50 Worst Summer Movies of All Time

Cinema history is filled with movies that got burned under the hot summer sun, and every year, we get our share of critically panned big-budget duds (this year’s slate includes such low achievers asFantastic Four and Hot Pursuit). However, it takes a rare kind of awful to merit inclusion into RT’s Worst Summer Movies list, a compendium of cinematic horrors that were granted a wide theatrical release between the months of May and September in the years since the release of Jaws in 1975 kickstarted the blockbuster era. Without further ado, we present our countdown of the 50 worst-reviewed summer movies!

 

 

No awards season — even a strike-tainted one — would be complete without the Razzies, right? Of course not. And that’s why we’ve thoughtfully assembled all of this year’s nominees in one convenient location.

The Razzies, now entering their 28th year, have been celebrating the worst in film since 1980, when John Wilson took a raspberry trophy, spray-painted it gold, and stuck it to Can’t Stop the Music. This year’s nominees are suitably distinguished, and they all follow below (with Tomatometers in parentheses). ‘Fess up, Vineketeers — how many of these have you seen? And enjoyed?

Worst Picture:
Bratz (7 percent)
Daddy Day Camp (1 percent)

I Know Who Killed Me (8 percent)
I Now Pronounce You Chuck & Larry (14 percent)
Norbit (9 percent)

Worst Actor:
Nicolas Cage, for Ghost Rider (27 percent), National Treasure: Book of Secrets (32 percent), and Next (30 percent)
Jim Carrey, for The Number 23 (8 percent)
Cuba Gooding, Jr., for Daddy Day Camp and Norbit
Eddie Murphy, for Norbit
Adam Sandler, for I Now Pronounce You Chuck & Larry

Worst Actress:
Jessica Alba, for Awake (21 percent), Fantastic Four: Rise of the Silver Surfer (35 percent), and Good Luck Chuck (3 percent)
Logan Browning, Janel Parrish, Nathalia Ramos & Skyler Shaye, for Bratz
Elisha Cuthbert, for Captivity (7 percent)
Diane Keaton, for Because I Said So (5 percent)
Lindsay Lohan (as Aubrey), for I Know Who Killed Me
Lindsay Lohan (as Dakota), for I Know Who Killed Me

Worst Supporting Actor:
Orlando Bloom, for Pirates of the Carribbean: At World’s End (45 percent)
Kevin James, for I Now Pronounce You Chuck & Larry
Eddie Murphy, for Norbit
Rob Schneider, for I Now Pronounce You Chuck & Larry
Jon Voight, for Bratz, National Treasure: Book of Secrets, September Dawn (13 percent), and Transformers (57 percent)

Worst Supporting Actress:
Jessica Biel, for I Now Pronounce You Chuck & Larry and Next
Carmen Electra, for Epic Movie (2 percent)
Eddie Murphy, for Norbit
Julia Ormond, for I Know Who Killed Me
Nicolette Sheridan, for Code Name: The Cleaner (4 percent)

Worst Screen Couple:
Jessica Alba with Dane Cook (for Good Luck Chuck), Hayden Christensen (for Awake), and Ioan Gruffudd (for Fantastic Four: Rise of the Silver Surfer)
Any combination of two totally air-headed characters in Bratz
Lindsay Lohan and Lindsay Lohan, for I Know Who Killed Me

Worst Remake or Ripoff:
Are We Done Yet? (8 percent, remake/ripoff of Mr. Blandings Builds His Dream House)
Bratz (a ripoff if ever there was one)
Epic Movie (ripoff of every movie it rips off)
I Know Who Killed Me (ripoff of Hostel, Saw, and The Patty Duke Show)
Who’s Your Caddy? (7 percent, ripoff of Caddyshack)

Worst Prequel or Sequel:
Aliens vs. Predator: Requiem (16 percent)
Daddy Day Camp
Evan Almighty (24 percent)
Hannibal Rising, (15 percent)
Hostel: Part II (44 percent)

Worst Director:
Dennis Dugan, I Now Pronounce You Chuck & Larry
Roland Joffe, Captivity
Brian Robbins, Norbit
Fred Savage, Daddy Day Camp
Chris Sivertson, I Know Who Killed Me

