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All Jodie Foster Movies Ranked

1974 drama Alice Doesn’t Live Here Anymore is already one hell of a way to jump-start a pre-teen acting career for Jodie Foster, yet it would be her second collaboration with director Martin Scorsese that made her an international star. 1976’s Taxi Driver was a shocking game-changer in a decade full of them, with Foster’s casting as a 12-year-old prostitute eliciting awe and dread from audiences, not to mention an eventual Oscar nomination for Best Supporting Actress. As a new unlikely industry “It” girl, Foster quickly began to fill her resume with roles equally precocious (Freaky Friday, Bugsy Malone) and dark (The Little Girl Who Lives Down the Lane) following Taxi Driver.

Foster continued to hone her craft through the ’80s and into the ’90s, receiving a Best Actress Oscar for 1988’s The Accused, and moving on to even bigger Oscar night wins for 1992’s The Silence of the Lambs. 1995’s Nell would be Foster’s last Oscar nom to date, but the Golden Globes have been more receptive: She’s been nominated since for 1997’s Contact, 2007’s The Brave One, 2011’s Carnage, received the Cecil B. DeMille Award in 2013, and finally won another acting Globe with 2021’s The Mauritanian.

More of Foster’s highlights during these decades include David Fincher’s Panic Room, Spike Lee’s Inside Man, and her own directorial-and-starring efforts like Money Monster. And now we take a look at all Jodie Foster movies ranked by Tomatometer!

#34

Siesta (1987)
17%

#34
Adjusted Score: 9220%
Critics Consensus: No consensus yet.
Synopsis: A sky diver (Ellen Barkin) wakes up in the middle of nowhere in Spain and dreamily recalls how she got... [More]
Directed By: Mary Lambert

#33

Stealing Home (1988)
20%

#33
Adjusted Score: 17918%
Critics Consensus: No consensus yet.
Synopsis: Failed baseball player Billy Wyatt (Mark Harmon) learns that his childhood sweetheart, Katie (Jodie Foster), has killed herself. The exuberant... [More]

#32

Flightplan (2005)
37%

#32
Adjusted Score: 43997%
Critics Consensus: The actors are all on key here, but as the movie progress, tension deflates as the far-fetched plot kicks in.
Synopsis: Airplane engineer Kyle Pratt (Jodie Foster) is heading home from Germany to New York on a double-decker Elgin 474 to... [More]
Directed By: Robert Schwentke

#31

The Brave One (2007)
44%

#31
Adjusted Score: 50905%
Critics Consensus: Magnetic by between Jodie Foster and Terrence Howard can't quite compensate for The Brave One's problematic and unconvincing eye-for-an-eye moral.
Synopsis: New York radio host Erica Bain (Jodie Foster) endures a brutal attack that leaves her badly injured and her beloved... [More]
Directed By: Neil Jordan

#30

Carny (1980)
50%

#30
Adjusted Score: 32112%
Critics Consensus: No consensus yet.
Synopsis: Frankie (Gary Busey) and Patch (Robbie Robertson) are partners in a traveling carnival who scam customers into wasting money on... [More]
Directed By: Robert Kaylor

#29

Backtrack (1989)
50%

#29
Adjusted Score: 34811%
Critics Consensus: No consensus yet.
Synopsis: While fixing a flat tire, artist Anne Benton (Jodie Foster) sees a mob killing. She reports the murder to the... [More]
Directed By: Dennis Hopper

#28
#28
Adjusted Score: 55193%
Critics Consensus: Beautiful cinematography can't prevent Anna and the King from being boring and overly lengthy.
Synopsis: Anna (Jodie Foster) has been employed to educate the king's (Chow Yun-Fat) 58 children. She knows very little of King... [More]
Directed By: Andy Tennant

#27

Nim's Island (2008)
52%

#27
Adjusted Score: 54751%
Critics Consensus: Despite good intentions, Nim's Island flounders under an implausible storyline, simplistic stock characters, and distracting product placement.
Synopsis: Life is an adventure for a courageous youngster named Nim (Abigail Breslin), who lives on an exotic island with her... [More]

#26

Shadows and Fog (1992)
52%

#26
Adjusted Score: 52617%
Critics Consensus: Shadows and Fog recreates the chiaroscuro aesthetic of German Expressionism, but Woody Allen's rambling screenplay retreads the director's neurotic obsessions with derivative results.
Synopsis: A serial strangler is on the loose, and a mob of neighborhood vigilantes is on the hunt. When several neighbors... [More]
Directed By: Woody Allen

#25

Nell (1994)
55%

#25
Adjusted Score: 55614%
Critics Consensus: Despite a committed performance by Jodie Foster, Nell opts for ponderous melodrama instead of engaging with the ethical dilemmas of socializing its titular wild child.
Synopsis: Cut off from the modern world, Nell (Jodie Foster) is a wild child, who has lived her entire life with... [More]
Directed By: Michael Apted

