(Photo by Buena Vista/ courtesy Everett Collection)

All Diane Lane Movies Ranked by Tomatometer

Diane Lane has been leading films since age 14, when she debuted in 1979’s first-love story A Little Romance. In the ’80s, she brought New Wave to the big screen with hip, unusual musicals Ladies and Gentlemen, The Fabulous Stains, and Streets of Fire, along with collaborating with Francis Ford Coppola in Rumble Fish and The Outsiders.

In the ’90s and early 2000s, Lane appeared in a variety of big productions, including Chaplin, Judge Dredd, Jack, and The Perfect Storm, pulling her away from leading roles. That changed with 2002’s Unfaithful, the erotic sizzler with Richard Gere for which she was nominated for the Best Actress Oscar. This led to a mid-career blossoming as romantic lead, with films like Under the Tuscan Sun, Must Love Dogs, and Nights in Rodanthe.

Since then, Lane’s movies have been among the most critically acclaimed of her career, including Certified Fresh marks for Inside Out, Trumbo, and her latest, Let Him Go, opposite Kevin Costner. She’s also been Ma Kent in the DC Extended Universe since 2013’s Man of Steel, helping guarantee we’d never hear the name Martha the same way again. And now we look back on all Diane Lane movies ranked by Tomatometer!

#45
Critics Consensus: No consensus yet.
Synopsis: This anthology film is composed of three segments parodying Hollywood clichés. In the first, a lawyer (Peter Riegert) has a... [More]
Directed By: Henry Jaglom, Bob Giraldi

#44

Jumper (2008)
15%

#44
Adjusted Score: 20622%
Critics Consensus: Featuring uninvolving characters and loose narrative, Jumper is an erratic action pic with little coherence and lackluster special effects.
Synopsis: Aimless David Rice (Hayden Christensen) has the ability to instantly transport himself to any place he can imagine. He uses... [More]
Directed By: Doug Liman

#43

Untraceable (2008)
16%

#43
Adjusted Score: 21636%
Critics Consensus: Despite Diane Lane's earnest effort, Untraceable manages to be nothing more than a run-of-the-mill thriller with a hypocritical message.
Synopsis: Special Agent Jennifer Marsh (Diane Lane) works in an elite division of the FBI dedicated to fighting cybercrime. She thinks... [More]
Directed By: Gregory Hoblit

#42

Knight Moves (1992)
17%

#42
Adjusted Score: 9298%
Critics Consensus: No consensus yet.
Synopsis: When a number of women are violently murdered in the middle of a big chess tournament, chess star and grandmaster... [More]
Directed By: Carl Schenkel

#41

Mad Dog Time (1996)
17%

#41
Adjusted Score: 6872%
Critics Consensus: No consensus yet.
Synopsis: After mob boss Vic (Richard Dreyfuss) leaves a mental hospital, he returns to find his nightclub operation in disarray. Even... [More]
Directed By: Larry Bishop

#40

Jack (1996)
17%

#40
Adjusted Score: 18506%
Critics Consensus: Robin Williams' childlike energy is channeled in all the wrong places with Jack, a bizarre tragedy that aims for uplift but sinks deep into queasy schmaltz.
Synopsis: After an unusually short pregnancy, Karen Powell (Diane Lane) gives birth to a baby boy whose body ages much faster... [More]
Directed By: Francis Ford Coppola

#39

Gunshy (1998)
20%

#39
Adjusted Score: 7851%
Critics Consensus: No consensus yet.
Synopsis: In Atlantic City, N.J., down-on-his-luck writer Jake Bridges (William Petersen) finds an unlikely savior in the form of Irish henchman... [More]
Directed By: Jeff Celentano

#38

The Glass House (2001)
21%

#38
Adjusted Score: 22903%
Critics Consensus: Due to obvious plot twists and foreshadowing, The Glass House fails to thrill. By the end, it degenerates into ludicrousness.
Synopsis: After the parents of Ruby (Leelee Sobieski) and her younger brother, Rhett (Trevor Morgan), are killed in a car crash,... [More]
Directed By: Daniel Sackheim

#37

Serenity (2019)
21%

#37
Adjusted Score: 33067%
Critics Consensus: A high-concept mystery with a twist, Serenity isn't what it appears to be at first -- unfortunately, it's also not anywhere near as clever or entertaining as it thinks.
Synopsis: Baker Dill is a fishing boat captain who leads tours off of the tranquil enclave of Plymouth Island. His peaceful... [More]
Directed By: Steven Knight

#36

Judge Dredd (1995)
22%

#36
Adjusted Score: 24271%
Critics Consensus: Judge Dredd wants to be both a legitimate violent action flick and a parody of one, but director Danny Cannon fails to find the necessary balance to make it work.
Synopsis: In the crime-plagued future, the only thing standing between order and chaos is Judge Joseph Dredd (Sylvester Stallone). His duty:... [More]
Directed By: Danny Cannon

#35

Fierce People (2005)
24%

#35
Adjusted Score: 25011%
Critics Consensus: Fierce People's premise of a teenager studying rich people like animals is grating and self-satisfied, and Anton Yelchin's smug performance makes the film even harder to agree with.
Synopsis: Finn (Anton Yelchin) is a teenager trying to escape his drug-addicted mother (Diane Lane) by going to study tribal people.... [More]
Directed By: Griffin Dunne

#34

Killshot (2009)
29%

#34
Adjusted Score: 8920%
Critics Consensus: No consensus yet.
Synopsis: A veteran assassin (Mickey Rourke) and his dangerous young partner (Joseph Gordon-Levitt) pursue a woman (Diane Lane) and her husband... [More]
Directed By: John Madden

#33
Adjusted Score: 56055%
Critics Consensus: Batman v Superman: Dawn of Justice smothers a potentially powerful story -- and some of America's most iconic superheroes -- in a grim whirlwind of effects-driven action.
Synopsis: It's been nearly two years since Superman's (Henry Cavill) colossal battle with Zod (Michael Shannon) devastated the city of Metropolis.... [More]
Directed By: Zack Snyder

#32
#32
Adjusted Score: 35053%
Critics Consensus: Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.
Synopsis: When Adrienne Willis (Diane Lane) arrives at the coastal town of Rodanthe, N.C., her life is in chaos. There, she... [More]
Directed By: George C. Wolfe

#31
#31
Adjusted Score: 31703%
Critics Consensus: Every Secret Thing has a sterling pedigree both on and off the screen, yet all that talent adds up to little more than a listless, predictable thriller.
Synopsis: When a 3-year-old girl goes missing, a detective revisits a crime committed by two once-underage perpetrators who were recently released... [More]
Directed By: Amy Berg

