Mac And Me

(Photo by Orion/courtesy Everett Collection. Thumbnail: Vertical Entertainment, TriStar Pictures/courtesy Everett Collection)

100 Worst Movies of All Time

It’s bad movies galore as we encounter the Rottenest of the Rotten: 100 movies that scored less than 5% with the critics on the Tomatometer!

You’re going to see lots of 0% movies, and there’s even more out there, but the ones on this list all have at least 20 reviews. We wanted to make sure the movies we’re “vouching” for as the worst ever have inflicted a minimum threshold of agony on critics. And the 20-review entry applies for every other movie on this list, and that includes the usual suspects of garbage cinema, like the deep space train wreck Battlefield Earth, the box office turkey (turtle?) The Master of Disguise, Netflix’s lazy western The Ridiculous 6, and flaccid softcore Killing Me Softly (which also makes a dubious appearance in the 200 best and worst erotic movies).

You may also note a number of significant stinkers are from the past 20 years. It’s not just because Uwe Boll was employed during this time period. And, by the way, he’s actually beat by dubious directing duo Aaron Seltzer and Jason Friedberg, who have four movies on the list. Instead, it’s the fact more reviews are being written and collected than ever before, so today’s disasters have a better chance of vaunting over 20 reviews. (And for movies that share the same score, more reviews means you’re placed higher within the ranking.)

But fret not: Plenty of yesteryear’s bombs are here. After all, the decade that produced Mac & Me has a lot to account for. Some of the classic trash featured includes the soul-sucking Mortal Kombat: AnnihilationSpeed 2: Cruise Control (see what happens when you throw Keanu overboard?), off-the-deep-end Jaws: The Revenge, and prime directive-violating RoboCop 3.

What you won’t see: Some legendary bad movies like CatsBirdemic, and The Room, all of which have cleared at least a 10% Tomatometer. That’s right, they were too good. And Miami Connection and Plan 9 From Outer Space are actually Fresh!

Now that we set the mood for truly bad movies, start the most painful watchlist you’ll ever make with the 100 worst movies of all time!

#100

Mac and Me (1988)
4%

#100
Adjusted Score: 4417%
Critics Consensus: Mac and Me is duly infamous: not only is it a pale imitation of E.T., it's also a thinly-veiled feature length commercial for McDonalds and Coca-Cola.
Synopsis: A young extraterrestrial, separated from its family and stranded on Earth, finds friendship with a boy in a wheelchair.... [More]
Directed By: Stewart Raffill

#99
Adjusted Score: 4326%
Critics Consensus: Featuring mostly wooden performances, laughable dialogue, and shoddy production values, In the Name of the King fulfills all expectations of an Uwe Boll film.
Synopsis: As war looms in an idyllic kingdom, a man named Farmer (Jason Statham) begins a heroic quest to find his... [More]
Directed By: Uwe Boll

#98

Material Girls (2006)
4%

#98
Adjusted Score: 4573%
Critics Consensus: Plagued by paper-thin characterizations and a hackneyed script, Material Girls fails to live up to even the minimum standards of its genre.
Synopsis: Two sibling cosmetics heiresses (Hilary Duff, Haylie Duff) must grow up quickly when a company scandal leaves them penniless. Though... [More]
Directed By: Martha Coolidge

#97

BloodRayne (2005)
4%

#97
Adjusted Score: 4413%
Critics Consensus: BloodRayne is an absurd sword-and-sorcery vid-game adaptation from schlock-maestro Uwe Boll, featuring a distinguished (and slumming) cast.
Synopsis: In 18th-century Romania, after spending much of her life in a traveling circus, human-vampire hybrid Rayne (Kristanna Loken) escapes and... [More]
Directed By: Uwe Boll

#96
#96
Adjusted Score: 4589%
Critics Consensus: A Little Bit of Heaven subjects viewers to a whole bunch of schmaltz - and strands Kate Hudson and Gael García Bernal in a fatally misguided film.
Synopsis: New Orleans ad executive Marley Corbett (Kate Hudson) is a free-spirited woman who embraces her easy sexuality, shuns commitment, and... [More]
Directed By: Nicole Kassell

#95

Darkness (2002)
4%

#95
Adjusted Score: 4274%
Critics Consensus: Yet another predictable variation on the hoary old haunted-house movie, Darkness is an illogical, portentous mess.
Synopsis: Paul (Stephan Enquist) and his older sister, Regina (Anna Paquin), unpack and settle into their new country home with their... [More]
Directed By: Jaume Balagueró

#94

Zoom (2006)
4%

#94
Adjusted Score: 6239%
Critics Consensus: Lacking the punch and good cheer of The Incredibles and Sky High, Zoom is a dull and laugh-free affair.
Synopsis: Capt. Zoom, or Jack (Tim Allen), as he is now known, has long since given up his career of fighting... [More]
Directed By: Peter Hewitt

#93

The Fog (2005)
4%

#93
Adjusted Score: 6127%
Critics Consensus: The Fog is a so-so remake of a so-so movie, lacking scares, suspense or originality.
Synopsis: The prosperous town of Antonio Bay, Ore., is born in blood, as the town's founders get their money by murdering... [More]
Directed By: Rupert Wainwright

#92
#92
Adjusted Score: 6504%
Critics Consensus: Speed 2 falls far short of its predecessor, thanks to laughable dialogue, thin characterization, unsurprisingly familiar plot devices, and action sequences that fail to generate any excitement.
Synopsis: Annie (Sandra Bullock) is looking forward to a Caribbean cruise with her cop boyfriend, Alex (Jason Patric), who purchased the... [More]
Directed By: Jan de Bont

#91

The Covenant (2006)
4%

#91
Adjusted Score: 6573%
Critics Consensus: The Covenant plays out like a teen soap opera, full of pretty faces, wooden acting, laughable dialogue, and little suspense.
Synopsis: In the 17th century, five families with supernatural powers make a pact of silence. Eventually one power-hungry family is banished.... [More]
Directed By: Renny Harlin

#90

Flatliners (2017)
4%

#90
Adjusted Score: 8045%
Critics Consensus: Flatliners falls flat as a horror movie and fails to improve upon its source material, rendering this reboot dead on arrival.
Synopsis: Five medical students embark on a daring and dangerous experiment to gain insight into the mystery of what lies beyond... [More]
Directed By: Niels Arden Oplev

#89
#89
Adjusted Score: 5840%
Critics Consensus: Happily N'Ever After has none of the moxy, edge, or postmodern wit of the other fairy-tales-gone-haywire CG movie it so blatantly rips off.
Synopsis: Fairy Tale Land becomes a realm of happy endings gone wrong when Cinderella's wicked stepmother, Frieda (Sigourney Weaver), joins forces... [More]
Directed By: Paul J. Bolger

#88
#88
Adjusted Score: 6019%
Critics Consensus: Code Name: The Cleaner is a limp action/comedy flick that alternates between lame, worn-out jokes and cheesy martial arts.
Synopsis: When Jake (Cedric the Entertainer) awakes one morning in a strange hotel room, he finds himself in a bit of... [More]
Directed By: Les Mayfield

#87

Movie 43 (2013)
4%

#87
Adjusted Score: 6983%
Critics Consensus: A star-studded turkey, Movie 43 is loaded with gleefully offensive and often scatological gags, but it's largely bereft of laughs.
Synopsis: Twelve directors, including Peter Farrelly, Griffin Dunne and Brett Ratner, contributed to this collection of outrageous spoofs and stories. A... [More]

#86
Adjusted Score: 6374%
Critics Consensus: The Adventures of Pluto Nash is neither adventurous nor funny, and Eddie Murphy is on autopilot in this notorious box office bomb.
Synopsis: "Pluto Nash" is an action comedy set on the moon in the year 2087, starring Eddie Murphy as the title... [More]
Directed By: Ron Underwood