Worst Screenplay:
Geoff Rodkey and David J. Stem & David N. Weiss, Daddy Day Camp

Jason Friedberg & Aaron Seltzer, Epic Movie
Jeffrey Hammond, I Know Who Killed Me
Barry Fanaro and Alexander Payne & Jim Taylor, I Now Pronounce You Chuck & Larry
Eddie Murphy & Charles Murphy, Jay Sherick & David Ronn, Norbit

Worst Excuse for a Horror Movie:
Aliens vs. Predator: Requiem
Captivity
Hannibal Rising

Hostel: Part II
I Know Who Killed Me

Source: Razzies

This week at the movies, we got amnesiac spies (The Bourne Ultimatum, starring Matt Damon and Julia Stiles), loser daredevils (Hot Rod, with Andy Samberg and Isla Fisher), salsa singers (El Cantante, starring Marc Anthony and Jennifer Lopez), school girls (Bratz: The Movie, starring Nathalia Ramos and Jon Voight), flying canines (Underdog, starring Jason Lee and Peter Dinklage), and radio personalities (Talk to Me, starring Don Cheadle and Chjwetel Ejiofor). What do the critics have to say?

The third in a series is rarely the best — witness the critical response to the latest Shrek and Spidey installments. However, if you found the thrills and chills of The Bourne Identity and Supremacy too sedate, you’re in luck; critics say The Bourne Ultimatum is one of the most exciting, action-paced movies of the summer, and is easily the best in the series (not too shabby, considering the other two were both Certified Fresh). Yet again, Matt Damon isn’t really sure who he is or how he became such an awesome killing machine, and yet again, he’s on the run from the authorities. But in this episode, pundits say Damon really comes into his own as an action star here, and director Paul Greengrass is well on his way to becoming an auteur of commercial filmmaking. Critics say the dizzying camerawork, rapid-fire editing, and overall craftsmanship make for one wild ride. At 92 percent on the Tomatometer, this may be the ultimate Bourne.



Damon’s still hunting, but not for goodwill.

Critics are musing: is Bratz much better than Barbie? Since 2001, the ethnically diverse dolls have built an empire based on their unique brand of girl power and lip gloss, including this film adaptation featuring four girls overcoming their differences and joining together in holy BFFness. But critics deem Bratz: The Movie a vapid and clueless enterprise, with characters who don’t seem to have any discernable characteristics beyond fashion and material wealth. And it freely employs stereotypes (girls must be skinny, boys must be dreamy, and adults are idiots) while paradoxically arguing stereotypes are bad. At 11 percent Tomatometer, these Bratz need a lesson in filmmaking.



“Picking Bad Movies To Star In For Dummies.”

You loved him when he was drinking Mr. Pibb with a Red Vines straw, and you loved him when he was cutting holes in boxes. But will you love Andy Samberg in Hot Rod, his feature-length debut in which he stars as an awful amateur daredevil trying to raise money for his ill stepfather? Though Samberg is singled out for his enthusiastic, mischievous charm, little else appears to impress the critics. They say Hot Rod tries for an anarchic brand of physical and lowbrow jokes, but ends up irritating and random instead, the kind of disjointed comedy that gives SNL movies its bad name. At 30 percent Tomatometer, Rod is anything but hot. (Check out our interview with Samberg and his Lonely Island pals here.)



One method to escape the theater.

It’s been said before, but it bears repeating: Don Cheadle is one of the best actors in Hollywood today. In his latest, Talk to Me, Cheadle gives a performance that some pundits are calling Oscar-worthy — while noting his co-star, Chjwetel Ejiofor, is no slouch as well. Cheadle plays proto-shock jock Petey Green, an ex-con who brought freshness, humor, and irreverence to the medium during the tumultuous and heady late 1960s. While some pundits note that the film has some bumpy patches – often a problem for biopics — they say the performances and energy are strong enough to overlook most flaws. At 79 percent on the Tomatometer, the Certified Fresh Talk to Me is a movie worth talking about.



Oscar-worthy performances from Cheadle and Ejiofor.

