(Photo by Buena Vista/ courtesy Everett Collection)

All Diane Lane Movies Ranked by Tomatometer

Diane Lane has been leading films since age 14, when she debuted in 1979’s first-love story A Little Romance. In the ’80s, she brought New Wave to the big screen with hip, unusual musicals Ladies and Gentlemen, The Fabulous Stains, and Streets of Fire, along with collaborating with Francis Ford Coppola in Rumble Fish and The Outsiders.

In the ’90s and early 2000s, Lane appeared in a variety of big productions, including Chaplin, Judge Dredd, Jack, and The Perfect Storm, pulling her away from leading roles. That changed with 2002’s Unfaithful, the erotic sizzler with Richard Gere for which she was nominated for the Best Actress Oscar. This led to a mid-career blossoming as romantic lead, with films like Under the Tuscan Sun, Must Love Dogs, and Nights in Rodanthe.

Since then, Lane’s movies have been among the most critically acclaimed of her career, including Certified Fresh marks for Inside Out, Trumbo, and her latest, Let Him Go, opposite Kevin Costner. She’s also been Ma Kent in the DC Extended Universe since 2013’s Man of Steel, helping guarantee we’d never hear the name Martha the same way again. And now we look back on all Diane Lane movies ranked by Tomatometer!

#45
Critics Consensus: No consensus yet.
Synopsis: This anthology film is composed of three segments parodying Hollywood clichés. In the first, a lawyer (Peter Riegert) has a... [More]
Directed By: Henry Jaglom, Bob Giraldi

#44

Jumper (2008)
15%

#44
Adjusted Score: 20622%
Critics Consensus: Featuring uninvolving characters and loose narrative, Jumper is an erratic action pic with little coherence and lackluster special effects.
Synopsis: Aimless David Rice (Hayden Christensen) has the ability to instantly transport himself to any place he can imagine. He uses... [More]
Directed By: Doug Liman

#43

Untraceable (2008)
16%

#43
Adjusted Score: 21619%
Critics Consensus: Despite Diane Lane's earnest effort, Untraceable manages to be nothing more than a run-of-the-mill thriller with a hypocritical message.
Synopsis: Special Agent Jennifer Marsh (Diane Lane) works in an elite division of the FBI dedicated to fighting cybercrime. She thinks... [More]
Directed By: Gregory Hoblit

#42

Knight Moves (1992)
17%

#42
Adjusted Score: 9304%
Critics Consensus: No consensus yet.
Synopsis: When a number of women are violently murdered in the middle of a big chess tournament, chess star and grandmaster... [More]
Directed By: Carl Schenkel

#41

Mad Dog Time (1996)
17%

#41
Adjusted Score: 6872%
Critics Consensus: No consensus yet.
Synopsis: After mob boss Vic (Richard Dreyfuss) leaves a mental hospital, he returns to find his nightclub operation in disarray. Even... [More]
Directed By: Larry Bishop

#40

Jack (1996)
17%

#40
Adjusted Score: 18506%
Critics Consensus: Robin Williams' childlike energy is channeled in all the wrong places with Jack, a bizarre tragedy that aims for uplift but sinks deep into queasy schmaltz.
Synopsis: After an unusually short pregnancy, Karen Powell (Diane Lane) gives birth to a baby boy whose body ages much faster... [More]
Directed By: Francis Ford Coppola

#39

Gunshy (1998)
20%

#39
Adjusted Score: 7852%
Critics Consensus: No consensus yet.
Synopsis: In Atlantic City, N.J., down-on-his-luck writer Jake Bridges (William Petersen) finds an unlikely savior in the form of Irish henchman... [More]
Directed By: Jeff Celentano

#38

The Glass House (2001)
21%

#38
Adjusted Score: 22903%
Critics Consensus: Due to obvious plot twists and foreshadowing, The Glass House fails to thrill. By the end, it degenerates into ludicrousness.
Synopsis: After the parents of Ruby (Leelee Sobieski) and her younger brother, Rhett (Trevor Morgan), are killed in a car crash,... [More]
Directed By: Daniel Sackheim

#37

Serenity (2019)
21%

#37
Adjusted Score: 33067%
Critics Consensus: A high-concept mystery with a twist, Serenity isn't what it appears to be at first -- unfortunately, it's also not anywhere near as clever or entertaining as it thinks.
Synopsis: Baker Dill is a fishing boat captain who leads tours off of the tranquil enclave of Plymouth Island. His peaceful... [More]
Directed By: Steven Knight

#36

Judge Dredd (1995)
22%

#36
Adjusted Score: 24271%
Critics Consensus: Judge Dredd wants to be both a legitimate violent action flick and a parody of one, but director Danny Cannon fails to find the necessary balance to make it work.
Synopsis: In the crime-plagued future, the only thing standing between order and chaos is Judge Joseph Dredd (Sylvester Stallone). His duty:... [More]
Directed By: Danny Cannon

#35

Fierce People (2005)
24%

#35
Adjusted Score: 25011%
Critics Consensus: Fierce People's premise of a teenager studying rich people like animals is grating and self-satisfied, and Anton Yelchin's smug performance makes the film even harder to agree with.
Synopsis: Finn (Anton Yelchin) is a teenager trying to escape his drug-addicted mother (Diane Lane) by going to study tribal people.... [More]
Directed By: Griffin Dunne

#34

Killshot (2009)
29%

#34
Adjusted Score: 8920%
Critics Consensus: No consensus yet.
Synopsis: A veteran assassin (Mickey Rourke) and his dangerous young partner (Joseph Gordon-Levitt) pursue a woman (Diane Lane) and her husband... [More]
Directed By: John Madden

#33
Adjusted Score: 56047%
Critics Consensus: Batman v Superman: Dawn of Justice smothers a potentially powerful story -- and some of America's most iconic superheroes -- in a grim whirlwind of effects-driven action.
Synopsis: It's been nearly two years since Superman's (Henry Cavill) colossal battle with Zod (Michael Shannon) devastated the city of Metropolis.... [More]
Directed By: Zack Snyder

#32
#32
Adjusted Score: 35038%
Critics Consensus: Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.
Synopsis: When Adrienne Willis (Diane Lane) arrives at the coastal town of Rodanthe, N.C., her life is in chaos. There, she... [More]
Directed By: George C. Wolfe

#31
#31
Adjusted Score: 31703%
Critics Consensus: Every Secret Thing has a sterling pedigree both on and off the screen, yet all that talent adds up to little more than a listless, predictable thriller.
Synopsis: When a 3-year-old girl goes missing, a detective revisits a crime committed by two once-underage perpetrators who were recently released... [More]
Directed By: Amy Berg

#30

Murder at 1600 (1997)
33%

#30
Adjusted Score: 33480%
Critics Consensus: No consensus yet.
Synopsis: A secretary (Mary Moore) is found dead in a White House bathroom during an international crisis, and Detective Harlan Regis... [More]
Directed By: Dwight Little

#29

Must Love Dogs (2005)
36%

#29
Adjusted Score: 41748%
Critics Consensus: Despite good work from its likable leads, the romantic comedy Must Love Dogs is too predictable.
Synopsis: Sarah (Diane Lane), is 40 and recently divorced. Believing Sarah needs to date more, her sister, Carol (Elizabeth Perkins), creates... [More]
Directed By: Gary David Goldberg

#28

Justice League (2017)
40%

#28
Adjusted Score: 69874%
Critics Consensus: Justice League leaps over a number of DC movies, but its single bound isn't enough to shed the murky aesthetic, thin characters, and chaotic action that continue to dog the franchise.
Synopsis: Fueled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne enlists newfound ally Diana Prince... [More]
Directed By: Zack Snyder

#27

Hardball (2001)
41%

#27
Adjusted Score: 44159%
Critics Consensus: Although Hardball contains some touching moments, they are not enough to transcend the sports formula.
Synopsis: Conor (Keanu Reeves) is a ticket scalper, gambler and, now, Little League coach for a rag-tag team of kids in... [More]
Directed By: Brian Robbins

#26

Wild Bill (1995)
42%

#26
Adjusted Score: 43019%
Critics Consensus: Crowded with talent on either side of the camera, Wild Bill shoots itself in the foot with a surprisingly muddled take on the story of the titular folk hero.
Synopsis: Gunfighter Wild Bill Hickok (Jeff Bridges) travels the frontier, gaining fame and enemies in roughly equal measure. He sometimes meets... [More]
Directed By: Walter Hill

#25

Paris Can Wait (2016)
47%

#25
Adjusted Score: 54029%
Critics Consensus: Paris Can Wait's likable stars are ill-served by a film that lacks interesting ideas or characters and has little to offer beyond striking travelogue visuals.
Synopsis: Anne (Diane Lane) is at a crossroads in her life. Married to a successful but inattentive movie producer (Alec Baldwin),... [More]
Directed By: Eleanor Coppola

#24
#24
Adjusted Score: 50982%
Critics Consensus: While the special effects are well done and quite impressive, this film suffers from any actual drama or characterization. The end result is a film that offers nifty eye-candy and nothing else.
Synopsis: Based on a true story, the film tells of the courageous men and women who risk their lives every working... [More]
Directed By: Wolfgang Petersen

#23

Vital Signs (1990)
50%

#23
Adjusted Score: 26091%
Critics Consensus: No consensus yet.
Synopsis: At a Los Angeles medical school, a group of third-year students struggle with love, their studies and one another. Young... [More]
Directed By: Marisa Silver

#22

My New Gun (1992)
50%

#22
Adjusted Score: 29060%
Critics Consensus: No consensus yet.
Synopsis: A suburbanite (Stephen Collins) gives his wife (Diane Lane) a gun for protection, but a weirdo (James LeGros) steals it... [More]
Directed By: Stacy Cochran

#21

The Big Town (1987)
50%

#21
Adjusted Score: 38397%
Critics Consensus: No consensus yet.
Synopsis: A lucky country boy (Matt Dillon) turns crapshooter in 1950s Chicago and falls for a gangster's (Tommy Lee Jones) stripper... [More]
Directed By: Ben Bolt, Harold Becker

#20

Unfaithful (2002)
50%

#20
Adjusted Score: 55294%
Critics Consensus: Diane Lane shines in the role, but the movie adds nothing new to the genre and the resolution is unsatisfying.
Synopsis: Described by director Adrian Lyne ("Fatal Attraction") as "an erotic thriller about the body language of guilt." When Edward (Richard... [More]
Directed By: Adrian Lyne

#19

Man of Steel (2013)
56%

#19
Adjusted Score: 70169%
Critics Consensus: Man of Steel's exhilarating action and spectacle can't fully overcome its detours into generic blockbuster territory.
Synopsis: With the imminent destruction of Krypton, their home planet, Jor-El (Russell Crowe) and his wife seek to preserve their race... [More]
Directed By: Zack Snyder

#18

Indian Summer (1993)
58%

#18
Adjusted Score: 57844%
Critics Consensus: No consensus yet.
Synopsis: Unca Lou (Alan Arkin), the longtime director of an Ontario summer camp, brings a group of former campers back for... [More]
Directed By: Mike Binder

#17

Chaplin (1992)
60%

#17
Adjusted Score: 63040%
Critics Consensus: Chaplin boasts a terrific performance from Robert Downey, Jr. in the title role, but it isn't enough to overcome a formulaic biopic that pales in comparison to its subject's classic films.
Synopsis: Re-creation of the life of comic genius Charlie Chaplin, from his humble beginnings in south London through his early days... [More]
Directed By: Richard Attenborough

#16

Cinema Verite (2011)
61%

#16
Adjusted Score: 60929%
Critics Consensus: Cinema Verite is a disappointingly incurious dive into the birth of reality television, but terrific performances and the inherent intrigue behind the making of An American Family keep this drama compelling.
Synopsis: In the 1970s Bill Loud (Tim Robbins) and his wife, Pat (Diane Lane), allow cameras to film their personal lives... [More]

#15
#15
Adjusted Score: 66086%
Critics Consensus: Though formulaic and superficial, Under the Tuscan Sun is redeemed by Lane's vibrant performance.
Synopsis: When Frances Mayes (Diane Lane) learns her husband is cheating on her from a writer whom she gave a bad... [More]
Directed By: Audrey Wells

#14
Adjusted Score: 63052%
Critics Consensus: No consensus yet.
Synopsis: Corinne Burns (Diane Lane) is a typical frustrated teenager living in a nowhere town until she catches punk band the... [More]
Directed By: Lou Adler

#13

Secretariat (2010)
64%

#13
Adjusted Score: 68707%
Critics Consensus: Rousing, heartwarming, and squarely traditional, Secretariat offers exactly what you'd expect from an inspirational Disney drama -- no more, and no less.
Synopsis: Despite her lack of experience, housewife and mother Penny Chenery (Diane Lane) agrees to take over management of the family... [More]
Directed By: Randall Wallace

#12

Streets of Fire (1984)
67%

#12
Adjusted Score: 67569%
Critics Consensus: Streets of Fire may sometimes buckle under the strain of its ambitious fusion of disparate genres, but Walter Hill's bravura style gives this motorcycle musical fuel to burn.
Synopsis: Raven Shaddock (Willem Dafoe), along with his gang of merciless biker friends, kidnaps rock singer Ellen Aim (Diane Lane). Ellen's... [More]
Directed By: Walter Hill

