Moviegoers rallied behind the star-driven comedy "Wild Hogs," which raced to number one at the North American box office, zooming past all expectations from Disney. Meanwhile, Viacom saw less-than-stellar debuts from its serial killer drama "Zodiac" from Paramount Pictures and the southern fried saga "Black Snake Moan" from arthouse unit Paramount Vantage. Overall, the box office remained healthy and surged well ahead of last year’s performance.

Buena Vista powered its way to an estimated $38M in opening weekend sales for its road comedy "Wild Hogs," delivering the largest March debut in history for a live-action film. The PG-13 pic starring Tim Allen, John Travolta, Martin Lawrence, and William H. Macy as four middle-aged men on a motorcycle adventure averaged a stellar $11,561 from 3,287 theaters. It was the year’s second biggest opening after "Ghost Rider‘s" $45.4M bow two weeks ago. According to studio research, 54% of the audience was actually female. Travolta’s everlasting sex appeal, Allen’s pull with moms thanks to his many Disney flicks, and the cast’s appearance on "The Oprah Winfrey Show" last week probably contributed to the solid turnout by women. The stars also allowed the film to tap into different audience segments.

"Wild Hogs" posted the best opening ever in March for a non-animated film and the third biggest overall. The only movies to debut better in this month were the "Ice Age" flicks of 2002 and 2006. It also gave Travolta the biggest opening by far of his career, beating the $23.5M of 2005’s "Be Cool," and the second best bow for Allen after the $57.4M bow of 1999’s "Toy Story 2." As expected, "Hogs" was slammed by critics but reviews are practically irrelevant for a star-driven comedy like this. This is a crowdpleaser, not a criticpleaser. Audiences make their decisions based on if they think they will get a good laugh or not and Buena Vista’s marketing push was indeed solid. Though the overall weekend gross was strong, what was even more encouraging was the significant Friday-to-Saturday boost of 49% which is rare for any new release. A journey into nine-digit territory seems likely.

Debuting far back in second place was the serial killer pic "Zodiac," with an estimated $13.1M from 2,362 sites. Averaging a respectable $5,546 per theater, the R-rated film from director David Fincher played to an older audience as two-thirds of the crowd was over the age of 25, according to studio research from Paramount. Males and females were evenly represented. Starring Jake Gyllenhaal, Robert Downey Jr., and Mark Ruffalo, "Zodiac" follows the investigation behind one of California’s most notorious murderers from the 1960s and 70s. The $65M film fared better than last fall’s murder mysteries set in the Golden State, "The Black Dahlia" and "Hollywoodland," which debuted to $10M and $5.9M respectively.

Reviews were overwhelmingly positive for "Zodiac," but its 160-minute length may have cut into its grossing potential. Plus when factoring in ticket prices increases over the years, it can be estimated that "Zodiac" sold the fewest opening weekend tickets of any of Fincher’s films. Admissions were roughly the same as for "Fight Club," which bowed to $11M in 1999. The studio is hoping that good word-of-mouth can carry the film in the weeks ahead.

After leading the pack for two full weeks, the Johnny Blaze flick "Ghost Rider" fell to third but only dropped 43% for an estimated $11.5M gross. Sony’s Nicolas Cage starrer has taken in $94.8M in 17 days and should become the first new release of 2007 to break the $100M barrier. Disney’s "Bridge to Terabithia" also held up well dipping 39% in its third adventure to an estimated $8.6M. Cume stands at $57.9M.

Jim Carrey‘s thriller "The Number 23" fell from second to fifth place in its sophomore scare and collected an estimated $7.1M. Down an understandable 52%, the New Line title has taken in a semi-decent $24.7M in ten days and looks headed for a $35-38M finish.

Eddie Murphy‘s latest comedy "Norbit" enjoyed the smallest decline in the top ten and dipped 34% to an estimated $6.4M for a $83M sum. Fellow laugher "Music and Lyrics" dropped just 36% to an estimated $4.9M giving the Hugh GrantDrew Barrymore pic $38.7M to date.

