Lionsgate courtesy Everett Collection

(Photo by Lionsgate courtesy Everett Collection)

All Jason Statham Movies, Ranked By Tomatometer

Once, during a long-ago era called The ’80s, Hollywood action heroes roamed the Earth with bulging biceps and names like Sly, Arnold, and Bruce. With a limitless supply of weapons and wisecracks, they saved the world countless times, only to be exiled to the land of Direct-to-Video for their trouble, where they wandered lost throughout the ’90s and much of the aughts. But they’re fighting their way back from extinction, thanks in large part to the tenacious efforts of steely-eyed roughnecks like Jason Statham, the veteran of latter-day genre classics like Crank, The Bank Job, and recent Fast and Furious sequels and spinoffs, who rose to stardom on the strength of his appearances in Guy Ritchie‘s Lock, Stock and Two Smoking Barrels and Snatch. To celebrate his bravery in the face of indie dramas and romantic comedies, we’ve rounded up all of his major roles to offer a comprehensive look back at all Jason Statham movies, sorted by Tomatometer.

#40
Adjusted Score: 4685%
Critics Consensus: Featuring mostly wooden performances, laughable dialogue, and shoddy production values, In the Name of the King fulfills all expectations of an Uwe Boll film.
Synopsis: As war looms in an idyllic kingdom, a man named Farmer (Jason Statham) begins a heroic quest to find his... [More]
Directed By: Uwe Boll

#39

Turn It Up (2000)
8%

#39
Adjusted Score: 7910%
Critics Consensus: Reviewers say Turn It Up has a derivative feel, running through too many urban movie cliches.
Synopsis: In the ghetto, the only thing more dangerous than a gun is a dream. And gifted Brooklyn hip-hop artist Diamond... [More]
Directed By: Robert Adetuyi

#38

13 (2010)

#38
Adjusted Score: -1%
Critics Consensus: No consensus yet.
Synopsis: A desperate man (Sam Riley) takes part in an underworld game of Russian roulette in which gamblers place bets on... [More]
Directed By: Gela Babluani

#37

War (2007)
13%

#37
Adjusted Score: 14871%
Critics Consensus: Jet Li and Jason Statham find themselves on opposing sides in the immensely boring War, which is full of clichés but short on action.
Synopsis: After his partner and family are killed, FBI agent Jack Crawford (Jason Statham) becomes obsessed with revenge on an assassin... [More]
Directed By: Philip G. Atwell

#36

London (2005)
14%

#36
Adjusted Score: 13806%
Critics Consensus: Hampered by pretension and undermined by unlikable characters, London proves that the novelty of seeing actors play against type isn't enough to rescue a deeply flawed film.
Synopsis: Upon learning that his ex-lover (Jessica Biel) is leaving New York, a man (Chris Evans) named Syd crashes her going-away... [More]
Directed By: Hunter Richards

#35

The One (2001)
13%

#35
Adjusted Score: 15993%
Critics Consensus: The One plays more like a video game than a movie and borrows freely from other, better sci-fi actioners, burying Jet Li's spectacular talents under heaps of editing and special effects.
Synopsis: In a stunning dual role, international star Jet Li portrays Gabriel Yulaw, a police officer confronted with a sinister form... [More]
Directed By: James Wong

#34

Revolver (2005)
15%

#34
Adjusted Score: 16004%
Critics Consensus: In attempting to meld his successful previous formulas with philosophical musings, Guy Ritchie has produced an incoherent misfire.
Synopsis: Jake Green is a hotshot gambler, long on audacity and short on common sense. Jake served seven years in jail... [More]
Directed By: Guy Ritchie

#33
Adjusted Score: 25890%
Critics Consensus: John Carpenter's Ghosts of Mars is not one of Carpenter's better movies, filled as it is with bad dialogue, bad acting, confusing flashbacks, and scenes that are more campy than scary.
Synopsis: Long inhabited by human settlers, the Red Planet has become the manifest destiny of an over-populated Earth. Nearly 640,000 people... [More]
Directed By: John Carpenter

#32

Killer Elite (2011)
28%

#32
Adjusted Score: 31471%
Critics Consensus: A rote, utterly disposable Jason Statham vehicle that just happens to have Clive Owen and Robert De Niro in it.
Synopsis: Danny Bryce (Jason Statham), one of the world's deadliest special-ops agents, returns from self-imposed exile after his mentor, Hunter (Robert... [More]
Directed By: Gary McKendry

#31
#31
Adjusted Score: 32989%
Critics Consensus: With little to recommend beyond a handful of entertaining set pieces, Mechanic: Resurrection suggests this franchise should have remained in its tomb.
Synopsis: Living under cover in Brazil, master assassin Arthur Bishop (Jason Statham) springs back into action after an old enemy (Sam... [More]
Directed By: Dennis Gansel

#30

Wild Card (2015)
31%

#30
Adjusted Score: 32600%
Critics Consensus: Hardcore Jason Statham fans may enjoy parts of Wild Card, but all other action aficionados need not apply.
Synopsis: A bodyguard (Jason Statham) goes after the sadistic thug who beat his friend, only to find that the object of... [More]
Directed By: Simon West

#29
#29
Adjusted Score: 39220%
Critics Consensus: Like its predecessors, Expendables 3 offers a modicum of all-star thrills for old-school action thriller aficionados -- but given all the talent assembled, it should have been a lot more fun.
Synopsis: Years ago, Barney Ross (Sylvester Stallone) co-founded the Expendables with Conrad Stonebanks (Mel Gibson). After Stonebanks became an arms dealer,... [More]
Directed By: Patrick Hughes

#28

Mean Machine (2001)
34%

#28
Adjusted Score: 34356%
Critics Consensus: Despite some genuine wit, this crowd pleaser is filled with too many cliches.
Synopsis: In a rough-and-tumble British prison, where murderers, thieves and assorted madmen are locked away, inmate Danny Meehan (Vinnie Jones) is... [More]
Directed By: Barry Skolnick

#27
#27
Adjusted Score: -1%
Critics Consensus: No consensus yet.
Synopsis: Mob courier Frank Martin's (Jason Statham) latest assignment pairs him with Valentina (Natalya Rudakova), the cynical daughter of a Ukrainian... [More]
Directed By: Olivier Megaton

#26

Parker (2013)
40%

#26
Adjusted Score: 43880%
Critics Consensus: Jason Statham is game as usual, but Parker is a thoroughly generic and convoluted heist movie.
Synopsis: Daring, ruthless and meticulous, Parker (Jason Statham) is one of the most successful thieves in the business. But when his... [More]
Directed By: Taylor Hackford

