Michael Gibson/STX Entertainment

(Photo by Michael Gibson/STX Entertainment)

All Idris Elba Movies Ranked

To some fans, Idris Elba will forever be Stringer Bell from The Wire. To others, he’ll always be best remembered as John Luther. For still others, he’s the guy who gave us the Heimdall of the Marvel Cinematic Universe, or — and this is admittedly a much smaller subset — finally brought gunslinger Roland Deschain to the big screen in the long-gestating adaptation of Stephen King’s The Dark Tower. All of which is to say that Mr. Elba’s done a lot in his impressive career, and by all appearances, he’s still just getting started: even if those persistent rumors about him taking over the James Bond franchise never pan out, he’s got plenty of projects lined up to add to an eclectic filmography that already includes some of the more popular and widely acclaimed TV and film releases in recent memory, including an original character in The Suicide Squad. And now we’re ranking all Idris Elba movies by Tomatometer!

#37

Prom Night (2008)
7%

#37
Adjusted Score: 9004%
Critics Consensus: A dim and predictable remake of an already dull slasher film, this Prom Night fails to be memorable.
Synopsis: When a deranged high-school teacher kills the family of the girl, Donna, that he loves, in a disturbed attempt to... [More]
Directed By: Nelson McCormick

#36

The Reaping (2007)
8%

#36
Adjusted Score: 13412%
Critics Consensus: It may feature such accomplished actors as Hilary Swank and Stephen Rea, but The Reaping also boasts the apropos tagline "What hath God wrought?" It's schlocky, spiritually shallow, and scare-free.
Synopsis: Katherine Morrissey (Hilary Swank), a former Christian missionary, lost her faith after the tragic deaths of her family. Now she... [More]
Directed By: Stephen Hopkins

#35

The Unborn (2009)
10%

#35
Adjusted Score: 14407%
Critics Consensus: David Goyer's Unborn is a tame genre effort with cheap thrills and scares that border on silliness.
Synopsis: Plagued by nightmares and visitations from tortured ghosts, Casey Beldon (Odette Yustman) turns to a spiritual adviser named Sendak (Gary... [More]
Directed By: David S. Goyer

#34

No Good Deed (2014)
12%

#34
Adjusted Score: 13677%
Critics Consensus: Dull, derivative, and generally uninspired, No Good Deed wastes its stars' talents -- and the audience's time.
Synopsis: An unsuspecting Atlanta woman (Taraji P. Henson) lets in a charming stranger (Idris Elba) to use her phone and soon... [More]
Directed By: Sam Miller

#33

The Dark Tower (2017)
16%

#33
Adjusted Score: 35749%
Critics Consensus: Go then, there are other Stephen King adaptations than these.
Synopsis: Roland Deschain (Idris Elba), the last Gunslinger, is locked in an eternal battle with Walter O'Dim (Matthew McConaughey), also known... [More]
Directed By: Nikolaj Arcel

#32

The Gunman (2015)
16%

#32
Adjusted Score: 23114%
Critics Consensus: With an uninspired plot and rote set pieces that are overshadowed by its star's physique, The Gunman proves a muddled misfire in the rapidly aging Over-50 Action Hero genre.
Synopsis: Eight years after fleeing the Congo following his assassination of that country's minister of mining, former assassin Jim Terrier (Sean... [More]
Directed By: Pierre Morel

#31
Adjusted Score: 21368%
Critics Consensus: With a weak script, uneven CG work, and a Nic Cage performance so predictably loony it's no longer amusing, Ghost Rider: Spirit of Vengeance aims to be trashy fun but ends up as plain trash.
Synopsis: Now hiding out in Eastern Europe, Johnny Blaze (Nicolas Cage) is still struggling with the curse of the Ghost Rider... [More]

#30

Obsessed (2009)
19%

#30
Adjusted Score: 21096%
Critics Consensus: The inevitable Fatal Attraction comparisons aside, Obsessed is a generic, toothless thriller both instantly predictable and instantly forgettable.
Synopsis: Things couldn't be better for Derek Charles (Idris Elba). He's just received a big promotion at work, and has a... [More]
Directed By: Steve Shill

#29

Cats (2019)
19%

#29
Adjusted Score: 39532%
Critics Consensus: Despite its fur-midable cast, this Cats adaptation is a clawful mistake that will leave most viewers begging to be put out of their mew-sery.
Synopsis: A tribe of cats must decide yearly which one will ascend to the Heaviside Layer and come back to a... [More]
Directed By: Tom Hooper

