Say what you will about her script choices and off-screen behavior of late, but Lindsay Lohan has never been a slouch when it comes to getting her name in the news — and to prove it, we’ve got not one, not two, but three Lindsay-riffic news items for you.
Last week was just packed with Lindsay news, starting with the starlet’s nude photo shoot for New York magazine. The photos, taken by Bert Stern, were meant to recreate Marilyn Monroe‘s “Last Sitting,” the series shot by Stern in 1962, six weeks before Monroe’s death. Skeevy? Morbid? Perhaps. But hey, with Lindsay in her birthday suit, all parties involved had to know where most of the attention would be focused. (The link’s at the bottom of the article, and if you somehow haven’t seen the photos yet, here’s your warning: Obviously NSFW.)
In and of itself, the Lohan shoot isn’t the sort of thing we’d normally talk about here — but it sparked a flurry of interest in (surprise!) the starlet’s acting career, which many assumed to be in suspended animation after Georgia Rule and I Know Who Killed Me (more on the latter later). One of the bits of information that bobbed to the surface in the photoshoot’s wake was the announcement — exclusively confirmed to E! News — that Lohan has signed on to star opposite Jack Black in a comedy titled Ye Olde Times. From the article:
A source at Patriot Pictures, which is producing the yukfest, told E! News that the film follows two rival Renaissance Faire troupes as they make their way through the competitive circuit. It’s unclear whether Lohan will be one of Black’s repertory players or a member of a competing Ren Faire faction.
It sounds — dare we say it? — like something worth seeing. Something rather like the opposite of I Know Who Killed Me, in other words, leading us to our third bit of Lindsay news, which is that the aforementioned flop was the unquestioned “winner” of this year’s Golden Raspberry Awards, held Saturday morning in Santa Monica. I Know Who Killed Me made Razzies history, actually, racking up an unprecedented eight trophies. View the carnage below:
I Know Who Killed Me
Lindsay Lohan, I Know Who Killed Me
Worst Supporting Actress:
Lindsay Lohan (as Aubrey), I Know Who Killed Me
Lindsay Lohan (as Dakota), I Know Who Killed Me
Worst Screen Couple:
Lindsay Lohan & Lindsay Lohan, I Know Who Killed Me
Worst Remake or Rip-Off:
I Know Who Killed Me (Rip-Off of Hostel, Saw, and The Patty Duke Show)
Worst Prequel or Sequel:
Daddy Day Camp
Chris Siverston, I Know Who Killed Me
Jeffrey Hammond, I Know Who Killed Me
Worst Excuse for a Horror Movie:
I Know Who Killed Me
No awards season — even a strike-tainted one — would be complete without the Razzies, right? Of course not. And that’s why we’ve thoughtfully assembled all of this year’s nominees in one convenient location.
The Razzies, now entering their 28th year, have been celebrating the worst in film since 1980, when John Wilson took a raspberry trophy, spray-painted it gold, and stuck it to Can’t Stop the Music. This year’s nominees are suitably distinguished, and they all follow below (with Tomatometers in parentheses). ‘Fess up, Vineketeers — how many of these have you seen? And enjoyed?