#24

Hotel Artemis (2018)
58%

#24
Adjusted Score: 67500%
Critics Consensus: Hotel Artemis has a few flashes of wit and an intriguing cast, but mostly it's just a serviceable chunk of slightly futuristic violence -- which might be all its audience is looking for.
Synopsis: As rioting rocks Los Angeles in the year 2028, disgruntled thieves make their way to Hotel Artemis -- a 13-story,... [More]
Directed By: Drew Pearce

#23

Money Monster (2016)
59%

#23
Adjusted Score: 77023%
Critics Consensus: Money Monster's strong cast and solidly written story ride a timely wave of socioeconomic anger that's powerful enough to overcome an occasionally muddled approach to its worthy themes.
Synopsis: Lee Gates is a Wall Street guru who picks hot stocks as host of the television show "Money Monster." Suddenly,... [More]
Directed By: Jodie Foster

#22

Sommersby (1993)
62%

#22
Adjusted Score: 62522%
Critics Consensus: Sommersby stumbles as a consistently compelling mystery, but typically solid work from Jodie Foster and Richard Gere fuels an engaging romance.
Synopsis: A man returns to his home town after a lengthy absence spent fighting in the US Civil War. Although his... [More]
Directed By: Jon Amiel

#21

The Beaver (2011)
62%

#21
Adjusted Score: 68970%
Critics Consensus: Jodie Foster's visual instincts and Mel Gibson's all-in performance sell this earnest, straightforward movie.
Synopsis: Walter Black (Mel Gibson), the head of a failing toy company, is deeply depressed. His marriage to Meredith (Jodie Foster)... [More]
Directed By: Jodie Foster

#20

Elysium (2013)
65%

#20
Adjusted Score: 74731%
Critics Consensus: After the heady sci-fi thrills of District 9, Elysium is a bit of a comedown for director Neill Blomkamp, but on its own terms, it delivers just often enough to satisfy.
Synopsis: In the year 2154, humanity is sharply divided between two classes of people: The ultrarich live aboard a luxurious space... [More]
Directed By: Neill Blomkamp

#19

Maverick (1994)
66%

#19
Adjusted Score: 69197%
Critics Consensus: It isn't terribly deep, but it's witty and undeniably charming, and the cast is obviously having fun.
Synopsis: This film update of the "Maverick" TV series finds the title cardsharp (Mel Gibson) hoping to join a poker contest... [More]
Directed By: Richard Donner

#18

Contact (1997)
66%

#18
Adjusted Score: 70084%
Critics Consensus: Contact elucidates stirring scientific concepts and theological inquiry at the expense of satisfying storytelling, making for a brainy blockbuster that engages with its ideas, if not its characters.
Synopsis: In this Zemeckis-directed adaptation of the Carl Sagan novel, Dr. Ellie Arroway (Jodie Foster) races to interpret a possible message... [More]
Directed By: Robert Zemeckis

#17

Foxes (1980)
70%

#17
Adjusted Score: 70070%
Critics Consensus: No consensus yet.
Synopsis: In the late 1970s, four teenage girls from San Fernando Valley, Calif., deal with the rampant dysfunction in their lives.... [More]
Directed By: Adrian Lyne

#16

Carnage (2011)
70%

#16
Adjusted Score: 77315%
Critics Consensus: It isn't as compelling on the screen as it was on the stage, but Carnage makes up for its flaws with Polanski's smooth direction and assured performances from Winslet and Foster.
Synopsis: When some roughhousing between two 11-year-old boys named Zachary and Ethan erupts into real violence, Ethan loses two teeth. Zachary's... [More]
Directed By: Roman Polanski

#15
#15
Adjusted Score: 71331%
Critics Consensus: No consensus yet.
Synopsis: Based on the novel by John Irving, this unusual comedic drama follows the exploits of the eccentric hotel-operating Berry family.... [More]
Directed By: Tony Richardson

#14

The Mauritanian (2021)
75%

#14
Adjusted Score: 85481%
Critics Consensus: The Mauritanian takes a frustratingly generic approach to a real-life story that might have been inspirational in other hands, but Tahar Rahim's performance elevates the uneven material.
Synopsis: Directed by Kevin Macdonald and based on the NY Times best-selling memoir "Guantánamo Diary" by Mohamedou Ould Slahi, this is... [More]
Directed By: Kevin Macdonald

#13

Little Man Tate (1991)
74%

#13
Adjusted Score: 75419%
Critics Consensus: No consensus yet.
Synopsis: Fred Tate (Adam Hann-Byrd) is a 7-year-old with a genius IQ. Single mother Dede (Jodie Foster) worries Fred might have... [More]
Directed By: Jodie Foster

