(Photo by Marvel / courtesy Everett Collection)

All Anthony Hopkins Movies Ranked by Tomatometer

Anthony Hopkins was such a fixture on the Oscars circuit during the ’90s that it was a shock to learn his nomination at this Academy Awards is his first in 20 years. After winning Best Actor for Silence of the Lambs in 1992, and getting nominated every two years after that for The Remains of the Day, Nixon, and then Amistad, the knighted actor would have to wait two decades before The Two Popes would put him officially back in the running for Oscar gold.

Of course, the awards are just one aspect of a legendary career that is now spanning into its seventh decade, one that started with a major role in 1968’s The Lion in Winter, starring Peter O’Toole and Katharine Hepburn. A Bridge Too Far, Magic, and The Elephant Man would be among Hopkins’ highlights in the years that followed, opening into an epic run in the ’90s, beginning with immortalizing Dr. Hannibal Lecter in Silence of the Lambs. Besides his Oscar-nominated hits, other films of the decade include Howards End, Legend of the Fall, The Mask of Zorro, and Meet Joe Black, guaranteeing Hopkins was inescapable no matter what movies you were into.

Hopkins returned to the Dr. Lecter for Hannibal and Red Dragon. And his most memorable roles in recent years play into his effortless gravitas, like a famed director in Hitchcock, Methuselah in Noah, Odin in the Thor trilogy, and one-half of The Two Popes, for which he was nominated for his latest acting Oscar. Lately, there was Elyse, and The Father, which drew some of the strongest reviews of his career. Now, we’re taking a look back and ranking Anthony Hopkins movies by Tomatometer!

#64

Bad Company (2002)
10%

#64
Adjusted Score: 14119%
Critics Consensus: Chris Rock and Anthony Hopkins fail to generate the sparks necessary to save the movie from a generic and utterly predictable script.
Synopsis: CIA operative Kevin Pope (Chris Rock) is suave, brilliant and right on the verge of completing a top secret mission... [More]
Directed By: Joel Schumacher

#63
#63
Adjusted Score: 17574%
Critics Consensus: With a scenery-chewing performance from Sean Penn, an absence of political insight, and an overall lack of narrative cohesiveness, these Men give Oscar bait a bad name.
Synopsis: Charismatic Southern politician Willie Stark's (Sean Penn) idealism and good intentions give way to corruption after he becomes governor of... [More]
Directed By: Steven Zaillian

#62

August (1996)
14%

#62
Adjusted Score: 7016%
Critics Consensus: No consensus yet.
Synopsis: In this adaptation of Chekhov's "Uncle Vanya" relocated to Wales, Ieuan Davies (Anthony Hopkins) is the caretaker of a country... [More]
Directed By: Anthony Hopkins

#61
Adjusted Score: 34021%
Critics Consensus: Cacophonous, thinly plotted, and boasting state-of-the-art special effects, The Last Knight is pretty much what you'd expect from the fifth installment of the Transformers franchise.
Synopsis: Humans are at war with the Transformers, and Optimus Prime is gone. The key to saving the future lies buried... [More]
Directed By: Michael Bay

#60

Alexander (2004)
16%

#60
Adjusted Score: 22557%
Critics Consensus: Even at nearly three hours long, this ponderous, talky, and emotionally distant biopic fails to illuminate Alexander's life.
Synopsis: The story is an epic that is as daring and ambitious as its subject, a relentless conqueror who by the... [More]
Directed By: Oliver Stone

#59

Freejack (1992)
22%

#59
Adjusted Score: 22744%
Critics Consensus: No consensus yet.
Synopsis: Early in the 21st century, technological advances have made it possible for aging, wealthy people to pay crooks like Vacendak... [More]
Directed By: Geoff Murphy

#58

The Virtuoso (2021)
19%

#58
Adjusted Score: 20136%
Critics Consensus: Don't let the title -- or the talented cast -- fool you: The Virtuoso falls far shy of even base level competency in its attempts to wring fresh excitement from a threadbare assassin thriller setup.
Synopsis: Danger, deception, and murder descend upon a sleepy country town when a professional assassin (Anson Mount) accepts a new assignment... [More]
Directed By: Nick Stagliano

#57
#57
Adjusted Score: 19865%
Critics Consensus: Dull and devoid of characterization, Kidnapping Mr. Heineken is a true crime thriller that rings false.
Synopsis: In 1983, five longtime friends successfully kidnap and ransom the heir (Anthony Hopkins) to the Heineken beer empire.... [More]
Directed By: Daniel Alfredson

#56

Go With Me (2015)
20%

#56
Adjusted Score: 6651%
Critics Consensus: No consensus yet.
Synopsis: A vengeful young woman (Julia Stiles) recruits two men (Anthony Hopkins, Alexander Ludwig) to help her track down a former... [More]
Directed By: Daniel Alfredson

#55

360 (2011)
20%

#55
Adjusted Score: 22529%
Critics Consensus: Spreading itself thin across a sprawling narrative without a unifying focus, 360 just keeps running in circles.
Synopsis: A man (Anthony Hopkins) searches for his missing daughter in one of several vignettes dealing with issues of love, loss... [More]
Directed By: Fernando Meirelles

#54

The Rite (2011)
21%

#54
Adjusted Score: 27444%
Critics Consensus: Anthony Hopkins is as excellent as ever, but he's no match for The Rite's dawdling pace and lack of chills -- or Colin O'Donoghue's tentative performance in the leading role.
Synopsis: Though he is filled with doubt about the subject, seminary student Michael Kovak (Colin O'Donoghue) finds he must attend a... [More]
Directed By: Mikael Hafstrom

#53

The Innocent (1993)
22%

#53
Adjusted Score: 15380%
Critics Consensus: No consensus yet.
Synopsis: An English engineer/spy (Campbell Scott) falls for a woman (Isabella Rossellini) who may jeopardize his top-secret mission in 1955 Berlin.... [More]
Directed By: John Schlesinger

#52

Collide (2016)
24%

#52
Adjusted Score: 26219%
Critics Consensus: Collide wastes a talented cast on a would-be thriller fatally undermined by eye-rolling dialogue, logical fallacies, and humdrum set pieces.
Synopsis: Casey Stein (Nicholas Hoult) agrees to hijack a shipment of cocaine for his old boss (Ben Kingsley) in return for... [More]
Directed By: Eran Creevy

#51

Slipstream (2007)
25%

#51
Adjusted Score: 25793%
Critics Consensus: Slipstream is a failed experiment; confusing instead of coherent.
Synopsis: An aging man, Felix Bonhoeffer (Anthony Hopkins), finds that the characters in a murder mystery, which he is writing as... [More]
Directed By: Anthony Hopkins

#50

Solace (2015)
25%

#50
Adjusted Score: 28004%
Critics Consensus: Solace boasts a talented cast and a somewhat intriguing premise, but they're outweighed by a plodding story that teeters between tired clichés and ludicrous twists.
Synopsis: A psychic and a federal agent hunt a serial killer.... [More]
Directed By: Afonso Poyart

