Paramount Pictures/courtesy Everett Collection

(Photo by Paramount Pictures/courtesy Everett Collection)

All Nickelodeon Movies Ranked

As the first parlors to exhibit films in public settings for mass consumption, it is impossible to understate the nickelodeon’s impact on cinema. These early 20th century… Oh. Wait. Wrong Nickelodeon.

As the studio to give our world SpongeBob Squarepants and Nacho Libre, it is impossible to understate Nickelodeon Movies’ impact on cinema. In these weary times of snark and cynicism (this sentence being puddin’ proof), count on the Nick to mount cheery, earnest films. Not only are they well-versed in the aforementioned cartoon spongiology, but Rugrats, the Ninja Turtles, Tintin, and the one-and-only Avatar have all called the studio home. And now we’re ranking every Nickelodeon Movie by Tomatometer!

#34
#34
Adjusted Score: 12203%
Critics Consensus: The Last Airbender squanders its popular source material with incomprehensible plotting, horrible acting, and detached joyless direction.
Synopsis: The four nations of Air, Water, Earth and Fire lived in harmony until the Fire Nation declared war. A century... [More]
Directed By: M. Night Shyamalan

#33
#33
Adjusted Score: 8780%
Critics Consensus: The initial set-up is unbelievable, the plotting is predictable and stale, and the comedy depends on repetitive pratfalls that soon get old.
Synopsis: When Coast Guard Adm. Frank Beardsley (Dennis Quaid) decides to move his family of eight children back to his old... [More]
Directed By: Raja Gosnell

#32
Adjusted Score: 26660%
Critics Consensus: Neither entertaining enough to recommend nor remarkably awful, Teenage Mutant Ninja Turtles may bear the distinction of being the dullest movie ever made about talking bipedal reptiles.
Synopsis: Spawned from a lab experiment gone awry, teenage terrapins Leonardo, Michelangelo, Donatello and Raphael live in the sewers beneath New... [More]
Directed By: Jonathan Liebesman

#31
Adjusted Score: 24621%
Critics Consensus: Unimaginative and unfunny, this tale of barnyard mischief borders on 'udder' creepiness and adds little to this summer's repertoire of animated films.
Synopsis: Like the other animals in the barn, Otis the bull (Kevin James) likes to sing and play while the farmer... [More]
Directed By: Steve Oedekerk

#30
#30
Adjusted Score: 27924%
Critics Consensus: No consensus yet.
Synopsis: When straight-laced fire superintendent Jake Carson and his elite team of firefighters come to the rescue of three siblings, they... [More]
Directed By: Andy Fickman

#29

Fun Size (2012)
25%

#29
Adjusted Score: 26434%
Critics Consensus: It occasionally shows surprising flashes of wit, but Fun Size is too safe and formulaic -- not to mention unfunny -- to survive comparisons to the '80s teen movies it eagerly imitates.
Synopsis: Wren (Victoria Justice) is a high-school senior who can't wait to get away from her dysfunctional family. On Halloween, Wren's... [More]
Directed By: Josh Schwartz

#28

Snow Day (2000)
29%

#28
Adjusted Score: 29925%
Critics Consensus: Weak assembly of characters and story lines made this movie forgettable and silly.
Synopsis: Anything can happen on a snow day --- and for Hal and Natalie Brandston, it does. When the sun sets... [More]
Directed By: Chris Koch

#27
#27
Adjusted Score: 30957%
Critics Consensus: Bland, unoriginal, and lacking the wit of the TV series, Hey Arnold is a 30 min cartoon stretched beyond its running time.
Synopsis: Arnold (Spencer Klein) and his pal, Gerald (Jamil Walker Smith), learn their beloved neighborhood is about to be torn down... [More]
Directed By: Tuck Tucker

#26

Clockstoppers (2002)
29%

#26
Adjusted Score: 31266%
Critics Consensus: A pleasant diversion for the young teens, but a waste of time for anyone older.
Synopsis: Until now, Zak Gibbs' (Jesse Bradford) greatest challenge has been to find a way to buy a car. But when... [More]
Directed By: Jonathan Frakes

#25

Monster Trucks (2016)
32%

#25
Adjusted Score: 37702%
Critics Consensus: Despite flashes of inspiration, the singularly high-concept Monster Trucks shows that it takes more than monsters and trucks to create a compelling feature film.
Synopsis: Looking for any way to get away from the life and town he was born into, Tripp (Lucas Till), a... [More]
Directed By: Chris Wedge

#24

Good Burger (1997)
34%

#24
Adjusted Score: 36068%
Critics Consensus: Good Burger might please hardcore fans of the 1990s Nickelodeon TV series that launched leads Kenan and Kel to stardom, but for all others, it will likely prove a comedy that is neither satisfyingly rare nor well done.
Synopsis: Teen misfits (Kel Mitchell, Kenan Thompson) at a modest burger joint face competition from a hamburger emporium across the street.... [More]
Directed By: Brian Robbins

#23

Wonder Park (2019)
34%

#23
Adjusted Score: 40090%
Critics Consensus: Colorful and energetic but lacking a compelling story, Wonder Park is little more than a competently made diversion for very young viewers.
Synopsis: Buckle up for an epic adventure where anything is possible. A young girl named June with a big imagination makes... [More]
Directed By: Dylan Brown

#22
Adjusted Score: 47433%
Critics Consensus: Teenage Mutant Ninja Turtles: Out of the Shadows is a slight improvement over its predecessor, but still lacks the wit or anarchic energy of the comics that birthed the franchise.
Synopsis: The turtles face a new challenge when Shredder escapes from custody and joins forces with Baxter Stockman, a mad scientist... [More]
Directed By: Dave Green

#21

Rugrats Go Wild (2003)
39%

#21
Adjusted Score: 41495%
Critics Consensus: The Rugrats franchise has gone from fresh to formulaic.
Synopsis: Chuckie (Nancy Cartwright) and Tommy (Elizabeth Daily) find themselves stranded with their parents on a remote island. By coincidence, the... [More]
Directed By: Norton Virgien, John Eng

#20

Nacho Libre (2006)
40%

#20
Adjusted Score: 45907%
Critics Consensus: At times hilarious, but other times offensive, Director Jared Hess is unable to recapture the collective charisma of his Napoleon characters, instead relying on a one-joke concept that runs out of steam. Sure to entertain the adolescents, however.
Synopsis: Ignacio (Jack Black), or Nacho to his friends, works as a cook in the Mexican monastery where he grew up.... [More]
Directed By: Jared Hess

#19

Imagine That (2009)
41%

#19
Adjusted Score: 44460%
Critics Consensus: Despite a promising turn by newcomer Yara Shahidi, Imagine That is another pedestrian family comedy that squanders Eddie Murphy's comedic talents.
Synopsis: Like many busy professionals, Evan Danielson (Eddie Murphy) is so focused on his career that quality time with his young... [More]
Directed By: Karey Kirkpatrick

#18

Hotel for Dogs (2009)
46%

#18
Adjusted Score: 49596%
Critics Consensus: Hotel for Dogs may appeal to children and dog lovers, but it's ultimately contrived, predictable, and simplistic.
Synopsis: After moving into a foster home that forbids pets, siblings Andi (Emma Roberts) and Bruce (Jake T. Austin) must quickly... [More]
Directed By: Thor Freudenthal

#17

Harriet the Spy (1996)
48%

#17
Adjusted Score: 49220%
Critics Consensus: Harriet the Spy is a rapid-fire mystery movie that doesn't have much to offer beyond the two decent lead performances.
Synopsis: Harriet (Michelle Trachtenberg) may only be in the sixth grade, but she's already found her calling: to be a spy.... [More]
Directed By: Bronwen Hughes

#16
#16
Adjusted Score: 60298%
Critics Consensus: Charming characters; loads of fun for kids and adults.
Synopsis: This animated comedy finds Tommy Pickles (E.G. Daily) trying to return his baby brother to the hospital after being warned... [More]

#15
Adjusted Score: 69256%
Critics Consensus: Although its story may leave fans on the surface, The Spongebob Movie: Sponge on the Run is a wondrously wacky visit to Bikini Bottom that retains the charm of the original series.
Synopsis: In the first-ever all CGI SpongeBob motion picture event, THE SPONGEBOB MOVIE: SPONGE ON THE RUN, SpongeBob SquarePants, his best... [More]
Directed By: Tim Hill

#14
Adjusted Score: 72333%
Critics Consensus: Surreally goofy and entertaining for both children and their parents.
Synopsis: In this lively animated adventure, undersea oddball SpongeBob SquarePants and his starfish friend, Patrick, embark on a quest to clear... [More]

#13
Adjusted Score: 76694%
Critics Consensus: Although it softens the nasty edges of its source material, Lemony Snicket's A Series of Unfortunate Events is a gothic visual treat, and it features a hilariously manic turn from Jim Carrey as the evil Count Olaf.
Synopsis: After the three young Baudelaire siblings are left orphaned by a fire in their mansion, they are carted off to... [More]
Directed By: Brad Silberling

#12
Adjusted Score: 73104%
Critics Consensus: Based on two of British writer Louise Rennison's popular books, Angus, Thongs and Perfect Snogging is a pleasant and funny tween comedy, comfortable for UK audiences as well as stateside crowds.
Synopsis: Based on the books by Louise Rennison, this tale follows 14-year-old Georgia Nicholson as she attempts to woo Robbie, one... [More]
Directed By: Gurinder Chadha

#11
#11
Adjusted Score: 75409%
Critics Consensus: What Jimmy Neutron lacks in computer animation, it makes up for in charm and cleverness.
Synopsis: "Jimmy Neutron: Boy Genius" tells the simple story of a 10-year-old boy and his robot dog - battling evil, rescuing... [More]
Directed By: John A. Davis