Paramount Vantage bowed its Samuel L. JacksonChristina Ricci drama "Black Snake Moan" and collected an estimated $4M from 1,252 theaters. Averaging a mild $3,208, the debut was half the size of writer/director Craig Brewer‘s last film "Hustle & Flow," which opened in July 2005 to $8M from 1,013 theaters on its way to $22.2M and an Oscar. Jackson has witnessed many of his headlining vehicles struggle at the box office including "Freedomland," "The Man," and even "Snakes on a Plane," which despite hitting the top spot, grossed much less than expected given its media hype last summer.

The Fox comedy "Reno 911!: Miami" tumbled 64% in its second weekend to an estimated $3.8M for a ninth place finish. The R-rated pic has grossed $16.4M in ten days and should conclude with roughly $20M. Rounding out the top ten was the FBI thriller "Breach" with an estimated $3.5M, off 42%, for a $25.4M total.

Three smaller films dropped out of the top ten over the weekend. The slave trade drama "Amazing Grace" dipped only 26% in its second weekend to an estimated $3M. With $8.2M in ten days, the Samuel Goldwyn/Roadside Attractions period pic may find its way to $15-18M. The Billy Bob Thornton flop "The Astronaut Farmer" grossed an estimated $2.2M, down 52%, and put its sum at an embarrassing $7.7M. Look for a $11M final.

Lionsgate’s Tyler Perry comedy "Daddy’s Little Girls" fell 53% to an estimated $2.3M in its third frame and upped its cume to $28.4M. By comparison, the distributor saw stronger 17-day grosses of $44M and $55.7M respectively for the director’s last two films, "Diary of a Mad Black Woman" and "Madea’s Family Reunion." "Daddy’s" should end its run with $30-33M.

The top ten films grossed an estimated $100.8M which was up a stunning 30% from last year when "Madea" stayed at number one with just $12.6M; but off 4% from 2005 when "The Pacifier" debuted on top with $30.6M.

Source: Gitesh Pandya, www.BoxOfficeGuru.com

After welcoming in four new wide releases per week for seven straight weekends, the North American box office slows it down a bit on Friday with only one saturation release and a pair of moderate national bows.

Sony courts the teen horror crowd with its supernatural thriller "The Covenant." Meanwhile, Focus targets mature adults with the crime thriller "Hollywoodland" and The Weinstein Co. goes after the action audience with the martial arts pic "The Protector." With a slate of Labor Day weekend pics coming off of their lukewarm holiday performances, the overall marketplace is sure to be sluggish and could slump to its lowest point of the year.

Four prep school dudes learn of their ancestral powers and stir up some evil in the new teen chiller "The Covenant." Sort of a "Lost Boys" for today’s youth, the PG-13 film will target the horror audience as well as the back-to-school date crowd. Renny Harlin, who has seen highs with "Die Hard 2" and lows with "Cutthroat Island," directs. "Covenant" should play primarily to teens and young adults and Sony has a strong track record when it comes to attracting that crowd with these kinds of films. Last fall, the studio scored a big hit with "The Exorcism of Emily Rose" which bowed this very weekend with $30.1M, but saw more modest results with "The Fog" which opened in October with $11.8M. Each one still hit the top of the charts. The marketing push on "Covenant" has not been too fierce so a debut closer to "Fog’s" is likely. Competition for teens is not very strong at the moment so many should pick this for their weekend moviegoing choice. Attacking 2,681 theaters, "The Covenant" could scare up around $11M in ticket sales this weekend.


More teen-horror hijinks in "The Covenant"

Academy Award winner Adrien Brody plays a not-so-super sleuth in the 1950s who investigates the suicide death of Superman actor George Reeves in the new crime thriller "Hollywoodland." The R-rated Focus release also stars Diane Lane, Ben Affleck, and Bob Hoskins. After last year’s dominance at the Oscars by numerous indie flicks, "Hollywoodland" tries to get the awards season started early by getting a headstart over some of the fall’s other promising non-studio films. The casting of the "Gigli" star as the Man of Steel, however, might diminish its chances a bit as many industry voters won’t be able to help but snicker when the daredevil himself comes on screen. Mature adults will be the target audience and women might outnumber the guys by a small margin. The film’s subject matter will certainly be intriguing for film industry folks, but it will be a tougher sell to mainstream moviegoers. "Hollywoodland" will have to reach its audience in a hurry as parent company Universal will target the exact same crowd with its ensemble-driven period crime mystery "The Black Dahlia" a week later. Debuting in moderate national release in 1,548 theaters, "Hollywoodland" might capture about $8M this weekend.