Nicolas Cage, for Ghost Rider (27 percent), National Treasure: Book of Secrets (32 percent), and Next (30 percent)
Jim Carrey, for The Number 23 (8 percent)
Cuba Gooding, Jr., for Daddy Day Camp and Norbit
Eddie Murphy, for Norbit
Adam Sandler, for I Now Pronounce You Chuck & Larry
Jessica Alba, for Awake (21 percent), Fantastic Four: Rise of the Silver Surfer (35 percent), and Good Luck Chuck (3 percent)
Logan Browning, Janel Parrish, Nathalia Ramos & Skyler Shaye, for Bratz
Elisha Cuthbert, for Captivity (7 percent)
Diane Keaton, for Because I Said So (5 percent)
Lindsay Lohan (as Aubrey), for I Know Who Killed Me
Lindsay Lohan (as Dakota), for I Know Who Killed Me
Worst Supporting Actor:
Orlando Bloom, for Pirates of the Carribbean: At World’s End (45 percent)
Kevin James, for I Now Pronounce You Chuck & Larry
Eddie Murphy, for Norbit
Rob Schneider, for I Now Pronounce You Chuck & Larry
Jon Voight, for Bratz, National Treasure: Book of Secrets, September Dawn (13 percent), and Transformers (57 percent)
Worst Supporting Actress:
Jessica Biel, for I Now Pronounce You Chuck & Larry and Next
Carmen Electra, for Epic Movie (2 percent)
Eddie Murphy, for Norbit
Julia Ormond, for I Know Who Killed Me
Nicolette Sheridan, for Code Name: The Cleaner (4 percent)
Worst Screen Couple:
Jessica Alba with Dane Cook (for Good Luck Chuck), Hayden Christensen (for Awake), and Ioan Gruffudd (for Fantastic Four: Rise of the Silver Surfer)
Any combination of two totally air-headed characters in Bratz
Lindsay Lohan and Lindsay Lohan, for I Know Who Killed Me
Worst Remake or Ripoff:
Are We Done Yet? (8 percent, remake/ripoff of Mr. Blandings Builds His Dream House)
Bratz (a ripoff if ever there was one)
Epic Movie (ripoff of every movie it rips off)
I Know Who Killed Me (ripoff of Hostel, Saw, and The Patty Duke Show)
Who’s Your Caddy? (7 percent, ripoff of Caddyshack)
Geoff Rodkey and David J. Stem & David N. Weiss, Daddy Day Camp
Jason Friedberg & Aaron Seltzer, Epic Movie
Jeffrey Hammond, I Know Who Killed Me
Barry Fanaro and Alexander Payne & Jim Taylor, I Now Pronounce You Chuck & Larry
Eddie Murphy & Charles Murphy, Jay Sherick & David Ronn, Norbit
Worst Excuse for a Horror Movie:
Aliens vs. Predator: Requiem
Hostel: Part II
I Know Who Killed Me
If you’re looking for a good time on DVD this week, you’re in luck — as long as you navigate the minefields of the rotten (Mr. Bean’s Holiday, Hot Rod) and the even worse (Lindsay Lohan‘s career-murdering I Know Who Killed Me) to pick up a genuine charmer (Waitress), a solid familial tale (The Namesake), a mind-boggling anime import (Paprika), or our personal pick, the return of Futurama (Bender’s Big Score)!
Small town waitress Jenna (Keri Russell) desperately wants out of her abusive marriage and her dead-end life, passing the time baking delicious and whimsically-named pies while dreaming of leaving town. When she finds out she’s pregnant, everything changes, thanks to a secret romance with the local OB-GYN (Nathan Fillion), a chance at winning a $25,000 at a pie bake-off, and the newfound joys of motherhood. Bolstered by a warmly quirky supporting cast, this southern charmer comes to DVD as a bittersweet coda to the life of writer-director and co-star Adrienne Shelly, who was tragically killed last year. Months after her death Shelly’s film was accepted into the Sundance Film Festival and picked up for distribution, and opened to critical acclaim the following spring.
Mira Nair (Monsoon Wedding, Vanity Fair) returns to form with this solid adaptation of Jhumpa Lahiri’s novel, about the culture clash between two generations of an Indian immigrant family. Comic actor Kal Penn (Harold & Kumar Go To White Castle) goes dramatic as American-born son Gogol, who struggles to balance his dueling identities and his relationships with two different women; Indian cinema stars Irfan Khan and Tabu play the beleaguered traditionalist parents, who find that their children have grown up very differently than they had imagined.
When a mind-invading device goes missing, doctors enlist Paprika, an electronic persona, to navigate the hallucinogenic dream world and find the culprit. Director Satoshi Kon employs eye-popping visuals and a surrealist touch to invoke the experience of sub-conscious reverie in his artful (if nonsensical) adaptation of the 1993 science fiction novel of the same name. Four featurettes on the disc give insight into the production of the film, but this one is worth it for the film alone.
Good news, Futurama fans! In this first of four new films, evil aliens send misanthropic robot Bender back in time to help them take over Earth, sparking a chain of events that could change the course of history; more importantly, series fans get the return of characters like Zapp Brannigan, Nibbler, Robot Santa, Al Gore as himself, and Kwanzaabot, voiced by the inestimable Coolio. Cast and crew commentary, featurettes, a full 20 minutes of Hypnotoad and more await you in the bonus menu. And remember, the return of the Best. Animated. Series. Ever. hinges on the sales of this and the next three Futurama DVDs, so if you really care about the fate of Planet Express and its dysfunctional delivery crew, snap up this release! (And check out our chat with director Dwayne Carey-Hill and producer Claudia Katz!)