#30

Murder at 1600 (1997)
33%

#30
Adjusted Score: 33480%
Critics Consensus: No consensus yet.
Synopsis: A secretary (Mary Moore) is found dead in a White House bathroom during an international crisis, and Detective Harlan Regis... [More]
Directed By: Dwight Little

#29

Must Love Dogs (2005)
36%

#29
Adjusted Score: 41748%
Critics Consensus: Despite good work from its likable leads, the romantic comedy Must Love Dogs is too predictable.
Synopsis: Sarah (Diane Lane), is 40 and recently divorced. Believing Sarah needs to date more, her sister, Carol (Elizabeth Perkins), creates... [More]
Directed By: Gary David Goldberg

#28

Justice League (2017)
40%

#28
Adjusted Score: 69874%
Critics Consensus: Justice League leaps over a number of DC movies, but its single bound isn't enough to shed the murky aesthetic, thin characters, and chaotic action that continue to dog the franchise.
Synopsis: Fueled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne enlists newfound ally Diana Prince... [More]
Directed By: Zack Snyder

#27

Hardball (2001)
41%

#27
Adjusted Score: 44159%
Critics Consensus: Although Hardball contains some touching moments, they are not enough to transcend the sports formula.
Synopsis: Conor (Keanu Reeves) is a ticket scalper, gambler and, now, Little League coach for a rag-tag team of kids in... [More]
Directed By: Brian Robbins

#26

Wild Bill (1995)
42%

#26
Adjusted Score: 43019%
Critics Consensus: Crowded with talent on either side of the camera, Wild Bill shoots itself in the foot with a surprisingly muddled take on the story of the titular folk hero.
Synopsis: Gunfighter Wild Bill Hickok (Jeff Bridges) travels the frontier, gaining fame and enemies in roughly equal measure. He sometimes meets... [More]
Directed By: Walter Hill

#25

Paris Can Wait (2016)
47%

#25
Adjusted Score: 54028%
Critics Consensus: Paris Can Wait's likable stars are ill-served by a film that lacks interesting ideas or characters and has little to offer beyond striking travelogue visuals.
Synopsis: Anne (Diane Lane) is at a crossroads in her life. Married to a successful but inattentive movie producer (Alec Baldwin),... [More]
Directed By: Eleanor Coppola

#24
#24
Adjusted Score: 50982%
Critics Consensus: While the special effects are well done and quite impressive, this film suffers from any actual drama or characterization. The end result is a film that offers nifty eye-candy and nothing else.
Synopsis: Based on a true story, the film tells of the courageous men and women who risk their lives every working... [More]
Directed By: Wolfgang Petersen

#23

Vital Signs (1990)
50%

#23
Adjusted Score: 26091%
Critics Consensus: No consensus yet.
Synopsis: At a Los Angeles medical school, a group of third-year students struggle with love, their studies and one another. Young... [More]
Directed By: Marisa Silver

#22

My New Gun (1992)
50%

#22
Adjusted Score: 29056%
Critics Consensus: No consensus yet.
Synopsis: A suburbanite (Stephen Collins) gives his wife (Diane Lane) a gun for protection, but a weirdo (James LeGros) steals it... [More]
Directed By: Stacy Cochran

#21

The Big Town (1987)
50%

#21
Adjusted Score: 38397%
Critics Consensus: No consensus yet.
Synopsis: A lucky country boy (Matt Dillon) turns crapshooter in 1950s Chicago and falls for a gangster's (Tommy Lee Jones) stripper... [More]
Directed By: Ben Bolt, Harold Becker

#20

Unfaithful (2002)
50%

#20
Adjusted Score: 55294%
Critics Consensus: Diane Lane shines in the role, but the movie adds nothing new to the genre and the resolution is unsatisfying.
Synopsis: Described by director Adrian Lyne ("Fatal Attraction") as "an erotic thriller about the body language of guilt." When Edward (Richard... [More]
Directed By: Adrian Lyne

#19

Man of Steel (2013)
56%

#19
Adjusted Score: 70179%
Critics Consensus: Man of Steel's exhilarating action and spectacle can't fully overcome its detours into generic blockbuster territory.
Synopsis: With the imminent destruction of Krypton, their home planet, Jor-El (Russell Crowe) and his wife seek to preserve their race... [More]
Directed By: Zack Snyder

#18

Indian Summer (1993)
58%

#18
Adjusted Score: 57844%
Critics Consensus: No consensus yet.
Synopsis: Unca Lou (Alan Arkin), the longtime director of an Ontario summer camp, brings a group of former campers back for... [More]
Directed By: Mike Binder

#17

Chaplin (1992)
60%

#17
Adjusted Score: 63039%
Critics Consensus: Chaplin boasts a terrific performance from Robert Downey, Jr. in the title role, but it isn't enough to overcome a formulaic biopic that pales in comparison to its subject's classic films.
Synopsis: Re-creation of the life of comic genius Charlie Chaplin, from his humble beginnings in south London through his early days... [More]
Directed By: Richard Attenborough

#16

Cinema Verite (2011)
61%

#16
Adjusted Score: 60929%
Critics Consensus: Cinema Verite is a disappointingly incurious dive into the birth of reality television, but terrific performances and the inherent intrigue behind the making of An American Family keep this drama compelling.
Synopsis: In the 1970s Bill Loud (Tim Robbins) and his wife, Pat (Diane Lane), allow cameras to film their personal lives... [More]

#15
#15
Adjusted Score: 66086%
Critics Consensus: Though formulaic and superficial, Under the Tuscan Sun is redeemed by Lane's vibrant performance.
Synopsis: When Frances Mayes (Diane Lane) learns her husband is cheating on her from a writer whom she gave a bad... [More]
Directed By: Audrey Wells

#14
Adjusted Score: 63052%
Critics Consensus: No consensus yet.
Synopsis: Corinne Burns (Diane Lane) is a typical frustrated teenager living in a nowhere town until she catches punk band the... [More]
Directed By: Lou Adler

#13

Secretariat (2010)
64%

#13
Adjusted Score: 68704%
Critics Consensus: Rousing, heartwarming, and squarely traditional, Secretariat offers exactly what you'd expect from an inspirational Disney drama -- no more, and no less.
Synopsis: Despite her lack of experience, housewife and mother Penny Chenery (Diane Lane) agrees to take over management of the family... [More]
Directed By: Randall Wallace