#49

Instinct (1999)
27%

#49
Adjusted Score: 29394%
Critics Consensus: A convoluted and predictable plot overshadows the performances.
Synopsis: Years after he goes missing in the jungles of Africa, anthropologist Ethan Powell (Anthony Hopkins) resurfaces when it's discovered that... [More]
Directed By: Jon Turteltaub

#48

The Trial (1993)
29%

#48
Adjusted Score: 18997%
Critics Consensus: No consensus yet.
Synopsis: Franz Kafka's Joseph K. (Kyle MacLachlan) is arrested and held by ominous police in prewar Europe, but he is never... [More]
Directed By: David Jones

#47
#47
Adjusted Score: 31360%
Critics Consensus: No consensus yet.
Synopsis: World-renowned painter Pablo Picasso (Anthony Hopkins) is notorious for his infidelity, but his French lover, Françoise Gilot (Natascha McElhone), manages... [More]
Directed By: James Ivory

#46

The Wolfman (2010)
34%

#46
Adjusted Score: 41436%
Critics Consensus: Suitably grand and special effects-laden, The Wolfman suffers from a suspense-deficient script and a surprising lack of genuine chills.
Synopsis: Though absent from his ancestral home of Blackmoor for many years, aristocrat Lawrence Talbot (Benicio Del Toro) returns to find... [More]
Directed By: Joe Johnston

#45

Desperate Hours (1990)
36%

#45
Adjusted Score: 34440%
Critics Consensus: No consensus yet.
Synopsis: With the help of his defense lawyer (Kelly Lynch), who is madly in love with him, psychotic killer Michael Bosworth... [More]
Directed By: Michael Cimino

#44
Adjusted Score: 40377%
Critics Consensus: A stellar cast can't elevate this leaden adaptation that, while just as beautiful as anything director James Ivory's made before, comes off as dusty and dry.
Synopsis: An academic (Omar Metwally) goes to Uruguay to persuade the heirs of a deceased author to grant him permission to... [More]
Directed By: James Ivory

#43

Hannibal (2001)
40%

#43
Adjusted Score: 45671%
Critics Consensus: While superbly acted and stylishly filmed, Hannibal lacks the character interaction between the two leads which made the first movie so engrossing.
Synopsis: Seven years have passed since Dr. Hannibal Lecter (Anthony Hopkins) escaped from custody. The doctor is now at large in... [More]
Directed By: Ridley Scott

#42

The Human Stain (2003)
42%

#42
Adjusted Score: 46087%
Critics Consensus: Though the acting is fine, the leads are miscast, and the story is less powerful on screen than on the page.
Synopsis: Coleman Silk (Anthony Hopkins) is a worldly and admired professor who loses his job after unwittingly making a racial slur.... [More]
Directed By: Robert Benton

#41

Elyse (2020)
43%

#41
Adjusted Score: 21813%
Critics Consensus: No consensus yet.
Synopsis: Elyse (Lisa Pepper) languidly meanders out of a cold, concrete, designer house mirroring a mausoleum, externalizing the spirit of her... [More]
Directed By: Stella Hopkins

#40

Red 2 (2013)
44%

#40
Adjusted Score: 49895%
Critics Consensus: While it's still hard to argue with its impeccable cast or the fun they often seem to be having, Red 2 replaces much of the goofy fun of its predecessor with empty, over-the-top bombast.
Synopsis: Former CIA black-ops agent Frank Moses (Bruce Willis) and his old partner, Marvin Boggs (John Malkovich), are caught in the... [More]
Directed By: Dean Parisot

#39

Meet Joe Black (1998)
45%

#39
Adjusted Score: 46169%
Critics Consensus: Meet Joe Black is pretty to look at and benefits from an agreeable cast, but that isn't enough to offset this dawdling drama's punishing three-hour runtime.
Synopsis: Bill Parrish (Anthony Hopkins), businessman and devoted family man, is about to celebrate his 65th birthday. However, before he reaches... [More]
Directed By: Martin Brest

#38
Adjusted Score: 49902%
Critics Consensus: It's sporadically amusing, and typically well-cast, but You Will Meet a Tall Dark Stranger isn't one of Woody Allen's more inspired late-period efforts.
Synopsis: Two married couples find only trouble and heartache as their complicated lives unfold. After 40 years of marriage, Alfie leaves... [More]
Directed By: Woody Allen

#37

Bobby (2006)
46%

#37
Adjusted Score: 53384%
Critics Consensus: Despite best intentions from director Emilio Estevez and his ensemble cast, they succumb to a script filled with pointless subplots and awkward moments working too hard to parallel contemporary times.
Synopsis: In 1968 the lives of a retired doorman (Anthony Hopkins), hotel manager (William H. Macy), lounge singer (Demi Moore), busboy... [More]
Directed By: Emilio Estevez

#36
#36
Adjusted Score: 53146%
Critics Consensus: Hearts in Atlantis is well-acted and beautiful to look at, but the movie is nothing more than a mood piece.
Synopsis: "Hearts In Atlantis" is a drama based on Stephen King's best seller of the same name. It is the story... [More]
Directed By: Scott Hicks

#35

Young Winston (1972)
50%

#35
Adjusted Score: 50242%
Critics Consensus: No consensus yet.
Synopsis: Lavish rendering of Winston Churchill's early life, from his school days, through his adventures in Africa, to his first days... [More]
Directed By: Richard Attenborough

#34

Audrey Rose (1977)
53%

#34
Adjusted Score: 52897%
Critics Consensus: No consensus yet.
Synopsis: Husband and wife Janice (Marsha Mason) and Bill Templeton (John Beck) lead a pleasant life, residing in New York and... [More]
Directed By: Robert Wise

#33
#33
Adjusted Score: 60513%
Critics Consensus: Featuring a swoon-worthy star turn by Brad Pitt, Legends of the Fall's painterly photography and epic sweep often compensate for its lack of narrative momentum and glut of melodramatic twists.
Synopsis: In early 20th-century Montana, Col. William Ludlow (Anthony Hopkins) lives in the wilderness with his sons, Tristan (Brad Pitt), Alfred... [More]
Directed By: Edward Zwick

#32

Chaplin (1992)
60%

#32
Adjusted Score: 63040%
Critics Consensus: Chaplin boasts a terrific performance from Robert Downey, Jr. in the title role, but it isn't enough to overcome a formulaic biopic that pales in comparison to its subject's classic films.
Synopsis: Re-creation of the life of comic genius Charlie Chaplin, from his humble beginnings in south London through his early days... [More]
Directed By: Richard Attenborough

#31

Hitchcock (2012)
60%

#31
Adjusted Score: 68210%
Critics Consensus: Though it suffers from tonal inconsistency and a lack of truly insightful retrospection, Hitchcock is elevated by inspired performances from its two distinguished leads.
Synopsis: Following his great success with "North by Northwest," director Alfred Hitchcock (Anthony Hopkins) makes a daring choice for his next... [More]
Directed By: Sacha Gervasi