#28
#28
Adjusted Score: 26585%
Critics Consensus: Daddy's Little Girls boasts fine performances and a poignant message, but is ultimately let down by amateurish filmmaking.
Synopsis: Monty (Idris Elba), a mechanic, struggles to make ends meet and raise his three young daughters alone. When his drug-dealing... [More]
Directed By: Tyler Perry

#27

Takers (2010)
28%

#27
Adjusted Score: 30882%
Critics Consensus: Takers boasts some gripping set pieces and keeps things moving quickly, but its two-dimensional characters, clichéd script, and brazenly derivative plot make it hard to recommend.
Synopsis: Gordon Jennings (Idris Elba) and his friends enjoy a luxurious lifestyle funded by bank robberies, and they avoid capture by... [More]
Directed By: John Luessenhop

#26

The Gospel (2005)
32%

#26
Adjusted Score: 32654%
Critics Consensus: While it features outstanding musical numbers, The Gospel reduces a series of worthy themes -- faith, family, forgiveness -- to soapy, banal clichés.
Synopsis: While he was once on the way to becoming a minister, David Taylor (Boris Kodjoe) instead chose to become a... [More]
Directed By: Rob Hardy

#25
#25
Adjusted Score: 50739%
Critics Consensus: The Mountain Between Us may be too far-fetched for some viewers to appreciate, but it's elevated by reliably engaging performances from Idris Elba and Kate Winslet.
Synopsis: Stranded on a mountain after a tragic plane crash, two strangers must work together to endure the extreme elements of... [More]
Directed By: Hany Abu-Assad

#24
#24
Adjusted Score: 43062%
Critics Consensus: 100 Streets strands its talented cast - led by a clearly overqualified Idris Elba - in the midst of a well-meaning but fatally contrived drama.
Synopsis: Three different stories covering infidelity, adoption and a drug dealer turned actor are intertwined as characters meet in the streets... [More]
Directed By: Jim O'Hanlon

#23

Bastille Day (2016)
48%

#23
Adjusted Score: 51321%
Critics Consensus: Bastille Day proves Idris Elba is an action hero in waiting -- specifically, waiting for a script that deserves his talents.
Synopsis: A rogue CIA agent (Idris Elba) forms an unlikely partnership with a pickpocket (Richard Madden) to stop a terrorist conspiracy... [More]
Directed By: James Watkins

#22

The Losers (2010)
48%

#22
Adjusted Score: 54141%
Critics Consensus: The Losers is loud, fast, and unrelentingly violent -- but it's also funny and well-acted, which will make all the difference for some action fans.
Synopsis: On a mission deep in the Bolivian jungle, a team of elite commandos (Jeffrey Dean Morgan, Chris Evans) finds itself... [More]
Directed By: Sylvain White

#21

This Christmas (2007)
55%

#21
Adjusted Score: 57021%
Critics Consensus: This Christmas features strong performances and a sharp portrayal of family dynamics, but relies too heavily on holiday movie clichés.
Synopsis: At holiday time, family matriarch Ma'Dere Whitfield (Loretta Devine) assembles her large brood for their first reunion in four years.... [More]

#20

RocknRolla (2008)
60%

#20
Adjusted Score: 64591%
Critics Consensus: Mixed reviews for Guy Ritchie's return to his London-based cockney wideboy gangster movie roots, but most agree, it's a step in the right direction following two major turkeys.
Synopsis: Old-school mobster Lenny Cole (Tom Wilkinson) rules London's underworld with an iron fist and a score of well-greased palms. As... [More]
Directed By: Guy Ritchie

#19
Adjusted Score: 66448%
Critics Consensus: It might be too respectful to truly soar, but there's no denying Idris Elba's impressive work in Mandela: Long Walk to Freedom -- or the inspirational power of the life it depicts.
Synopsis: The remarkable life of South African revolutionary, president and world icon Nelson Mandela (Idris Elba) takes center stage. Though he... [More]
Directed By: Justin Chadwick

#18
#18
Adjusted Score: 77761%
Critics Consensus: It may not be the finest film to come from the Marvel Universe, but Thor: The Dark World still offers plenty of the humor and high-stakes action that fans have come to expect.
Synopsis: In ancient times, the gods of Asgard fought and won a war against an evil race known as the Dark... [More]
Directed By: Alan Taylor

#17
Adjusted Score: 88516%
Critics Consensus: Hobbs & Shaw doesn't rev as high as the franchise's best installments, but gets decent mileage out of its well-matched stars and over-the-top action sequences.
Synopsis: Brixton Lorr is a cybernetically enhanced soldier who possesses superhuman strength, a brilliant mind and a lethal pathogen that could... [More]
Directed By: David Leitch