#12

Streets of Fire (1984)
67%

#12
Adjusted Score: 67569%
Critics Consensus: Streets of Fire may sometimes buckle under the strain of its ambitious fusion of disparate genres, but Walter Hill's bravura style gives this motorcycle musical fuel to burn.
Synopsis: Raven Shaddock (Willem Dafoe), along with his gang of merciless biker friends, kidnaps rock singer Ellen Aim (Diane Lane). Ellen's... [More]
Directed By: Walter Hill

#11

The Outsiders (1983)
68%

#11
Adjusted Score: 71975%
Critics Consensus: The cracks continue to show in Coppola's directorial style, but The Outsiders remains a blustery, weird, and fun adaptation of the classic novel.
Synopsis: A teen gang in rural Oklahoma, the Greasers are perpetually at odds with the Socials, a rival group. When Greasers... [More]
Directed By: Francis Ford Coppola

#10

Hollywoodland (2006)
68%

#10
Adjusted Score: 75863%
Critics Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Synopsis: A detective (Adrien Brody) uncovers unexpected links to his own personal life as he probes the mysterious death of "Superman"... [More]
Directed By: Allen Coulter

#9

A Little Romance (1979)
71%

#9
Adjusted Score: 72850%
Critics Consensus: No consensus yet.
Synopsis: Intellectually precocious teenager Lauren King (Diane Lane) lives in Paris with her somewhat ditzy mother (Sally Kellerman). On a movie... [More]
Directed By: George Roy Hill

#8
Adjusted Score: 86820%
Critics Consensus: Zack Snyder's Justice League lives up to its title with a sprawling cut that expands to fit the director's vision -- and should satisfy the fans who willed it into existence.
Synopsis: In ZACK SNYDER'S JUSTICE LEAGUE, determined to ensure Superman's (Henry Cavill) ultimate sacrifice was not in vain, Bruce Wayne (Ben... [More]
Directed By: Zack Snyder

#7
#7
Adjusted Score: 72851%
Critics Consensus: An impressive showcase for Diane Lane and an assured debut from director Tony Goldwyn, A Walk on the Moon finds absorbing period drama within a family at a crossroads.
Synopsis: Unfulfilled housewife Pearl Kantrowitz (Diane Lane) suffers in quiet misery as the tumultuous events of the summer of 1969 unfold... [More]
Directed By: Tony Goldwyn

#6

My Dog Skip (2000)
73%

#6
Adjusted Score: 75633%
Critics Consensus: Critics say My Dog Skip is cute, wholesome entertainment for the family. It's especially designed to appeal to your sentiment, but you might find yourself choking up just the same.
Synopsis: Who says best friends have to be human? Not Willie Morris (Frankie Muniz), who receives a talented terrier named Skip... [More]
Directed By: Jay Russell

#5

Rumble Fish (1983)
74%

#5
Adjusted Score: 76704%
Critics Consensus: Rumble Fish frustrates even as it intrigues, but director Francis Ford Coppola's strong visual style helps compensate for a certain narrative stasis.
Synopsis: Disaffected and restless, Rusty James (Matt Dillon) is spoiling for a fight. Abandoned by his mother and living with his... [More]
Directed By: Francis Ford Coppola

#4

The Cotton Club (1984)
77%

#4
Adjusted Score: 77850%
Critics Consensus: Energetic and brimming with memorable performers, The Cotton Club entertains with its visual and musical pizazz even as its plot only garners polite applause.
Synopsis: The lives of various characters intersect at Harlem's renowned Cotton Club. Handsome horn player Dix Dwyer (Richard Gere) falls for... [More]
Directed By: Francis Ford Coppola

#3

Trumbo (2015)
75%

#3
Adjusted Score: 82324%
Critics Consensus: Trumbo serves as an honorable and well-acted tribute to a brilliant writer's principled stand, even if it doesn't quite achieve the greatness of its subject's own classic screenplays.
Synopsis: In 1947, successful screenwriter Dalton Trumbo (Bryan Cranston) and other Hollywood figures get blacklisted for their political beliefs.... [More]
Directed By: Jay Roach

#2

Let Him Go (2020)
84%

#2
Adjusted Score: 96318%
Critics Consensus: Let Him Go's uneven blend of adult drama and revenge thriller is smoothed over by strong work from a solid veteran cast.
Synopsis: Following the loss of their son, a retired sheriff and his wife leave their Montana ranch to rescue their young... [More]
Directed By: Thomas Bezucha

#1

Inside Out (2015)
98%

#1
Adjusted Score: 113968%
Critics Consensus: Inventive, gorgeously animated, and powerfully moving, Inside Out is another outstanding addition to the Pixar library of modern animated classics.
Synopsis: Riley (Kaitlyn Dias) is a happy, hockey-loving 11-year-old Midwestern girl, but her world turns upside-down when she and her parents... [More]
Directed By: Pete Docter

(Photo by Warner Bros. / courtesy Everett Collection)

All Viola Davis Movies, Ranked by Tomatometer

After a decade of bit parts, many of them within the gainful employ of Steven Soderbergh’s production company, Viola Davis broke into the mainstream with a movie-stealing turn – and from Meryl Streep! – in 2008’s Catholic Church child abuse drama Doubt. Davis has all of 10 minutes of screen time in Doubt but earned an Oscar nomination for her work, joining the likes of Ruby Dee for American Gangster or Ned Beatty for Network of Oscar nominees who made the most out of their single-scene appearances. Yet, Davis forms Doubt’s emotional pillar, powerfully delivering social and cultural history that further obfuscates the film’s central mystery.

Davis has been releasing multiple movies a year ever since, frequently playing women of power or high up in their professions, in the likes of Law Abiding Citizen, Knight & Day, Ender’s Game, and Suicide Squad, as Amanda Waller, one of that movie’s rare bright spots. And Davis has frequently reached the same heights as Doubt in Certified Fresh films like Widows, The Help (receiving a Lead Actress nomination), and Fences, for which she won a Best Supporting Actress Academy Award. Davis got another Lead Actress nom for Ma Rainey’s Black Bottom, and she returned as Waler for James Gunn’s The Suicide Squad. And now, we’re ranking all Viola Davis movies by Tomatometer!