#85

Vampires Suck (2010)
4%

#85
Adjusted Score: 6863%
Critics Consensus: Witlessly broad and utterly devoid of laughs, Vampires Suck represents a slight step forward for the Friedberg-Seltzer team.
Synopsis: Becca (Jenn Proske), an angst-ridden teenager, is torn between two supernatural suitors: vampire Edward (Matt Lanter) and werewolf Jacob (Chris... [More]

#84
#84
Adjusted Score: 7282%
Critics Consensus: Witless, unfocused, and arguably misogynistic, Playing for Keeps is a dispiriting, lowest-common-denominator Hollywood rom-com.
Synopsis: Long past his soccer-playing heyday, George Dryer (Gerard Butler) is struggling financially and failing in his attempt to reconcile with... [More]
Directed By: Gabriele Muccino

#83

Serving Sara (2002)
4%

#83
Adjusted Score: 7284%
Critics Consensus: A romantic comedy that's neither funny nor particularly romantic, Serving Sara is a forgettable time waster.
Synopsis: When Sara (Elizabeth Hurley) is served divorce papers while she is in New York, she is stunned. Not about to... [More]
Directed By: Reginald Hudlin

#82
#82
Adjusted Score: 7961%
Critics Consensus: A strained, laugh-free sequel, The Whole Ten Yards recycles its predecessor's cast and plot but not its wit or reason for being.
Synopsis: After faking his death, former killer-for-hire Jimmy "The Tulip" Tudeski (Bruce Willis) retires to Mexico with his new wife, Jill... [More]
Directed By: Howard Deutch

#81

Godsend (2004)
4%

#81
Adjusted Score: 8746%
Critics Consensus: A murky thriller with few chills, Godsend features ludicrous dialogue, by-the-numbers plotting, and an excess of cheap shocks.
Synopsis: After Paul Duncan (Greg Kinnear) and his wife, Jessie (Rebecca Romijn-Stamos), lose their young son, Adam (Cameron Bright), in an... [More]
Directed By: Nick Hamm

#80
#80
Adjusted Score: 9608%
Critics Consensus: Overly reliant on caricatures and lacking any human insight, Because I Said So is an unfunny, cliche-ridden mess.
Synopsis: Daphne Wilder (Diane Keaton) is the proud mother of three women: Milly (Mandy Moore), Maggie (Lauren Graham) and Mae (Piper... [More]
Directed By: Michael Lehmann

#79

McHale's Navy (1997)
3%

#79
Adjusted Score: 4168%
Critics Consensus: About as funny as a keelhauling, McHale's Navy will leave most viewers feeling they've been the victim of a particularly dishonorable discharge.
Synopsis: Shopkeeper McHale (Tom Arnold) is called back to captain the PT-73 and save a Caribbean island from annihilation.... [More]
Directed By: Bryan Spicer

#78

Arsenal (2017)
3%

#78
Adjusted Score: 4355%
Critics Consensus: Aside from an opportunity to watch a mustachioed Nicolas Cage acting from under a wig and behind a prosthetic nose, Arsenal has depressingly little to offer.
Synopsis: The Lindel brothers, Mikey and JP, only had each other to rely on growing up. As adults, JP finds success... [More]
Directed By: Steven C. Miller

#77

Twelve (2010)
3%

#77
Adjusted Score: 3273%
Critics Consensus: As pretentious as it is hopelessly clichéd, this Twelve is closer to zero.
Synopsis: A high-school dropout (Chace Crawford) sells drugs to his wealthy former classmates.... [More]
Directed By: Joel Schumacher

#76
#76
Adjusted Score: 3391%
Critics Consensus: Overly formulaic and tonally inconsistent, Getting Even with Dad tries for a sentimental conclusion it doesn't earn and winds up a slapsticky cash grab aimed at fans of Home Alone.
Synopsis: Con man Ray Gleason (Ted Danson) is going after one last heist -- a stash of rare coins -- when... [More]
Directed By: Howard Deutch

#75

Passion Play (2010)
3%

#75
Adjusted Score: 3422%
Critics Consensus: Passion Play has a terrific cast, but don't be fooled - the only real question at the heart of this misbegotten mystery is what its stars were thinking.
Synopsis: A washed-up musician (Mickey Rourke) tries to protect an enigmatic winged woman (Megan Fox) from a merciless gangster (Bill Murray)... [More]
Directed By: Mitch Glazer

#74

The Darkness (2016)
3%

#74
Adjusted Score: 3262%
Critics Consensus: The Darkness clumsily relies on an assortment of genre tropes, leaving only the decidedly non-frightening ghost of superior horror films in its wake.
Synopsis: Peter Taylor (Kevin Bacon), his wife Bronny and their two children return to Los Angeles after a fun-filled vacation to... [More]
Directed By: Greg McLean

#73

Deal (2008)
3%

#73
Adjusted Score: 2569%
Critics Consensus: Employing multiple cinematic clichés and milking stale performances, Deal proves inadequate for even the lowly regarded poker movie genre.
Synopsis: Tommy Vinson (Burt Reynolds), a former cardsharp, gave up poker years ago when his wife threatened to leave him. Tommy... [More]
Directed By: Gil Cates Jr.

#72
Adjusted Score: 2551%
Critics Consensus: A severely misguided and inept comedy incapable of even telling its single joke properly.
Synopsis: Innocent Midwesterner Bucky Larson (Nick Swardson) works in a dead-end job as a grocery bagger and has never even kissed... [More]
Directed By: Tom Brady

#71

Down to You (2000)
3%

#71
Adjusted Score: 4659%
Critics Consensus: Down to You is ruined by a bland, by-the-numbers plot and an awful script.
Synopsis: College coeds in New York City, Al (Freddie Prinze Jr.), the son of a celebrity chef (Henry Winkler), and Imogen... [More]
Directed By: Kris Isacsson

#70
#70
Adjusted Score: 4395%
Critics Consensus: A grungy, disjointed, mostly brainless mess of a film, House of the Dead is nonetheless loaded with unintentional laughs.
Synopsis: Simon (Tyron Leitso) and Greg (Will Sanderson) meet a group of friends and set out to attend a rave on... [More]
Directed By: Uwe Boll

#69

The Apparition (2012)
3%

#69
Adjusted Score: 4919%
Critics Consensus: The Apparition fails to offer anything original, isn't particularly scary, and offers so little in the way of dramatic momentum that it's more likely to put you to sleep than thrill you.
Synopsis: Plagued by frightening occurrences in their home, Kelly (Ashley Greene) and Ben (Sebastian Stan) learn that a university's parapsychology experiment... [More]
Directed By: Todd Lincoln

#68

The Mod Squad (1999)
3%

#68
Adjusted Score: 5239%
Critics Consensus: The Mod Squad aims for stylish cool and thrilling adventure, but collapses in an incoherent jumble of dated source material and unintentional hilarity.
Synopsis: Julie (Claire Danes) is on her way to jail for assault. Arsonist Linc (Omar Epps) is looking at serious prison... [More]
Directed By: Scott Silver

#67

Deuces Wild (2002)
3%

#67
Adjusted Score: 3843%
Critics Consensus: Melodramatic and weighed down with silly dialogue, Deuces Wild is a forgettable, overheated thriller that leaves no cliche unturned.
Synopsis: Leon (Stephen Dorff) and Bobby (Brad Renfro) are brothers who, with their friends, are determined to maintain the way of... [More]
Directed By: Scott Kalvert

#66

The Roommate (2011)
3%

#66
Adjusted Score: 5705%
Critics Consensus: Devoid of chills, thrills, or even cheap titillation, The Roommate isn't even bad enough to be good.
Synopsis: When Sara (Minka Kelly), a young design student from Iowa, arrives for college in Los Angeles, she is eager to... [More]