#10
#10
Adjusted Score: 82081%
Critics Consensus: Drawing deep from the classic Raiders of the Lost Ark playbook, Steven Spielberg has crafted another spirited, thrilling adventure in the form of Tintin.
Synopsis: While shopping at an outdoor market, young reporter Tintin (Jamie Bell), accompanied by his faithful dog, Snowy, buys a model... [More]
Directed By: Steven Spielberg

#9
Adjusted Score: 78323%
Critics Consensus: When the Rugrats go to Paris, the result is Nickelodeon-style fun. The plot is effectively character-driven, and features catchy songs and great celebrity voice-acting.
Synopsis: In the long-running animated series' second feature film, the focus is on the show's perennial second banana, Chuckie (Christine Cavanaugh).... [More]

#8

Charlotte's Web (2006)
78%

#8
Adjusted Score: 84050%
Critics Consensus: Kids will be entertained by the straightforward plot and cute animals, and adults will be charmed by how quiet and humble the production is, a fine translation of E.B. White's genteel prose.
Synopsis: After learning that a young pig's days are numbered, a literate spider (Julia Roberts) weaves an elaborate plan to save... [More]
Directed By: Gary Winick

#7
#7
Adjusted Score: 79777%
Critics Consensus: No job's too big and no pup's too small for PAW Patrol: The Movie, which should give its youthful target demographic exactly what they're looking for.
Synopsis: The PAW Patrol is on a roll! When their biggest rival, Humdinger, becomes Mayor of nearby Adventure City and starts... [More]
Directed By: Cal Brunker

#6
Adjusted Score: 81375%
Critics Consensus: The Wild Thornberrys Movie brings its beloved clan to the big screen for an animated adventure that should prove entertaining for all ages.
Synopsis: "The Wild Thornberrys" feature film finds one of America's favorite animated families going on wild adventures around the world. Now,... [More]

#5
Adjusted Score: 83701%
Critics Consensus: The SpongeBob Movie: Sponge Out of Water won't win over many viewers who aren't fans of the show, but for the converted, it's another colorful burst of manic fun.
Synopsis: Life is dandy in Bikini Bottom for SpongeBob Squarepants (Tom Kenny) and his friends Patrick (Bill Fagerbakke), Squidward (Rodger Bumpass),... [More]

#4
Adjusted Score: 85681%
Critics Consensus: The Spiderwick Chronicles is an entertaining children's adventure, with heart and imagination to spare.
Synopsis: Of the three Grace children, Jared (Freddie Highmore) has always been thought of as the troublemaker. So when strange things... [More]
Directed By: Mark Waters

#3

Mad Hot Ballroom (2005)
84%

#3
Adjusted Score: 88450%
Critics Consensus: This heartwarming documentary will win audiences over, as the sheer charm of precocious, enthusiastic children learning to dance resonates from the screen.
Synopsis: Documentary filmmaker Marilyn Agrelo chronicles the lives of several New York City schoolchildren as they get ready for a dancing... [More]
Directed By: Marilyn Agrelo

#2
Adjusted Score: 93177%
Critics Consensus: Led by a winning performance from Isabela Moner, Dora and the Lost City of Gold is a family-friendly adventure that retains its source material's youthful spirit.
Synopsis: Having spent most of her life exploring the jungle, nothing could prepare Dora for her most dangerous adventure yet --... [More]
Directed By: James Bobin

#1

Rango (2011)
88%

#1
Adjusted Score: 95564%
Critics Consensus: Rango is a smart, giddily creative burst of beautifully animated entertainment, and Johnny Depp gives a colorful vocal performance as a household pet in an unfamiliar world.
Synopsis: A chameleon (Johnny Depp) who has lived as a sheltered family pet finds himself in the grip of an identity... [More]
Directed By: Gore Verbinski

Pineapple Express

(Photo by Columbia Pictures/ courtesy Everett Collection)

All Seth Rogen Movies, Ranked By Tomatometer

One-season wonder Freaks and Geeks had a startling amount of its young alums go on to have successful Hollywood careers, Seth Rogen chief among them. He followed mentor Judd Apatow into the movie game with The 40 Year-Old Virgin, starring in a memorable supporting role. Rogen was then upgraded to lead status for Apatow’s follow-up Knocked Up, and the movie’s critical and box office success showed Virgin was no fluke, heralding a significant sea change in mainstream American comedy. Rogen has remained the face of this bong- and bro-tastic style of comedy, also featuring big rips of heartfelt emotion – like Animal House by way of James L. Brooks – in repeated movie hits like Superbad, Pineapple Express, This Is the End, Neighbors, and The Disaster Artist.

He’s been amassing an impressive résumé as producer (not just on his own starring films, but also the likes of Blockers and Good Boys) and director, helming This Is the End, The Interview, and episodes of Future Man and Preacher. His latest comedy was An American Pickle. And now we’re looking at all of Seth Rogen’s movies, ranked by Tomatometer!

#32
#32
Adjusted Score: 14708%
Critics Consensus: No consensus yet.
Synopsis: The Compson family struggles to adjust to the changes in society during the early 20th century in the Deep South.... [More]
Directed By: James Franco

#31

Zeroville (2019)
23%

#31
Adjusted Score: 23036%
Critics Consensus: Potentially an ironic favorite for cult film fans, Zeroville is a fundamentally misguided -- and descriptively titled -- passion project for its director and star.
Synopsis: With two tattoos of Montgomery Clift and Elizabeth Taylor on his shaved head, Vikar rides a bus into Hollywood and... [More]
Directed By: James Franco

#30

The Guilt Trip (2012)
37%

#30
Adjusted Score: 41022%
Critics Consensus: Seth Rogen and Barbra Streisand have enough chemistry to drive a solidly assembled comedy; unfortunately, The Guilt Trip has a lemon of a script and is perilously low on comedic fuel.
Synopsis: Before embarking on a once-in-a-lifetime road trip, Andy Brewster pays a visit to his overbearing mother, Joyce. That proves to... [More]
Directed By: Anne Fletcher

#29

The Green Hornet (2011)
44%

#29
Adjusted Score: 53339%
Critics Consensus: It's sporadically entertaining, but The Green Hornet never approaches the surreal heights suggested by a Michel Gondry/Seth Rogen collaboration.
Synopsis: Britt Reid (Seth Rogen), the heir to the largest newspaper fortune in Los Angeles, is a spoiled playboy who has... [More]
Directed By: Michel Gondry

#28

The Interview (2014)
51%

#28
Adjusted Score: 55939%
Critics Consensus: Unfortunately overshadowed by controversy (and under-screened as a result), The Interview's screenplay offers middling laughs bolstered by its two likable leads.
Synopsis: Dave Skylark (James Franco) and his producer Aaron Rapoport (Seth Rogen) are the team behind the popular tabloid-TV show "Skylark... [More]
Directed By: Seth Rogen, Evan Goldberg

#27
#27
Adjusted Score: 59724%
Critics Consensus: Though it has a mean streak, and does not cater to all tastes, Observe and Report has gut-busting laughs and a fully committed Seth Rogen in irresistible form.
Synopsis: As head of security at the Forest Ridge Mall, Ronnie Barnhardt (Seth Rogen) takes his job very seriously, enforcing mall... [More]
Directed By: Jody Hill

#26

The Lion King (2019)
52%

#26
Adjusted Score: 78243%
Critics Consensus: While it can take pride in its visual achievements,The Lion King is a by-the-numbers retelling that lacks the energy and heart that made the original so beloved--though for some fans that may just be enough.
Synopsis: Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny on the plains of Africa. But... [More]
Directed By: Jon Favreau

#25
#25
Adjusted Score: 60128%
Critics Consensus: Brisk, funny, and sweetly raunchy, For a Good Time, Call... adds to the recent string of R-rated female comedies while serving as an overdue coming out party for the charming Ari Graynor.
Synopsis: Reserved Lauren (Lauren Anne Miller) and bubbly Katie (Ari Graynor) are polar opposites and past enemies. However, when both gals... [More]
Directed By: Jamie Travis

#24
Adjusted Score: 75835%
Critics Consensus: Neighbors 2: Sorority Rising may not be strictly necessary, but it still wrings a surprising amount of humor from a recycled premise with a distaff twist.
Synopsis: Life is good for Mac Radner (Seth Rogen) and pregnant wife Kelly (Rose Byrne) until the unruly sisters of Kappa... [More]
Directed By: Nicholas Stoller

#23
Adjusted Score: 73012%
Critics Consensus: Zack and Miri Make a Porno is a modest success for Kevin Smith, due in large part to the charm of Seth Rogen and Elizabeth Banks.
Synopsis: Lifelong friends and now roommates, Zack (Seth Rogen) and Miri (Elizabeth Banks) are buried under a mountain of debt. When... [More]
Directed By: Kevin Smith

#22
#22
Adjusted Score: 76191%
Critics Consensus: Both funny and scattershot, this loose-knit action/buddy/stoner comedy bridges genres and keeps a steady tempo of low-ball laughs.
Synopsis: Stoner Dale Denton's (Seth Rogen) enjoyment of a rare strain of marijuana may prove fatal when he drops his roach... [More]
Directed By: David Gordon Green

#21

Funny People (2009)
69%

#21
Adjusted Score: 77815%
Critics Consensus: Funny People features the requisite humor, as well as considerable emotional depth, resulting in Judd Apatow's most mature film to date.
Synopsis: Recently learning that he has a fatal disease, comic George Simmons (Adam Sandler) spots a struggling performer named Ira (Seth... [More]
Directed By: Judd Apatow