#25
#25
Adjusted Score: 31373%
Critics Consensus: Unnecessarily violent and unflinchingly absurd, Law Abiding Citizen is plagued by subpar acting and a story that defies reason.
Synopsis: Clyde Shelton (Gerard Butler) is an honorable family man, until the day his wife and daughter are murdered in a... [More]
Directed By: F. Gary Gray

#24

Suicide Squad (2016)
26%

#24
Adjusted Score: 50737%
Critics Consensus: Suicide Squad boasts a talented cast and a little more humor than previous DCEU efforts, but they aren't enough to save the disappointing end result from a muddled plot, thinly written characters, and choppy directing.
Synopsis: Figuring they're all expendable, a U.S. intelligence officer decides to assemble a team of dangerous, incarcerated supervillains for a top-secret... [More]
Directed By: David Ayer

#23
Adjusted Score: 29367%
Critics Consensus: Divided between sincere melodrama and populist comedy, Madea Goes to Jail fails to provide enough laughs -- or screen time -- for its titular heroine.
Synopsis: After a high-speed car chase, Madea (Tyler Perry) winds up behind bars because her quick temper gets the best of... [More]
Directed By: Tyler Perry

#22
#22
Adjusted Score: 35053%
Critics Consensus: Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.
Synopsis: When Adrienne Willis (Diane Lane) arrives at the coastal town of Rodanthe, N.C., her life is in chaos. There, she... [More]
Directed By: George C. Wolfe

#21

Blackhat (2015)
32%

#21
Adjusted Score: 39562%
Critics Consensus: Thematically timely but dramatically inert, Blackhat strands Chris Hemsworth in a muddled misfire from director Michael Mann.
Synopsis: After a Hong Kong nuclear plant and the Mercantile Trade Exchange in Chicago are hacked by unknown perpetrators, a federal... [More]
Directed By: Michael Mann

#20

Won't Back Down (2012)
35%

#20
Adjusted Score: 37991%
Critics Consensus: Despite the best efforts of its talented leads, Won't Back Down fails to lend sufficient dramatic heft or sophistication to the hot-button issue of education reform.
Synopsis: Jamie Fitzpatrick (Maggie Gyllenhaal) and Nona Alberts (Viola Davis) are two women from opposites sides of the social and economic... [More]
Directed By: Daniel Barnz

#19

Eat Pray Love (2010)
36%

#19
Adjusted Score: 43829%
Critics Consensus: The scenery is nice to look at, and Julia Roberts is as luminous as ever, but without the spiritual and emotional weight of the book that inspired it, Eat Pray Love is too shallow to resonate.
Synopsis: Liz Gilbert (Julia Roberts) thought she had everything she wanted in life: a home, a husband and a successful career.... [More]
Directed By: Ryan Murphy

#18

Lila & Eve (2015)
40%

#18
Adjusted Score: 40793%
Critics Consensus: Lila & Eve gets some mileage out of its formidable stars, with Viola Davis in particular proving that she will commandingly commit to any material, but this is a revenge flick served stale due to a lackluster script.
Synopsis: After the senseless murder of her son (Aml Ameen), a grief-stricken mother (Viola Davis) joins forces with another woman (Jennifer... [More]
Directed By: Charles Stone III

#17
Adjusted Score: 52947%
Critics Consensus: Extremely Loud & Incredibly Close has a story worth telling, but it deserves better than the treacly and pretentious treatment director Stephen Daldry gives it.
Synopsis: Oskar (Thomas Horn), who lost his father (Tom Hanks) in the 9/11 attack on the World Trade Center, is convinced... [More]
Directed By: Stephen Daldry

#16
#16
Adjusted Score: 54228%
Critics Consensus: Charming romantic leads and esteemed supporting cast aside, Beautiful Creatures is a plodding YA novel adaptation that feels watered down for the Twilight set.
Synopsis: In the small town of Gatlin, S.C., teenage Ethan Wate (Alden Ehrenreich) sees his static world shaken by the arrival... [More]
Directed By: Richard LaGravenese

#15

Knight and Day (2010)
52%

#15
Adjusted Score: 59848%
Critics Consensus: It's pure formula, but thanks to its breezy pace and a pair of charming performances from Tom Cruise and Cameron Diaz, Knight and Day offers some agreeably middle-of-the-road summer action.
Synopsis: June Havens (Cameron Diaz) chats up her charming seatmate on a flight out of Kansas, but she doesn't realize that... [More]
Directed By: James Mangold

#14
Adjusted Score: 61902%
Critics Consensus: It's amiable, and it does a surprisingly good job of sidestepping psych ward comedy cliches, but given its talented cast and directors, It's Kind of a Funny Story should be more than just mildly entertaining.
Synopsis: Stressed by adolescence, 16-year-old Craig Gilner (Keir Gilchrist) checks himself into a mental-health clinic. Unfortunately, the youth wing is closed,... [More]
Directed By: Anna Boden, Ryan Fleck

#13

Ender's Game (2013)
62%

#13
Adjusted Score: 71074%
Critics Consensus: If it isn't quite as thought-provoking as the book, Ender's Game still manages to offer a commendable number of well-acted, solidly written sci-fi thrills.
Synopsis: When hostile aliens called the Formics attack Earth, only the legendary heroics of Mazer Rackham (Ben Kingsley) manage to attain... [More]
Directed By: Gavin Hood

#12
Adjusted Score: 68368%
Critics Consensus: Led by strong performances from Jessica Chastain and James McAvoy, The Disappearance of Eleanor Rigby is a hauntingly original rumination on love and loss.
Synopsis: Following the death of their child, a woman (Jessica Chastain) leaves her husband (James McAvoy) and flees to the suburban... [More]
Directed By: Ned Benson

#11

Troop Zero (2019)
68%

#11
Adjusted Score: 70821%
Critics Consensus: Thanks to a charming cast and infectious energy, Troop Zero is more than the sum of its instantly familiar parts.
Synopsis: Misfit Birdie Scouts enter a national competition.... [More]
Directed By: Bert & Bertie

#10

The Help (2011)
76%

#10
Adjusted Score: 84909%
Critics Consensus: Though it fails to fully engage with its racial themes, The Help rises on the strength of its cast -- particularly Viola Davis, whose performance is powerful enough to carry the film on its own.
Synopsis: In 1960s Mississippi, Southern society girl Skeeter (Emma Stone) returns from college with dreams of being a writer. She turns... [More]
Directed By: Tate Taylor

#9

Trust (2010)
79%

#9
Adjusted Score: 79843%
Critics Consensus: Director David Schwimmer gets some gut-wrenching performances out of his actors but he still lacks the chops to fully ratchet up story tension.
Synopsis: A man (Clive Owen) has difficulty coping with the knowledge that his 14-year-daughter (Liana Liberato) was assaulted by a sexual... [More]
Directed By: David Schwimmer

