Step aside Voorhees, we got another Jason killing it at the movies. After just a few years, starting with Paranormal Activity, producer Jason Blum and his Blumhouse Productions have changed the horror landscape with its brand of so-called ‘low budget, high concept’ releases, carving out a spectacular niche in a market that has seen the alleged demise of mid-budget movies and utter reliance on superhero flicks and blockbusters. Continuing this month’s focus on all things spooky, our gallery looks at 24 best and worst Blumhouse horror movies by Tomatometer (and don’t forget to read our Five Favorite Horror Films with the guy himself).
After a blockbuster detour with Furious 7, director James Wan returns to his horror roots for like the fifth time in his career with The Conjuring 2, which follows Conju-Uno‘s Ed and Lorraine Warren into their next really true scary case. The original 2013 film was a Certified Fresh smash for Wan and company, notable because it’s rare for horror movies to get Fresh Tomatometer scores, and even rarer for their franchise sequels. So the fact Conjuring 2 is drawing sorta the same praise as its predecessor…well, that inspires this week’s gallery: 24 best-reviewed horror sequels!
Scaring up more business than the rest of the films in the top ten combined, the horror prequel Paranormal Activity 3 shattered records with its top spot debut proving that the low-budget fright franchise still has a lot of life in it. But despite the massive debut and low declines for most holdovers, the overall box office was still down compared to last year as other newcomers like the adventure film The Three Musketeers and the comedy sequel Johnny English Reborn failed to contribute much to the North American marketplace.
Paramount kept growing its found-footage-based horror series as Paranormal Activity 3 opened ahead of expectations with a staggering $54M, according to estimates, leaping 33% ahead of the $40.7M debut that its predecessor enjoyed exactly one year ago this weekend. Landing in 3,321 locations, the R-rated chiller averaged an astounding $16,266 which was a 29% improvement over last year’s installment. Also going up was the production cost from $3M to $5M. While horror films tend to be low cost anyway, the Paranormal films have carried the lightest of budgets with the first pic being made for a cool $15,000.
Set in 1988 and telling the story of the sisters from the first two films when they were young girls, Activity 3 kicked off its record scare with $26.3M on Friday including $8M from Thursday night’s 10pm and midnight shows. Saturday dropped 35% to $17.2M and the studio is projecting a 39% fall on Sunday to $10.4M. Part 2 witnessed an identical Saturday decline and a slightly larger 42% fall on Sunday. The $54M weekend figure broke the records for the biggest October opening ever and the best debut for a horror film. Last year’s Paramount double feature of Jackass 3D and Paranormal Activity 2 held those respective records with their bows of $50.4M and $40.7M. It can be argued that films like 2002’s Signs ($60.1M) and 2001’s Hannibal ($58M) were sold as scary movies, but neither was a true horror film.
The Paranormal Activity franchise has fully replaced the Saw series as the public’s favorite fright brand during the Halloween season with the first two chapters reaching totals of $107.9M and $84.8M and also seizing the number one spot this very weekend each year. The first Paranormal was a sleeper hit thanks in part to one of the most brilliant marketing and distribution campaigns in recent years that allowed the fear to build over time resulting in it climbing into the top spot in its fifth frame. That forced the latest Jigsaw pic Saw VI to lose fans prompting that franchise’s worst opening ($14.1M) and lowest overall gross ($27.7M). Saw 3D closed out that series last year and Paranormal Activity 3 is now in a marketplace that not only is lacking a Saw competitor for the first time, but has no other horror films whatsoever coming up allowing Paramount to have full control over the market for scary movies this Halloween.
Horror threequels are notoriously front-loaded but Activity 3 amazingly saw its opening day account for the same 49% share of the whole weekend gross that part 2 did despite the new installment having many more screens offer the Thursday night shows. Also notable was how the new chapter succeeded in bringing in older adults. The over-25 crowd was 47% of the audience, up from 40% for last year’s installment. The studio credited the very positive reviews it received which again were astonishingly good for a horror threequel. A low C CinemaScore grade, however, meant many fans were underwhelmed with their experience. Activity 2 saw 48% of its total gross come from the opening weekend, however it also faced a new Saw chapter in its second weekend. With a larger opening and weaker competition, Activity 3 may become that rare fright film to top the $100M mark joining the first installment.
Paramount rolled out its new chiller into 42 overseas markets this weekend and banked an estimated $26M for a stellar worldwide debut of $80M. The three-part series has now grossed a staggering $450M worldwide in cumulative grosses while the combined production costs have amounted to a puny $8M.
Two-time box office ruler Real Steel stepped down into second place but still witnessed a very healthy hold dipping only 31% to an estimated $11.3M. The Disney release has collected a brawny $67.2M in 17 days and could be headed for a final tally in the $90-100M range. Also sliding one spot while enjoying a low decline was the dance remake Footloose which grossed an estimated $10.9M in its sophomore frame for a dip of only 30%. Younger skewing movies typically fade fast but the Paramount pic is generating strong buzz and giving many women a fun, non-violent form of entertainment. A $55-60M final could result.