Hector Lavoe isn’t widely known with the American public. And that probably won’t change much with the release of El Cantante, a biopic based on the late Puerto Rican salsa singer’s life. Marc Anthony stars as Lavoe, but it’s the life of Lavoe’s wife (played by Jennifer Lopez) that, for better or worse, you’ll remember the most vividly from the movie. Critics call Lopez’s scenery-chewing a vanity acting job, as the rest of the movie is too loosely loose structure, creating a vacuum of character and narrative focus. And while El Cantante revels in biopic clichés, it never bothers revealing why Hector Lavoe was even worthy of an inspiring biopic in the first place. At 26 percent Tomatometer, El Cantante hits a sour note.



“Do you really want to hurt me?”

“Never fear — Underdog is here!” So went the rallying cry of everyone’s favorite super-pooch back in the day. Now? It appears the people behind Underdog have plenty to fear from critics, since the film wasn’t screened before hitting theaters. The usually-dependable Jason Lee and Peter Dinklage star in the tale (or is it tail?) of a mutt who, after an experiment, gains superpowers. Kids, after you’re done taking Fido for a stroll around the block, Guess the Tomatometer.



At 11 percent on the Tomatometer, Underdog is underwhelming.

Also opening this week in limited release: Summer ’04, a riveting tale of a summer holiday gone awry, is at 92 percent on the Tomatometer; Blame it on Fidel, a Parisian coming-of-age tale about a young girl and her radical activist parents, is at 92 percent; Them, a tense and existential horror flick from France, is at 81 percent; The Willow Tree, a Bergman-esque Iranian drama of a man coming to grips with death, is at 80 percent; Colossal Youth, a sprawling drama about urban life in Portugal, is at 71 percent; Becoming Jane, a biopic of Jane Austen’s early life, is at 62 percent; and The Ten, an anthology of comic vignettes based on the Ten Commandments, is at 57 percent.



The Austen Diaries

Finally, props to love_flag for coming the closest to guessing Who’s Your Caddy‘s nine percent Tomatometer, and to SplendidIsolation and icon2008 for approximating I know Who Killed Me‘s six percent.

Recent Matt Damon Movies:
———————————–
69% — Ocean’s Thirteen (2007)
56% — The Good Shepherd (2006)
93% — The Departed (2006)
74% — Syriana (2005)
38% — The Brothers Grimm (2005)

While sitting on a Comic Con panel, Frank Miller was asked about the hold-up on Sin City 2. (Numerous times, probably.) And it looks like the celebrated author / artist / filmmaker is laying the blame solely at the feet of the Weinstein brothers.

Could it be that Grindhouse threw a monkey wrench into future Weinstein production plans? Sheer speculation on my part, but I’d have thought a Sin City sequel would be a no-brainer by this point. Then again, both Frank Miller and Robert Rodriguez are presently hard at work on other projects — to say nothing of the large number of busy actors who’d be needed. So there’s probably enough "blame" to go around, really.

According to Dark Horizons, Mr. Miller "confirmed that he and Robert Rodriguez have a script ready – an adaptation of A Dame to Kill and some of the book’s other short stories — but left the cryptic hint that the Weinstein’s themselves are part of the hold up — likely tying into the fledgling distributor’s lack of success so far at the box-office."

OK, so the Weinsteins didn’t exactly set the world on fire with Grindhouse, Miss Potter, Bobby, The Matador, Derailed, Pulse, Breaking and Entering, Harsh Times, DOA: Dead or Alive, The Gathering, Unknown, The Ex, Nomad, School for Scoundrels, Black Christmas, Arthur and the Invisibles, or Factory Girl — but they’re doing OK with 1408 and Sicko. Plus they’ve got some treats in store (Grace Is Gone is excellent, The Mist sounds great so far) for later this year. And maybe someday they’ll actually release Killshot, Teeth and Rogue and make a few dollars off of ’em. Still it’s tough to feel bad for the guys who put money behind Who’s Your Caddy? and Hannibal Rising. Then again, Clerks 2 was pretty darn funny.

Anyway, yeah: Sin City 2. As the highway signs sometimes say: Expect delays.