#65

Half Past Dead (2002)
3%

#65
Adjusted Score: 5337%
Critics Consensus: Seagal is now too bulky to make a convincing action hero, and Half Past Dead is too silly and incoherent to deliver any visceral kicks.
Synopsis: Criminal mastermind Donny/49er One (Morris Chestnut) has set in motion a plan to infiltrate a high-tech prison in order to... [More]
Directed By: Don Michael Paul

#64

FeardotCom (2002)
3%

#64
Adjusted Score: 4827%
Critics Consensus: As frustrating as a 404 error, Fear Dot Com is a stylish, incoherent, and often nasty mess with few scares.
Synopsis: When four bodies are discovered among the industrial decay and urban grime of New York City, brash young detective Mike... [More]
Directed By: William Malone

#63

Bless the Child (2000)
3%

#63
Adjusted Score: 5918%
Critics Consensus: Bless the Child squanders its talented cast on a plot that's more likely to inspire unintentional laughs than shivers.
Synopsis: When Maggie's sister Jenna saddles her with an autistic newborn named Cody she touches Maggie's heart and becomes the daughter... [More]
Directed By: Chuck Russell

#62

Jack and Jill (2011)
3%

#62
Adjusted Score: 5997%
Critics Consensus: Although it features an inexplicably committed performance from Al Pacino, Jack and Jill is impossible to recommend on any level whatsoever.
Synopsis: Thanksgiving is usually a happy time, but ad executive Jack (Adam Sandler) dreads the holiday because his twin sister, Jill... [More]
Directed By: Dennis Dugan

#61

Rollerball (2002)
3%

#61
Adjusted Score: 6436%
Critics Consensus: Removing the social critique of the original, this updated version of Rollerball is violent, confusing, and choppy. Klein makes for a bland hero.
Synopsis: Jonathan (Chris Klein) is the most popular player in the fastest and most extreme sport of all time: rollerball. Along... [More]
Directed By: John McTiernan

#60
#60
Adjusted Score: 7779%
Critics Consensus: Ugly, campy, and poorly acted, Battlefield Earth is a stunningly misguided, aggressively bad sci-fi folly.
Synopsis: In the year 3000, there are no countries, no cities... Earth is a wasteland. And man is an endangered species.... [More]
Directed By: Roger Christian

#59

Getaway (2013)
3%

#59
Adjusted Score: 8493%
Critics Consensus: Monotonously fast-paced to the point of exhaustion, Getaway offers a reminder of the dangers in attempting to speed past coherent editing, character development, sensible dialogue, and an interesting plot.
Synopsis: Though he used to race cars for a living, Brent Magna (Ethan Hawke) is now pitted against the clock in... [More]
Directed By: Courtney Solomon

#58
Adjusted Score: 2838%
Critics Consensus: The Haunting of Molly Hartley is a rather lifeless horror endeavor, with a pedestrian plot and few scares.
Synopsis: After surviving a brutal attack by her insane mother, teenage Molly (Haley Bennett) is eager to get a fresh start... [More]
Directed By: Mickey Liddell

#57

Nina (2016)
2%

#57
Adjusted Score: 3793%
Critics Consensus: A wholly misguided tribute to its subject's searing talent and enduring impact, Nina is the cinematic equivalent of a covers project featuring all the wrong artists.
Synopsis: Manager Clifton Henderson (David Oyelowo) helps singer and pianist Nina Simone (Zoe Saldana) rediscover her love for music.... [More]
Directed By: Cynthia Mort

#56
#56
Adjusted Score: 3059%
Critics Consensus: Kickin' It Old Skool is one big unfunny pop culture reference that doesn't feature many laughs.
Synopsis: At a talent show in 1986, young Justin Schumacher suffers a head injury and slips into a coma. Twenty years... [More]
Directed By: Harvey Glazer

#55

Baby Geniuses (1999)
2%

#55
Adjusted Score: 3315%
Critics Consensus: Flat direction and actors who look embarrassed to be onscreen make Baby Geniuses worse than the premise suggests.
Synopsis: Evil partners (Kathleen Turner, Christopher Lloyd) experiment on an infant and send his twin to a reputable research nursery.... [More]
Directed By: Bob Clark

#54
#54
Adjusted Score: 3147%
Critics Consensus: Strange Wilderness is a laugh-free comedy that's both aimless and overly crass.
Synopsis: Peter Gaulke takes over, when his father, a respected wildlife TV host dies, but receives far less success. When the... [More]
Directed By: Fred Wolf

#53
#53
Adjusted Score: 3147%
Critics Consensus: A tired, unfunny, offensive waste of time, Meet the Spartans scrapes the bottom of the cinematic barrel.
Synopsis: When Xerxes (Ken Davitian), the evil god king of Persia, sends his massive army to Sparta, King Leonidas (Sean Maguire)... [More]

#52
Adjusted Score: 5798%
Critics Consensus: With its shallow characters, low budget special effects, and mindless fight scenes, Mortal Kombat - Annihilation offers minimal plot development and manages to underachieve the low bar set by its predecessor.
Synopsis: Every generation, a portal opens up between the Outerworld and Earth. Emperor Shao-Kahn (Brian Thompson), ruler of the mythical Outerworld,... [More]
Directed By: John R. Leonetti

#51

King's Ransom (2005)
2%

#51
Adjusted Score: 3235%
Critics Consensus: Filled with crass dialogue, unlikable characters, and overdone slapstick gags, King's Ransom is an utterly inept would-be comedy.
Synopsis: When the rich and arrogant Malcolm King (Anthony Anderson) informs his wife, Renee (Kellita Smith), that he plans to divorce... [More]
Directed By: Jeff Byrd

#50

Texas Rangers (2001)
2%

#50
Adjusted Score: 2288%
Critics Consensus: As far as westerns go, Texas Rangers is strictly mediocre stuff.
Synopsis: Texas, 1875. In a land without justice, where chaos reigns, one legendary man, Leander McNelly (Dylan McDermott), is chosen to... [More]
Directed By: Steve Miner

#49
#49
Adjusted Score: 2589%
Critics Consensus: Dull and unfunny, One For the Money wastes Katherine Heigl's talents on a stunningly generic comic thriller.
Synopsis: New Jersey native Stephanie Plum (Katherine Heigl) has plenty of attitude, even if she is broke after six months of... [More]
Directed By: Julie Anne Robinson

#48

The In Crowd (2000)
2%

#48
Adjusted Score: 2659%
Critics Consensus: A dull, soapy potboiler that lacks the energy to qualify as a guilty pleasure, The In Crowd is undone by slow pacing, poor acting, and a stunning lack of originality.
Synopsis: Adrien Williams has spent time at a psychiatric hospital, learning to come to terms with a troubled past and is... [More]
Directed By: Mary Lambert

#47

Crossover (2006)
2%

#47
Adjusted Score: 3097%
Critics Consensus: This heartfelt but incompetent, cliche-ridden sports picture is the cinematic equivalent of an airball.
Synopsis: The lives of a gifted athlete (Wesley Jonathan) and his best friend (Anthony Mackie) change when they take a fateful... [More]

#46

Epic Movie (2007)
2%

#46
Adjusted Score: 3158%
Critics Consensus: A crude comedy with nothing new or insightful to say about the subjects it satirizes.
Synopsis: Four adult orphans (Kal Penn, Adam Campbell, Faune Chambers, Jayma Mays) have an incredible adventure in a spoof of blockbuster... [More]

#45

Left Behind (2014)
1%

#45
Adjusted Score: 3288%
Critics Consensus: Yea verily, like unto a plague of locusts, Left Behind hath begat a further scourge of devastation upon Nicolas Cage's once-proud filmography.
Synopsis: The entire planet is thrown into mayhem when millions of people disappear without a trace -- all that remains are... [More]
Directed By: Vic Armstrong