Summit’s 3D period adventure The Three Musketeers struggled in its North American launch opening to just $8.8M, according to estimates, from 3,017 theaters for a dull $2,917 average. The PG-13 film starring an ensemble cast including Milla Jovovich, Orlando Bloom, and Christoph Waltz saw 55% of its gross come from higher-priced 3D screens. With the extra-dimensional format and the cast members holding much more weight around the world, international numbers have been — to no surprise — much stronger. Musketeers has taken in $64.4M overseas so far from more than 50 markets for a global tally to date of $73.2M. The pricey production plans to keep the run going since there have been so few high-profile action titles this fall internationally. Domestically, the swashbuckling pic earned a B CinemaScore grade and played to an audience that was 64% 25 or older and evenly split between males and females.
George Clooney’s political thriller The Ides of March held up well again dipping only 31% to an estimated $4.9M for a $29.2M total for Sony. Dolphin Tale followed with an estimated $4.2M, off just 33%, giving Warner Bros. $64.4M to date. Brad Pitt’s baseball pic Moneyball was once again right next to the Morgan Freeman drama and eased only 26% to an estimated $4.1M putting the Sony release at $63.7M overall.
The Rowan Atkinson spy sequel Johnny English Reborn failed to connect with American movie fans as the comedy debuted to weak results in eighth place with an estimated $3.8M. The Universal release averaged a poor $2,450 from 1,552 locations and didn’t even reach half of the opening weekend tallies for the actor’s previous films Johnny English and Mr. Bean’s Vacation. Reviews were lackluster. But overseas, where the star and character are much more popular, Reborn vaulted past the $100M mark thanks to an estimated $13.5M frame from 44 territories with 15 international markets still to open. The $45M-budgeted film has now collected $104.5M offshore after a month of play and $108.3M worldwide. Domestically, the PG-rated film played to an audience that was 57% male and included lots of kids and families. The CinemaScore grade was a B.
Rounding out the top ten were the horror flop The Thing which plunged 63% to an estimated $3.1M and the cancer dramedy 50/50 which took in an estimated $2.8M slipping only 34%. Totals are $14.1M for Universal and $28.8M for Summit.
Outside of the top ten, the inspirational softball drama The Mighty Macs struck out with audiences debuting to only $1.1M, according to estimates, from 975 theaters for a dull $1,090 average. The Carla Gugino starrer was released by Quaker Media and failed to connect with moviegoers the way many other inspirational true stories have this fall.
In limited release, the smarthouse thriller Martha Marcy May Marlene enjoyed a solid debut grossing an estimated $138,000 from only two theaters a piece in New York and Los Angeles for a strong $34,500 average. The Fox Searchlight release scored very positive reviews including glowing notices for lead actress Elizabeth Olsen and will expand to ten more major markets on Friday.
Roadside Attractions enjoyed a good start for its financial thriller Margin Call which opened wider in 56 locations grossing an estimated $582,000 for a commendable $10,393 average. Reviews were encouraging and the performance was especially impressive given that it was also made available day and date on numerous cable video-on-demand systems plus other digital platforms like iTunes, Amazon, PlayStation, and YouTube.
Pedro Almodovar’s latest film The Skin I Live In In fared well in its second weekend expansion grossing an estimated $261,000 from 21 sites for a healthy $12,429 average. The Sony Classics release expanded from its original four playdates and has banked $569,000 so far.
The top ten films grossed an estimated $107.9M which was down 8% from last year when Paranormal Activity 2 debuted in the top spot with $40.7M; but up 7% from 2009 when Paranormal Activity climbed into the number one spot with $21.1M.
Written by Gitesh Pandya, Box Office Guru!
Paul Goodman Changed My Life, a documentary about the famed countercultural writer and psychologist, is at 100 percent.
Being Elmo: A Puppeteer’s Journey, a doc about the man behind the ubiquitous Sesame Street star, is at 87 percent.
Margin Call, starring Kevin Spacey and Zachary Quinto in a drama about an investment bank on the verge of collapse, is Certified Fresh at 83 percent (check out co-star Paul Bettany’s Five Favorite Films here).
Klitschko, a doc about the champion Russian boxing brothers, is at 83 percent.
You All Are Captains, a documentary/fiction hybrid about a director who tries to teach filmmaking to Moroccan youngsters, is at 83 percent.
Revenge of the Electric Car, a doc about the increase in popularity of electric vehicles, is at 70 percent.
Norman, a dramedy about a teenager who’s dealing with both the death of his mother and the illness of his father, is at 50 percent.
The Catechism Cataclysm, a comedy about an unorthodox priest and his high school buddy on a camping trip, is at 40 percent.