(Photo by Warner Bros./ courtesy Everett Collection)

All Movies That Made Over A Billion Dollars, Ranked by Tomatometer

We heard it in a Hollywood movie once: “A million dollars isn’t cool. You know what’s cool? A billion dollars.”

And in this town, it’s true. A movie making that minimum seven figures isn’t cool, it’s a box office bomb. But 10 figures? Now we’re talking. Cracking a billion dollars globally requires a mighty recipe of the hottest stars, the shiniest filmmaking technology, and an engaging plot with twists and turns that never becomes super-duper complicated. And, of course, you’ll need an audience willing to turn out in droves the world over, from America to Lebanon to Zambia.

Now we’ve compiled all of the movies that have achieved just that and ranked them by Tomatometer. It’s a compelling window into our era of blockbusters and inflation. The Transformers and Pirates of the Caribbean series each have multiple entries, in the years before the franchises were run into the ground. Alice in Wonderland showed the way for Disney and these newfangled live-action remakes. The last Lord of the Rings was rewarded by fans with the highest gross of the trilogy, goodwill that transferred into The Hobbit: An Unexpected Journey, and then evaporated after that. The presence of the Jurassic and Star Wars movies, along with Skyfall, shows you can still wring plenty of money out of long-in-the-tooth franchise.

Then there’s the superheroes. The Dark Knight movies officially ushered in the era of big business for those who take their comic-book moviemaking seriously. Marvel took a lighter step, focusing on interconnected stories that create serious FOMO for those who skip the multiplex line, in movies like Avengers, Spider-Man, Captain Marvel, and Black Panther.

Re-releases of Harry Potter and the Sorcerer’s Stone was enough to get it over the edge, while Spider-Man: No Way Home had no problem swinging over the line! And if you want to go more in-depth, check out our article on The 50 Highest-Grossing Movies Ever, which includes some of those lesser specimens that couldn’t quite break a billion.

#48
Adjusted Score: 25962%
Critics Consensus: With the fourth installment in Michael Bay's blockbuster Transformers franchise, nothing is in disguise: Fans of loud, effects-driven action will find satisfaction, and all others need not apply.
Synopsis: After an epic battle, a great city lies in ruins, but the Earth itself is saved. As humanity begins to... [More]
Directed By: Michael Bay

#47
Adjusted Score: 42976%
Critics Consensus: It's shorter and leaner than the previous sequel, but this Pirates runs aground on a disjointed plot and a non-stop barrage of noisy action sequences.
Synopsis: The checkered past of Capt. Jack Sparrow (Johnny Depp) catches up to him when he encounters Angelica (Penélope Cruz), a... [More]
Directed By: Rob Marshall

#46
Adjusted Score: 44330%
Critics Consensus: Its special effects -- and 3D shots -- are undeniably impressive, but they aren't enough to fill up its loud, bloated running time, or mask its thin, indifferent script.
Synopsis: Sam Witwicky (Shia LaBeouf) and his new girlfriend, Carly (Rosie Huntington-Whiteley), join the fray when the evil Decepticons renew their... [More]
Directed By: Michael Bay

#45
Adjusted Score: 73692%
Critics Consensus: Jurassic World: Fallen Kingdom adds another set piece-packed entry to the blockbuster franchise, although genuinely thrilling moments are in increasingly short supply.
Synopsis: Three years after the destruction of the Jurassic World theme park, Owen Grady and Claire Dearing return to the island... [More]
Directed By: J.A. Bayona

#44
#44
Adjusted Score: 61844%
Critics Consensus: Tim Burton's Alice sacrifices the book's minimal narrative coherence -- and much of its heart -- but it's an undeniable visual treat.
Synopsis: A young girl when she first visited magical Underland, Alice Kingsleigh (Mia Wasikowska) is now a teenager with no memory... [More]
Directed By: Tim Burton

#43
Adjusted Score: 62095%
Critics Consensus: Burdened by exposition and populated with stock characters, The Phantom Menace gets the Star Wars prequels off to a bumpy -- albeit visually dazzling -- start.
Synopsis: Obi-Wan Kenobi (Ewan McGregor) is a young apprentice Jedi knight under the tutelage of Qui-Gon Jinn (Liam Neeson) ; Anakin... [More]
Directed By: George Lucas

#42

The Lion King (2019)
52%

#42
Adjusted Score: 78243%
Critics Consensus: While it can take pride in its visual achievements,The Lion King is a by-the-numbers retelling that lacks the energy and heart that made the original so beloved--though for some fans that may just be enough.
Synopsis: Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny on the plains of Africa. But... [More]
Directed By: Jon Favreau

#41
Adjusted Score: 83579%
Critics Consensus: Star Wars: The Rise of Skywalker suffers from a frustrating lack of imagination, but concludes this beloved saga with fan-focused devotion.
Synopsis: When it's discovered that the evil Emperor Palpatine did not die at the hands of Darth Vader, the rebels must... [More]
Directed By: J.J. Abrams

#40
Adjusted Score: 61909%
Critics Consensus: Gone is Depp's unpredictability and much of the humor and originality of the first movie.
Synopsis: When ghostly pirate Davy Jones (Bill Nighy) comes to collect a blood debt, Capt. Jack Sparrow (Johnny Depp) must find... [More]
Directed By: Gore Verbinski

#39

Minions (2015)
55%

#39
Adjusted Score: 62939%
Critics Consensus: The Minions' brightly colored brand of gibberish-fueled insanity stretches to feature length in their self-titled Despicable Me spinoff, with uneven but often hilarious results.
Synopsis: Evolving from single-celled yellow organisms at the dawn of time, Minions live to serve, but find themselves working for a... [More]
Directed By: Pierre Coffin, Kyle Balda

#38

Aladdin (2019)
57%

#38
Adjusted Score: 80022%
Critics Consensus: Aladdin retells its classic source material's story with sufficient spectacle and skill, even if it never approaches the dazzling splendor of the animated original.
Synopsis: Aladdin is a lovable street urchin who meets Princess Jasmine, the beautiful daughter of the sultan of Agrabah. While visiting... [More]
Directed By: Guy Ritchie

#37

Despicable Me 3 (2017)
59%

#37
Adjusted Score: 70161%
Critics Consensus: Despicable Me 3 should keep fans of the franchise consistently entertained with another round of colorful animation and zany -- albeit somewhat scattershot -- humor.
Synopsis: The mischievous Minions hope that Gru will return to a life of crime after the new boss of the Anti-Villain... [More]
Directed By: Pierre Coffin, Kyle Balda

#36
Adjusted Score: 77350%
Critics Consensus: Peter Jackson's return to Middle-earth is an earnest, visually resplendent trip, but the film's deliberate pace robs the material of some of its majesty.
Synopsis: Bilbo Baggins (Martin Freeman) lives a simple life with his fellow hobbits in the shire, until the wizard Gandalf (Ian... [More]
Directed By: Peter Jackson

#35

Aquaman (2018)
65%

#35
Adjusted Score: 90347%
Critics Consensus: Aquaman swims with its entertainingly ludicrous tide, offering up CGI superhero spectacle that delivers energetic action with an emphasis on good old-fashioned fun.
Synopsis: Once home to the most advanced civilization on Earth, the city of Atlantis is now an underwater kingdom ruled by... [More]
Directed By: James Wan

#34
#34
Adjusted Score: 90598%
Critics Consensus: The Fate of the Furious opens a new chapter in the franchise, fueled by the same infectious cast chemistry and over-the-top action fans have come to expect.
Synopsis: With Dom and Letty married, Brian and Mia retired and the rest of the crew exonerated, the globe-trotting team has... [More]
Directed By: F. Gary Gray

#33

Joker (2019)
68%

#33
Adjusted Score: 105610%
Critics Consensus: Joker gives its infamous central character a chillingly plausible origin story that serves as a brilliant showcase for its star -- and a dark evolution for comics-inspired cinema.
Synopsis: Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur... [More]
Directed By: Todd Phillips

#32

Jurassic World (2015)
71%

#32
Adjusted Score: 84893%
Critics Consensus: Jurassic World can't match the original for sheer inventiveness and impact, but it works in its own right as an entertaining -- and visually dazzling -- popcorn thriller.
Synopsis: Located off the coast of Costa Rica, the Jurassic World luxury resort provides a habitat for an array of genetically... [More]
Directed By: Colin Trevorrow

#31
#31
Adjusted Score: 98942%
Critics Consensus: With an enchanting cast, beautifully crafted songs, and a painterly eye for detail, Beauty and the Beast offers a faithful yet fresh retelling that honors its beloved source material.
Synopsis: Belle (Emma Watson), a bright, beautiful and independent young woman, is taken prisoner by a beast (Dan Stevens) in its... [More]
Directed By: Bill Condon

#30
#30
Adjusted Score: 90788%
Critics Consensus: Exuberant and eye-popping, Avengers: Age of Ultron serves as an overstuffed but mostly satisfying sequel, reuniting its predecessor's unwieldy cast with a few new additions and a worthy foe.
Synopsis: When Tony Stark (Robert Downey Jr.) jump-starts a dormant peacekeeping program, things go terribly awry, forcing him, Thor (Chris Hemsworth),... [More]
Directed By: Joss Whedon

#29

Frozen II (2019)
78%

#29
Adjusted Score: 98000%
Critics Consensus: Frozen II can't quite recapture the showstopping feel of its predecessor, but it remains a dazzling adventure into the unknown.
Synopsis: Elsa the Snow Queen has an extraordinary gift -- the power to create ice and snow. But no matter how... [More]
Directed By: Chris Buck, Jennifer Lee

#28

Iron Man 3 (2013)
79%

#28
Adjusted Score: 92731%
Critics Consensus: With the help of its charismatic lead, some impressive action sequences, and even a few surprises, Iron Man 3 is a witty, entertaining adventure and a strong addition to the Marvel canon.
Synopsis: Plagued with worry and insomnia since saving New York from destruction, Tony Stark (Robert Downey Jr.), now, is more dependent... [More]
Directed By: Shane Black

#27

Captain Marvel (2019)
79%

#27
Adjusted Score: 113612%
Critics Consensus: Packed with action, humor, and visual thrills, Captain Marvel introduces the MCU's latest hero with an origin story that makes effective use of the franchise's signature formula.
Synopsis: Captain Marvel is an extraterrestrial Kree warrior who finds herself caught in the middle of an intergalactic battle between her... [More]
Directed By: Anna Boden, Ryan Fleck

#26
Adjusted Score: 89062%
Critics Consensus: Harry Potter and the Sorcerer's Stone adapts its source material faithfully while condensing the novel's overstuffed narrative into an involving -- and often downright exciting -- big-screen magical caper.
Synopsis: Adaptation of the first of J.K. Rowling's popular children's novels about Harry Potter, a boy who learns on his eleventh... [More]
Directed By: Chris Columbus

#25

Avatar (2009)
81%

#25
Adjusted Score: 94651%
Critics Consensus: It might be more impressive on a technical level than as a piece of storytelling, but Avatar reaffirms James Cameron's singular gift for imaginative, absorbing filmmaking.
Synopsis: On the lush alien world of Pandora live the Na'vi, beings who appear primitive but are highly evolved. Because the... [More]
Directed By: James Cameron

#24

Furious 7 (2015)
82%

#24
Adjusted Score: 92401%
Critics Consensus: Serving up a fresh round of over-the-top thrills while adding unexpected dramatic heft, Furious 7 keeps the franchise moving in more ways than one.
Synopsis: After defeating international terrorist Owen Shaw, Dominic Toretto (Vin Diesel), Brian O'Conner (Paul Walker) and the rest of the crew... [More]
Directed By: James Wan

#23
Adjusted Score: 113397%
Critics Consensus: Rogue One draws deep on Star Wars mythology while breaking new narrative and aesthetic ground -- and suggesting a bright blockbuster future for the franchise.
Synopsis: Former scientist Galen Erso lives on a farm with his wife and young daughter, Jyn. His peaceful existence comes crashing... [More]
Directed By: Gareth Edwards

#22
#22
Adjusted Score: 114167%
Critics Consensus: Avengers: Infinity War ably juggles a dizzying array of MCU heroes in the fight against their gravest threat yet, and the result is a thrilling, emotionally resonant blockbuster that (mostly) realizes its gargantuan ambitions.
Synopsis: Iron Man, Thor, the Hulk and the rest of the Avengers unite to battle their most powerful enemy yet --... [More]
Directed By: Anthony Russo, Joe Russo

#21
#21
Adjusted Score: 103502%
Critics Consensus: The Dark Knight Rises is an ambitious, thoughtful, and potent action film that concludes Christopher Nolan's franchise in spectacular fashion.
Synopsis: It has been eight years since Batman (Christian Bale), in collusion with Commissioner Gordon (Gary Oldman), vanished into the night.... [More]
Directed By: Christopher Nolan

#20

Titanic (1997)
89%

#20
Adjusted Score: 101430%
Critics Consensus: A mostly unqualified triumph for James Cameron, who offers a dizzying blend of spectacular visuals and old-fashioned melodrama.
Synopsis: James Cameron's "Titanic" is an epic, action-packed romance set against the ill-fated maiden voyage of the R.M.S. Titanic; the pride... [More]
Directed By: James Cameron

#19

Frozen (2013)
90%

#19
Adjusted Score: 100194%
Critics Consensus: Beautifully animated, smartly written, and stocked with singalong songs, Frozen adds another worthy entry to the Disney canon.
Synopsis: When their kingdom becomes trapped in perpetual winter, fearless Anna (Kristen Bell) joins forces with mountaineer Kristoff (Jonathan Groff) and... [More]
Directed By: Chris Buck, Jennifer Lee

#18
Adjusted Score: 117382%
Critics Consensus: Captain America: Civil War begins the next wave of Marvel movies with an action-packed superhero blockbuster boasting a decidedly non-cartoonish plot and the courage to explore thought-provoking themes.
Synopsis: Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The... [More]
Directed By: Anthony Russo, Joe Russo

#17
#17
Adjusted Score: 118745%
Critics Consensus: A breezily unpredictable blend of teen romance and superhero action, Spider-Man: Far from Home stylishly sets the stage for the next era of the MCU.
Synopsis: Peter Parker's relaxing European vacation takes an unexpected turn when Nick Fury shows up in his hotel room to recruit... [More]
Directed By: Jon Watts

#16
#16
Adjusted Score: 106031%
Critics Consensus: Thanks to a script that emphasizes its heroes' humanity and a wealth of superpowered set pieces, The Avengers lives up to its hype and raises the bar for Marvel at the movies.
Synopsis: When Thor's evil brother, Loki (Tom Hiddleston), gains access to the unlimited power of the energy cube called the Tesseract,... [More]
Directed By: Joss Whedon

#15
#15
Adjusted Score: 126958%
Critics Consensus: Star Wars: The Last Jedi honors the saga's rich legacy while adding some surprising twists -- and delivering all the emotion-rich action fans could hope for.
Synopsis: Luke Skywalker's peaceful and solitary existence gets upended when he encounters Rey, a young woman who shows strong signs of... [More]
Directed By: Rian Johnson

#14

Jurassic Park (1993)
92%

#14
Adjusted Score: 102609%
Critics Consensus: Jurassic Park is a spectacle of special effects and life-like animatronics, with some of Spielberg's best sequences of sustained awe and sheer terror since Jaws.
Synopsis: In Steven Spielberg's massive blockbuster, paleontologists Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) and mathematician Ian Malcolm (Jeff... [More]
Directed By: Steven Spielberg

#13

Skyfall (2012)
92%

#13
Adjusted Score: 108066%
Critics Consensus: Sam Mendes brings Bond surging back with a smart, sexy, riveting action thriller that qualifies as one of the best 007 films to date.
Synopsis: When James Bond's (Daniel Craig) latest assignment goes terribly wrong, it leads to a calamitous turn of events: Undercover agents... [More]
Directed By: Sam Mendes

#12
Adjusted Score: 102799%
Critics Consensus: Visually breathtaking and emotionally powerful, The Lord of the Rings - The Return of the King is a moving and satisfying conclusion to a great trilogy.
Synopsis: The culmination of nearly 10 years' work and conclusion to Peter Jackson's epic trilogy based on the timeless J.R.R. Tolkien... [More]
Directed By: Peter Jackson

#11
#11
Adjusted Score: 114326%
Critics Consensus: A bigger, bolder Spider-Man sequel, No Way Home expands the franchise's scope and stakes without losing sight of its humor and heart.
Synopsis: For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super... [More]
Directed By: Jon Watts