This slow-simmering noir follows a slick-talking salesman (Guy Pearce) whose ominous visit to a roadside fortune teller (J.K. Simmons) portends success — and death — on the horizon. Critics were split on whether first time director Mark Fergus (screenwriter of Children of Men and the forthcoming Iron Man) effectively builds tension in his story or deflates it, but the cast in this indie thriller is certainly notable. Besides, it’s supporting actor William Fichtner‘s birthday today, if that’s enough of a reason to give this flick a chance.
Mr. Bean’s Holiday
The irrepressible Mr. Bean (Rowan Atkinson) returns to theaters a full decade after his first big-screen endeavor (Bean), and despite improving upon that 36 percent Tomatometer effort, he’s still got the scribes befuddled. This time the silent funnyman finds himself on a prize vacation to Cannes, France, recording his travels en route to the 2006 Cannes Film Festival. If you’ve seen any of the classic television show, you already know what you’re in store for; if not, be happy knowing there will be no more additional Bean movies to suffer through.
Saturday Night Live enjoyed an energy boost when the Lonely Island comedy trio of Jorma Taccone, Akiva Schaffer, and Andy Samberg signed on (what fan could live now without SNL‘s brilliant Digital Shorts?), but their first feature film — about an aspiring stuntman named Rod — failed to capture the hearts of the critical mass. We say, what up scribes? Hot Rod‘s got a killer 1980s hair metal soundtrack, a punch-dancing sequence, and enough silly laughs to make us want to drop a Hamilton on some crazy delicious cupcakes.
Canadian horror, eh. A half-blood werewolf boy is the key to ending an age-old curse in one small town, but a band of bloodlusting lycans aim to keep the curse alive. Howlingly bad? You be the judge (or trust us, and listen to the critics on this one).
We know, we know. Who would have thought that a stereotype-reinforcing, live action version of a children’s toy line aimed at pre-teen mallrats could be anything but stellar fare?
Ouch. Lindsay Lohan‘s latest couldn’t even beat the irredeemable Bratz movie’s Tomatometer (some might say it single-handedly killed her career). Comparisons to movies like Boxing Helena and unnecessarily gory torture porn flicks don’t help, either. Sadly, we know as well as TriStar Pictures that the extended stripper sequence will boost DVD sales exponentially…
Take aim, home theater enthusiasts. May your DVD-hunting arrows fly true.
Another wide assortment of summer offerings will hit the multiplexes across North America this weekend. The action-comedy sequel Rush Hour 3 leads the way as the main course and will be joined by side dishes like the fantasy adventure Stardust, the family comedy Daddy Day Camp, and the horror flick Skinwalkers. The third mega-opening in a row should keep overall ticket sales abnormally high for this time of year.
Six years and one week after the last installment opened, Rush Hour 3 hits theaters from coast to coast hoping to recapture the magic that made its two predecessors shatter industry expectations. Jackie Chan, Chris Tucker, and director Brett Ratner have all reteamed (with some handsome raises) for a story about the world’s biggest organized crime syndicate whose secrets are hidden in Paris. The first Rush Hour smashed the September opening weekend box office record with a $33M launch in 1998. Rush Hour 2 set a new August opening record in 2001 with its $67.4M debut which it held until last weekend’s The Bourne Ultimatum arrived. Together, Carter and Lee have arrested $367M domestically and $575M worldwide with their pair of cross-cultural buddy cop hits.
But a lot of time has passed since the last Rush Hour film and some fans may have lost interest in a formula that can easily get tired the third time around. The new pic should play mostly to existing fans and will not create too many new ones. Still, Rush Hour 3 does offer the most ethnic starpower of any film this summer so business from multicultural moviegoers should be very strong. Jason Bourne’s second weekend will provide ample competition for the action crowd, then again Rush Hour 2 had to deal with the second weekend of Planet of the Apes which opened the week before with a similarly potent $68.5M which at the time was the second biggest opening in history. So Chan and Tucker can handle the pressure. Expect those who like this dish to come back for a third helping for what should be the final big bow of the summer season. Crashing into more than 3,100 theaters, Rush Hour 3 could speed to about $61M this weekend.