#12

Panic Room (2002)
75%

#12
Adjusted Score: 81095%
Critics Consensus: Elevated by David Fincher's directorial talent and Jodie Foster's performance, Panic Room is a well-crafted, above-average thriller.
Synopsis: Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins,... [More]
Directed By: David Fincher

#11
Adjusted Score: 79095%
Critics Consensus: The inter-cutting of animation by Spawn's creator, Todd McFarlane, doesn't always work, but the performances by the young actors capture the pains of growing up well.
Synopsis: Francis Doyle (Emile Hirsch) and Tim Sullivan (Kieran Culkin), and their closest friends, are fighting the stultifying repression of their... [More]
Directed By: Peter Care

#10
#10
Adjusted Score: 83114%
Critics Consensus: A well-crafted and visually arresting drama with a touch of whimsy.
Synopsis: Mathilde (Audrey Tautou) is told that her fiancé (Gaspard Ulliel) has been killed in World War I. She refuses to... [More]
Directed By: Jean-Pierre Jeunet

#9

Five Corners (1987)
78%

#9
Adjusted Score: 66570%
Critics Consensus: No consensus yet.
Synopsis: This unusual film follows the unhinged Heinz (John Turturro), a rapist who has been released from prison, as he attempts... [More]
Directed By: Tony Bill

#8

Bugsy Malone (1976)
81%

#8
Adjusted Score: 83028%
Critics Consensus: Delightfully bizarre, Bugsy Malone harnesses immense charm from its cast of child actors playing wise guys with precocious pluck.
Synopsis: Fat Sam (John Cassisi), Bugsy (Scott Baio) and Tallulah (Jodie Foster) are kids playing adults in Roaring '20s New York.... [More]
Directed By: Alan Parker

#7

Inside Man (2006)
86%

#7
Adjusted Score: 94908%
Critics Consensus: Spike Lee's energetic and clever bank-heist thriller is a smart genre film that is not only rewarding on its own terms, but manages to subvert its pulpy trappings with wit and skill.
Synopsis: A tough detective (Denzel Washington) matches wits with a cunning bank robber (Clive Owen), as a tense hostage crisis is... [More]
Directed By: Spike Lee

#6
Adjusted Score: 90967%
Critics Consensus: Alice Doesn't Live Here Anymore finds Martin Scorsese wielding a somewhat gentler palette than usual, with generally absorbing results.
Synopsis: After her husband dies, Alice (Ellen Burstyn) and her son, Tommy, leave their small New Mexico town for California, where... [More]
Directed By: Martin Scorsese

#5

Freaky Friday (2003)
88%

#5
Adjusted Score: 92087%
Critics Consensus: Jamie Lee Curtis and Lindsay Lohan charm in Mark Waters' nicely pitched -- and Disney's second -- remake of the 1976 hit.
Synopsis: Single mother Tess Coleman (Jamie Lee Curtis) and her teenage daughter Anna (Lindsay Lohan) couldn't be more different, and it... [More]
Directed By: Mark Waters

#4

The Accused (1988)
91%

#4
Adjusted Score: 92061%
Critics Consensus: No consensus yet.
Synopsis: Out drinking one night after a fight with her boyfriend, Sarah Tobias (Jodie Foster) is brutally raped by three men... [More]
Directed By: Jonathan Kaplan

#3
Adjusted Score: 92570%
Critics Consensus: No consensus yet.
Synopsis: Quiet, withdrawn 13-year-old Rynn Jacobs (Jodie Foster) lives peacefully in her home in a New England beach town. Whenever the... [More]
Directed By: Nicolas Gessner

#2

Taxi Driver (1976)
96%

#2
Adjusted Score: 104543%
Critics Consensus: A must-see film for movie lovers, this Martin Scorsese masterpiece is as hard-hitting as it is compelling, with Robert De Niro at his best.
Synopsis: Suffering from insomnia, disturbed loner Travis Bickle (Robert De Niro) takes a job as a New York City cabbie, haunting... [More]
Directed By: Martin Scorsese

#1
#1
Adjusted Score: 104322%
Critics Consensus: Director Jonathan Demme's smart, taut thriller teeters on the edge between psychological study and all-out horror, and benefits greatly from stellar performances by Anthony Hopkins and Jodie Foster.
Synopsis: Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy. Jack Crawford (Scott Glenn) wants Clarice... [More]
Directed By: Jonathan Demme


A Wrinkle in Time, adaptation of the Madeleine L’engle kids fantasy novel and Ava DuVernay’s sojourn into $100 million filmmaking, isn’t getting the best reviews. As the score settles in the lower-40s, Wrinkle would place somewhere in the middle of this week’s gallery: the 24 worst children’s book adaptations, each rated PG and ranked by Tomatometer.