#44

Disaster Movie (2008)
1%

#44
Adjusted Score: 3310%
Critics Consensus: Returning to their seemingly bottomless well of flatulence humor, racial stereotypes, and stale pop culture gags, Jason Friedberg and Aaron Seltzer have produced what is arguably their worst Movie yet.
Synopsis: During a fateful night, a group of impossibly attractive 20-somethings (Matt Lanter, Vanessa Minnillo, Kim Kardashian) must dodge a series... [More]

#43

Daddy Day Camp (2007)
1%

#43
Adjusted Score: 3878%
Critics Consensus: A mirthless, fairly desperate family film, Daddy Day Camp relies too heavily on bodily functions for comedic effect, resulting in plenty of cheap gags but no laughs.
Synopsis: Spurred on by their wives' insistence that their children attend summer camp, daycare entrepreneurs Charlie Hinton (Cuba Gooding Jr.) and... [More]
Directed By: Fred Savage

#42
#42
Adjusted Score: 3943%
Critics Consensus: An ill-concieved attempt to utilize Dana Carvey's talent for mimicry, The Master of Disguise is an irritating, witless farce weighted down by sophomoric gags.
Synopsis: Pistachio Disguisey (Dana Carvey), a genial waiter at his father Frabbrizio's (James Brolin) Italian restaurant, possesses an uncanny knack for... [More]
Directed By: Perry Andelin Blake

#41
#41
Adjusted Score: 5497%
Critics Consensus: Inept on almost every level, Alone in the Dark may not work as a thriller, but it's good for some head-slapping, incredulous laughter.
Synopsis: When the investigations of supernatural detective Edward Carnby (Christian Slater) lead him to uncover a long-lost tribe called the Abskani,... [More]
Directed By: Uwe Boll

#40

Twisted (2004)
1%

#40
Adjusted Score: 5579%
Critics Consensus: An implausible, overheated potboiler that squanders a stellar cast, Twisted is a clichéd, risible whodunit.
Synopsis: Recently promoted and transferred to the homicide division, Inspector Jessica Shepard (Ashley Judd) feels pressure to prove herself -- and... [More]
Directed By: Philip Kaufman

#39

Dark Tide (2012)
0%

#39
Critics Consensus: Shallow and brackish, Dark Tide fails to rise.
Synopsis: A traumatized shark expert (Halle Berry) must battle her own fears to lead a thrill-seeking businessman on a dive into... [More]
Directed By: John Stockwell

#38

Stolen (2009)
0%

#38
Critics Consensus: With plot points Stolen from countless superior films, this would-be thriller squanders a solid cast on overly serious and suspense-free storytelling.
Synopsis: A detective (Jon Hamm) becomes obsessed with solving a child's 50-year-old murder, uncovering striking similarities between the case and his... [More]
Directed By: Anders Anderson

#37

Constellation (2005)
0%

#37
Critics Consensus: Though earnestly directed, Constellation lacks dramatic fireworks and eventually falls into TV-movie sentimentality.
Synopsis: The continuing legacy of a long-ago, interracial love affair forms the backdrop for a tale of an extended Southern family's... [More]

#36

Folks! (1992)
0%

#36
Adjusted Score: 938%
Critics Consensus: Don't watch this alleged comedy looking for more than pained performances in support of ill-advised ageist jokes, because that's all Folks! has to offer.
Synopsis: When Jon (Tom Selleck), a well-heeled professional, visits his mother, Mildred (Anne Jackson), in the hospital, he's unaware of how... [More]
Directed By: Ted Kotcheff

#35
Adjusted Score: 923%
Critics Consensus: Utterly, completely, thoroughly and astonishingly unfunny, Police Academy 4: Citizens on Patrol sends a once-innocuous franchise plummeting to agonizing new depths.
Synopsis: Feeling that his squad is not up to snuff, a police commander comes up with an unorthodox plan to hire... [More]
Directed By: Jim Drake

#34

Simon Sez (1999)
0%

#34
Adjusted Score: 28%
Critics Consensus: Simon Sez no matter how starved you are for something to watch, there has to be a better option than this dreadfully misguided action thriller.
Synopsis: Interpol agent Simon (Dennis Rodman) is gathering information about the weapons trade on the French Riviera and trying to pinpoint... [More]
Directed By: Kevin Elders

#33

Precious Cargo (2016)
0%

#33
Adjusted Score: 463%
Critics Consensus: No consensus yet.
Synopsis: To get back in the good graces of her murderous boss (Bruce Willis), a seductive thief (Claire Forlani) recruits an... [More]
Directed By: Max Adams

#32

Max Steel (2016)
0%

#32
Adjusted Score: 397%
Critics Consensus: Bereft of characterization or even satisfying rock 'em sock 'em, Max Steel feels like futzing with an action figure without any childhood imagination.
Synopsis: Teenager Max McGrath (Ben Winchell) discovers that his body can generate the most powerful energy in the universe. Steel (Josh... [More]
Directed By: Stewart Hendler

#31
#31
Adjusted Score: 663%
Critics Consensus: A trifecta of failure for writer-director-star Keenen Ivory Wayans, A Low Down Dirty Shame lives repeatedly and resolutely down to its title.
Synopsis: After hitting a wall in his case against drug kingpin Ernesto Mendoza (Andrew Divoff), private eye Andre Shame (Keenen Ivory... [More]
Directed By: Keenen Ivory Wayans

#30

Transylmania (2009)
0%

#30
Critics Consensus: Never aiming higher than threadbare jokes and offensive attempts at politically incorrect humor, Transylmania is a vampire comedy that truly sucks.
Synopsis: College students arrive at a Romanian castle for a semester abroad, unaware that the place is infested with vampires.... [More]

#29
#29
Critics Consensus: This overly wacky farce strains for sophistication but lacks polish and a coherent narrative.
Synopsis: A gay man (Stanislas Merhar) tells a woman (Jane Birkin) impersonating a psychiatrist that he witnessed a murder.... [More]
Directed By: Andrew Litvack

#28
#28
Critics Consensus: Respected director Chen Kaige's first English-language film is a spectacularly misguided erotic thriller, with ludicrous plot twists and cringe-worthy dialogue.
Synopsis: A woman (Heather Graham) grows suspicious of her controlling husband (Joseph Fiennes) after she discovers secrets about the women in... [More]
Directed By: Chen Kaige

#27

Bolero (1984)
0%

#27
Adjusted Score: 1185%
Critics Consensus: Bolero combines a ludicrous storyline and wildly mismatched cast in its desperate attempts to titillate, but only succeeds in arousing boredom.
Synopsis: A 1920s English heiress (Bo Derek) seeks ecstasy with a sheik in Morocco and a bullfighter (Andrea Occhipinti) in Spain.... [More]
Directed By: John Derek

#26

Homecoming (2009)
0%

#26
Adjusted Score: 18%
Critics Consensus: A lazy collection of obsession thriller clichés, Homecoming will leave viewers wishing they'd opted for a lopsided football game and some awkward dancing instead.
Synopsis: A jealous woman (Mischa Barton) plots revenge after her former beau (Matt Long) returns to their hometown with a pretty... [More]
Directed By: Morgan J. Freeman

#25
Adjusted Score: 1150%
Critics Consensus: There should have been only one.
Synopsis: In this sci-fi/fantasy sequel, Connor MacLeod (Christopher Lambert) has become an elderly man after losing his immortality. Living in a... [More]
Directed By: Russell Mulcahy

#24
#24
Adjusted Score: 729%
Critics Consensus: The Disappointments Room lives down to its title with a thrill-free thriller that presumably left its stars filled with regret - and threatens to do the same for audiences.
Synopsis: Dana (Kate Beckinsale), her husband David and their 5-year-old son Lucas start a new life after moving from the hustle... [More]
Directed By: D.J. Caruso