Fox’s hit toon The Simpsons Movie, already the third highest grossing animated film of the year after the ogre threequel and the rodent comedy, should stabilize this weekend after its hefty sophomore slump of two-thirds. A 50% decline would give Homer and pals around $12.5M for the weekend and a 17-day total of $153M.
LAST YEAR: Will Ferrell stayed put at number one with the hit comedy Talladega Nights despite a 53% drop to $22.1M in its second lap for Sony. Buena Vista raced past expectations with its teen sensation Step Up which bowed in the number two spot with a stellar $20.7M on its way to $65.3M. Paramount’s 9/11 drama World Trade Center debuted in third with $18.7M over three days and $26.5M over five days. The Oliver Stone pic went on to gross a solid $70.3M. The studio’s animated film Barnyard slipped only 39% in its sophomore session to $9.7M taking fourth place. Opening to mild results in fifth was the thriller Pulse with $8.2M on its way to $20.3M for The Weinstein Co. Sony crashed and burned in ninth with the kidpic Zoom which bowed to just $4.5M leading to a weak $11.6M final.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
This week at the movies, we got amnesiac spies (The Bourne Ultimatum, starring Matt Damon and Julia Stiles), loser daredevils (Hot Rod, with Andy Samberg and Isla Fisher), salsa singers (El Cantante, starring Marc Anthony and Jennifer Lopez), school girls (Bratz: The Movie, starring Nathalia Ramos and Jon Voight), flying canines (Underdog, starring Jason Lee and Peter Dinklage), and radio personalities (Talk to Me, starring Don Cheadle and Chjwetel Ejiofor). What do the critics have to say?
The third in a series is rarely the best — witness the critical response to the latest Shrek and Spidey installments. However, if you found the thrills and chills of The Bourne Identity and Supremacy too sedate, you’re in luck; critics say The Bourne Ultimatum is one of the most exciting, action-paced movies of the summer, and is easily the best in the series (not too shabby, considering the other two were both Certified Fresh). Yet again, Matt Damon isn’t really sure who he is or how he became such an awesome killing machine, and yet again, he’s on the run from the authorities. But in this episode, pundits say Damon really comes into his own as an action star here, and director Paul Greengrass is well on his way to becoming an auteur of commercial filmmaking. Critics say the dizzying camerawork, rapid-fire editing, and overall craftsmanship make for one wild ride. At 92 percent on the Tomatometer, this may be the ultimate Bourne.
Critics are musing: is Bratz much better than Barbie? Since 2001, the ethnically diverse dolls have built an empire based on their unique brand of girl power and lip gloss, including this film adaptation featuring four girls overcoming their differences and joining together in holy BFFness. But critics deem Bratz: The Movie a vapid and clueless enterprise, with characters who don’t seem to have any discernable characteristics beyond fashion and material wealth. And it freely employs stereotypes (girls must be skinny, boys must be dreamy, and adults are idiots) while paradoxically arguing stereotypes are bad. At 11 percent Tomatometer, these Bratz need a lesson in filmmaking.
You loved him when he was drinking Mr. Pibb with a Red Vines straw, and you loved him when he was cutting holes in boxes. But will you love Andy Samberg in Hot Rod, his feature-length debut in which he stars as an awful amateur daredevil trying to raise money for his ill stepfather? Though Samberg is singled out for his enthusiastic, mischievous charm, little else appears to impress the critics. They say Hot Rod tries for an anarchic brand of physical and lowbrow jokes, but ends up irritating and random instead, the kind of disjointed comedy that gives SNL movies its bad name. At 30 percent Tomatometer, Rod is anything but hot. (Check out our interview with Samberg and his Lonely Island pals here.)
It’s been said before, but it bears repeating: Don Cheadle is one of the best actors in Hollywood today. In his latest, Talk to Me, Cheadle gives a performance that some pundits are calling Oscar-worthy — while noting his co-star, Chjwetel Ejiofor, is no slouch as well. Cheadle plays proto-shock jock Petey Green, an ex-con who brought freshness, humor, and irreverence to the medium during the tumultuous and heady late 1960s. While some pundits note that the film has some bumpy patches – often a problem for biopics — they say the performances and energy are strong enough to overlook most flaws. At 79 percent on the Tomatometer, the Certified Fresh Talk to Me is a movie worth talking about.