#10

Incredibles 2 (2018)
93%

#10
Adjusted Score: 116863%
Critics Consensus: Incredibles 2 reunites Pixar's family crimefighting team for a long-awaited follow-up that may not quite live up to the original, but comes close enough to earn its name.
Synopsis: Telecommunications guru Winston Deavor enlists Elastigirl to fight crime and make the public fall in love with superheroes once again.... [More]
Directed By: Brad Bird

#9
Adjusted Score: 110967%
Critics Consensus: Packed with action and populated by both familiar faces and fresh blood, The Force Awakens successfully recalls the series' former glory while injecting it with renewed energy.
Synopsis: Thirty years after the defeat of the Galactic Empire, the galaxy faces a new threat from the evil Kylo Ren... [More]
Directed By: J.J. Abrams

#8

Finding Dory (2016)
94%

#8
Adjusted Score: 115466%
Critics Consensus: Funny, poignant, and thought-provoking, Finding Dory delivers a beautifully animated adventure that adds another entertaining chapter to its predecessor's classic story.
Synopsis: Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss every 10 seconds or so. The... [More]
Directed By: Andrew Stanton

#7

The Dark Knight (2008)
94%

#7
Adjusted Score: 107468%
Critics Consensus: Dark, complex, and unforgettable, The Dark Knight succeeds not just as an entertaining comic book film, but as a richly thrilling crime saga.
Synopsis: With the help of allies Lt. Jim Gordon (Gary Oldman) and DA Harvey Dent (Aaron Eckhart), Batman (Christian Bale) has... [More]
Directed By: Christopher Nolan

#6
#6
Adjusted Score: 127918%
Critics Consensus: Exciting, entertaining, and emotionally impactful, Avengers: Endgame does whatever it takes to deliver a satisfying finale to Marvel's epic Infinity Saga.
Synopsis: Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply... [More]
Directed By: Anthony Russo, Joe Russo

#5
Adjusted Score: 109303%
Critics Consensus: Thrilling, powerfully acted, and visually dazzling, Deathly Hallows Part II brings the Harry Potter franchise to a satisfying -- and suitably magical -- conclusion.
Synopsis: A clash between good and evil awaits as young Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione (Emma Watson) prepare... [More]
Directed By: David Yates

#4

Black Panther (2018)
96%

#4
Adjusted Score: 128737%
Critics Consensus: Black Panther elevates superhero cinema to thrilling new heights while telling one of the MCU's most absorbing stories -- and introducing some of its most fully realized characters.
Synopsis: After the death of his father, T'Challa returns home to the African nation of Wakanda to take his rightful place... [More]
Directed By: Ryan Coogler

#3

Toy Story 4 (2019)
97%

#3
Adjusted Score: 124710%
Critics Consensus: Heartwarming, funny, and beautifully animated, Toy Story 4 manages the unlikely feat of extending -- and perhaps concluding -- a practically perfect animated saga.
Synopsis: Woody, Buzz Lightyear and the rest of the gang embark on a road trip with Bonnie and a new toy... [More]
Directed By: Josh Cooley

#2

Zootopia (2016)
98%

#2
Adjusted Score: 115807%
Critics Consensus: The brilliantly well-rounded Zootopia offers a thoughtful, inclusive message that's as rich and timely as its sumptuously state-of-the-art animation -- all while remaining fast and funny enough to keep younger viewers entertained.
Synopsis: From the largest elephant to the smallest shrew, the city of Zootopia is a mammal metropolis where various animals live... [More]
Directed By: Byron Howard, Rich Moore

#1

Toy Story 3 (2010)
98%

#1
Adjusted Score: 110112%
Critics Consensus: Deftly blending comedy, adventure, and honest emotion, Toy Story 3 is a rare second sequel that really works.
Synopsis: With their beloved Andy preparing to leave for college, Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), and... [More]
Directed By: Lee Unkrich

Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

Transformers

(Photo by Paramount/Courtesy Everett Collection)

All Shia LaBeouf Movies Ranked

Shia LaBeouf’s first movie was the Certified Fresh surprise kids hit Holes. And though his next starring project, The Even Stevens Movie (based on the show that gave his young career a start), didn’t get same critical reception, it was a quick launch towards the Hollywood A-list. Soon enough he was groomed to be next of adventuring kin in Indiana Jones and the Kingdom of the Crystal Skull, and was the main confused human face among non-stop robotic carnage with the Transformers franchise.

By 2014, LaBeouf had all but ditched blockbusters for arthouse material, starring in Lars von Trier’s Nymphomaniac saga. Afterwards, red carpet antics, abrasive art projects, and personal issues began to consume his image, with LaBeouf seemingly in danger of becoming another industry burnout. 2016’s American Honey hinted at a comeback, but 2019 was a true redemption arc with the sentimental, classically-styled adventure The Peanut Butter Falcon, and the autobiographical Honey Boy, a searing personal history, both which became his highest-rated movies. As he prepares his next films for release (including re-teaming with Fury director David Ayer for The Tax Collector, and the Vanessa Kriby-starring drama Pieces of a Woman), we’re ranking all Shia LaBeouf movies by Tomatometer!

#27

Man Down (2015)
16%

#27
Adjusted Score: 19322%
Critics Consensus: Well-intentioned but overall misjudged, Man Down makes an unfortunately muddled attempt to mine thoughtful drama out of modern warfare's emotional wreckage.
Synopsis: When U.S. Marine Gabriel Drummer (Shia LaBeouf) returns from Afghanistan, he finds the place he once called home is no... [More]
Directed By: Dito Montiel

#26
Adjusted Score: 29470%
Critics Consensus: Transformers: Revenge of the Fallen is a noisy, underplotted, and overlong special effects extravaganza that lacks a human touch.
Synopsis: Two years after he and his Autobot friends saved the Earth from the Decepticons, Sam Witwicky (Shia LaBeouf) faces a... [More]
Directed By: Michael Bay

#25

Eagle Eye (2008)
26%

#25
Adjusted Score: 33205%
Critics Consensus: Eagle Eye is a preposterously plotted thriller that borrows heavily from other superior films.
Synopsis: Jerry Shaw (Shia LaBeouf) and Rachel Holloman (Michelle Monaghan) are two strangers whose lives are suddenly thrown into turmoil by... [More]
Directed By: D.J. Caruso

#24
Adjusted Score: 29102%
Critics Consensus: Shia LaBeouf clearly relishes his role in Charlie Countryman, but his efforts can't salvage the movie's shallow script and overstuffed direction.
Synopsis: In Romania, an American tourist (Shia LaBeouf) falls for the estranged wife (Evan Rachel Wood) of a brutal gangster (Mads... [More]
Directed By: Fredrik Bond

#23
Adjusted Score: 44330%
Critics Consensus: Its special effects -- and 3D shots -- are undeniably impressive, but they aren't enough to fill up its loud, bloated running time, or mask its thin, indifferent script.
Synopsis: Sam Witwicky (Shia LaBeouf) and his new girlfriend, Carly (Rosie Huntington-Whiteley), join the fray when the evil Decepticons renew their... [More]
Directed By: Michael Bay

#22
#22
Adjusted Score: 40243%
Critics Consensus: Like many anthologies, New York, I Love You has problems of consistency, but it isn't without its moments.
Synopsis: On the eve of her wedding, a Hasidic woman (Natalie Portman) considers a romance with another man, in one of... [More]

#21
Adjusted Score: 39318%
Critics Consensus: LaBeouf is appealing, but The Battle of Shaker Heights feels too watered down and disjointed.
Synopsis: A quirky teen with a penchant for war reenactments, Kelly Ernswiler (Shia La Beouf) obsesses over military tactics with his... [More]
Directed By: Kyle Rankin, Efram Potelle

#20
#20
Adjusted Score: 7854%
Critics Consensus: No consensus yet.
Synopsis: Members (Shia LaBeouf, Nick Spano, Tom Virtue) of a family unwittingly appear on a reality-television show after the producer sends... [More]
Directed By: Sean McNamara

#19

Constantine (2005)
46%

#19
Adjusted Score: 55275%
Critics Consensus: Despite solid production values and an intriguing premise, Constantine lacks the focus of another spiritual shoot-em-up: The Matrix.
Synopsis: As a suicide survivor, demon hunter John Constantine (Keanu Reeves) has literally been to hell and back -- and he... [More]
Directed By: Francis Lawrence

#18

Bobby (2006)
46%

#18
Adjusted Score: 53384%
Critics Consensus: Despite best intentions from director Emilio Estevez and his ensemble cast, they succumb to a script filled with pointless subplots and awkward moments working too hard to parallel contemporary times.
Synopsis: In 1968 the lives of a retired doorman (Anthony Hopkins), hotel manager (William H. Macy), lounge singer (Demi Moore), busboy... [More]
Directed By: Emilio Estevez

#17
#17
Adjusted Score: 57507%
Critics Consensus: The Company You Keep is a (frustratingly) slow-burning thriller about very contemporary issues.
Synopsis: Decades after an ill-fated robbery, a former member (Susan Sarandon) of the Weather Underground turns herself in to authorities. While... [More]
Directed By: Robert Redford

#16
Adjusted Score: 64099%
Critics Consensus: It's more entertaining than many sequels, but with Oliver Stone directing, a terrific cast, and a timely storyline that picks up where the original left off, Wall Street: Money Never Sleeps should be better.
Synopsis: Following a long prison term for insider trading, Gordon Gekko (Michael Douglas) finds himself on the outside looking in at... [More]
Directed By: Oliver Stone

#15
#15
Adjusted Score: 63921%
Critics Consensus: It doesn't quite live up to the promise of the first installment, but Nymphomaniac: Volume II still benefits from Lars von Trier's singular craft and vision, as well as a bravura performance from Charlotte Gainsbourg.
Synopsis: ... [More]
Directed By: Lars von Trier

#14
Adjusted Score: 66004%
Critics Consensus: Despite all the underdog sports movie conventions, the likable cast and lush production values make The Greatest Game Ever Played a solid and uplifting tale.
Synopsis: Blue-collar Francis Ouimet (Shia LaBeouf) fights class prejudice while mastering golf, a game guarded by the upper crust. Employed as... [More]
Directed By: Bill Paxton

#13

Lawless (2012)
66%

#13
Adjusted Score: 75303%
Critics Consensus: Grim, bloody, and utterly flawed, Lawless doesn't quite achieve the epic status it strains for, but it's too beautifully filmed and powerfully acted to dismiss.
Synopsis: In 1931, the Bondurant brothers of Franklin County, Va., run a multipurpose backwoods establishment that hides their true business, bootlegging.... [More]
Directed By: John Hillcoat

#12

Disturbia (2007)
69%

#12
Adjusted Score: 76379%
Critics Consensus: Aside from its clichéd resolution, Disturbia is a tense, subtle thriller with a noteworthy performance from Shia LaBeouf.
Synopsis: Ever since his father died, young Kale (Shia LaBeouf) has become increasingly sullen and withdrawn, until he finds himself under... [More]
Directed By: D.J. Caruso

#11

Fury (2014)
76%

#11
Adjusted Score: 87218%
Critics Consensus: Overall, Fury is a well-acted, suitably raw depiction of the horrors of war that offers visceral battle scenes but doesn't quite live up to its larger ambitions.
Synopsis: In April 1945, the Allies are making their final push in the European theater. A battle-hardened Army sergeant named Don... [More]
Directed By: David Ayer

#10
#10
Adjusted Score: 84493%
Critics Consensus: Darkly funny, fearlessly bold, and thoroughly indulgent, Nymphomaniac finds Lars von Trier provoking viewers with customary abandon.
Synopsis: ... [More]
Directed By: Lars von Trier

#9
Adjusted Score: 78461%
Critics Consensus: A Guide to Recognizing Your Saints is a lively, powerful coming-of-age tale with winning performances and sharp direction from first-timer Dito Montiel.
Synopsis: Dito Montiel (Robert Downey Jr.), a successful author, receives a call from his long-suffering mother (Dianne Wiest), asking him to... [More]
Directed By: Dito Montiel

#8
Adjusted Score: 88416%
Critics Consensus: Though the plot elements are certainly familiar, Indiana Jones and the Kingdom of the Crystal Skull still delivers the thrills and Harrison Ford's return in the title role is more than welcome.
Synopsis: It's the height of the Cold War, and famous archaeologist Indiana Jones (Harrison Ford), returning from his latest adventure, finds... [More]
Directed By: Steven Spielberg

#7

Holes (2003)
78%

#7
Adjusted Score: 81459%
Critics Consensus: Faithful to its literary source, this is imaginative, intelligent family entertainment.
Synopsis: A boy and his friends question the motives of a woman (Sigourney Weaver) who forces them to dig holes at... [More]
Directed By: Andrew Davis

#6

American Honey (2016)
79%

#6
Adjusted Score: 91430%
Critics Consensus: American Honey offers a refreshingly unconventional take on the coming-of-age drama whose narrative risks add up to a rewarding experience even if they don't all pay off.
Synopsis: Star (Sasha Lane), an adolescent girl from a troubled home, runs away with a traveling sales crew that drives across... [More]
Directed By: Andrea Arnold

#5

Surf's Up (2007)
79%

#5
Adjusted Score: 84038%
Critics Consensus: Surf's Up is a laid back, visually stunning animated movie that brings a fresh twist to some familiar conventions. Its witty mockumentary format is fun and inventive, and the CGI is breathtakingly realistic.
Synopsis: Surfing means everything to teenage penguin Cody Maverick (Shia LaBeouf). Followed by a documentary film crew, he leaves his home... [More]
Directed By: Ash Brannon, Chris Buck

#4

Borg vs. McEnroe (2017)
84%

#4
Adjusted Score: 92316%
Critics Consensus: Borg vs McEnroe makes tennis improbably cinematic -- and brings the absolute best out of Shia LaBeouf, who delivers some of the best work of his career.
Synopsis: It's the summer of 1980, and Björn Borg is the top tennis player in the world, dominating the sport both... [More]
Directed By: Janus Metz

#3
Adjusted Score: 89248%
Critics Consensus: No consensus yet.
Synopsis: Far in the future, after an apocalyptic conflict has devastated much of the world's ecosystem, the few surviving humans live... [More]
Directed By: Hayao Miyazaki

#2

Honey Boy (2019)
95%

#2
Adjusted Score: 108562%
Critics Consensus: Honey Boy serves as an act of cinematic therapy for its screenwriter and subject -- one whose unique perspective should strike a chord in audiences from all backgrounds.
Synopsis: When 12-year-old Otis begins to find success as a television star, his abusive, alcoholic father returns and takes over as... [More]
Directed By: Alma Har'el

#1
#1
Adjusted Score: 107446%
Critics Consensus: A feelgood adventure brought to life by outstanding performances, The Peanut Butter Falcon finds rich modern resonance in classic American fiction.
Synopsis: After running away from a residential nursing home to pursue his dream of becoming a pro wrestler, a man who... [More]

(Photo by Think Film /Courtesy Everett Collection)

38 Moon Movies To Celebrate The Moon Landing

The moon and the Earth: Name a more iconic duo in the galaxy. They’ve been around for almost as long as each other, separated by a mere 30 million years. They rotate in synchronicity. And sometimes the moon blocks the Sun for some cool Earth shade. You don’t see Jupiter and Titan being such BFFs. And we hear Oberon and Uranus aren’t even on speaking terms.

And for as long as Earth’s greatest, overachieving inhabitants have gifted themselves the invention of cinema, we humans have sought to depict the moon on screen. 1902’s A Trip to the Moon created the movies’ first iconic single image, a rocket ship face-planted in a crater, mythologizing the moon as sphere of whimsy, wonder, and fantasy. After July 20, 1969, the moon was gifted a new definition, one of scientific achievement and human triumph.

On the 50th anniversary of the moon landing by a crew of three American astronauts with the full power of NASA behind them, Rotten Tomatoes pays tribute with every moon movie to ever sprout its own Tomatometer. These are narrative movies set on the moon (H.G. Wells’ First Men in the Moon, Airplane II: The Sequel), and about going to the moon (First Man, Apollo 13), and expansive documentaries (In the Shadow of the Moon, For All Mankind). They’re also movies about the moon landing itself, like The Dish and Moonwalkers. And we’re featuring movies where the moon is significantly visited (2001: A Space Odyssey, The Adventures of Baron Munchausen, Austin Powers: The Spy Who Shagged Me), or where the moon is thematically woven into the plot, such as A Walk on the Moon or Under the Same Moon.