#16

28 Weeks Later (2007)
71%

#16
Adjusted Score: 79379%
Critics Consensus: While 28 Weeks Later lacks the humanism that made 28 Days Later a classic, it's made up with fantastic atmosphere and punchy direction.
Synopsis: Six months after the original epidemic, the rage virus has all but annihilated the population of the British Isles. Nevertheless... [More]

#15

Pacific Rim (2013)
72%

#15
Adjusted Score: 84164%
Critics Consensus: It may sport more style than substance, but Pacific Rim is a solid modern creature feature bolstered by fantastical imagery and an irresistible sense of fun.
Synopsis: Long ago, legions of monstrous creatures called Kaiju arose from the sea, bringing with them all-consuming war. To fight the... [More]
Directed By: Guillermo del Toro

#14

Prometheus (2012)
73%

#14
Adjusted Score: 86503%
Critics Consensus: Ridley Scott's ambitious quasi-prequel to Alien may not answer all of its big questions, but it's redeemed by its haunting visual grandeur and compelling performances -- particularly Michael Fassbender as a fastidious android.
Synopsis: The discovery of a clue to mankind's origins on Earth leads a team of explorers to the darkest parts of... [More]
Directed By: Ridley Scott

#13
#13
Adjusted Score: 90810%
Critics Consensus: Exuberant and eye-popping, Avengers: Age of Ultron serves as an overstuffed but mostly satisfying sequel, reuniting its predecessor's unwieldy cast with a few new additions and a worthy foe.
Synopsis: When Tony Stark (Robert Downey Jr.) jump-starts a dormant peacekeeping program, things go terribly awry, forcing him, Thor (Chris Hemsworth),... [More]
Directed By: Joss Whedon

#12

Second Coming (2014)
77%

#12
Adjusted Score: 77463%
Critics Consensus: No consensus yet.
Synopsis: An unexplained pregnancy forces a husband to doubt his wife's faithfulness.... [More]
Directed By: Debbie Tucker Green

#11

Thor (2011)
77%

#11
Adjusted Score: 87536%
Critics Consensus: A dazzling blockbuster that tempers its sweeping scope with wit, humor, and human drama, Thor is mighty Marvel entertainment.
Synopsis: As the son of Odin (Anthony Hopkins), king of the Norse gods, Thor (Chris Hemsworth) will soon inherit the throne... [More]
Directed By: Kenneth Branagh

#10
#10
Adjusted Score: 89289%
Critics Consensus: American Gangster is a gritty and entertaining throwback to classic gangster films, with its lead performers firing on all cylinders.
Synopsis: Frank Lucas (Denzel Washington) earns his living as a chauffeur to one of Harlem's leading mobsters. After his boss dies,... [More]
Directed By: Ridley Scott

#9

Molly's Game (2017)
82%

#9
Adjusted Score: 99853%
Critics Consensus: Powered by an intriguing story and a pair of outstanding performances from Jessica Chastain and Idris Elba, Molly's Game marks a solid debut for writer-director Aaron Sorkin.
Synopsis: The true story of Molly Bloom, a beautiful, young, Olympic-class skier who ran the world's most exclusive high-stakes poker game... [More]
Directed By: Aaron Sorkin

#8

Legacy (2010)
86%

#8
Adjusted Score: 25256%
Critics Consensus: No consensus yet.
Synopsis: A former soldier (Idris Elba), who was once captured and tortured during a mission, has a mental breakdown while holed... [More]
Directed By: Thomas Ikimi

#7
#7
Adjusted Score: 114161%
Critics Consensus: Avengers: Infinity War ably juggles a dizzying array of MCU heroes in the fight against their gravest threat yet, and the result is a thrilling, emotionally resonant blockbuster that (mostly) realizes its gargantuan ambitions.
Synopsis: Iron Man, Thor, the Hulk and the rest of the Avengers unite to battle their most powerful enemy yet --... [More]
Directed By: Anthony Russo, Joe Russo

#6

Star Trek Beyond (2016)
86%

#6
Adjusted Score: 105815%
Critics Consensus: Star Trek Beyond continues the franchise's post-reboot hot streak with an epic sci-fi adventure that honors the series' sci-fi roots without skimping on the blockbuster action.
Synopsis: A surprise attack in outer space forces the Enterprise to crash-land on a mysterious world. The assault came from Krall... [More]
Directed By: Justin Lin

#5
#5
Adjusted Score: 101462%
Critics Consensus: Beasts of No Nation finds writer-director Cary Fukunaga working with a talented cast to offer a sobering, uncompromising, yet still somehow hopeful picture of war's human cost.
Synopsis: As civil war rages in Africa, a fierce warlord (Idris Elba) trains a young orphan (Abraham Attah) to join his... [More]
Directed By: Cary Joji Fukunaga