#23
#23
Adjusted Score: 1423%
Critics Consensus: Look Who's Talking Now: Look away.
Synopsis: James (John Travolta) and Mollie Ubriacco (Kirstie Alley) are expanding the family again, this time with Rocks the mutt (Danny... [More]
Directed By: Tom Ropelewski

#22

Staying Alive (1983)
0%

#22
Adjusted Score: 1858%
Critics Consensus: This sequel to Saturday Night Fever is shockingly embarrassing and unnecessary, trading the original's dramatic depth for a series of uninspired dance sequences.
Synopsis: Six years after his glittering triumph in the disco dance contest of "Saturday Night Fever," an older and wiser Tony... [More]
Directed By: Sylvester Stallone

#21

Redline (2007)
0%

#21
Adjusted Score: 293%
Critics Consensus: Redline has plenty of bad acting, laughable dialogue, and luxury cars.
Synopsis: Natasha (Nadia Bjorlin) is an aspiring singer and an ace driver. She gets a gig illegally racing flashy sports cars... [More]
Directed By: Andy Cheng

#20
#20
Adjusted Score: 4160%
Critics Consensus: Rather than exciting audiences with a thrilling race against time, Shadow Conspiracy suggests there may be a secret cabal duping talented actors into selecting woefully deficient scripts.
Synopsis: Presidential aide Bobby Bishop (Charlie Sheen) runs into an old professor who tells him of a secret plot to assassinate... [More]
Directed By: George P. Cosmatos

#19

Cabin Fever (2016)
0%

#19
Adjusted Score: 928%
Critics Consensus: No need for a quarantine -- enthusiasm for this inert remake is not contagious.
Synopsis: Fresh out of college, five friends (Nadine Crocker, Matthew Daddario, Samuel Davis) face the horrors of a flesh-eating virus while... [More]
Directed By: Travis Z

#18

3 Strikes (2000)
0%

#18
Adjusted Score: 285%
Critics Consensus: 3 Strikes lacks direction and its low-brow humor isn't even that funny.
Synopsis: Rob Douglas (Brian Hooks) is just released from jail. The state adopts a "3 strikes" rule for felons that involves... [More]
Directed By: D.J. Pooh

#17

Wagons East! (1994)
0%

#17
Adjusted Score: 99%
Critics Consensus: Wagons East! is a witless, toothless satire of Westerns that falls far below the standard set by Blazing Saddles, and is notable only for being John Candy's final screen performance.
Synopsis: When a group of dissatisfied settlers decides they've had enough of the Wild West, they hire James Harlow (John Candy),... [More]
Directed By: Peter Markle

#16

Problem Child (1990)
0%

#16
Adjusted Score: 1523%
Critics Consensus: Mean-spirited and hopelessly short on comic invention, Problem Child is a particularly unpleasant comedy, one that's loaded with manic scenery chewing and juvenile pranks.
Synopsis: Ben (John Ritter) is a good-hearted guy who's always wanted a son of his own, but so far he and... [More]
Directed By: Dennis Dugan

#15
Adjusted Score: 1775%
Critics Consensus: Despite its lush tropical scenery and attractive leads, Return to the Blue Lagoon is as ridiculous as its predecessor, and lacks the prurience and unintentional laughs that might make it a guilty pleasure.
Synopsis: When widow Sarah Hargrave (Lisa Pelikan) washes ashore on a tropical island with her daughter and adopted son, she learns... [More]
Directed By: William A. Graham

#14
#14
Adjusted Score: 358%
Critics Consensus: Misguided, misconceived, and misbegotten on every level, The Nutcracker in 3D is a stunning exercise in astonishing cinematic wrong-headedness.
Synopsis: ... [More]
Starring: Unknown Actor
Directed By: Andreas Morell

#13

London Fields (2018)
0%

#13
Adjusted Score: 1298%
Critics Consensus: London Fields bungles its beloved source material and an intriguingly eclectic cast, leaving audiences with a would-be neo-noir of interest only to the morbidly curious.
Synopsis: Clairvoyant femme fatale Nicola Six has been living with a dark premonition of her impending death by murder. She begins... [More]
Directed By: Mathew Cullen

#12

Stratton (2017)
0%

#12
Adjusted Score: 1313%
Critics Consensus: Stratton's action-thriller ambitions are roundly thwarted by a derivative story, misguided casting, and a low-budget feel underscored by unimpressive set pieces.
Synopsis: After the death of his American counterpart, an MI6 agent and his team must race against time to stop a... [More]
Directed By: Simon West

#11
#11
Adjusted Score: 1826%
Critics Consensus: Every bit as lazily offensive as its cast and concept would suggest, The Ridiculous Six is standard couch fare for Adam Sandler fanatics and must-avoid viewing for film enthusiasts of every other persuasion.
Synopsis: White Knife, an orphan raised by Native Americans, discovers that five outlaws are actually his half-brothers. Together, they set out... [More]
Directed By: Frank Coraci

#10

Dark Crimes (2016)
0%

#10
Adjusted Score: 1377%
Critics Consensus: Dark Crimes is a rote, unpleasant thriller that fails to parlay its compelling true story and a committed Jim Carrey performance into even modest chills.
Synopsis: A hard-boiled detective becomes suspicious of an author when the incidents described in his hit novel resemble the inner-workings of... [More]
Directed By: Alexandros Avranas

#9
#9
Adjusted Score: 2744%
Critics Consensus: Illogical, tension-free, and filled with cut-rate special effects, Jaws: The Revenge is a sorry chapter in a once-proud franchise.
Synopsis: The family of widow Ellen Brody (Lorraine Gary) has long been plagued by shark attacks, and this unfortunate association continues... [More]
Directed By: Joseph Sargent

#8
Adjusted Score: 2191%
Critics Consensus: This Crime is punishment.
Synopsis: Two men and a woman plan the heist of the century before a government-broadcast signal wipes out crime forever.... [More]
Directed By: Olivier Megaton

#7

Gold Diggers (2003)
0%

#7
Adjusted Score: 728%
Critics Consensus: It aspires to Farrelly-level offensiveness, but the PG-13 rating and a dearth of decent gags renders Gold Diggers tame, toothless, and dull.
Synopsis: Calvin (Will Friedle) and Leonard (Chris Owen), two broke losers, are arrested for trying to rob rich old sisters Doris... [More]
Directed By: Gary Preisler

#6
Adjusted Score: 902%
Critics Consensus: A startling lack of taste pervades Superbabies, a sequel offering further proof that bad jokes still aren't funny when coming from the mouths of babes.
Synopsis: Toddlers use their special abilities to stop a media mogul (Jon Voight) from altering the minds of children.... [More]
Directed By: Bob Clark

#5

Pinocchio (2002)
0%

#5
Adjusted Score: 1085%
Critics Consensus: Roberto Benigni misfires wildly with this adaptation of Pinocchio, and the result is an unfunny, poorly-made, creepy vanity project.
Synopsis: A woodcarver creates a puppet (Roberto Benigni) that longs to become a real boy.... [More]
Directed By: Roberto Benigni

#4

Gotti (2018)
0%

#4
Adjusted Score: 2726%
Critics Consensus: Fuhgeddaboudit.
Synopsis: Raised on the streets of New York, young John Gotti found his way into the Gambino crime family, eventually having... [More]
Directed By: Kevin Connolly

#3
#3
Adjusted Score: 1776%
Critics Consensus: Dated jokes (A Thousand Words was shot in 2008) and removing Eddie Murphy's voice -- his greatest comedic asset -- dooms this painful mess from the start.
Synopsis: Jack McCall (Eddie Murphy) is a selfish literary agent whose fast-talking ways allow him to close any deal. His next... [More]
Directed By: Brian Robbins

#2

One Missed Call (2008)
0%

#2
Adjusted Score: 2623%
Critics Consensus: One of the weakest entries in the J-horror remake sweepstakes, One Missed Call is undone by bland performances and shopworn shocks.
Synopsis: When Beth Raymond (Shannyn Sossamon) witnesses the deaths of two friends, she knows there is more at work than just... [More]
Directed By: Éric Valette

#1
Adjusted Score: 3471%
Critics Consensus: A startlingly inept film, Ballistic: Ecks vs. Sever offers overblown, wall-to-wall action without a hint of wit, coherence, style, or originality.
Synopsis: Haunted by the mysterious death of his wife, Jeremiah Ecks (Antonio Banderas) has become a recluse, but the former FBI... [More]
Directed By: Kaos

Exciting announcements abound this week (Fearless Director’s Cut! A new Little Mermaid movie! Gossip Girl on DVD!) while Nicolas Cage’s treasure-hunting adventure sequel, National Treasure: Book of Secrets, tops new releases.