Ready to make a spacewalk to Earth’s closest and oldest friend? Then hop in for our guide to 38 moon movies — we guarantee you’ll be over the proverbial celestial satellite!

#1

A Trip to the Moon (1902)
100%

#1
Adjusted Score: 100000%
Critics Consensus: No consensus yet.
Synopsis: Astronomers go on an expedition to the moon.... [More]
Directed By: Georges Méliès

#2
Adjusted Score: 100941%
Critics Consensus: No consensus yet.
Synopsis: ... [More]
Starring: Peter Sallis
Directed By: Nick Park

#3
Adjusted Score: 52520%
Critics Consensus: No consensus yet.
Synopsis: The history of the Apollo 8 lunar mission and the three men on the crew.... [More]
Directed By: Paul Hildebrandt

#4

Apollo 11 (2019)
99%

#4
Adjusted Score: 109211%
Critics Consensus: Edifying and inspiring in equal measure, Apollo 11 uses artfully repurposed archival footage to send audiences soaring back to a pivotal time in American history.
Synopsis: Never-before-seen footage and audio recordings take you straight into the heart of NASA's most celebrated mission as astronauts Neil Armstrong,... [More]
Directed By: Todd Douglas Miller

#5

The Dish (2000)
96%

#5
Adjusted Score: 98388%
Critics Consensus: A feel good movie without an abundance of mush.
Synopsis: The true story of a group of eccentric scientists who are responsible for manning a satellite dish inauspiciously located on... [More]
Directed By: Rob Sitch

#6

Apollo 13 (1995)
96%

#6
Adjusted Score: 101197%
Critics Consensus: In recreating the troubled space mission, Apollo 13 pulls no punches: it's a masterfully told drama from director Ron Howard, bolstered by an ensemble of solid performances.
Synopsis: This Hollywood drama is based on the events of the Apollo 13 lunar mission, astronauts Jim Lovell (Tom Hanks), Fred... [More]
Directed By: Ron Howard

#7
Adjusted Score: 98410%
Critics Consensus: Director David Sington poetically interwove 20th Century's cosmonautic history with its effect on the public's view of their country, their heroes and their future.
Synopsis: In 1961, NASA started its Apollo program to realize President John F. Kennedy's dream of putting a man on the... [More]
Directed By: David Sington

#8
#8
Adjusted Score: 106059%
Critics Consensus: One of the most influential of all sci-fi films -- and one of the most controversial -- Stanley Kubrick's 2001 is a delicate, poetic meditation on the ingenuity -- and folly -- of mankind.
Synopsis: An imposing black structure provides a connection between the past and the future in this enigmatic adaptation of a short... [More]
Directed By: Stanley Kubrick

#9

Things to Come (1936)
93%

#9
Adjusted Score: 97355%
Critics Consensus: Eerily prescient in its presentation of a dystopian future, Things to Come's special effects may be somewhat dated, but its potent ideas haven't aged at all.
Synopsis: It's Christmas 1940, and Everytown resident John Cabal (Raymond Massey) fears that war is imminent. When it breaks out, the... [More]

#10
#10
Adjusted Score: 95694%
Critics Consensus: The Last Man on the Moon takes a justifiably reverent look at a largely unexplored chapter in the history of American space exploration -- and a side of astronaut's lives that's rarely considered.
Synopsis: Astronaut Eugene Cernan discusses his two missions to the moon, and what he loved and lost in the process.... [More]
Directed By: Mark Craig

#11

For All Mankind (1989)
94%

#11
Adjusted Score: 94649%
Critics Consensus: No consensus yet.
Synopsis: Directed by Al Reinert and with music scored by Brian Eno, "For All Mankind" provides a testament to NASA's Apollo... [More]
Directed By: Al Reinert

#12
Adjusted Score: 96050%
Critics Consensus: Bursting with Terry Gilliam's typically imaginative flourishes, this story of a possibly deranged Baron recounting his storied life is a flamboyant and witty visual treat.
Synopsis: During the "Age of Reason" of the late 18th century, the Turkish army lays siege to a European city where... [More]
Directed By: Terry Gilliam

#13

Moon (2009)
90%

#13
Adjusted Score: 96872%
Critics Consensus: Boosted by Sam Rockwell's intense performance, Moon is a compelling work of science-fiction, and a promising debut from director Duncan Jones.
Synopsis: Astronaut Sam Bell's (Sam Rockwell) three-year shift at a lunar mine is finally coming to an end, and he's looking... [More]
Directed By: Duncan Jones

#14
Adjusted Score: 87430%
Critics Consensus: This inspirational 3D IMAX film approximates for audiences what it is like to set steps on the moon.
Synopsis: Buzz Aldrin described the lunar surface as "magnificent desolation." He is one of only 12 astronauts who have walked on... [More]
Directed By: Mark Cowen

#15

First Man (2018)
87%

#15
Adjusted Score: 115360%
Critics Consensus: First Man uses a personal focus to fuel a look back at a pivotal moment in human history - and takes audiences on a soaring dramatic journey along the way.
Synopsis: Hoping to reach the moon by the end of the decade, NASA plans a series of extremely dangerous, unprecedented missions... [More]
Directed By: Damien Chazelle

#16
#16
Adjusted Score: 26322%
Critics Consensus: No consensus yet.
Synopsis: When the tiny nation of Grand Fenwick suffers a plumbing malfunction, Prime Minister Rupert Mountjoy (Ron Moody) decides to use... [More]
Directed By: Richard Lester

#17

Mock Up on Mu (2008)
86%

#17
Adjusted Score: 25258%
Critics Consensus: No consensus yet.
Synopsis: Old NASA footage, trailers from Hollywood movies and TV series and scripted dramatizations combine to depict fictional tales about space... [More]
Directed By: Craig Baldwin

#18

Despicable Me (2010)
81%

#18
Adjusted Score: 87543%
Critics Consensus: Borrowing heavily (and intelligently) from Pixar and Looney Tunes, Despicable Me is a surprisingly thoughtful, family-friendly treat with a few surprises of its own.
Synopsis: A man who delights in all things wicked, supervillain Gru (Steve Carell) hatches a plan to steal the moon. Surrounded... [More]

#19

Nude on the Moon (1960)
80%

#19
Adjusted Score: 49370%
Critics Consensus: No consensus yet.
Synopsis: ... [More]
Directed By: Louis Silverman

#20

Countdown (1968)
67%

#20
Adjusted Score: 18020%
Critics Consensus: No consensus yet.
Synopsis: A scientist (James Caan) replaces a military officer (Robert Duvall) as an astronaut on a space-race moonshot.... [More]
Directed By: Robert Altman

#21
#21
Adjusted Score: 64143%
Critics Consensus: No consensus yet.
Synopsis: Around the turn of the 20th century, Joseph Cavor (Lionel Jeffries), a brilliant British scientist, creates his own spacecraft and... [More]
Directed By: Nathan Juran

#22
#22
Adjusted Score: 75258%
Critics Consensus: If Under the Same Moon is often manipulative, it is also heartfelt, and features strong performances from its leads.
Synopsis: Single mother Rosario (Kate del Castillo) leaves her young son Carlitos (Adrian Alonso) in the care of his grandmother and... [More]
Directed By: Patricia Riggen

#23
#23
Adjusted Score: 72851%
Critics Consensus: An impressive showcase for Diane Lane and an assured debut from director Tony Goldwyn, A Walk on the Moon finds absorbing period drama within a family at a crossroads.
Synopsis: Unfulfilled housewife Pearl Kantrowitz (Diane Lane) suffers in quiet misery as the tumultuous events of the summer of 1969 unfold... [More]
Directed By: Tony Goldwyn

#24
#24
Adjusted Score: 75324%
Critics Consensus: No consensus yet.
Synopsis: Spaceship passengers reach the orb and learn if its atmosphere can sustain human life.... [More]
Directed By: Fritz Lang

#25
#25
Adjusted Score: 72872%
Critics Consensus: No consensus yet.
Synopsis: Recruited by the CIA in 1967, young filmmakers (Matt Johnson, Owen Williams) shoot footage of a fake moon landing after... [More]
Directed By: Matt Johnson

#26

Destination Moon (1950)
64%

#26
Adjusted Score: 63272%
Critics Consensus: No consensus yet.
Synopsis: A team composed of an aerospace scientist (Warner Anderson), an ex-Air Force general (Tom Powers) and an industrialist (John Archer)... [More]
Directed By: Irving Pichel

#27
#27
Adjusted Score: 63825%
Critics Consensus: No consensus yet.
Synopsis: In this film of unconnected humor sketches, bad movies and late-night television are parodied extensively. A doctor (Griffin Dunne) has... [More]

#28
Adjusted Score: 55632%
Critics Consensus: Provides lots of laughs with Myers at the healm; as funny or funnier than the original.
Synopsis: In his second screen adventure, British super spy Austin Powers must return to 1969, as arch-nemesis Dr. Evil has ventured... [More]
Directed By: Jay Roach

#29
Adjusted Score: 19684%
Critics Consensus: No consensus yet.
Synopsis: Following the Civil War, demolition expert Victor Barbicane (Joseph Cotten) develops the world's most powerful explosive, Power X. When other... [More]
Directed By: Byron Haskin

#30
#30
Adjusted Score: 35372%
Critics Consensus: No consensus yet.
Synopsis: Though haunted by combat memories, heroic pilot Ted Striker (Robert Hays) agrees to return to the cockpit to man the... [More]
Directed By: Ken Finkleman

#31

Moonwalkers (2015)
42%

#31
Adjusted Score: 43527%
Critics Consensus: No consensus yet.
Synopsis: In 1969 London, a CIA agent (Ron Perlman) and the manager (Rupert Grint) of a rock band must find a... [More]

#32

Iron Sky (2012)
40%

#32
Adjusted Score: 40023%
Critics Consensus: No consensus yet.
Synopsis: The Nazis build a moon base in 1945 and hide there until 2018 when they plan to return to power.... [More]
Directed By: Timo Vuorensola

#33
Adjusted Score: 44330%
Critics Consensus: Its special effects -- and 3D shots -- are undeniably impressive, but they aren't enough to fill up its loud, bloated running time, or mask its thin, indifferent script.
Synopsis: Sam Witwicky (Shia LaBeouf) and his new girlfriend, Carly (Rosie Huntington-Whiteley), join the fray when the evil Decepticons renew their... [More]
Directed By: Michael Bay

#34
#34
Adjusted Score: 13170%
Critics Consensus: No consensus yet.
Synopsis: They wear black tights and lure astronauts (Sonny Tufts, Victor Jory, Marie Windsor) lunar.... [More]
Directed By: Arthur Hilton

#35
Adjusted Score: 43221%
Critics Consensus: It's undeniably visually impressive, but like its predecessor, Independence Day: Resurgence lacks enough emotional heft to support its end-of-the-world narrative stakes.
Synopsis: As the Fourth of July nears, satellite engineer David Levinson (Jeff Goldblum) investigates a 3,000-mile-wide mother ship that's approaching Earth.... [More]
Directed By: Roland Emmerich

#36

Apollo 18 (2011)
23%

#36
Adjusted Score: 24188%
Critics Consensus: A boring, suspense-free Paranormal Activity rip-off that feels long even at just 90 minutes.
Synopsis: Apollo 17 was the last U.S.-sponsored lunar voyage -- or was it? Hours of found footage, classified for decades, point... [More]

#37
Adjusted Score: 13609%
Critics Consensus: The Superman series bottoms out here: the action is boring, the special effects look cheaper, and none of the actors appear interested in where the plot's going.
Synopsis: Seeing the United States and the Soviet Union engaged in a nuclear arms race that could lead to Earth's destruction,... [More]
Directed By: Sidney J. Furie

#38
Adjusted Score: 6375%
Critics Consensus: The Adventures of Pluto Nash is neither adventurous nor funny, and Eddie Murphy is on autopilot in this notorious box office bomb.
Synopsis: "Pluto Nash" is an action comedy set on the moon in the year 2087, starring Eddie Murphy as the title... [More]
Directed By: Ron Underwood

Avengers Endgame

(Photo by © Walt Disney Studios Motion Pictures, © Marvel Studios)

Updated: Monday, March 2, 2020. 

2019 may not have been the biggest year ever at the box office, but it had a number of massive films that entered the top 50 highest-grossing movies of all time – including one that took out the number 1 slot. Avengers: Endgame officially became the number 1 movie of all time, globally, when Disney and Marvel Studios re-released the film with a tiny amount of fan-baiting new footage (it was a gamble that paid off, as it was looking like the movie might not be able to catch previous number 1, Avatar, despite a record-shattering opening weekend box office). Meanwhile, the Mouse House’s live-action remake of The Lion King – or “computer-animated remake,” depending on which side of the argument you’re sitting on – entered the top 10 highest-grossing films of all time at number 7.

Simba’s kingly box office performance as well as a stellar result for Frozen II means that Disney now occupies six of the 10 top box office rankings of all time worldwide. Toy Story and Captain Marvel gave Disney even more reason to celebrate last year as they entered the top 50, and the year ended on a high note for the studio, with Star Wars: The Rise of Skywalker joining the list, even if the final(?) Skywalker film – which has now passed $1 billion globally – underperformed expectations. Meanwhile, also in 2019, Sony released its highest-grossing film to date, Spider-Man: Far From Home, which entered the top 25.

Perhaps biggest box office surprise of 2019 – and maybe even its biggest box office story – was the phenomenal success of Warner Bros.’ R-rated Joker, the standalone DC film starring Joaquin Phoenix that is currently at number 31 on this list, having surpassed AladdinThe Dark Knight, Jurassic ParkThe Hobbit: An Unexpected Journey, and Rogue One.

What does 2020 have in store? While there are no Avengers movies or any Star Wars films hitting theaters, the MCU carries on (Black WidowThe Eternals) and DC is throwing a bunch of potentially huge properties our way, including Wonder Woman 1984. Originals could also break through, with Christopher Nolan’s Tenet and Denis Villeneuve’s Dune eyed as major contenders to make a box office dent. We’ll update as the year’s films start to make their appearances on this list.

For the list below, we’ve included global box office performance, as well as domestic, and release date. We included dollars earned in re-releases, and in each of our descriptions, we look at where the film stood record-wise at the time of its run, and dive into things like critical and audience reception. We’ll be here to track the progress of new blockbusters and regularly update this list of top box office performers. So keep your eyes here, and check in with our weekly weekend box office wraps.  


1. $2.798 Billion 

Avengers: Endgame (2019) 94%


Domestic: $858.4 million (including re-releases)
Release date: April 26, 2019

The journey that began in 2008 with Iron Man was coming to an end – at least for some of the characters in the Marvel Cinematic Universe. Audiences that had been holding their breath for an entire year after perhaps the biggest cliffhanger since Empire Strikes Back could not wait to buy their tickets – and did they ever buy those tickets when they finally could. Opening weekend for Avengers: Endgame in April 2019 surpassed Infinity War’s year-long record by nearly $100 million. In just eight days, the film had grossed a half-billion domestically. On day 10 it was over $621 million. One by one the records fell, leading many to ignore the words “if” and “can” and focus instead on “when” Avatar’s previous record ($2.787 billion) as the highest-grossing movie would fall. But Endgame began to show signs early in its run that its impressive sprinting start might not be enough for it to ultimately come out ahead of James Cameron’s epic; it only had the second-biggest second weekend ever and the fourth-best third weekend. In the era of the modern blockbuster, even a record-breaker can be front-loaded and only spend three weeks atop the charts. It really all came down to a final dash near the finish line. After just six weeks of release, Endgame was about $73 million away from dethroning Avatar – substantial ground to make up. But then Marvel and Disney re-released the film on June 28 with new goodies over its end credits. And then, over the weekend of July 19, 2019 – its 13th week of release – when another Disney release would begin its run for the top 10 all-time earners (hello, Lion King), Endgame squeaked ahead. It may not have been able to catch The Force Awakens for the all-time domestic leader, but by the time summer was over, it would pull in front of Avatar and become the king of the world (sorry, James).