#4

Thor: Ragnarok (2017)
93%

#4
Adjusted Score: 126308%
Critics Consensus: Exciting, funny, and above all fun, Thor: Ragnarok is a colorful cosmic adventure that sets a new standard for its franchise -- and the rest of the Marvel Cinematic Universe.
Synopsis: Imprisoned on the other side of the universe, the mighty Thor finds himself in a deadly gladiatorial contest that pits... [More]
Directed By: Taika Waititi

#3

Finding Dory (2016)
94%

#3
Adjusted Score: 115466%
Critics Consensus: Funny, poignant, and thought-provoking, Finding Dory delivers a beautifully animated adventure that adds another entertaining chapter to its predecessor's classic story.
Synopsis: Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss every 10 seconds or so. The... [More]
Directed By: Andrew Stanton

#2

The Jungle Book (2016)
94%

#2
Adjusted Score: 114744%
Critics Consensus: As lovely to behold as it is engrossing to watch, The Jungle Book is the rare remake that actually improves upon its predecessors -- all while setting a new standard for CGI.
Synopsis: Raised by a family of wolves since birth, Mowgli (Neel Sethi) must leave the only home he's ever known when... [More]
Directed By: Jon Favreau

#1

Zootopia (2016)
98%

#1
Adjusted Score: 115816%
Critics Consensus: The brilliantly well-rounded Zootopia offers a thoughtful, inclusive message that's as rich and timely as its sumptuously state-of-the-art animation -- all while remaining fast and funny enough to keep younger viewers entertained.
Synopsis: From the largest elephant to the smallest shrew, the city of Zootopia is a mammal metropolis where various animals live... [More]
Directed By: Byron Howard, Rich Moore

It’s almost time to hand out some golden popcorn — the nominations for the 2008 MTV Movie Awards have been announced!

To cast your vote for each category’s winner — and to choose your favorite of the fan-created movie spoofs in the, um, “Best Movie Spoof” category — head to MovieAwards.MTV.com (link below). A complete list of the nominees follows:

Best Movie:
Juno
Transformers
Pirates of the Caribbean: At World’s End
I Am Legend
Superbad
National Treasure: Book of Secrets

Best Male Performance:
Will Smith, I Am Legend
Shia LaBeouf, Transformers
Denzel Washington, American Gangster

Matt Damon, The Bourne Ultimatum
Michael Cera, Juno

Best Female Performance:
Ellen Page, Juno
Keira Knightley, Pirates of the Caribbean: At World’s End

Katherine Heigl, Knocked Up
Amy Adams, Enchanted
Jessica Biel, I Now Pronounce You Chuck & Larry

Best Villain:
Johnny Depp, Sweeney Todd: The Demon Barber of Fleet Street

Denzel Washington, American Gangster
Angelina Jolie, Beowulf
Topher Grace, Spider-Man 3
Javier Bardem, No Country For Old Men

Best Comedic Performance:
Johnny Depp, Pirates of the Caribbean: At World’s End
Adam Sandler, I Now Pronounce You Chuck & Larry
Jonah Hill, Superbad
Seth Rogen, Knocked Up
Amy Adams, Enchanted

Best Fight:
Matt Damon vs. Joey Ansah, The Bourne Ultimatum

Tobey Maguire vs. James Franco, Spider-Man 3
Hayden Christensen vs. Jamie Bell, Jumper
Sean Faris vs. Cam Gigandet, Never Back Down
Chris Tucker & Jackie Chan vs. Sun Ming Ming, Rush Hour 3

Alien vs. Predator, Aliens vs. Predator Requiem

Best Kiss:
Shia LaBeouf and Sarah Roemer, Disturbia
Amy Adams and Patrick Dempsey, Enchanted
Daniel Radcliffe and Katie Leung, Harry Potter and the Order of the Phoenix
Ellen Page and Michael Cera, Juno
Briana Evigan and Robert Hoffman, Step Up 2 The Streets

Breakthrough Performance:
Zac Efron, Hairspray
Seth Rogen, Knocked Up
Jonah Hill, Superbad
Michael Cera, Superbad
Chris Brown, This Christmas
Nikki Blonsky, Hairspray
Megan Fox, Transformers
Christopher Mintz-Plasse, Superbad

Best Summer Movie So Far:
Iron Man
Indiana Jones and the Kingdom of the Crystal Skull

Sex and the City: The Movie
Speed Racer
The Chronicles Of Narnia: Prince Caspian

Source: MTV Movie Awards

A wave of new product hits the marketplace at a time when exciting films are desperately needed to end the current box office funk. The science fiction thriller I Am Legend leads the way but will be joined by the family comedy Alvin and the Chipmunks and the romantic comedy The Perfect Holiday. For only the second time all year, just two films managed grosses of more than $5M last weekend. Hollywood critically needs this weekend to turn things around if it wants to end the year on a happy note.