Jet Li’s Extended Fearless Comes to Region 1!

Jet Li‘s “final” wu-shu epic — not to be confused with regular old action films and Hollywood fluff like The Forbidden Kingdom, in which he continues to star — was a modest success with American audiences when it opened in 2006. But the original cut, which featured an additional 35 minutes of footage and an entire subplot starring Michelle Yeoh, was never released in the U.S. ….until now! Universal has announced the July debut of Jet Li’s Fearless: The Director’s Cut, which will include the original theatrical, unrated, and 141-minute director’s cuts along with deleted scenes and a featurette. Look for the two-disc release this July 8.

More dirty hidden images headed our way…

Similarly exciting news, different demographic: they’re making a new Little Mermaid movie! Prequel tale The Little Mermaid: Ariel’s Beginning will hit shelves August 26 and tell the story of how Ariel — redhead, ocean princess, collector of whose-its and whatz-its galore — became the girl she was, before she turned into a dissatisfied, soul-trading teenager who longed to become human, get legs, find love, etc.

OMG, kids!

The best show you won’t admit to watching (unless you’re a fourteen-year-old girl, in which case it’s mandatory viewing) is coming to DVD this August! See what’s got the Facebook generation abuzz by checking out the soapy goings-on among the posh Manhattan private school crowd. Extra features slated for the 5-disc package include unaired scenes, a gag reel, featurettes, and a download of the first source novel, as read by Christina Ricci. Like we said, OMG!

OMFG, nerds!

Lastly, earning the exclamation “OMFG” is news that Criterion has moved forward with their long-awaited release of the most notorious film not currently available on DVD: Salo. Pier Paolo Pasolini’s anti-Fascist tale of moral and physical degradation was told in such graphic detail that the film was banned in many countries; out of print for years, DVDs of Salo had been going for hundreds of dollars in recent years. Criterion now shares details of the two-disc August release, which will include a documentary about the film, a documentary about the final scene, new interviews, and more.

Click for this week’s new releases!

National Treasure: Book of Secrets


Tomatometer: 32%

Audiences just can’t get enough of globe-hopping treasure hunters, can they? Nicolas Cage‘s sequel to 2004’s Indiana Jones-ripping National Treasure eclipsed the success of its predecessor and is set to continue the trend as it comes to DVD this week. Cage reprises his role as Ben Gates, who now must defend his great-great-grandfather’s reputation, kidnap the President, find a city of gold, and uncover the titular tome.

Bonus Features:

The two-disc release includes commentary by director Jon Turtletaub and John Voight, deleted scenes, and tons of featurettes. Perhaps one of them explains why Oscar-winner Helen Mirren signed on for a part as Mama Gates, Ben’s historian mother.

George A. Romero’s Diary of the Dead



Tomatometer: 60%

Horror master George A. Romero gambled on his own storied zombie franchise in his most recent horror film, shot largely with handheld cameras in a cinema verite style — which could have been called “The Blair Witch Zombie Project.” Shot documentary-style by a gaggle of college kids who find themselves documenting a zombie outbreak, Diary provides expected levels of gore and suspense, heavily tempered by Romero’s own political bent.

Bonus Features:

Bonus menu highlights are five user-submitted short films that won a place on the DVD.


Night of the Living Dead


Tomatometer: 95%

Romero’s first cult hit is also returning to DVD this week in an all-new restored and remastered cut. The 40th Anniversary release features cast and crew commentaries, the “Last Interview with Duane Jones,” a gallery of stills, a DVD-ROM screenplay, and more.


Strange Wilderness

Tomatometer: 00%

Giving the miserable thriller One Missed Call a run for its money as the worst-reviewed film of 2008 is this “comedy”; it’s got fewer reviews in and made far less money, but the Tomatometer remains the same: double zeroes! When the hosts of a nature show become desperate for ratings, they go into the wild in search of Bigfoot.

Bonus Features:

Will a full menu of deleted scenes and featurettes make this worth your while? We doubt it.


The Flock

Tomatometer: N/A

This Richard Gere starrer was slated for theatrical release once upon a time — and really, haven’t we seen plenty of terrible thrillers come and go already this year? (Deception, we’re looking at you.) Director Andrew Lau, whose Infernal Affairs inspired Marty Scorsese’s Oscar-winning The Departed, makes his English language debut with this sex crime suspense flick, which makes its way straight to DVD this week.

Bonus Features:

Nothing says “bonus” like a supporting performance by Avril Lavigne, right?


The Muppet Show – Season Three

Tomatometer: N/A

“It’s time to play the music; it’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight!” Season Three of The Muppet Show is available this week in a splendid four-disc collection, a must-own for any fan of Kermit and co.

Bonus Features:

Featuring the likes of Gilda Radner, Cheryl Ladd, Raquel Welch, and Sylvester Stallone, the expansive release has bonus material like the 1968 documentary “Muppets on Puppets,” vintage Muppet commercials, and an all new featurette in which key players reminisce on the origins of characters like Miss Piggy (watch a clip below).


‘Til next week, happy viewing!

Tween girls sacked the competition over Super Bowl weekend as the music pic Hannah Montana & Miley Cyrus: Best of Both Worlds Concert
shattered records and opened at number one at the North American box office.
Debuting in second with solid results of its own was the Jessica Alba
creepfest The Eye,
but the comedies Over Her Dead Body
and Strange Wilderness
debuted outside of the top ten with more modest results. Overall, the
marketplace stayed strong with the top ten beating year-ago levels by more than
30% for the third consecutive weekend.

Shooting higher than the loftiest of expectations, Disney’s
Hannah Montana
film commanded an estimated $29M in ticket sales this
weekend from only 683 theaters for an eye-popping $42,460 average setting a new
record for the Super Bowl frame. Presented in digital 3D cinemas, with 96% of
the sites featuring RealD technology, the grosses were boosted by most
exhibitors charging $15 per ticket instead of the usual admission charges.
Still, the G-rated film more than doubled its nearest competitor and sold out
over a thousand showtimes during the weekend. The release was not as wide as
other films since Disney was limited to only those auditoriums equipped with the
necessary facilities to project in digital 3D.

Hannah Montana set a number of new box office milestones although
asterisks will need to be added to the record books since it had the advantage
of the higher-priced tickets. It was the largest opening ever over Super Bowl
weekend beating the $21.6M of 2006’s horror entry
When a Stranger
Calls
, and the largest overall weekend gross over this frame surpassing
Titanic
which banked $25.2M in 1998 in its sixth weekend. The gross for the iceberg
romance would be over $36M at today’s regular prices. Hannah also set the
record for the smallest amount of theaters for a film debuting at number one.

Best of Both Worlds offered fans many reasons to rush out and grab a
seat. Given the star’s 69-city sold-out concert tour, the film allowed Hannah
lovers an easier way to see their favorite singer locally without having to get
parents to buy scalped tickets. Add in the digital 3D presentation and the
promotion of an exclusive one-week-only run and ticket buyers wasted no time in
making sure they got their stubs and showed up. An event film was born. Due to
the incredible demand, the studio has now announced that the film will be
open-ended and will play beyond the initial seven-day run.