#25

Death Race (2008)
42%

#25
Adjusted Score: 47169%
Critics Consensus: Mindless, violent, and lightning-paced, Death Race is little more than an empty action romp.
Synopsis: Framed for a murder he did not commit, three-time speedway champ Jensen Ames (Jason Statham) finds himself at Terminal Island,... [More]
Directed By: Paul W.S. Anderson

#24

The Expendables (2010)
42%

#24
Adjusted Score: 49868%
Critics Consensus: It makes good on the old-school action it promises, but given all the talent on display, The Expendables should hit harder.
Synopsis: Mercenary leader Barney Ross (Sylvester Stallone) and his loyal men take on what they think is a routine assignment: a... [More]
Directed By: Sylvester Stallone

#23

Homefront (2013)
42%

#23
Adjusted Score: 46341%
Critics Consensus: While it boasts a capable cast, the disappointingly dull Homefront hearkens back to classic action thrillers without adding anything to the genre.
Synopsis: Hoping to escape from his troubled past, former DEA agent Phil Broker (Jason Statham) moves to a seemingly quiet backwater... [More]
Directed By: Gary Fleder

#22

The Meg (2018)
46%

#22
Adjusted Score: 63726%
Critics Consensus: The Meg sets audiences up for a good old-fashioned B-movie creature feature, but lacks the genre thrills -- or the cheesy bite -- to make it worth diving in.
Synopsis: Previously thought to be extinct, a massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at... [More]
Directed By: Jon Turteltaub

#21

Blitz (2011)
48%

#21
Adjusted Score: 48077%
Critics Consensus: A middling crime thriller largely assembled from wearyingly familiar parts, Blitz sacks a game Jason Statham's performance behind the line of genre scrimmage.
Synopsis: A tough cop (Jason Statham) goes after a serial killer who targets police officers.... [More]
Directed By: Elliott Lester

#20

Redemption (2013)
49%

#20
Adjusted Score: 50284%
Critics Consensus: While it certainly has more on its mind than the average Jason Statham action thriller, Redemption doesn't quite capitalize on its premise -- or on its star's strong, committed performance.
Synopsis: A troubled war veteran (Jason Statham) assumes a new identity and becomes a vigilante in a bid to atone for... [More]
Directed By: Steven Knight

#19
#19
Adjusted Score: -1%
Critics Consensus: No consensus yet.
Synopsis: Mercenary Frank Martin (Jason Statham) has accepted a job that seems easy enough, as chauffeur and bodyguard to young Jack... [More]
Directed By: Louis Leterrier

#18

The Mechanic (2011)
53%

#18
Adjusted Score: 59194%
Critics Consensus: Jason Statham and Ben Foster turn in enjoyable performances, but this superficial remake betrays them with mind-numbing violence and action thriller cliches.
Synopsis: One of an elite group of assassins, Arthur Bishop (Jason Statham) may be the best in the business. Bishop carries... [More]
Directed By: Simon West

#17

The Transporter (2002)
54%

#17
Adjusted Score: 56853%
Critics Consensus: The Transporter delivers the action at the expense of coherent storytelling.
Synopsis: Ex-Special Forces operator Frank Martin (Jason Statham) lives what seems to be a quiet life along the French Mediterranean, hiring... [More]
Directed By: Corey Yuen

#16

Gnomeo & Juliet (2011)
55%

#16
Adjusted Score: 59557%
Critics Consensus: While it has moments of inspiration, Gnomeo and Juliet is often too self-referential for its own good.
Synopsis: In Stratford-Upon-Avon, birthplace of William Shakespeare, Miss Capulet and Mr. Montague feud over whose garden is the better. Garden gnomes... [More]
Directed By: Kelly Asbury

#15

Cellular (2004)
55%

#15
Adjusted Score: 60201%
Critics Consensus: Though it's gimmicky and occasionally feels like a high-end cell phone ad, Cellular is also an energetic and twisty thriller.
Synopsis: Schoolteacher Jessica Martin (Kim Basinger) is abducted by ruthless crook Ethan (Jason Statham) and brought to a remote hideout, where... [More]
Directed By: David R. Ellis

#14

Safe (2012)
59%

#14
Adjusted Score: 62362%
Critics Consensus: While hard-hitting and violently inventive, Safe ultimately proves too formulaic to set itself apart from the action thriller pack -- including some of its star's better films.
Synopsis: Luke Wright (Jason Statham) is a two-bit cage fighter, until the day he throws a fixed match. In retaliation, the... [More]
Directed By: Boaz Yakin

#13

Crank (2006)
61%

#13
Adjusted Score: 64575%
Critics Consensus: Crank's assaultive style and gleeful depravity may turn off casual action fans, but audiences seeking a strong dose of adrenaline will be thrilled by Jason Statham's raucous race against mortality.
Synopsis: Chev Chelios (Jason Statham), a hit man wanting to go straight, lets his latest target slip away, then he awakes... [More]

#12
#12
Adjusted Score: 66825%
Critics Consensus: Crank: High Voltage delivers on its promises: a fast-paced, exciting thrill ride that doesn't take itself too seriously.
Synopsis: After surviving an incredible plunge to near-certain death, Chev Chelios (Jason Statham) is abducted by Chinese mobsters. Waking up three... [More]

#11

Wrath of Man (2021)
66%

#11
Adjusted Score: 79658%
Critics Consensus: Wrestling just enough stakes out of its thin plot, Wrath of Man sees Guy Ritchie and Jason Statham reunite for a fun, action-packed ride.
Synopsis: Mysterious and wild-eyed, a new security guard for a cash truck surprises his co-workers when he unleashes precision skills during... [More]
Directed By: Guy Ritchie

#10
#10
Adjusted Score: 72358%
Critics Consensus: Taut, violent, and suitably self-deprecating, The Expendables 2 gives classic action fans everything they can reasonably expect from a star-studded shoot-'em-up -- for better and for worse.
Synopsis: Mercenary leader Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham) and the rest of the Expendables team reunite when Mr.... [More]
Directed By: Simon West

#9
#9
Adjusted Score: 90573%
Critics Consensus: The Fate of the Furious opens a new chapter in the franchise, fueled by the same infectious cast chemistry and over-the-top action fans have come to expect.
Synopsis: With Dom and Letty married, Brian and Mia retired and the rest of the crew exonerated, the globe-trotting team has... [More]
Directed By: F. Gary Gray

#8
Adjusted Score: 88516%
Critics Consensus: Hobbs & Shaw doesn't rev as high as the franchise's best installments, but gets decent mileage out of its well-matched stars and over-the-top action sequences.
Synopsis: Brixton Lorr is a cybernetically enhanced soldier who possesses superhuman strength, a brilliant mind and a lethal pathogen that could... [More]
Directed By: David Leitch