#8

Doubt (2008)
79%

#8
Adjusted Score: 87864%
Critics Consensus: Doubt succeeds on the strength of its top-notch cast, who successfully guide the film through the occasional narrative lull.
Synopsis: In 1964 the winds of change are sweeping through Sister Aloysius' (Meryl Streep) St. Nicholas school. Father Flynn (Philip Seymour... [More]
Directed By: John Patrick Shanley

#7

Get On Up (2014)
80%

#7
Adjusted Score: 87130%
Critics Consensus: With an unforgettable Chadwick Boseman in the starring role, Get On Up offers the Godfather of Soul a fittingly dynamic homage.
Synopsis: James Brown (Chadwick Boseman) was born in extreme poverty in 1933 South Carolina and survived abandonment, abuse and jail to... [More]
Directed By: Tate Taylor

#6

Prisoners (2013)
81%

#6
Adjusted Score: 90373%
Critics Consensus: Prisoners has an emotional complexity and a sense of dread that makes for absorbing (and disturbing) viewing.
Synopsis: Keller Dover (Hugh Jackman) faces a parent's worst nightmare when his 6-year-old daughter, Anna, and her friend go missing. The... [More]
Directed By: Denis Villeneuve

#5

State of Play (2009)
84%

#5
Adjusted Score: 92876%
Critics Consensus: A taut, well-acted political thriller, State of Play overcomes some unsubtle plot twists with an intelligent script and swift direction.
Synopsis: Congressman Stephen Collins (Ben Affleck) is a rising star in Washington; handsome, unflappable and seemingly honorable, he's seen as his... [More]
Directed By: Kevin Macdonald

#4
#4
Adjusted Score: 110304%
Critics Consensus: Enlivened by writer-director James Gunn's singularly skewed vision, The Suicide Squad marks a funny, fast-paced rebound that plays to the source material's violent, anarchic strengths.
Synopsis: Welcome to hell--a.k.a. Belle Reve, the prison with the highest mortality rate in the US of A. Where the worst... [More]
Directed By: James Gunn

#3

Widows (2018)
91%

#3
Adjusted Score: 116986%
Critics Consensus: Widows rounds up a stellar ensemble for a heist thriller that mixes popcorn entertainment with a message - and marks another artistic leap for director Steve McQueen.
Synopsis: A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows -- Veronica, Linda,... [More]
Directed By: Steve McQueen

#2

Fences (2016)
92%

#2
Adjusted Score: 107952%
Critics Consensus: From its reunited Broadway stars to its screenplay, the solidly crafted Fences finds its Pulitzer-winning source material fundamentally unchanged -- and still just as powerful.
Synopsis: Troy Maxson (Denzel Washington) makes his living as a sanitation worker in 1950s Pittsburgh. Maxson once dreamed of becoming a... [More]
Directed By: Denzel Washington

#1
#1
Adjusted Score: 118333%
Critics Consensus: Framed by a pair of powerhouse performances, Ma Rainey's Black Bottom pays affectionate tribute to a blues legend -- and Black culture at large.
Synopsis: Tensions and temperatures rise over the course of an afternoon recording session in 1920s Chicago as a band of musicians... [More]
Directed By: George C. Wolfe

What better way to celebrate the inauguration of President Barack Obama by watching Oliver Stone’s W. this week on DVD? While a handful of middling studio releases hit home video this week (Nights in Rodanthe, Soul Men, Blindness), the Certified Fresh pick (and Oscar nominee), Frozen River, hits as well. Celebrate Black History Month with the latest from Spike Lee (Miracle at St. Anna) or go indie with the moving directorial debut of actor Giancarlo Esposito (Gospel Hill). Finally, peruse the week’s more eclectic offerings for a break from the norm — and a well-placed roundhouse kick or two (Chocolate, Street Fighter Extreme Edition, and Bruce Campbell in My Name is Bruce).


1. W. — 58%

The politically-inclined movie lover should take note of Oliver Stone’s latest, a shockingly tame envisioning of the early adult life of former US President George W. Bush. As Dubya, Josh Brolin turns in an astoundingly acute and yes, often humorous, portrayal of the Texan playboy-turned-Commander in Chief, and fellow cast members Elizabeth Banks (as Laura Bush) and James Cromwell (as George Bush Sr.) drew praise from critics. The problem, however, lies in relevance — Stone opts to ignore much of Bush’s Presidential choices in lieu of speculating a psychological case study of power ascendance and daddy issues, in the process neutralizing his too-subtle damnation of the former Prez. Learn more about Stone’s approach in a filmmaker commentary available on the standard release, with more materials (making-of featurettes, deleted scenes) found on Blu-ray.

Next: Spike Lee’s latest joint falls south of Fresh

2. Miracle at St. Anna — 33%

While his impressive track record boasts more fresh movies than the average director (he’s got a 75 percent Fresh filmography), Spike Lee has known the occasional flop. Unfortunately, Lee’s latest flick, Miracle at St. Anna, is one of those Spike Lee joints; an over-earnest World War II fable about an all-black squadron in Nazi territory, it careens back and forth between war actioner and mystical legend and runs well overtime. That said, Lee’s epic has something to say about black American soldiers in battle and their depictions (or lack thereof) in American cinema, and that’s worth watching for. Expect no additional bonus materials, however, unless you spring for Blu-ray.

Next: The schmaltzy Nights in Rodanthe


3. Nights in Rodanthe — 30%

Richard Gere and Diane Lane reunite (after starring as a married couple in the thriller Unfaithful) in this schmaltzy romance about two middle-aged strangers who meet at a seaside B&B. How much schmaltz are we talking, you ask? Perhaps these two words can give you an idea: Nicholas Sparks. The author of goop-fests like The Notebook and Message in a Bottle offers up another three-hankie romance full of sentiment that is only for those with the strongest tolerance for cornball contrivances. Featurettes, deleted scenes a commentary by director George C. Wolfe (Lackawanna Blues) and more appear — but only on the Blu-ray disc.

Next: Remembering Bernie Mac and Isaac Hayes…with Soul Men

4. Soul Men — 45%

If we are to remember the late comic Bernie Mac and the late musical legend Isaac Hayes, let it not be through watching Soul Men. The two artists, who passed away last year, deserve more of a send-off than this tepid R&B buddy comedy, though the disc fittingly includes separate tributes to the careers of both men. The film itself, directed by Malcolm D. Lee (Undercover Brother, Roll Bounce) follows the reunion of two former singers (Mac and Samuel L. Jackson) who reunite for a concert; humorously delivered expletives and adult humor mar much of the proceedings. If that’s your cup of tea, so be it, though there are more fitting ways to pay tribute to the memories of two such well-loved entertainers.