#20

The Night Before (2015)
69%

#20
Adjusted Score: 74208%
Critics Consensus: The Night Before provokes enough belly laughs to qualify as a worthwhile addition to the list of Christmas comedies worth revisiting, even if it isn't quite as consistent as the classics.
Synopsis: For the last 10 years, lifelong buddies Ethan (Joseph Gordon-Levitt), Isaac (Seth Rogen) and Chris (Anthony Mackie) have gathered on... [More]
Directed By: Jonathan Levine

#19

Paul (2011)
70%

#19
Adjusted Score: 77918%
Critics Consensus: It doesn't measure up to Pegg and Frost's best work, but Paul is an amiably entertaining -- albeit uneven -- road trip comedy with an intergalactic twist.
Synopsis: For the past 60 years, a wisecracking alien named Paul (Seth Rogen) has resided at a top-secret military base in... [More]
Directed By: Greg Mottola

#18
#18
Adjusted Score: 83240%
Critics Consensus: An American Pickle lacks the tart snap viewers might expect given its creative premise, but Seth Rogen's dual performance makes this a low-key comedy to relish.
Synopsis: Preserved in pickle brine for 100 years, an Orthodox Jewish factory worker wakes up in New York City and tracks... [More]
Directed By: Brandon Trost

#17
#17
Adjusted Score: 81906%
Critics Consensus: Though it doesn't approach the depth of the best animated films, Monsters Vs. Aliens has enough humor and special effects to entertain moviegoers of all ages.
Synopsis: When a meteor full of space gunk transforms Susan Murphy (Reese Witherspoon) into a giant, the government renames her Ginormica... [More]

#16

Neighbors (2014)
73%

#16
Adjusted Score: 81526%
Critics Consensus: With plenty of bawdy humor evenly spread between its well-matched stars, Neighbors earns its R rating -- and filmgoers' laughs.
Synopsis: New parents Mac (Seth Rogen) and Kelly (Rose Byrne) move to the suburbs when they welcome an infant daughter into... [More]
Directed By: Nicholas Stoller

#15

Take This Waltz (2011)
79%

#15
Adjusted Score: 83634%
Critics Consensus: Featuring excellent work from an outstanding cast, the bittersweet drama Waltz proves that in the right hands, a familiar tale can still ring true.
Synopsis: A young woman (Michelle Williams) is torn between the husband (Seth Rogen) that she loves and a new man (Luke... [More]
Directed By: Sarah Polley

#14
Adjusted Score: 84142%
Critics Consensus: Horton Hears A Who! is both whimsical and heartwarming, and is the rare Dr. Seuss adaptation that stays true to the spirit of the source material.
Synopsis: Animated elephant Horton (Jim Carrey) finds a speck of dust floating in the Jungle of Nool. Upon investigation of the... [More]

#13
#13
Adjusted Score: 85681%
Critics Consensus: The Spiderwick Chronicles is an entertaining children's adventure, with heart and imagination to spare.
Synopsis: Of the three Grace children, Jared (Freddie Highmore) has always been thought of as the troublemaker. So when strange things... [More]
Directed By: Mark Waters

#12

Kung Fu Panda 2 (2011)
81%

#12
Adjusted Score: 86841%
Critics Consensus: The storyline arc may seem a tad familiar to fans of the original, but Kung Fu Panda 2 offers enough action, comedy, and visual sparkle to compensate.
Synopsis: Now known as the Dragon Warrior, Po (Jack Black) protects the Valley of Peace alongside his friends and fellow kung... [More]
Directed By: Jennifer Yuh Nelson

#11

Long Shot (2019)
81%

#11
Adjusted Score: 99828%
Critics Consensus: A sharp and deceptively layered comedy that's further fueled by the odd couple chemistry of its leads, this Long Shot largely hits its marks.
Synopsis: Fred Flarsky is a gifted and free-spirited journalist who has a knack for getting into trouble. Charlotte Field is one... [More]
Directed By: Jonathan Levine

#10

Sausage Party (2016)
82%

#10
Adjusted Score: 95753%
Critics Consensus: Sausage Party is definitely offensive, but backs up its enthusiastic profanity with an impressively high laugh-to-gag ratio -- and a surprisingly thought-provoking storyline.
Synopsis: Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the... [More]

#9

This Is the End (2013)
83%

#9
Adjusted Score: 91209%
Critics Consensus: Energetic, self-deprecating performances and enough guffaw-inducing humor make up for the flaws in This Is the End loosely written script.
Synopsis: In Hollywood, actor James Franco is throwing a party with a slew of celebrity pals. Among those in attendance are... [More]
Directed By: Seth Rogen, Evan Goldberg

#8
#8
Adjusted Score: 92444%
Critics Consensus: Steve Carell's first star turn scores big with a tender treatment of its titular underdog, using raunchy but realistically funny comedy to connect with adult audiences.
Synopsis: Andy Stitzer (Steve Carell) is an amiable single guy who works at a big-box store. Living alone, 40-year-old Andy spends... [More]
Directed By: Judd Apatow

#7

Steve Jobs (2015)
85%

#7
Adjusted Score: 98207%
Critics Consensus: Like the tech giant co-founded by its subject, Steve Jobs gathers brilliant people to deliver a product whose elegance belies the intricate complexities at its core.
Synopsis: With public anticipation running high, Apple Inc. co-founders Steve Jobs (Michael Fassbender) and Steve "Woz" Wozniak get ready to unveil... [More]
Directed By: Danny Boyle

#6

Kung Fu Panda 3 (2016)
87%

#6
Adjusted Score: 96905%
Critics Consensus: Kung Fu Panda 3 boasts the requisite visual splendor, but like its rotund protagonist, this sequel's narrative is also surprisingly nimble, adding up to animated fun for the whole family.
Synopsis: Living large and loving life, Po (Jack Black) realizes that he has a lot to learn if he's going to... [More]

#5

Kung Fu Panda (2008)
87%

#5
Adjusted Score: 94519%
Critics Consensus: Kung Fu Panda has a familiar message, but the pleasing mix of humor, swift martial arts action, and colorful animation makes for winning Summer entertainment.
Synopsis: Po the panda (Jack Black) works in his family's noodle shop and dreams of becoming a kung-fu master. His dream... [More]

#4

Superbad (2007)
88%

#4
Adjusted Score: 96001%
Critics Consensus: Deftly balancing vulgarity and sincerity while placing its protagonists in excessive situations, Superbad is an authentic take on friendship and the overarching awkwardness of the high school experience.
Synopsis: High-school seniors Seth (Jonah Hill) and Evan (Michael Cera) have high hopes for a graduation party: The co-dependent teens plan... [More]
Directed By: Greg Mottola

#3

Knocked Up (2007)
89%

#3
Adjusted Score: 100065%
Critics Consensus: Knocked Up is a hilarious, poignant and refreshing look at the rigors of courtship and child-rearing, with a sometimes raunchy, yet savvy script that is ably acted and directed.
Synopsis: Rising journalist Alison Scott (Katherine Heigl) hits a serious bump in the road after a one-night stand with irresponsible slacker... [More]
Directed By: Judd Apatow

#2
#2
Adjusted Score: 116559%
Critics Consensus: Oh, hai Mark. The Disaster Artist is a surprisingly poignant and charming movie-about-a-movie that explores the creative process with unexpected delicacy.
Synopsis: The incredible true story of aspiring filmmaker and Hollywood outsider Tommy Wiseau as he and his best friend defiantly pursue... [More]
Directed By: James Franco

#1

50/50 (2011)
93%

#1
Adjusted Score: 100616%
Critics Consensus: A good-hearted film about a difficult topic, 50/50 maneuvers between jokes and drama with surprising finesse.
Synopsis: Adam Lerner (Joseph Gordon-Levitt) has always tried to take good care of his health, so it comes as a cruel... [More]
Directed By: Jonathan Levine

Thumbnail image: Columbia Pictures, Universal / courtesy Everett Collection 

It’s the first streaming column of the month, which means streaming services Netflix and Amazon Prime have released a ton of new titles. As usual, we’ve pared the selection down to the cream of the crop, so read on for all the new Certified Fresh selections.


New on Netflix and Amazon Prime

 

Man on Wire (2008) 100%

This documentary by James Marsh chronicles high-wire walker Philippe Petit’s meticulous planning and execution of a daring stunt to traverse the Twin Towers of the World Trade Center in 1974.

Available now on: Netflix, Amazon Prime


New on Netflix

 

Jaws (1975) 98%

Steven Spielberg’s influential thriller stars Roy Scheider, Richard Dreyfuss, and Robert Shaw as an unlikely trio who set out to sea to take down a giant great white shark terrorizing a New England resort town.

Available now on: Netflix


Saving Private Ryan (1998) 93%

Spielberg won a Best Director Oscar (in addition to four others the film won) for this World War II tale about a small group of soldiers (led by Tom Hanks) tasked with locating the last remaining son of a family who has already lost three men to the war.

Available now on: Netflix


True Grit (1969) 89%

John Wayne won a Best Actor Oscar for his role in this western as Rooster Cogburn, a grizzled US Marshall who is hired by a young girl to help bring in the man who killed her father.

Available now on: Netflix


Sweeney Todd: The Demon Barber of Fleet Street (2007) 86%

Tim Burton, Johnny Depp, and Helena Bonham Carter reunited for this musical horror film, based on the stage musical of the same name, about a serial killer barber who turns his victims into meat pies.

Available now on: Netflix


The First Monday in May (2016) 77%

This documentary follows the creation of a Metropolitan Museum of Art exhibit on China-inspired fashions.