#7

Fast & Furious 6 (2013)
71%

#7
Adjusted Score: 78644%
Critics Consensus: With high-octane humor and terrific action scenes, Fast & Furious 6 builds upon the winning blockbuster formula that made Fast 5 a critical and commercial success.
Synopsis: Since Dom (Vin Diesel) and Brian's (Paul Walker) heist in Rio left them and their crew very rich people, they've... [More]
Directed By: Justin Lin

#6

The Italian Job (2003)
73%

#6
Adjusted Score: 78188%
Critics Consensus: Despite some iffy plot elements, The Italian Job succeeds in delivering an entertaining modern take on the original 1969 heist film, thanks to a charismatic cast.
Synopsis: After a heist in Venice, Steve (Edward Norton) turns on his partners in crime, killing safecracker John Bridger (Donald Sutherland)... [More]
Directed By: F. Gary Gray

#5

Snatch (2000)
74%

#5
Adjusted Score: 78292%
Critics Consensus: Though perhaps a case of style over substance, Guy Ritchie's second crime caper is full of snappy dialogue, dark comedy, and interesting characters.
Synopsis: Illegal boxing promoter Turkish (Jason Statham) convinces gangster Brick Top (Alan Ford) to offer bets on bare-knuckle boxer Mickey (Brad... [More]
Directed By: Guy Ritchie

#4
Adjusted Score: 77268%
Critics Consensus: Lock, Stock, and Two Smoking Barrels is a grimy, twisted, and funny twist on the Tarantino hip gangster formula.
Synopsis: Eddy (Nick Moran) convinces three friends to pool funds for a high-stakes poker game against local crime boss Hatchet Harry... [More]
Directed By: Guy Ritchie

#3

The Bank Job (2008)

#3
Adjusted Score: -1%
Critics Consensus: No consensus yet.
Synopsis: Self-reformed petty criminal Terry Leather (Jason Statham) has become a financially struggling car dealer and settled into a pedestrian London... [More]
Directed By: Roger Donaldson

#2

Furious 7 (2015)
82%

#2
Adjusted Score: 92420%
Critics Consensus: Serving up a fresh round of over-the-top thrills while adding unexpected dramatic heft, Furious 7 keeps the franchise moving in more ways than one.
Synopsis: After defeating international terrorist Owen Shaw, Dominic Toretto (Vin Diesel), Brian O'Conner (Paul Walker) and the rest of the crew... [More]
Directed By: James Wan

#1

Spy (2015)
95%

#1
Adjusted Score: 104613%
Critics Consensus: Simultaneously broad and progressive, Spy offers further proof that Melissa McCarthy and writer-director Paul Feig bring out the best in one another -- and delivers scores of belly laughs along the way.
Synopsis: Despite having solid field training, CIA analyst Susan Cooper (Melissa McCarthy) has spent her entire career as a desk jockey,... [More]
Directed By: Paul Feig

Home video enthusiasts, prepare yourself for what may be the best week ever! This week you’ll have to choose between Academy Award flicks Rachel Getting Married (Best Actress Nominee, Anne Hathaway) and Milk (Best Actor, Sean Penn), plus a few films that should have been honored at this year’s Oscars (Happy-Go-Lucky, Let the Right One In). Next, consider a Certified Fresh comedy (Role Models), a Charlie Kaufman original (Synecdoche, New York), and a pair of period pics (Cadillac Records, The Boy in the Striped Pajamas). We won’t judge if you give Jason Statham’s latest a spin (Transporter 3), but we do insist that Blu-ray viewers pay attention to a few key re-mastered releases (Pinocchio 70th Anniversary Edition, The Batman Anthology). Dig in to RT on DVD for more!

Rachel Getting Married — 87%


Anne Hathaway put those Princess Diaries days behind her with an excellent (and Oscar-nominated) performance as Kym, a recovering drug addict who powers her way through her sister’s wedding like a locomotive in Jonathan Demme‘s Rachel Getting Married. Director Demme, best known for making films like The Silence of the Lambs (and in recent years, the acclaimed documentaries Neil Young: Heart of Gold and Jimmy Carter: Man from Plains), lends the proceedings the feel of a verité film, his viewer another guest at the weekend nuptials; the script from Jenny Lumet (Sidney’s daughter) stings and warms in equal measure.

One notable DVD featurette examines the film’s eclectic soundtrack, which includes songs from Robyn Hitchcock (who performs on-screen during the wedding), and TV on the Radio’s Tunde Adembimpe (who in a key role, plays Rachel’s fiancé). Deleted scenes, a cast and crew Q&A, and two commentary tracks highlight the remainder of the bonus menu. Watch an exclusive clip below.

Next: Watch Sean Penn’s Oscar-winning performance in Milk

Milk — 93%

Two weeks ago on Oscar night, a pair of acceptance speeches reminded us that sometimes movies are about more than just entertainment. Both Sean Penn (who won the Academy Award for Best Actor) and Dustin Lance Black (who won for Best Original Screenplay) honored slain San Francisco politician and gay rights advocate Harvey Milk, whose life and work became the basis for Gus Van Sant’s moving biopic, Milk. Penn, no stranger to politics, and Black, a Mormon-raised gay writer who thanked Milk for helping him overcome his own struggles, are just two reasons to pick up the triumphant, bittersweet period drama this week. (Need another reason? It’s among the best-reviewed films of 2008.)

Bonus features include deleted scenes and three featurettes on the real-life Harvey Milk and the intersection of Hollywood and gay rights.

Next: The best movie you didn’t see in 2008, Let the Right One In

A piece of future advice for 2010: don’t get caught buying a ticket to the American remake of Let the Right One In without having seen the original. This Swedish vampire tale, adapted by writer John Ajvide Lindqvist from his own novel and directed by Tomas Alfredson, is a quiet miracle of a film that, in this writer’s opinion, deserved a shot at the Foreign Oscar race (it went un-nominated by its home country). Part fang horror, part coming-of-age romance, Let the Right One In tells the story of young, bullied Oskar (Kare Hedebrant) and his new neighbor, Eli (Lina Leandersson), a girl who appears to be Oskar’s age but in fact is a blood-drinking vampire who must keep her secret from the public eye; when her older human caretaker leaves (was he once, like Oskar, young and in love with Eli?) the pair turn to one another for help and companionship, captured poetically by Alfredson. It’s one of the most beautiful — and dark, and darkly humorous — films of last year, and a much-needed jumpstart to a genre that’s become reliant on mediocrity and gore.