Next: Blindness, from the director of City of God

5. Blindness — 40%

A city-wide epidemic mysteriously leaves the population without sight — save for one woman (Julianne Moore) — in Blindness, the latest film from Brazilian filmmaker Fernando Meirelles (City of God, The Constant Gardener). As in his previous films, Meirelles tells a story of human conflict in a strikingly visual manner; that story, however, was too bleak and muddled for many critics. Although this allegory fell short of the freshness mark, the dynamics of post-apocalyptic society and the social cannibalism of Lord of the Flies may appeal to fans of science fiction. An hour-long behind-the-scenes documentary and deleted scenes bolster the DVD, which lacks what would have been an intriguing commentary track.

Next: Bruce Campbell goes post-modern in My Name is Bruce

6. My Name is Bruce — 38%

Fans of the Evil Dead films, Brisco County Jr., or Bruce Campbell himself should pick up this week’s DVD release of My Name is Bruce, a post-modern horror adventure in which a small town is terrorized by an ancient demon, and Campbell (as himself) must step in to save the day. Similar to the recent JCVD, in which over-the-hill action hero Jean-Claude Van Damme plays himself as hero in a fictional situation, Campbell pokes fun at (and celebrates) his own movie star status as a B-movie actor of yesteryear. Featurettes, a fake trailer (for the faux film within a film, Cavealien 2), an hour-long making-of documentary, and a feature-length commentary by Bruce Campbell and producer Mike Richardson all make this a must-own for Campbell fans.

Next: Chocolate: Are you ready for the female Tony Jaa?

7. Chocolate — 71%

If the phrase “the female Tony Jaa” doesn’t grab you, then you’re not going to be hooked by this Thai import. (And you also have no sense of fun — because it gets even better.) Chocolate stars newcomer Yanin Vismistananda as Zen, a young autistic woman with an uncanny knack for Muy Thai who puts her martial arts skills to work to pay for her mother’s cancer treatments, leading to a battle with the Yakuza. Plot-wise, it may not make much sense, but amazing stunt work is the leading reason to give Chocolate a go; director Prachya Pinkaew also made the landmark Ong Bak, which made a star of Tony Jaa, and he’s looking to do the same with his agile 22-year-old female star. Chocolate opened in theaters in limited release only last week, so those in major metropolitan areas might even still catch it on the big screen.

Next: The Certified Fresh (and Academy Award-nominated) Frozen River

8. Frozen River — 86%

Independent cinema often needs the most help reaching the masses, so here are a few more reasons to check out Frozen River this week: at 86 percent and Certified Fresh, it’s the best-reviewed wide release of the week, and features an Oscar-nominated performance by actress Melissa Leo. The drama, directed by first-timer Courtney Hunt (who is also up for an Oscar for Best Original Screenplay), follows a financially-struggling mother (Leo) who takes to smuggling illegal aliens across the Canadian border to make ends meet. Morally complex, this thriller is made all the more relevant by today’s economic climate — not just in its story, but in the behind-the-scenes drama of how an independent film reportedly made for less than $1 million made it to the Academy Awards.

Next: Giancarlo Esposito’s directorial debut, Gospel Hill

Actor Giancarlo Esposito (Mo’ Better Blues) makes his writing and directing debut with this independently-made drama about race relations and community in the fictional town of Gospel Hill, screened at the Oxford Film Festival last week. As in many Southern towns today, Gospel Hill and its denizens are still hurting from ills committed during the civil rights movement; in examining the lingering specter of segregation, Esposito (who also stars) aims to help heal the social wounds that still separate black and white communities. Esposito managed to nab colleagues Angela Bassett, Danny Glover, Samuel L. Jackson and Julia Stiles for his passion project, which also stars Taylor Kitsch, Adam Baldwin, and the RZA.

Next: Do you need the re-released Back to the Future trilogy?

10. Back to the Future Trilogy

If you already own the time-traveling adventures of Marty McFly from the previously-released box set, or are waiting patiently for the trilogy to get its as-yet unannounced Blu-ray treatment, then you’ll probably want to avoid double-dipping with this week’s 2-Disc Special Edition. But if not, you might want to take advantage of this week’s re-release of all three Back to the Future films, available for the first time individually. While each film has its own substantial set of extras and a commentary track featuring producers Bob Gale and Neil Canton, only the first movie comes with an additional disc that highlights Back to the Future: The Ride; Robert Zemeckis and star Michael J. Fox only appear in Q&As. Personally, where the future of home video is going, we will need more.

Next: Street Fighter hits Blu-ray!

11. Street Fighter Extreme Edition Blu-ray

Despite the lack of any indication that the world particularly needed a Blu-ray release of 1994’s Street Fighter, here it arrives in an “Extreme Edition.” What’s so “extreme” about this High Def release, besides the sight of seeing Jean-Claude Van Damme about to spiral into B-movie obscurity (in high definition)? Nothing much, though we are extremely sad to be reminded that such respectable thespians as Ming-Na, Raul Julia, and heck, Kylie Minogue, cashed in to bring such iconic characters as Chun Li, Bison, and Cammy to life. A plethora of bonus materials are on display here to commemorate the cheesy action flick, which helped to kick off an entire genre (the disappointing video game adaptation) and — surprise! — arrives just in time to help promote Capcom’s new game, Street Fighter IV.

Until next week, happy renting!


James Franco - Steve Granitz/WireImage.com
Having established his name in the Spider-Man movies, these days James Franco is clearly making some more personal career choices. He was in three films in 2008, notable for their vastly different styles. His extended cameo as Richard Gere‘s son in the weepy Nights in Rodanthe, based on the Nicholas Sparks novel, was followed by two far less forgettable roles; opposite Seth Rogen in Pineapple Express (for which he received a Golden Globe nomination) and as Sean Penn‘s boyfriend in Milk (for which he has been nominated with the cast for the SAG ensemble award).

He says he signed on for Pineapple because it was a chance to work with Judd Apatow and company, whom he knew from his days on the TV series Freaks and Geeks. “We did a lot of goofing around in a kind of constructed way,” he says of the film. “It’s a lot of improvisation, just letting the camera roll and doing the scene over and over again and seeing what happens. And I loved that!”