Available now on: Netflix


Black Hawk Down (2001) 76%

Josh Hartnett and Ewan McGregor lead an ensemble cast in Ridley Scott’s grim and grimy adaptation of the nonfiction account of the US military’s efforts to capture a Somali despot in Mogadishu.

Available now on: Netflix


Crash (2004) 74%

Paul Haggis’ Best Picture-winning drama examines the dangers of bigotry and xenophobia in the lives of interconnected Angelenos, whose ranks include Sandra Bullock, Don Cheadle, Matt Dillon, Terrence Howard, Brendan Fraser, and many more.

Available now on: Netflix


New on Amazon Prime

 

Roman Holiday (1953) 97%

This William Wyler classic is one of the definitive Audrey Hepburn vehicles; in an Oscar-winning performance, she stars alongside Gregory Peck as a princess who sneaks away from her embassy and spends a day in Rome with an American journalist.

Available now on: Amazon Prime


Good Will Hunting (1997) 98%

Matt Damon and Robin Williams star in Gus Van Sant’s Osar-winning drama about a gifted young Boston man who forms and unlikely bond with the therapist assigned to treat him and begins to consider his future differently.

Available now on: Amazon Prime


Food, Inc. (2008) 95%

This incisive documentary focuses on corporate control (and the lack of governmental oversight) over the food industry.

Available now on: Amazon Prime


Full Metal Jacket (1987) 92%

Matthew Modine and Vincent D’Onofrio star in Stanley Kubrick’s Certified Fresh Vietnam War movie, which takes viewers through a grueling boot camp before dropping them directly into the field of battle.

Available now on: Amazon Prime


Doctor Who: Season 9 (2015) 90%

Peter Capaldi returns for his second run as the good Doctor, along with Jenna Coleman as Clara Oswald and Maisie Williams as Ashildr, an immortal viking, and sees the Doctor returning to his home planet of Gallifrey.

Available now on: Amazon Prime


Buried (2010) 87%

Ryan Reynolds stars in this claustrophobic thriller about an American held hostage in Iraq who wakes up inside a buried coffin with nothing but a cell phone and a lighter to help him craft an escape plan.

Available now on: Amazon Prime


The Spiderwick Chronicles (2008) 81%

This fantasy film centers on a trio of siblings who discover a magical world of goblins in their backyard.

Available now on: Amazon Prime


Jeff, Who Lives at Home (2011) 77%

Jason Segel and Ed Helms star in this film from the Duplass brothers about a slacker who thinks the universe is giving him signs to help determine his future and ends up reconnecting with his family.

Available now on: Amazon Prime


Bronson (2008) 76%

Tom Hardy stars in Nicolas Winding Refn’s unique and highly stylized look at the life of Michael Peterson, a dangerous and eccentric British criminal who went to prison in 1974 and adopted the name of the Hollywood action hero.

Available now on: Amazon Prime


Caddyshack (1980) 73%

Chevy Chase, Rodney Dangerfield, and Bill Murray star in Harold Ramis’s directorial debut, a beloved comedy about the unruly, unusual new members of an exclusive country club.

Available now on: Amazon Prime

You thought the Sex and the City DVD collection was expensive? Start saving up for the ultimate Sopranos box set, coming this fall. Also look for a DVD spin-off from last weekend’s Get Smart, and find out what new robot character Pixar might have planned to keep WALL-E company! Plus, this week’s new releases after the jump.


A Sopranos Box Set To Die For…

HBO is already preparing for Christmas with a gift box that would melt any would-be mobster’s heart: the ultimate Sopranos DVD set. All six seasons will be spread across a whopping ten pound, 28-disc collection (which also includes three soundtrack CDs), and will include 16 “lost” scenes, cast and crew interviews, and an interview of creator David Chase by super fan Alec Baldwin. Learn behind-the-scenes stories, like how Anthony La Paglia almost appeared in a show-within-the-show as a fictionalized version of Tony Soprano in Season 1, that Edie Falco auditioned for the role of Carmela only days before shooting the pilot (and wearing in-line skates), and that several fake final scenes were actually filmed to conceal Tony’s controversially peaceful series exit. The price for reliving all this Sopranos glory? Four hundred bucks. Start saving those racketeering dollars now.

Third Futurama Movie To Be Fantasy-Themed

With the second Futurama DVD movie, The Beast with a Billion Backs, hitting shelves this week, co-creator David X. Cohen revealed just what breed of geek the forthcoming third Futurama movie will serve: the fantasy nerd.
“The third one is a big move into the world of fantasy, magic and dragons and castles and that kind of stuff,” he told Movie Web. “So you’ll get to see the fantasy versions of all of our characters and I think it will be the most visually spectacular of the four.” The fourth and final film, Cohen promises, will give fans yet another big finale in a more classic science-fiction style; read on for what Cohen calls their “best DVD extra ever” in this week’s new releases!

Smart Sidekicks Getting Their Own DVD Movie

$39 million worth of moviegoers went to see Get Smart last weekend; will those same fans put down cash for a DVD spin-off movie starring supporting CONTROL nerds Bruce and Lloyd? Warner Bros. is betting on it, giving CONTROL gadget guys Bruce (HeroesMasi Oka) and Lloyd (Nate Torrence) their own direct-to-video adventure, in stores July 1. The story of Get Smart’s Bruce and Lloyd Out of Control will run parallel to that of Maxwell Smart (Steve Carell), which is in theaters now; purchase the DVD and get $7 off admission to Get Smart in select theaters.

Pixar Planning a WALL-E Spin-off Character?

In other DVD spin-off news, it looks like Pixar will double the population of adorable on-screen robots when they introduce a second character to accompany WALL-E‘s eventual DVD and Blu-Ray release. Over at /Film, director Andrew Stanton had vaguely described a “sci-fi short that is very connected to WALL-E” that had been produced at the same time. Later, in an unconfirmed report from Upcoming Pixar, an orchestra scoring musician divulged that the DVD extra is in fact titled BURN-E, about a robot named BURN-E. While the report remains as yet unconfirmed, be on the lookout for clues and sightings of the rumored BURN-E when WALL-E hits theaters this Friday!

Click for this week’s new releases!

10,000 B.C.

Tomatometer: 9%

Roland Emmerich, king of the high concept film (Universal Soldier, Independence Day, The Day After Tomorrow) strikes yet again with a big-budget spectacle of prehistoric mammoth hunts, giant killer chickens, and deadly tribal warfare. At nine percent on the Tomatometer, anyone with a taste for camp can’t afford to miss this. Everyone else, beware!

Bonus Features:

A handful of additional scenes and an alternate ending are the only extras here, although many of these feature unfinished digital effects; no doubt Warner Bros. is holding out for a buffer special edition release down the line. Rent it, if you must.

The Spiderwick Chronicles

Tomatometer: 80%

Well, it wasn’t the huge hit that Nickelodeon/Paramount were hoping it would be, especially given the instant megabucks that any children’s fantasy books-turned-film franchise rake in these days. But Mark WatersSpiderwick Chronicles, about a trio of siblings who discover a magical world of goblins literally in their backyard, got solid backing from critics, which means if you missed it in theaters you should definitely give it a chance on DVD.

Bonus Features:

Pick up the two-disc Field Guide Edition for tons of making-of featurettes with the cast and crew, concept art and character details, an interactive guide to the film’s characters while you watch, and deleted scenes.

Definitely, Maybe


Tomatometer: 73%

Earning 73 percent on the Tomatometer is darn impressive these days for a romantic comedy, so it’s with great happiness that this Ryan Reynolds vehicle comes to DVD. In a year of Fool’s Golds, 27 Dresses, and Mades of Honor, this romantic whodunit tale told by a single father (Reynolds) to his daughter (Abigail Breslin) surprised critics by being sophisticated, well-written, and clever. Check out our exclusive clip from the DVD release here.

Bonus Features:

Reynolds and writer-director Adam Brooks (French Kiss, Bridget Jones: The Edge of Reason) appear on a commentary track alongside a few behind-the-scenes features and deleted scenes. Download a coupon for $5 off the DVD at the film’s official site.

Charlie Bartlett

Tomatometer: 54%

Anton Yelchin (Alpha Dog) stars as the titular teen, a privileged kid at a new public school who becomes a de facto shrink to his fellow classmates; Robert Downey Jr. and teen dream Tyler Hilton co-star. After numerous theatrical release date delays, Charlie Bartlett split the critics with mixed reviews, so now’s the time to check it out on DVD and see which camp was right.

Bonus Features:

First time director Jon Poll, Yelchin, and co-star Kat Dennings provide a commentary track, and a music video from the film finds its way onto the bonus menu.

Persepolis

Tomatometer: 95%

This coming-of-age story of an Iranian girl not only won over critics with its emotional and enthralling black and white animation, it went beyond its genre to win acclaim as a great film. Telling the story of her own life, co-director Marjane Satrapi (with Vincent Parannaud) earned an Oscar nomination for adapting their original graphic novel to the screen. Recently banned in Lebanon, Persepolis comes to DVD as one of the most acclaimed films of 2007.

Bonus Features:

The movie itself is worth purchasing the release alone, but it is bolstered by a full menu of bonus features. You can watch Persepolis either in its original French or in an English dubbed version; renowned actresses Catherine Deneuve and her daughter, Chiara Mastroianni, provide voices for both, while American stars Sean Penn, Gena Rowlands, and Iggy Pop join the English voice cast. Satrapi and Parannaud provide commentaries and appear in the making-of the French and English versions of their film. The 2007 Cannes press conference, scene comparisons, and more also appear.