Gunning for his seventh consecutive number one opening, Will Smith headlines the sci-fi thriller I Am Legend, the latest Hollywood film based on the classic 1954 novel of the same name. The PG-13 entry finds the superstar playing the last man alive on Earth after a virus wipes out the entire human population in the not-so-distant future. Legend could prove to be Smith’s greatest box office challenge to date since there are no famous co-stars, no big director, and the novel it is based on is not exactly a hot item in today’s era. This film is Will’s to make or break.

But for millions of movie fans, the former Fresh Prince plus action equals a definite trip to the local multiplex. The actor is right at the top of the current A list and is arguably the most bankable star alive consistently drawing in audiences that cut across all race, gender, and age barriers. Will Smith can bring out paying audiences for sci-fi (I, Robot), comedy (Hitch), drama (The Pursuit of Happyness), action (Bad Boys II), and animation (Shark Tale). With Legend he now flirts with the boundaries of horror as battling killer zombies that attack at night is a far cry from being a date doctor.

Warner Bros. has good timing for I Am Legend. The marketplace has been about as dead as the world depicted in the film and audiences are hungry for an event film to get them back into the habit of moviegoing. Competition will not be much of a factor and business will be coming in from many directions with teens and young adults leading the way and fans of sci-fi and action delivering a big bang too. The studio’s massive marketing push will do the trick and adding more bite will be the simultaneous Imax release where higher ticket prices ($16 in New York City) will give the grosses a boost. Plus the strategic move of playing the new prologue for next summer’s much-anticipated Batman flick The Dark Knight with the Imax release of I Am Legend just fuels more excitement and guarantees more asses in the seats.

Will Smith is looking to score one of the biggest December openings ever for a non-Peter Jackson flick. A big drop next weekend is likely, but for now consumers are keeping all eyes on I Am Legend which attacks 3,606 theaters on Friday. An opening weekend gross of about $50M could result.


Will Smith and friend in I Am Legend

Some younger moviegoers may not be in the mood for flesh-eating mutants. Luckily, Fox had the bright idea of getting jiggy with its new kidpic Alvin and the Chipmunks which will give parents and smaller children some harmless fun for the holidays. The PG-rated film is the latest big-screen treatment of a popular kids property from yesterday that gets a makeover for today’s sensibilities. When done right, ticket sales pour in from multiple generations. But when done wrong, you get disasters like The Adventures of Rocky and Bullwinkle.

Competition should not be too bad since Enchanted which is going into its fourth session is the only family film generating any decent dough right now. Instead, holiday shopping may be the real threat as many parents will wait until a little later before heading to the cinemas for this one. The property is not popular enough to create any true sense of urgency. But this is common in mid December. Last year, Charlotte’s Web got off to a slow start with a $11.5M bow but went on to make seven times that amount with a final tally of $82.6M. Fox’s marketing push has been aggressively targeting young kids and the studio knows that little success lies with teens and young adults. Going very wide with 3,476 playdates on Friday, Alvin and the Chipmunks could gross about $15M this weekend but hold on well over the holidays.


Alvin, Simon and Theodore

Christmas fun hits the multiplexes in another package with The Perfect Holiday from Yari Film Group. Morris Chestnut and Gabrielle Union star as single folks whose love lives cross while Queen Latifah and Terrence Howard play naughty and nice spirits along for the ride. The PG-rated film will play primarily to an African American audience which will make it a tricky sell at this moment in time. Though a very different film, Legend will steal away many in the target demographic and others who just saw This Christmas may not be looking for another story from the same category so soon. Poor reviews will also cause some box office headaches. Opening Wednesday in 1,306 locations, The Perfect Holiday could bow to about $7M over three days and $9M over five days.


The Perfect Holiday

Adding to the end-of-year frenzy that arthouse films find themselves in during awards season, Paramount Vantage’s The Kite Runner opens in 35 theaters in selected cities on Friday hoping to appeal to fans of the best-selling novel. The R-rated film in English and Dari tells of two young boys in Afghanistan whose lives take two very different paths after a violent incident right before the Soviet invasion of the country. Kite Runner has been included on some recent ten-best lists and scored two Golden Globe nominations. Reviews have been generally positive.