#11

The Outsiders (1983)
68%

#11
Adjusted Score: 71975%
Critics Consensus: The cracks continue to show in Coppola's directorial style, but The Outsiders remains a blustery, weird, and fun adaptation of the classic novel.
Synopsis: A teen gang in rural Oklahoma, the Greasers are perpetually at odds with the Socials, a rival group. When Greasers... [More]
Directed By: Francis Ford Coppola

#10

Hollywoodland (2006)
68%

#10
Adjusted Score: 75862%
Critics Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Synopsis: A detective (Adrien Brody) uncovers unexpected links to his own personal life as he probes the mysterious death of "Superman"... [More]
Directed By: Allen Coulter

#9

A Little Romance (1979)
71%

#9
Adjusted Score: 72850%
Critics Consensus: No consensus yet.
Synopsis: Intellectually precocious teenager Lauren King (Diane Lane) lives in Paris with her somewhat ditzy mother (Sally Kellerman). On a movie... [More]
Directed By: George Roy Hill

#8
Adjusted Score: 86825%
Critics Consensus: Zack Snyder's Justice League lives up to its title with a sprawling cut that expands to fit the director's vision -- and should satisfy the fans who willed it into existence.
Synopsis: In ZACK SNYDER'S JUSTICE LEAGUE, determined to ensure Superman's (Henry Cavill) ultimate sacrifice was not in vain, Bruce Wayne (Ben... [More]
Directed By: Zack Snyder

#7
#7
Adjusted Score: 72851%
Critics Consensus: An impressive showcase for Diane Lane and an assured debut from director Tony Goldwyn, A Walk on the Moon finds absorbing period drama within a family at a crossroads.
Synopsis: Unfulfilled housewife Pearl Kantrowitz (Diane Lane) suffers in quiet misery as the tumultuous events of the summer of 1969 unfold... [More]
Directed By: Tony Goldwyn

#6

My Dog Skip (2000)
73%

#6
Adjusted Score: 75633%
Critics Consensus: Critics say My Dog Skip is cute, wholesome entertainment for the family. It's especially designed to appeal to your sentiment, but you might find yourself choking up just the same.
Synopsis: Who says best friends have to be human? Not Willie Morris (Frankie Muniz), who receives a talented terrier named Skip... [More]
Directed By: Jay Russell

#5

Rumble Fish (1983)
74%

#5
Adjusted Score: 76704%
Critics Consensus: Rumble Fish frustrates even as it intrigues, but director Francis Ford Coppola's strong visual style helps compensate for a certain narrative stasis.
Synopsis: Disaffected and restless, Rusty James (Matt Dillon) is spoiling for a fight. Abandoned by his mother and living with his... [More]
Directed By: Francis Ford Coppola

#4

The Cotton Club (1984)
77%

#4
Adjusted Score: 77851%
Critics Consensus: Energetic and brimming with memorable performers, The Cotton Club entertains with its visual and musical pizazz even as its plot only garners polite applause.
Synopsis: The lives of various characters intersect at Harlem's renowned Cotton Club. Handsome horn player Dix Dwyer (Richard Gere) falls for... [More]
Directed By: Francis Ford Coppola

#3

Trumbo (2015)
75%

#3
Adjusted Score: 82324%
Critics Consensus: Trumbo serves as an honorable and well-acted tribute to a brilliant writer's principled stand, even if it doesn't quite achieve the greatness of its subject's own classic screenplays.
Synopsis: In 1947, successful screenwriter Dalton Trumbo (Bryan Cranston) and other Hollywood figures get blacklisted for their political beliefs.... [More]
Directed By: Jay Roach

#2

Let Him Go (2020)
84%

#2
Adjusted Score: 96318%
Critics Consensus: Let Him Go's uneven blend of adult drama and revenge thriller is smoothed over by strong work from a solid veteran cast.
Synopsis: Following the loss of their son, a retired sheriff and his wife leave their Montana ranch to rescue their young... [More]
Directed By: Thomas Bezucha

#1

Inside Out (2015)
98%

#1
Adjusted Score: 113968%
Critics Consensus: Inventive, gorgeously animated, and powerfully moving, Inside Out is another outstanding addition to the Pixar library of modern animated classics.
Synopsis: Riley (Kaitlyn Dias) is a happy, hockey-loving 11-year-old Midwestern girl, but her world turns upside-down when she and her parents... [More]
Directed By: Pete Docter

(Photo by Walt Disney Studios Motion Pictures/courtesy Everett Collection)

All Samuel L. Jackson Movies Ranked

After a number of character parts and bit roles in a swath of urban dramas at the start of his career, Jackson made his breakthrough statement as the fiery voice of reason in Spike Lee’s Do the Right Thing: DJ Mister Señor Love Daddy. Pulling off a character with a name like that should only lead to more success, and sure enough, then came the slapstick comedy (Loaded Weapon 1), a disarming role in Jurassic Park, and the ultimate ’90s character: hitman Jules Winnfield in Pulp Fiction.

From there, Jackson has only cemented his rep as Hollywood’s versatile king of volatile cool, partnering with John McClane (Die Hard With a Vengeance), feelin’ the Force in the Star Wars prequels, starring as the sexy spawn of Shaft, and making his mark in original meme movie Snakes on a Plane.

And as, of course, the linchpin of the Marvel Cinematic Universe: Nick Fury, whose movie appearances (brief or significant) are all included here in the greater interest of the general public, i.e. you’re going to complain if we didn’t. With that said, hold on to your butts for Samuel L. Jackson movies ranked by Tomatometer!

#97

Kite (2014)
0%

#97
Critics Consensus: No consensus yet.
Synopsis: With the help of her father's ex-partner (Samuel L. Jackson) and a friend (Callan McAuliffe) from her past, an orphaned... [More]
Directed By: Ralph Ziman

#96

Twisted (2004)
1%

#96
Adjusted Score: 5579%
Critics Consensus: An implausible, overheated potboiler that squanders a stellar cast, Twisted is a clichéd, risible whodunit.
Synopsis: Recently promoted and transferred to the homicide division, Inspector Jessica Shepard (Ashley Judd) feels pressure to prove herself -- and... [More]
Directed By: Philip Kaufman

#95
#95
Adjusted Score: 8953%
Critics Consensus: No consensus yet.
Synopsis: Waymon (Joseph C. Phillips) has a great job in real estate and a promising future, but he's also trapped in... [More]
Directed By: Kevin Hooks

#94

Sphere (1998)
11%

#94
Adjusted Score: 13428%
Critics Consensus: Sphere features an A-level cast working with B-grade material, with a story seen previously in superior science-fiction films.
Synopsis: When psychologist Norman Goodman (Dustin Hoffman) wrote a report for the government on how to deal with extraterrestrial life forces,... [More]
Directed By: Barry Levinson

#93

Cell (2016)
11%

#93
Adjusted Score: 12657%
Critics Consensus: Shoddily crafted and devoid of suspense, Cell squanders a capable cast and Stephen King's once-prescient source material on a bland rehash of zombie cliches.
Synopsis: A graphic novelist (John Cusack) begins a desperate search for his estranged wife (Clark Sarullo) and son (Ethan Andrew Casto)... [More]
Directed By: Tod Williams

#92

The Spirit (2008)
14%

#92
Adjusted Score: 17143%
Critics Consensus: Though its visuals are unique, The Spirit's plot is almost incomprehensible, the dialogue is ludicrously mannered, and the characters are unmemorable.
Synopsis: Apparently murdered cop Denny Colt (Gabriel Macht) returns as the Spirit, dedicated to protecting Central City from crime. His archenemy,... [More]
Directed By: Frank Miller

#91

Jumper (2008)
15%

#91
Adjusted Score: 20622%
Critics Consensus: Featuring uninvolving characters and loose narrative, Jumper is an erratic action pic with little coherence and lackluster special effects.
Synopsis: Aimless David Rice (Hayden Christensen) has the ability to instantly transport himself to any place he can imagine. He uses... [More]
Directed By: Doug Liman

#90

Cleaner (2007)
17%

#90
Adjusted Score: 8608%
Critics Consensus: No consensus yet.
Synopsis: Retired policeman Tom Cutler (Samuel L. Jackson) works as a crime-scene cleaner to support his young daughter. Cutler's quiet life... [More]
Directed By: Renny Harlin

#89

Amos & Andrew (1993)
17%

#89
Adjusted Score: 17326%
Critics Consensus: No consensus yet.
Synopsis: When erudite black playwright Andrew Sterling (Samuel L. Jackson) moves to a predominantly white suburb, the buffoonish local police surround... [More]
Directed By: E. Max Frye

#88
#88
Adjusted Score: 21212%
Critics Consensus: Even more absurd and implausible than the first XXX movie, State of the Union is less inspired and technically competent than its predecessor.
Synopsis: When the government finds out that a group of terrorists has infiltrated its ranks, and the group is being trained... [More]
Directed By: Lee Tamahori

#87
#87
Adjusted Score: 24712%
Critics Consensus: Mechanical animation and a less-than stellar script make The Clone Wars a pale shadow of George Lucas' once great franchise.
Synopsis: As more star systems get swept into the Clone Wars, the valiant Jedi knights struggle to maintain order. Anakin Skywalker... [More]
Directed By: Dave Filoni

#86
Adjusted Score: 22295%
Critics Consensus: Loaded Weapon 1 hits all the routine targets with soft squibs, yielding a tired parody that cycles through its laundry list of references with little comedic verve.
Synopsis: This "Lethal Weapon" spoof follows Los Angeles police officers Wes Luger (Samuel L. Jackson) and Jack Colt (Emilio Estevez) as... [More]
Directed By: Gene Quintano

#85

Basic (2003)
21%

#85
Adjusted Score: 24615%
Critics Consensus: Basic gets so needlessly convoluted in its plot twists that the viewer eventually loses interest.
Synopsis: During a special operations training mission in Panama, four U.S. soldiers are killed mysteriously, and their leader, Sgt. Nathan West... [More]
Directed By: John McTiernan

#84

Reasonable Doubt (2014)
22%

#84
Adjusted Score: 9304%
Critics Consensus: No consensus yet.
Synopsis: A prosecutor (Dominic Cooper) commits a fatal hit-and-run, then manipulates the case so that the man who was arrested for... [More]
Directed By: Peter P. Croudins

#83

Meeting Evil (2011)
22%

#83
Adjusted Score: 9315%
Critics Consensus: No consensus yet.
Synopsis: An unwitting family man (Luke Wilson) takes a joy ride from hell with an insane killer (Samuel L. Jackson).... [More]
Directed By: Chris Fisher

#82
#82
Adjusted Score: 23763%
Critics Consensus: The ensemble cast works hard, but hammy direction and a script lacking in nuance ruins this movie's noble intentions.
Synopsis: Following a lengthy tour of duty in Iraq, three soldiers find that readjusting to life at home is not as... [More]
Directed By: Irwin Winkler

#81

Freedomland (2006)
23%

#81
Adjusted Score: 29193%
Critics Consensus: Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
Synopsis: A mother blames the disappearance of her child on a black man from the projects after she reports a carjacking.... [More]
Directed By: Joe Roth

#80
#80
Adjusted Score: 25663%
Critics Consensus: A well-intentioned but melodramatic look at post-Apartheid South Africa.
Synopsis: An American reporter (Samuel L. Jackson) and an Afrikaans poet (Juliette Binoche) meet and fall in love while covering South... [More]
Directed By: John Boorman

#79

Zambezia (2012)
25%

#79
Adjusted Score: 8950%
Critics Consensus: No consensus yet.
Synopsis: Kai (Jeremy Suarez), a high-spirited falcon, travels to the bird city of Zambezia and discovers the truth about his origins.... [More]
Directed By: Wayne Thornley

#78
#78
Adjusted Score: 11780%
Critics Consensus: No consensus yet.
Synopsis: Police Detective Jack Friar (Samuel L. Jackson) is searching for a runaway teen when he's taken hostage by a band... [More]
Directed By: Bob Rafelson

#77
Adjusted Score: 36103%
Critics Consensus: Despite the charms of its ensemble, The Hitman's Wife's Bodyguard fails to protect the audience from repetitive and tired genre tropes.
Synopsis: The world's most lethal odd couple -- bodyguard Michael Bryce (Ryan Reynolds) and hitman Darius Kincaid (Samuel L. Jackson) --... [More]
Directed By: Patrick Hughes

#76

Barely Lethal (2015)
26%

#76
Adjusted Score: 25569%
Critics Consensus: No consensus yet.
Synopsis: Seeking a normal adolescence, a special-operations agent (Hailee Steinfeld) fakes her own death and enrolls in high school as an... [More]
Directed By: Kyle Newman

#75

The Samaritan (2012)
26%

#75
Adjusted Score: 25647%
Critics Consensus: The Samaritan is a ludicrous neo-noir starring a seemingly bored Samuel L. Jackson.
Synopsis: After many years in prison, a former grifter (Samuel L. Jackson) tries to go straight, but the son (Luke Kirby)... [More]
Directed By: David Weaver