Futurama: The Beast With a Billion Backs

Tomatometer: N/A

In the second of four planned DVD movies, the Futurama cast and crew is back with another madcap space adventure with the staff of the Planet Express. Directly after the events of Bender’s Big Score, a tear in the universe, an inter-dimensional monster comes to Earth and installs Fry as the new Pope; Brittany Murphy, David Cross, and Stephen Hawking guest star.

Bonus Features:

In an interview with Movie Web, David X. Cohen reveals what he calls the best Futurama DVD extra ever: a full-length “lost” episode previously only revealed in parts in the Futurama video game, animated completely in 3D CGI. Be on the lookout for a preview of the upcoming third movie, the fantasy-themed Bender’s Game.

Unnecessary Re-release of the Week: Xanadu: Magical Music Edition

Tomatometer: 35%

What do you get when you mix 1980s pop music, Greek mythology, roller disco, and Olivia Newton-John? You get Xanadu, one of the worst movie musicals ever made and the winner of the most unnecessary re-release of the week award. With re-mastered picture and sound and an all-new featurette, the so-called “Magical Music Edition” also comes with a full soundtrack CD of songs by Newton-John and Electric Light Orchestra and retails for only $14.99. For anyone even thinking about buying this disc, consider the following: sure, Xanadu was adapted into a Tony-nominated Broadway show, but it was also the last feature appearance of song-and-dance legend Gene Kelly; do you really want to remember him this way?


‘Til next week, happy viewing!

This week's UK Box Office Top EightThe failure of Daniel Craig‘s Flashbacks of a Fool is the big box office story of the week, with the film flopping so spectacularly it didn’t even make the top ten.

The film revolves around Daniel Craig’s fading Hollywood star Joe Scott, who returns home for a friends funeral and looks back over his life – cue self-obsessed naval gazing from a narcissistic Craig.

Critics were decidedly unsure about the film; many praised the performances and technical aspects, but slammed the general premise, with Little White Lies’ Danny Bangs labelling the film “a two-hour whining session” and Empire’s Sam Toy describing the screenplay as ‘malformed’.

However, maybe marketing was a bigger problem than bad reviews for the film — a silly title, an oblique, talky plot where little actually happens, and having the current James Bond in a role that isn’t James Bond must surely have confused the public to such an extent that they gave the film the widest of berths. And good luck to them.

To manufacture a laboured segue, another film with fool in the title made a much bigger splash in cinemas. Fool’s Gold — a daft rom-com with genre experts Matthew McConaughey and Kate Hudson playing estranged lovers bought together by a treasure hunt (genius!) obviously tickled audiences’ fancies, despite an almost insultingly ridiculous plot and slapdash direction from Andy Tennant (thought of by many as the worst director in Hollywood).

Nonetheless, with the rain pouring down and the threat of a looming recession, it seems our nation’s cinemagoers would love nothing more than some perky, sun-drenched, escapist nonsense to get them through these oh-so-troubling times.

That’s maybe the reason for another of these weeks’ theatrical success stories – Mike Leigh‘s Happy-Go-Lucky – which came in at number nine in the chart but took by far the highest amount of dough-per-screen. Leigh’s optimistic and cynicism-free tale of a school teacher from North London won of the hearts and minds of both jaded critics and audiences – a fact that makes the usually grumpy RT feel warm inside.

This week's UK Box Office Top EightIn a piece of news almost as heartwarming as the film itself, Son of Rambow came in at second place in the UK box office this week, with the British indie nabbing almost £1million in the first four days.

Set on a long, hot summer in 1982, the film revolves around two 11-year old scamps Will and Carter, who — after seeing First Blood for the first time, decide to film their own sequel with nothing more than a camcorder and, natch, some imagination.

The film has been in distribution limbo for the past year after its triumphant debut at last year’s Sundance Film Festival, due to issues surrounding the rights to the real Rambo films. But now it’s finally here and it seems a strong advertising push and good reviews (83% on the Tomatometer, compared to Rambo‘s 32%), has seen it rocket up the charts. Empire’s Dan Jolin summed up the critical consensus by saying: “If you only see one Rambo movie this year, make sure it’s this one.”

In fact, the film would surely have come in at number one had it played on more screens. Instead 27 Dresses, (which played on over 150 more theatres than Rambow), is still grimly hanging onto top spot, despite taking in almost 50% less cash than last week.

Meanwhile sweaty Karate Kid-meets-Fight Club-alike Never Back Downalso made a healthy opening debut this week, coming in at fourth place. Reviewers generally scorned this lightweight effort, with the movie’s laughable homoerotic undertones and checklist of clichés arousing particular critical ire. Greg Kirschling of Entertainment Weekly fame even branded the film as, “yet another product that makes you feel bad about today’s youth culture.” Sadly however ‘Grandad Greg’ and his ilk couldn’t stop the cool kids pouring into cinemas though, and the film made a healthy £840,000 over four days.

Unbelievably, Fox almost didn’t release their animated Dr. Seuss’ Horton Hears a Who on the Easter weekend. Until a couple of weeks ago the film was going to be released the week before (and still was in a few cities), when most kiddies were still swapping ringtones in the schoolyard.

The studio will be glad they made the switch though, as armies of rugrats piled into theatres over the weekend to make the film UK box office number one, and pass it a cool £3 million in the process.

It’s generally accepted wisdom ’round these parts that Seuss doesn’t translate to a British audience, seeing as, unlike in the States, he is not required bedtime reading for our crumpet-scoffing nippers. But it seems that despite our relative unfamiliarity with the artist’s peculiar brand of gurn-tastic, inky nonsense, a combination of the film’s strong reviews (it’s at 79% on the Tomatometer) and bedraggled parents literally dragging their unkempt spawn to cinemas to stop them rampaging through their dining rooms conspired to give the film top spot.

A similar healthy formula worked for the second placed movie – and another newcomer in the charts – The Spiderwick Chronicles. Based on the books by Tony Di Teerlizzi and Holly Black, this CGI-happy children’s fantasy, starring the gnomic Freddie Highmore, was praised by critics for having several genuinely scary moments and not being too cutesy. High praise indeed and perfect fodder for today’s hoodied, Harry Potter-obsessed, iPod-thieving youngsters.

Arguably even more successful than either of these child friendly entries however was breakdancing sequel Step Up 2: The Streets, which came third in the charts but nabbed more dough per screen than any other film in the top five. It seems ‘The Kids’ were enthralled by the sweaty, pumped-up dance sequences, and didn’t care one jot about the ropey acting, lack of correlation with the original, and, as some reviewers noted, some rather unsavoury racial stereotypes. Empire‘s Anna Smith summed up the thoughts of jaded critics, saying the film “suffered from a real lack of charisma… still, the dance bits are good.”

Sadly a film without any redeeming features whatsoever also made a strong showing this week. Yes, of course we’re talking about Fox’s Meet the Spartans, which aimed not only to spoof Zack Snyder‘s 300, but also ingeniously skewer the pomposity of today’s celebrity culture. Naturally, seeing as this was written by two of the witless scribes behind Scary Movie and Date Movie, the best way to do this was to simply repeat scenes from/simultaneously pimp last year’s Fox movies and especially TV shows (American Idol, America’s Next Top Model) and hope their audience of braying morons would reward themselves with a self-congratulatory laugh for making the association in their tiny minds. Still, it made Fox over £1 million in the first four days, so fair play.

From the ridiculous to the sublime, and ending on a high note, the Guillermo del Toro-produced Spanish-language horror The Orphanage snuck into our top ten, despite only opening on a select 74 screens. Featuring superb performances, a haunting atmosphere and the obligatory terrifying deformed child, here’s hoping this film gets a wider distribution in the next few weeks.

North American film fans heard the call of the elephant and stampeded to the box office to see the animated Dr. Seuss pic Horton Hears a Who, which enjoyed the largest opening weekend of the year so far. The testosterone flick Never Back Down launched to decent numbers; however, the virus thriller Doomsday was dead on arrival in its debut. But ‘toon power was able to revitalize the marketplace, sending the top 10 above the $100M mark and ahead of year-ago levels for the first time in a month.

Jim Carrey and Steve Carell lent their voices to Horton and ticket buyers responded, spending an estimated $45.1M on the Fox hit for a strong number one premiere. The G-rated tale bowed ultrawide in 3,954 locations and averaged a sturdy $11,406 per theater. The Whoville story generated the fourth best March opening ever, behind 300 ($70.9M), Ice Age: The Meltdown ($68M), and the original Ice Age ($46.3M) and also landed the fifth largest opening in history for a G-rated film.

Horton took advantage of star power, the popularity of the Seuss brand, and an open marketplace with few options for families to help it post the year’s best debut. But the film went beyond just parents and kids — the studio reports that 47 percent of the audience was non-family, with teens kicking in a significant contribution. Budgeted at $85M, the animated feature also garnered glowing reviews from most critics. Horton also bowed in 29 international markets this weekend, and captured an estimated $14.2M tally.

Animated films opening in March usually enjoy strong legs thanks to the Easter holiday and school vacations. Ice Age‘s opening weekend represented only 26 percent of its eventual $176.4M domestic final. Fox’s 2005 film Robots witnessed a 28 percent share, Meltdown played like a sequel and saw 35 percent, and last year’s Disney offering Meet the Robinsons grabbed 26 percent. Horton should follow in the same footsteps, as direct competition in the coing weeks is not too fierce, leading to possibly $150-175M from North America alone.