Source: Dark Horizons

Moviegoers across North America embraced The Simpsons Movie which beat out all industry expectations for an explosive number one opening this weekend grossing more than the next four biggest hits combined. The Fox release collected an estimated $71.9M in its first weekend in theaters and averaged a spectacular $18,320 per site from 3,922 locations. The PG-13 comedy enjoyed the third largest debut ever for an animated film trailing only Shrek the Third and Shrek 2 which bowed to $121.6M and $108M, respectively.

The Simpsons Movie delivered the fifth biggest July opening weekend ever after the megasequels Pirates of the Caribbean: Dead Man’s Chest ($135.6M in 2006), Spider-Man 2 ($88.2M in 2004), Harry Potter and the Order of the Phoenix ($77.1M in 2007), and Austin Powers in Goldmember ($76.6M in 2002). It also ranks fifth among the biggest non-sequel opening weekends in history following Spider-Man ($114.8M in 2002), Harry Potter and the Sorcerer’s Stone ($90.3M in 2001), The Passion of the Christ ($83.8M in 2004), and The Da Vinci Code ($77.1M in 2006). The magic number five is also where The Simpsons Movie stands in Fox’s company history behind the debuts of the last two installments in both the Star Wars and X-Men franchises.

After building up an enormous fan base over the last 18 years, The Simpsons Movie was finally ready to capitalize on the popularity of the television series by jumping to the big screen and the audience certainly followed. Fox reported that the audience for the $75M production was solid in all four quadrants. Strong reviews from critics also helped the cause and probably encouraged many fans who have given up on watching the weekly series to return for the theatrical fun. The studio’s marketing department also deserves a gold medal for its unorthodox campaign which really commanded the attention of the public. From the contest between different towns named Springfield to host the premiere to the conversion of a dozen 7-11 stores into Kwik-E-Marts, the studio was able to generate massive amounts of excitement with creative new ideas.

Dropping a notch from its top spot debut, Adam Sandler and Kevin James cuddled up in second place with the comedy I Now Pronounce You Chuck and Larry which fell 44% to an estimated $19.1M. The Sony release has laughed up a solid $71.6M in its first ten days and should find its way to the neighborhood of $125M. Chuck is performing much like Sandler’s 2002 summer comedy Mr. Deeds which bowed in late June to $37.2M, tallied $73.6M in ten days, and finished with $126.3M.

Another former number one followed. Harry Potter and the Order of the Phoenix dropped 48% to an estimated $17.1M in its third weekend and boosted its 19-day cume to $241.8M. Phoenix posted the smallest third-weekend gross of any Potter film to date, however a final domestic cume close to the $290M of the last installment Goblet of Fire still seems possible.

The hot musical Hairspray posted a decent hold in its second weekend dropping 43% to an estimated $15.6M for New Line. The ensemble pic featuring John Travolta and Queen Latifah watched its total soar to $59.3M after only ten days which already makes it the studio’s top grossing film in two years. The PG-rated entry looks to pass the $103.3M of last winter’s Dreamgirls and may reach about $110M.

Catherine Zeta-Jones headlined the new romantic dramedy No Reservations and found moderate success with an estimated opening of $11.8M. The Warner Bros. release debuted in 2,425 locations as an alternative choice for adult women and averaged a good $4,849. Aaron Eckhart and Abigail Breslin co-star in the story of a chef whose life changes after her sister’s death leaves the woman to care for her niece. Reviews were mixed.

The action smash Transformers placed sixth in its fourth weekend with an estimated $11.5M. Down 44%, the Paramount/DreamWorks co-production boosted its cume to $284.6M putting it at number 31 on the list of all-time domestic blockbusters after The Matrix Reloaded which grossed $281.5M in 2003. Transformers is now the third biggest hit ever for Paramount after Titanic ($600.8M) and Forrest Gump ($329.7M) and also the third largest in DreamWorks history trailing the last two Shrek installments.

In their fifth weekends, Disney’s Ratatouille and Fox’s Live Free or Die Hard held up well grossing estimates of $7.2M and $5.4M, respectively. The Pixar toon dipped 34% and has banked $179.7M to date while the Bruce Willis sequel slipped only 25% pushing the cume to $125.1M. The new John McClane adventure is the actor’s highest grossing live-action film since 1999’s The Sixth Sense.