Deleted scenes and a making-of documentary comprise a disappointingly light special features menu, but if sales do well don’t be surprised to get a commentary track on an eventual double dip.

Next: Catch Sally Hawkins’ infectious cheer in Happy-Go-Lucky!

Should British actress Sally Hawkins have earned an Oscar nomination for her portrayal of a supremely cheerful school teacher in Mike Leigh‘s Happy-Go-Lucky? We say yes, but judge for yourself this week as the intimate, infectious film makes its way to home video. Through a series of real-life trials that might test the patience of any normal person, the effervescent Poppy (Hawkins, who workshopped the role with Leigh) maintains a smile no matter how rough life gets — to the consternation of her grumpy driving instructor, Scott (a hilariously on-edge Eddie Marsan), and perhaps, also to viewers. Only a few extra features are to be found here, including a commentary track by director Leigh, although one behind-the-scenes featurette in particular provides insight into the creation of the film and of the Poppy character, whose bliss is anything but ignorant.

Next: Raunchy laughs with Paul Rudd and Seann William Scott in Role Models

Role Models — 76%

Director David Wain has had a hit-or-miss career with his comedies (I blame that Stella sense of humor) but his latest flick, Role Models, is a solid combination of crass humor, strong characterizations, and dorkiness of the RPG-playing kind. Which is to say, I was sold. The Certified Fresh comedy — a rarity these days, unless your name is Judd Apatow — follows energy drink-selling buddies Danny and Wheeler (Paul Rudd and Seann William Scott) sentenced to mentor a pair of troubled kids as community service: sword-wielding LARP devotee (that’s Live Action Role Playing game to you non-nerds), Augie (Christopher Mintz-Plasse, AKA Superbad‘s McLovin’) and foul-mouthed troublemaker Ronnie (Bobb’e J. Thompson, who steals the show).

The DVD includes both the theatrical cut and an uncut version that runs three minutes longer, as well as a host of featurettes/deleted scenes/alternate takes. Look for Knocked Up OB-GYN Ken Jeong in a scene-stealing role as the king of Augie’s role-playing realm.

Next: Charlie Kaufman’s challenging Synecdoche, New York

If you’re a fan of Charlie Kaufman, chances are you’re enamored of the signature complexities of his screenplays for films like Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind. Well, if you like those Kaufman flicks, just try to wrap your mind around his latest, which also marks his directorial debut. Synecdoche, New York tells the story of a struggling playwright (Philip Seymour Hoffman) who decides to mount his life’s greatest work — an autobiographical play with no ending — in a giant warehouse, casting actors to play himself and his loved ones until the whole thing takes on a meta-quality that will have you scratching your head well past the end credits. It’s impressive stuff, if fairly impenetrable; as Roger Ebert advises, see it twice. Four DVD featurettes, including a Blogger’s Roundtable discussion of the film with Glenn Kenny, Walter Chaw, Andrew Grant, Karina Longworth, and Chris Beaubien, should help you filter Kaufman’s opus.

Next: Transporter 3 the worst of the franchise, but hey — it’s Jason Statham!

There are two kinds of people in the world: those who actually want to see Transporter 3, and those who wouldn’t do it for a million bucks. (There’s also my kind — people who had to see it and wish they didn’t.) While the first Transporter (53%) is a straight-up pleasure, and the second (51%) is more of a guilty one, this third flick — directed by Olivier Megaton, who named himself after Hiroshima — is a slim imitation of a Transporter movie, and features the worst actress of the entire franchise (newcomer Natalya Rudakova, who was apparently discovered by Luc Besson on the street). But if you like the idea of watching Jason Statham fight baddies using a dress shirt as a weapon (all the while getting increasingly unclothed), then Transporter 3 might not feel like a complete waste of time.

Next: Beyonce, Mos Def sing the blues in Cadillac Records

If soul music is your bag, then Cadillac Records should be worth a rental; the biographical tale of Chess Records, the studio that brought musicians like Etta James (Beyonce Knowles) and Muddy Waters (Jeffrey Wright) to the masses in the 1960s, earned decent enough reviews but critics agreed the light drama coasted on the strength of its music. Adrien Brody stars as Leonard Chess, the R&B-loving businessman who made it all happen; Beyonce, Wright, and Mos Def (as Chuck Berry) hit all the right notes in performing their own songs. Featurettes, deleted scenes, and a commentary by director Darnell Martin supplement the disc.

Next: Holocaust dramatics in The Boy in the Striped Pajamas

A German boy befriends a Jewish prisoner and begins to question the Nazi way of life in this Holocaust drama, which drew mixed reviews from critics. While some thought it among the best films of the year, others criticized its execution and the decision to turn an event as horrific as the Holocaust into a parable. Deleted scenes, a making-of featurette, and a commentary track by writer/director Mark Herman and author John Boyne, who wrote the original book of the same name.

Next: Pinocchio celebrates his 70th birthday on Blu-ray

Pinocchio: 70th Anniversary Edition on Blu-ray — 100%

It’s hard to believe that Disney’s classic adventure Pinocchio is already celebrating its 70th birthday, but what’s even more incredible is how good a job the Mouse House has done with this Blu-ray release; every single scene is a dazzling work of art. Disney’s remastering process has burnished the film with an amazing clarity and richness, so much so that watching Pinocchio again this way is like watching it for the first time. You’ll be swept away by the painterly details that the Blu-ray cut reveals — the way something as simple as an ocean wave laps against another in the background, or how the camera turns to follow Pinocchio walk up and down a street despite the medium’s two-dimensional constraints.

Fans of the wooden hero (or of Disney animation history in general) should employ either the new pop up trivia track or the “Cine-Explore” track featuring film critic Leonard Maltin, animator Eric Goldberg, and J.B. Kaufman. In addition to behind-the-scenes documentary features that cover all things Pinocchio, Disney has included deleted scenes (told via storyboards), production galleries, archival trailers from every one of Pinocchio‘s theatrical releases, games, alternate viewing options (including the original 1.33:1 aspect ratio), and, as with Disney’s Blu-ray titles, a standard DVD of the film. Wish upon a star for this stellar (and limited edition!) Blu-ray release.

Next: Batman: The Motion Picture Anthology on Blu-ray

It’s that Bat-time, people: time to sit down with all four pre-Nolan Batman flicks and revisit the franchise before the franchise, from Batman (69%) to Batman Returns (77%) to Batman Forever (44%) to Batman & Robin (12%)! Warner Bros. is releasing all four films to DVD and Blu-ray (each in their own 2-disc Special Edition), and though the set does not include either Batman Begins (84%) or The Dark Knight (94%) (or the camp-tastic 1966 version), keep in mind that a double and triple dip is inevitable. That said, if you’re a Batman completist and love the high def format, you’ll find that these remastered flicks look and sound good even one to two decades after initial release. Just watch out for those Blu-ray-enhanced codpieces.