Trailing the animated elephant were the woolly mammoths of 10,000 BC. The not-so-accurate account of prehistoric times fell 54 percent in its second outing to an estimated $16.4M and pushed the total to $61.2M after 10 days. Given the bad reviews, negative word-of-mouth and the genre, the sharp decline was expected. The Warner Bros. title is playing almost exactly like another spring historical actioner, 2002’s The Scorpion King. The Rock starrer generated similar numbers with a $36.1M debut and $61.3M 10-day take before concluding with $90.5M. 10,000 BC should find its way to the same vicinity domestically. Overseas, the prehistoric pic collected a mighty $38M this weekend as it saw top spot debuts in the United Kingdom, Korea, and Russia and second place launches in France and Italy. The international cume has risen to $73M putting the global gross at an impressive $134M.

So far this year, moviegoers have been showing up in the same numbers, but have spread their dollars across a wider selection of movies than in 2007. Overall domestic box office is up 4 percent compared to the same period last year, and when factoring in the annual increase in ticket prices, total admissions are up only a slight amount. But at this point in 2007, six films had crossed the $50M mark, including three that broke the $100M barrier; this year, none have reached nine digits yet, but a whopping 10 have vaulted ahead of $50M (not including Horton, which is just days away from surpassing that mark).

The Mixed Martial Arts drama Never Back Down debuted to mediocre results and landed in third place with an estimated $8.6M from a wide 2,729 theaters. Averaging a mild $3,155, the PG-13 high school tale is the first in-house production from new distributor Summit and played to an audience of young males. Research showed that 59 percent of the audience was male and 60 percent were under 21. Never was budgeted at $20M.

Martin Lawrence’s second comedy of the year, College Road Trip, dropped a moderate 42 percent in its second weekend,, grossing an estimated $7.9M. With $24.3M collected in 10 days, the G-rated family flick should end up in the neighborhood of $45M.

Sony’s action thriller Vantage Point has been enjoying surprisingly strong legs, and slipped only 27 percent this week, to an estimated $5.4M for a solid cume of $59.2M. Rival actioner The Bank Job posted an even greater hold, sliding only 17 percent in its sophomore frame to an estimated $4.9M, giving Lionsgate $13.1M in 10 days. The high-octane pics should reach about $75M and $27M, respectively.

Universal suffered a dismal opening for its futuristic virus thriller Doomsday, which bowed to just $4.7M, according to estimates, from 1,936 theaters. The R-rated pic averaged a miserable $2,450 and should find its real audience on DVD this summer.

Will Ferrell‘s basketball comedy Semi-Pro fell 49 percent to eighth with an estimated $3M, pushing the total for New Line to $29.8M. Look for a final of roughly $35M, making it the comedian’s lowest-grossing lead performance in a wide release since 1998’s Night at the Roxbury.

Sony’s The Other Boleyn Girl dipped only 28 percent to an estimated $2.9M for a cume of $19.2M. The kidpic The Spiderwick Chronicles rounded out the top 10 with an estimated $2.4M, off 49 percent, for a $65.4M sum. Final grosses should reach $26M and $70M, respectively.

Warner Independent had a mixed weekend with its pair of limited release titles. The Naomi Watts thriller Funny Games opened in 289 theaters and grossed an estimated $520,000 for a dull $1,800 average. But its promising platform release Snow Angels added one Los Angeles site and took in an estimated $26,000 from three sites for a potent $8,667 average. The Kate Beckinsale starrer expands to the top 10 on Friday during its third session.

Three solid box office performers fell from the top 10 this weekend. Fox’s sci-fi flick Jumper dropped 42 percent to an estimated $2.1M, lifting the total to $75.8M. The $85M Hayden ChristensenSamuel L. Jackson actioner should conclude with about $80M. It’s already banked $100M overseas and counting.

The $70M adventure comedy Fool’s Gold collected an estimated $1.7M, off 38 percent, for a $65.4M sum. Warner Bros. looks to end with just under $70M. Step Up 2 the Streets, the latest teen dance drama to score with audiences, took in an estimated $1.5M, down 51 percent. With $55.4M taken in thus far, the Buena Vista release will reach close to $60M, putting it within striking distance of the $65.3M gross of 2006’s surprise smash Step Up.

The top 10 films grossed an estimated $101.3M, which was up less than 1 percent from last year — when 300 remained at number one in its second weekend with $32.9M — and up 13 percent from 2006, when V for Vendetta debuted in the top spot with $25.6M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

For its third chart-topper of the year, Warner Bros. is going back in time with its ancient adventure 10,000 BC which aims to revitalize a box office on the verge of extinction. Adding to the mix are Disney’s family comedy College Road Trip and the Lionsgate actioner The Bank Job. With ticket sales hitting a three-month low last weekend, the marketplace has nowhere to go but up.

Roland Emmerich follows up his past blockbusters Independence Day and The Day After Tomorrow with the action adventure tale 10,000 BC which looks to dominate the box office with ease. Boasting no major stars, the PG-13 film tells the story of a group of prehistoric tribesmen (who happen to speak perfect English) on a treacherous journey to save their kidnapped friends. Warner Bros. has tossed plenty of marketing dollars behind its big-budget offering as it does every spring with an action title not big enough to beat the summer behemoths.

Given the generic story and historical inaccuracies, look for big drops in the weeks ahead. But the opening weekend should be strong for a few reasons. A solid promotional push promises audiences a huge spectacle on the big screen that is worth paying to see. Plus the marketplace has nothing else exciting, especially for teens and young adults, so that key box office demo will show up in large numbers. The studio will be thrilled if the per-theater average can match the film’s title. Attacking 3,410 locations, 10,000 BC may debut with around $32M this weekend.


The main protagonists of 10,000 B.C.

Having completed successful kidpic makeovers for Vin Diesel and The Rock, the Disney machine now turns its attention to Martin Lawrence who stars in his first G-rated flick ever – College Road Trip. The family comedy co-stars former Cosby kid Raven Symone, who also serves as a producer, playing the teenage daughter looking at prospective colleges to attend. The Mouse House has a patented formula when it comes to manufacturing and marketing family content like this. Lawrence and Symone will draw upon two different audience groups to attract sales and the Disney brand name will add extra glow. There is very little competition for this crowd right now so Trip should hit its mark. The opening may not reach the $30.6M of The Pacifier or the $23M of The Game Plan, nor will it be a top spot bow like those two, but a solid debut is assured. Driving into 2,706 theaters, College Road Trip could collect roughly $18M this weekend.


One of the many hijinks in College Road Trip.

Action fans not interested in the era Before Christ can get their kicks from Jason Statham‘s latest pic The Bank Job. The R-rated heist thriller should play exclusively to the actor’s action fans, but don’t expect this one to be among his top-grossing titles. The marketing push has not been as loud as those for his recent film War or his Transporter vehicles plus a more narrow release is planned. Crossover appeal beyond his core base is unlikely. A sack full of about $6M from 1,603 vaults seems likely for The Bank Job this weekend.


Jason Statham and Saffron Burrows in The Bank Job.

Last weekend’s top player Semi-Pro will face some direct competition for young men from the new caveman flick. Look for a 45% drop to about $8M for the New Line release giving the Will Ferrell comedy $27M in ten days.

Vantage Point posted a respectable sophomore session and could stabilize in the third outing. Sony may dip by 40% to around $7.5M for a cume of $51M after 17 days. Paramount’s The Spiderwick Chronicles will finally face off against another offering for families thanks to Disney and Martin. A 35% decline would leave the fantasy pic with $5.5M for the session and lift the total to $62M.

LAST YEAR: Shattering records left and right, the Spartan sensation 300 exploded on the scene to a colossal opening of $70.9M. Warner Bros. hauled in a mammoth $210.6M from North America and a towering $456M worldwide. Far back in second but with a solid hold was the comedy Wild Hogs with $27.6M. The dynamic duo combined for nearly $100M in ticket sales over the weekend making it a summer-like frame. Three holdovers rounded out the top five with nearly identical figures. Disney’s Bridge to Terabithia captured $6.8M, Sony’s Ghost Rider took in $6.7M, and Zodiac grossed $6.6M for Paramount.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Imagi Studios hasn’t yet fully fired up the hype machine for its big-screen CGI take on Osamu Tezuka‘s Astro Boy, but the time isn’t far off — matter of fact, the computer-animated hero just got himself a voice.

According to a press release issued by the studio, Freddie Highmore (The Spiderwick Chronicles) has signed on to lend his pipes to the mechanical boy wonder in the upcoming production. Director David Bowers gushed about the 16-year-old actor:

“It’s terrific that Freddie has agreed to play Astro. He’s a remarkably skilled young actor, whose freshness and vitality make him perfect for the role. Astro Boy is a beloved superhero and has captured hearts around the globe for more than 50 years. I can’t wait to see where Freddie takes him.”

Set to be released in 2009, Astro Boy‘s synopsis follows below:

The original Astro Boy follows the adventures of a robot created in the image of a child but with extraordinary powers. Lost in a complex future world, Astro Boy must learn to find his place. With the help of his friends, he discovers how to use his powers for good.

A terrorist attack is played out through multiple perspectives in the high-octane political thriller Vantage Point which leads the four-pack of new openers which also includes three small comedies. Sony will score its first number one hit since October with this star-driven actioner which boasts a cast that features Dennis Quaid, Forest Whitaker, Sigourney Weaver, Matthew Fox, and William Hurt. The PG-13 pic has the biggest marketing and distribution push of any new release this weekend so a comfortable lead over its competitors should be expected. None of the actors are guaranteed box office sensations, but together they equal one big bankable A-lister.