#30

A Bridge Too Far (1977)
62%

#30
Adjusted Score: 62895%
Critics Consensus: A Bridge Too Far is a war movie too long, although top-notch talent on both sides of the camera keeps the end result consistently watchable.
Synopsis: Late in 1944, the Allies seem to have the upper hand in the European land war. A combined British and... [More]
Directed By: Richard Attenborough

#29

Proof (2005)
62%

#29
Adjusted Score: 67480%
Critics Consensus: Gwyneth Paltrow and Anthony Hopkins give exceptional performances in a film that intelligently tackles the territory between madness and genius.
Synopsis: Catherine (Gwyneth Paltrow) is a 27-year-old grieving after the loss of her father (Anthony Hopkins), a genius mathematician whose mind... [More]
Directed By: John Madden

#28

The Edge (1997)
64%

#28
Adjusted Score: 66738%
Critics Consensus: The Edge is an entertaining hybrid of brainy Mamet dialogue with brawny outdoors action -- albeit one that sadly lacks as much bite as its furry antagonist.
Synopsis: The plane carrying wealthy Charles Morse (Anthony Hopkins) crashes down in the Alaskan wilderness. Together with the two other passengers,... [More]
Directed By: Lee Tamahori

#27
#27
Adjusted Score: 77761%
Critics Consensus: It may not be the finest film to come from the Marvel Universe, but Thor: The Dark World still offers plenty of the humor and high-stakes action that fans have come to expect.
Synopsis: In ancient times, the gods of Asgard fought and won a war against an evil race known as the Dark... [More]
Directed By: Alan Taylor

#26

Spotswood (1991)
67%

#26
Adjusted Score: 38380%
Critics Consensus: No consensus yet.
Synopsis: Straitlaced Errol Wallace (Anthony Hopkins) is tasked with traveling to the small Australian town of Spotswood to help the befuddled... [More]
Directed By: Mark Joffe

#25

Titus (1999)
68%

#25
Adjusted Score: 70856%
Critics Consensus: The movie stretches too long to be entertaining despite a strong cast.
Synopsis: Returning from 40 years at war with the Goths, the Roman general Titus Andronicus (Anthony Hopkins) executes the eldest son... [More]
Directed By: Julie Taymor

#24

Red Dragon (2002)
68%

#24
Adjusted Score: 73209%
Critics Consensus: Competently made, but everything is a bit too familiar.
Synopsis: Ex-FBI agent Will Graham (Edward Norton) is an expert investigator who quit the Bureau after almost losing his life in... [More]
Directed By: Brett Ratner

#23

Fracture (2007)
71%

#23
Adjusted Score: 78326%
Critics Consensus: Though Fracture's plot is somewhat implausible, the onscreen face-off between Gosling and Hopkins overshadows any faults.
Synopsis: Willy Beachum (Ryan Gosling), a hotshot prosecutor, is about to leave his post for a lucrative job at a private... [More]
Directed By: Gregory Hoblit

#22

Beowulf (2007)
71%

#22
Adjusted Score: 79426%
Critics Consensus: Featuring groundbreaking animation, stunning visuals, and a talented cast, Beowulf has in spades what more faithful book adaptations forget to bring: pure cinematic entertainment.
Synopsis: In the age of heroes, a mighty warrior named Beowulf (Ray Winstone) arrives at the court of King Hrothgar (Anthony... [More]
Directed By: Robert Zemeckis

#21

The Bounty (1984)
74%

#21
Adjusted Score: 73806%
Critics Consensus: Thanks in large part to its cast, and Anthony Hopkins in particular, The Bounty's retelling of the mutiny on the HMS Bounty is an intelligent, engaging adventure saga.
Synopsis: Captain Bligh (Anthony Hopkins) struggles to restore discipline among the crew of the HMS Bounty after the ship has an... [More]
Directed By: Roger Donaldson

#20
#20
Adjusted Score: 79910%
Critics Consensus: Overblown in the best sense of the word, Francis Ford Coppola's vision of Bram Stoker's Dracula rescues the character from decades of campy interpretations -- and features some terrific performances to boot.
Synopsis: Adaptation of Bram Stoker's classic vampire novel. Gary Oldman plays Dracula whose lonely soul is determined to reunite with his... [More]
Directed By: Francis Ford Coppola

#19

Nixon (1995)
75%

#19
Adjusted Score: 77894%
Critics Consensus: Much like its subject's time in office, Nixon might have ended sooner -- but what remains is an engrossing, well-acted look at the rise and fall of a fascinating political figure.
Synopsis: This film is a biographical examination of former U.S. President Richard Nixon (Anthony Hopkins). The non-chronological narrative explores Nixon's personal... [More]
Directed By: Oliver Stone

#18

Noah (2014)
76%

#18
Adjusted Score: 86265%
Critics Consensus: With sweeping visuals grounded by strong performances in service of a timeless tale told on a human scale, Darren Aronofsky's Noah brings the Bible epic into the 21st century.
Synopsis: When God decides that mankind has become too sinful and must be wiped off the Earth, he chooses Noah (Russell... [More]
Directed By: Darren Aronofsky

#17

Amistad (1997)
77%

#17
Adjusted Score: 79861%
Critics Consensus: Heartfelt without resorting to preachiness, Amistad tells an important story with engaging sensitivity and absorbing skill.
Synopsis: In 1839, the slave ship Amistad set sail from Cuba to America. During the long trip, Cinque (Djimon Hounsou) leads... [More]
Directed By: Steven Spielberg

#16

Thor (2011)
77%

#16
Adjusted Score: 87536%
Critics Consensus: A dazzling blockbuster that tempers its sweeping scope with wit, humor, and human drama, Thor is mighty Marvel entertainment.
Synopsis: As the son of Odin (Anthony Hopkins), king of the Norse gods, Thor (Chris Hemsworth) will soon inherit the throne... [More]
Directed By: Kenneth Branagh

#15
Adjusted Score: 86433%
Critics Consensus: Overcomes its formulaic storyline thanks to Anthony Hopkins' warm and endearing portrayal of an age-defying thrill seeker.
Synopsis: New Zealander Burt Munro spent years perfecting his classic Indian motorcycle. The year is 1967, and Burt takes his machine... [More]
Directed By: Roger Donaldson

#14
#14
Adjusted Score: 85850%
Critics Consensus: Banderas returns as an aging Zorro in this surprisingly nimble, entertaining swashbuckler.
Synopsis: After being imprisoned for 20 years, Zorro -- Don Diego de la Vega (Anthony Hopkins) -- receives word that his... [More]
Directed By: Martin Campbell