Hector Lavoe isn’t widely known with the American public. And that probably won’t change much with the release of El Cantante, a biopic based on the late Puerto Rican salsa singer’s life. Marc Anthony stars as Lavoe, but it’s the life of Lavoe’s wife (played by Jennifer Lopez) that, for better or worse, you’ll remember the most vividly from the movie. Critics call Lopez’s scenery-chewing a vanity acting job, as the rest of the movie is too loosely loose structure, creating a vacuum of character and narrative focus. And while El Cantante revels in biopic clichés, it never bothers revealing why Hector Lavoe was even worthy of an inspiring biopic in the first place. At 26 percent Tomatometer, El Cantante hits a sour note.
“Never fear — Underdog is here!” So went the rallying cry of everyone’s favorite super-pooch back in the day. Now? It appears the people behind Underdog have plenty to fear from critics, since the film wasn’t screened before hitting theaters. The usually-dependable Jason Lee and Peter Dinklage star in the tale (or is it tail?) of a mutt who, after an experiment, gains superpowers. Kids, after you’re done taking Fido for a stroll around the block, Guess the Tomatometer.
Also opening this week in limited release: Summer ’04, a riveting tale of a summer holiday gone awry, is at 92 percent on the Tomatometer; Blame it on Fidel, a Parisian coming-of-age tale about a young girl and her radical activist parents, is at 92 percent; Them, a tense and existential horror flick from France, is at 81 percent; The Willow Tree, a Bergman-esque Iranian drama of a man coming to grips with death, is at 80 percent; Colossal Youth, a sprawling drama about urban life in Portugal, is at 71 percent; Becoming Jane, a biopic of Jane Austen’s early life, is at 62 percent; and The Ten, an anthology of comic vignettes based on the Ten Commandments, is at 57 percent.
Moviegoers across North America embraced The Simpsons Movie which beat out all industry expectations for an explosive number one opening this weekend grossing more than the next four biggest hits combined. The Fox release collected an estimated $71.9M in its first weekend in theaters and averaged a spectacular $18,320 per site from 3,922 locations. The PG-13 comedy enjoyed the third largest debut ever for an animated film trailing only Shrek the Third and Shrek 2 which bowed to $121.6M and $108M, respectively.
The Simpsons Movie delivered the fifth biggest July opening weekend ever after the megasequels Pirates of the Caribbean: Dead Man’s Chest ($135.6M in 2006), Spider-Man 2 ($88.2M in 2004), Harry Potter and the Order of the Phoenix ($77.1M in 2007), and Austin Powers in Goldmember ($76.6M in 2002). It also ranks fifth among the biggest non-sequel opening weekends in history following Spider-Man ($114.8M in 2002), Harry Potter and the Sorcerer’s Stone ($90.3M in 2001), The Passion of the Christ ($83.8M in 2004), and The Da Vinci Code ($77.1M in 2006). The magic number five is also where The Simpsons Movie stands in Fox’s company history behind the debuts of the last two installments in both the Star Wars and X-Men franchises.
After building up an enormous fan base over the last 18 years, The Simpsons Movie was finally ready to capitalize on the popularity of the television series by jumping to the big screen and the audience certainly followed. Fox reported that the audience for the $75M production was solid in all four quadrants. Strong reviews from critics also helped the cause and probably encouraged many fans who have given up on watching the weekly series to return for the theatrical fun. The studio’s marketing department also deserves a gold medal for its unorthodox campaign which really commanded the attention of the public. From the contest between different towns named Springfield to host the premiere to the conversion of a dozen 7-11 stores into Kwik-E-Marts, the studio was able to generate massive amounts of excitement with creative new ideas.
Dropping a notch from its top spot debut, Adam Sandler and Kevin James cuddled up in second place with the comedy I Now Pronounce You Chuck and Larry which fell 44% to an estimated $19.1M. The Sony release has laughed up a solid $71.6M in its first ten days and should find its way to the neighborhood of $125M. Chuck is performing much like Sandler’s 2002 summer comedy Mr. Deeds which bowed in late June to $37.2M, tallied $73.6M in ten days, and finished with $126.3M.
Another former number one followed. Harry Potter and the Order of the Phoenix dropped 48% to an estimated $17.1M in its third weekend and boosted its 19-day cume to $241.8M. Phoenix posted the smallest third-weekend gross of any Potter film to date, however a final domestic cume close to the $290M of the last installment Goblet of Fire still seems possible.