Sparred by the triumphant onscreen return of a certain Johnny Rico, we turn
our DVD-minded focus to a few stars of yesterday popping up in new DVD releases
this week: Casper van Dien, Christopher Lambert, and Heather Graham. Also, check
out this week’s geek-tastic new releases: a Starship Troopers box set, Code
Monkeys
, and Captain James Tiberius Kirk’s restored adventures aboard the
Starship Enterprise.

Casper Van Dien is back in Starship Troopers: Marauder



If you know the name Johnny Rico, then you know Casper van Dien. Back in 1997,
Van Dien turned in a career-defining performance as the brash “roughneck”
recruit Rico in
Paul Verhoeven‘s
Starship Troopers; since that breakout role, he
appeared in no less than 28 (mostly made-for-TV or direct-to DVD) films. This
week Van Dien returns, eleven years later, to the franchise that kicked off his
career. (Read Casper van Dien’s Five Favorite Films here and hear what Rico’s up
against in Starship Troopers 3.)

Exclusive: Watch two exclusive behind-the-scenes featurettes about the new weaponry and the Marauder powersuit from Starship Troopers 3!

Unnecessary DVD re-release of the week: Christopher Lambert’s
Fortress


In the world of home video, it seems everything old can become new again when
re-masterings, retrospective commentaries, or new footage come into play. But
what if no new changes are made whatsoever? Don’t check out Lionsgate’s new
re-release of Stuart Gordon‘s
Fortress, the horror veteran’s schlocky-but-entertaining
sci-fi flick from 1993 starring direct-to-video king
Christopher Lambert. In it,
Lambert stars as an Army officer imprisoned when he and his wife decide to
conceive more than the allotted one child per couple; highlights include what
happens when unruly prisoners get “intestined.” But anyone looking for further
insights from Gordon or even Lambert will be duly disappointed; the new release,
out this week, is merely a repackaged version of Artisan’s 2001 release. As for
Lambert, he’s since returned to his bread-and-butter — direct-to-video and
foreign language films – though we are excited at the thought of him
resurrecting Lord Rayden for a 2010 Mortal Kombat sequel.

The Where-Has-Heather-Graham-Gone Update of the Week

Speaking of celebrities who’ve fallen off the face of Planet Hollywood, this
week we stumble across
Heather Graham. Once an in-demand Hollywood Roller Girl,
Graham has taken to appearing in tiny indie and DVD flicks in the past few
years: a travel writer in the romantic-comedy
Cake
; a hot lesbian in the
romantic comedy Gray Matters; a hot lesbian in the dark drama
Broken. (Anyone
see a trend here?) This week Graham’s back with another quirky indie:
Miss
Conception
, the comic tale of one woman’s quest to conceive a child at any costs
before her “baby making days” are over.


Click for this week’s new releases!

Nim’s Island



Tomatometer: 49%

Abigail Breslin continues to steal the title of America’s Sweetheart from Dakota
Fanning with her starring role as Nim Rusoe, the precocious, self-sufficient
daughter of a scientist (Gerard Butler) who has lived her whole life on – you
guessed it! – an island. Critics were mixed on the fantasy-adventure, but gave
kudos to the flick (and to producer/co-star
Jodie Foster as a neurotic writer)
for offering wholesome, well-intentioned counterprogramming for the Bratz crowd.

Bonus Features:

Amusing animated CGI sequences could look great on Blu-ray; deleted scenes,
featurettes, and commentaries by both husband and wife directors Mark Levin and
Jennifer Flackett and stars Jodie Foster and Abigail Breslin flesh out the
behind-the-scenes adventure.



Code Monkeys: Season 1



Tomatometer: N/A

Still upset about the video game crash of 1983? Is your old Atari 2600 gathering
dust in the attic while the young folk rock out to Guitar Hero? Cheer up by
watching Code Monkeys, G4’s original animated series chronicling the employees
of the fictitious GameaVision video game company during the 1980s. Code Monkeys
combines South Park-style humor with 8-bit animation and features cameos by tech
celebrities like Dungeons & Dragons creator Gary Gygax, God of War developer
David Jaffe, and Steve Wozniak as the “CEO” of GameaVision who leaves to start a
little company called Apple.

Bonus Features:

Shout Factory’s 2-disc release includes Behind the Scenes of Code Monkeys, Daily
Pranks, gaming tips from G4’s Kristin Holt, original GameaVision games, and
more.

The
Counterfeiters



Tomatometer: 94%

Austria nabbed its first Academy Award when The Counterfeiters won Best Foreign
Film last February; this week, the World War II tale comes to DVD. Based on the
real-life memoirs of Adolph Burger, the critically-acclaimed drama follows the
harrowing experiences of Holocaust victims forced to work for Nazis in exchange
for their lives.