Adults will make up the primary age group and appeal seems strong to both males and females. The intriguing style of the film will make it stand out from the crowd, although fellow action options Jumper and Fool’s Gold will provide some competition. Plus many adults will be preoccupied with their last chance to see the Oscar nominees before Sunday night’s big show. The five Best Picture candidates banked $14M over Presidents’ Day weekend. Vantage Point should play to the same folks that came out for other star-driven non-special effects action and suspense pics from this time of year like Sahara ($18.1M), The Interpreter ($22.8M) and Premonition ($17.6M). Attacking over 3,000 locations, Vantage Point could open to about $21M this weekend.


Vantage Point

Jack Black and Mos Def star in the video store comedy Be Kind Rewind playing two men who recreate top Hollywood movies after their tapes get damaged. The PG-13 film from New Line comes from acclaimed French director Michel Gondry who after Eternal Sunshine of the Spotless Mind and The Science of Sleep has built up his share of fans on this side of the Atlantic. A marketplace full of new comedies will split that crowd so Rewind will have to rely on fans of the director and stars to come out. Jumper and Vantage Point will also take mainstream moviegoers out of the picture. Breaking into roughly 800 theaters, Be Kind Rewind could bow to about $3M.


Mos Def and Jack Black in Driving Miss Daisy, er, Be Kind Rewind

Larry the Cable Guy returns for more blue collar humor in the Lionsgate comedy Witless Protection opening on Friday. The standup comedian plays a small town sheriff that kidnaps a woman in FBI custody for a road trip to solve a case. Rated PG-13, the pic has the goal of establishing the funnyman as a box office draw, but if the grosses of his last two films are any indication, this one will be gunned down quickly. Two years ago, Larry the Cable Guy: Health Inspector debuted to $6.9M while last year’s Delta Farce slumped by half to a $3.4M bow. Diminishing returns could again be in order especially since Witless will not be released as wide. Opening in 1,333 locations, Witless Protection might collect about $3M this weekend.


Larry the Cable Guy and Jenny McCarthy in Witless Protection

After many delays, MGM releases the comedy Charlie Bartlett which stars that iron guy Robert Downey Jr., Hope Davis, and Anton Yelchin as the title character. The R-rated film tells of a private school kid who becomes an underground shrink and pill pusher in public school. Teens are a core component of the target audience, but the restrictive rating will keep many of them out. The marketing push has not been strong and a lack of starpower and excitement will keep the grosses low. Juno‘s brand of high school fun in its 12th weekend could see a bigger audience. Entering about 1,000 theaters, Charlie Bartlett may debut to around $2M.


Anton Yelchin and Robert Downey, Jr. in Charlie Bartlett

Fox’s sci-fi actioner Jumper should take a big jump down this weekend. Word-of-mouth is not all that great and Vantage Point will steal away much of the action crowd. Look for a 50% drop to about $13.5M which would give the Hayden Christensen flick $57M in eleven days.

The Spiderwick Chronicles got off to a solid start last weekend as the only major offering for families and with no new kidpics entering the scene, a smaller decline is assured. Sophomore drops for Disney’s own Presidents’ Day weekend films from the past two years were 37% for Bridge to Terabithia and 21% for 2006’s Eight Below. Spiderwick could fall in between with a 30% fall giving Paramount $13M for the frame and $44M after eleven days.

Following a potent debut, Step Up 2 The Streets will suffer a sizable drop. The dance sequel may lose 45% of its take and gross $10M pushing the eleven-day cume to $42M. Warner Bros. should see its comedy adventure Fool’s Gold drop by 35% to around $8M. Total would climb to $54M.

LAST YEAR: Spending its second weekend on top, Sony’s Ghost Rider starring Academy Award winner Nicolas Cage fell hard but still pulled in $20.1M to top the box office over Oscar weekend. Jim Carrey gave horror a chance with The Number 23 and debuted in second with a solid $14.6M bow. The New Line release eventually grossed $35.2M and was the first of many thrillers in 2007 that marked major Hollywood stars doing their first scary movies. Disney’s Bridge to Terabithia slipped one spot to third with $14.2M in its sophomore frame. Fox’s comedy Reno 911!: Miami debuted in fourth with $10.3M representing half of its eventual $20.3M final tally. Fellow comedy Norbit rounded out the top five with $9.8M in its third session. Opening at the lower rungs of the top ten were the Billy Bob Thornton drama The Astronaut Farmer with $4.5M and the slave trade drama Amazing Grace with $4.1M from a more limited release. Totals reached $11M for Warner Bros. and $21.3M for Goldwyn/Roadside Attractions.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Moviegoers lined up to see ex-Jedis Hayden Christensen and Samuel L. Jackson
duke it out sending their new science fiction actioner Jumper
to number one over the Presidents’ Day holiday weekend. The dance drama Step Up 2 The Streets
debuted in second place while the fantasy adventure The Spiderwick Chronicles
premiered in third. For the first time ever, three films opened to more than
$15M each over the Friday-to-Sunday portion of the Presidents’ Day holiday
frame.

Landing in the number one spot, Fox’s sci-fi action entry Jumper
easily led the field opening to an estimated $27.2M over three days. Playing in
3,428 theaters, the PG-13 pic averaged a muscular $7,942 and has taken in $33.9M
since its Thursday launch. The Christensen-Jackson film met with horrible
reviews from critics, but audiences didn’t care and instead responded to the
slick marketing campaign. Including the Monday holiday, the $85M pic should bank
just under $40M in its first five days of release.

Buena Vista swiped the second place spot with its dance sequel Step Up 2 The Streets
which opened with an impressive $19.7M over three days from 2,470 sites. The
PG-13 teen tale played in about 1,000 fewer theaters than Jumper but
generated a similar average of $7,962. Since debuting on Valentine’s Day,
Streets has grossed $26.3M. According to studio research, young women led the
way with 60% of the crowd being female and 65% being under the age of 25.

Although it had a different release pattern, the sequel’s opening basically
matched the $20.7M bow of 2006’s Step Up
which was a summer title and featured a different cast. Rather than relying on
starpower, Buena Vista focused on keeping the music and dancing as updated as
possible with a marketing campaign that made full use of the hit song "Low" from
Flo Rida which has been the nation’s number one song for the last eight
consecutive weeks. Look for the studio to continue to develop the Step Up
brand just like Universal did with its Bring It On property which
continues to spawn lucrative direct-to-DVD titles.

Close behind in third was the effects-heavy fantasy pic The Spiderwick Chronicles
with an estimated $19.1M from 3,847 theaters for a solid $4,960 average.
Paramount’s PG-rated adventure has grossed $21.5M since its Thursday debut and
is expected to reach $24.4M by the end of the holiday weekend on Monday. Aimed
at family audiences, Spiderwick should continue to have its target
demographic all to itself over the next two weeks when many schools take their
winter breaks as no other kidpics will open. Critics gave a very positive
response. The Friday-to-Sunday tally was just a bit behind the $22.6M bow of
last year’s kids fantasy pic Bridge to Terabithia
which debuted over the same holiday frame before finding its way to $82.3M.

The critically-panned adventure comedy Fool’s Gold
held up reasonably well after its number one debut last week. Matthew McConaughey and Kate Hudson
witnessed a drop of 39% to an estimated $13.1M pushing the ten-day tally to a
sturdy $42M. Budgeted at $70M, the Warner Bros. flick should find its way to
$70-75M domestically.

Opening in fifth with the smallest debut among the frame’s four new releases
was the romantic comedy Definitely, Maybe
with an estimated $9.7M over the Friday-to-Sunday period and $12.8M since its
Thursday bow. Playing in 2,204 locations, the PG-13 pic averaged a moderate
$4,394 over three days. Adult women made up the primary audience as 67% of the
crowd was female and 54% was over 30. The $24M film earned generally good
reviews from critics.

The holiday weekend’s four new releases grossed a combined $75.7M over the
Friday-to-Sunday session and $94.4M since Thursday. This year marked the first
time that every new wide release opened on the Thursday Valentine’s Day holiday
to get an early jump on the Presidents’ Day holiday weekend.




Falling from second to sixth was
Martin Lawrence‘s comedy
Welcome Home Roscoe Jenkins 
with an estimated $8.9M, down 45%, for a ten-day cume of $29.1M. The $35M
Universal release should end up with roughly $50M. Fox Searchlight’s indie
comedy Juno
followed with an estimated $4.6M, off a mere 17%, giving the Oscar-nominated pic
a stellar $124.1M to date. The Ellen Page hit has now spent nine consecutive
weeks in the top ten, the most for any film since last April’s Disturbia.

The Bucket List
kept bringing in business dipping only 22% to an estimated $4.1M for a $81.1M
total for Warner Bros. Plunging 68% in its third tour was Hannah Montana & Miley Cyrus: Best of Both Worlds Concert
with an estimated $3.3M which bumped Disney’s cume up to $58.4M.

The ten spot saw a two-way tie between Katherine Heigl‘s 27 Dresses
and
Jessica Alba‘s horror pic The Eye
which collected an estimated $3.2M each. Fox’s comedy fell 41% and reached
$69.9M while Lionsgate’s supernatural thriller tumbled by 52% for a $26.3M cume
to date.

The top ten films grossed an estimated $112.8M over three days which was down
18% from last year’s record session when
Ghost Rider

opened at number one with $45.4M; but up 7% from 2006 when
Eight Below

debuted in the top spot with $20.2M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

The annual convergence of the Valentine’s Day and Presidents’ Day holidays has lead to a unique situation this year as studios are all releasing their wide openers on Thursday hoping for strong five-day starts for their pictures. The two effects-filled movies heading up the charge are Fox’s science fiction actioner Jumper and Paramount’s fantasy adventure The Spiderwick Chronicles attacking over 3,400 theaters each. Buena Vista counters with its dance saga Step Up 2 The Streets while Universal offers the romantic comedy Definitely, Maybe.