The Kite Runner

Following its not-so-explosive debut, The Golden Compass will have tough work cut out for it during the sophomore frame. The New Line adventure will see the sci-fi audience abandon ship and line up for Will Smith while parents looking for some fun for their kids will have some talking chipmunks to consider. A 50% drop could be in order for Compass which would give it about $13M for the weekend and a ten-day tally of $45M.

Disney’s Enchanted, which earned a pair of Golden Globe nominations, is slowly but surely making its way towards the $100M mark. Another moderate 35% decline would give the fairy tale pic around $7M which would push the sum up to $93M. Sony’s This Christmas will face direct competition from The Perfect Holiday so a 40% dip may result giving the pic $3M and $47M to date.

LAST YEAR: The man in black beat out some tough competition to conquer the box office. Will Smith’s The Pursuit of Happyness led a wave of new releases with its top spot debut grossing $26.5M for Sony. The feel-good smash played well over the holiday season surging to $162.6M domestically and $294M worldwide – an impressive sum for a Smith vehicle not driven by guns or special effects. Fox’s fantasy actioner Eragon bowed close behind in second with $23.2M on its way to $75M from North America representing only 30% of the global take. Overseas the numbers were much stronger with $175M in ticket sales for a powerful $250M tally worldwide. Third place also featured a new release. Paramount’s family film Charlotte’s Web debuted to the tune of $11.5M but reached a solid $82.6M by the end of the run. Rounding out the top five were the penguin toon Happy Feet with $8.4M and the romantic comedy The Holiday with $8M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

New Line hopes to breathe some life into the North American box office with the launch of its pricey adventure film The Golden Compass which stands as the frame’s only new wide release. Directed by Chris Weitz (About a Boy), the PG-13 film aims to capture a large crowd including the family audience and fans of sci-fi and fantasy. Nicole Kidman and Daniel Craig, who proved in the summer flop The Invasion that their names only carry so much commercial weight, reunite to star in the effects-heavy film.

Working in its favor is the fact that all other studios have avoided programming their major offerings onto this weekend’s schedule. In fact it is quite rare to see two consecutive frames with only one national opener each. Media attention is concentrated on it this week and with multiplexes dumping their aging November flops, Compass will secure extra screens. The studio’s marketing push has been powerful and awareness is high which makes sense as New Line is hoping for a new fantasy franchise that can keep the cash rolling in for years to come. Teens and young adults who frequent the multiplexes the most should come out in solid numbers since they’ve seen every other worthy film already. Older adults will be a little harder to reach since holiday shopping is a major distraction on weekends right now plus reviews for Compass have not exactly been stellar.

Although the property will target many of the same folks who have dropped billions on fantasy smashes like The Lord of the Rings, Harry Potter, and The Chronicles of Narnia, the source material is not as popular plus there is already backlash from some in the religious community for the anti-Christian material in the Philip Pullman books. Reaching the $65.6M opening of Narnia from this very weekend two years ago will be impossible. Instead, a debut closer to the $27.5M of Beowulf last month could be in order since there may be much overlap. Compass has more appeal for younger kids and females so a bigger bow should result. Opening in over 3,000 theaters, The Golden Compass might premiere to the tune of $33M this weekend.


Nicole Kidman in The Golden Compass

With most of the big boys taking the weekend off from releasing films wide, indie distribs will once again seize the opportunity to platform their end-of-year pics and begin limited runs for possible kudos contenders. By law, you can’t have an awards season without at least one costume drama so Focus Features joins forces with Keira Knightley with Atonement which bows on Friday in 26 sites. The R-rated period piece also stars James McAvoy and Vanessa Redgrave and has already grossed $31M overseas with over two-thirds of that total coming from the U.K. since its launch there in early September.


James McAvoy and Keira Knightley in Atonement

Fox Searchlight counters in seven theaters with its teen pregnancy comedy Juno starring Michael Cera, Jason Bateman, Jennifer Garner, and Ellen Page in the title role. The PG-13 coming-of-age pic opened on Wednesday in New York and Los Angeles and is director Jason Reitman‘s follow-up to Thank You For Smoking which grossed $24.8M for Fox Searchlight in the spring of 2006. Reviews have been strong across the board for both Juno and Atonement.


Ellen Page and Olivia Thirlby in Juno

After back to back stints of wearing the box office crown, the princess comedy Enchanted is now preparing to take a step back this weekend thanks to the arrival of Queen Kidman. The Disney hit will see some formidable competition for kids, but the overall drop should not be too large. A 35% slide to around $10.5M could result. That would give Enchanted a charming $83M after 19 days of play.