When asked to contrast the experiences on the two sets, he stops and thinks. “Milk had its own kind of looseness,” he says. “Gus Van Sant has his own approach, and there was the freedom to try different kinds of things. And Sean really encouraged that too. So it was somewhat improvisational, but what it did was to make the performances more natural. And it may be funny to say, but it was the same with Pineapple. I think that’s one of the things that Judd Apatow brings to comedies: there are wacky situations but it feels more emotionally grounded.”

Clearly this on-screen naturalism is important to him. He’s been studying film at New York University, and chooses five favourites that are all firmly rooted in authenticity…

 

Gimme Shelter (1970, 100% Tomatometer)



Gimme Shelter
It’s just amazing. I’ve been watching all of the Maysles Brothers‘ films and I’m really into their approach, which they called “direct cinema”, and the whole school that came out of DA Pennebaker, Robert Drew and so on. I love the whole idea that life can be as dramatic as fiction. It’s very different than reality television, because that’s very manipulated.

The Maysles’ approach is minimal interaction and being as observational as possible. Gimme Shelter has such drama, and it’s so well-done. As are all of their films.

I also love Salesman, which also proves that their philosophy can really work, because it just has these real Bible salesmen. But to me it has as much drama and tension as Arthur Miller or Eugene O’Neill – it’s like the Death of a Salesman and The Iceman Cometh all rolled together – but it’s real! I just can’t get enough of it.


My Own Private Idaho (1992, 85% Tomatometer)



My Own Private Idaho
Even before I started acting, this was a very important film to me. Obviously I was really drawn to the performances and characters, but the whole film just kept bringing it back.

Gus has changed his style somewhat beginning with Gerry and all this Bela Tarr and Chantal Akerman influence, which I love too. But back then it was really about collage.

Idaho actually started as three different projects – three scripts – through Orson WellesChimes at Midnight, which was a distillation of Shakespeare, and this other story about street kids in Portland, and then something else about a kid finding his parents in Italy. And then this whole narcoleptic thing that was influenced by George Eliot. He’s got all that just in the script, and then there’s the way it’s shot – he had two DPs, plus time-lapse for the cloud sequences and 8mm for the dream sequences.

I love all of Gus’ movies. I think Drugstore Cowboy is a hilarious movie. I love how he can take a situation like that and make it funny. I think Matt Dillon gives one of the best comedic performances in that movie. Gus is taking a very personal approach in the film – from the look of Bob Yeoman‘s cinematography to the way Gus captures Portland on screen.


The Bicycle Thief (1948, 95% Tomatometer)



The Bicycle Thief
All of my favourite films are approaching realism in a different way. This is Italian neorealism – obviously there’s a script and a story and everything, but it’s shot in the street and it has the feel of Italy, of being in the streets and, like Idaho, a deceivingly, simply constructed narrative. But there’s so much emotion that’s evoked from these very simple stories.

4 Months, 3 Weeks and 2 Days (2008, 97% Tomatometer)



4 Months, 3 Weeks and 2 Days
Again, a very simple approach, but there’s so much power in that film. You’re not quite sure what’s happening from the beginning, but you’re just kind of thrown into it. All you know is that these women have this mysterious meeting, and it takes you from there. The film gives you a great sense of what it was really like to live in Romania in the 1980s.

The Wrestler (2008, 98% Tomatometer)



The Wrestler
I loved this film! I really like the films of the Dardenne Brothers, like The Child and The Son, and I’m sure The Wrestler was influenced by the Dardennes, especially in the beginning when the camera is following the back of Mickey Rourke‘s head through the hallways.

I know Darren Aronofsky a little bit, and I remember meeting with him just when The Fountain was coming out, and he told me to look at the Dardenne Brothers because they were doing some really good stuff, so I know he’s a fan.


Milk opens in UK on Friday and in Australia on 29th January. It’s out now in the US.

This week at the movies,
we’ve got middle-aged love (Nights in Rodanthe, starring
Richard Gere and
Diane Lane);
techno terror (Eagle Eye, starring
Shia LaBeouf and
Michelle Monaghan); World War II heroics (Miracle
at St. Anna
,
starring Derek Luke); and a forlorn fireman (Fireproof, starring Kirk
Cameron). What do the critics have to say?

After sharing the screen
twice before in The Cotton Club and Unfaithful,

Diane Lane

and

Richard Gere

heat things up for a third time in

Nights in Rodanthe

Unfortunately, even their admirable efforts and palpable chemistry can’t save
the tale of strangers who fall in love after sharing their respective mid-life
crises one stormy weekend in a seaside bed-and-breakfast.  Critics say Rodanthe
is riddled with clichés, contrivances, and the heartbreaking schmaltz that one
might expect from a Nicholas Sparks adaptation, resulting in a gooey and
intolerable weeper that makes Lifetime movies and Harlequin novels seem subtle
by comparison.  At 33 percent on the Tomatometer, avoid spending your movie Night
in Rodanthe.



Shia LaBeouf
and director
D.J. Caruso‘s last collaboration, 2007’s
Disturbia
, was a surprise $80 million hit for everyone involved. Who knew
LaBeouf could open a movie? Who knew a Caruso movie could actually make money?
For their second effort, the duo leave the MTV Hitchcock arena for more adult
fare with
Eagle Eye
, a paranoia action/thriller
starring LaBeouf and Michelle Monaghan as two innocents impelled by phone calls
to commit increasingly dangerous activities. But Eagle Eye is unlikely to
duplicate Disturbia‘s warm response, with critics deriding it as
hysterically preposterous and firmly unbelievable, and lacking any emotional
anchor within the explodey action and destruction. At 24%, avert your Eyes
from Eagle.


The heroics and sacrifices
of African American soldiers in World War II have been unjustly overlooked for
too long. Who better to bring their stories to the big screen than Spike
Lee? Unfortunately, critics say

Miracle at St.
Anna
is a
well-intentioned but overlong, disjointed affair. Miracle stars

Derek Luke as a member of
an all-black division stationed in Tuscany who find themselves under fire behind
enemy lines with an orphaned Italian boy and a mysterious sculpture. The pundits say this is one of Lee’s weakest films,
which lacks plot focus and never justifies its epic length. At 28 percent on the
Tomatometer, Miracle falls far short of cinematic sainthood. (Check out
this week’s Total Recall, in which we run down Spike Lee’s collected joints.)