Sales were exceptional right out of the gate with Friday delivering a stunning
$8.6M in business. Saturday saw incredible strength with matinee business from
kids going on their parents’ first day off from work with sales surging an
amazing 52% to $13.1M. The studio has estimated that Sunday’s grosses will drop
by 45% to $7.3M. Most studios are estimating larger-than-normal declines of
60-65% on Sunday for their films because of the Super Bowl, however Hannah
Montana
‘s young female audience is least likely to care about the big game
so its drop should be lighter.

Studio research indicated few surprises in the audience turnout. Females made up
a whopping 84% of the crowd and those under the age of 25 accounted for 70%.
Reviews were generally upbeat for the trim 74-minute concert film which allowed
theaters to schedule plenty of showtimes over the weekend to absorb demand.

Hollywood’s annual Super Bowl weekend horror offering had to settle for the
runnerup prize. The Eye,
a remake of a Hong Kong horror hit with Jessica Alba
anchoring the U.S. version, bowed to an estimated $13M from 2,436 locations for
a solid $5,357 average. The PG-13 pic about a blind violinist who gains
supernatural visions of death after an eye transplant played slightly more to
young women as the audience was 56% female, according to studio research.
Lionsgate grossed $4.9M on Friday, edged up 16% to $5.7M on Saturday, and
estimated a 58% drop on Sunday to $2.4M. The Eye debuted with more than
twice as much as Alba’s last thriller
Awake ($5.9M) and was in
line with the $13.7M launch of her recent romantic comedy
Good Luck Chuck
.


 

Fox’s 27 Dresses
held steady in third place and played as a great non-football alternative for
women by grossing an estimated $8.4M in its third weekend. Katherine Heigl‘s
hit comedy dipped by just 37%. Cume for Dresses now sits at $57.1M.
Another funny gal from the Fox stable, Oscar nominee and Entertainment Weekly
covergirl Ellen Page, rose three notches to fourth with Juno
which collected an estimated $7.5M, off only 27%, for a robust $110.3M total.


The studio’s spoof comedy Meet the Spartans
tumbled by 62% in its second session and placed fifth with an estimated $7.1M.
Budgeted at $18M, the PG-13 laugher has taken in $28.3M in ten days and should
conclude with $40-45M putting it in the same neighborhood as the creative team’s Epic Movie
which grossed $39.7M at this same exact time last year. Close behind was
Sylvester Stallone‘s
action pic Rambo
with an estimated $7M falling an identical 62% from its debut. Lionsgate has
taken in $29.8M in ten days and may finish with close to $45M.


 

Taking in an estimated $6.9M was the  Jack Nicholson
and Morgan Freeman
joint venture The Bucket List
which slipped 35% pushing the cume to $67.7M for Warner Bros.
Diane Lane‘s
crime thriller Untraceable
suffered a sizable sophomore slump falling 52% to an estimated $5.4M for a sum
of $19.5M after ten days. Produced for over $30M, the R-rated pic is set to end
with a mediocre $30-35M.


 

Cloverfield
crumbled another 62% in its third weekend to an estimated $4.9M. Paramount
has made $72M to date. The studio’s specialty division Paramount Vantage
expanded its Academy Award contender
There Will Be
Blood
from 885 to 1,507 theaters and rounded out the top ten with an
estimated $4.8M. Off a scant 2%, the
Daniel
Day-Lewis
drama upped its total to $21.1M.




 

A pair of new comedies opened to disappointing results outside of the top
ten.
Eva Longoria Parker
headlined the pic Over Her Dead Body
and bowed to an estimated $3.6M from 1,977 sites for a weak $1,821 average. The
New Line release about a ghost who haunts her fiance’s new squeeze marked the
first headlining role in a feature film for the Desperate Housewives
star. Paramount Classics countered with the nature flick Strange Wilderness
starring Steve Zahn
which debuted to just $3.1M, according to estimates. The R-rated title averaged
only $2,525 from 1,208 locations. Both films were trashed by critics, to
nobody’s surprise.


 

Two other films dropped out of the top ten this weekend. The
Nicolas Cage
blockbuster sequel National Treasure: Book of Secrets
took in an estimated $3.1M, off 38%, for a $209.9M cume after its seventh
session. The adventure saga ranks as the ninth biggest hit released in 2007 and
will surpass 300’s $210.6M by the end of the week to climb one more spot. Look
for Book of Secrets to conclude with $215-218M domestically representing
a 25% increase over the first
National Treasure
‘s
$173M from 2004. Worldwide, Secrets has already hauled in over $375M to
date.




 

Not collecting as much treasure was the heist comedy Mad Money
which fell 56% to an estimated $2M in its third weekend. With $18.6M in 17 days,
the Overture Films release should finish with roughly $22M.



 

The top ten films grossed an estimated $93.9M which was up a sensational 42%
from last year when
The Messengers

opened at number one with $14.7M; and up 23% from 2006 when
When a Stranger
Calls
debuted in the top spot with $21.6M.

This week at the movies, we’ve got creepy visions (The Eye, starring
Jessica Alba), haunted romances (Over Her Dead Body, starring
Paul Rudd
and Eva Longoria Parker), woodland misadventures (Strange Wilderness,
starring Steve Zahn and
Allen Covert), and teen idols (Hannah Montana & Miley
Cyrus: Best of Both Worlds Concert
). What do the critics have to say?

In the world of romantic comedies featuring specters interfering in earthly
affairs, pundits say
Over Her Dead Body
is DOA. When his fiancée (Eva
Longoria Parker) dies on their wedding day, Henry (Paul Rudd) consults a psychic
with whom he falls head over heels in love; little does he know the spirit of
his dead flame is watching this new romance develop, and is none too pleased.
Critics say Dead is several notches below
Blithe Spirit
and
Heaven
Can Wait
in the supernatural romance sweepstakes, featuring uninspired
performances and a script that lacks the energy and light touch to generate
laughs. At 25 percent on the Tomatometer, the critics are over Her Dead
Body
. (Check out our interview with star Jason Biggs
here.)



"From this point on, you’re dead to me!"


Hannah Montana & Miley
Cyrus: Best of Both Worlds Concert
is pretty long
way from
Stop Making Sense
or
Gimme Shelter
. However, if you’re a
tween girl, you’ll probably find that it’s right up your alley. In Concert,
the squeaky-clean star of the Disney Channel performs her hits, and the movie
offers some backstage footage as well. Critics say Best of Both Worlds is
reasonably involving; it’s well-crafted, and Cyrus comes off as hard-working and
likeable. Plus, it’s a lot cheaper — and offers more perspectives — than
Cyrus’ live show. At 80 percent on the Tomatometer, Best of Both Worlds
should please its target demographic — and perhaps surprise some parents.

Reviews for The Eye were embargoed until the day of release, and
Strange Wilderness wasn’t screened at all. The Eye is the story of a blind
woman (Jessica Alba) who, after surgery, sees terrifying visions. Strange
Wilderness
follows a group of nature TV show hosts who hatch a plan to find
Bigfoot to boost ratings. Kids, you should know the drill by now: Guess those Tomatometers! (And read RT’s interview with Alba
here, and check out
our Total
Recall
with a roundup of memorable movie moments involving eyes.)



"ZUUUUUUUUUUUUUUUUL!"

Also opening this week in limited release:


  • The Silence Before Bach
    ,
    a meditative, metaphorical documentary about the great composer, is at 100
    percent.


  • The Witnesses
    ,
    a tale of five young Parisians coping with AIDS in the 1984, is at 88 percent on
    the Tomatometer.

  • The Lebanese import Caramel,
    a comedy about a discussion of life and love between five women, is at 88
    percent.