#13

Magic (1978)
85%

#13
Adjusted Score: 86315%
Critics Consensus: No consensus yet.
Synopsis: Corky (Anthony Hopkins), a failed magician, adopts a new ventriloquist act with an abrasive dummy named Fats, and suddenly finds... [More]
Directed By: Richard Attenborough

#12
#12
Adjusted Score: 48912%
Critics Consensus: No consensus yet.
Synopsis: New York City bibliophile Helene Hanff (Anne Bancroft) writes to the London bookshop Marks & Co in search of some... [More]
Directed By: David Jones

#11

The Two Popes (2019)
89%

#11
Adjusted Score: 102707%
Critics Consensus: Led by outstanding performances from its well-matched leads, The Two Popes draws absorbing drama from a pivotal moment in modern organized religion.
Synopsis: Behind the Vatican walls, Pope Benedict and the future Pope Francis must find common ground to forge a new path... [More]
Directed By: Fernando Meirelles

#10
#10
Adjusted Score: 94412%
Critics Consensus: Sharper and wittier than your average period piece, The Lion in Winter is a tale of palace intrigue bolstered by fantastic performances from Peter O'Toole, Katharine Hepburn, and Anthony Hopkins in his big-screen debut.
Synopsis: It's Christmas 1183, and King Henry II (Peter O'Toole) is planning to announce his successor to the throne. The jockeying... [More]
Directed By: Anthony Harvey

#9

King Lear (2018)
91%

#9
Adjusted Score: 90414%
Critics Consensus: Led by dual mesmerizing performances from Sir Anthony Hopkins and Emma Thompson and rounded out by a solidly stocked ensemble, this King Lear is a highly watchable adaptation.
Synopsis: King Lear divides his kingdom among his three daughters -- Goneril, Regan and Cordelia. The kingdom and family soon collapse... [More]
Directed By: Richard Eyre

#8

The Elephant Man (1980)
93%

#8
Adjusted Score: 96780%
Critics Consensus: David Lynch's relatively straight second feature finds an admirable synthesis of compassion and restraint in treating its subject, and features outstanding performances by John Hurt and Anthony Hopkins.
Synopsis: Dr. Frederic Treves (Anthony Hopkins) discovers Joseph (John) Merrick (John Hurt) in a sideshow. Born with a congenital disorder, Merrick... [More]
Directed By: David Lynch

#7

Thor: Ragnarok (2017)
93%

#7
Adjusted Score: 126309%
Critics Consensus: Exciting, funny, and above all fun, Thor: Ragnarok is a colorful cosmic adventure that sets a new standard for its franchise -- and the rest of the Marvel Cinematic Universe.
Synopsis: Imprisoned on the other side of the universe, the mighty Thor finds himself in a deadly gladiatorial contest that pits... [More]
Directed By: Taika Waititi

#6

Howards End (1992)
94%

#6
Adjusted Score: 99494%
Critics Consensus: A superbly-mounted adaptation of E.M. Forster's tale of British class tension, with exceptional performances all round, Howard's End ranks among the best of Merchant-Ivory's work.
Synopsis: Helen Schlegel falls for Paul Wilcox, but is rebuffed. Her sister Margaret becomes friends with his mother, who promises her... [More]
Directed By: James Ivory

#5
#5
Adjusted Score: 98168%
Critics Consensus: Smart, elegant, and blessed with impeccable performances from Anthony Hopkins and Emma Thompson, The Remains of the Day is a Merchant-Ivory classic.
Synopsis: During the 1930s, James Stevens (Anthony Hopkins) serves as a proper English butler to the doltish Lord Darlington (James Fox).... [More]
Directed By: James Ivory

#4
#4
Adjusted Score: 104402%
Critics Consensus: Director Jonathan Demme's smart, taut thriller teeters on the edge between psychological study and all-out horror, and benefits greatly from stellar performances by Anthony Hopkins and Jodie Foster.
Synopsis: Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy. Jack Crawford (Scott Glenn) wants Clarice... [More]
Directed By: Jonathan Demme

#3

Shadowlands (1993)
97%

#3
Adjusted Score: 97908%
Critics Consensus: Thanks to brilliant performances from Debra Winger and especially Anthony Hopkins, Shadowlands is a deeply moving portrait of British scholar C.S. Lewis's romance with American poet Joy Gresham.
Synopsis: C. S. Lewis (Anthony Hopkins), the renowned author of "The Chronicles of Narnia" series, is a bachelor and Oxford University... [More]
Directed By: Richard Attenborough

#2

The Father (2020)
98%

#2
Adjusted Score: 112754%
Critics Consensus: Led by stellar performances and artfully helmed by writer-director Florian Zeller, The Father presents a devastatingly empathetic portrayal of dementia.
Synopsis: Anthony (Academy Award Winner, Anthony Hopkins) is 80, mischievous, living defiantly alone and rejecting the carers that his daughter, Anne... [More]
Directed By: Florian Zeller

#1

The Dresser (2015)
100%

#1
Adjusted Score: 93107%
Critics Consensus: The Dresser brilliantly showcases two of the most gifted actors of their generation within a thoughtful, well-executed production offering intelligent commentary on the human condition.
Synopsis: In a touring Shakespearean theatre company, backstage hand Norman is devoted to the brilliant but tyrannical head of the company,... [More]
Directed By: Richard Eyre

Elizabeth Goodenough/Everett Collection

(Photo by Warner Bros/Everett Collection)

All Ryan Gosling Movies Ranked

Not every child actor grows up to be a multiple Oscar nominee, but then, not every child actor is Ryan Gosling. After a stint singing and dancing alongside Justin Timberlake and Britney Spears on The Mickey Mouse Club, Gosling flashed early signs of his potential in movies like Remember the Titans and The Believer, then melted hearts everywhere as Noah Calhoun in The Notebook. Just two years later, he’d garner his first Best Actor nod for Half Nelson, as he starred in a string of acclaimed independent films like Lars and the Real Girl and Blue Valentine. Even as he’s risen to the A-list, he continues to star in a wide variety of projects, from cult favorites like Drive and The Nice Guys to high-profile spectacles like Blade Runner 2049 and La La Land, which earned him his second Oscar nomination. With all of that in mind, we’ve rounded up all Ryan Gosling movies and sorted them by Tomatometer. Have look below and see where your favorites land!