Two new flops rounded out the top ten. Sony’s Lindsay Lohan horror flick I Know Who Killed Me bowed to an estimated $3.4M from 1,320 theaters for a weak $2,576 average. The R-rated torture pic was never tracking well and its star’s recent arrests put the nail in the coffin for the film’s release. MGM opened the golf comedy Who’s Your Caddy? with an estimated $2.9M averaging only $2,846 from 1,019 sites.

Four films dropped out of the top ten over the weekend. The Warner Bros. romantic comedy License to Wed tumbled 64% to an estimated $1.3M lifting its cume to $41.7M. A mediocre $44M final should result for the Robin Williams pic. Rival comedy Knocked Up has been one of the year’s top comedy performers and fell 48% to an estimated $1.2M giving Universal a superb $145.1M to date. The low-cost $30M production should finish its domestic run with just under $150M.

Horror hit 1408 dropped 54% to an estimated $1.2M giving MGM $70M thus far. As the year’s second biggest fright flick after Disturbia, the John Cusack film should reach about $73M.

The Steve Carell epic comedy Evan Almighty grossed an estimated $1.1M, down 57%, pushing the tally to $96.3M. Produced for $175M, the PG-rated pic will have to work hard with second-run business in order to crack the $100M mark for Universal. It will also have to soar internationally and on video if it wants reach break-even.

A handful of films expanded into wider release this weekend. MGM’s military drama Rescue Dawn grossed an estimated $1.7M from 500 locations for a $3,304 average and $3M cume. The sci-fi thriller Sunshine grossed an estimated $1.3M for Fox Searchlight resulting in a $2,750 average and a total of $1.6M. The Don Cheadle film Talk To Me averaged $6,986 from 115 playdates for a weekend estimate of $803,000. Total sits at $1.9M for Focus.

The top ten films grossed an estimated $165.7M which was up a potent 52% from last year when Miami Vice opened at number one with $25.7M; and up 58% from 2005 when Wedding Crashers rose to the top spot for the first time with $20M in its third frame.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the moves, we’ve got America’s favorite family in their long-awaited big-screen debut (The Simpsons Movie); a tale of two chefs (No Reservations, starring Catherine Zeta-Jones and Aaron Eckhart); a rumble in the jungle (Rescue Dawn, starring Christian Bale), a kidnapping mystery (I Know Who Killed Me, starring Lindsay Lohan); and wacky golf gags (Who’s Your Caddy? Starring Lil Wayne and Big Boi). What do the critics have to say?

The wait is finally over: The Simpsons have migrated from the confines of television to the silver (or is that yellow?) screen. The result? Well, maybe not the “best…. movie… ever,” but pundits say it’s still pretty exxxxx-cellent. Homer, responsible for an eco-disaster, piles Marge, Bart, Lisa, and Maggie into the car and leaves Springfield for Alaska (you were expecting Capital City?). Ah, but who cares about the plot? The critics say The Simpsons Movie is essentially an extra-long episode of the show, but one that contains plenty of the S-M-R-T jokes, killer slapstick, and poignancy that fans have come to expect. At 84 percent on the Tomatometer, The Simpsons Movie is Certified Fresh. Release the hounds.


Mmmmm, Flaming Homer!


No Reservations joins a list of movies (Eat Drink Man Woman, Like Water for Chocolate, Sideways) about the intersection between the taste buds and the heartstrings; unfortunately, the pundits say this one is bland, under-nourishing, and a bunch of other food metaphors. Catherine Zeta-Jones stares as Kate, a master chef who is at first threatened, then inspired, by the presence of rising culinary star Nick (Aaron Eckhart) in the kitchen of an upscale New York restaurant. Critics say No Reservations is appealingly presented, but its combination of predictability and melancholy make it hard to swallow. At 38 percent on the Tomatometer, critics have some Reservations about this one.


“I told you not to do a Zorro sequel!”