2. $2.790 Billion 

Avatar (2009) 81%


Domestic: $760.5 million (including re-releases)
Release date: December 18, 2009

The world had to wait some 12 years for James Cameron to follow up the biggest film of all-time with what would become the new biggest film of all time. Nobody believed he was going to surpass Titanic’s numbers with this tale of an alien planet and the paraplegic Marine who teams up with its inhabitants in the battle for Unobtanium. But he did. At the peak of a 3-D reemergence, aided by the filmmaker’s usual technological gamesmanship (and higher ticket prices), Avatar‘s seven straight weekends at number 1 led to over $595 million at the North American box office. Then, two days later on Feb. 2, 2010, its 47th day of release, the movie became the highest domestic earner ever. Avatar held that record for five years and eleven months and went on to become the only film ever to earn $2 billion outside of the U.S. and Canada, making it the world’s highest grosser at the time. It held onto its impressive global record for nearly 10 years. Until Avengers: Endgame.


3. $2.194 Billion 

Titanic (1997) 89%


Domestic: $659.4 million (including re-releases)
Release date: December 19, 1997

James Cameron makes expensive movies. The Abyss, Terminator 2, and True Lies were all the most expensive movies of their time upon release. In 1997, Cameron blew out the budget again and this time there was worry he may have gone too far. Though delayed from July until December, Titanic nevertheless became a global phenomenon the likes of which the box office had never seen at the time. After 15 straight weeks at number 1, 14 Oscar nominations and 11 statuettes, Titanic, its stars and its song were ingrained in the hearts and tear ducts of the world, and the movie would hold the all-time box office record for 12 years – until Cameron would eclipse himself once again with Avatar.



4. $2.068 Billion 

Star Wars: The Force Awakens (2015) 93%


Domestic: $936.7 million
Release date: December 18, 2015

Twelve years after the completion of the Star Wars prequel trilogy, J.J. Abrams was tasked with making Episode VII – a monumental undertaking, and a risky one. Were people still interested after the prequels? Were they burnt out? The approach was to mix the old and the new, and it worked. Abrams gave a brand-new cast of characters the chance to interact with the original trio of Luke, Han, and Leia, and generations of fans were so ready for the adventure that they gave the film the highest opening weekend in history ($247.9 million). In just under three weeks, The Force Awakens became the all-time domestic champion, passing Avatar and joining the $2 billion club within 54 days. It still remains the highest-grossing domestic release of all time.


5. $2.048 Billion 

Avengers: Infinity War (2018) 85%


Domestic: $678.8 million
Release date: April 27, 2018

Just shy of 10 years since it began, the Marvel Cinematic Universe gathered nearly every one of its characters for a galaxy-wide showdown with the series’ Big Bad, Thanos. The movie featured one of the gutsiest cliffhangers in any franchise’s history, leaving audiences to wait in shock for an entire year to discover how Phase 3 of the epic series would end. The film bested The Force Awakens’ three-day opening weekend record with $257.6 million, and hit the $2 billion mark in 48 days. Domestically, it would ultimately come up just short of Black Panther, which was released two months prior.



6. $1.670 Billion 

Jurassic World (2015) 71%


Domestic: $652.3 million
Release date: June 12, 2015

Twenty-two years after Steven Spielberg’s Jurassic Park became the Jaws for a new generation, it was time for that generation’s kids to have their own version of dinosaur mayhem. The second-best–reviewed film in the Jurassic series (72% on the Tomatometer vs. the original’s 91%), Jurassic World trampled a competitive summer full of Avengers, Minions, and inner feelings, and became just the third film since Titanic in 1998 to pass $600 million in domestic box office.


7. $1.657 Billion 

The Lion King (2019) 52%


Domestic: $543.6 million
Release date: July 19, 2019

Having found success with its live-action re-imaginings of The Jungle Book and Beauty and the Beast, Disney tripled down in 2019 with three “new” remakes. Dumbo was a bit of a bust, Aladdin was a success, but The Lion King truly roared. That made sense given that the 1994 original, at the time, was one of the studio’s most successful films in the middle of its rebirth, and director Jon Favreau’s CGI-fueled version traced it for a new generation. The result is the highest-grossing domestic release to receive a Rotten score on the Tomatometer, at 53%. But its $191 million opening was the eighth highest of all time and it became the 14th film to pass a half-billion domestically and just the ninth film to rack up $1 billion overseas.



8. $1.519 Billion 

Marvel's the Avengers (2012) 91%


Domestic: $623.4 million
Release date: May 4, 2012

Want proof that Avengers work best together? Consider that the first combined outing for Iron Man, Thor, and Captain America bested the $1.4 billion that their origin stories had made combined. Five films into the MCU (including Edward Norton’s The Incredible Hulk), the team was finally assembled for a singular battle against Loki and his inherited army. Joss Whedon’s movie became the first ever to make over $200 million in a single weekend and was Marvel’s first entry into the Billion Dollar Club, which had just 12 members at the time.


9. $1.515 Billion 

Furious 7 (2015) 82%


Domestic: $353 million
Release date: April 3, 2015

What started out as a Point Break derivative – with cars! – became one of the unlikeliest mega franchises ever. Vin Diesel’s return in the series’ fourth film is what really got the Fast and Furious franchise engines revving, and Dwayne Johnson’s addition in the fifth film added some humor and helped get the critics on board. But it was the full embrace of the series’ now-signature bombast, as well as the untimely death of Paul Walker, that brought the combo of curiosity and tribute that helped make James Wan’s Furious 7 the franchise’s most successful entry. It hit with audiences – the opening weekend haul of $147 million was almost $50 million more than any previous entry – as well as with critics (it’s the highest-rated movie in the series at 81% on the Tomatameter).


10. $1.448 Billion 

Frozen II (2019) 78%


Domestic: $477 million
Release date: November 22, 2019

When a film becomes not just a global phenomenon but the highest-grossing film in your canon of animated entertainment, a sequel is inevitable. While not quite as well-received as the first film critically (77% vs. 90% on the Tomatometer), Frozen II virtually demanded that parents bring their children for a second adventure. It began with the third-highest opening weekend for an animated film (after Pixar sequels Incredibles 2 and Finding Dory) – $130.26 million – and then became the highest-grossing film over the five-day Thanksgiving holiday, which was all the more impressive given it had opened the prior weekend. In its fourth weekend of release, it became Disney’s sixth billion-dollar film of 2019, pushing Jumanji: Welcome to the Jungle out of the Top 50 on the same weekend that its sequel The Next Level opened. Now, the movie has overtaken the original Frozen to become the highest-grossing animated film of all time.


11. $1.402 Billion 

Avengers: Age of Ultron (2015) 76%


Domestic: $459 million
Release date: May 1, 2015

If any film in the top 10 could be considered both a success and a disappointment it would be Joss Whedon’s Avengers sequel. Coming up shy of the first film’s record-breaking opening weekend – note that it was still the second-best opening of all time when it was released – the movie never matched its predecessor in dollars or affection. With a 75% Tomatometer rating, it doesn’t even rank among the top 10 Tomatometer scores of the MCU – though we think there’s a case to be made for reassessing its virtues – and it lost the summer of 2015 to the dinosaurs of Jurassic World. Still, it was just the 16th film ever to cross the $400 million line domestically in its initial run.


12. $1.347 Billion 

Black Panther (2018) 96%


Domestic: $700.1 million
Release date: February 16, 2018

After an introduction in Captain America: Civil War, T’Challa got his own film in February of 2019. Audiences were hungry for representation on screen and looking for a thrilling re-introduction to the character, and in Ryan Coogler’s action-packed, beautiful-looking epic, they got both. The movie became the fifth film in history to have a $200 million opening weekend, and just the third film ever to gross over $700 million in North America, outlasting even Avengers: Infinity War that summer. Why isn’t it even higher in the list? Because it remains the only post-Avengers film in the MCU to make less money internationally than domestically.



13. $1.342 Billion 

Harry Potter and the Deathly Hallows: Part 2 (2011) 96%


Domestic: $381.2 million
Release date: July 15, 2011

Fans of J.K. Rowling’s fantasy series got to see its characters (and the actors who played them) grow up in front of their eyes. The culmination of the journey that began in 2001 also ushered in a new trend of splitting final chapters in halves. The back half of the Potter finale set the new record for an opening weekend at the time with $169.1 million, and its $960 million international haul ranked only behind Avatar and Titanic. By the end of its run, the eight Harry Potter had films grossed a combined $7.72 billion.


14. $1.333 Billion 

Star Wars: The Last Jedi (2017) 91%


Domestic: $620.2 million
Release date: December 15, 2017

One of the more controversial entries in the Star Wars series – don’t get anyone started on the casino planet sequence! – Rian Johnson’s The Last Jedi took the standard dip that had afflicted other middle films in the franchise. The Empire Strikes Back made 31.9% less than A New HopeAttack of the Clones made 34.6% less than The Phantom Menace, and The Last Jedi fell 33.8% off The Force Awakens. Still, Johnson’s film joined Episodes IV, V, and VII in the 90%+ realm on the Tomatometer and may end up being the ultimate bridge to the next generation of Star Wars fans.


15. $1.308 Billion 

Jurassic World: Fallen Kingdom (2018) 47%


Domestic: $417.7 million
Release date: June 22, 2018

J.A. Bayona’s follow-up to Colin Trevorrow’s continuation of Steven Spielberg’s series received the weakest Tomatometer score of the franchise to date (48%) and, following the path of many “second” entries in franchises (even if it’s technically the fifth), dropped 36% from Jurassic World in overall domestic box office. But it was still good enough for 23rd all-time in North America and 13th in overseas dollars. It was also the second-highest-grossing domestic film of the 2018 summer season, behind the #17 film on this list.


16. $1.281 Billion 

Frozen (2013) 90%


Domestic: $400.7 million
Release date: November 22, 2013

The Oscar-winning song that has tortured parents for nearly a decade was just part of what made Frozen the highest-grossing animated film in history. The story of two sisters searching for happily-ever-after with each other rather than the standard gentlemen suitors also won the Oscar for Best Animated Feature and bested 2012’s Ice Age: Continental Drift for the highest international haul for an animated film ever ($875.7 million compared to $715.9 million), a record it holds to this day despite challenges from Minions and Incredibles 2. (If you consider the new Lion King animated though, this is one crown the Arendelle princesses no longer wear.)



17. $1.264 Billion 

Beauty and the Beast (2017) 71%


Domestic: $504 million
Release date: March 17, 2017

Speaking of Disney soundtracks, it was the 2017 live-action redo and not the Best Picture-nominated animated Beauty and the Beast from 1991 that really broke the bank and remains in the record books. Bill Condon’s version of the tale as old as 1991, starring Emma Watson, was not the first of Disney’s splashy re-imaginings, but it certainly was the most successful at the time, becoming the seventh film to cross a half-billion in North America and the 16th to pass three-quarters of a billion overseas.


18. $1.243 Billion 

Incredibles 2 (2018) 93%


Domestic: $608.6 million
Release date: June 15, 2018

Brad Bird’s The Incredibles debuted a full four years before the MCU began, a time when the Pixar brand was as close to a guarantee of success (and quality) as the industry had. Fourteen years later and deep into the superhero cinematic explosion, Bird’s sequel more than doubled the original’s box office and became the highest-grossing animated film ever at the domestic box office. It was the ninth film to cross the $600 million mark in North America and remains in the top 10 all-time earners domestically.



19. $1.236 Billion 

The Fate of the Furious (2017) 67%


Domestic: $226 million
Release date: April 14, 2017

A half-billion dollars was put into the production of the seventh and eighth chapters of this franchise and they made a combined $2.75 billion globally. F. Gary Gray’s film was a bit of a comedown from the highs of James Wan’s Furious 7. It even fell behind the sixth Furious film domestically, but did incredibly well abroad: it was the sixth film ever to make a cool billion outside the U.S. and Canada alone. Though still Fresh (67% on the Tomatometer), it was the lowest-scored Fast and Furious movie among critics since the fourth film.


20. $1.215 Billion 

Iron Man 3 (2013) 79%


Domestic: $409 million
Release date: May 3, 2017

The first Marvel film released following the massive success of Joss Whedon’s The Avengers was also the most successful of the individual Iron Man films. Robert Downey Jr.’s Kiss Kiss Bang Bang director, Shane Black, took over for Jon Favreau and put a twist on some comic-book lore in ways that still draws out disappointment from some fans. The general moviegoing public ate it up, though. Iron Man 3 was just the 13th film to reach $400 million domestic in its initial run, and is the highest-grossing non-Avengers film in the MCU overseas with over $805 million. (And, if you are are keeping track, it is the 12th Disney property in the top 20.)



21. $1.159 Billion 

Minions (2015) 55%


Domestic: $336 million
Release date: July 10, 2015

After two successful Despicable Me films it was time to give Gru’s kooky supporting yellow folk their own story. Smart move. Minions had the largest opening for Illumination Entertainment ever, earning $115.7 million on its first weekend. Though it came up shy domestically of Despicable Me 2 ($336 million vs. $368 million) it can still boast the second-best overseas return for any animated film ($823.4 million), behind only Disney’s Frozen, and stands as the company’s biggest global success to date.


22. $1.153 Billion 

Captain America: Civil War (2016) 90%


Domestic: $408.1 million
Release date: May 6, 2016

It was not officially an Avengers film, but Civil War may as well have been. Thor and Hulk were AWOL, sure, but Spider-Man received his welcomed introduction into the MCU, as did Black Panther. The movie’s run kicked off with the fifth-highest opening in history, earning $179.1 million on opening weekend (that’s now the 11th-highest opening). Another $745 million internationally made this the fourth MCU film to reach $1 billion. Another fun fact: Anthony and Joe Russo are one of only two filmmakers/filmmaking pairs on this list to have three films in the top 50


23. $1.148 Billion 

Aquaman (2018) 65%


Domestic: $335.1 million
Release date: December 21, 2018

How could the DCEU get to $1 billion? Adding Batman into their Superman storyline couldn’t do it. Wonder Woman’s solid domestic numbers were nearly matched internationally, but even those figures came up short of Suicide Squad – and the goal. It would take Aquaman to crack the $1 billion mark for the DC Extended Universe. James Wan’s second billion-dollar film on the list may have had the second-smallest opening weekend of the Universe, but its prolonged success through the holiday season and beyond – the movie made nearly five-times its opening – was greater than any DC property since Tim Burton’s Batman in 1989.


24. $1.142 Billion 

The Lord of the Rings: The Return of the King (2003) 93%


Domestic: $377.8 million
Release date: December 17, 2003

Peter Jackson’s (first) epic trilogy unfolded over three straight holiday seasons and its finale was rewarded in every fashion: Return of the King historically won all 11 Oscars that it was nominated for, including Best Picture and Best Director; it was one of the best-reviewed films of the year (Certified Fresh at 93%); and it became the fourth-highest domestic grosser of all time behind just TitanicThe Phantom Menace, and Sam Raimi’s first Spider-Man film. It was no slacker overseas, either: When Return finished its run, only Titanic had a greater number outside of the U.S. and Canada.



25. $1.132 Billion 

Spider-Man: Far From Home (2019) 90%


Domestic: $390.5 million
Release date: July 2, 2019

No wonder Disney and Sony made up: 2019’s Spider-Man: Far From Home, which might have been the end of their association had they not moved past their impasse, is Sony’s highest-grossing film of all time. Six of the studio’s eight highest-grossing films ever have involved Spider-Man (or Venom), but this was the first Sony flick to cross the $1 billion line, and the ninth film in the MCU to do it. (Spider-Man appeared in four of the MCU’s other members of the $1 Billion Club). It was also the fifth stand-alone Spider-Man film (live-action or animated) to register at 90% or higher on the Tomatometer – critics love their web-slinger.


26. $1.128 Billion 

Captain Marvel (2019) 79%


Domestic: $426.8 million
Release date: March 8, 2019

After getting tag-teased at the end of Infinity War, Brie Larson’s Carol Danvers made her debut in the MCU as the universe’s first headlining female superhero in 2019’s Captain Marvel. Outgrossing DC’s Wonder Woman around the world and at home, the breakthrough film was embraced by critics (though its Certified Fresh score of 78% ranks 18th out of the MCU’s 23 films). The space epic was only one of two films in 2018-19 to spend 10 straight weeks in the top 10 (the other being Black Panther), and was the seventh MCU film to reach $1 billion at the box office globally.


27. $1.124 Billion 

Transformers: Dark of the Moon (2011) 35%


Domestic: $352.4 million
Release date: June 29, 2011

The only Transformers sequel under the direction of Michael Bay to rank higher than 20% on the Tomatometer (a whopping 35%!) is not the series’ biggest domestic or international earner. But combined it remains the champion overall in worldwide gross (and bonus for the studio: it had one of the series’ lowest budgets). Only the final Harry Potter chapter could beat it in the summer of 2011, when they were the only films to pass $300 million domestic.