#24

Stay (2005)
27%

#24
Adjusted Score: 30540%
Critics Consensus: A muddled brain-teaser, Stay has a solid cast and innovative visuals but little beneath the surface.
Synopsis: Sam Foster (Ewan McGregor), a psychiatrist, has a new patient, Henry Letham (Ryan Gosling), who claims to be suicidal. In... [More]
Directed By: Marc Forster

#23
#23
Adjusted Score: 34891%
Critics Consensus: A predictable police procedural that works better as a character study rather than a thriller.
Synopsis: The body of a young woman is found in a ditch in the woods of the small California coastal town... [More]
Directed By: Barbet Schroeder

#22

Gangster Squad (2013)
31%

#22
Adjusted Score: 38313%
Critics Consensus: Though it's stylish and features a talented cast, Gangster Squad suffers from lackluster writing, underdeveloped characters, and an excessive amount of violence.
Synopsis: Ruthless, Brooklyn-born mobster Mickey Cohen (Sean Penn) has 1949 Los Angeles in an iron fist, as he accumulates a fortune... [More]
Directed By: Ruben Fleischer

#21
Adjusted Score: 36652%
Critics Consensus: The United States of Leland has its moments, but they're undermined by a muddled plot, unsympathetic characters, and frustratingly uneven performances.
Synopsis: A withdrawn young man, Leland Fitzgerald (Ryan Gosling) is imprisoned for the murder of a mentally disabled boy, who also... [More]
Directed By: Matthew Ryan Hoge

#20

All Good Things (2010)
35%

#20
Adjusted Score: 37222%
Critics Consensus: It's well-acted, and the true story that inspired it offers plenty of drama -- which is why it's so frustrating that All Good Things is so clichéd and frustratingly ambiguous.
Synopsis: Heir to a real-estate dynasty, David Marks (Ryan Gosling) lives in the shadow of his father, Sanford (Frank Langella). He... [More]
Directed By: Andrew Jarecki

#19
#19
Adjusted Score: 47522%
Critics Consensus: Director Refn remains as visually stylish as ever, but Only God Forgives fails to add enough narrative smarts or relatable characters to ground its beautifully filmed depravity.
Synopsis: In Thailand, a drug trafficker's (Ryan Gosling) icy mother (Kristin Scott Thomas) sends him on a mission to avenge his... [More]
Directed By: Nicolas Winding Refn

#18

Song to Song (2017)
44%

#18
Adjusted Score: 52286%
Critics Consensus: As visually sumptuous as it is narratively spartan, Terrence Malick's Song to Song echoes elements of the writer-director's recent work -- for better and for worse.
Synopsis: Set against the Austin, Texas, music scene, two entangled couples -- struggling songwriters Faye (Rooney Mara) and BV (Ryan Gosling),... [More]
Directed By: Terrence Malick

#17

The Notebook (2004)
53%

#17
Adjusted Score: 59400%
Critics Consensus: It's hard not to admire its unabashed sentimentality, but The Notebook is too clumsily manipulative to rise above its melodramatic clichés.
Synopsis: In 1940s South Carolina, mill worker Noah Calhoun (Ryan Gosling) and rich girl Allie (Rachel McAdams) are desperately in love.... [More]
Directed By: Nick Cassavetes

#16

Fracture (2007)
71%

#16
Adjusted Score: 78326%
Critics Consensus: Though Fracture's plot is somewhat implausible, the onscreen face-off between Gosling and Hopkins overshadows any faults.
Synopsis: Willy Beachum (Ryan Gosling), a hotshot prosecutor, is about to leave his post for a lucrative job at a private... [More]
Directed By: Gregory Hoblit

#15
#15
Adjusted Score: 76982%
Critics Consensus: An inspirational crowd-pleaser with a healthy dose of social commentary, Remember the Titans may be predictable, but it's also well-crafted and features terrific performances.
Synopsis: In Virginia, high school football is a way of life, an institution revered, each game celebrated more lavishly than Christmas,... [More]
Directed By: Boaz Yakin

#14
#14
Adjusted Score: 74217%
Critics Consensus: A bleak but original indie, The Slaughter Rule benefits from outstanding performances by Ryan Gosling and David Morse.
Synopsis: Roy (Ryan Gosling) gets cut from his high school football team just days after his estranged father dies. For him,... [More]

#13
Adjusted Score: 86075%
Critics Consensus: Ambitious to a fault, The Place Beyond the Pines finds writer/director Derek Cianfrance reaching for -- and often grasping -- thorny themes of family, fatherhood, and fate.
Synopsis: In upstate New York, two men (Ryan Gosling, Bradley Cooper), and later, their sons (Dane DeHaan, Emory Cohen) must deal... [More]
Directed By: Derek Cianfrance

#12
#12
Adjusted Score: 88253%
Critics Consensus: It never lives up to the first part of its title, but Crazy, Stupid, Love's unabashed sweetness -- and its terrifically talented cast -- more than make up for its flaws.
Synopsis: Cal Weaver (Steve Carell) is living the American dream. He has a good job, a beautiful house, great children and... [More]
Directed By: Glenn Ficarra, John Requa

#11
#11
Adjusted Score: 86187%
Critics Consensus: Lars and the Real Girl could've so easily been a one-joke movie. But the talented cast, a great script, and direction never condescends to its character or the audience.
Synopsis: Extremely shy Lars (Ryan Gosling) finds it impossible to make friends or socialize. His brother (Paul Schneider) and sister-in-law (Emily... [More]
Directed By: Craig Gillespie

#10

The Believer (2001)
83%

#10
Adjusted Score: 84526%
Critics Consensus: Gosling commands the screen with a raw, electrifying performance.
Synopsis: A little knowledge is a dangerous thing -- an adage proven with shocking ramifications in Henry Bean's "The Believer." The... [More]
Directed By: Henry Bean

#9
#9
Adjusted Score: 92727%
Critics Consensus: While not exactly exposing revelatory truths, The Ides of March is supremely well-acted drama that moves at a measured, confident clip.
Synopsis: As Ohio's Democratic primary nears, charming Gov. Mike Morris (George Clooney) seems a shoo-in for the nomination over his opponent,... [More]
Directed By: George Clooney

#8

Blue Valentine (2010)
86%

#8
Adjusted Score: 94133%
Critics Consensus: This emotionally gripping examination of a marriage on the rocks isn't always easy to watch, but Michelle Williams and Ryan Gosling give performances of unusual depth and power.
Synopsis: Dean (Ryan Gosling) and Cindy (Michelle Williams) live a quiet life in a modest neighborhood. To the casual observer, everything... [More]
Directed By: Derek Cianfrance

#7

First Man (2018)
87%

#7
Adjusted Score: 115362%
Critics Consensus: First Man uses a personal focus to fuel a look back at a pivotal moment in human history - and takes audiences on a soaring dramatic journey along the way.
Synopsis: Hoping to reach the moon by the end of the decade, NASA plans a series of extremely dangerous, unprecedented missions... [More]
Directed By: Damien Chazelle

#6
#6
Adjusted Score: 120782%
Critics Consensus: Visually stunning and narratively satisfying, Blade Runner 2049 deepens and expands its predecessor's story while standing as an impressive filmmaking achievement in its own right.
Synopsis: Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has... [More]
Directed By: Denis Villeneuve

#5

The Big Short (2015)
89%

#5
Adjusted Score: 101774%
Critics Consensus: The Big Short approaches a serious, complicated subject with an impressive attention to detail -- and manages to deliver a well-acted, scathingly funny indictment of its real-life villains in the bargain.
Synopsis: In 2008, Wall Street guru Michael Burry realizes that a number of subprime home loans are in danger of defaulting.... [More]
Directed By: Adam McKay