#74

The 51st State (2001)
26%

#74
Adjusted Score: 28905%
Critics Consensus: Filled with profanities, Formula 51 is a stylized and incoherent mess that doesn't add up to much.
Synopsis: "The 51st State" is the story of Elmo McElroy (Samuel L. Jackson), a streetwise American master chemist, who heads to... [More]
Directed By: Ronny Yu

#73

Fluke (1995)
27%

#73
Adjusted Score: 13324%
Critics Consensus: No consensus yet.
Synopsis: Workaholic Thomas P. Johnson (Matthew Modine) has achieved professional success at the expense of his family life, having neglected his... [More]
Directed By: Carlo Carlei

#72

One Eight Seven (1997)
30%

#72
Adjusted Score: 30019%
Critics Consensus: No consensus yet.
Synopsis: When a student writes the police code for homicide, 187, inside a textbook owned by teacher Trevor Garfield (Samuel L.... [More]
Directed By: Kevin Reynolds

#71

Shaft (2019)
34%

#71
Adjusted Score: 40533%
Critics Consensus: Decades removed from the original, this multi-generational Shaft struggles to keep its characters interesting -- or anything other than uncomfortably outdated.
Synopsis: John Shaft Jr. may be an FBI cyber security expert, but to uncover the truth behind his best friend's untimely... [More]
Directed By: Tim Story

#70
#70
Adjusted Score: 51092%
Critics Consensus: The Legend of Tarzan has more on its mind than many movies starring the classic character, but that isn't enough to make up for its generic plot or sluggish pace.
Synopsis: It's been nearly a decade since Tarzan (Alexander Skarsgård), also known as John Clayton III, left Africa to live in... [More]
Directed By: David Yates

#69
#69
Adjusted Score: 39342%
Critics Consensus: The script is unconvincing and the courtroom action is unegaging.
Synopsis: Col. Terry Childers (Samuel L. Jackson) is a 30-year Marine veteran: a decorated officer with combat experience in Vietnam, Beirut... [More]
Directed By: William Friedkin

#68
Adjusted Score: 47822%
Critics Consensus: Spiral: From the Book of Saw suggests an interesting new direction for the Saw franchise, even if the gory sum is rather less than its parts.
Synopsis: A criminal mastermind unleashes a twisted form of justice in Spiral, the terrifying new chapter from the book of Saw.... [More]
Directed By: Darren Lynn Bousman

#67

Oldboy (2013)
39%

#67
Adjusted Score: 44761%
Critics Consensus: Suitably grim and bloody yet disappointingly safe and shallow, Spike Lee's Oldboy remake neither surpasses the original nor adds anything new to its impressive legacy.
Synopsis: Although his life is already in a downward spiral, things get much worse for advertising executive Joe Doucett (Josh Brolin)... [More]
Directed By: Spike Lee

#66

Death to 2020 (2020)
40%

#66
Adjusted Score: 40485%
Critics Consensus: No consensus yet.
Synopsis: 2020: A year so [insert adjective of choice here], even the creators of Black Mirror couldn't make it up... but... [More]
Directed By: Al Campbell, Alice Mathias

#65
#65
Adjusted Score: 59825%
Critics Consensus: The Hitman's Bodyguard coasts on Samuel L. Jackson and Ryan Reynolds' banter -- but doesn't get enough mileage to power past an overabundance of action-comedy clichés.
Synopsis: The world's top protection agent is called upon to guard the life of his mortal enemy, one of the world's... [More]
Directed By: Patrick Hughes

#64

Lakeview Terrace (2008)
44%

#64
Adjusted Score: 50469%
Critics Consensus: This thriller about a menacing cop wreaking havoc on his neighbors is tense enough but threatens absurdity when it enters into excessive potboiler territory.
Synopsis: An uptight cop (Samuel L. Jackson), the self-appointed watchdog of his neighborhood, strongly disapproves of the interracial newlyweds (Patrick Wilson,... [More]
Directed By: Neil LaBute

#63
Adjusted Score: 54777%
Critics Consensus: xXx: Return of Xander Cage should satisfy fans of the first two installments, but its preponderance of set pieces can't quite make up for a tired storyline that fails to take the franchise -- or action fans -- anywhere new.
Synopsis: After coming out of self-imposed exile, daredevil operative Xander Cage (Vin Diesel) must race against time to recover a sinister... [More]
Directed By: D.J. Caruso

#62
#62
Adjusted Score: 45575%
Critics Consensus: No consensus yet.
Synopsis: Boxing promoter the Rev. Fred Sultan (Samuel L. Jackson) decides the best way to revive public interest in his top... [More]
Directed By: Reginald Hudlin

#61
#61
Adjusted Score: 47768%
Critics Consensus: The Caveman's Valentine has an intriguing premise, but the film falls flat under the weight of its ambition.
Synopsis: Romulus (Samuel L. Jackson) is a homeless man who dwells in a cave in one of New York City's parks,... [More]
Directed By: Kasi Lemmons

#60

Soul Men (2008)
45%

#60
Adjusted Score: 48439%
Critics Consensus: Soul Men features lively performances from Bernie Mac and Samuel L. Jackson and some hilarious moments, but ultimately suffers from an unoriginal script.
Synopsis: Louis (Samuel L. Jackson) and Floyd (Bernie Mac) used to be one of the country's top musical duos, until they... [More]
Directed By: Malcolm D. Lee

#59

S.W.A.T. (2003)
48%

#59
Adjusted Score: 52597%
Critics Consensus: A competent, but routine police thriller.
Synopsis: Hondo Harrelson (Samuel L. Jackson) recruits Jim Street (Colin Farrell) to join an elite unit of the Los Angeles Police... [More]
Directed By: Clark Johnson

#58

RoboCop (2014)
48%

#58
Adjusted Score: 57427%
Critics Consensus: While it's far better than it could have been, José Padilha's RoboCop remake fails to offer a significant improvement over the original.
Synopsis: In 2028, OmniCorp is at the center of robot technology. While its drones have long been used by the military... [More]
Directed By: José Padilha

#57

XXX (2002)
49%

#57
Adjusted Score: 53782%
Critics Consensus: It has an endearing lack of seriousness, and Vin Diesel has more than enough muscle for the starring role, but ultimately, XXX is a missed opportunity to breathe new life into the spy thriller genre.
Synopsis: Vin Diesel stars as former extreme sports athlete Xander "XXX" Cage, notorious for his death-defying public stunts. Betting he can... [More]
Directed By: Rob Cohen

#56

Astro Boy (2009)
50%

#56
Adjusted Score: 55326%
Critics Consensus: While it isn't terribly original, and it seems to have a political agenda that may rankle some viewers, Astro Boy boasts enough visual thrills to please its target demographic.
Synopsis: In futuristic Metro City, a brilliant scientist named Tenma builds Astro Boy (Freddie Highmore), a robotic child with superstrength, X-ray... [More]
Directed By: David Bowers

#55
Adjusted Score: 62032%
Critics Consensus: Burdened by exposition and populated with stock characters, The Phantom Menace gets the Star Wars prequels off to a bumpy -- albeit visually dazzling -- start.
Synopsis: Obi-Wan Kenobi (Ewan McGregor) is a young apprentice Jedi knight under the tutelage of Qui-Gon Jinn (Liam Neeson) ; Anakin... [More]
Directed By: George Lucas

#54

Deep Blue Sea (1999)
59%

#54
Adjusted Score: 63810%
Critics Consensus: Deep Blue Sea is no Jaws, but action fans seeking some toothy action can certainly do -- and almost certainly have done -- far worse for B-movie thrills.
Synopsis: On an island research facility, Dr. Susan McAlester (Saffron Burrows) is harvesting the brain tissue of DNA-altered sharks as a... [More]
Directed By: Renny Harlin

#53
#53
Adjusted Score: 63902%
Critics Consensus: Die Hard with a Vengeance benefits from Bruce Willis and Samuel L. Jackson's barbed interplay, but clatters to a bombastic finish in a vain effort to cover for an overall lack of fresh ideas.
Synopsis: Detective John McClane (Bruce Willis) is now divorced, alcoholic and jobless after getting fired for his reckless behavior and bad... [More]
Directed By: John McTiernan

#52
#52
Adjusted Score: 64565%
Critics Consensus: The Last Full Measure struggles to capture the incidents that inspired it, but ultimately prevails thanks to strong performances in service of a remarkable true story.
Synopsis: Airman William H. Pitsenbarger Jr. is awarded the Medal of Honor for his service and actions on the battlefield.... [More]
Directed By: Todd Robinson

#51
#51
Adjusted Score: 64742%
Critics Consensus: While sluggish in spots, Resurrecting the Champ is a sports/newsroom drama elevated by high-caliber performances by Samuel Jackson, Josh Hartnet, and Alan Alda.
Synopsis: Things are not going well for Erik Kernan (Josh Hartnett). Erik, a sports reporter, is stuck covering the bush leagues... [More]
Directed By: Rod Lurie

#50

Coach Carter (2005)
64%

#50
Adjusted Score: 69701%
Critics Consensus: Even though it's based on a true story, Coach Carter is pretty formulaic stuff, but it's effective and energetic, thanks to a strong central performance from Samuel L. Jackson.
Synopsis: In 1999, Ken Carter (Samuel L. Jackson) returns to his old high school in Richmond, California, to get the basketball... [More]
Directed By: Thomas Carter

#49
Adjusted Score: 79958%
Critics Consensus: Miss Peregrine's Home for Peculiar Children proves a suitable match for Tim Burton's distinctive style, even if it's on stronger footing as a visual experience than a narrative one.
Synopsis: When his beloved grandfather leaves Jake clues to a mystery that spans different worlds and times, he finds a magical... [More]
Directed By: Tim Burton

#48
Adjusted Score: 73555%
Critics Consensus: Star Wars Episode II: Attack of the Clones benefits from an increased emphasis on thrilling action, although they're once again undercut by ponderous plot points and underdeveloped characters.
Synopsis: Set ten years after the events of "The Phantom Menace," the Republic continues to be mired in strife and chaos.... [More]
Directed By: George Lucas

#47

Black Snake Moan (2007)
66%

#47
Adjusted Score: 71871%
Critics Consensus: Uninhibited performances, skillful direction, and a killer blues soundtrack elevate Black Snake Moan beyond its outlandish premise.
Synopsis: After her lover (Justin Timberlake) leaves to serve in the military, Rae (Christina Ricci) gives in to her raging libido... [More]
Directed By: Craig Brewer

#46

Shaft (2000)
67%

#46
Adjusted Score: 70184%
Critics Consensus: With a charismatic lead, this new Shaft knows how to push the right buttons.
Synopsis: Crooked cops on the take -- small-time drug lords -- sleazy informers and sadistic rich kids ready to kill ---... [More]
Directed By: John Singleton

#45

Turbo (2013)
67%

#45
Adjusted Score: 70146%
Critics Consensus: It's nowhere near as inventive as its off-the-wall premise might suggest, but Turbo boasts just enough colorful visual thrills and sharp voice acting to recommend as undemanding family-friendly fare.
Synopsis: Turbo (Ryan Reynolds) is a speed-obsessed snail with an unusual dream: to become the world's greatest racer. This odd snail... [More]
Directed By: David Soren

#44

A Time to Kill (1996)
68%

#44
Adjusted Score: 70005%
Critics Consensus: Overlong and superficial, A Time to Kill nonetheless succeeds on the strength of its skillful craftsmanship and top-notch performances.
Synopsis: Carl Lee Hailey (Samuel L. Jackson) is a heartbroken black father who avenges his daughter's brutal rape by shooting the... [More]
Directed By: Joel Schumacher

#43

Kiss of Death (1995)
67%

#43
Adjusted Score: 68029%
Critics Consensus: An outstanding ensemble cast propels Kiss of Death, a noir-ish crime thriller that's slick and big on atmosphere, even if its script may only provide sporadic bursts of tension.
Synopsis: After his time in prison, Jimmy Kilmartin (David Caruso) keeps his head down and provides for his wife and kids,... [More]
Directed By: Barbet Schroeder

#42
#42
Adjusted Score: 75479%
Critics Consensus: Snakes on a Plane lives up to its title, featuring snakes on a plane. It isn't perfect, but then again, it doesn't need to be.
Synopsis: FBI agent Nelville Flynn (Samuel L. Jackson) boards a flight from Hawaii to Los Angeles, escorting a witness to trial.... [More]
Directed By: David R. Ellis

#41
#41
Adjusted Score: 70199%
Critics Consensus: Smart, sharp-witted, and fueled by enjoyably over-the-top action, The Long Kiss Goodnight makes up in impact what it lacks in consistent aim.
Synopsis: Schoolteacher and single mother Samantha Caine (Geena Davis) lives an average suburban life -- until she begins having strange memories... [More]
Directed By: Renny Harlin