Adrien Brody gets rough while investigating the death of tv’s Superman

The "Quentin Tarantino Presents" marketing technique is back once again with the Thai martial arts pic "The Protector" starring Tony Jaa. The R-rated film from The Weinstein Co. finds the acrobatic action star seeking revenge on those who wronged his people. Jaa’s "Ong Bak" made a moderate splash at the North American box office last year when it opened to $1.3M from 387 theaters for a mild $3,449 average on its way to a $4.6M domestic take. A year and a half later, more American action fans know of Jaa, though he’s still far from a sizable draw. Two years ago, the Weinsteins saw stellar results when using the "Pulp Fiction" director’s
name in the marketing of Jet Li‘s "Hero" which ended up topping the box office for two straight weeks on its way to a $53.6M gross. Lionsgate also used the QT tactic to drive in business for its horror pic "Hostel" last January which also bowed in the top spot. "Protector" will appeal mostly to young men who love martial arts and crossover to other groups is unlikely. The second weekend of "Crank" will draw upon many of the same folks so competition will be tough. Fighting its way into around 1,400 theaters, "The Protector" might kick up about $6M this weekend.


Tony Jaa, doing his own stunts, in "The Protector"

More independent films open in New York on Friday hoping to expand further around the country in coming weeks. Polychrome Pictures debuts the Asian American pic "Red Doors" in a pair of Manhattan locations. The dysfunctional family pic won the top prize at last year’s Tribeca Film Festival. Film Philos goes into one solo house with the coffee cart vendor drama "Man Push Cart" which world premiered at Sundance last winter.

"Invincible‘s" undefeated season should come to an end this weekend as the Disney sports drama enters its third outing. A 40% decline would see the Mark Wahlberg pic gross around $7M pushing the 17-day cume to $47M. After a second place bow over the weekend, the Lionsgate actioner "Crank" pumped itself up to the top spot on Tuesday with solid midweek business. Jason Statham saw his "Transporter 2" fall 55% a year ago when it came off of its Labor Day debut. "Crank" could see a slightly smaller drop. A 50% tumble would give the poison pic roughly $5M for the sophomore frame and a ten-day sum of $20M.

Nicolas Cage‘s "The Wicker Man" did not make too much of a dent at the box office last weekend. A 45% drop to around $5M seems likely giving Warner Bros. only $19M in ten days. Indie sensation "Little Miss Sunshine" should step back a bit after a strong Labor Day frame and could slide 30% to $5M as well. That would lift the cume for the year’s most recommended film to $42M making it the fifth biggest hit in company history for Fox Searchlight after "Sideways" ($71.5M), "The Full Monty" ($45.9M), "28 Days Later" ($45.1M), and "Napoleon Dynamite" ($44.5M). In another week, it will vault to number two for the Fox subsidiary.

LAST YEAR: Sony scored a huge surprise winner with the suspense thriller "The Exorcism of Emily Rose" which bowed bigger than expected with a hefty $30.1M grossing more than the next five films combined. The fright flick went on to scare up a sturdy $75.1M. Comedy sensation "The 40-Year-Old Virgin" followed in second with $7.7M in its fourth date while "Transporter 2" fell from first to third with $7.4M. The political drama "The Constant Gardener" and the airline thriller "Red Eye" rounded out the top five with $4.7M and $4.5M, respectively. Samuel L. Jackson debuted poorly in sixth with his action-comedy "The Man" which took in a weak $4.1M on its way to just $8.3M for New Line.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got snakes…. on a plane ("Snakes on a Plane," starring Samuel L. Jackson), slackers on a campus ("Accepted," starring Justin Long), and Duffs on the screen ("Material Girls," starring Hilary and Haylie Duff). What do the critics have to say?

"Snakes on a Plane," the movie with the greatest title since "Dude, Where’s My Car?", has captured the imagination of the blogosphere. However, it will have to wait to capture the imagination of the critics, since it wasn’t screened in advance. The plot involves an FBI agent (Samuel L. Jackson) who, golly, would really like to expel those ophidians from the aircraft upon which he’s traveling. Since "SOAP" (as the fanboys and girls call it) has no reviews, we’re going to play our favorite game: Guess the @#&$*$ Tomatometer.


Contrary to the wishes of Samuel L. Jackson, these guys are putting the snakes on the @#&$*$ plane.