A host of commentary tracks, deleted scenes, featurettes, and even a four-film spanning “Shadows of the Bat” documentary come within the box set, though there are no added materials beyond what has already appeared in the anthology on standard DVD.

Until next week, happy renting!

Transporter 3

Jason Statham, star of Transporter 3, is possibly the coolest man alive today. He is hard, debonair and wears a suit with devastating panache*.

To celebrate the release of Transporter 3, Rotten Tomatoes is very excited to give ten lucky readers the opportunity to capture some of that Statham cool. We have joined forces with Icon Films and tiesncuffs.com.au to give away Transporter 3 packs containing revolver cufflinks and a black tie indentical to that worn by Jason Statham in the film.

SYNOPSIS: Jason Statham returns as former Special Forces mercenary Frank Martin who has relocated to Paris to continue his business of delivering packages without questions. Only this time someone else is making up the rules as Frank faces a race against time to safely deliver his latest consignment.

From the Riviera to the Baltic Sea, via Stuttgart and Budapest, the explosions are bigger, the stunts are better and the cars are faster than ever before.

Transporter 3

Prize details:

10 lucky winners will receive a black tie and revolver cufflinks from tiesncuffs.com.au plus a double pass to see Transporter 3.
Each prize pack is valued at $209.60.

To enter, email Rotten Tomatoes AU and answer the question: ‘what is your favourite car chase scene of all time?‘; in twenty-five words or less, along with your name, phone number and postal address.

Please read competition terms and conditions.

TRANSPORTER 3


ONLY AT THE MOVES FEBRUARY 5

* The lovestruck views expressed here do not necessarily reflect the views of the non-lovestruck members of the Rotten Tomatoes editorial staff who just think he is a good actor.

With thirteen new releases in the UK cinemas this weekend, let Rotten Tomatoes help you sort the tinsel from the turkeys. We have animals on the loose in Madagascar: Escape 2 Africa, and Samuel L Jackson on the loose as a crazed LA cop in Lakeview Terrace. Also out this week is Transporter 3 starring Britain’s favourite action export, Jason ‘The Stath’ Statham, and British winter horror flick, The Children, bringing scares aplenty to the UK screens. But what did the local critics have to say?

Despite only achieving a measly 55% on the Tomatometer, the first Madagascar film was a huge commercial success, and so paved the way for the inevitable sequel. But does the law of diminishing returns apply to the sequel, Madagascar: Escape 2 Africa? Currently standing at a Fresh 62% on the Tomatometer it would seem that the film has bucked the trend, with many critics succumbing to its improved animation and more consistent humour, though most of the scribes agreed the film will please more kids than adults. But hey, this is an animation, with zoo animals as the principal characters, so what did they expect?

Lakeview Terrace tells the story of a young middle class couple who move into a seemingly normal neighbourhood, only to be terrorised by their next door neighbour, who just happens to be the sociopathic racist cop Abel Turner, played with bristling menace by Samuel L Jackson. Released in the US back in September, the film was largely passed over by the critics, resulting in a lowly 44% on the Tomatometer. The films seems to have received a better response here in the UK, with 14 of the 17 reviews collated today being positive, meaning the UK-only Tomatometer rating would have been a much Fresher 82%.

Maybe the hard-hitting portrayal of interracial tension in middle-class Los Angeles was a little too close to the bone for the US critics to take Lakeview Terrace into their hearts? The UK critics all agreed that this was Samuel L Jackson’s best role for some time with Tim Evans of Sky Movies saying, “After multiplex clinkers like Jumper and Cleaner, Lakeview Terrace does give Jackson somewhere to move that actually brings the house down.” The film currently stands at a healthier, but still not Fresh, 49% on the Tomatometer.

With Madagascar 2 outshining its predecessor, does this week’s other sequel (or rather threequel) Transporter 3 also manage to outdo Frank Martin’s previous outings? Well, with each respective Transporter receiving 53%, 50% and now 36% for 3, even Jason Statham cannot save the latest from a Rotten rating, although, critical success is probably not something the makers of this franchise care too much for, as they still seem to make a boatload of cash regardless. The UK critics do love Statham though, with most praising his high octane action sequences and deadpan delivery with Rich Cline of Shadows On The Wall website summing it up by saying:

“Besson and Kamen somehow make a film that’s even dumber than part 2, which really takes some doing. But they’ve still got the superbly watchable Statham at the centre, so the script is fairly irrelevant.”

The Children is a home-grown British horror, in which Christmas holidays turn into a nightmare as all the children become infected with a virus turning them into blood thirsty terrors. The film currently stands at a Fresh 67% on the Tomatometer, with critics praising the chilling tension, killer set-pieces and effective suspense throughout, meaning The Children is worthy addition to the genre, and marks director Tom Shankland out as a future star of the UK film industry.

Quote Of The Week

“Tragedies strike and life lessons are learnt, homespun wisdom is dispensed. It’s simplistic to the point of total idiocy.”

The Secret Life Of Bees. Wendy Ide, The Times.

A trio of new releases and a hearty menu of popular holdovers made for a robust Thanksgiving weekend at the North American box office. The holiday comedy Four Christmases led the way with a stellar number one opening while sophomores Bolt and Twilight were in a virtual tie for second place with nearly identical grosses. The top ten films grossed $154M – the best tally for the turkey holiday in eight years.

Superstars Vince Vaughn and Reese Witherspoon contributed their producing and acting talents to Four Christmases and were rewarded with a potent debut grossing an estimated $31.7M over the Friday-to-Sunday period and a fantastic $46.7M over five days since opening on Wednesday. The New Line pic was distributed by Warner Bros. and averaged a stellar $9,571 from 3,310 sites over the three-day period. The PG-13 film about a couple that must attend yuletide events at the homes of each of their divorced parents was just the type of comedic entertainment that moviegoers were in the mood for during the long holiday weekend. Ticket buyers ignored the bad reviews and instead responded to the starpower, the unique premise, and the comedy. Look for both actors to add another $100M blockbuster to their resumes in the coming weeks.




Jumping up one notch from last weekend, Disney’s animated flick Bolt posted a slight uptick in ticket sales for a solid holiday performance. The PG-rated toon grossed an estimated $26.6M inching up 1% from its $26.2M bow last week. Though the canine star opened weaker than expected, it made up for that shortfall by generating a sensational second weekend take. After ten days, Bolt has grossed $66.9M. The studio is hoping that it will continue to see strong legs since there will be no new kidpics released over the next two weekends.