With girls lining up for Giselle and company, their brothers have been taking a historical adventure with the computer-animated action pic Beowulf which has been holding its own since its debut. Golden Compass will also be a threat since there is much audience overlap. But Beowulf‘s good legs suggest that a drop of 35% could be in order here as well. That would leave the Paramount project with about $5M pushing the cume up to $76M.

Sony’s holiday reunion film This Christmas and Fox’s assassin thriller Hitman both witnessed larger sophomore declines so a fall of 40% each should occur this weekend. Christmas would take in just under $5M for a $42M total while Hitman should bank $3.5M for a $36M sum.

LAST YEAR: Mel Gibson scored his second straight number one opening for a historical foreign language film he directed with Apocalypto which debuted on top with $15M. The Buena Vista release went on to capture a solid $50.9M. Three-time champ Happy Feet was bumped down to second with $12.9M in its fourth frame. Sony’s romantic comedy The Holiday bowed in third with $12.8M for Sony. The Cameron DiazKate Winslet pic went on to gross $63.2M domestically and a stunning $200M worldwide. Studio stablemate Casino Royale slipped to fourth with $8.9M. Warner Bros. launched its action thriller Blood Diamond in fifth with a mediocre $8.6M on its way to $57.4M from North America and $171M globally. Opening in seventh was the studio’s other new wide release of the frame, the family comedy Unaccompanied Minors, with only $5.8M leading to a weak $16.6M final.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Only one new film ventures into wide release. Studios typically avoid opening worthwhile pics during the weekend after the Thanksgiving frame since moviegoing subsides and holiday shopping becomes a bigger national priority. Overall ticket sales tumble by 40-50% from the previous frame and holdovers usually lead the way. That means Disney’s princess tale Enchanted should continue to reign supreme at the North American box office, but those looking for a scare will have the new thriller Awake to see. After a robust turkey frame, look for the marketplace to settle down as movie fans nibble on leftovers.

What happens when Darth Vader marries the Invisible Woman? You get a horror film set in a hospital, of course. Awake stars Hayden Christensen as a man who undergoes surgery while remaining conscious and Jessica Alba plays the troubled wife. The R-rated psychological thriller from MGM and The Weinstein Co. will target young adults with a semi-intriguing premise and a dash of starpower.

Outside of the Star Wars prequels, young Anakin has no pull with ticket buyers but Alba has shown box office strength over the years and can often be a draw even when not suited up in Fantastic Four gear. As with so many of her previous films, trailers feature quick shots of her semi-nude body which should titillate male moviegoers. But overall excitement is not too high and the audience could be limited here with the eventual DVD release reaching the bulk of the film’s fans. Opening in about 2,000 theaters, Awake may gross around $6M this weekend.


Hayden Christensen, Terence Howard and Jessica Alba in Awake

A pair of film festival favorites with Oscar hopes will open in platform release this weekend. Fox Searchlight offers the estranged sibling comedy The Savages starring Laura Linney and Philip Seymour Hoffman. The R-rated film played earlier this year at Sundance, Telluride, and Toronto. Debuting in the same two Manhattan theaters is Miramax’s French drama The Diving Bell and the Butterfly about a magazine editor who after suffering a stroke, can only communicate with one eyelid. The PG-13 film scored the Best Director trophy at Cannes.


Philip Seymour Hoffman and Laura Linney in The Savages

With only one new offering in wide play, look for the box office chart to look awfully familiar. Nine of the top ten titles will probably be the same as last week’s. Disney’s family hit Enchanted is set to retain its crown and stay the leader. A 50% drop could result, especially since Friday is not a day off this time around. That would give the fairy tale flick about $17M for the weekend and a solid 12-day cume of $70M.

Following its surprisingly strong premiere, the family reunion film This Christmas should fall sharply on the sophomore session. A 55% decline would leave Sony with $8M and an impressive total of $36M after a dozen days.

Young males targeted by Beowulf and Hitman will be distracted somewhat by another one-word-titled film making its debut. With Alba in that cast, it could lead to steep drops of 55% each. That would put Paramount’s 3D adventure toon at around $7.5M for the weekend for a sum of $68M. Hitman would slide down to $6M for Fox and a total of $30M.