The hot musical Hairspray posted a decent hold in its second weekend dropping 43% to an estimated $15.6M for New Line. The ensemble pic featuring John Travolta and Queen Latifah watched its total soar to $59.3M after only ten days which already makes it the studio’s top grossing film in two years. The PG-rated entry looks to pass the $103.3M of last winter’s Dreamgirls and may reach about $110M.
Catherine Zeta-Jones headlined the new romantic dramedy No Reservations and found moderate success with an estimated opening of $11.8M. The Warner Bros. release debuted in 2,425 locations as an alternative choice for adult women and averaged a good $4,849. Aaron Eckhart and Abigail Breslin co-star in the story of a chef whose life changes after her sister’s death leaves the woman to care for her niece. Reviews were mixed.
The action smash Transformers placed sixth in its fourth weekend with an estimated $11.5M. Down 44%, the Paramount/DreamWorks co-production boosted its cume to $284.6M putting it at number 31 on the list of all-time domestic blockbusters after The Matrix Reloaded which grossed $281.5M in 2003. Transformers is now the third biggest hit ever for Paramount after Titanic ($600.8M) and Forrest Gump ($329.7M) and also the third largest in DreamWorks history trailing the last two Shrek installments.
Two new flops rounded out the top ten. Sony’s Lindsay Lohan horror flick I Know Who Killed Me bowed to an estimated $3.4M from 1,320 theaters for a weak $2,576 average. The R-rated torture pic was never tracking well and its star’s recent arrests put the nail in the coffin for the film’s release. MGM opened the golf comedy Who’s Your Caddy? with an estimated $2.9M averaging only $2,846 from 1,019 sites.
Four films dropped out of the top ten over the weekend. The Warner Bros. romantic comedy License to Wed tumbled 64% to an estimated $1.3M lifting its cume to $41.7M. A mediocre $44M final should result for the Robin Williams pic. Rival comedy Knocked Up has been one of the year’s top comedy performers and fell 48% to an estimated $1.2M giving Universal a superb $145.1M to date. The low-cost $30M production should finish its domestic run with just under $150M.
The Steve Carell epic comedy Evan Almighty grossed an estimated $1.1M, down 57%, pushing the tally to $96.3M. Produced for $175M, the PG-rated pic will have to work hard with second-run business in order to crack the $100M mark for Universal. It will also have to soar internationally and on video if it wants reach break-even.
A handful of films expanded into wider release this weekend. MGM’s military drama Rescue Dawn grossed an estimated $1.7M from 500 locations for a $3,304 average and $3M cume. The sci-fi thriller Sunshine grossed an estimated $1.3M for Fox Searchlight resulting in a $2,750 average and a total of $1.6M. The Don Cheadle film Talk To Me averaged $6,986 from 115 playdates for a weekend estimate of $803,000. Total sits at $1.9M for Focus.
The top ten films grossed an estimated $165.7M which was up a potent 52% from last year when Miami Vice opened at number one with $25.7M; and up 58% from 2005 when Wedding Crashers rose to the top spot for the first time with $20M in its third frame.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
This week at the moves, we’ve got America’s favorite family in their long-awaited big-screen debut (The Simpsons Movie); a tale of two chefs (No Reservations, starring Catherine Zeta-Jones and Aaron Eckhart); a rumble in the jungle (Rescue Dawn, starring Christian Bale), a kidnapping mystery (I Know Who Killed Me, starring Lindsay Lohan); and wacky golf gags (Who’s Your Caddy? Starring Lil Wayne and Big Boi). What do the critics have to say?
The wait is finally over: The Simpsons have migrated from the confines of television to the silver (or is that yellow?) screen. The result? Well, maybe not the “best…. movie… ever,” but pundits say it’s still pretty exxxxx-cellent. Homer, responsible for an eco-disaster, piles Marge, Bart, Lisa, and Maggie into the car and leaves Springfield for Alaska (you were expecting Capital City?). Ah, but who cares about the plot? The critics say The Simpsons Movie is essentially an extra-long episode of the show, but one that contains plenty of the S-M-R-T jokes, killer slapstick, and poignancy that fans have come to expect. At 84 percent on the Tomatometer, The Simpsons Movie is Certified Fresh. Release the hounds.