There’s something inherently appealing about a bunch of party-hearty students and their battles with the uptight squares; that’s why movie people keep trying to recapture the magic of "Animal House" and "Rock ‘n’ Roll High School." "Accepted" tells the story of a high school graduate (Justin Long) who’s having no luck getting into college, so he decides to start his own fake institute of higher learning. To his surprise, a bunch of like-minded outcasts join him. Critics say the movie has its share of laughs, but it never totally gels, and turns a little too sweet at the end. At 31 percent on the Tomatometer, "Accepted" has been waitlisted.


"Accepted": In culinary class, these guys are preparing an official South Harmon Institute of Technology sandwich.

Critics can beg, and critics can plead, but they can’t see "Material Girls" (that’s right!), ’cause the audience members with the cold hard cash are always Mr. (and Ms.) Right. Or, perhaps the people behind the latest Duff sisters vehicle feel the film is in the same artistic league as Madge‘s "Body of Evidence." Guess this Tomatometer while you’re at it.


The Duff sisters flee in anguish after their unsuccessful auditions for "Hulk 2"

"Little Miss Sunshine" was a big hit at this year’s Sundance Film Festival, and now that it’s hitting the theaters, the scribes are just as enthusiastic as the folks in Park City. This tale of a dysfunctional family hitting the road for a child pageant is Certified Fresh, and features sharp performances from its ensemble cast, particularly Greg Kinnear and Steve Carell. At 94 percent, this one’s a ray of "Sunshine." (Check out RT’s interview with co-directors Valerie Faris and Jonathan Dayton here.)

Also in theaters in limited release this week: "Factotum," the Sundance-approved Bukowski adaptation starring Matt Dillon and Lili Taylor, is at 75 percent; "The Illusionist," a tale of intrigue in turn of the century Vienna starring Ed Norton, Jessica Biel, and Paul Giamatti, is at 67 percent; Dutch import "Moonlight," a tale of risky teenage love, is at 60 percent; "Trust the Man," a rom-com starring David Duchovny and Julianne Moore, is at 39 percent; and "10th & Wolf," a story of mob family ties starring James Marsden and Giovanni Ribisi, is at zero percent.

Finally, props to XeternityX, who came closest to predicting "Pulse"’s 12 percent Tomatometer. Nobody got particularly close to "Zoom," still flying high at zero percent. Be forwarned when guessing the Tomatometers for this week’s unscreened releases: the average T-meter for movies not screened for critics is 11.75 percent.

Recent Samuel L. Jackson Movies:
——————————————-
25% — Freedomland (2005)
13% — The Man (2005)
82% — Star Wars Episode III: Revenge of the Sith (2005)
18% — XXX: State of the Union (2005)
23% — In My Country (2005)

Recent Hilary Duff Movies:
———————————-
7% — Cheaper by the Dozen 2 (2005)
6% — The Perfect Man (2005)
15% — Raise Your Voice (2004)
11% — A Cinderella Story (2004)
24% — Cheaper by the Dozen (2003)

Clever, albeit misleading, marketing tactics helped Screen Gems’ "The Exorcism of Emily Rose" rakes in a rather impressive $30.2 million (from nearly 3,000 screens) at the weekend box office. The courtroom occult flick was expected to snag the #1 spot at the box office, but one doubts that Sony was expecting a haul over $18 – $25 million. "Emily"’s haul stands as the third highest September opening ever, after "Sweet Home Alabama" and "Rush Hour."

Holding on chastely in second place was the sleeper hit "The 40 Year-Old Virgin," which added another $7.9 million to its grand total of $82.3 million. ("Virgin" has been in the Top 2 since the weekend it was released.) Dropping to third place was Fox’s action-fest "Transporter 2," which kicked another $7.2 million into its $30.1 million piggy bank.

Rounding out the top 5 were Focus Features’ "The Constant Gardener" ($4.8 million weekend; $19.1 million total) and DreamWorks’ Wes Craven thriller "Red Eye" ($4.6 million weekend; $51.3 million total). New Line’s buddy comedy "The Man" entered theaters in 6th place with a total of $4 million from 2,040 theaters, which means there most likely won’t be a sequel.