28. $1.109 Billion 

Skyfall (2012) 92%


Domestic: $304.4 million
Release date: November 9, 2012

The James Bond franchise got a boost with Pierce Brosnan and an even larger one with Daniel Craig. But there was no bigger boost to the long-running franchise than Craig’s Skyfall, the first film to cross $300 million domestically and $1 billion globally. A series that has existed for 50-plus years is going to get a little help from inflation – Goldfinger, Thunderball, and You Only Live Twice would have been $300 million grossers today – but we’re not doing inflation here. Skyfall was also a gold standard for Bond beyond the box office: It stands amongst the series’ top five scores on the Tomatometer, Certified Fresh at 92%.


29. $1.104 Billion 

Transformers: Age of Extinction (2014) 17%


Domestic: $245.4 million
Release date: June 27, 2014

The Transformers series was beginning to show its age in North America in 2014, but around the world it was more popular than ever. Shia LaBeouf was replaced with Mark Wahlberg as the franchise’s central hero, and the fourth film from Michael Bay approached a near three-hour running time at 165 minutes. But even as it dipped below $300 million for the first time at home, its $858 million international haul was still the sixth-highest total for any movie outside the U.S. and Canada at the time. (It is now 16th.) Bay’s fifth film of the franchise, The Last Knight, fell 47% in overall domestic and nearly 45% internationally. At 18% on the Tomatometer, Age of Extinction has the lowest Tomatometer score of the top 50 biggest films at the worldwide box office.


30. $1.081 Billion 

The Dark Knight Rises (2012) 87%


Domestic: $448.1 million
Release date: July 20, 2012

The conclusion of Christopher Nolan’s Batman trilogy gave us Bane, Catwoman, and even a surprise along the way. By the end of that summer only four films had grossed more domestically in their initial runs than The Dark Knight RisesAvatar, Titanic, The Dark Knight, and Marvel’s The Avengers, which was the only film to eclipse Rises in all of 2012. When all was said and done, Nolan’s trilogy had grossed over $2.46 billion worldwide.



31. $1.074 billion

Joker (2019) 68%


Domestic: $335 million
Release date: October 3, 2019

The director of The Hangover films wanted to make an origin story out of Batman’s most infamous nemesis. The project was met with skepticism, and then it began a run on the festival circuit. Venice awarded the film its top prize in the Golden Lion; some critics were hailing it a masterpiece. Though its Tomatometer score is among the lower scores in the Top 50 (69%), Todd Phillips’ Joker had the highest-opening ever in the month of October (passing the previous years’ Venom) and ultimately became the highest-grossing film ever released in that month in North America, surpassing Alfonso Cuaron’s Gravity domestically. The film has just taken over Pirates of the Caribbean: On Stranger TidesJurassic ParkFinding DoryThe Phantom MenaceAladdin, and Warner Bros’ The Dark Knight on this list, and also earns a place as one of its most profitable films of all time.


32. $1.073 Billion 

Toy Story 4 (2019) 97%


Domestic: $433.9 million
Release date: June 21, 2019

When the fourth entry of Pixar’s signature series opened to “only” $120 million, many labeled it “a disappointment.” Some had expected Toy Story 4 to have the studio’s biggest opening ever, and the film was then written off – by some – as part of a string of failed sequels in the summer of 2019. Well, Woody and the gang proved them all wrong. The movie went on to outgross the third film by over $12 million domestically. Even if it came up a bit short internationally, it still became the fourth billion-dollar grosser in Pixar’s history and their third-highest–grossing film overall.


33. $1.073 Billion 

Star Wars: The Rise of Skywalker (2019) 52%


Domestic: $514.7 million
Release date: December 20, 2019

The final chapter of the Skywalker saga may have broken the trend set by the other third entries in the franchise’s trilogies (each outgrossed the middle episodes), but it will become record that we may never see broken again. During the week of January 12, 2020, it became the seventh film released by Disney in 2019 to break the $1 billion barrier – it reached that marker in 28 days, whereas The Last Jedi did it in less than three weeks. That will be remembered far longer than having the 12th-highest opening of all-time – The Force Awakens and The Last Jedi were numbers one and two until Avengers: Infinity War opened – or that it had one of the lowest Tomatometer scores among the nine films. Nevertheless, it puts a capper on a nine-episode series from 1977-2019 that grossed (with re-releases) a collective $8.71 billion.


34. $1.067 Billion 

Toy Story 3 (2010) 98%


Domestic: $415 million
Release date: June 18, 2010

We all assumed it was the end for Woody, Buzz, and all their toy friends – that bittersweet finish was just so perfect. The series would have gone out with a box-office bang, too. The first summer release for the Toy Story franchise turned into the first $100 million opening weekend for Pixar as well as the studio’s first $400 domestic tally and first worldwide haul of $1 billion. For almost two years it was the second-highest–grossing domestic release in Disney’s history; by 2019 it was 16th.



35. $1.066 Billion 

Pirates of the Caribbean: Dead Man's Chest (2006) 53%


Domestic: $423.3 million
Release date: July 7, 2006

Everyone mocked the concept of Disney turning one of their classic rides into a feature-length film. Well, some $300 million and an Oscar nomination for Johnny Depp’s portrayal of Captain Jack Sparrow later, we were looking at a franchise with a modicum of respect. At least, for a little while. Critics went from disdain for the concept before the first film was released to disdain for its epic-length and earnestness in the space of just two films, with the original movie’s score of 79% dropping to 53% on the Tomatometer for the sequel. But audiences went the other direction, giving Dead Man’s Chest a 38.6% boost in domestic earnings and an 84.2% boost internationally. It was Disney’s first $100-plus million opening ($135 million to be precise), and the studio has had 20 more since then. From 2006 until Toy Story 3 was released in 2010, Dead Man’s Chest was the highest-grossing domestic release in Disney’s history.



36. $1.056 Billion 

Rogue One: A Star Wars Story (2016) 84%


Domestic: $532.2 million
Release date: December 16, 2016

A year after J.J. Abrams launched the record-breaking continuation of George Lucas’ Skywalker saga, audiences were given a go-between tale to help fill in the gaps that led to the destruction of the first Death Star. The Magnificent Seven-like story was an instant favorite for some and an average side-trip for others. It became just the seventh film to clear a half-billion dollars in domestic box office. A nearly-equal international haul filled in the other half needed for Rogue One to join the $1 Billion Club, a goal that Solo: A Star Wars Story came up more than $600 million short of.


37. $1.051 Billion 

Aladdin (2019) 57%


Domestic: $355.6 million
Release date: May 24, 2019

Aladdin wasn’t always a sure bet: A blue Will Smith was mocked in early reveals of his Genie character and Tim Burton’s live-action Dumbo proved to be a bust just two months before Aladdin‘s release. But Guy Ritchie’s new version of the beloved 1992 animated film took advantage of other 2019 summer under-performers like Godzilla: King of the MonstersDark Phoenix, and Men In Black Internationalgobbling them all up and staying in the top five at the box office for seven straight weeks. Its international haul was only $70 million less than 2017’s Beauty and the Beast, and was even higher than several films above it on this list including Black PantherIncredibles 2, and numbers 29-32.


38. $1.046 Billion 

Pirates of the Caribbean: On Stranger Tides (2011) 33%


Domestic: $241.1 million
Release date: May 20, 2011

After Gore Verbinski’s Pirates trilogy grossed a combined $2.68 billion worldwide, Disney and Jerry Bruckheimer were not about to let the series sail into the sunset. The third film’s bloated length of 168 mins was roundly criticized (its Tomatometer score is just 45%), and this fourth film fared even worse with reviewers (33%), but it did the job at the box office. Domestic audiences showed up for the revamped outing with Jack Sparrow, just not in the expected droves, and a mammoth international total ($804.6 million) kept Stranger Tides in the record books.


39. $1.035 Billion 

Despicable Me 3 (2017) 59%


Domestic: $264.6 million
Release date: June 30, 2017

Though the third film in the Despicable Me franchise made just $13 million more than the original at the domestic box office, internationally the Despicable Me films had a 164% increase from the first film ($543.1 million) to the third ($1.035 billion). Released in 4,529 theaters, Gru’s third chapter did manage to have the largest launch in film history in North America until Avengers: Endgame came along. Four other films during the summer of 2019 also exceeded its one-time-record theater count.



40. $1.032 Billion 

Jurassic Park (1993) 92%


Domestic: $402.8 million (including re-releases)
Release date: June 11, 1993

Before James Cameron owned the top two spots in all-time domestic box office (for a period), it was Steven Spielberg who had pulled off that feat. His adaptation of Michael Crichton’s novel, Jurassic Park, was a return to the revered popcorn blockbusters he made his name on and it replaced the previous year’s Batman Returns as the top opener ever with $47 million and went on to gross over $357 million that summer. That was just a couple million dollars shy of his 1982 classic, E.T., but re-releases in 2-D and 3-D over the years have put the film over $400 million domestic and $1 billion worldwide.


41. $1.029 Billion 

Finding Dory (2016) 94%


Domestic: $486.3 million
Release date: June 17, 2016

Thirteen years after Finding Nemo became Pixar’s first $300 million domestic grosser and its biggest hit, the sequel focusing on Ellen Degeneres’ beloved memory-challenged sidekick reclaimed the throne, becoming again the animation house’s highest domestic grosser ever. The movie bested Toy Story 3 by over $71 million at home – even if it came up a bit short of that film internationally – and showed Pixar’s sequel business was really starting to thrive.


42. $1.027 Billion 

Star Wars: Episode I -- The Phantom Menace (1999) 52%


Domestic: $474.5 million (including re-releases)
Release date: May 19, 1999

George Lucas returned to the director’s chair after more than two decades to give fans what they thought they wanted 16 years after the release of Return of the Jedi. Fans certainly turned over their money but many left with a sense of disappointment that would help taint the prequel trilogy for decades to come. Phantom Menace was the highest-grossing film domestically to earn a Rotten score 55% (until 2019’s The Lion King came along). The $431 million earned in its initial run was enough to make it second only to Titanic all-time in North America; it took re-releases to push it over $1 billion globally. In 1999, it was the first film to clear $100 million in five days, beating the previous record holder, The Lost World: Jurassic Park, which earned $98.6 million in the same amount of time.



43. $1.026 Billion 

Alice in Wonderland (2010) 51%


Domestic: $334.2 million
Release date: March 5, 2010

Among the first five attempts Disney had made to bring its classic cartoons to life by 2010, Tim Burton’s Alice In Wonderland was by far the most successful. Its $116.1 million start was the sixth-largest movie opening ever at the time and the second-highest for Disney behind the second Pirates film. It was Burton’s seventh collaboration with Johnny Depp and the director has not had a film gross as much domestically in total as Alice made in its first three days since – not even with his attempt to replicate the success with Dumbo in 2019, which grossed a total of $114.7 million. But back in 2010, only Avatar, Titanic, and The Return of the King had made more money outside of North America than Alice did.


44. $1.024 Billion 

Zootopia (2016) 98%


Domestic: $341.3 million
Release date: March 4, 2016

To this day, Zootopia remains the second-highest–grossing animated Disney film not connected with Pixar. Since Frozen spent 16 straight weeks in the top 10, only three films have come as close, with 13 straight weeks in that top 10: Black Panther, La La Land, and yes,  Zootopia. Its $682 million overseas is the sixth-best ever for an animated film, the second-best for any Disney animated film, Pixar or otherwise. Also, it is just one of four films on this list to receive a Tomatometer score of 97%.



45. $1.017 Billion 

The Hobbit: An Unexpected Journey (2012) 64%


Domestic: $303 million
Release date: December 14, 2012

Almost a decade after wrapping up his landmark Lord of the Rings trilogy, Peter Jackson returned to the world of J.R.R. Tolkien to give audiences the Bilbo Baggins tale. A planned two-parter turned into a full-blown trilogy and critics were feeling the bloat: While Jackson’s Lord of the Rings films all scored over 90% on the Tomatometer, the Hobbit films never rose above 74%, with the first film right in the middle with 64%. Audiences were not tired just yet, though, even if this was the last of the Middle-earth series to hit $300 million domestic and $1 billion worldwide. On the glass-half-full side, Jackson’s first four Tolkien films grossed a combined $3.938 billion globally.


46. $1.005 Billion 

The Dark Knight (2008) 94%


Domestic: $535.2 million
Release date: July 18, 2008

The untimely passing of Heath Ledger in January 2008 was a gut punch, but it made anticipation for what would become his iconic, Oscar-winning portrayal of Batman’s arch-nemesis, the Joker, even more feverish. It was the central piece of what is considered one of the greatest comic-book films ever made. The movie’s $158 million opening weekend broke the previous record-holder, Spider-Man 3, by more than $7 million, and Dark Knight held the record for nearly three years to the day until the final Harry Potter chapter was released. The opening is still 17th all-time and the movie’s domestic total haul is the 12th-highest ever.



47. $978.1 Million 

Harry Potter and the Sorcerer's Stone (2001) 81%


Domestic: $318 million
Release date: November 16, 2001

Four years after the publication of J.K. Rowling’s first Harry Potter book, Chris Columbus brought it to the big screen and its legions of fans turned up in record numbers. A $90.2 million opening weekend crushed the previous title holder from four years earlier, The Lost World: Jurassic Park, by over $18 million. The Sorcerer’s Stone‘s final domestic total ranked sixth all-time behind the initial runs of Titanic, The Phantom Menace, E.T., Jurassic Park, and Forrest Gump. That total remained the highest of the series until Deathly Hallows: Part 2 in 2011.


48. $976.9 Million 

Harry Potter and the Deathly Hallows: Part 2 (2011) 96%


Domestic: $296 million
Release date: November 17, 2010

If Quentin Tarantino could do it, why not Harry Potter? Warner Bros. tried to maximize their profits by splitting J.K. Rowling’s final book into two films. The first 150 minutes missed getting close to the $300 million mark, perhaps as some fans figured they could catch up on home video just before Part 2 hit theaters the following summer. Still, only five films had done better than its $125 million opening (The Dark KnightSpider-Man 3The Twilight Saga: New MoonDead Man’s ChestIron Man 2). The combined power of the Deathly Hallows resulted in $677.1 million domestic and $2.3 billion worldwide alone (but together.)


49. $970.8 Million 

Despicable Me 2 (2013) 75%


Domestic: $368.1 million
Release date: July 3, 2013

Despicable Me was a surprise hit in 2010, announcing the arrival of Illumination Entertainment as a major player in the animation game. So, after the losses of Hop and the decent success of Dr. Seuss’ The Lorax, the studio doubled down on their biggest hit and struck gold. Another $325,000 and the film would be its highest domestic grosser instead of The Secret Life of Pets, which, along with Minions, would follow Despicable Me 2 with $100-plus million openings. By the end of that summer, the only animated film to have grossed more money worldwide was Toy Story 3. Also if you had guessed earlier that maybe Steven Spielberg or George Lucas were the other director/s – along with the Russo Bros. and their ilk – with a trifecta on this list, you would have been wrong, because the correct answer is Pierre Coffin, who directed (or co-directed) all three Despicable Me films, as well as Minions.


50. $968.5 Million 

The Lion King (1994) 93%


Domestic: $422.8 million
Release date: June 15, 1994

For 25 years, this film has remained relevant in pop culture through an acclaimed stage show, direct-to-video sequels, spinoffs, television series, and that mammoth re-imagination. The original Lion King was the second-highest–grossing film of 1994 behind Forrest Gump, which was – at the time – third only to the initial runs of E.T. and Jurassic Park at the all-time domestic box office. That made The Lion King the fourth highest-grossing film ever (not counting re-releases) and the number 1 domestic animated release of all time, a title it held for nine years until Finding Nemo.


Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

Thumbnail image courtesy Walt Disney Studios Motion Pictures, Warner Bros. 

First Man

(Photo by Daniel McFadden / © Universal)

Hollywood has been trying to transport movie audiences to the moon since the birth of cinema. First Man, the new Ryan Gosling drama that chronicles everything that went into Armstrong’s “one step,” is just the latest in a long line of movies about getting to the moon, and not getting to the moon, and what happens when we’re there. As lunar missions evolved from pure fantasy to a high-stakes space race, and eventually to historical events, so too did movies change.

“When I was young, I watched many movies about aviation and space,” astronaut Alfred Worden recalls. “I was fortunate that my father worked in a theater.” Worden, who was the command module pilot for the Apollo 15 mission and worked as a consultant on First Man, notes that space movies have gotten much more “sophisticated” since his childhood days, especially when it comes to accuracy. “I think the relationship between science fiction and science fact is always interchangeable,” adds Bert Ulrich, NASA’s multimedia liaison for film and television collaborations. “Both influence each other.”