Bonus Features:

Delve deeper into the film and the events that inspired it with commentaries and
interviews with director Stefan Ruzowitzky, star Karl Markovics, and Holocaust
survivor/memoirist Burger himself.


Rogue


Tomatometer:
100%

Breaking news: we’ve got a film this week about a giant killer crocodile, and
it’s got a fresh Tomatometer!! Suspend your disbelief long enough to rent this
creature feature, starring
Radha Mitchell and
Michael Vartan, about a tour group
terrorized in the outback by Australia’s native predator. (Where’s Paul Hogan
when you need him?)

Bonus Features:

Check out commentary by writer/director Greg McLean (Wolf Creek), a making-of
documentary shot by the director himself, and a few additional features.



Starship Troopers 1-3 Box Set


Tomatometer:
N/A

How should you prepare for the debut of Starship Troopers: Marauder, writer Ed Neumeier’s directorial debut and the long-awaited return of Johnny Rico? By
picking up the entire trilogy on Blu-ray, available in a three-film box set or
individually this week! Watch Marauder in Blu-ray’s Picture-in-Picture mode to
watch pop-up trivia about new characters, weapons and story. Even the first
Starship Trooper film has been plumped with new Blu-ray features including
pop-up retrospective comments and a Starship Troopers trivia test.

Bonus Features:

Tons of Marauder-focused extras accompany the release, including commentary with
Ed Neumeier, Casper Van Dien, and Jolene Blalock, features on the newly
introduced Bugs and weapons, and a music video for the satirical government
anthem, “It’s a Good Day to Die.”


Star
Trek: The Original Series – Season Two


Tomatometer: 98%

Hardcore Trekkers may already own Star Trek: The Original Series on DVD or VHS,
but this week’s debut has something none of the previous home video releases
did: remastered versions of the complete second season! Originally re-broadcast
in 2006, the updated Original Series featured additional CGI effects, recomposed
scenes, and updated image and sound. Season Two also features such memorable
episodes as “The Doomsday Machine” and “The Trouble with Tribbles.”

Bonus Features:

No new materials can be found on this 8-disc release, though the set is packed
with enough previously released featurettes, documentaries, and commentaries to
keep you engaged in Star Trek lore. However, this is only a standard release,
with no news yet of Blu-ray plans; still, for diehard fans the set will be worth
its weight in quatloo.

This week's UK Box Office Top Eight

It was grizzled masculinity versus shopping-obsessed, emotionally-open womanhood at the box office this week — yep; Indy Jones battled Carrie Bradshaw, with the archeologist ousting the Monolo Blahnik-clad Manhattan socialite from the top spot only two weeks into its run.

Without wishing to stereotype (but we will anyway), women — many with their bedraggled boyfriends — flocked to theatres nationwide see the cinematic continuation of the hit TV show Sex and the City, earning studio Entertainment Film Distributors almost £9 million in its first three days of release.

Critics weren’t entirely sure about the film – many found the movie overlong and thought it added little new material to the ground covered in the long-running HBO series — yet most conceded that the show’s army of fans (approximately 95% of the female population) would still lap it up.

Sex and the City‘s success will have bought Paramount’s Indy IV down to earth with a bump, after the movie’s spectacular opening numbers last week. The film still did very respectable business — raking in over £5 million — but this was still down over 50% from last week. Dare we say it; maybe word of mouth about the film — which has been fairly negative — has gotten around and is beginning to affect the box office performance.

Meanwhile, the other films released last Friday didn’t have a hope of competing against these money-making titans; duff niche comedies Harold and Kumar Escape from Guantanamo Bay and Welcome Home Roscoe Jenkins predictably tanked in a wave of non-publicity.

This week's UK Box Office Top EightSummer box office season began with a bang last Friday, with Iron Man the first of the pumped-up, big-budget teen-friendly blockbusters to emerge from the bowels of the Hollywood studios this week.

This zesty tale of billionaire weapons magnate Tony Stark (played by a rakish Robert Downey Jr.) – who decides to change his ways and don metallic apparel after seeing the devastation caused by his company’s weapons – has won almost uniformly positive (if not ecstatic) notices from critics and made it the freshest big film of the year so far on Rotten Tomatoes.

The zippy pace, lack of existential naval-gazing and sly sense of humour provided by the talented ensemble cast were all praised, with James Christopher of The Times summing up the critical consensus by dubbing it a “roaring fairground ride.”

More pleasing to the bean-counters at Paramount and Marvel, however, will be the film’s takings. The movie took over £5million in its first three days, which, added to the film’s gargantuan $100 million-plus in the States, already makes the movie a monster smash-hit.