Last weekend’s top film Twilight experienced a hefty decline as expected and ranked third with an estimated $26.4M. Falling 62%, the Summit release has now banked a stellar $119.7M which is quite an impressive sum for a no-star film budgeted at only $37M. The PG-13 film averaged a sturdy $7,699 from 3,425 locations.




James Bond was still a popular draw for movie fans over the holiday weekend with Quantum of Solace dropping only 27% to an estimated $19.5M. That put Sony’s domestic total at a robust $142.1M after 17 days which is 23% ahead of Casino Royale at the same point in its run and 18% ahead of 2002’s Die Another Day. The overseas total for Quantum vaulted to $340.1M lifting the global haul to a stunning $482.2M.

Fox’s big-budget historical epic Australia debuted with an estimated $14.8M over three days and $20M across five days. The Hugh Jackman-Nicole Kidman film opened in 2,642 locations and averaged a respectable $5,607. But given the cost of the massive production (the studio kicked in $78M of the $130M budget) the Baz Luhrmann-directed film will need strong legs and spectacular international grosses in order to break even. According to studio research, 65% of the audience was over 25 while 52% was female. Competition for adult audiences was fierce over the holiday weekend with many choosing to spend their dollars on Four Christmases and Quantum of Solace while young women were still distracted by Twilight. Reviews were mixed for Australia and the running time of 165 minutes meant fewer showtimes per day.




Paramount ranked sixth with its toon entry Madagascar: Escape 2 Africa which slipped only 7% to an estimated $14.5M boosting the overall cume to $159.5M. The sequel’s final domestic haul looks like it will end up a bit below the $193.2M of its 2005 predecessor.

Delivering a seventh-place debut was Jason Statham’s action sequel Transporter 3 which grossed an estimated $12.3M over the weekend and $18.5M over the extended holiday period. The franchise showed signs of age as the five-day bow failed to match the $20.5M four-day debut of Transporter 2 which launched over the slower Labor Day holiday frame. The third chapter in the series played in 2,626 locations and averaged a decent $4,695 over the Friday-to-Sunday span. Fox released the first two pics in the franchise while Lionsgate distributed this new chapter.

Universal’s hit comedy Role Models dropped by 28% to an estimated $5.3M giving the Seann William Scott-Paul Rudd pic a solid $57.9M to date.




Specialty films filled up the next three positions on the charts. The Holocaust drama The Boy in the Striped Pajamas expanded again from 406 to 582 locations and grossed an estimated $1.7M this weekend. The Miramax release averaged a mild $2,904 but raised its sum to $5.2M.

Sean Penn’s highly praised performance in the Focus Features release Milk helped to deliver the weekend’s best average thanks to an estimated $1.38M from only 36 theaters. Averaging a sizzling $38,361, the R-rated film about the first openly gay elected official in America won rave reviews from critics and has generated Oscar buzz for Penn who hopes to score his fourth Best Actor nod from the Academy this decade and fifth overall. The Gus Van Sant-directed film’s five-day total since opening on Wednesday is $1.9M. On Friday, Milk will expand to nearly 100 theaters and will add more runs on December 12.




Danny Boyle’s Slumdog Millionaire continued its impressive limited run widening from 32 to 49 theaters for a weekend gross of $1.37M, according to estimates, putting it a hair behind in eleventh place. Cume is now $3.6M. The Fox Searchlight title averaged a potent $27,898 and will add more theaters each week in December.

The top ten films grossed an estimated $154.1M which was up 10% from last year’s Thanksgiving frame when Enchanted opened in the top spot with $34.4M over three days; and up 10% from 2006’s holiday when Happy Feet remained at number one with $37M in its second weekend.

Author: Gitesh Pandya,
www.BoxOfficeGuru.com

The Thanksgiving holiday weekend sees a wide variety of films in the multiplexes giving all kinds of moviegoers something to see over the extended five-day session. Leading the trio of star-driven new releases opening on Wednesday is the holiday comedy Four Christmases which is joined by the historical epic Australia and the action entry Transporter 3. Twilight will try to spend a second frame at number one and will come off of a huge opening while fellow sophomore Bolt aims for a much stronger hold. Despite the selection of offerings, the overall box office will have to work hard to match last year’s turkey frame when eleven different films grossed more than $7M each over the Friday-to-Sunday period.

Hoping to make people forget Rendition, Reese Witherspoon returns to her bread and butter – comedy – by pairing up with Vince Vaughn in Four Christmases which is the widest of the new openers and looks to have the best shot at making a play for the number one spot. The PG-13 laugher about a couple that must visit the homes of all 4 divorced parents on the same day should rake in impressive numbers this weekend. The stars certainly sell in this genre, the concept is appealing, and the holiday theme is just want people are looking for right now. Vince and Reese give the film broad appeal to many age groups and to both genders. Plus moviegoers are looking for escapism and want to spend their money to have a good time. Reviews may be bad, but effective trailers and commercials promise laughs and that’s all this film needs to make its case to the voting public.

Competition is not too strong. Role Models is the only other live-action comedy doing any business right now. Twilight and Australia will split the female vote, but June Carter can stand up to those chicks. Four Christmases is about as mainstream as any film out in theaters this weekend gets and by pleasing all the different audience segments, it should be a winner with large groups. Teens and young adults will be at the core of the success. The New Line title will be released by Warner Bros. in more than 3,200 locations and might find itself in the neighborhood of $26M over the Friday-to-Sunday period and $36M over five days.


Reese and Vince in Four Christmases

Hugh Jackman was just named People magazine’s Sexiest Man Alive. Could it be coincidence that his new film opens at the same time? That pic would be Australia starring the X man opposite Nicole Kidman in a historical epic that mixes a love story with a little history lesson on that land Down Under around the start of World War II. The PG-13 film from director Baz Luhrmann is an old school piece of filmmaking and should skew older and more female. But the big-budget Fox production has five factors working against it at the box office.

First, the subject matter is a problem since Americans really aren’t very interested in learning about the history of Australia. Second, these stars may grace every magazine cover around, but they often do not sell tickets unless the project is truly exciting. Also competition is a factor since Four Christmases is clearly the more fun option this weekend and it has more cross-gender appeal to satisfy couples. Add in a running time that nears three hours when including trailers plus reviews that can be described as mixed at best, and it’s easy to see that it will be an uphill battle.