#40

Unbreakable (2000)
70%

#40
Adjusted Score: 76710%
Critics Consensus: With a weaker ending, Unbreakable is not as a good as The Sixth Sense. However, it is a quietly suspenseful film that intrigues and engages, taking the audience through unpredictable twists and turns along the way.
Synopsis: David Dunn (Bruce Willis) is the sole survivor of a devastating train wreck. Elijah Price (Samuel L. Jackson) is a... [More]
Directed By: M. Night Shyamalan

#39

Mo' Better Blues (1990)
71%

#39
Adjusted Score: 71957%
Critics Consensus: Mo' Better Blues is rich with vibrant hues and Denzel Washington's impassioned performance, although its straightforward telling lacks the political punch fans expect from a Spike Lee joint.
Synopsis: Financially irresponsible Giant (Spike Lee) manages a jazz group, but his sax player, Shadow (Wesley Snipes), wants to replace him... [More]
Directed By: Spike Lee

#38

Iron Man 2 (2010)
72%

#38
Adjusted Score: 83904%
Critics Consensus: It isn't quite the breath of fresh air that Iron Man was, but this sequel comes close with solid performances and an action-packed plot.
Synopsis: With the world now aware that he is Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from... [More]
Directed By: Jon Favreau

#37

The Red Violin (1998)
74%

#37
Adjusted Score: 74716%
Critics Consensus: A symphony of storytelling whose lulls lead to satisfying crescendos, The Red Violin weaves a centuries-long saga with the journey of a single instrument.
Synopsis: The intricate history of a beautiful antique violin is traced from its creation in Cremona, Italy, in 1681, where a... [More]
Directed By: François Girard

#36

The Negotiator (1998)
74%

#36
Adjusted Score: 75687%
Critics Consensus: The Negotiator's battle of wits doesn't wholly justify its excessive length, but confident direction by F. Gary Gray and formidable performances makes this a situation audiences won't mind being hostage to.
Synopsis: Danny Roman (Samuel L. Jackson) is considered the best police hostage negotiator in Chicago. After a friend warns him that... [More]
Directed By: F. Gary Gray

#35
#35
Adjusted Score: 88087%
Critics Consensus: The Hateful Eight offers another well-aimed round from Quentin Tarantino's signature blend of action, humor, and over-the-top violence -- all while demonstrating an even stronger grip on his filmmaking craft.
Synopsis: While racing toward the town of Red Rock in post-Civil War Wyoming, bounty hunter John "The Hangman" Ruth (Kurt Russell)... [More]
Directed By: Quentin Tarantino

#34
Adjusted Score: 84834%
Critics Consensus: Stylish, subversive, and above all fun, Kingsman: The Secret Service finds director Matthew Vaughn sending up the spy genre with gleeful abandon.
Synopsis: Gary "Eggsy" Unwin (Taron Egerton), whose late father secretly worked for a spy organization, lives in a South London housing... [More]
Directed By: Matthew Vaughn

#33
#33
Adjusted Score: 104540%
Critics Consensus: Offering exhilarating eye candy, solid acting, and a fast-paced story, Kong: Skull Island earns its spot in the movie monster's mythos without ever matching up to the classic original.
Synopsis: Scientists, soldiers and adventurers unite to explore a mythical, uncharted island in the Pacific Ocean. Cut off from everything they... [More]
Directed By: Jordan Vogt-Roberts

#32
#32
Adjusted Score: 90788%
Critics Consensus: Exuberant and eye-popping, Avengers: Age of Ultron serves as an overstuffed but mostly satisfying sequel, reuniting its predecessor's unwieldy cast with a few new additions and a worthy foe.
Synopsis: When Tony Stark (Robert Downey Jr.) jump-starts a dormant peacekeeping program, things go terribly awry, forcing him, Thor (Chris Hemsworth),... [More]
Directed By: Joss Whedon

#31

Changing Lanes (2002)
77%

#31
Adjusted Score: 80763%
Critics Consensus: Though some may find its conclusion unsatisfying, Changing Lanes is a tense, well-crafted exploration of meaty ethical dilemmas.
Synopsis: A rush-hour fender-bender on New York City's crowded FDR Drive, under most circumstances, wouldn't set off a chain reaction that... [More]
Directed By: Roger Michell

#30

Thor (2011)
77%

#30
Adjusted Score: 87536%
Critics Consensus: A dazzling blockbuster that tempers its sweeping scope with wit, humor, and human drama, Thor is mighty Marvel entertainment.
Synopsis: As the son of Odin (Anthony Hopkins), king of the Norse gods, Thor (Chris Hemsworth) will soon inherit the throne... [More]
Directed By: Kenneth Branagh

#29

Big Game (2014)
78%

#29
Adjusted Score: 79990%
Critics Consensus: Big Game's enthusiastic throwback vibe will appeal to fans of low-budget '80s action movies, but co-writer/director Jalmari Helander adds a level of smarts and skill that make it more than just an homage.
Synopsis: The U.S. president (Samuel L. Jackson) must rely on a 13-year-old boy (Onni Tommila) to get him out alive after... [More]
Directed By: Jalmari Helander

#28

Mother and Child (2009)
78%

#28
Adjusted Score: 82433%
Critics Consensus: Though it occasionally veers into unnecessary melodrama, Mother and Child benefits from a stellar cast and writer-director Rodrigo Garcia's finely detailed, bravely unsentimental script.
Synopsis: The lives of three women have a commonality: adoption. Karen (Annette Bening) is a physical therapist who regrets that, as... [More]
Directed By: Rodrigo Garcia

#27

The Other Guys (2010)
79%

#27
Adjusted Score: 85914%
Critics Consensus: A clever parody of cop-buddy action-comedies, The Other Guys delivers several impressive action set pieces and lots of big laughs, thanks to the assured comic chemistry between Will Ferrell and Mark Wahlberg.
Synopsis: Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble (Will Ferrell) and Hoitz (Mark Wahlberg) garner no headlines... [More]
Directed By: Adam McKay

#26

Captain Marvel (2019)
79%

#26
Adjusted Score: 113649%
Critics Consensus: Packed with action, humor, and visual thrills, Captain Marvel introduces the MCU's latest hero with an origin story that makes effective use of the franchise's signature formula.
Synopsis: Captain Marvel is an extraterrestrial Kree warrior who finds herself caught in the middle of an intergalactic battle between her... [More]
Directed By: Anna Boden, Ryan Fleck

#25

1408 (2007)
79%

#25
Adjusted Score: 86378%
Critics Consensus: Relying on psychological tension rather than overt violence and gore, 1408 is a genuinely creepy thriller with a strong lead performance by John Cusack.
Synopsis: Mike Enslin (John Cusack) is a successful author who enjoys worldwide acclaim debunking supernatural phenomena -- before he checks into... [More]
Directed By: Mikael Hafstrom

#24

The Banker (2020)
79%

#24
Adjusted Score: 83712%
Critics Consensus: The Banker's timid approach to dramatizing its fact-based story is often outweighed by the trio of strong performances at its core.
Synopsis: In the 1960s, two entrepreneurs hatch an ingenious business plan to fight for housing integration and equal access to the... [More]
Directed By: George Nolfi

#23
Adjusted Score: 89804%
Critics Consensus: With plenty of pulpy action, a pleasantly retro vibe, and a handful of fine performances, Captain America is solidly old-fashioned blockbuster entertainment.
Synopsis: It is 1941 and the world is in the throes of war. Steve Rogers (Chris Evans) wants to do his... [More]
Directed By: Joe Johnston

#22
Adjusted Score: 91497%
Critics Consensus: With Episode III: Revenge of the Sith, George Lucas brings his second Star Wars trilogy to a suitably thrilling and often poignant -- if still a bit uneven -- conclusion.
Synopsis: It has been three years since the Clone Wars began. Jedi Master Obi-Wan Kenobi (Ewan McGregor) and Jedi Knight Anakin... [More]
Directed By: George Lucas

#21

Hard Eight (1996)
81%

#21
Adjusted Score: 82364%
Critics Consensus: An absorbing showcase for Philip Baker Hall, Paul Thomason Anderson's feature debut is a gamble that pays off handsomely.
Synopsis: A stranger (Philip Baker Hall) mentors a young Reno gambler (John C. Reilly) who weds a hooker (Gwyneth Paltrow) and... [More]
Directed By: Paul Thomas Anderson

#20

Trees Lounge (1996)
81%

#20
Adjusted Score: 80861%
Critics Consensus: No consensus yet.
Synopsis: Long Island loser Tommy (Steve Buscemi) is a hopeless alcoholic who loses his job for stealing from his boss, Rob... [More]
Directed By: Steve Buscemi

#19

Jungle Fever (1991)
82%

#19
Adjusted Score: 84389%
Critics Consensus: Jungle Fever finds Spike Lee tackling timely sociopolitical themes in typically provocative style, even if the result is sometimes ambitious to a fault.
Synopsis: A married black lawyer named Flipper (Wesley Snipes) begins an affair with Angie (Annabella Sciorra), his white secretary. When the... [More]
Directed By: Spike Lee

#18

Eve's Bayou (1997)
82%

#18
Adjusted Score: 85261%
Critics Consensus: Eve's Bayou marks a striking feature debut for director Kasi Lemmons, layering terrific performances and Southern mysticism into a measured meditation on disillusionment and forgiveness.
Synopsis: Over the course of a long, hot Louisiana summer, a 10-year-old black girl, Eve Batiste (Jurnee Smollett), discovers that her... [More]
Directed By: Kasi Lemmons

#17

Chi-Raq (2015)
82%

#17
Adjusted Score: 90976%
Critics Consensus: Chi-Raq is as urgently topical and satisfyingly ambitious as it is wildly uneven -- and it contains some of Spike Lee's smartest, sharpest, and all-around entertaining late-period work.
Synopsis: The girlfriend (Teyonah Parris) of a Chicago gang leader (Nick Cannon) persuades other frustrated women to abstain from sex until... [More]
Directed By: Spike Lee

#16
#16
Adjusted Score: 87361%
Critics Consensus: Told with grit and verve by the Hughes brothers in their feature debut, Menace II Society is a gangland epic that breathes with authenticity while steeped in style.
Synopsis: After growing up in the gang lifestyle of the Los Angeles projects, 18-year-old Caine Lawson (Tyrin Turner) wants a way... [More]

#15
#15
Adjusted Score: 92087%
Critics Consensus: Kill Bill: Volume 2 adds extra plot and dialogue to the action-heavy exploits of its predecessor, while still managing to deliver a suitably hard-hitting sequel.
Synopsis: The Bride (Uma Thurman) picks up where she left off in volume one with her quest to finish the hit... [More]
Directed By: Quentin Tarantino

#14
#14
Adjusted Score: 92345%
Critics Consensus: Kill Bill is admittedly little more than a stylish revenge thriller -- albeit one that benefits from a wildly inventive surfeit of style.
Synopsis: A former assassin, known simply as The Bride (Uma Thurman), wakes from a coma four years after her jealous ex-lover... [More]
Directed By: Quentin Tarantino

#13
#13
Adjusted Score: 114161%
Critics Consensus: Avengers: Infinity War ably juggles a dizzying array of MCU heroes in the fight against their gravest threat yet, and the result is a thrilling, emotionally resonant blockbuster that (mostly) realizes its gargantuan ambitions.
Synopsis: Iron Man, Thor, the Hulk and the rest of the Avengers unite to battle their most powerful enemy yet --... [More]
Directed By: Anthony Russo, Joe Russo

#12

Jackie Brown (1997)
87%

#12
Adjusted Score: 92479%
Critics Consensus: Although somewhat lackadaisical in pace, Jackie Brown proves to be an effective star-vehicle for Pam Grier while offering the usual Tarantino wit and charm.
Synopsis: When flight attendant Jackie Brown (Pam Grier) is busted smuggling money for her arms dealer boss, Ordell Robbie (Samuel L.... [More]
Directed By: Quentin Tarantino

#11

Django Unchained (2012)
86%

#11
Adjusted Score: 98844%
Critics Consensus: Bold, bloody, and stylistically daring, Django Unchained is another incendiary masterpiece from Quentin Tarantino.
Synopsis: Two years before the Civil War, Django (Jamie Foxx), a slave, finds himself accompanying an unorthodox German bounty hunter named... [More]
Directed By: Quentin Tarantino

#10

Fresh (1994)
88%

#10
Adjusted Score: 89167%
Critics Consensus: Well cast and sharply directed, Fresh serves as an attention-getting calling card for writer-director Boaz Yakin as well as a gripping urban drama.
Synopsis: Fresh (Sean Nelson) is a 12-year-old drug dealer who finds himself trapped in a web of poverty, corruption and racial... [More]
Directed By: Boaz Yakin

#9
Adjusted Score: 102467%
Critics Consensus: Suspenseful and politically astute, Captain America: The Winter Soldier is a superior entry in the Avengers canon and is sure to thrill Marvel diehards.
Synopsis: After the cataclysmic events in New York with his fellow Avengers, Steve Rogers, aka Captain America (Chris Evans), lives in... [More]
Directed By: Anthony Russo, Joe Russo