Next week sees the unleashing of several new wide releases, including Lions Gates’ Nic Cage action flick "Lord of War," DreamWorks’ rom-com "Just Like Heaven," and a pair of warring horror flicks: Focus’ "Cry Wolf" and Dimension’s "Venom."

As always, please do click right here to visit the Rotten Tomatoes Box Office Page, which will give you a much more detailed look at the weekend ticket-sales numerals.

It may be the 412th cinematic adaptation of Charles Dickens’ classic tale, but this is the only version of "Oliver Twist" to be directed by Mr. Roman Polanski. Have a look at the trailer for the film right here.

Adapted by screenwriter Ronald Harwood ("Being Julia," "The Pianist") and starring Ben Kingsley, Barney Clark, Jamie Foreman, Harry Eden, and Sir Cedric Hardwicke, the PG-13 rated "Oliver Twist" opens on September 30th.

This week at the movies features two of our favorite story elements: demonic possession ("The Exorcism of Emily Rose") and fish-out-of-water-cop-buddy-action stuff ("The Man"). Will the critics see the light, or is it off to the slammer for these two?

Nothing adds spice to a story quite like demonic possession; people are still talking about the time on "Days of Our Lives" when Marlenea was infected by Satan for close to a whole season. So how about a courtroom drama in which the bad guy is the Prince of Darkness himself? Well that’s what they tried to do with "The Exorcism of Emily Rose," and the scribes are split as to whether it works. While some have praised the film (which stars Laura Linney and Tom Wilkinson) for its sincere questions about the nature of belief, others say it is unable to sustain a coherent tone and suffers in comparison to the granddaddy of all demonic possession flicks, "The Exorcist." At 48 percent on the Tomatometer, this "Rose" isn’t smelling so sweet.

Ever get the idea that some movies are greenlit simply because someone thought, "Dude, that sounds like it might be mildly amusing!" That seems to describe "The Man," a buddy action comedy, starring Samuel L. Jackson and Eugene Levy, that critics say does absolutely nothing to transcend its premise. The plot involves a dental supply salesman (Levy) who wanders into a drug investigation headed by Jackson; as one would expect, Jackson plays a man who does not suffer fools gladly, and Levy plays a loveable fool. At 23 percent on the Tomatometer, the critics say this "Man" is a dog: predictable, uninspired, and utterly average.

Recent Samuel L. Jackson Movies:
——————————————
15% — XXX: State of the Union (2005)
82% — Star Wars Episode III: Revenge of the Sith (2005)
64% — Coach Carter (2005)
24% — In My Country (2005)
97% — Incredibles (2004)

Jason Statham in "Transporter 2" was the go-to guy over the holiday weekend, hauling in an estimated $20.2 million from 3,300 screens. This is a marked improvement over the debut of the original "Transporter," which opened to $9.1 million, eventually snagged a grand total of $25.2 million, and then became a bona-fide hit once the DVD was released.

With a budget of approximately $32 million, "Trans2" looks to turn a tidy profit well before Fox releases the double-dip Special Edition in eight months. The film also broke the record for a Labor Day debut, knocking "Jeepers Creepers 2" and its $18.3 million opening into second place.

Stepping graciously into second place was the two-week champion known as "The 40 Year-Old Virgin," which added about $16.5 million to its total of $71.9 million. Debuting in third place was Focus Features’ "The Constant Gardener," which tallied nearly $11 million from only 1,346 theaters. (An indicator that moviegoers are perhaps looking for some more grown-up material? One can only hope so.)

Rounding out the top five were Wes Craven‘s "Red Eye" ($9.3m holiday weekend, $45.4 million total) and Terry Gilliam‘s "The Brothers Grimm," which added nearly $8 million to its $27.6 million total haul. A pair of late-season holdovers, Miramax’s "Underclassman," and WB’s "A Sound of Thunder," debuted in rather terrible form. The cop-in-school comedy made $3 million from over 1,100 screens, while the ill-fated Ray Bradbury adaptation yielded only $1.1 million from just over 800 theaters.

Next Friday sees a pair of latecoming hopefuls: Screen Gems’ courtroom-occult flick "The Exorcism of Emily Rose" will debut on over 2,900 screens, while the Samuel Jackson / Eugene Levy buddy comedy "The Man" will appear on about 1,800. For a closer look at the weekend numbers, have a peek at the Rotten Tomatoes Box Office page.

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