Recent Catherine Zeta-Jones Movies:
26% — The Legend of Zorro (2005)
55% — Ocean’s Twelve (2004)
61% — The Terminal (2004)
71% — Intolerable Cruelty (2003)
46% — Sinbad: Legend of the Seven Seas (2003)
Recent Werner Herzog Movies:
66% — The Wild Blue Yonder: A Science Fiction Fantasy (2006)
94% — The White Diamond (2005)
94% — Wheel of Time (2005)
93% — Grizzly Man (2005)
53% — Invincible (2002)
Bart, Lisa, and the whole gang from Springfield will charge into multiplexes across North America and much of the world this weekend in the highly anticipated animated comedy The Simpsons Movie which looks to easily conquer the box office. But competing studios do have other menu items in store for moviegoers. Catherine Zeta-Jones stars in the romantic comedy No Reservations, Lindsay Lohan headlines the grisly thriller I Know Who Killed Me, and hip hop star Big Boi tries out the world of golf comedy in Who’s Your Caddy?
Fox is aiming for hardcore followers and casual fans alike with its long-in-the-works comedy The Simpsons Movie which hits screens at midnight on Thursday night. The PG-13 film has a substantial built-in audience and should play out like a semi-sequel. To some extent it will be one of the more unpredictable openings of the summer since there is no track record of Simpsons fans leaving their TVs and paying money at the box office, however the fan base is sizable and will definitely come out upfront. Reviews have been good too so those who tuned out a decade ago and miss the Bobo years should return to try out what the feature-length entree is like.
The studio gets major points for executing what is certainly one of the best marketing campaigns of the year. From turning a dozen 7-11s into Kwik-E-Marts to the SimpsonizeMe web promotion, The Simpsons Movie has been generating substantial interest and has jumped from the entertainment pages to the front pages becoming a major pop culture event. That should lead to a powerful opening weekend, even if large drops follow. The marketplace will get crowded this weekend, however Simpsons will tower over its foes with ease. In fact its nearest competitors should only be in the teen millions so Krusty and company will get the attention of most folks. Busting into 3,922 theaters, The Simpsons Movie could open in the neighborhood of $54M.
Adam Sandler comedies typically drop by 45-50% on the second weekend depending on how well received they are. I Now Pronounce You Chuck and Larry is not exactly a fan favorite so sales could get sliced in half and fall to about $17M. That would still give the Universal comedy about $70M after ten days.
New Line enjoyed a better than expected bow for the musical Hairspray which gave the studio its best opening in two years. However its Friday-to-Saturday drop of 15% last weekend indicates that it might be a front-loaded title. Look for a 50% fall to around $14M giving the John Travolta vehicle a ten-day tally of $59M.
LAST YEAR: Universal’s summer action entry Miami Vice opened atop the charts with $25.7M on its way to $63.5M domestically and $164M worldwide. After three weeks at number one, Pirates of the Caribbean: Dead Man’s Chest slipped to second with $20.6M. Fox’s teen comedy John Tucker Must Die enjoyed a solid opening in third with $14.3M leading to a $41M final. The animated film Monster House followed with $11.7M in its sophomore frame. Rounding out the top five was rival toon The Ant Bully with a $8.4M opening on its way to a disappointing $28.1M for Warner Bros. Introducing herself to the world in limited release was Abigail Breslin in Little Miss Sunshine which went on to become a critical and commercial hit grabbing $59.9M at the box office plus four Oscar nominations.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Looking for a surefire way to hype your new thriller? Shoot some video of a scantily-clad Lindsay Lohan as she dances like around like a stripper.
Click right here to visit the official website for Sony’s new thriller "I Know Who Killed Me." The flick’s about a girl who gets kidnapped and sliced up pretty bad, but somehow manages to escape before waking up in the hospital with a completely new personality.
The website contains a bunch of video clips that are supposed to come from the attacker’s collection, and one of ’em is good ol’ Lindsay doin’ what she does best: Shakin’ her goods on the dance floor. Enjoy.
"I Know Who Killed Me," which co-stars Julia Ormond, Neal McDonough, and Brian Geraghty, comes from director Chris Sivertson and first-time screenwriter Jeff Hammond. Release date is July 27th, so get ready, guys.