
Disney often uses the turkey frame to launch a major kidpic but the results this time were beyond spectacular. The three-day take nearly matched the $68.7M five-day debut of the studio’s Tangled from 2010 which went on to a final gross that was three times its long weekend debut. Should Frozen play in a similar fashion – and several factors indicate that it will – the sister tale may just flirt with the $300M mark by the end of this holiday season. Playing in 3,742 locations, Frozen averaged a fantastic $17,828 per theater over the Friday-to-Sunday period. Add in five days of an exclusive run in L.A. with higher ticket prices and the cume is $93.4M.
Audiences polled by CinemaScore gave the well-reviewed toon a glowing A+ grade which indicates great buzz will carry this forward. And with virtually no competition until mid-January it will be the top choice for kids for weeks to come while word-of-mouth may broaden the audience over time too. Studio research showed that the crowd was 57% female, 58% 25 and under, and 81% families.
In its fourth weekend, Marvel super hero pic Thor: The Dark World collected an estimated $11.1M, off 22%, for a domestic haul of $186.7M surpassing the $181M of its 2011 predecessor. Disney’s worldwide tally climbed to an impressive $591.1M with $404.4M (68%) coming from outside of North America. Fellow sequel The Best Man Holiday slipped 32% to an estimated $8.5M bumping Universal’s cume to a solid $63.4M.
Fast & Furious 7 star Jason Statham’s latest offering Homefront debuted in fifth place with an estimated $7M from 2,570 locations for a weak $2,712 average. The five-day score for Open Road was $9.8M and the performance was close to the $7M non-holiday debut of the actor’s Parker from January. Vince Vaughn’s comedy Delivery Man held up well in its second weekend but still has brought in modest numbers. The Disney release slipped 13% to an estimated $6.9M for a $19.5M total after ten days.
A couple of new wide releases with mixed reviews followed with each taking a small slice of the overall Thanksgiving pie. The period drama The Book Thief expanded nationwide going from 70 to 1,234 sites and grossed an estimated $4.9M for a dull $3,930 average for Fox. The five-day gross was $6.4M and the cume is $7.9M. Black Nativity, the musical drama starring Jennifer Hudson, Forest Whitaker, Angela Bassett, Tyrese Gibson, and Mary J. Blige did not draw much of a crowd opening to an estimated $3.9M over three days and $5M over five. The PG-rated pic averaged a weak $2,559 from 1,516 theaters over the Friday-to-Sunday period.
The well-reviewed Judi Dench film Philomena went wide into 835 theaters (from 4) and found itself with an estimated $3.8M for a mediocre average of $4,538. The PG-13 (on appeal) film has banked $4.8M to date for The Weinstein Co. The CBS hit Last Vegas grossed an estimated $2.8M, down 36%, upping its sum to $58.7M.
Moviegoers had no interest in Spike Lee’s American remake of Oldboy which debuted to an estimated $850,000 from 583 sites for a pitiful $1,458 average. Reviews were not so great for the FilmDistrict release which had $1.3M in sales since its Wednesday launch. Opening such a dark story over a holiday weekend when audiences demand happy and cheery films was a big gamble from the day it got moved from its previous release date of October 25.
Mandela: Long Walk to Freedom had a promising start with an estimated $100,000 from only four theaters for a solid platform average of $25,077. Reviews were somewhat good for the film, but marks were stellar for Idris Elba’s acting performance as the South African leader.
The top ten films grossed an estimated $190M which was down 4% from last year’s Thanksgiving frame when tentpole The Twilight Saga: Breaking Dawn Part 2 stayed at number one with $43.6M; but up 28% from 2011 when Breaking Dawn Part 1 remained in the top spot with $41.7M.
Also opening this week in limited release:
The Punk Singer, a documentary portrait of former Bikini Kill and Le Tigre vocalist Kathleen Hanna, is at 86 percent.
Mandela: Long Walk to Freedom, starring Idris Elba and Naomie Harris in a biopic of the South African president and civil rights leader, is at 67 percent.
Grae levels with Homefront star Jason Statham about what should make each of his movies fresh. Co-stars Izabela Vidovic, James Franco, and Kate Bosworth determine which objects in an interview room could be deadliest, as well as whether or not kids should be taught self-defense. Franco also turns the interviewing tables on Grae Drake in honor of an upcoming role.
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