When it comes to making movies about the struggle between man and nature, German director Werner Herzog is one of the greats, with such masterpieces as Aguirre, the Wrath of God, Fitzcarraldo, and Grizzly Man to his credit. Add Rescue Dawn to that list. Rescue Dawn stars Christian Bale as Dieter Dengler, a Navy pilot who, after crash-landing in the jungles of Laos, must escape imprisonment and navigate the treacherous depths of the jungle. Critics say Dawn is the closest that Herzog has made to an inspiring popcorn flick, albeit one that challenges viewers’ expectations and doesn’t shortchange the horror or despair of the situation. At 89 percent on the Tomatometer, this is one emotional Rescue. (Check out RT’s take here.)


Crowd surfing on two broken legs is not recommended.


Two of this week’s wide releases contain mysteries unlikely to be solved before they hit theaters. The makers of I Know Who Killed Me aren’t letting critics in on their little secret. Nor will we learn the identity of your caddy, as Who’s Your Caddy? was also withheld from scribes. Killed features troubled starlet Lindsay Lohan as a college student who escapes abduction and torture. Caddy stars Big Boi and Lil Wayne in a film that features the most golf course antics this side of Dorf. Kids, tee up and Guess those Tomatometers!


“No seriously, I really would like to know who will be caddying for you.”


Also opening this week in limited release: Punk’s Not Dead, a zippy doc about punk rock from the beginning to its place in Hot Topic, is at 100 percent on the Tomatometer; No End in Sight, which chronicles the missteps in the Iraq war, is at 95 percent (check out RT’s interview with director Charles Ferguson here); The Devil Came on Horseback, a harrowing look at genocide in Darfur, is at 94 percent; The Camden 28, a doc about resistance to the Vietnam War, is at 92 percent; Moliere, a biopic of the great satirist, is at 87 percent; This is England, a skinhead coming-of-age story, is at 87 percent; The Sugar Curtain, a doc about an elegiac trip to Cuba, is at 86 percent; and Arctic Tale, a nature film featuring polar bears and walruses, is at 53 percent.


“I love it when you call me Big Papa.”

Recent Catherine Zeta-Jones Movies:
———————————————
26% — The Legend of Zorro (2005)
55% — Ocean’s Twelve (2004)
61% — The Terminal (2004)
71% — Intolerable Cruelty (2003)
46% — Sinbad: Legend of the Seven Seas (2003)

Recent Werner Herzog Movies:
————————————–
66% — The Wild Blue Yonder: A Science Fiction Fantasy (2006)
94% — The White Diamond (2005)
94% — Wheel of Time (2005)
93% — Grizzly Man (2005)
53% — Invincible (2002)

Bart, Lisa, and the whole gang from Springfield will charge into multiplexes across North America and much of the world this weekend in the highly anticipated animated comedy The Simpsons Movie which looks to easily conquer the box office. But competing studios do have other menu items in store for moviegoers. Catherine Zeta-Jones stars in the romantic comedy No Reservations, Lindsay Lohan headlines the grisly thriller I Know Who Killed Me, and hip hop star Big Boi tries out the world of golf comedy in Who’s Your Caddy?

Fox is aiming for hardcore followers and casual fans alike with its long-in-the-works comedy The Simpsons Movie which hits screens at midnight on Thursday night. The PG-13 film has a substantial built-in audience and should play out like a semi-sequel. To some extent it will be one of the more unpredictable openings of the summer since there is no track record of Simpsons fans leaving their TVs and paying money at the box office, however the fan base is sizable and will definitely come out upfront. Reviews have been good too so those who tuned out a decade ago and miss the Bobo years should return to try out what the feature-length entree is like.

The studio gets major points for executing what is certainly one of the best marketing campaigns of the year. From turning a dozen 7-11s into Kwik-E-Marts to the SimpsonizeMe web promotion, The Simpsons Movie has been generating substantial interest and has jumped from the entertainment pages to the front pages becoming a major pop culture event. That should lead to a powerful opening weekend, even if large drops follow. The marketplace will get crowded this weekend, however Simpsons will tower over its foes with ease. In fact its nearest competitors should only be in the teen millions so Krusty and company will get the attention of most folks. Busting into 3,922 theaters, The Simpsons Movie could open in the neighborhood of $54M.