#4

Half Nelson (2006)
91%

#4
Adjusted Score: 96526%
Critics Consensus: Half Nelson features powerful performances from Ryan Gosling and Shareeka Epps. It's a wise, unsentimental portrait of lonely people at the crossroads.
Synopsis: Dan Dunne (Ryan Gosling) is a history teacher at a Brooklyn school. Though well-liked by his students and colleagues, he... [More]
Directed By: Ryan Fleck

#3

La La Land (2016)
91%

#3
Adjusted Score: 120063%
Critics Consensus: La La Land breathes new life into a bygone genre with thrillingly assured direction, powerful performances, and an irresistible excess of heart.
Synopsis: Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love. But... [More]
Directed By: Damien Chazelle

#2

The Nice Guys (2016)
91%

#2
Adjusted Score: 110281%
Critics Consensus: The Nice Guys hearkens back to the buddy comedies of a bygone era while adding something extra courtesy of a knowing script and the irresistible chemistry of its leads.
Synopsis: Holland March (Ryan Gosling) is a down-on-his-luck private eye in 1977 Los Angeles. Jackson Healy (Russell Crowe) is a hired... [More]
Directed By: Shane Black

#1

Drive (2011)
93%

#1
Adjusted Score: 102675%
Critics Consensus: With its hyper-stylized blend of violence, music, and striking imagery, Drive represents a fully realized vision of arthouse action.
Synopsis: Driver is a skilled Hollywood stuntman who moonlights as a getaway driver for criminals. Though he projects an icy exterior,... [More]
Directed By: Nicolas Winding Refn

April is shaping up to be a pretty good month for movies, leading into the proper summer movie season. But if you’re afraid of big crowds, or you just feel like lounging at home all month in your unicorn snuggie (and who doesn’t?), then Netflix has a pretty good lineup waiting for you. As usual, the month is heavily frontloaded, with most of the interesting titles coming out on April 1, but see below for the full list.


L.A. Confidential (1997) 99%


Russell Crowe, Guy Pearce, Kevin Spacey, and Kim Basinger star in Curtis Hanson’s period noir about the criminal underworld of 1950s Los Angeles and the police of dubious morals who are called upon to investigate a multiple homicide with possible mob connections.

Available 4/1 on: Netflix


The Iron Giant (1999) 96%

Vin Diesel, Jennifer Aniston, and Harry Connick Jr. lend their voices to Brad Bird’s animated feature debut, about a large sentient robot who finds himself lost in a small Maine town in 1958 and befriends a young boy.

Available 4/1 on: Netflix


6 Balloons (2018) 86%

Dave Franco and Abbi Jacobson star in Marja-Lewis Ryan’s drama following a woman over the course of a night as she drives her heroin-addicted brother through LA, looking for a detox center.

Available 4/6 on: Netflix


Abacus: Small Enough to Jail (2016) 93%

This documentary centers on the Chinese immigrant family who owned and operated the Abacus Federal Savings bank in New York, the only bank to face criminal charges in the aftermath of the 2008 financial crisis.

Available 4/1 on: Netflix


Heat (1995) 87%

Al Pacino and Robert De Niro headline Michael Mann’s celebrated heist movie that centers on the cat-and-mouse game between a career criminal on his last job and the detective determined to catch him.

Available 4/1 on: Netflix


Scarface (1983) 82%

Al Pacino offers an unforgettable performance in Brian DePalma’s iconic drama about drug kingpin Tony Montana’s rise to power and eventual downfall.

Available 4/1 on: Netflix


Friday Night Lights (2004) 82%

Billy Bob Thornton stars in Peter Berg’s drama based on true events about a Texas high school football team’s struggles to win the state championship.

Available 3/1 on: Netflix


Seven (1995) 82%

Brad Pitt and Morgan Freeman star in David Fincher’s thriller about a retiring detective who takes on a green partner in order to solve a series of grisly murders based on the Seven Deadly Sins.

Available 4/1 on: Netflix


Life Is Beautiful (1997) 80%

Roberto Benigni and Nicoletta Braschi star in Benigni’s dramatic comedy about a Jewish father who concocts elaborate stories to prevent his young son from learning the truth when his family is imprisoned in a Nazi concentration camp during World War II.

Available 4/1 on: Netflix


The Joel McHale Show With Joel McHale: Season 1 (2018) 83%

Joel McHale hosts this weekly series from Netflix that looks at news and pop culture from around the world, much in the same way that McHale previously did on Talk Soup.

Available 4/1 on: Netflix


Kodachrome (2017) 71%

Jason Sudeikis, Ed Harris, and Elizabeth Olsen star in this drama about a man who agrees to drive his dying father across the country in order to develop four rolls of Kodachrome film.

Available 4/20 on: Netflix


Sin City (2005) 77%

Robert Rodriguez’s Certified Fresh adaptation of the Frank Miller comic is a dark, grisly collection of interconnected pulp fiction starring Bruce Willis, Jessica Alba, and Mickey Rourke, and shot with a unique visual flair.

Available 4/1 on: Netflix


Una (2016) 76%

Rooney Mara and Ben Mendelsohn star in this drama about a young woman who seeks out an older man with whom she shared a relationship 15 years before that got him arrested and put in jail.

Available 4/1 on: Netflix


The Lost Boys (1987) 77%

Coreys Haim and Feldman, Jason Patric, and Keifer Sutherland star in this Joel Schumacher cult classic about a pair of brothers who become entangled in the world of local vampires after they move to a new town.

Available 4/1 on: Netflix


Sunshine Cleaning (2008) 74%

Amy Adams and Emily Blunt star in this comedy about a down-on-her-luck single mother who starts up a crime scene cleaning business with her sister.

Available 4/1 on: Netflix


Boys on the Side (1995) 74%

Drew Barrymore, Whoopi Goldberg, and Mary-Louise Parker star in this drama about three women who set out on a road trip from New York to California together.

Available 4/1 on: Netflix


Cold Mountain (2003) 70%

Nicole Kidman, Jude Law, and Renée Zellweger star in Anthony Minghella’s period drama that follows an American Civil War soldier as he travels home through Confederate territory to his beloved, a preacher’s daughter struggling to keep her family farm alive.

Available 4/1 on: Netflix


Fracture (2007) 71%

Ryan Gosling and Anthony Hopkins star in this psychological thriller about a hot-shot attorney who engages in a war of wits with the wealthy engineer he’s been tasked with defending in court for the murder of the engineer’s wife.

Available 4/1 on: Netflix


Terminator 3: Rise of the Machines (2003) 69%

The third chapter of the Terminator saga, set 10 years after T2, follows John Connor (Nick Stahl) as he attempts to evade another assassin sent from the future, this time in the form of a woman (Kristanna Loken), again with the help of a T-101 (Arnold Schwarzenegger).