Here are 10 films that track how filmmakers have viewed the moon, and how they predicted or reacted to real trips to Earth’s nearest neighbor.


A Trip to the Moon (1902) 100%

French filmmaking pioneer Georges Méliès’ A Trip to the Moon is generally considered to be the first sci-fi movie. Loosely inspired by Jules Verne, the silent movie boasts vivid special effects and a complex plot for something made more than 100 years ago. It’s incredibly fanciful — the protagonists crash into the man in the moon’s eye when they first arrive and meet aliens known as “Selenites.” Especially when filmmaking was still in its infancy, audiences probably had no idea what was in store for the moon, both on screen and in real life. 

Woman in the Moon (1929) 75%

It only took a couple of decades for things to get a little more serious. Fritz Lang, the German director behind the seminal silent film Metropolis, offered an incredibly prescient depiction of space travel, in part because this was the first film to employ a scientific advisor, rocket scientist Hermann von Oberth. The rocket in the movie launched vertically, had multiple stages, and was so believable that the Nazis actually banned the movie in Germany during World War II because the technology it featured was so similar to their top secret V-2 rockets.

Destination Moon (1950) 64%

The space race didn’t begin in earnest until 1957, but Destination Moon, which won an Academy Award for its special effects, was ahead of the game. There are no aliens and really not much interpersonal drama; it’s just four men on a dangerous mission. It didn’t just predate the Apollo program, though. Destination Moon is also about the privatization of the space race, many decades before Elon Musk’s SpaceX and Jeff Bezos’ Blue Origin came onto the scene.

From the Earth to the Moon (1958) 38%

With the space race underway, audiences were especially interested in space movies, and Hollywood was eager to provide. Despite being made when many movies were trying to mimic or leapfrog past real-world innovations, From the Earth to the Moon is based on Jules Verne’s 1865 novel of the same name. While that book was amazingly prescient for its age, the movie, which is set shortly after the Civil War, can’t help but feel like it’s straddling a time when trips to the moon were fantasy, and a near future where they would become fact.

Countdown (1968) 67%

Countdown, which was made with NASA’s cooperation, is about a last-ditch attempt to beat the Soviets to the moon. Even with that high-stakes race at its core, many reviewers found the movie to be rather dull, perhaps because it focuses so much on the more bureaucratic, less glamorous aspects of space travel.

Marooned (1969) 86%

Marooned came out four months too late to “predict” Apollo 11, as the historic mission had already happened. What the movie did do, however, is predict the events of Apollo 13, as the plot focused on NASA trying to figure out how to keep three stranded astronauts alive after something goes wrong with their Apollo spacecraft. It was also quite faithful to the real space technology of the time. “Marooned was the first space movie that I would consider close to reality,” Worden says. “The spacecraft interior was the focus, and as I remember, fairly well detailed for authenticity.”

The Right Stuff (1983) 96%

Once trips to the moon were officially no longer science fiction, Hollywood was able to turn these incredible true stories into historical dramas, which it did with the The Right Stuff, the tale of the first seven astronauts and the birth of Project Mercury. According to Ulrich, both genres of space movie are hugely important. “In the case of historical dramas, it’s reliving events; in the case of fiction, it makes people imagine,” he says. Worden says he prefers true stories to fiction, though he notes that The Right Stuff “took great liberties with [the book it was based on] and changed it into something that was part comedy and part reality.” Both he and Ulrich say that the film helped generate interest in the space program, regardless.

Apollo 13 (1995) 96%

The dramatization of NASA’s near-disaster is such an amazing true story that director Ron Howard says some viewers in a test screening thought it was “unrealistic.” In Worden’s view, historical dramas like this and First Man are much more meaningful than fictional movies because “they tell the real story of success growing out of failure. Something everyone can relate to in a very interesting and profound way.” Apollo 13 also overcame one hurdle that all post-Apollo 11 movies have to deal with: A much higher bar on special effects, since we’ve all seen footage of the real moon missions. The Apollo 13 actors needed to take 612 trips in what’s known as a “vomit comet” in order to achieve 25 seconds of weightlessness at a time. “The weightless motions were excellent,” Worden says, and he would know.

Transformers: Dark of the Moon (2011) 35%

Even though moon movies generally trended in a more realistic direction, and more imaginative sci-fi fare took place beyond the moon’s orbit, Hollywood still finds ways to “spice up” what really happened. The found-footage horror film Apollo 18 is one example, as is the third Transformers movie, which featured a scene in which Buzz Aldrin, playing himself, saluted Optimus Prime. According to Dark of the Moon, the Apollo missions were just a cover story. “For something like Transformers, we’re going to give a little more leeway,” Ulrich says of NASA’s involvement.

First Man (2018) 87%

In some ways, First Man seems like the end of an era, as it’s positioning itself as the definitive movie about the definitive moon mission. But, it’s not all nostalgia. SpaceX wants to go to Mars, and NASA is readying its new Space Launch System for a return to the moon. “Interest in lunar exploration is really starting up again,” Ulrich says. “I think that it’s a little bit of a back to the future. It reflects the past with the Apollo missions, but now you’re looking back to the future of going to the moon.”


First Man is in theaters Friday, October 12

The movie business is difficult; that shouldn’t surprise anyone. A lot of thought and care and preparation — not to mention money — goes into the filmmaking process, and sometimes the end result just doesn’t quite turn out the way its creators intended. But even when a film production goes sideways, for whatever reason, there’s often a glimmer of something incredible hidden beneath the botched line deliveries, mediocre special effects, and general ineptitude on display. Sometimes, there are great scenes to be found in truly Rotten movies.

With that in mind, we’ve compiled an initial list of 30 examples in which an inspiring exchange, an ingeniously staged action sequence, or a hilarious performance helped shine a light on otherwise mediocre productions. We’re talking about genuinely outstanding moments — not ones we find ironically amusing — that might feel right at home in more expertly crafted films. There are, of course, countless more we could have included, but we’ll save those for the next installment of this series. And, if there are any that you think belong here, let us know in the comments!


20th Century Fox

(Photo by 20th Century Fox)

Star Wars: Episode I -- The Phantom Menace (1999) 52%

DARTH MAUL vs. QUI-GON AND OBI-WAN
The long-awaited Star Wars prequel introduced us to such inexplicable horrors as Jar Jar Binks, midi-chlorians, and mind-numbing Galactic Senate debates, but the film did offer an awesome glimpse of what it could have been. The final battle pitting Darth Maul against Qui-Gon Jinn and Obi-Wan Kenobi is one of the most dynamic lightsaber duels we’ve ever gotten, thanks in part to the martial arts talent of Ray Park as the Zabrak Sith Lord. Not only is the fight kinetic and inventive, who can forget the iconic moment when that second crimson beam emerges from Darth Maul’s double-bladed lightsaber?


Transformers: Dark of the Moon (2011) 35%

WINGSUIT FLIGHT
The Transformers franchise is largely a jumbled mess of CGI, explosions, stilted dialogue, and perfunctory storytelling. That said, Michael Bay knows his way around visual spectacle, and while Dark of the Moon features its fair share of incomprehensible robot mayhem, there is one practical stunt (read: they did it for real) in the film that is genuinely thrilling. Bay enlisted the aid of experienced wingsuit flyers to jump off the Sears Tower and soar between Chicago’s skyscrapers as chaos unfolds all around them. It’s impressive, it’s majestic, and it’s just cool as hell. If only the rest of the movie could match this three-minute sequence…


Final Destination 2 (2003) 48%

OPENING HIGHWAY PILEUP
None of the Final Destination movies is particularly well-reviewed (Final Destination 5 is the only Fresh one at 62%), and for the most part, they all feel like a series of morbid Rube Goldberg-esque vignettes strung together by the thinnest of plots. A few of those gory scenarios, however, are surprisingly inventive, and none of them tops the opening to Final Destination 2, which sets its wheels in motion with an immaculately staged, over-the-top highway pileup that is equal parts ridiculous, harrowing, and literally explosive. Nothing else in the film even comes close.


Distant Horizon

(Photo by Distant Horizon)

Flashpoint (2007) 40%

DONNIE YEN vs. COLLIN CHOU
You may know Donnie Yen from Ip Man or Rogue One, and you may know Collin Chou as Seraph from the Matrix sequels, but chances are you haven’t seen this Hong Kong action thriller by Wilson Yip (who also directed the Ip Man movies). The story is a predictably rote potboiler about a loose-cannon cop who takes on a crime syndicate, but the climactic battle between Yen’s Detective Ma and Chou’s gangster Tony is savage and visceral, with bone-crushing stunt work and Yen adding MMA techniques to his more traditional martial arts style.


Death Sentence (2007) 20%

PARKING GARAGE SINGLE TAKE
Since directing and co-writing the first Saw, James Wan has introduced the world to the Conjuring universe, brought us the best-reviewed Fast and Furious movie, and earned the right to bring DC’s Aquaman to the big screen. Before all of that, though, he did direct this fairly absurd action thriller about a grieving father (Kevin Bacon) out for revenge against the gang who murdered his son. It’s a violent film with a ridiculous plot, but it does feature one sequence that demonstrates Wan’s potential for greater things. A two minute-long single take follows Bacon’s character as he attempts to lose his pursuers in a multi-level parking garage, with seamless camerawork that weaves up and down the ramps and alongside the outside of the garage to capture perfectly timed appearances by different characters. It’s impressive, and it far outshines everything else in the movie.


The Ridiculous 6 (2015) 0%

ABNER DOUBLEDAY INVENTS BASEBALL
Adam Sandler began his stint on Netflix with a bang, garnering a rare 0% with this joyless — and casually racist — spoof of The Magnificent Seven. There is one gloriously effective moment of inspired comedy, though. In a scene that riffs on the invention of baseball, John Turturro cameos as Abner Doubleday, who invites the titular sextet and a dozen others to play a new game with him, only to make up all of the sport’s rules and terminology on the spot just to ensure he wins. It may be the only joke in the movie that lands, but it lands superbly.


New Line Cinema

(Photo by New Line Cinema)

Austin Powers in Goldmember (2002) 53%

AUSTIN GOES TO HOLLYWOOD
By the time the third installment of Mike Myers’ Austin Powers series hit theaters, the world had just about had its fill of “Yeah, baby!”s and shagadelic double entendres, but the cameo-filled opening scene of Goldmember is pure magic. The film begins with an action-packed Hollywood adaptation of Austin Powers’ life story, starring Tom Cruise as the titular spy, Gwyneth Paltrow as Bond girl stand-in Dixie Normous, Kevin Spacey as Dr. Evil, and Danny DeVito as Mini Me. To top it all off, as the scene ends, the cameras pull back to reveal the man at the helm is none other than Steven Spielberg. Genius.


Pirates of the Caribbean: Dead Man's Chest (2006) 53%

THE FIGHT FOR THE KEY
The first Pirates of the Caribbean film was a pleasant surprise, able to silence most of those who thought it silly to build a movie around an amusement park attraction. Every film since then has been a gradual step down, and it all began with the first sequel, Dead Man’s Chest, an overstuffed bombardment of spectacle with little but Johnny Depp’s performance to hold it all together. That said, the extended swordfight for the key to the titular chest is the high point of the film, making use of some fine stuntwork and clever setpieces to deliver a top-notch action scene.


Scream 3 (2000) 41%

“I WAS UP FOR PRINCESS LEIA.”
The Scream formula was getting creaky by the time they shifted the setting to Hollywood for the most meta entry in the series (the cast of a Stab film, based on the real events of Scream, start getting plucked off by a real-life ghostface). The laughs were still there, thanks mostly to a killer performance by Parker Posey as Jennifer Jolie, the actress playing Courteney Cox’s Gale Weathers; the scares, not so much. But kudos to Wes Craven and whoever else convinced Carrie Fisher to make a cameo as the disgruntled, and loyal-to-a-point, studio archivist Bianca. When approached by Jolie and Weathers on the hunt for details on a former starlet, Bianca stops them before they even get a chance to ask if she’s you know who. “I was up for Princess Leia,” Fisher explains. “I was this close. So who gets it? The one who sleeps with George Lucas.”


Universal Pictures courtesy Everett Collection

(Photo by Universal Pictures courtesy Everett Collection)

Mr. Bean's Holiday (2007) 51%

“LA MER” ON THE BEACH
It’s hard to deny that Mr. Bean is something of a cultural icon, and it’s essentially defined the career of Rowan Atkinson. While the early-’90s series was hugely popular, the character’s big screen outings didn’t quite measure up. 2007’s Mr. Bean’s Holiday found the endearing man-child stumbling his way through France, and it largely consisted of watered-down slapstick and his trademark buffoonery. But it was also intended to be an unofficial send-off for the character, and the film’s final moments absolutely shine in that respect. As Bean makes his way across a picturesque beach, everyone around him joins him in an uplifting rendition of “La Mer,” and it’s equal parts triumphant and bittersweet. Love him or hate him, his goodbye was perfect.


Burlesque (2010) 37%

CHER’S SOLO
If you thought Cher singing “Fernando” to a man named Fernando in Mamma Mia! Here We Go Again was as good, cheesy, and Cher-y as it gets at the movies, you clearly didn’t stick around for the second half of 2010’s Christina Aguilera vehicle Burlesque. The movie, which is Rotten at 36%, overflows with small pleasures for those in the just right mood (read: at least three Chardonnays into your evening), among them Kristen Bell as the vampy, villainous dancer Nikki. But when club owner Tess (Cher), fretful for the future of her business, belts out the Dianne Warren-penned survival anthem, “You Haven’t Seen the Last Of Me,” singing it to no one in particular, but somehow touching anyone who hears it, well… all hail the queen.


I Know What You Did Last Summer (1997) 45%

THE CHASE
Poor man’s Scream, rich man’s Urban Legend, I know What You Did Last Summer was one of the defining slashers of the mid-to-late ’90s – even if it was one of the most generic and uninspired, sitting at 35%. Most remember it for its laughably hysterical moments (“What are you waiting fooooor!?”) and that weird Anne Heche business, but even the most discerning of genre fans give credit to director Jim Gillespie for the sequence in which the guy with the hook chases Sarah Michelle Geller’s Helen Shivers all over town. It’s genuinely scary (beware the mannequin jump scare), giggle-inducing (did she really just drop the keys), and a tiny bit moving in the end. Why the hell did she turn around?


20th Century Fox

(Photo by 20th Century Fox)

X-Men Origins: Wolverine (2009) 37%

LOGAN AND VICTOR THROUGH THE WARS
X-Men Origins: Wolverine was Fox’s first attempt at a solo story based on one of their beloved Marvel properties, and other than hiring Liev Schreiber to star opposite Hugh Jackman, the film has precious few things going for it. (Seriously, who thought letting will.i.am speak — and shutting Ryan Reynolds up — was a good idea?) At least we got a pretty great opening credits sequence out of it: after revealing the origin of Logan’s (Jackman) relationship to Victor Creed (Schreiber), the film depicts the half-brothers fighting alongside each other in the US Civil War, both World Wars, and the Vietnam War, illustrating Victor’s violent descent in the process. That’s the movie we all wished we could have seen.


Hannibal (2001) 40%

GARY OLDMAN WAXES NOSTALGIC ABOUT DISFIGUREMENT
Neither director Jonathan Demme nor star Jodie Foster returned for this 10-years-later sequel, but most assumed it was in capable hands, with Ridley Scott taking the helm, David Mamet penning the script, and Julianne Moore taking Foster’s place as Clarice Starling. The end result wasn’t expected to live up to its predecessor, but few foresaw the smug, unsatisfying tale of gore we ultimately got. However, in an initially uncredited role, an unrecognizable Gary Oldman plays disfigured Lecter victim Mason Verger, whose macabre retelling of his encounter with Lecter is chilling, gruesome, and a testament to Oldman’s ability to captivate an audience, even with a slab of play-doh stuck to his face.