LAST YEAR: For the third straight weekend, the penguin-Bond connection ruled the box office with ease. The animated blockbuster Happy Feet remained the number one film once again with $17.5M for Warner Bros. while Sony’s 007 pic Casino Royale took the silver with $15.1M. In the first 17 days of play, moviegoers spent an astounding $237M on the dynamic duo. Denzel Washington‘s action thriller Deja Vu stayed put in third place with $10.9M in its sophomore frame. Debuting in fourth was the religious drama The Nativity Story with $7.8M on its way to a $37.6M final for New Line. Rounding out the top five was Fox’s Christmas comedy Deck the Halls with $6.7M. Also debuting but to modest numbers were Fox’s horror pic Turistas with $3.6M and MGM’s Van Wilder: The Rise of Taj with $2.3M. Final grosses reached $7M and $4.3M, respectively.

The box office bounced back over the long Thanksgiving holiday weekend as
moviegoers spread their dollars across a wide variety of films which
collectively helped to bring the marketplace back to life after a mostly
uneventful fall season. Disney led the way with its new family pic Enchanted,
which ruled the multiplexes, but a surprisingly potent opening for the holiday
comedy This Christmas contributed to the weekend’s success too. Other new
releases were sprinkled across the top ten which virtually matched the
Thanksgiving numbers posted over each of the last two years. An unprecedented
eleven films each grossed $8M or more over the frame as every audience segment
found something to see over the long holiday weekend.

For the first time in eight years, Disney opened a new release at number one
over the turkey frame. The studio’s princess tale Enchanted
powered past all
competitors to bow on top with an estimated $35.3M over the Friday-to-Sunday
period and an incredible $50M across the five-day holiday span which began on
Wednesday. That led to a muscular $9,472 average from an ultrawide 3,730 sites
over three days. The PG-rated story of an animated princess who encounters the
live-action world posted the second biggest five-day opening ever over the
Thanksgiving session.



The only hit to debut better was 1999’s
Toy Story 2
from Disney and Pixar with
$80.1M which was also the studio’s last new pic to bow at number one over this
frame. From 1994 to 1999, the Mouse House consistently debuted a new family film
each year at number one over this lucrative holiday frame. Enchanted should have
no problem finding its way into the century club.



Beating expectations to open in the number two spot was the family reunion film
This Christmas which debuted to an estimated $18.6M over three days and a
stunning $27.1M over the five-day period. Sony’s inexpensive $13M production
averaged a potent $10,011 over three days from only 1,858 theaters for the best
average among wide releases. The feel-good holiday pic brought in two-thirds of
its business from African-American moviegoers proving once again how powerful
that audience is at the box office. Look for This Christmas to finish up as a
very profitable venture.



Last week’s top warrior Beowulf
dropped 41% to an estimated $16.2M and landed in
third place. With $56.4M in its treasure chest after ten days, the
$150M-budgeted Paramount release should conclude its domestic run with about
$80-90M.



Competing actioner Hitman
debuted in fourth place with an estimated $13M over
three days from 2,458 locations. Averaging a decent $5,303 per venue, the
R-rated film about a super-assassin was adapted from a popular video game. Over
five days, Hitman shot up $21M for Fox which was targeting many of the same
young males that were going to see Beowulf.



The animated hit Bee
Movie
followed in fifth with an estimated $12M, off just
14%, for a $112.1M sum to date for Paramount. Warner Bros. was close behind with
rival family offering
Fred Claus

which dipped 10% to an estimated $10.7M pushing
the total to $53.1M.


Studio stablemate August Rush opened in seventh place with an estimated $9.4M
over three days and $13.3M across five days. The family drama about a young
musical genius averaged a moderate $4,082 over the Friday-to-Sunday period.

American Gangster
remained strong in its fourth frame grossing an estimated
$9.2M, down 29%, upping its cume for Universal to $115.8M.



Two more new wide releases rounded out the top ten. The Mist, a terror tale
based on a Stephen King story, debuted in ninth place with an estimated $9.1M
with a five-day take of $13M. Attacking 2,423 theaters, the R-rated film
averaged a mild $3,740 over three days. Horror films typically do not see huge
numbers over Thanksgiving weekend as most moviegoers are in the mood for more
cheery and upbeat films. Miramax expanded its Coen brothers hit
No Country for
Old Men
into nationwide release and captured an estimated $8.1M over three days.
The crime thriller averaged a superb $9,433 and lifted its total to $16.6M.


Opening to solid results from the arthouses was the
Bob Dylan pic

I’m Not There
which grossed an estimated $757,000 from just 130 venues over the three-day
period. The Weinstein Co. release averaged a respectable $5,823 per site and
collected $1M over the long holiday session.



The top ten films grossed $141.8M over the weekend which was up less than 1%
from last year when Happy Feet remained at number one with $37M; but off 1% from
2005 when
Harry Potter and the Goblet of Fire
stayed on top with $54.7M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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