In the wake of Iron Man‘s domination, this week’s other contenders were left fighting for scraps. Nim’s Island , the kiddie-tastic adventure story starring Gerard Butler, Jodie Foster and Abigail Breslin (the smiley-faced cherub from Little Miss Sunshine) was the second highest new entry — coming in at third place but taking a paltry £850,000. Made of Honor meanwhile, the latest forget-it-as-soon-as-you’ve-seen-it rom-com with Patrick Dempsey in the lead role fared even worse, scraping by into fourth.

Indeed, this year more than ever, it looks like the little guys are going to have to take a back seat as sequels and superheroes boss our cinema screens. In fact, what with the Wachowski brothers’ (The Matrix) latest effort — the family-friendly anime adaptation Speed Racer – out this Friday, and Steven Spielberg‘s long-anticipated/feared fourth instalment in the Indiana Jones series following a couple of weeks after on the 22nd, May could even be a potentially the most lucrative month of the year for the studios.

Multiplexes gear up for another weekend of empty seats as Hollywood supplies three new films that are unlikely to energize the North American box office. The queen at the head of the class is the horror flick Prom Night which should scare up the most business and play to teens and young adults. The cop actioner Street Kings will target older males while adult women will be enticed by Smart People. The top ten could once again fall 25% below last year’s levels making this a spring season to forget.

If there’s one thing the geniuses at Sony’s Screen Gems unit know how to do it’s market fright films to teenagers. They get their latest shot with Prom Night, a loose remake of the classic 1980 Jamie Lee Curtis chiller about high schoolers stalked by a killer on their big celebratory night. Brittany Snow stars and the R rating of the old film has been replaced by a PG-13 which will be key to getting in the kind of kids who watch My Super Sweet 16. Horror film openings have gotten smaller and smaller this year as some fatigue has kicked in with consumers. But Prom Night has an appealing premise, a recognizable title, and a terrific marketing push behind it that is exciting the core crowd.

Sony hasn’t released a terror pic since last October so it’s had plenty of time to concentrate on getting this campaign right. And with trailers in front of its chart-topping studio stablemate 21, awareness is high with teens. Prom Night should perform better than this year’s other horror flicks and could post the best bow for the genre since Saw IV from last Halloween. The running time matches the amount of time Al Pacino has left to live and multiplexes are double-screening the pic so there will be plenty of showtimes to meet the expected demand. The one downside is the weak marketplace which has made overall moviegoing sluggish. Opening in around 2,400 theaters, Prom Night might debut with about $15M.


Nice to see Thing from The Addams Family getting work these days

Former high school slacker Ted, AKA Keanu Reeves, leads the macho cast of Street Kings, a new dirty cop thriller set in Los Angeles. The R-rated pic also features Forest Whitaker, Hugh Laurie, Jay Mohr, and Cedric the Entertainer. Adult men will be the primary audience here looking for a hard-boiled polce thriller so numbers should be in the same vicinity as the debuts for similar spring flicks like 16 Blocks ($11.9M) and Shooter ($14.5M). Fox Searchlight will be hoping to bring in many of those who saw Training Day, however Denzel Washington‘s starpower in that role overshadows all those in this pic. Competition isn’t too fierce which gives it a shot at connecting with the core demo. But overall demand is not too high. Street Kings lands in over 2,500 locations on Friday and could shoot up about $10M over the weekend.


“Turn in your badge and your gun!”

Miramax is making a play for adult audiences with its new dramedy Smart People starring Dennis Quaid, Sarah Jessica Parker, Thomas Haden Church, and Ellen Page. The R-rated film about a professor having a mid-life crisis should skew female and have no appeal to younger adults despite the presence of the Juno star. Mixed reviews will make many in the target audience toss it onto their Netflix queues instead of seeing it on the big screen. The promotional push has not been very strong and overall buzz is lukewarm. The cast includes some likeable folks, but not the kind of stars that make people rush out to the multiplexes and pay top dollar. Rolling into roughly 1,150 theaters, Smart People might take in about $3M this weekend.


“Come on, we both know you’re not the world’s unsexiest woman.”

After two weeks as the champ, the blackjack drama 21 will have to settle for a lower position on the charts. The Sony hit has been holding up well so a 35% decline would yield a $10M frame and boost the 17-day total to a solid $61M.

Fox’s Nim’s Island got off to a mediocre start last weekend posting a $3,760 average. But with no new films targeting families, competition will be light so a 35% drop may result. That would give the Abigail Breslin flick about $8.5M and a ten-day cume of $25M.

George Clooney attracted less-than-spectacular opening weekend sales for his football film Leatherheads and buzz has been mostly bad. A larger drop of 45% could be in order giving Universal a $7M take. The score would climb to just $22M after ten days.