#8
Adjusted Score: 118745%
Critics Consensus: A breezily unpredictable blend of teen romance and superhero action, Spider-Man: Far from Home stylishly sets the stage for the next era of the MCU.
Synopsis: Peter Parker's relaxing European vacation takes an unexpected turn when Nick Fury shows up in his hotel room to recruit... [More]
Directed By: Jon Watts

#7
#7
Adjusted Score: 106041%
Critics Consensus: Thanks to a script that emphasizes its heroes' humanity and a wealth of superpowered set pieces, The Avengers lives up to its hype and raises the bar for Marvel at the movies.
Synopsis: When Thor's evil brother, Loki (Tom Hiddleston), gains access to the unlimited power of the energy cube called the Tesseract,... [More]
Directed By: Joss Whedon

#6

Jurassic Park (1993)
92%

#6
Adjusted Score: 102598%
Critics Consensus: Jurassic Park is a spectacle of special effects and life-like animatronics, with some of Spielberg's best sequences of sustained awe and sheer terror since Jaws.
Synopsis: In Steven Spielberg's massive blockbuster, paleontologists Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) and mathematician Ian Malcolm (Jeff... [More]
Directed By: Steven Spielberg

#5

Pulp Fiction (1994)
92%

#5
Adjusted Score: 98550%
Critics Consensus: One of the most influential films of the 1990s, Pulp Fiction is a delirious post-modern mix of neo-noir thrills, pitch-black humor, and pop-culture touchstones.
Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this... [More]
Directed By: Quentin Tarantino

#4

True Romance (1993)
93%

#4
Adjusted Score: 96233%
Critics Consensus: Fueled by Quentin Tarantino's savvy screenplay and a gallery of oddball performances, Tony Scott's True Romance is a funny and violent action jaunt in the best sense.
Synopsis: A comic-book nerd and Elvis fanatic Clarence (Christian Slater) and a prostitute named Alabama (Patricia Arquette) fall in love. Clarence... [More]
Directed By: Tony Scott

#3
#3
Adjusted Score: 100605%
Critics Consensus: Smart, vibrant, and urgent without being didactic, Do the Right Thing is one of Spike Lee's most fully realized efforts -- and one of the most important films of the 1980s.
Synopsis: Salvatore "Sal" Fragione (Danny Aiello) is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out (Giancarlo... [More]
Directed By: Spike Lee

#2

Incredibles 2 (2018)
93%

#2
Adjusted Score: 116866%
Critics Consensus: Incredibles 2 reunites Pixar's family crimefighting team for a long-awaited follow-up that may not quite live up to the original, but comes close enough to earn its name.
Synopsis: Telecommunications guru Winston Deavor enlists Elastigirl to fight crime and make the public fall in love with superheroes once again.... [More]
Directed By: Brad Bird

#1

The Incredibles (2004)
97%

#1
Adjusted Score: 106293%
Critics Consensus: Bringing loads of wit and tons of fun to the animated superhero genre, The Incredibles easily lives up to its name.
Synopsis: In this lauded Pixar animated film, married superheroes Mr. Incredible (Craig T. Nelson) and Elastigirl (Holly Hunter) are forced to... [More]
Directed By: Brad Bird

(Photo by Summit Entertainment)

All Kristen Stewart Movies Ranked by Tomatometer

Before she became ambassador for vegetarian vampire-and-werewolf relations in the late 2000s, Kristen Stewart had already built a steady career transitioning from child actor roles and into young adulthood. First, she starred in David Fincher’s efficient potboiler Panic Room, then went into space with with Jumanji cinematic universe-adjacent Zathura (directed by pre-Iron Man Jon Faverau), and helped guide a wayward traveler in Into the Wild.

Of course, that all seems like pre-history in the wake of Twilight, the romantic fantasy phenomenon that would make unlikely tabloid stars out of Stewart and Robert Pattinson for years to come. Five Twilight movies released annually for a half-decade, and whatever the benefits of becoming household names through them, there was also the very real threat of a post-career forever in the shadow of the vampire.

Stewart responded, much like Pattinson, by going indie, as she racked up impressive performances in the likes of Still Alice, Personal Shopper, Clouds of Sils Maria, and Certain Women, working with big arthouse names like Olivier Assayas and Kelly Reichardt. She also completed her unofficial “Co-Starring Jesse Eisenberg” trilogy that started with Adventureland, following through with American Ultra and Cafe Society.

Even Stewart’s approach towards mainstream filmmaking come packaged with feminist or revisionist touches, like Charlie’s Angels or Snow White and the Huntsman. She took a dive in Underwater, and ended 2020 on a Happiest Season. And now we’re ranking all her movies by Tomatometer!

#40

Cold Creek Manor (2003)
12%

#40
Adjusted Score: 14358%
Critics Consensus: The plot of Cold Creek Manor is too predictable and contrived to generate suspense.
Synopsis: When filmmaker Cooper Tilson (Dennis Quaid) and his wife, Leah (Sharon Stone), tire of life in New York City, they... [More]
Directed By: Mike Figgis

#39

The Messengers (2007)
12%

#39
Adjusted Score: 14022%
Critics Consensus: The Messengers is an atmospheric but derivative rip-off of countless other horror movies.
Synopsis: When the Solomons trade in the craziness of big-city life for the quiet of a North Dakota farm, little do... [More]

#38

Catch That Kid (2004)
13%

#38
Adjusted Score: 14555%
Critics Consensus: An unimaginative heist movie aimed strictly at the preteen set.
Synopsis: Athletic 12-year-old Maddy (Kristen Stewart) shares an enthusiasm for mountain climbing with her father, Tom (Sam Robards). Unfortunately, Tom suffers... [More]
Directed By: Bart Freundlich

#37

Jumper (2008)
15%

#37
Adjusted Score: 20622%
Critics Consensus: Featuring uninvolving characters and loose narrative, Jumper is an erratic action pic with little coherence and lackluster special effects.
Synopsis: Aimless David Rice (Hayden Christensen) has the ability to instantly transport himself to any place he can imagine. He uses... [More]
Directed By: Doug Liman

#36

Fierce People (2005)
24%

#36
Adjusted Score: 25011%
Critics Consensus: Fierce People's premise of a teenager studying rich people like animals is grating and self-satisfied, and Anton Yelchin's smug performance makes the film even harder to agree with.
Synopsis: Finn (Anton Yelchin) is a teenager trying to escape his drug-addicted mother (Diane Lane) by going to study tribal people.... [More]
Directed By: Griffin Dunne

#35

Anesthesia (2015)
25%

#35
Adjusted Score: 26926%
Critics Consensus: Anesthesia's incredible cast is wasted on a sloppily-assembled drama whose grand ambitions are undermined by a flawed screenplay.
Synopsis: The lives of a self-destructive student (Kristen Stewart), a hard-drinking housewife (Gretchen Mol) and an impoverished junkie (K. Todd Freeman)... [More]
Directed By: Tim Blake Nelson

#34
Adjusted Score: 33122%
Critics Consensus: Slow, joyless, and loaded with unintentionally humorous moments, Breaking Dawn Part 1 may satisfy the Twilight faithful, but it's strictly for fans of the franchise.
Synopsis: At last, Bella (Kristen Stewart) and Edward (Robert Pattinson) are getting married. When Jacob (Taylor Lautner) finds out that Bella... [More]
Directed By: Bill Condon

#33
Adjusted Score: 37559%
Critics Consensus: The Twilight Saga's second installment may satisfy hardcore fans of the series, but outsiders are likely to be turned off by its slow pace, relentlessly downcast tone, and excessive length.
Synopsis: After the abrupt departure of Edward (Robert Pattinson), her vampire love, Bella (Kristen Stewart) finds comfort in her deepening friendship... [More]
Directed By: Chris Weitz

#32

Equals (2015)
36%

#32
Adjusted Score: 40653%
Critics Consensus: Equals is a treat for the eyes, but its futuristic aesthetic isn't enough to make up for its plodding pace and aimlessly derivative story.
Synopsis: Nia (Kristen Stewart) and Silas work together in a futuristic society known as the Collective. A seemingly utopian world, the... [More]
Directed By: Drake Doremus

#31

Seberg (2019)
36%

#31
Adjusted Score: 45022%
Critics Consensus: Seberg's frustratingly superficial treatment of a fascinating true story does a disservice to its subject -- and Kristen Stewart's performance in the central role.
Synopsis: In the late 1960s, French new wave actress and "Breathless" star Jean Seberg becomes the target of the FBI due... [More]
Directed By: Benedict Andrews

#30

American Ultra (2015)
44%

#30
Adjusted Score: 50024%
Critics Consensus: American Ultra has some interesting ideas, but like its stoned protagonist, it's too easily distracted to live up to its true potential.
Synopsis: Small-town stoner Mike Howell (Jesse Eisenberg) spends most of his time getting high and writing a graphic novel. What Mike... [More]
Directed By: Nima Nourizadeh

#29
#29
Adjusted Score: 47615%
Critics Consensus: While pleasantly acted, In the Land of Women is a dramatically stilted film with underdeveloped characters.
Synopsis: After a bad breakup with his girlfriend leaves him heartbroken, Carter Webb (Adam Brody) moves to Michigan to take care... [More]
Directed By: Jon Kasdan

#28
Adjusted Score: 52642%
Critics Consensus: Billy Lynn's Long Halftime Walk has noble goals, but lacks a strong enough screenplay to achieve them -- and its visual innovations are often merely distracting.
Synopsis: Nineteen-year-old private Billy Lynn (Joe Alwyn), along with his fellow soldiers in Bravo Squad, becomes a hero after a harrowing... [More]
Directed By: Ang Lee

#27

On the Road (2012)
45%

#27
Adjusted Score: 50940%
Critics Consensus: Beautiful to look at but a bit too respectfully crafted, On the Road doesn't capture the energy and inspiration of Jack Kerouac's novel.
Synopsis: An aspiring writer (Sam Riley), his new friend (Garrett Hedlund) and his friend's seductive wife (Kristen Stewart) heed the call... [More]
Directed By: Walter Salles

#26
Adjusted Score: 56824%
Critics Consensus: Stuffed with characters and overly reliant on uninspired dialogue, Eclipse won't win The Twilight Saga many new converts, despite an improved blend of romance and action fantasy.
Synopsis: Danger once again surrounds Bella (Kristen Stewart), as a string of mysterious killings terrorizes Seattle and a malicious vampire continues... [More]
Directed By: David Slade

#25

Twilight (2008)
49%

#25
Adjusted Score: 57019%
Critics Consensus: Having lost much of its bite transitioning to the big screen, Twilight will please its devoted fans, but do little for the uninitiated.
Synopsis: High-school student Bella Swan (Kristen Stewart), always a bit of a misfit, doesn't expect life to change much when she... [More]
Directed By: Catherine Hardwicke

#24
Adjusted Score: 57370%
Critics Consensus: It's the most entertaining Twilight, but that's not enough to make Breaking Dawn Part 2 worth watching for filmgoers who don't already count themselves among the franchise converts.
Synopsis: Bella (Kristen Stewart) awakes -- as a vampire -- from her life-threatening labor, and her newborn daughter, Renesmee, proves to... [More]
Directed By: Bill Condon

#23
Adjusted Score: 59204%
Critics Consensus: While it offers an appropriately dark take on the fairy tale that inspired it, Snow White and the Huntsman is undone by uneven acting, problematic pacing, and a confused script.
Synopsis: Queen Ravenna (Charlize Theron), who seized control of her kingdom by marrying and killing its rightful ruler, needs the life... [More]
Directed By: Rupert Sanders

#22
#22
Adjusted Score: 51906%
Critics Consensus: The large cast of characters and scripting are too unwieldy, and the suburban angst theme feels tired.
Synopsis: In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold (Glenn Close)... [More]
Directed By: Rose Troche

#21
#21
Adjusted Score: 55367%
Critics Consensus: What Just Happened has some inspired comic moments, but this inside-baseball take on Hollywood lacks satirical bite.
Synopsis: During the course of an ordinary week in Hollywood, movie producer Ben (Robert De Niro) must navigate his way through... [More]
Directed By: Barry Levinson

#20

Underwater (2020)
47%

#20
Adjusted Score: 62184%
Critics Consensus: Underwater's strong cast and stylish direction aren't enough to distract from the strong sense of déjà vu provoked by this claustrophobic thriller's derivative story.
Synopsis: Disaster strikes more than six miles below the ocean surface when water crashes through the walls of a drilling station.... [More]
Directed By: William Eubank

#19

Charlie's Angels (2019)
52%

#19
Adjusted Score: 65099%
Critics Consensus: Earnest and energetic, if a bit uneven, Elizabeth Banks's pulpy Charlie's Angels adds new flair to the franchise with fun performances from its three leads.
Synopsis: Elena Houghlin is a scientist, engineer and inventor of Calisto -- a sustainable energy source that will revolutionize the way... [More]
Directed By: Elizabeth Banks

#18
#18
Adjusted Score: 56576%
Critics Consensus: Despite earnest performances, Welcome to the Rileys cannot escape its belabored over-sentimentality and sluggish delivery.
Synopsis: Seeking refuge from his grief and crumbling marriage, a salesman (James Gandolfini) becomes a surrogate father to an underage stripper... [More]
Directed By: Jake Scott