The kickoff of holiday shopping over Thanksgiving weekend also will help to keep women over 30 busy during the coming days. But the long weekend does give people extra time on their hands so Australia may reach its audience over time and not immediately in its first day like a certain vampire love story. Fox needn’t worry as Yanks represent the gravy for this movie. The bulk of the business will come from the U.K., Europe, Asia, and Australia and this particular slice of entertainment will sell much better outside of North America. Landing in 2,617 theaters, Australia might take in about $15M over the weekend and $22M over the Wednesday-to-Sunday period.


Nicole Kidman and Hugh Jackman in Australia

Jason Statham returns in his signature franchise with Transporter 3 which took a detour off the Fox lot and settled into Lionsgate territory. The shift in distributors makes sense given the new home’s strong track record with films that skew towards young men. The PG-13 actioner has a very specific audience in mind and is not likely to convert new followers. Transporter 2 bowed three years ago with $16.5M over the Friday-to-Sunday portion of its four-day Labor Day opening weekend, although Fox launched it in 700 more theaters than what Lionsgate has in store this week with the new installment. Statham’s last pic Death Race debuted to $12.6M in August. Transporter 3 will no doubt pull in a large share of its five-day gross in the first two days meaning that comparing Friday-to-Sunday takes across various Statham flicks would not tell a real story. Quantum of Solace will provide some direct competition, but overall the film should be welcomed given all the female-skewing films filling up multiplexes. Landing in 2,626 locations, Transporter 3 may debut with a $14M weekend and $22M across five days.


Jason Statham and some unfortunate extra in Transporter 3

For the first time in five years a woman directed the number one film at the box office thanks to Catherine Hardwicke‘s Twilight dominating the multiplexes last weekend. A disproportionately large part of the fan base came out on its opening day which accounted for half of the weekend bow. That signals a steep sophomore decline but Friday’s holiday will help to prevent a ridiculously hefty dropoff. New films from Reese and Nicole could pull away the vampire love story’s female audience too. A 60% fall could result giving Twilight about $28M for the Friday-Sunday span and around $115M after ten days.

The superspy known as Bond was met with a crushing 60% decline last weekend in its second mission but should stabilize this week and pull in some dollars from older adults that have more leisure time due to the holiday. The new releases should all have some impact though. Still, a 40% drop could occur putting Quantum of Solace at roughly $16M for the frame and $136M after 17 days.

Bolt had a slower than expected start last weekend but Disney is hoping that its crowd was just waiting for the turkey frame to go out and see the TV star pooch. Family films routinely have the lowest declines over Thanksgiving thanks to strong Friday sales so a 20% weekend dip may be in order. Declines for recent animated flicks during this particular holiday include 16% for Bee Movie, 11% for Happy Feet, and 15% for Chicken Little. That would leave Bolt, which seems like a less liked piece of entertainment, with around $21M over three days and a respectable ten-day start of $57M.

LAST YEAR: Disney’s princess comedy Enchanted ruled the weekend which was the post-Thanksgiving frame as overall ticket sales were sliced in half compared to the previous holiday session which fell earlier on the calendar. The Amy Adams hit grossed $16.4M and was followed by fellow holdovers Beowulf with $8.2M, This Christmas with $7.9M, and Hitman with $6M. Debuting in fifth was the Hayden Christiansen thriller Awake with a weak $5.9M on its way to $14.4M for MGM.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got yuletide yucks (Four Christmases, starring Vince Vaughn and Reese Witherspoon), an epic from Down Under (Australia, starring Nicole Kidman and Hugh Jackman), and deadly deliveries (Transporter 3, starring Jason Statham). What do the critics have to say?

There’s nothing wrong with misanthropic holiday comedies — as long as they generate laughs. Otherwise, they just seem dispiriting, which is how critics describe Four Christmases. The movie stars Vince Vaughn and Reese Witherspoon as an unmarried couple that tends to spend holidays on vacation (disguised as charity work) to avoid each of their divorced parents’ less-than-festive yuletide celebrations. However, when they’re left stranded at the airport, they decide to suck it up and pay all four of their parents a visit, with embarrassing situations ensuing. The pundits say Four Christmases is a sour, broad collection of stereotypes and clichés, and even if Vaughn and Witherspoon try their best, they don’t have much to work with, script-wise. At 27 percent on the Tomatometer, this Christmas isn’t a gift.

“We loved it. It was much better than Cats. We will see it again and again.”

Baz Luhrmann is not a director known for his restraint. William Shakespeare’s Romeo + Juliet and Moulin Rouge were big, bombastic entertainments that took bold stylistic chances. The critics say his latest, Australia, is similarly audacious, but doesn’t totally cohere, despite some excellent moments. Set just before World War II, Australia stars Nicole Kidman as an English aristocrat who falls for a cattleman (Hugh Jackman) who works on her late husband’s ranch; later, they attempt to care for a half-Aboriginal child, but are stymied by the government’s cruel racial policies. The pundits say Australia is an elegant, genre-hopping romp with much to enjoy; unfortunately, they also note its lurches in tone make the film less than the epic it intends to be. At 50 percent on the Tomatometer, you may not want to say “g’day” to Australia.

If you were ever considering messing with Hugh Jackman, now would not be the time.

The first two Transporter films, while not terribly realistic or character-driven, were efficient, brisk action pictures buoyed considerably by the presence of Jason Statham. However, critics say the third time’s definitely not the charm for this franchise. In Transporter 3, Statham again plays Frank Martin, an expert driver who delivers high-value packages for mysterious clients; this time, it’s the kidnapped daughter of a Ukrainian official. Unfortunately, both Martin and his cargo are wearing bracelets that are set to explode if they venture too many feet away from his Audi. The scribes say the third installment is lacking the sense of zippy fun that Transporter fans have come to expect, and the result is noisy, sometimes morose, and generally uninspired. At 26 percent on the Tomatometer, Transporter 3 is the series’ worst-reviewed entry. (Check out Statham’s five favorite movies here.)

Despite warnings from saftey officials, Jason Statham really doesn’t want to wear a bike helmet.

Also opening this week in limited release is Gus Van Sant‘s Milk, starring Sean Penn as the first openly gay major officeholder in the United States; it currently stands at 97 percent on the Tomatometer.

Recent Vince Vaughn Movies:

British actor Jason Statham has made a career of reviving a forgotten genre – that of the ultimate “guy flick” – by blending the ultra-cool masculinity of Steve McQueen, the physicality of 1980s action stars, and a post-modern, knowing slyness that belies the otherwise B-movie nature of many of his vehicles (all of which often make him the most engaging element of his own films). This week Statham returns to one of his best-known characters in Transporter 3: Frank Martin, the black market driver with a “no questions asked” policy and a knack for kicking ass without leaving so much as a wrinkle on his tailored designer suits.