The Simpsons Movie


The German film Mostly Martha gets transformed into a star-driven Hollywood vehicle in the comedy No Reservations featuring Catherine Zeta-Jones, Aaron Eckhart, and Abigail Breslin. The PG-rated film features the T-Mobile lady playing a control freak chef who must care for her niece when her sister is killed. Warner Bros. offered sneak previews last weekend to help get some buzz going since the marketplace is getting so crowded now. No Reservations should skew more female making the hotter-than-expected Hairspray a formidable competitor. Starpower is not too high here which will make for another challenge at the box office. Serving up love and laughs in 2,425 locations, No Reservations could gross roughly $9M over the weekend.


No Reservations


What seemed like a good idea a year ago – Lindsay Lohan headlining a thriller – now looks to become an unfortunate casualty of the summer box office race. I Know Who Killed Me, an R-rated scarefest from Sony, hits theaters on Friday riding a wave of bad publicity surrounding its star. Is all publicity, good publicity? Will Lohan’s arrests and substance abuse problems help sell more tickets? Moviegoers will decide that, but Killed enters the marketplace without a lot of fanfare. Hollywood has run the horror genre into the ground this year with an overabundance of product and this one’s harsh rating will make it much tougher to get Lohan’s fan base in. The film looked promising a month ago when scenes of the mean girl doing a stripper routine were released online. But most of the intrigue has evaporated and the pic now stands as yet another scary movie that ticket buyers don’t need. Debuting in about 1,200 locations, I Know Who Killed Me may collect around $4M.


I Know Who Killed Me


MGM releases the golf comedy Who’s Your Caddy? which stars hip hop players Big Boi and Lil Wayne. The PG-13 pic tells of a rap mogul who invades and turns upside-down an elite country club. Opening in only 1,019 theaters with a low-volume marketing push, Caddy is not looking to lead the pack at all but comes as a small offering for teens on summer vacation too bored to see anything else. Given the high amount of competition and the low amount of starpower, the grosses should be small. Who’s Your Caddy? might take in about $2M this weekend.


Who’s Your Caddy?


As if the weekend wasn’t crowded enough, a handful of films that have posted impressive results in limited release test the waters in many more theaters. MGM widens the acclaimed military drama Rescue Dawn from 57 to more than 500 runs, Fox Searchlight expands its sci-fi thriller Sunshine from ten to over 400 locations, and Focus jumps from 36 to 115 playdates with its well-reviewed Don Cheadle starrer Talk To Me. All three should find themselves in the Top 20.


Rescue Dawn


Harry Potter and the Order of the Phoenix took a beating last weekend when the final wizard book hit the shelves. The drop could stabilize this weekend despite the arrival of Apu and friends. A 45% decline would give the Hogwarts clan about $18M and a 19-day cume of $242M.

Adam Sandler comedies typically drop by 45-50% on the second weekend depending on how well received they are. I Now Pronounce You Chuck and Larry is not exactly a fan favorite so sales could get sliced in half and fall to about $17M. That would still give the Universal comedy about $70M after ten days.

New Line enjoyed a better than expected bow for the musical Hairspray which gave the studio its best opening in two years. However its Friday-to-Saturday drop of 15% last weekend indicates that it might be a front-loaded title. Look for a 50% fall to around $14M giving the John Travolta vehicle a ten-day tally of $59M.

LAST YEAR: Universal’s summer action entry Miami Vice opened atop the charts with $25.7M on its way to $63.5M domestically and $164M worldwide. After three weeks at number one, Pirates of the Caribbean: Dead Man’s Chest slipped to second with $20.6M. Fox’s teen comedy John Tucker Must Die enjoyed a solid opening in third with $14.3M leading to a $41M final. The animated film Monster House followed with $11.7M in its sophomore frame. Rounding out the top five was rival toon The Ant Bully with a $8.4M opening on its way to a disappointing $28.1M for Warner Bros. Introducing herself to the world in limited release was Abigail Breslin in Little Miss Sunshine which went on to become a critical and commercial hit grabbing $59.9M at the box office plus four Oscar nominations.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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