Gamer (2009) 30%

“I’VE GOT YOU UNDER MY SKIN”
Mark Neveldine and Brian Taylor made names for themselves with the Crank series, so it was evident from the start they weren’t exactly interested in high art. Right after Crank: High Voltage, in fact, they came back with this futuristic thriller starring Gerard Butler that plays more like a CGI-blasted update on The Running Man, but with far fewer genuine thrills. Rotten at 28%, the movie is kind of a slog to get through, but when Butler’s Kable infiltrates the mansion of evil game developer Castle (Michael C. Hall), something almost magical happens. Castle reveals himself to Kable via a choreographed dance routine set to Sinatra’s “I’ve Got You under My Skin,” complete with a troupe of mind-controlled brawlers. As Kable fends off his attackers and Castle continues lip-syncing in the background, you can’t help but wonder, “Why couldn’t the rest of the movie have been this interesting?”


Columbia Pictures

(Photo by Columbia Pictures)

White Chicks (2004) 15%

TERRY CREWS LOVES VANESSA CARLTON
Despite the cult popularity of In Living Color during the early 1990s, the various members of the Wayans family have struggled to achieve the same kind of success on the big screen. Much of their output has been defined by spoof movies and sub-subpar comedies like White Chicks, built from interesting enough ideas for a sketch or two, but a bit too flimsy for an entire movie. In this case, though, the presence of Terry Crews does help liven things up, and he is at his absolute best when he gleefully lights up as Vanessa Carlton’s “A Thousand Miles” comes on the radio and he begins to lip-sync with it. It’s a small chunk of comedy gold in the middle of a stale, moldy, powdered-sugar donut.


Doom (2005) 18%

THE “FIRST-PERSON SHOOTER” SEQUENCE
Back when he was still going by “The Rock,” Dwayne Johnson paid his dues in stinkers like 2005’s Doom, which did little to inspire confidence in video game adaptations on the big screen. At a measly 19% on the Tomatometer, Doom is an incoherent mess of a sci-fi action flick and an unfortunate stain on the resumes of all involved. But there is one instance of blatant fan service that, well, actually kind of works. The camera takes on the first-person viewpoint of Karl Urban’s character, Reaper, for several minutes as he tears through the research facility, blasting mutated baddies along the way. It’s a carefully planned and choreographed sequence that’s not only true to the game, but incredibly ballsy to attempt, and they managed to pull it off with pizazz.


Ong Bak 2: The Beginning (2008) 49%

THE 15-MINUTE FINAL BATTLE
After he brought a fresh new take on martial arts films with 2003’s Ong Bak, Tony Jaa co-directed and starred in its “sequel,” Ong Bak 2, which was neither set in the same time period as the first nor really related to it in any way outside of its title. Ong Bak 2 left much of its predecessor’s playfulness by the wayside in exchange for an overly serious and familiar tale of revenge that exposed Jaa’s shortcomings behind the camera. With that in mind, it’s still worth fast-forwarding to the final battle of the film, a glorious display of Jaa’s martial arts prowess that sees him utilizing multiple fighting styles and weapons techniques to take down an entire village of assassins over 15 brutal minutes of non-stop action. It’s visceral and awe-inspiring, and it highlights not only Jaa’s immense skill but also the dedication of his stunt team, who no doubt took a massive beating during the shoot.


Lou Faulon/STX Entertainment

(Photo by Lou Faulon/STX Entertainment)

Valerian and the City of a Thousand Planets (2017) 47%

OPENING SCENE
This is not Luc Besson’s first space rodeo, but working with a $200 million budget, he evidently felt compelled to throw every wacky idea he ever had at the screen. The end result is a visually exquisite but narratively slipshod adventure, but it features another standout opening scene that hints at the film’s true potential. Set to the music of David Bowie’s “Space Oddity,” it chronicles the history of technological advancement that eventually leads to the film’s intergalactic setting, and it reflects a refreshingly hopeful, wholesome future of peace and cooperation that’s both touching and clever. And then the rest of the movie happens.


Hot Rod (2007) 39%

ROD’S QUIET PLACE
Andy Samberg, Jorma Taccone, and Akiva Schaffer have amassed a huge following, thanks to their work as The Lonely Island, and fans of their brand of humor are often quick to come to the defense of this cult comedy (we get it; some of you love it). Unfortunately, critics didn’t quite feel the same way, calling Hot Rod a loosely threaded collection of hit-or-miss sketches that fails to live up to its stars’ potential. The biggest “hit” of the lot, though, is clearly the scene when Rod (Samberg) escapes to his “quiet place” in the woods to blow off some steam and ends up tumbling down a hill for nearly a full minute. It begins as a spoofy Footloose homage before it suddenly turns into one of the greatest — and probably the longest — pratfalls ever filmed, and it’s pretty glorious.


The Boondock Saints (1999) 28%

“THERE WAS A FIREFIGHT!”
Perhaps the only good thing about The Boondock Saints is the opportunity to see Willem Dafoe at full tilt (though, to be fair, when is that ever not a good thing?). Much of the film is dedicated to macho posturing and childish fantasy wish-fulfillment — not a surprise considering its notoriously toxic writer-director — but there is a brief moment that lingers long after the credits roll. As Dafoe’s FBI agent Smecker arrives on the scene of a shootout, he begins to visualize what took place, passionately conducting a chorus that only exists in his mind and proclaiming, “There was a firefight!” The whole scene falls somewhere between unhinged and insane, and Dafoe’s exclamation is the cherry on top.


Warner Bros.

(Photo by Warner Bros.)

Ace Ventura: When Nature Calls (1995) 25%

A RHINO GIVES BIRTH
Before he really began to demonstrate his range in movies like The Truman Show during the 1990s, Jim Carrey had to wade his way through a number of films that almost solely relied on his gift for physical comedy. His outlandish antics weren’t for everyone, though, particularly when you’d seen them before, and so the Ace Ventura sequel, When Nature Calls, settled at a measly 33% on the Tomatometer. While the movie feels like a somewhat stitched-together series of vignettes, the scene when Ace becomes trapped in a mechanical rhino, strips naked, and escapes through a tiny hole in the rear is… Well, as Simon Pegg put it, “It is one of the single most genius pieces of comedic writing that will never be given its due because it’s part of a ridiculous, vaguely racist, silly comedy.”


The Interview (2014) 51%

THE  EMINEM INTERVIEW
Eminem is no stranger to controversy, and his most recent album reignited a familiar one about his use of homophobic slurs in his lyrics. Say what you will about his word choice, but the man is essentially besties with Elton John, and he even skewered himself on the issue in what is certainly the best scene in the 2014 comedy The Interview. As James Franco’s talk show host Dave Skylark interviews Em on his show, the contentious rapper casually reveals that he’s gay, and that he’s surprised no one has figured it out yet, considering the “breadcrumb trail” he’s left behind in all his lyrics. It’s a rather surprisingly effective moment that only works because of all the controversy he’s attracted, and his deadpan, matter-of-fact delivery is pitch perfect, making him the funniest man in the room.


Speed Racer (2008) 41%

FINAL RACE
After the success of the Matrix trilogy, the Wachowskis had carte blanche to work on whatever they wanted, and they chose to take on this long-in-development feature adaptation of the classic animated series. Despite their impressive technical wizardry and the candy-colored dreamscape they brought to life, the film bombed both critically and commercially. Even if you don’t love the movie as a whole, it’s hard to deny the power of the climactic race, an unexpectedly heartfelt finale bursting with top-notch special effects that not only boasts kinetic thrills but also provides closure on a key plot point. The film has gone on to inspire a cult following, and this ending is a big part of it.


20th Century Fox

(Photo by 20th Century Fox)

Home Alone 2: Lost in New York (1992) 35%

THE WET BANDITS GET BRICKED
The law of diminishing returns is very real, but when it comes to movies, it’s difficult to argue with a moviegoing public that saw something it liked and simply wanted more of the same. Enter Home Alone 2, which essentially repurposes the story from its predecessor but changes its setting from Chicago to New York. The silly shenanigans here are so familiar that it all essentially feels like a lazy rehash of the same movie. That said, the scene where little Kevin (Macaulay Caulkin) displays Hawkeye-level brick-throwing accuracy just gets funnier with every painful crunch, if only because Daniel Stern’s googly-eyed desperation and concussed mumbling reaches vaudevillian heights.


Reign of Fire (2002) 42%

QUINN AND CREEDY DO STAR WARS
Nowadays, a fantasy action film headlined by Matthew McConaughey and Christian Bale might be met with fierce anticipation, but that’s exactly what we got in 2002’s Reign of Fire, and it was far less than the sum of its parts. Despite an intriguing, if somewhat goofy, take on post-apocalyptic humanity and some fairly successfully realized CGI dragons, the film bombed with critics and audiences alike. But in one scene, Bale’s Quinn and Gerard Butler’s Creedy reenact the climactic battle from The Empire Strikes Back for a crowd of awestruck children, playing it as an oral tradition, a campfire tale told from generation to generation. It’s an inspired nod to the power of Star Wars and a wink to the audience that hits its mark much more effectively than much of the rest of the film.


Jurassic Park III (2001) 49%

THE MISSING PHONE
By the time the third Jurassic Park movie came along, it was already clear the franchise was starting to run out of ideas (gymnastics battle, anyone?), and putting dinos onscreen was deemed sufficient. At least JP3 had a pretty formidable new breed in the Spinosaurus, and one scene in particular hints at how much better the film would have been with a bit more ingenuity. After Paul Kirby’s (William H. Macy) satellite phone goes missing earlier in the movie, his newly reunited son Eric reveals it was the sound of that phone that alerted them to their location. Cue the ominous ringing of the phone… and the Spinosaurus that swallowed it.


Universal Pictures

(Photo by Universal Pictures)

The Mummy (2017) 16%

MEET MR. HYDE
Last year’s reboot of Universal’s classic monster movie franchise performed so dreadfully that the studio’s plans for its own “Dark Universe” were almost immediately eighty-sixed. That was, in itself, a pretty incredible feat, considering they had the talents of Tom Cruise and Russell Crowe to work with, but at the very least, the latter provided arguably the one standout moment of the movie. Crowe brought a complex intensity to the dual role of Dr. Jekyll and Mr. Hyde, sophisticated in one breath and savage the next, and it left many of us asking if we couldn’t at least see a bit more of him, regardless of what happened to the Dark Universe.


Any Given Sunday (1999) 52%

PACINO’S SPEECH
Oliver Stone’s Any Given Sunday could have been so much more than it was, and at over two and a half hours, it was already a lot. Its overlong run time isn’t the only issue the film has, though; it also reiterates timeworn sports movie cliches and attempts to cast a critical eye on pro football even as Stone fetishizes it. All that aside, when you’ve got Al Pacino at your disposal, the smartest thing you can do is set him loose on some meaty lines, and that’s exactly what happens when Pacino delivers a pregame pep talk late in the film. It’s a powerful moment that really cements what Stone saw when he cast Pacino in the role of a head coach. Who wouldn’t follow that man?


The Perfect Storm (2000) 47%

THE BIG WAVE
It’s always a little tricky to turn real-life tragedy into a blockbuster production, but Wolfgang Petersen gathered a top-notch cast and gave it a go anyway. The Perfect Storm provided a pre-Pirates opportunity for Petersen to practice his nautical storytelling skills, but he proved he was more interested in the spectacle of it all. At the very least, he delivered an epic climax that ramped up the drama and pitted George Clooney, Mark Wahlberg, William Fichtner, and the rest of the Andrea Gail crew against a monster wave they couldn’t hope to survive. It’s an amazing image, and the fact that it isn’t an exaggeration of what the open sea may hold makes it that much more terrifying.

Man’s best friend, the giant robot, gets a little more love as Netflix drops its third season of Voltron: Legendary Defender. In celebration, we’ve bolted together one heckuva mecha list: Choose and upvote your favorite giant robots from TV and movie history.

Plenty of new releases are making their way to theaters this weekend, but there’s only one wide release — because if you’re forced to choose between opening opposite one of Michael Bay‘s Transformers movies or simply moving to a different week, it’s usually best to pick the latter. In honor of Transformers: The Last Knight‘s arrival, we decided to take a look back at Bay’s directorial output, but with a twist: instead of arranging it by Tomatometer, we’ve lined up these releases in order of opening week box office. Get ready to push the awesome button, because it’s time for Total Recall!


Use the up and down arrows to rank the movies, or click here to see them ranked by opening weekend box office!

Transformers: The Last Knight is out this week! Take a look back and upvote the Transformers movies you like, and lay waste to the ones you don’t — including the animated one!

We bet those pesky xenomorphs are getting smug now that their last two movies, Prometheus and Alien: Covenant, have gone Certified Fresh.

Enough with the space jockeys, unqualified cartographers, and people who run in straight lines: How about terrorizing someone who can put up a real fight? Vote on our 10 suggestions below or leave your dream Alien deathmatch in the comments!

Hey, kids! Ya like superheroes? Toys? Then has Hollywood got your taste quadrant covered with this week’s release of Max Steel, based on the action figure line first introduced by Mattel in 1997. Youth-focused cross-media filmmaking has been a thing since the early 1980s, and in this week’s gallery we cover every theatrical movie based on toys, cards, and board games that got a Tomatometer!

This week’s Ketchup covers ten headlines from the arena of film development news from the last seven days. Included in the mix this time around are stories about such movies as 20,000 Leagues Under the Sea, Charlie’s Angels, an Evel Knievel biopic, War of the Planet of the Apes, and new roles for Ice Cube and Jennifer Lawrence.


This Week’s Top Story

DISNEY TO GIVE MARY POPPINS A SEQUEL 50+ YEARS LATER

MaryPoppins

As we frequently cover in the Weekly Ketchup, Walt Disney Pictures is currently in the midst of reviving many of their classic animated films as live action reboots and remakes. Not all of Disney’s hits from the middle of the 20th Century were (100 percent) animated, however, such as 1964’s Mary Poppins, based on the first novel in the series by P.L. Travers (as depicted in Saving Mr. Banks). Possibly confusing matters, some this week reported that Disney was going to “remake” Mary Poppins, but what they’re actually doing is rather more conventional (and one might guess, in keeping with Travers’ intentions). Walt Disney Pictures has started development of a new Mary Poppins musical movie which would be a sequel set 20 years after the original movie in the 1930s. This new Mary Poppins musical will be directed by Rob Marshall, whose filmography includes Chicago, Nine, and last year’s Into the Woods. For the film, the songwriting duo of Marc Shaiman and Scott Wittman (Hairspray, Smash) will start working on new songs that will attempt to follow up on the classics written for the first movie, like “Supercalifragilisticexpialidocious” and “A Spoonful of Sugar.” There’s no word yet about who Disney might be hoping to cast as the older Mary Poppins, or any of the members of the Banks family.


Fresh Developments This Week

1. DARREN ARONOFSKY MAY DIRECT CHANNING TATUM AS EVEL KNIEVEL

EvelKnievel

One of the biopic projects that has been kicking (and jumping and rocket-cycling) around Hollywood since the 1990s has been the idea of an Evel Knievel movie. “Evel Knievel” might not be as well known a celebrity as he was in the 1970s, but during that time, Knievel was arguably one of the most famous figures in pop culture, following a series of well-publicized super stunts (some of which weren’t successful) on both motorcycles and a steam-powered rocket called the “Skycycle X-2.” In the past, stars such as Johnny Knoxville and Matthew McConaughey have been rumored or attached to star as Evel Knievel, but lately, it has been Channing Tatum who wanted to put on Knievel’s star-spangled jumpsuit. The project, which may be based on the Pure Evel biography book, is now being discussed with director Darren Aronofsky, whose filmography as director includes Black Swan, Noah, Requiem for a Dream, and possibly closest to an Evel Knievel movie, The Wrestler. In other Channing Tatum news, his superhero movie Gambit this week lost its director, Rupert Wyatt, over scheduling conflicts, as Fox is racing to get the movie made in time for an October, 2016 release.


2. WILL DC COMICS MOVIES START BEING FUNNY WITH BLUE AND GOLD?

BoosterGold

One of the complaints movie fans sometimes have about recent DC Comics superhero movies is that they are less “fun,” or at least less “funny,” than their counterparts at Marvel Studios. This was a notion that some felt gained traction last year with a story that claimed that WB has a “no jokes” policy about their upcoming superhero scripts. Of course, that never necessarily meant that Warner Bros couldn’t change their plans, especially if they started to think that there would be a backlash over it, right? That might at least be one way to interpret the late-breaking news this week that Warner Bros is starting development of a movie focusing on the Blue & Gold team of Booster Gold and Blue Beetle. Like many of DC’s characters who aren’t Batman, Booster Gold and Blue Beetle are usually portrayed in the comics as being less serious and/or comedic. Blue Beetle is your typical inventor-turned-superhero (who was given a dark interpretation as Nite-Owl II in Watchmen). Booster Gold is a more unique concept, as a time traveler from the distant future who uses technology and knowledge of past events to make a name for himself in our time.  Reportedly, WB is also hoping to recruit screenwriter Zak Penn, who worked on The Avengers for Marvel, to come across town to work on Blue & Gold.