#17

Undertow (2004)
55%

#17
Adjusted Score: 58002%
Critics Consensus: Undertow's gently fantastical elements are balanced by fully realized characters and a story with genuine, steadily accumulating emotional weight.
Synopsis: After his wife dies, John Munn (Dermot Mulroney) moves with his sons Chris (Jamie Bell) and Tim (Devon Alan) to... [More]
Directed By: David Gordon Green


#15

The Cake Eaters (2007)
64%

#15
Adjusted Score: 64137%
Critics Consensus: Though light on theme and craftsmanship, The Cake Eaters relies on fine performances and brisk direction to provide an affecting tale of small-town life.
Synopsis: The death of the Kimbrough family matriarch affects the three male survivors of the clan. Widower Easy (Bruce Dern) tries... [More]
Directed By: Mary Stuart Masterson

#14
#14
Adjusted Score: 67151%
Critics Consensus: Small and intimate -- occasionally to a fault -- The Yellow Handkerchief rises above its overly familiar ingredients thanks to riveting performances from William Hurt and Kristen Stewart.
Synopsis: Former con man Brett Hanson (William Hurt) is imprisoned for six years before finally being released on parole. Now he... [More]
Directed By: Udayan Prasad

#13

Lizzie (2018)
66%

#13
Adjusted Score: 73765%
Critics Consensus: Lizzie forces audiences to take a new look at a widely known true-crime story -- even if the well-acted end result is never quite as gripping as it could be.
Synopsis: In 1892 Lizzie Borden lives a quiet life in Massachusetts under the strict rules established by her father. Lizzie finds... [More]

#12

The Runaways (2010)
69%

#12
Adjusted Score: 75203%
Critics Consensus: Viewers expecting an in-depth biopic will be disappointed, but The Runaways is as electric as the band's music, largely thanks to strong performances from Michael Shannon, Dakota Fanning, and Kristen Stewart.
Synopsis: Joan Jett (Kristen Stewart) and Cherie Currie (Dakota Fanning), two rebellious teenagers from Southern California, become the frontwomen for the... [More]
Directed By: Floria Sigismondi

#11

Café Society (2016)
71%

#11
Adjusted Score: 85958%
Critics Consensus: Café Society's lovely visuals and charming performances round out a lightweight late-period Allen comedy whose genuine pleasures offset its amiable predictability.
Synopsis: Looking for an exciting career, young Bobby Dorfman leaves New York for the glitz and glamour of 1930s Hollywood. After... [More]
Directed By: Woody Allen

#10

Camp X-Ray (2014)
75%

#10
Adjusted Score: 75644%
Critics Consensus: Camp X-Ray's treatment of its subject verges on the shallow, but benefits greatly from a pair of impressive performances from Kristen Stewart and Peyman Moaadi.
Synopsis: A female guard (Kristen Stewart) at Guantanamo Bay forms an unlikely friendship with one of the facility's longtime detainees.... [More]
Directed By: Peter Sattler

#9

Panic Room (2002)
75%

#9
Adjusted Score: 81090%
Critics Consensus: Elevated by David Fincher's directorial talent and Jodie Foster's performance, Panic Room is a well-crafted, above-average thriller.
Synopsis: Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins,... [More]
Directed By: David Fincher

#8

Zathura (2005)
76%

#8
Adjusted Score: 81195%
Critics Consensus: Dazzling special effects for the kids + well-crafted storytelling for the 'rents = cinematic satisfaction for the whole family.
Synopsis: After their father (Tim Robbins) is called into work, two young boys, Walter (Josh Hutcherson) and Danny (Jonah Bobo), are... [More]
Directed By: Jon Favreau

#7

Personal Shopper (2016)
81%

#7
Adjusted Score: 100433%
Critics Consensus: Personal Shopper attempts a tricky series of potentially jarring tonal shifts with varying results, bolstered by a performance from Kristen Stewart that's impossible to ignore.
Synopsis: A young American in Paris works as a personal shopper for a celebrity. She seems to have the ability to... [More]
Directed By: Olivier Assayas

#6

Into the Wild (2007)
83%

#6
Adjusted Score: 90575%
Critics Consensus: With his sturdy cast and confident direction, Sean Penn has turned a complex work of non-fiction like Into the Wild into an accessible and poignant character study.
Synopsis: Christopher McCandless (Emile Hirsch), son of wealthy parents (Marcia Gay Harden, William Hurt), graduates from Emory University as a top... [More]
Directed By: Sean Penn

#5

Happiest Season (2020)
82%

#5
Adjusted Score: 95288%
Critics Consensus: A jolly good time with heartfelt performances and more than enough holiday cheer, all you'll want for Christmas is Happiest Season.
Synopsis: This romantic comedy is about longtime lesbian couple Abby (Kristen Stewart) and Harper (Mackenzie Davis), who made plans to go... [More]
Directed By: Clea DuVall

#4

Still Alice (2014)
85%

#4
Adjusted Score: 93222%
Critics Consensus: Elevated by a gripping performance from Julianne Moore, Still Alice is a heartfelt drama that honors its delicate themes with bravery and sensitivity.
Synopsis: Dr. Alice Howland (Julianne Moore) is a renowned linguistics professor at Columbia University. When words begin to escape her and... [More]

#3

Adventureland (2009)
89%

#3
Adjusted Score: 96964%
Critics Consensus: Full of humor and nostalgia, Adventureland is a sweet, insightful coming-of-age comedy that will resonate with teens and adults alike.
Synopsis: It's the summer of 1987, and recent college grad James Brennan (Jesse Eisenberg) can't wait to begin his long-anticipated dream... [More]
Directed By: Greg Mottola

#2
#2
Adjusted Score: 97022%
Critics Consensus: Bolstered by a trio of powerful performances from its talented leads, Clouds of Sils Maria is an absorbing, richly detailed drama with impressive depth and intelligence.
Synopsis: A veteran actress (Juliette Binoche) comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in... [More]
Directed By: Olivier Assayas

#1

Certain Women (2016)
92%

#1
Adjusted Score: 102968%
Critics Consensus: Certain Women further demonstrates writer-director Kelly Reichardt's gift for telling the stories of ordinary people with uncommon empathy and skill.
Synopsis: Three strong-willed women (Kristen Stewart, Laura Dern, Michelle Williams) strive to forge their own paths amidst the wide-open plains of... [More]
Directed By: Kelly Reichardt


Filmmaker Doug Liman, who wowed audiences with high-octane action films The Bourne Identity, Mr. and Mrs. Smith, and Edge of Tomorrow, is equally admired for the storytelling behind his spectacle and in his more moderately paced fare like Swingers, Go, and American Made.

His latest offering, YouTube Premium series Impulse, marries both in a drama that explores personal discovery, trauma, and family bonds. And teleportation.

Maddie Hasson (Twisted) stars as delinquent teen Henrietta Cole in the sci-fi series. When Henry is assaulted by her classmate Clay Boone (Tanner Stine), her deepest instincts kick in, and she flees by inadvertently bending space and time in a violent blink, landing in her bedroom.


IMPULSE Doug Liman on set (Erin-Keating/YouTube Premium)

(Photo by Erin Keating)

Discovering your superpowers is never an easy journey — ask Peter Parker or Clark Kent. But Henry’s path is even darker and more visceral than some of those fumbling-adolescent tales.

Based on the novel by Stephen Gould, Impulse comes after Liman’s 2008 feature film Jumper, based on the first book in the series and starring Hayden Christensen and Jamie Bell. The film disappointed, which Liman admits, but 10-episode Impulse is different in some fundamental ways.

The series, which debuted on Wednesday, also stars Sarah Desjardins as Henry’s stepsister-to-be Jenna Hope, Enuka Okuma as Deputy Anne Hulce, Craig Arnold as Clay’s brother Lucas Boone, Missi Pyle as Henry’s mom Cleo Cole, and Daniel Maslany as Henry’s biggest fan Townes Linderman.

Rotten Tomatoes spoke to Liman about the new series, his remarkable leading lady, and how he finds inspiration in real-world action sequences YouTube users post.


Maddie Hasson stars in Impulse (Erin Keating/YouTube Premium)

(Photo by Erin Keating)

Debbie Day for Rotten Tomatoes: I’m so glad to talk to you about Impulse. It was not quite what I was expecting.

Doug Liman: Good. That’s the best. I’d much prefer to hear that than the other.

RT: I was most surprised by Maddie’s performance. She’s incredible. Could you tell me about casting her?

Liman: We were holding auditions for the protagonist, the heroine, Henry. Maddie came in and just lit up the room. We all turned to each other and said, “She’s a huge star.” I said, “Too bad she’s not right for the part.” My producing partner said, “But she’s so amazing.” I said, “Yeah, she’s amazing, but she’s the opposite of what we’re looking for.” I said, “If I cast her, I really would insist on rewriting the whole show to make the protagonist somebody who doesn’t want to be there, who is rebellious, who is — I’d want to change how the superpower is portrayed in the show.” Because the original idea is somebody who desperately wants to belong and be part of the town, and her superpower keeps sending her away. I said, “If we cast her, I’d want to turn it on its head and rewrite the whole script and make it about somebody who doesn’t want to be there and gets the power that keeps sending her back home. She wants to be anywhere but home.” As I’m saying it out loud, we’re looking at each other. We’re going, “You know, actually, that would be a better show.” We cast her and then reconceived the whole show around her and what she brought.


IMPULSE-Maddie-Hasson,-Daniel-Maslany-credit-Erin-Keating

(Photo by Erin Keating)

RT: It’s not too often that you hear about an actor having such an impact on an entire story.

Liman: I’ve always believed in some level of workshopping the part to fit the actor. It’s a two-way street. Sometimes my favorite performances, you realize those couldn’t have been just written in vacuum. They had to have been conceived in conjunction with the actor performing it. Certainly, that’s been my experience. Jason Bourne is a very different character because of the workshopping that Matt [Damon] and I did than was originally on the page.

Never have I done such a wholesale reconceiving of the DNA of a show around one actor. Literally. It changed how I portrayed the superpower, because then suddenly it was going to be a curse. Instead of sending her out into the world, it was going to keep sending her home. It was just way more interesting. That’s what a great collaboration between a filmmaker and a star can do.

You arrive at something really unexpected. That’s why when you said, “It wasn’t what I expected” — I don’t care if you hated it or loved it. I actually do care, because I really care about my audience, but I care most that it was not expected. What I’m aiming for as a filmmaker is unexpected and entertaining, because a lot of times, it’s unexpected. You’re like, “Yeah, it was unexpected, but the expected is better.” Clichés are clichés for a reason because they work. Any time you deviate from the cliché, yeah, you give the audience unexpected, but sometimes you have to work extra hard to deliver unexpected and great.


RT: Can you tell me about the dotted line between Jumper and Impulse, how the show came about, and what its ties are to the film?

Liman: It’s no secret that, of all my films, Jumper‘s the one that I harbor some creative regrets, feel like I could have done better. That’s something that’s hung over me. It dawned on me that rather than live with that regret, why not actually just go and try to do better? I went to secure the rights to a sequel novel. All these years later, with everything I’ve learned, I set out to create a superhero world that is unexpected, smart, grounded, exciting. Even despite all that, I still didn’t figure it out until I cast Maddie Hasson. Despite having all these big illusions about, “Yeah, I can do better,” the reality was until I cast Maddie, what I was going to make probably wasn’t going to be substantially better. It was that collaboration that was the missing ingredient for me. If you look back at my movies, it’s just that I’ve been fortunate to collaborate with exactly the right person.

Swingers: Only Vince Vaughn can make the character of Trent appealing. In anyone else’s hands, he just would have been an asshole. Only Matt Damon could really make you root for Jason Bourne despite his really dark past. That to me is the connection.

The other thing is that because it has been done independently, there were certain restrictions on me because it’s not done by the same people who did Jumper. It made people a little nervous that I’m the same filmmaker and that maybe I would inadvertently copy something I did in Jumper and infringe upon Fox’s copyright on the movie. It actually put me in exactly the situation I wanted to be in, which was people around me saying, “Push yourself and do something different and unexpected.”

Just look at how we portray teleportation between the movie and the series, because that was one of the things where I was told, “You can’t make it look like it looks in the movie.” My response to that was to come up with something that is so much more interesting, which is that it’s destructive to the people around you. As a result of that, the first time she teleports, she gravely wounds Clay Boone, the star of the high school basketball team. Suddenly, you have that story line running through the series that she can hurt people with this power. It makes sense that any time you’re learning to do anything, you’re kind of sloppy. Why wouldn’t the first time you teleport, why wouldn’t it be sloppy?


IMPULSE-Missi-Pyle and Maddie-Hasson (Erin Keating)

(Photo by Erin Keating)

RT: When I got to the very last episode of the season, I honestly had the response, “Is that it?” because I wanted to see more immediately.