Available 4/1 on: Netflix


Cabin Fever (2002) 62%

Eli Roth’s cult favorite horror film centers on a group of college friends vacationing in the wilderness who begin to turn on each other when one of them becomes infected with a terrible, fast-acting sickness.

Available 4/1 on: Netflix


Kill the Irishman (2011) 62%

Ray Stevenson, Christopher Walken, and Vincent D’Onofrio star in this period crime drama based on the true story of Cleveland mobster Danny Greene, who battled the Italian mafia for control of the city during the 1970s.

Available 4/1 on: Netflix


Cube (1997) 64%

Vincenzo Natali’s high-concept sci-fi horror film follows six strangers who wake up to find themselves trapped in a system of cubes rigged with deadly mechanisms and must work together to find an escape. A prequel, Cube Zero, is also available to stream.

Available 4/1 on: Cube, Cube Zero


The Duchess (2008) 62%

Keira Knightley and Ralph Fiennes star in this biographical look at the Duchess of Devonshire, Georgiana Spencer, who captured the public’s heart and helped enact sweeping changes as a political leader.

Available 4/1 on: Netflix

As usual, the first of the month brings a wealth of great movies to watch online. This week, Netflix and Amazon Prime have added some bona fide classics, a few Oscar-winners, a pair of animated Disney favorites, and even an acclaimed film from this year. Read on for the full list of Certified Fresh picks.


New on Netflix

 

Jaws (1975) 98%

Steven Spielberg’s influential thriller stars Roy Scheider, Richard Dreyfuss, and Robert Shaw as an unlikely trio who set out to sea to take down a giant great white shark terrorizing a New England resort town. All of its sequels are also available on Netflix.

Available now on Netflix: Jaws, Jaws 2, Jaws 3, Jaws: The Revenge


Graduation (2016) 95%

Acclaimed Romanian director Cristian Mungiu’s latest drama centers on a father’s progressively more complicated efforts to ensure a bright academic future for his daughter.

Available now on: Netflix


Gone Baby Gone (2007) 94%

Casey Affleck and Morgan Freeman star in Ben Affleck’s directorial debut, an adaptation of the Dennis Lehane novel about a private detective whose investigation into the kidnapping of a local girl uncovers a web of corruption.

Available now on: Netflix


Pulp Fiction (1994) 92%

John Travolta, Samuel L. Jackson, Uma Thurman, Bruce Willis, Harvey Keitel and many more star in Quentin Tarantino’s celebrated second film, a series of vignettes about various criminals in Los Angeles.

Available now on: Netflix


The Squid and the Whale (2005) 92%

Noah Baumbach’s dysfunctional family dramedy follows a feuding married couple (Jeff Daniels and Laura Linney) whose impending divorce takes a toll on their two sons.

Available now on: Netflix


Love's a Bitch (2000) 93%

Gael García Bernal stars in Alejandro Gonzalez Iñárritu’s Oscar-nominated drama that follows the stories of three very different people who are connected by a terrible car crash.

Available now on: Netflix


City of God (2002) 91%

Fernando Meirelles’ explosive coming-of-age drama set in the favelas of Rio de Janeiro centers on a pair of friends who grow up together, enter the criminal world, and face the consequences of their lifestyle.

Available now on: Netflix


Mulan (1998) 86%

Ming-Na Wen and Eddie Murphy lend their voices to Disney’s animated retelling of a Chinese folk tale about a brave young girl who dresses like a man to join the emperor’s army.

Available now on: Netflix


Dead Poets Society (1989) 85%

In one of his most memorable roles, Robin Williams stars in this drama as an English teacher at a private academy who inspires his students with his unconventional methods.

Available now on: Netflix


The Secret Garden (1993) 88%

Kate Maberly stars in Agnieszka Holland’s adaptation of the Frances Hodgson Burnett novel about a young girl who discovers a magical garden on her uncle’s estate.

Available now on: Netflix


Bright Star (2009) 83%

Ben Whishaw and Abbie Cornish star in Jane Campion’s biopic focusing on the romance between poet John Keats and Fanny Brawne during the last years of Keats’ life.

Available now on: Netflix


Hercules (1997) 84%

Tate Donovan, Danny DeVito, and James Woods provided memorable voices for Disney’s take on the Greek demi-god, who struggles against the forces of Hades to protect those around him.

Available now on: Netflix


Requiem for a Dream (2000) 79%

Jared Leto, Marlon Wayans, Jennifer Connelly, and Ellen Burstyn star in Darren Aronofsky’s bleak exploration of the nature and consequences of addiction.

Available now on: Netflix


Gangs of New York (2002) 73%

Leonardo DiCaprio and Daniel Day-Lewis headline an all-star cast in Martin Scorsese’s stylized portrayal of the rise of criminal power in New York’s Five Points neighborhood during the mid-1800s.

Available now on: Netflix


Greenberg (2010) 76%

Ben Stiller and Greta Gerwig star in Noah Baumbach’s dramedy about a New Yorker who agrees to housesit in Los Angeles for his brother and ends up falling for his brother’s assistant.

Available now on: Netflix


Fracture (2007) 71%

Ryan Gosling and Anthony Hopkins star in this thriller about a man on trail for shooting his unfaithful wife who duels with a young, hot-shot district attorney in court.

Available now on: Netflix


New on Amazon Prime

 

The Cove (2009) 95%

This Oscar-winning documentary charts the efforts of animal trainer-turned-activist Richard O’Barry in battling the culture of dolphin hunting in the town of Taiji, Japan.

Available now on: Amazon Prime


The Innkeepers (2011) 79%

This moody horror film from Ti West centers on a pair of amateur ghost hunters who seek to record proof of the ghostly spirits in the hotel where they work before it closes down for good.

Available now on: Amazon Prime


Wedding Crashers (2005) 76%

Owen Wilson and Vince Vaughn star in this romantic comedy about a pair of cynical divorce attorneys who spend their time crashing weddings until they both meet their match in two very different women.

Available now on: Amazon Prime


New on FandangoNOW

 

The Big Sick (2017) 98%

Kumail Nanjiani and Zoe Kazan star in this romantic comedy based on the true story of Nanjiani’s unusual and precarious courtship with his wife, Emily.

Available now on: FandangoNOW

The 27-year-old actor will be playing the husband to 36-year-old Rachel Weisz. They’ll be playing the parents of a (dead) 14-year-old girl in the Peter Jackson pic.

Odd math, I know. Then again, Gosling’s a damn fine actor so I’ve no doubt he can pull off "mid-30s" without too much effort. The signing of Oscar nominee Ryan Gosling ("Half Nelson") and Oscar winner Rachel Weisz ("The Constant Gardener") adds some instant class to Jackson‘s long-time passion project. His adaptation of Alice Sebold’s "The Lovely Bones" will begin production in October. The plan is to shoot in Pennsylvania and (of course) New Zealand.