  • Live and Become
    ,
    about a Jewish Ethiopian boy’s life in Israel, is at 81 percent.

  • And Praying with Lior, the story of a deeply religious boy with Down
    syndrome, is at 71 percent.



"I’ve always considered Mendelssohn to be Snoop to my Dre."
 

And finally, props to
Mr. Bowler,
Comment,
Whiskeyriver,
Grover141, and
Punktuate for correctly guessing
Meet the Spartans
‘ three percent
Tomatometer. Remember this day, folks, for it will be yours for all time.

Recent Asian Horror Remakes:
——————————–
0% — One Missed Call (2008)
10% — The Grudge 2 (2006)
12% — Pulse (2006)
45% — Dark Water (2005)
40% — The Grudge (2004)

While Brady and Manning duke it out in Phoenix, the $15 movie ticket aims to conquer the multiplexes over Super Bowl weekend. That’s the admission price that theaters are charging moviegoers that line up for Disney’s Hannah Montana concert film which opens Friday on a wave of fan frenzy that has given the hot pic event-film status with young girls everywhere. But other ladies that got their big break from a television series will enter the weekend race at the North American box office too. Jessica Alba stars in the supernatural thriller The Eye while Eva Longoria Parker headlines the comedy Over Her Dead Body. Guys will be tossed their own entry in the form of the nature comedy Strange Wilderness. Disney and Lionsgate will be the studios competing for the box office trophy as Sony’s seven-year streak of ruling Super Bowl weekend will come to an end.

Tween girls who couldn’t get their parents to shell out a grand for a scalped ticket for Hannah Montana’s live concerts can now cough up a Hamilton and a Lincoln and see the big show at their local multiplex. Disney goes 3D for its special one-week-only engagement of Hannah Montana & Miley Cyrus: Best of Both Worlds Concert which aims to capitalize on the immense fan base for the Disney Channel superstar. The G-rated musicfest will play mostly to girls but should lure in nearly 100% of its target demographic with what has become a major event film for lovers of all things Hannah. With a trim 74-minute running time, theaters will be able to squeeze in six showtimes per day to maximize their revenue. School teachers nationwide may have to brace for record high absenteeism on Friday.

The Hannah Montana phenomenon has become a cash cow for the studio. Thanks to last year’s live concerts which sold out within minutes, fans have wasted no time in pre-buying their movie tickets for Best which has been a top seller all through December and January. Fandango.com reported on Wednesday that the film accounted for a whopping 91% of all tickets purchased with over 1,000 showtimes already sold out coast to coast. Rival MovieTickets.com stated that Best has already joined its all-time top ten list of pre-sales ranking alongside tentpole sequels from franchises such as Harry Potter and The Lord of the Rings. Helping Montana-mania at the box office will be those increased $15 ticket prices which will allow the overall grosses to swell.

Best of Both Worlds could very well be one of those box office surprises that exceeds all expectations thanks to intense demand plus brilliant marketing and distribution. This could be a Borat-type weekend when the film with the fewest theaters actually beats out all of its competitors for the top spot. In fact the numbers could climb really high if parents join their daughters for the show, or if repeat business kicks in with fans seeing the film multiple times since it will only be on the big screen for seven days. The Super Bowl should not be much of a distraction since young females are typically the quadrant least interested in the big game. Hitting the stage in 683 movie theaters with digital 3D facilities, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert could open to about $17M this weekend.


That Hannah Montana movie.

Jessica Alba won’t be singing on any stage but the pregnant actress will hit the big screen for the fourth time in eight months with Lionsgate’s new supernatural thriller The Eye. A Hollywood remake of the hit Hong Kong horror flick about a blind woman who sees frightening visions after an eye transplant, the PG-13 film should play to genre fans everywhere over a weekend that welcomes scary movies. Openings for recent fright flicks over Super Bowl weekend include $14.7M for last year’s The Messengers, $21.6M for 2006’s When A Stranger Calls, and $19M for Boogeyman in 2005. All were Sony releases. All opened at number one. That studio’s Screen Gems unit and Lionsgate are the two industry leaders when it comes to mining riches from horror films.

Although there are no other major horror flicks out there, The Eye will still face formidable competition. Hannah Montana is a very different type of film, but it will take some teen girls out of the picture. Young males also have plenty of other choices out there. But Alba is a decent box office draw despite the weak launch of her last thriller Awake which debuted to only $5.9M. The Eye is in a much better position to find success, though. A scary trailer, a creepy one-sheet, a commercially-friendly rating, and a popular star in the lead all will contribute to a solid debut. The Eye opens in 2,436 locations on Friday and could scare up roughly $14M over three days.


Jessica Alba and friend in The Eye.

Eva Longoria Parker headlines her first feature film with Over Her Dead Body which will target women too old to enjoy a Miley Cyrus concert. The PG-13 pic finds the Desperate Housewives actress playing a ghost who haunts a psychic that is falling for her ex-fiance. Paul Rudd and Jason Biggs co-star in the New Line release. Body should skew heavily female and Parker has the potential to one day become a box office draw. But this may not be the vehicle to spark that change. The concept is not very intriguing and mixed reviews will probably keep it from finding a large paying audience. Plus fellow ABC heavyweight Katherine Heigl already has a lock on women with 27 Dresses which has been well received. Opening in 1,977 theaters, Over Her Dead Body could debut to around $6M.


Eva Longoria Parker, Paul Rudd and Lake Bell in Over Her Dead Body.

Paramount targets young men with its new comedy Strange Wilderness which stars Steve Zahn, Justin Long, and Superbad‘s Jonah Hill. The R-rated film will face many tough challenges in the marketplace such as competition from the Super Bowl and the restrictive rating that will affect much of the core audience’s ability to buy tickets. Zahn is no marquee name and is not a reliable anchor for a mainstream comedy. And despite hefty declines, films like Meet the Spartans, Rambo, and Cloverfield will steal away over $20M in combined business from the exact audience Wilderness is trying to reach. Overall interest is not very high so a launch in 1,208 theaters should lead to an opening weekend of around $3M for Strange Wilderness.


Steve Zahn and friend in Strange Wilderness.

Last weekend’s front-loaded boy flicks will get shoved aside this time by the girls. After opening at number one, the spoof comedy Meet the Spartans should see a hefty drop thanks to football fever, competition from new releases, and an upfront bow that attracted most fans last weekend. A year ago, Epic Movie fell by 55% in its sophomore session and a similar decline is in store for Spartans. Look for a $8M frame and a ten-day cume of $29M for Fox.

Sylvester Stallone settled for the vice president’s job on last weekend’s chart with Rambo and with most fans charging theaters in the beginning, not much of an audience will be left. Plus the Lionsgate film lacks the positive vibe that the actor/filmmaker saw with Rocky Balboa last winter. A 55% fall would give Rambo roughly $8M and a sum of $31M after ten days.

Fox could enjoy a solid third frame with its chick flick 27 Dresses which has been holding up well since its strong opening. A 40% decline to $8.5M would give the Heigl hit $57M after 17 days. Diane Lane also could see a reasonably good hold for her crime thriller Untraceable which may drop 40% to $7M for a ten-day tally of $20M. The monster flick Cloverfield fell hard in its second weekend and another sizable drop of 55% could give Paramount $5.5M and a 17-day total of $73M.

LAST YEAR: Super Bowl weekend saw teen girls edge past their moms at the box office as the thriller The Messengers bowed at number one with $14.7M beating out the $13.1M debut of the Diane Keaton pic Because I Said So. Final grosses reached $35.4M for the Sony spookfest and $42.7M for Universal’s star-driven comedy. Holdovers rounded out the top five. Epic Movie dropped from the top spot to third with $8.4M, the hit comedy Night at the Museum followed in fourth with $6.4M, and Smokin’ Aces placed fifth with $6.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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