Liman: So do I, especially in the hands of writer Lauren LeFranc, because I directed the pilot. As I said, when we cast Maddie, we had a looming start date to start shooting. I wanted to reconceive the show and brought in Gary Spinelli, who wrote American Made, who’d never worked in television before, to be in the trenches with me, because we’re reconceiving basically as we’re prepping to shoot. Lauren LeFranc came in to write the series. What was amazing about her is that scripts would come in, and I’d get to the end of the script and be like, “Oh my god. I can’t wait for the next script. I can’t wait to see what happens.” In that case, I had to wait a few weeks because they had to write it.


RT: How did YouTube come to be the show’s home?

Liman: I casually mentioned it to [YouTube Global Head of Original Programming] Susanne Daniels that I’d recently gotten the rights to the book and wanted to develop it as a TV series. Susanne said, “We’re starting a new channel here. We’ll buy it.” I wasn’t even pitching it. It was just like, “Uh,” because normally when I sell a TV show, it’s a whole process with a writer, and pitch out a whole season. This was one of these crazy situations where she said, “You, this world, we’re in.” I called my producing partner, and I was like, “I think I just sold a TV show without — I didn’t mean to.”

Then I thought, “OK, do we want to sell it to YouTube?” I hadn’t gone anywhere else yet. When I talk about myself in interviews, I often talk about myself as being the independent filmmaker in the studio system. There’s no question I’m in the studio system. I live in New York, but I make Hollywood movies. I make commercial TV shows, but I bring an independent ethos to it, kind of a rebellious independent film ethos. Sometimes, I even bring independent film techniques to filming, and run and steal shots. My characters are more anti-heroic than your traditional Hollywood fare. My worlds tend to be a little more grounded — even when they’re high-concept, whether the world’s more grounded or the characters are more grounded, certainly they’re flawed.

A lot of these traits that you see in independent films, and my whole attitude, my rebellious attitude as a filmmaker that makes me a little hard for studios to control, is that I’m happy making independent films. I don’t operate from a place of fear that if I piss off the studios, I won’t work again, because I’d be happy to go back to making independent films. I don’t need them. That makes me very hard to control. I come from this independent-film attitude.

When I thought about Impulse, I thought, “At YouTube? It makes perfect sense that I go make something at YouTube, because YouTube is nothing but independent filmmakers.” In fact, all of the qualities that YouTube stands for are qualities that I myself as a filmmaker have stood for. I’ve even started referencing YouTube when it comes to my movies; for instance, with action sequences, my new benchmark isn’t what are competing movies doing, but what’s on YouTube because people are doing stunts for real and filming them. I’m like, that’s who we’re competing against. We’re not competing against some CG, computer-generated, clearly fake piece of action in a Marvel film. My style of filmmaking, I’m competing against someone who did some outrageous daredevil stunt on YouTube and filmed it and put it up on YouTube. I want to do something with my films and my action sequences that is equally engaging.

Impulse is now available on YouTube Premium.

Friday’s Gods of Egypt may have drawn early criticism for its mostly white cast, but moviemakers have always viewed the country with a fantastical bent. From biblical stories to historic archaeological delights to springboards into tall science fiction tales, this week’s 24 Frames takes a look at all that, along with modern and true-to-life depictions of Egypt as it is today.

Jamie Bell - Jeff Vespa/WireImage.com

Jamie Bell tap-danced his way into the national consciousness with his breakthrough performance in Billy Elliot nine years ago. Just 14 at the time, he saw off competition from former Oscar winners Tom Hanks, Russell Crowe and Geoffrey Rush to win the Best Actor award at the BAFTAs. Since then he has worked with heavyweight screen luminaries such as Peter Jackson, Clint Eastwood, and now Edward Zwick, director of his latest film, the WWII epic Defiance.

RT spoke to the young actor about working with 007, his hopes for the future, and whether he’d ever consider slipping back into his tap shoes for the big screen.

Did you find it daunting sharing the screen with actors like Daniel Craig and Liev Schreiber in Defiance?

Jamie Bell: A little bit, because they’re both pretty good actors. I had immense admiration for both of them before starting the movie, and even more so after the movie. The great thing about it was realising that they’re incredibly generous with everything; with their ideas, with their acting, with their ability. They’re the actors who, when you stand in front of them, they elevate your performance without really doing anything. So it was daunting, but immediately I was equal, and immediately there was none of that sort of macho stuff that usually happens on movie sets.

Defiance
Bell (left) with Daniel Craig in Edward Zwick’s Defiance.

Having had no training in acting prior to Billy Elliot, when you’re on sets like these, do you actively seek out advice from the more experienced actors?

JB: I don’t think it’s ever a direct thing. I don’t ever go, “How would you do this?” or, “How would this happen?” It’s more about studying the way that they approach scenes. We would start scenes and Liev would just go, “Hold on a second,” and walk through the pages. And I would just see how he mentally and intellectually goes through every step and every decision that his character makes. When you see someone who is paying that much attention to detail, you start doing these things yourself. I’ve learnt so much from so many of the fantastic people I’ve managed to work with, and these guys were no different.

You’ve had a lot of diverse roles in big films such as Jumper and King Kong and smaller independent films such as The Chumscrubber and Hallam Foe; has it been a conscious decision to strike that balance?

JB: I think so. I’ve almost been acting for 10 years, and you’re always striving for longevity. I think that there’s no way of ensuring it; everyone does things differently. I often find the smaller, independent films are much more rewarding than the bigger stuff, but you do the bigger stuff because it’s a business, and you’ve got to show your face a bit, get yourself around. So those sorts of things are often very business-driven decisions.

Hallam Foe
In last year’s Hallam Foe as the odd title character.

Smaller films tend to be much more intimate character stories, and you get to work with directors who don’t follow any set conventions. I mean, I love Ed Zwick, he’s a fantastic director and I think he manages to blend the intimate with the epic incredibly well. But it’s also fantastic working with people like David Mackenzie [on Hallam Foe] or David Gordon Green [Undertow] who both defy convention. And that’s their whole purpose of being, is that they do things completely differently, which is also refreshing. It challenges you in a different way.

Is there anyone you’d love to work with in the future?

JB: Yeah. I think there’s probably a list every actor carries around with them with the same names on it. But I also like fresh, young, different directors too. I’d love to work with some people again actually. I’d like to reunite with some people and do something different. That idea sounds good to me, you know, the familiarity. But they’re all the same people on the same list!

Do you find being a young British actor in the United States an advantage or disadvantage when it comes to landing roles?

JB: I don’t think it makes that much difference really. People have an idea of who you are, and you’re either right for it or wrong for it. The reason I’m living in New York is because most of the work is in the States. While it’s mostly in Los Angeles, I chose not to live in LA because I just didn’t really vibe with it. New York is much more my kind of place, and it’s also in between LA and London, and I love to come back to England all the time, so it seemed to be the perfect place for me now. But that could definitely change.

Jumper
In Fox’s big-budget action flick of 2007, Jumper.

Any things you are yet to do that you’d like to?

JB: No. I think most of the decisions that always come up are not really thought about that much. It just comes up, you know, “Do you want to make a movie about a kid who climbs rooftops and wears make-up around his nipples?” It just stems from that, and you go, “Well that sounds interesting, lets look into it.” There’s never a grand master plan of what the next thing is. I just usually wait, and turn a lot of stuff down, until the right thing with the right person comes along.

Would you consider taking a role involving dancing again?

JB: I would definitely never cancel it out as an option, I love dancing, and it’s a massive part of my life. I just haven’t seen the right thing yet. There hasn’t been a really good dancing movie for a while, or at least I haven’t seen it, and it hasn’t come through my desk. But I would love to. I would never cancel that out.

Billy Elliot
As Billy Elliot in the role which made him famous.

Were you offered more dancing roles after Billy Elliot?

JB: Bizarrely not. It’s hard to incorporate dance into movies I think. I think dance has to be seen live or on stage, and I don’t think it really works in the recorded format. If I was to do it again, I’d love to do one of those old musical movies. I usually hate musicals, but they don’t make them any more, so you’re just waiting for the right thing to come along. Maybe Baz Luhrmann will do something good.

Have you got any advice for any aspiring young actors out there?

JB: There’s no right way to do it. I think everyone does it very differently. I look at my contemporaries, and we’re all at different stages and levels, and all choosing different routes, different ways to do things. But, really, I’m crap at giving advice. I’ve 10 years of people giving me advice, and I still need to receive it. Even though I’ve been working for 10 years, I still have no idea of what the hell I’m doing actually, and that’s the reality of it.

With thirteen new releases in the UK cinemas this weekend, let Rotten Tomatoes help you sort the tinsel from the turkeys. We have animals on the loose in Madagascar: Escape 2 Africa, and Samuel L Jackson on the loose as a crazed LA cop in Lakeview Terrace. Also out this week is Transporter 3 starring Britain’s favourite action export, Jason ‘The Stath’ Statham, and British winter horror flick, The Children, bringing scares aplenty to the UK screens. But what did the local critics have to say?

Despite only achieving a measly 55% on the Tomatometer, the first Madagascar film was a huge commercial success, and so paved the way for the inevitable sequel. But does the law of diminishing returns apply to the sequel, Madagascar: Escape 2 Africa? Currently standing at a Fresh 62% on the Tomatometer it would seem that the film has bucked the trend, with many critics succumbing to its improved animation and more consistent humour, though most of the scribes agreed the film will please more kids than adults. But hey, this is an animation, with zoo animals as the principal characters, so what did they expect?

Lakeview Terrace tells the story of a young middle class couple who move into a seemingly normal neighbourhood, only to be terrorised by their next door neighbour, who just happens to be the sociopathic racist cop Abel Turner, played with bristling menace by Samuel L Jackson. Released in the US back in September, the film was largely passed over by the critics, resulting in a lowly 44% on the Tomatometer. The films seems to have received a better response here in the UK, with 14 of the 17 reviews collated today being positive, meaning the UK-only Tomatometer rating would have been a much Fresher 82%.

Maybe the hard-hitting portrayal of interracial tension in middle-class Los Angeles was a little too close to the bone for the US critics to take Lakeview Terrace into their hearts? The UK critics all agreed that this was Samuel L Jackson’s best role for some time with Tim Evans of Sky Movies saying, “After multiplex clinkers like Jumper and Cleaner, Lakeview Terrace does give Jackson somewhere to move that actually brings the house down.” The film currently stands at a healthier, but still not Fresh, 49% on the Tomatometer.

With Madagascar 2 outshining its predecessor, does this week’s other sequel (or rather threequel) Transporter 3 also manage to outdo Frank Martin’s previous outings? Well, with each respective Transporter receiving 53%, 50% and now 36% for 3, even Jason Statham cannot save the latest from a Rotten rating, although, critical success is probably not something the makers of this franchise care too much for, as they still seem to make a boatload of cash regardless. The UK critics do love Statham though, with most praising his high octane action sequences and deadpan delivery with Rich Cline of Shadows On The Wall website summing it up by saying:

“Besson and Kamen somehow make a film that’s even dumber than part 2, which really takes some doing. But they’ve still got the superbly watchable Statham at the centre, so the script is fairly irrelevant.”

The Children is a home-grown British horror, in which Christmas holidays turn into a nightmare as all the children become infected with a virus turning them into blood thirsty terrors. The film currently stands at a Fresh 67% on the Tomatometer, with critics praising the chilling tension, killer set-pieces and effective suspense throughout, meaning The Children is worthy addition to the genre, and marks director Tom Shankland out as a future star of the UK film industry.

Quote Of The Week

“Tragedies strike and life lessons are learnt, homespun wisdom is dispensed. It’s simplistic to the point of total idiocy.”

The Secret Life Of Bees. Wendy Ide, The Times.

As the latest wave of Obamamania sweeps the country, look forward to HBO’s Recount…or peek into the past with HBO’s John Adams. Also clear your calendar for high-def Top Gun action and get over that crippling shyness with an innovative new DVD from Japan. Whatever you do, make sure you check out this week’s new releases!


Recount, recount!

What went wrong in the 2000 Presidential election? Perhaps everything — or perhaps nothing, depending on your politics. Either way, HBO’s gripping fictional retelling of the Gore vs. Bush vote counting fiasco is coming to DVD August 19, which gives all of you non-subscribers the chance to see Kevin Spacey, Laura Dern, and Tom Wilkinson portray some of the most notorious political movers and shakers in recent history.

Blu-Ray Top Gun to finally satisfy HD fans

If you were disappointed by the extras-free HD-DVD version of Top Gun, we’ve got great news for you. The Blu-Ray release of Tom Cruise‘s career-defining flick is not only headed your way, it’s also loaded with bonus materials — feature and storyboard commentaries by Tony Scott and more, a six-part making-of documentary, and a “Vintage Gallery” of ’80s TV spots, featurettes, Cruise interviews, and, yes, music videos by the likes of Kenny Loggins, Berlin, and Loverboy. Which means you should grab your wingman, Maverick, and take the highway to the danger zone. Because you have the need. The need for speed.

Beware the Ninja Cheerleaders!

Breaking acquisition news! DMX and Kris Kristofferson. George Takei and The Real World‘s Trishelle. Willie Nelson and a young, beautiful assassin. You couldn’t make up better movie concepts than these. Peace Arch Entertainment thought so, too — they’ll be bringing Lord of the Street, Ninja Cheerleaders, and Fighting With Anger, respectively, to your Netflix account soon. Just remember: the more you rent movies like this, the more they will make. Act accordingly.