3. ELIZABETH BANKS TO DIRECT CHARLIE’S ANGELS REBOOT

CharliesAngels

With Sony’s plans for a female reboot of Ghostbusters now less than a year away from release (7/15/16), the studio is now looking at other female-centric action comedies. The latest that we’ve heard about involves rebooting a TV-show-adaptation from 2000 (and a sequel in 2003), which was the private eye comedy Charlie’s Angels. The director that Sony has recruited for their Charlie’s Angels reboot is Elizabeth Banks, who is in high demand following her successful directorial debut with this year’s Pitch Perfect 2.  The reboot doesn’t yet have a screenwriter yet, so it’s probably a few years away from happening. It’s also unknown if Elizabeth Banks might also take one of the female leads (or who knows, maybe “Charlie” could be a lady this time?).


4. JENNIFER LAWRENCE MAY STAR IN SPY MOVIE RED SPARROW

JenniferLawrence2

(Photo by Frazer Harrison / Staff / Getty Images)

In the arena of comic book adaptations, female spies and superheroes often have similar codenames, including Black Widow, Black Canary, and Mockingbird (from ABC’s Agents of S.H.I.E.L.D.).  That last one in particular is also similar to the last two movies in the Hunger Games franchise, which is close enough for us to call that a successful segue. 20th Century Fox is currently hoping to put together a package for a spy novel adaptation called Red Sparrow (again, with the color/bird codenames!). What Fox is trying to put together is a new film for both Jennifer Lawrence and director Francis Lawrence (the director of all of the Hunger Games movies except the first one). If Jennifer Lawrence signs on to star in Red Sparrow, she will be playing a young Russian spy and “trained seductress,” who is assigned to “operate against Nathaniel Nash, a first-tour CIA officer who handles the agency’s most sensitive penetration of Russian intelligence.” Red Sparrow is an adaptation of a novel by Jason Matthews.


5. X-MEN DIRECTOR TO JOURNEY 20,000 LEAGUES UNDER THE SEA

20000LeaguesUndertheSea

A few years ago, director Bryan Singer returned to the X-Men film franchise for X-Men: Days of Future Past (and next year’s X-Men: Apocalypse) after starting things off in the early 2000s with the first two X-Men films. This week, we learned that Singer has chosen his next film, and that it won’t be a fifth X-Men movie. Instead, Bryan Singer is taking on an adaptation of Jules Verne’s 20,000 Leagues Under the Sea, the classic science fiction story about a high-tech submarine called the Nautilus. Singer’s movie is expected to be produced by 20th Century Fox (also the home of the X-Men franchise). That also means that this project is not the same as the long-in-development reboot that Walt Disney Pictures has been trying to get started, which at one point had David Fincher (Fight Club, Gone Girl) attached to direct. As for the future of the main X-Men film franchise, there have not yet been any announcements outside of spinoffs like Deadpool, Gambit, The New Mutants, X-Force, and a possible X-Men/Fantastic Four crossover. With X-Men: Apocalypse, the team’s second trilogy of films will be concluded.


6. WOODY HARRELSON CAST AS HUMAN VILLAIN IN WAR OF THE PLANET OF THE APES

RisePlanetApes

Although the (movie) summer of 2015 only ended a few weeks ago, much of Hollywood’s current focus is already on the summer of 2017, given the time needed to get expensive summer movies greenlit, cast, produced, marketed, and released. One such film will be 20th Century Fox’s third film in their rebooted Apes franchise, War of the Planet of the Apes (7/14/17).  Details aren’t yet known about this third film, except that following the events of 2014’s Dawn of the Planet of the Apes, humanity’s future was looking quite dire, and the word “war” isn’t exactly a positive portent. For that reason, it shouldn’t be surprising that the humans will be the villains in War of the Planet of the Apes. This week, we learned that the main human villain (“The Colonel”) will be played by Woody Harrelson, who is looking for a new franchise with The Hunger Games wrapping up on November 20.  


ROTTEN IDEAs OF THE WEEK

3. ICE CUBE TO STAR AS THE NEWEST SCROOGE IN HUMBUG

IceCube

Following the success of both Ride Along and Straight Outta Compton (which was essentially an “Ice Cube biopic”), Universal Pictures is very much interested in staying in the Ice Cube business. This was manifested this week by the news that Universal Pictures has won a studio bidding war to acquire a comedy spec script for Ice Cube to star in. The comedy is called Humbug, and much like the Bill Murray comedy Scrooged, it’s a contemporary retelling of Charles Dickens’ A Christmas Carol. If the deal comes together, Ice Cube will play “a wealthy real estate mogul shown a path to redemption by the ghosts of Christmas Past, Present and Future.” Humbug will be directed by Tim Story, who previously worked with Ice Cube on Barbershop, First Sunday, Ride Along, and next year’s sequel, Ride Along 2.  Story also directed the 2005 and 2007 Fantastic Four movies, which now despite having RT scores of 27 and 37 percent have the distinction of being the best reviewed Fantastic Four movies to receive theatrical releases. In similar news (insofar as the connection between Ice Cube and Straight Outta Compton goes), Universal Pictures is also reportedly considering producing another rap industry biopic in the form of an adaptation of the non-fiction book Life and Def: Sex, Drugs, Money + God, about the early years of Def Jam records.  If Universal does proceed, an early rumor suggests that they may be considering casting Jonah Hill and Fantastic Four star Michael B. Jordan as Rick Rubin and Russell Simmons, respectively.


2. PROLIFIC ACTION STAR LIAM NEESON TO BE… THE REVENGER

LiamNeeson

(Photo by Larry Busacca / Staff / Getty Images)

The problem with basing the “Rotten Ideas” each week objectively on the aggregated RT Tomatometer scores of those involved, is that sometimes the numbers are misleading (there is such a thing as luck, and it’s not always good). Or sometimes people are punished by bad reviews for trying to operate outside their wheelhouse. Take for example, director Ruben Fleischer, who debuted in 2009 with the genre spoof Zombieland (90 percent on the Tomatometer), and then followed that up with three films as director or producer that have all struggled to receive RT scores above 45 percent. Then, there’s the case of Liam Neeson, who has appeared in plenty of well-received films, but partly because he’s so prolific, he’s also appeared in many (and in recent years, more) Rotten films than Fresh ones. Putting those two creatives together leads us to this week’s news that Liam Neeson has signed with Universal Pictures to star in an action comedy called The Revenger. Nothing is known about the premise, except that the title suggests that it’s possibly a spoof. There’s also the detail that the comedy pitch came from the writing team of The State/Reno 911 stars Robert Ben Garant and Thomas Lennon, who have given us such wacky comedies as Balls of Fury, Herbie: Fully Loaded, and the first two Night at the Museum movies (though as writers, their Tomatometer only has one Fresh score, Starsky & Hutch).


1. DETAILS EMERGE FROM TRANSFORMERS “WRITERS ROOM”

TransformersAnimated

Earlier this year, the news cycle was populated several times about (many, many) different writers who were recruited by Paramount Pictures to participate in a “writers room” experiment for their Transformers franchise. The concept is that for two weeks, the same soundstage where dance recitals for Glee were held was used for over a dozen high profile screenwriters to pitch and “workshop” various ideas on where the Transformers franchise should go next. This week, we learned some preliminary details about two of the first projects to emerge from this experiment.  The first such film is the least surprising, which is that there will be a straight up fifth Transformers movie, and the second to feature Mark Wahlberg in the lead role after last year’s Transformers: Age of Extinction. That film will be written by Akiva Goldsman (Batman & Robin, Insurgent), who had also been sort of leading the writers room project. Michael Bay was initially reported to be returning to direct Transformers 5, but Bay quickly replied via Twitter, “Re: directing TF5. No, it’s not official. I have not committed to any idea as of yet.” The other project announced this week comes from screenwriters Andrew Barrer and Gabriel Ferrari (who are described as Ant-Man writers, but they were not credited on that film). Their film will be an animated Transformers movie focusing on the history of the planet Cybertron, and how the Transformers came to be. Barrer and Ferrari are also working on a new Sabrina the Teenage Witch movie.

This week lacks real “oomph” in the new release department, aside from a highly acclaimed documentary. The older releases on tap range from a big budget blockbuster to a 1980s cult classic to a Coen brothers comedy, among others. Read on to find out what’s available to watch right now.


West of Memphis
95%

This documentary chronicles the campaign to free three young men wrongly convicted of murder.

Available now on: iTunes


Transformers: Dark of the Moon
35%

This time out, the Autobots and Decepticons are both gunning for the remains of Sentinel Prime, which were discovered on the moon and contain important secrets; as usual, the Autobots’ buddy Sam (Shia LaBeouf) finds himself in the line of fire.

Available now on: Amazon Prime


Rango
88%

Rango (voiced by Johnny Depp) is a pet chameleon who finds himself in a town without pity, populated by various desert animals who act like supporting players in an old Western movie.

Available now on: Amazon Prime


Angus, Thongs and Perfect Snogging
73%

Gurinder Chadha (Bend It Like Beckham) directs this coming-of-age comedy about a teenage girl whose dreams of a perfect social life meet head on with reality.

Available now on: Amazon Prime


Dragonslayer
82%

An atypically dark fantasy from Disney, Dragonslayer follows the quest of a wizard’s apprentice whe embarks upon a journey to — you guessed it — slay a dragon.

Available now on: Amazon Prime


4 Months, 3 Weeks and 2 Days
96%

This gripping portrayal of life in Communist Romania features gut-wrenching performances from Anamaria Marinca and Laura Vasiliu.

Available now on: Amazon Prime


Intolerable Cruelty
76%

Lighter than most Coen Brothers films, Intolerable Cruelty has the sharp dialogue and great-looking leads of an old-time screwball comedy.

Available now on: Netflix

Tag Cloud

golden globes Marathons adaptation kong movies Comics on TV facebook hollywood doctor who New York Comic Con name the review robots action-comedy The Walking Dead San Diego Comic-Con Adult Swim harry potter screenings trailers 45 festivals die hard DirecTV Country Extras posters 2018 cancelled television aliens Discovery Channel Netflix The Academy crime drama IMDb TV Martial Arts transformers Calendar 20th Century Fox mockumentary medical drama Comedy PaleyFest Legendary slashers Disney Plus Arrowverse TV renewals politics docuseries television vampires Ghostbusters 21st Century Fox SDCC Stephen King Video Games Women's History Month Turner mutant Pop Broadway obituary NYCC 1990s DC Comics Neflix stop motion Mary poppins WGN Prime Video franchise Hear Us Out legend basketball DC streaming service DC Universe TruTV Starz American Society of Cinematographers RT History TV Land TCM concert TNT E! thriller DGA Dark Horse Comics international Christmas 71st Emmy Awards Brie Larson Ellie Kemper worst ratings Tumblr Disney streaming service BET adenture spanish language TCA Winter 2020 venice diversity know your critic Super Bowl Spectrum Originals revenge BAFTA critic resources Oscars award winner romantic comedy science fiction Logo streaming movies Rom-Com Peacock YA Winter TV 2021 discovery crime thriller See It Skip It Marvel Television Columbia Pictures canceled TV shows Warner Bros. police drama crime australia 90s Emmy Nominations Captain marvel canceled archives Unbreakable Kimmy Schmidt TBS witnail all-time spanish Avengers Sci-Fi Elton John Alien Fox News sequel Star Trek The Witch olympics cancelled women FX on Hulu trophy Masterpiece SundanceTV cinemax documentary foreign hispanic heritage month GLAAD 72 Emmy Awards Acorn TV Funimation Musical cars CNN rt archives crossover anime TV Year in Review blockbuster Vudu Disney Channel PlayStation BET Awards 73rd Emmy Awards NBC Tomatazos FXX chucky monster movies game of thrones NBA zombies Tubi leaderboard Rocky documentaries halloween First Reviews sports Heroines AMC Pirates Tarantino IFC Films Countdown 93rd Oscars Film joker true crime USA Network dexter El Rey Horror Fall TV dceu parents spy thriller Apple TV Plus renewed TV shows reviews remakes Walt Disney Pictures IFC Trivia OneApp Star Wars historical drama Election Crackle nature classics Television Critics Association President Lifetime news Podcast USA ABC Signature TIFF First Look Winners king arthur james bond ESPN rt labs critics edition Mary Poppins Returns spider-man miniseries reboot Kids & Family strong female leads Superheroe new zealand TCA Spike justice league Trophy Talk Nominations versus jurassic park Animation Amazon Studios telelvision OWN screen actors guild boxoffice lord of the rings Action nfl Teen Shudder Opinion psychological thriller Tags: Comedy rt labs what to watch Nickelodeon Sundance TV Musicals indie Song of Ice and Fire Nat Geo The Purge Polls and Games CBS 007 VICE Universal nbcuniversal binge Mudbound Shondaland art house YouTube Premium casting toy story teaser Schedule ITV Western BBC spain Television Academy biopic History Chilling Adventures of Sabrina stoner Amazon japan universal monsters 99% Netflix Christmas movies scene in color dark Quiz Travel Channel live action cooking Interview Certified Fresh 79th Golden Globes Awards Instagram Live Writers Guild of America black 24 frames video on demand Watching Series cults Syfy Film Festival razzies worst movies Reality hidden camera prank scary movies jamie lee curtis political drama based on movie child's play Lucasfilm Mindy Kaling royal family book adaptation directors Bravo Showtime sopranos SXSW saw spinoff dc Disney+ Disney Plus kids Hallmark serial killer 4/20 Black History Month sequels best VH1 rotten Sundance VOD HFPA criterion heist movie Wes Anderson cartoon comiccon sitcom godzilla Comic Book YouTube Red Box Office Best and Worst Ovation Tokyo Olympics king kong Mystery Amazon Prime Video animated Sneak Peek Holiday Sony Pictures genre dramedy RT21 period drama ghosts vs. Infographic ABC south america Thanksgiving Pacific Islander stand-up comedy elevated horror wonder woman Image Comics films new star wars movies fresh LGBT young adult deadpool CBS All Access Paramount italian Lifetime Christmas movies Paramount Plus docudrama scorecard dreamworks BBC One CMT Binge Guide space Spring TV werewolf Baby Yoda Rock Amazon Prime Disney TCA Awards suspense cops Awards Tour 2015 GoT Awards zombie hispanic black comedy pirates of the caribbean TLC Superheroes Hollywood Foreign Press Association Comedy Central Paramount Network tv talk mcc superhero Family mission: impossible spider-verse rom-coms Photos aapi Fargo Rocketman batman comic book movies cancelled TV series popular travel Grammys fast and furious Fantasy feel good Pop TV Crunchyroll Apple marvel cinematic universe japanese Mary Tyler Moore APB gangster Marvel Studios Apple TV+ Trailer critics AMC Plus HBO Go comic books Character Guide debate anthology dogs TV One X-Men LGBTQ twilight Academy Awards satire 2016 Black Mirror laika FX Epix theme song romance adventure breaking bad live event comic book movie Cosplay a nightmare on elm street festival Britbox 2020 sag awards ABC Family disaster rotten movies we love cancelled TV shows The CW E3 CW Seed Cannes Holidays Summer singing competition indiana jones talk show target Turner Classic Movies social media Toys Premiere Dates WarnerMedia latino richard e. Grant Reality Competition children's TV Lionsgate TV movies Exclusive Video toronto finale emmy awards scary Marvel comics Freeform series natural history golden globe awards Comic-Con@Home 2021 BBC America Pride Month quibi technology Endgame dragons green book psycho streaming Cartoon Network Fox Searchlight video YouTube Anna Paquin Valentine's Day Set visit Hallmark Christmas movies Food Network french The Arrangement boxing MTV Pet Sematary halloween tv Universal Pictures 2017 Hulu Drama Creative Arts Emmys movie book National Geographic high school A&E superman independent supernatural zero dark thirty biography war asian-american cats HBO Max A24 kaiju HBO slasher Music The Walt Disney Company unscripted hist mob Chernobyl ID TCA 2017 blockbusters free movies PBS MSNBC composers blaxploitation Pixar GIFs 2019 football MCU Classic Film Red Carpet christmas movies FOX comic 78th Annual Golden Globe Awards ViacomCBS marvel comics Emmys Sundance Now Biopics new york comedies game show Esquire