While the first Transporter film (2002) was directed by acclaimed martial arts choreographer Corey Yuen, French director Louis Letterier took the helm for its follow-up, Transporter 2 (2005). This week newcomer Olivier Megaton takes the wheel for a bigger, faster Transporter 3, with Yuen returning to choreograph a leaner (and often shirtless) Statham in the film’s impressive action sequences.

Rotten Tomatoes spoke to Statham about his favorite films of all time, which surprisingly include a few Paul Newman classics and unsurprisingly include a Bruce Lee film. As our conversation continued, we also discussed the different feel of Transporter 3, Corey Yuen’s diminished role in the film’s action scenes, and his recently announced film, The Expendables, in which he’ll star with action legends Sylvester Stallone (who will also write and direct) and Jet Li.

 

Cool Hand Luke (1967, 100% Tomatometer)



Cool Hand Luke
I saw it years ago, when my mom and dad made me watch it. And I was like, “This guy [Paul Newman] is just the coolest dude ever.” He just had such charisma. It just really spoke to me, and it’s one of those films I can watch time and time again. Paul Newman! It was like, Oh my God, look at this guy, he’s so cool! It was pretty much the first time I saw Paul Newman and I’ve been hooked on most of his movies ever since.

The Godfather (1972,
100% Tomatometer), The Godfather Part II (1974, 98%)



Godfather
It’s just quality at its best. Fantastic writing, an amazing caliber of acting; just beautiful, everything about it. The details of the clothes, the sets — just a masterpiece. Again, I can watch any of the trilogy time and time again. [RT: Even Godfather 3??] Well…(laughs) Listen, the first two are so good.

Butch Cassidy and the Sundance Kid (1969, 90% Tomatometer)



Butch Cassidy and the Sundance Kid

Another favorite movie is Butch Cassidy and the Sundance Kid. Again, I can watch that movie a hundred times and never get tired. I think the pairing of Redford and Newman is amazing. Paul Newman and Robert Redford are just so good.

The Sting (1973, 91% Tomatometer)



The Sting

The Sting. I have a lot of Paul Newman films, don’t I? But they’re so good!

 

Enter the Dragon (1973,
97% Tomatometer)



Enter the Dragon

If we want to talk about the movies that have made an impact in what I do in the action realm — Bruce Lee in Enter the Dragon. I’ve watched that countless times. That is a standalone pioneer in action movies, and anyone that was inspired by Bruce Lee…I’m sure everyone that has ever done an action movie has just drooled over how full of talent Bruce Lee was, and how unique he was.

[On the first time he saw Enter the Dragon]: I was a kid; my brother had posters of Bruce Lee on the wall. My brother’s you know, punching me and he was a lot bigger than me; I was like, what? I couldn’t see the movie, I was tiny. But as soon as I was able to steal the VHS and stick it in, it was like, Gee, this guy is just…so avant-garde, he’s years above, so far ahead of his own time. So that made a massive impact in my life.

Next: Jason Statham on Transporter 3, Corey Yuen’s diminished involvement, and his plans to team up with Sly Stallone and Jet Li.

I hear you visit Rotten Tomatoes…

Jason Statham: Sometimes, yeah! You’re making all these films, and sometimes – hey, listen, it can be quite depressing or it can give you a big head for all the wrong reasons. So I don’t know whether it’s a good thing or a bad thing, but sometimes you spend so many hours making these films…people are going to give an opinion on them, and everyone’s entitled to an opinion. There’s always good and there’s always bad. So it’s best not to take it too seriously, but at the same time it’s nice to know people support what you’re doing, and at the same time you also get the ol’ custard pie. “That was a piece of crap!” But at the end of the day, no one tries to make a bad movie. And people really do work hard. And there are a lot of people involved. And sometimes it doesn’t end up the way it was supposed to end up. So to think that some people just say, “Well that was a piece of shit…” It’s quite harsh when you read that. But at the end of the day, it’s just us trying to do good.

And you’re just a part of the whole picture…

JS: Yeah, you’re not solely responsible for the finished product. But it is what it is; people like feedback.

The Bank Job got great reviews.

JS: I know! I was like, hey, somebody likes a movie of mine!

[rtimage]MapID=1197818&MapTypeID=2&photo=12&legacy=1[/rtimage]
You mentioned how influential Bruce Lee was to you; in many of the scenes in your movies, but especially in Transporter 3, you seem to be going for such a precise physicality that is reminiscent of Bruce Lee’s lightning-quick moves and poses.

JS: Oh, God. Bruce Lee was just so lightning-fast. People try to emulate him in whatever way they can, but to try and do what he was doing…you’re just inspired by it; you’re not trying to say, look, I can do that. No one can do what he did.

And Corey Yuen, by the way, is the one that creates all these sequences. [Yuen directed the first Transporter film, served as second unit director on Transporter 2, and choreographed the action in Transporter 3.] He’s ultimately responsible for those choreographed pieces.

Now, Corey directed the first Transporter; the second film was by Louis Leterrier (Incredible Hulk). In the third Transporter, you’ve got a new director, Olivier Megaton. How different has it been working from movie to movie with these different directors?

[rtimage]MapID=1197818&MapTypeID=2&photo=11&legacy=1[/rtimage]
JS: think it’s difficult, because this time the action sequences took on a bit of a different twist. Normally Corey Yuen gets to edit the sequences; because he creates them, he’s responsible for the snip, snip, snip, and puts them together in his own musical way. But this time, Olivier – who’s obviously the director – he wanted to give it a new twist, a fresh twist, and basically put them together in what he saw as the best way. It’s only down to individual taste, really. I don’t know whether it was better…I hope it was.

But Corey still choreographed the sequences?

JS: Yes, but usually if you choreograph it, you usually edit it, too. But you know, Olivier has a very certain style of filmmaking, and it’s very stylistic and cool; I think he’s done a great job. But it is very different to the previous two. A lot faster; doesn’t have the silky-smooth feel. A little bit of timing was lost. But at the same time, some people like that; it’s a little more contemporary. It’s all about flavor, it’s all about what you like.

Can you talk a bit about The Expendables, which was just announced?

JS: Yeah, we’re gonna team up with Sly, who’s going to write, direct and star in The Expendables movie and I’m going along for the ride. With Jet Li as well! It’ll be a powerhouse combo – get out of the way, motherf***ers! (laughs) That’s what it should be called.

Will you be fighting each other?

JS: No, we’ll be on the same squad. There’ll be some ass to be kicked. I’m looking forward to it.

Want more Five Favorite Films? Check out previous installments with Robert Pattinson, Kevin Smith, Guillermo del Toro, and Judd Apatow.

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