With something for everyone, and the two holidays giving a boost to overall moviegoing activity, the North American box office should be robust this weekend although it may not be able to match the record-shattering frame from a year ago. The last time Valentine’s Day fell on a Thursday was in 2002 but all five wide releases that year had traditional Friday bows. This time studios felt no need to leave business on the table on the typically strong love holiday so openings were scheduled a day earlier.

Fox has a savvy way of taking subpar films not loved by critics and selling them successfully to the ticket buying audience. The success of recent films like Alvin and the Chipmunks, 27 Dresses and Meet the Spartans is proof. The studio is hoping to make the magic work again with the new actioner Jumper which tells of teleporting men who face off against an elite group set to destroy them. Former Jedis Hayden Christensen and Samuel L. Jackson star in the PG-13 pic directed by Doug Liman (The Bourne Identity, Mr. & Mrs. Smith). Teens and young adults are the target audience here with males likely to slightly outnumber the gals.

The Presidents’ Day frame is often used by studios to launch effects-driven sci-fi films and audiences always turn out. Last year saw Ghost Rider bow to $52M over four days, Constantine opened to $33.6M in 2005, and Daredevil debuted to $45M in 2003. Jumper will play to most of the same people, however it boasts less starpower and its literary source is not as famous. Plus it faces more competition for the action audience with Spiderwick taking away some of the younger crowd and Fool’s Gold stealing away some women and adult couples.

Jumper lacks the goods people expect from a solid sci-fi flick and Christensen proves once again that he’s no leading man so lukewarm buzz from first-day audiences on Thursday may water down some of the weekend rush. But a strong marketing campaign will get the upfront audience to show up this weekend before the large declines set in. Invading 3,402 theaters, Jumper could open to around $30M over four days and $35M over five days.


Hayden Christensen in Jumper

With virtually no other options for the family audience this weekend, Paramount and Nickelodeon Movies hope to have a clear shot at reaching their target audience with the PG-rated fantasy pic The Spiderwick Chronicles. Based on the best-selling books, the effects-driven film aims to connect with kids over a weekend that is typically a good one for that crowd. Don’t expect Harry Potter numbers here, but Spiderwick could appeal to the same people who powered Disney’s Bridge to Terabithia to a $28.5M launch a year ago over the four-day holiday session.

The studio has given an extended marketing push to the film and fans of the books are likely to be curious as to how the leap to the big screen was made. Reviews have been generally positive so that should help persuade parents to give a green light to a trip to the multiplex this weekend. Enjoying the widest release of all new flicks with 3,847 theaters, The Spiderwick Chronicles might premiere with roughly $24M over four days and a five-day haul of $27M.


Freddie Highmore and friend in The Spiderwick Chronicles

In the summer of 2006, Buena Vista scored a surprise hit with its low-budget teen dance drama Step Up which grossed a hefty $65.3M after its $20.7M debut. So no one is surprised that the sequel bug hit this pic resulting in Step Up 2 The Streets which will aim for the same teenage and young adult crowd. Rated PG-13, the new installment will have a built-in audience to tap into which will help it at the box office this weekend. Add in that virtually all students have a long weekend away from school and the potential becomes big. However Streets is not surrounded by the excitement that the first film brought with it for the target audience. For these types of films nowadays, lightning strikes once at the box office and future revenue comes from direct-to-DVD sequels. Plus Channing Tatum who became a big star with teen girls thanks to the first film, is not starring this time. Disney is trying a theatrical approach and is using today’s hottest urban music to keep the franchise relevant and hip. Ethnic youth may contribute some solid numbers. Step Up 2 The Streets will break into 2,470 locations and may gross around $15M over the Friday-to-Monday period and $18M over five days.


Step Up 2 the Streets

Van Wilder himself Ryan Reynolds stars with a little miss full of sunshine Abigail Breslin in the new dramedy Definitely, Maybe which will target female audiences over the long weekend. The PG-13 film finds the actors playing a father-daughter pair examining the dad’s love options with various women. Universal’s Valentine’s Day offering lacks the starpower to become a big hit and competition will be quite tough given all the other options already out there for adult women. Reynolds is more known for male-skewing comedies so selling him in a chick flick could be a stretch. Debuting in 2,203 theaters, Definitely, Maybe might take in about $8M over four days and $10M over five days.


Abigail Breslin and Ryan Reynolds in Definitely, Maybe

Last weekend’s top choice Fool’s Gold should see a sizable drop thanks to not-so-great word-of-mouth and ample competition from new releases. But the holiday frame will help cushion the blow. Look for the four-day tally to drop by about 30% from the three-day opening weekend figure to about $15M. That would give the Warner Bros. adventure flick $42M after 11 days.

Martin Lawrence‘s comedy Welcome Home Roscoe Jenkins could see a similar decline due to similar reasons. Both sophomore comedies have earned a troubling C+ average grade from over 1,000 users of Yahoo Movies. Universal’s family reunion pic may drop by 30% and grab about $11.5M over the Friday-to-Monday session boosting the 11-day total to $31M.

Hannah Montana & Miley Cyrus should continue dropping fast at the box office but with all the loot it has already taken in, future grosses are just Disney gravy. The 3D concert pic may tumble by 50% to roughly $5M across four days and lift the stellar cume to $60M. After the third week, the numbers should shrink as U23D expands into many of the same Hannah auditoriums on February 22.

LAST YEAR: The Presidents’ Day holiday weekend box office was on fire as five new releases injected a stunning $122M in business into the marketplace over the four-day span. Nicolas Cage led the way with the comic book flick Ghost Rider which bowed to $52M over the long weekend for Sony on its way to $115.8M. Disney posted muscular results in second with its new fantasy pic Bridge to Terabithia which opened to $28.5M over the Friday-to-Monday session leading to a $82.3M final. Eddie Murphy‘s comedy Norbit dropped from first to third with $19.9M. Debuting behind it were the romantic comedy Music and Lyrics with $15.9M and the Tyler Perry pic Daddy’s Little Girls with $13.1M. Final grosses reached $50.6M and $31.4M, respectively. Bowing in sixth was the thriller Breach with $12.3M on its way to $33.2M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com



This week at the movies, we’ve got supernatural dwellers (The Spiderwick
Chronicles
, starring
Freddie Highmore and
Mary-Louise Parker), teleporters (Jumper,
starring Hayden Christensen and
Samuel L. Jackson), a dance dance revolution (Step
Up 2 the Streets
,
starring
Briana Evigan), and uncertain love (Definitely,
Maybe
, starring
Ryan Reynolds and
Rachel Weisz). What do the critics have to
say?

For smart family fare, critics say you could do a lot worse than
The Spiderwick
Chronicles
. Condensing five books by Tony DiTerlizzi and Holly
Black, Spiderwick stars
Freddie Highmore as a kid who’s upset about
relocating from New York City to an old Gothic mansion with his mom and
siblings. A series of mischevious pranks are blamed on the boy, but it soon
becomes apparent the house is loaded with supernatural guests, some kind, some
malicious. The pundits say Spiderwick may be a cut below the
Harry
Potters
and
Narnias
of the world, but it still delivers a solid
fantasy/adventure, maintaining a sense of wonderment while addressing the
growing pains inherent in the lives of young people. At 76 percent on the
Tomatometer, Spiderwick is truly one for the whole family.




"I didn’t know there were nude beaches in New England."

Even science fiction films must play by a certain set of rules. Unfortunately,
the critics say Jumper is all over the map. Based upon Steven Gould’s novel,
Jumper stars
Hayden Christensen as a young man who finds he can teleport
through space and time before discovering that another "jumper" (Jamie Bell) is
hot on his trail. Pundits say the film has slick visuals, but betrays its own
internal logic and features bland characters and weak dialogue. At 14 percent on
the Tomatometer, Jumper isn’t making the critics jump for joy. It’s also
the worst-reviewed film of director
Doug Liman‘s career.




Just another service provided by your friendly neighborhood
Spider-Man!

Despite its shopworn plot,
Step Up
was a surprise hit. So what do they do
for an encore? In the case of
Step
Up 2 the Streets
, pretty much the same
thing, say critics. As with the previous installment, 2 combines
culture-clash drama with loads of dance moves. The pundits say Step Up
has some nice dance sequences and a decent amount of energy, but watch out for
the scenes where people are talking to each other, because the characters are
blander than the foxtrot. At 29 percent on the Tomatometer, word on the Street
is this isn’t all that hot. (Check out our feature on notable dance
movies here.)




"Anybody got a cure for the rickets?"

With Definitely,
Maybe
,
Ryan Reynolds seems to have finally ditched the frat boy
image that’s dogged him since his 2 Guys, A Girl and a Pizza Place days.
He stars as Will Hayes, a soon-to-be divorcee regaling his daughter (Abigail Breslin) with the story of three women, one of which would eventually become his
wife. Critics say the movie is anchored by the affable chemistry between
Reynolds and Breslin, and while it’s typically cute and sappy, writer-director
Adam Brooks gives the movie just enough wit and light cynicism to keep it from
being cloying. At 69 percent, couples will Definitely want to catch Maybe. (Catch our interview with Reynolds here.)




"I’m drunk and I feel like doing something stupid. Want to vote
Green?"

Also opening this week in limited release.




"My dream is to be as useless as the guy in Cloverfield."

Recent Ryan Reynolds Movies
—————————————-
69% — The Nines (2007)
26% — Smokin’ Aces (2007)
43% — Just Friends (2005)
31% — Waiting… (2005)
24% — The Amityville Horror (2005)

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