Pour one out for Manny the labrador…

In sadder news, one of two pirate-sniffing dogs donated to the Malaysian government was found dead last week. Manny, a one-year-old golden Labrador, passed away mysteriously; despite recorded doggie bounties put out on previous Malaysian pirate smashers Lucky and Flo, officials do not suspect foul play. Manny and his doggie partner, Paddy, had been donated by the MPAA to form the world’s first-ever DVD-sniffing canine unit.

Get out there and meet new people…kinda

And finally in this week’s worth of DVD news, those crafty Japanese have created a solution for you bashful home theater owners. Cure your shyness with the interactive “Miterudake” disc, in which 50 different women stare directly at you — in the hopes of helping the socially anxious become more comfortable around the opposite sex. Get it for $25 here. Have a sample staring contest below.



Click for this week’s new releases!

Jumper


Tomatometer: 16%

Doug Liman (The Bourne Identity, Mr. and Mrs. Smith) takes one of the year’s most interesting science fiction concepts — space-jumping teenagers hopping all over the world — and turned an incoherent mess into theaters last February. Now you can see that mess for yourself on DVD!

Bonus Features:

Considerable behind-the-scenes features and a commentary track with Liman, producer Lucas Foster, and co-writer Simon Kinsberg (X-Men: The Last Stand) might make up for the movie itself. A sequel was planned — that is, until Jumper failed to make back its own budget — so if you’d like to see Hayden Christensen frolic across the space continuum again, help Liman out and buy the DVD.

The Bucket List



Tomatometer: 41%

Two Oscar-winning septuagenarians hit the road for one last comic hurrah before they retire in Rob Reiner’s sentimental schmaltzfest. Before you skip to the next release, consider the fact that The Bucket List made more money in theaters than any other title this week. “Life is short — live a little!” Morgan and Jack seem to tell us. But what does the bonus menu have in store…?

Bonus Features:

A music video for John Mayer’s “Say,” and precious little else? How did they know that was the one thing we had left to do on our bucket list??



The Other Boleyn Girl


Tomatometer: 41%

Some people like their world history with a healthy dose of soap. (We also like good movies, but that’s just us.) As Anne and Mary Boleyn, Natalie Portman and Scarlett Johansson give a valiant heave of the bosom, but this version of King Henry VIII’s love triangle with two sisters is bloodless melodrama.

Bonus Features:

As with Phillippa Gregory’s source novel, The Other Boleyn Girl is more intriguing for the real-life history of Tudor England than for its fictionalized drama. History buffs will get a kick out of features about the real life royals and Gregory’s wildly popular book, but everyone else…is probably already falling asleep.


Funny Games

Tomatometer: 49%

The first time Michael Haneke made Funny Games in Austria, critics were terrified and impressed. This time around, his tale of home invasion — shot nearly scene-by-scene in English and starring Naomi Watts and Tim Roth — proved too sadistic for the uninitiated. Is America ready for cerebral horror?

Bonus Features:

Perhaps Haneke wants the film to speak for itself. You’ll have to work through the exercise in complicit viewer sadism yourself, since there are zero features to accompany this disc.


John Adams

Tomatometer: N/A

Paul Giamatti and Laura Linney stand out in this handsome HBO miniseries about U.S. President and founding father John Adams in the early days of American independence.

Bonus Features:

The celebrated series comes in a three-disc release, just in time for Father’s Day. An hour of extras includes documentaries and pop-up trivia that deliver even more history. Shop at HBO.com and pick up nifty “Join or Die” swag.


Witless Protection

Tomatometer: 00%

No. Just — no.

Bonus Features:

Zero percent, folks. Go back and get John Adams, for goodness sake.

Cult DVD Pick of the Week – Intimate Confessions of a Chinese Courtesan

Tomatometer: N/A

Indulge in the recent wave of Shaw Brothers re-releases and give this lush, action-packed female revenge pic a go. The story of a courtesan who takes her vengeance with a heart-ripping technique known as “ghost hands” (long before the “Kali Ma” cult in Temple of Doom) combines the best elements of 1970s Shaw Bros.: dazzling sets, wuxia, kung fu, lady fighters, eroticism and a touch of the perverse.

‘Til next week, happy viewing!

It’s almost time to hand out some golden popcorn — the nominations for the 2008 MTV Movie Awards have been announced!

To cast your vote for each category’s winner — and to choose your favorite of the fan-created movie spoofs in the, um, “Best Movie Spoof” category — head to MovieAwards.MTV.com (link below). A complete list of the nominees follows:

Best Movie:
Juno
Transformers
Pirates of the Caribbean: At World’s End
I Am Legend
Superbad
National Treasure: Book of Secrets

Best Male Performance:
Will Smith, I Am Legend
Shia LaBeouf, Transformers
Denzel Washington, American Gangster

Matt Damon, The Bourne Ultimatum
Michael Cera, Juno

Best Female Performance:
Ellen Page, Juno
Keira Knightley, Pirates of the Caribbean: At World’s End

Katherine Heigl, Knocked Up
Amy Adams, Enchanted
Jessica Biel, I Now Pronounce You Chuck & Larry

Best Villain:
Johnny Depp, Sweeney Todd: The Demon Barber of Fleet Street

Denzel Washington, American Gangster
Angelina Jolie, Beowulf
Topher Grace, Spider-Man 3
Javier Bardem, No Country For Old Men

Best Comedic Performance:
Johnny Depp, Pirates of the Caribbean: At World’s End
Adam Sandler, I Now Pronounce You Chuck & Larry
Jonah Hill, Superbad
Seth Rogen, Knocked Up
Amy Adams, Enchanted

Best Fight:
Matt Damon vs. Joey Ansah, The Bourne Ultimatum

Tobey Maguire vs. James Franco, Spider-Man 3
Hayden Christensen vs. Jamie Bell, Jumper
Sean Faris vs. Cam Gigandet, Never Back Down
Chris Tucker & Jackie Chan vs. Sun Ming Ming, Rush Hour 3

Alien vs. Predator, Aliens vs. Predator Requiem

Best Kiss:
Shia LaBeouf and Sarah Roemer, Disturbia
Amy Adams and Patrick Dempsey, Enchanted
Daniel Radcliffe and Katie Leung, Harry Potter and the Order of the Phoenix
Ellen Page and Michael Cera, Juno
Briana Evigan and Robert Hoffman, Step Up 2 The Streets

Breakthrough Performance:
Zac Efron, Hairspray
Seth Rogen, Knocked Up
Jonah Hill, Superbad
Michael Cera, Superbad
Chris Brown, This Christmas
Nikki Blonsky, Hairspray
Megan Fox, Transformers
Christopher Mintz-Plasse, Superbad

Best Summer Movie So Far:
Iron Man
Indiana Jones and the Kingdom of the Crystal Skull

Sex and the City: The Movie
Speed Racer
The Chronicles Of Narnia: Prince Caspian

Source: MTV Movie Awards

North American film fans heard the call of the elephant and stampeded to the box office to see the animated Dr. Seuss pic Horton Hears a Who, which enjoyed the largest opening weekend of the year so far. The testosterone flick Never Back Down launched to decent numbers; however, the virus thriller Doomsday was dead on arrival in its debut. But ‘toon power was able to revitalize the marketplace, sending the top 10 above the $100M mark and ahead of year-ago levels for the first time in a month.

Jim Carrey and Steve Carell lent their voices to Horton and ticket buyers responded, spending an estimated $45.1M on the Fox hit for a strong number one premiere. The G-rated tale bowed ultrawide in 3,954 locations and averaged a sturdy $11,406 per theater. The Whoville story generated the fourth best March opening ever, behind 300 ($70.9M), Ice Age: The Meltdown ($68M), and the original Ice Age ($46.3M) and also landed the fifth largest opening in history for a G-rated film.

Horton took advantage of star power, the popularity of the Seuss brand, and an open marketplace with few options for families to help it post the year’s best debut. But the film went beyond just parents and kids — the studio reports that 47 percent of the audience was non-family, with teens kicking in a significant contribution. Budgeted at $85M, the animated feature also garnered glowing reviews from most critics. Horton also bowed in 29 international markets this weekend, and captured an estimated $14.2M tally.

Animated films opening in March usually enjoy strong legs thanks to the Easter holiday and school vacations. Ice Age‘s opening weekend represented only 26 percent of its eventual $176.4M domestic final. Fox’s 2005 film Robots witnessed a 28 percent share, Meltdown played like a sequel and saw 35 percent, and last year’s Disney offering Meet the Robinsons grabbed 26 percent. Horton should follow in the same footsteps, as direct competition in the coing weeks is not too fierce, leading to possibly $150-175M from North America alone.

Trailing the animated elephant were the woolly mammoths of 10,000 BC. The not-so-accurate account of prehistoric times fell 54 percent in its second outing to an estimated $16.4M and pushed the total to $61.2M after 10 days. Given the bad reviews, negative word-of-mouth and the genre, the sharp decline was expected. The Warner Bros. title is playing almost exactly like another spring historical actioner, 2002’s The Scorpion King. The Rock starrer generated similar numbers with a $36.1M debut and $61.3M 10-day take before concluding with $90.5M. 10,000 BC should find its way to the same vicinity domestically. Overseas, the prehistoric pic collected a mighty $38M this weekend as it saw top spot debuts in the United Kingdom, Korea, and Russia and second place launches in France and Italy. The international cume has risen to $73M putting the global gross at an impressive $134M.

So far this year, moviegoers have been showing up in the same numbers, but have spread their dollars across a wider selection of movies than in 2007. Overall domestic box office is up 4 percent compared to the same period last year, and when factoring in the annual increase in ticket prices, total admissions are up only a slight amount. But at this point in 2007, six films had crossed the $50M mark, including three that broke the $100M barrier; this year, none have reached nine digits yet, but a whopping 10 have vaulted ahead of $50M (not including Horton, which is just days away from surpassing that mark).

The Mixed Martial Arts drama Never Back Down debuted to mediocre results and landed in third place with an estimated $8.6M from a wide 2,729 theaters. Averaging a mild $3,155, the PG-13 high school tale is the first in-house production from new distributor Summit and played to an audience of young males. Research showed that 59 percent of the audience was male and 60 percent were under 21. Never was budgeted at $20M.

Martin Lawrence’s second comedy of the year, College Road Trip, dropped a moderate 42 percent in its second weekend,, grossing an estimated $7.9M. With $24.3M collected in 10 days, the G-rated family flick should end up in the neighborhood of $45M.

Sony’s action thriller Vantage Point has been enjoying surprisingly strong legs, and slipped only 27 percent this week, to an estimated $5.4M for a solid cume of $59.2M. Rival actioner The Bank Job posted an even greater hold, sliding only 17 percent in its sophomore frame to an estimated $4.9M, giving Lionsgate $13.1M in 10 days. The high-octane pics should reach about $75M and $27M, respectively.

Universal suffered a dismal opening for its futuristic virus thriller Doomsday, which bowed to just $4.7M, according to estimates, from 1,936 theaters. The R-rated pic averaged a miserable $2,450 and should find its real audience on DVD this summer.

Will Ferrell‘s basketball comedy Semi-Pro fell 49 percent to eighth with an estimated $3M, pushing the total for New Line to $29.8M. Look for a final of roughly $35M, making it the comedian’s lowest-grossing lead performance in a wide release since 1998’s Night at the Roxbury.

Sony’s The Other Boleyn Girl dipped only 28 percent to an estimated $2.9M for a cume of $19.2M. The kidpic The Spiderwick Chronicles rounded out the top 10 with an estimated $2.4M, off 49 percent, for a $65.4M sum. Final grosses should reach $26M and $70M, respectively.

Warner Independent had a mixed weekend with its pair of limited release titles. The Naomi Watts thriller Funny Games opened in 289 theaters and grossed an estimated $520,000 for a dull $1,800 average. But its promising platform release Snow Angels added one Los Angeles site and took in an estimated $26,000 from three sites for a potent $8,667 average. The Kate Beckinsale starrer expands to the top 10 on Friday during its third session.

Three solid box office performers fell from the top 10 this weekend. Fox’s sci-fi flick Jumper dropped 42 percent to an estimated $2.1M, lifting the total to $75.8M. The $85M Hayden ChristensenSamuel L. Jackson actioner should conclude with about $80M. It’s already banked $100M overseas and counting.

The $70M adventure comedy Fool’s Gold collected an estimated $1.7M, off 38 percent, for a $65.4M sum. Warner Bros. looks to end with just under $70M. Step Up 2 the Streets, the latest teen dance drama to score with audiences, took in an estimated $1.5M, down 51 percent. With $55.4M taken in thus far, the Buena Vista release will reach close to $60M, putting it within striking distance of the $65.3M gross of 2006’s surprise smash Step Up.

The top 10 films grossed an estimated $101.3M, which was up less than 1 percent from last year — when 300 remained at number one in its second weekend with $32.9M — and up 13 percent from 2006, when V for Vendetta debuted in the top spot with $25.6M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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