It looks like the folks
behind Fireproof weren’t certain their film would be critically
flame-retardant, since it went unseen by scribes before its release. This
Christian-themed drama stars Kirk Cameron as a firefighter who undergoes a
period of spiritual growth in order to save his flailing marriage. Hey kids, put
on your asbestos gear and guess that Tomatometer!

Also opening this week in
limited release:


  • Silent Light
    , about
    a man’s spiritual crisis within a Mennonite community in Mexico, is at 81
    percent.


  • Choke
    , starring Sam
    Rockwell and Anjelica Huston in the sordid tale of a sex addict, is at 57
    percent (check out source writer Chuck Palahniuk’s five favorite films
    here).


  • The Lucky Ones
    ,
    starring Rachel McAdams and Tim Robbins in the story of soldiers on leave
    reflecting on their lives, is at 36 percent.


  • Forever Strong
    ,
    starring Sean Faris as a young rugby player who undergoes a life change in
    prison, is at 17 percent.

Finally, mad props to
medikboi_84 for correctly guessing that My Best Friend’s Girl would land at
10 percent on the Tomatometer.

Recent Shia LaBeouf Movies:

Indy Jr. looks to seize control of the North American box office with the new action thriller Eagle Eye which leads a new pack of candidates heading into the multiplexes on Friday. Also opening are the romance Nights in Rodanthe starring Richard Gere and Diane Lane plus Spike Lee‘s historical war drama Miracle at St. Anna. Overall, the marketplace stands a good chance of beating last year’s performance ending the month of September on a positive note after such a dismal start.

Shia LaBeouf and director D.J. Caruso spent three weeks atop the box office chart with their sleeper hit thriller Disturbia last year. Now, the two reunite and hope that lightning will strike twice with the political action thriller Eagle Eye which should have no problem debuting in the number one spot this Friday. The PG-13 film finds the Transformers star playing a slacker who is targeted by a mysterious government agency that can use modern information technology to track the lives of any person. Michelle Monaghan, Rosario Dawson, Michael Chiklis, and Billy Bob Thornton co-star. Paramount and DreamWorks are aiming for a broad audience here but teens and young adults should be the core. Cross-gender appeal is solid as Shia is a star with males and females alike. This one is for the actor what Enemy of the State was for Will Smith ten years ago – a chance for a rising action superstar to break away from bigger guaranteed hits and anchor a conspiracy thriller on his own.

With most films in multiplexes now skewing towards the 30-plus crowd, Eagle should hit its mark just fine. Plus, there really haven’t been any major serious modern-day action movies since The Dark Knight so ticket buyers are ready to go for another action-packed thrill ride. The reliable tactic of using “from Executive Producer Steven Spielberg” in the marketing is also at play here and will add to the numbers. Disturbia debuted to $22.2M in April 2007 and outside of the Saw sequels, movies released in the September-October corridor rarely break past the $30M mark. Attacking over 3,300 locations, Eagle Eye will try to approach that level and could generate around $27M this weekend.


Shia LaBeouf in Eagle Eye

Adult women and couples will be targeted by Warner Bros. with its new romantic drama Nights in Rodanthe. Based on the best-selling Nicholas Sparks novel, the PG-13 film reteams Richard Gere with Diane Lane a good six-plus years after their Unfaithful became a summer hit in 2002. This time around, Gere plays a lonely man staying at a cozy inn run by Lane’s character. Rodanthe will skew heavily female and more mature so competition will come from The Women, Burn After Reading and even Lakeview Terrace which should steal away a combined $18M this weekend. The session’s other new releases should not pull away too many customers though. The turnout will come from the same audience that drove the Richard Gere-Jennifer Lopez pic Shall We Dance to a $11.8M debut ($6,650 average) and the Keanu ReevesSandra Bullock reteam The Lake House to a $13.6M bow ($5,148 average). Reviews have been lukewarm, but starpower and the source material’s built-in audience should lead to a solid bow. Debuting in over 2,500 theaters, Nights in Rodanthe might take in roughly $12M this weekend.


Richard Gere and Diane Lane in Nights in Rodanthe

Spike Lee gets the subdued-national-release treatment for his latest project Miracle at St. Anna, a military drama that recounts the achievements of four African American soldiers in World War II. Starring Derek Luke, the R-rated historical pic will go out in just 1,185 theaters. Coupled with its 160-minute running time, the war drama will have its grossing potential curtailed so big numbers are not expected. Plus reviews have been pretty weak so Miracle may have to struggle just for a slot in the top five. Lee struck gold with Inside Man which bowed to a stellar $29M in March 2006, but that was more thanks to Oscar winners Denzel Washington and Jodie Foster than anything else. Those numbers won’t carry over in this case and the subject matter will be hard for mainstream moviegoers to digest. It’s not just Iraq war stories that people are avoiding. Hoping to tap into the director’s core fan base, Miracle at St. Anna may debut to about $6M.


Miracle at St. Anna

A wildcard this weekend will be the first presidential debate between Senators McCain and Obama on Friday night which is sure to affect business, especially with older adults. Given how more than 38 million people tuned in to each of their convention speeches just a few weeks ago, the live political smackdown between the two candidates is sure to distract voters and affect the Friday box office. Nights and Miracle should be hit more severely than Eagle Eye, but may also witness stronger Saturday bumps.

Samuel L. Jackson hit the top spot last weekend with the not-so-friendly-neighbor thriller Lakeview Terrace. The Sony film’s adult audience will have new options so a 45% decline could be in order. That would leave the PG-13 film with about $8M for the frame and a ten-day sum of $27M.

Burn After Reading held up nicely in its sophomore session so another moderate drop is likely. Focus may see a 40% decline to roughly $6.5M for a total of $45M after 17 days. Dane Cook flicks fall hard on the second weekend as witnessed by his pics Good Luck Chuck and Employee of the Month which both stumbled by 54% in the second frame. The comic’s new masterpiece My Best Friend’s Girl looks to fall by 55% to about $3.5M for a disappointing cume of only $14M after ten days.

LAST YEAR: The Rock became the latest macho star to drive a family comedy to number one. His hit The Game Plan debuted on top with $23M for Disney on its way to a solid $90.6M making it the top-grossing pic for the September-October corridor. Opening in second was the political thriller The Kingdom with $17.1M for Universal on its way to $47.5M. Former chart-topper Resident Evil: Extinction lost two-thirds of its audience and fell to third with $8M in its second weekend. Rounding out the top five was Lionsgate with its double feature of Good Luck Chuck and 3:10 to Yuma with $6.2M and $4.2M, respectively.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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