LAST YEAR: Paramount replaced itself at the top of the charts with the teen thriller Disturbia which surprised the industry with a potent $22.2M bow at number one. The Shia LaBeouf starrer went on to bank an impressive $80.2M. The studio’s Will Ferrell comedy Blades of Glory slipped to second after two weeks on top and grossed $13.8M. Both were supplied by DreamWorks. Disney’s Meet the Robinsons followed with $12.5M, also in its third round. Sony’s adult thriller Perfect Stranger underperformed with its fourth-place debut of $11.2M. A $24M final resulted. The studio’s Ice Cube sequel Are We Done Yet? rounded out the top five with $9M. Fox’s adventure film Pathfinder quietly opened in sixth with $5M on its way to just $10.2M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got gridiron giggles (Leatherheads, starring George Clooney and Renée Zellweger), isle imagination (Nim’s Island, starring Jodie Foster and Abigail Breslin), and archeological anxiety (The Ruins, starring Shawn Ashmore and Jena Malone). What do the critics have to say?

George Clooney gets compared to Cary Grant all the time, so it’s only natural he would try his hand at Grant’s prime métier — the screwball comedy. Unfortunately, critics say the football laffer Leatherheads, in which Clooney stars and directs, is something of a mixed bag. Set in the early days of pro-pigskin (in the days when college was king), Leatherheads tells the tale of the struggling, ragtag Duluth squad, which has scored a major coup by tapping a college gridiron hero (played by John Krasinski) to team with aging pro Dodge Connolly (Clooney); however, the team is also under fire from an aggressive beat reporter (Renée Zellweger). The pundits say Leatherheads is a funny, amiable affair, but it could take some pointers from the no-huddle offense, which, like screwball comedy, emphasizes quick thinking, deft interaction, and risk. At 54 percent on the Tomatometer, Leatherheads is being thrown for a loss. And it’s Clooney’s worst-reviewed directorial effort to date — well below Good Night and Good Luck‘s 94 percent. (Check out our interview with George Clooney here.)


“Look, we’re running a flea flicker, and that’s final! Do I look like I’m negotiating?

A sort of Swiss Family Robinson crossed with Indiana Jones, the critics say Nim’s Island is solid family fare — with the pros and cons that implies. Abigail Breslin stars as Nim, a precocious girl who lives on a South Pacific island with her father (Gerard Butler), a scientist; when he goes missing, Nim turns to the hero of her favorite book (also played by Butler) — and the tome’s author (Jodie Foster) — for help. Critics say Nim’s Island has an old-fashioned sense of wonder and adventure — as well as a healthy dose of girl power — that makes for an above-average kids’ adventure. But they also note the movie offers a predictable storyline and some hackneyed slapstick. Nim’s Island currently stands at 48 percent on the Tomatomenter. (Take a look at a clip from the film here.)


Abigail Breslin won’t be so joyous when she realizes she’ll need to eat grubs and berries to survive.

It appears the folks behind The Ruins feared its critical reputation would be left in ruins, since it was barely screened before its release. Jonathan Tucker, Jena Malone, and Shawn Ashmore star in this tale of a group of tourists who find danger lurking at a remote archaeological site — an obvious oversight by the Lonely Planet people. Kids, take your noses out of that atlas and guess the Tomatometer!


“We should have brought a tent!”

Also opening this week in limited release:

The French import Water Lilies, a delicate coming-of-age drama involving a trio of middle school girls, is at 90 percent (check out our take from Cannes here);

Jellyfish, which follows three Israeli women as their lives intersect at a wedding reception, is at 87 percent;

Shine a Light, Martin Scorsese‘s document of the Rolling Stones live (with special guests like Jack White and Christina Aguilera), is at 82 percent (check out this week’s Total Recall for a look at some of Scorsese’s lesser-known work);

Flight of the Red Balloon, Hou Hsiao-hsien‘s remake of the French classic starring Juliette Binoche, is at 69 percent;

Wong Kar-Wai‘s latest, My Blueberry Nights starring Norah Jones, Jude Law, and Natalie Portman, is at 49 percent (check out our take here, and our interview with Jones here);

And Sex and Death 101, a black comedy starring Winona Ryder and Simon Baker, is at 40 percent.


“While I’ve got you guys here, I wanted to talk about my vision for Freejack 2…”

And finally, props to Grendel-san for correctly guessing Superhero Movie‘s 17 percent Tomatometer, presumably while doing battle with Beowulf-san. One question for ya, G.S: is it hard to type with only one arm?

Recent Jodie Foster Movies:
———————————–
43% — The Brave One (2007)
87% — Inside Man (2006)
38% — Flightplan (2005)
77% — A Very Long Engagement (2004)
77% — The Dangerous Lives of Altar Boys (2002)

Recent George Clooney Movies:
—————————————–
91% — Michael Clayton (2007)
70% — Ocean’s Thirteen (2007)
33% — The Good German (2006)
73% — Syriana (2005)
94% — Good Night and Good Luck (2005)

George Clooney, the Mayor McCheese of Hollywood, leaves behind Oscar season and returns to the big screen with lighter fare with the period sports comedy Leatherheads. The PG-13 pic also stars Renee Zellweger and John Krasinski while the former Caped Crusader directs. Given the story of the origins of football in the 1920’s, turnout should come mostly from older adults although The Office star is being counted on to pull in some younger moviegoers. In Los Angeles, Clooney is a God. But the other 99% of the U.S. population doesn’t necessarily bow down to him (unless pals Brad and Matt are along for the ride). Michael Clayton, which creatively was one of the actor’s best films, only managed $10.4M in ticket sales during its first wide weekend. And it was backed by plenty of Oscar buzz and glowing reviews.

Reviews for Leatherheads have been lukewarm at best which spells bad news since the target audience will be reading up on the opinions of critics and taking their warnings. Plus Zellweger is no A-lister when it comes to drawing in paying audiences. Add in a period setting that will turn many off and you’ve got a spring film that will have to work hard for the money. To its credit, Universal has backed the title with a solid marketing push doing what it can to generate excitement and the current top five will not provide too much direct competition. But a lack of momentum in the current marketplace will also have a negative effect on all films. Rushing into 2,778 theaters, Leatherheads may take in around $15M this weekend.


John Krasinski in Leatherheads

A young girl’s imagination is at the heart of Nim’s Island, the new kid adventure from Fox Walden. Abigail Breslin stars as the title character in the PG-rated tale while Jodie Foster and 300‘s Gerard Butler co-star. The family audience is the target here with sales likely to skew more towards girls than boys. The lack of male appeal could turn out to be a major liability. Foster usually brings plenty of starpower with her, but this is not the type of role her core fans will be all that excited about. This isn’t a single-woman-fighting-male-oppressors movie. Competition will come from Fox’s own Horton Hears A Who, but Nim‘s trailers in front of the Seuss toon over the last three weeks have also raised awareness with the same crowd. So consider that a wash. Overall buzz is not too high so despite the very wide launch, potent numbers are not likely. Opening in 3,511 sites, Nim’s Island could debut to about $14M.


Abigail Breslin in Nim’s Island

Paramount gives horror fans a new offering with The Ruins which finds a group of young Americans in Cancun discovering terror. The year’s first fright flick to not be a remake of an Asian horror hit carries an R rating which will hurt its chances with younger teens. Overall interest is not very high and a lack of starpower won’t help its cause much. The film should appeal to the same folks who bought tickets to The Descent and Turistas. Both lacked star names and underperformed with openings of $8.9M and $3.6M respectively. The Ruins opens in over 2,500 theaters and should fall into the same range. Look for a $8M debut.


The Ruins

The Rolling Stones and Martin Scorsese join forces for the year’s third major concert film with Shine A Light. The PG-13 pic covers an intimate New York concert given by the supergroup with the Oscar-winning director orchestrating a team of A-list cinematographers to capture all the magic. Paramount Classics is rolling out the film in limited release with about 270 total theaters including 93 Imax sites making it the widest launch ever for the large-screen format. Marketing materials have been highlighting the starpower of all the popular senior citizens involved here in a effort to tap into older adults and rock music fans. Hannah Montana and U2 found success earlier this year with their concert pics and the higher-priced Imax tickets will help to beef up the averages. Shine A Light could rock to around $2M this weekend.


Scorsese and The Stones in Shine a Light

Only two holdovers will be able to post double-digit millions this weekend. 21 got off to a great start last week and will not see too much of its teen and young adult audience taken away since Leatherheads will skew older and Nim will play younger. Still a moderate 45% drop is in order which would put the blackjack drama at about $13M for a ten-day tally of $45M.

Fox’s animated blockbuster Horton Hears A Who will find its competition coming from the studio’s own new Jodie Foster adventure. But the Dr. Seuss comedy has been holding up well so a 30% fall to $12.5M could result. That would up the cume to a robust $134M.

Superhero Movie stumbled out of the gate last weekend and is not likely to have legs. A 45% drop would give The Weinstein Company roughly $5M and a sum of $17M after ten days.

LAST YEAR: With Easter falling on the first weekend of April, the box office was vibrant thanks to a pair of solid sophomores and a slate of new releases. Will Ferrell‘s skating comedy Blades of Glory spent a second frame on top with $22.5M while the Disney toon Meet the Robinsons held onto second with $16.7M. Leading the newcomers was the Ice Cube sequel Are We Done Yet? with $14.3M on its way to $49.7M for Sony. Opening in fourth was the two-for-one special Grindhouse with $11.6M followed by the new supernatural thriller The Reaping which bowed to $10M. Final grosses reached $25M and $25.1M, respectively. Failing to excite family audiences was Firehouse Dog which debuted in tenth with just $3.8M leading to a weak $13.9M final.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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