According to Variety, the "story revolves around a young girl who has been murdered and watches over her family — and her killer — from heaven. Girl must weigh her desire for vengeance against her desire for her family to heal." Now I have to decide if I want to read the book before or after I see the movie.

Ryan Gosling’s other films include "Fracture," "Stay," "The Notebook," and "The Believer."

Source: Variety

Call it the weekend of the actor/producer. Three new films with stars that do double duty behind the scenes (or have good agents that can snag a free credit) enter a marketplace filled with big-budget tentpole pics quickly eroding away.

Seth Rogen headlines and executive produces the new comedy "Knocked Up," Kevin Costner stars and produces the crime thriller "Mr. Brooks," and Elisabeth Shue acts in and co-produces the sports drama "Gracie." Following an explosive May at the box office, the first weekend of June should see ticket sales calm down a bit before George and Brad usher in the next big wave of sequels.

For adult moviegoers sick of pirates, ogres, and webslingers, Universal has the answer – the raunchy romantic comedy "Knocked Up." The R-rated film from Judd Apatow ("The 40-Year-Old Virgin") stars Rogen and Katherine Heigl as a stoner loser and a just-promoted entertainment newswoman, respectively, who share a one night stand which leads to an unplanned pregnancy. Older teens, young adults, and couples make up the target audience here and the studio is hoping to bring back the same folks that opened "Virgin" to $21.4M on its way to a stellar $109.3M (five times its debut) two summers ago.

With mindless popcorn sequels dominating the marquees for the past month, "Knocked Up" brings a breath of fresh air into the multiplexes. Moviegoers looking for new characters and new situations will be pleased. The marketing push has been strong but television spots are not too funny, mostly because the bulk of the humor is too racy to feature on broadcast television. But when opening weekend audiences find out how much funnier the actual film is compared to the trailer and commercials, red hot word-of-mouth will keep the pic playing week after week.

The public’s appetite for studio comedies has been healthy over the last six months with "Wild Hogs," "Night at the Museum," "Blades of Glory," and "Norbit" selling an amazing $626M worth of ticket stubs combined. "Hogs" even popped back into the top ten last weekend in its thirteenth session signaling the hunger in the marketplace right now for something good that will make people laugh. Universal enjoys going after adults on the weekend after Memorial Day. In 2005 it debuted the serious Russell CroweRenee Zellweger boxing pic "Cinderella Man" to $18.3M while last year the studio exceeded expectations with the $39.2M bow of the date flick "The Break-Up." "Knocked Up" should play to much of the same audience as the Jennifer Aniston film, although with less starpower and no tabloid gossip about the star’s personal lives, the grosses won’t soar as high.

Critics have been praising "Knocked Up" and its strong cross-gender appeal will make it a hit with the date crowd. A unique concept and a great title will also help sell the film. "Pirates" will only be in its second weekend and will still be pulling in a broad audience so there will be some competition. But "Knocked Up" has great buzz and will start selling itself after people begin pouring out of the Friday night shows. Opening in 2,873 theaters, the Universal release may gross about $24M this weekend and witness small declines in the weeks ahead.


"Yay, pregnancy."

Less than a year after co-starring with Ashton Kutcher in "The Guardian," Kevin Costner teams up with the "Punk’d" star’s gal pal Demi Moore in the new psychological thriller "Mr. Brooks." In the R-rated film, the former bodyguard plays a family man who moonlights as a serial killer while the ex-G.I. Jane stars as a detective hot on his trail. The MGM release should play to the oldest audience of any major release out now. That’s a good thing since direct competition will not be too fierce. But despite some moderately good reviews, Brooks is anchored by two aging actors who were bulletproof box office stars fifteen years ago, but are not all that reliable at the turnstiles nowadays.

"Knocked Up" has much more buzz around it and will take away much of the thirtysomething crowd, but the forty-plus audience might give "Mr. Brooks" a try. Older adults did little for "Georgia Rule" which bowed to just $6.8M but April’s "Fracture" had a decent $11M opening. Costner should draw an audience more like the one that came out for the Anthony Hopkins thriller. The marketing push has not been too forceful so a large turnout is not likely. Invading 2,453 theaters, "Mr. Brooks" may generate a $9M debut.


Where Dane Cook gets his career advice.

Picturehouse targets the Lady Foot Locker crowd with its new drama "Gracie" which tells the true story of a teenage girl in the late 1970s who fought to play competitive soccer when the sport did not open its doors to her gender. The PG-13 flick stars Dermot Mulroney, Elisabeth Shue, and Carly Schroeder and has been marketed squarely to its core audience of teenage girls. "Gracie" is unlikely to score any goals with other audience segments and is not being released in too many theaters so a modest opening is likely. Reviews have been mixed. Kicking its way into about 1,000 locations, "Gracie" might find itself with an opening weekend take of around $3M.


The mullet-headed heckler is always an important training component.

Fox Searchlight invades the arthouses once again with its Russian fantasy epic "Day Watch," the sequel to Timur Bekmambetov‘s "Night Watch" which became a mammoth blockbuster in its home country in 2004. Last year, "Night Watch" bowed in the U.S. to a sturdy $35,475 average from only three theaters and eventually collected $1.5M from 158 sites. "Day Watch" continues the battle of Light vs. Darkness in an adventure set in Moscow with digital effects that could rival any $200M-budgeted Hollywood tentpole pic. The R-rated film debuts on Friday in New York and Los Angeles with two theaters in each city plus a solo house in San Francisco. More markets across the country will be added in the weeks ahead.


"Day Watch"

None of the newbies looks like first-place material so "Pirates of the Caribbean: At World’s End" should easily retain its box office crown. However, a substantial fall is likely. As a third part of a franchise coming off of a big holiday bow, the drop would of course be large. "Dead Man’s Chest" fell by 54% in its sophomore frame. Add in the fact that fan reaction isn’t exactly stellar and the ship should sink by a large amount. Don’t expect the latest "Pirates" to suffer the 67% crash that the third "X-Men" flick saw a year ago when it came off of the Memorial Day frame. Instead, it could perform more like 2004’s "The Day After Tomorrow" which fell 60% coming off of the same holiday weekend. Luckily for Johnny Depp and pals the competition is not too fierce this weekend. A similar 60% tumble would give "At World’s End" about $46M worth of weekend loot which would boost the ten-day cume to $218M.

"Shrek the Third" will also not have much in the way of competition for its family audience, but comedy fans will certainly abandon ship and head for "Knocked Up." The ogre franchise makes a sizable portion of its money from teens and young adults and those folks are going to be moving on. Last weekend’s 56% drop was affected by the arrival of "Pirates." This weekend, it could stabilize and fall by 45%. That would give "Shrek the Third" around $29M for the weekend and $256M after 17 days.

"Spider-Man 3," the only May threequel with the actual number three in its title, has also been fading away. A 45% drop would give the Sandman saga roughly $8M boosting the cume to $319M.

LAST YEAR: Jennifer Aniston and Vince Vaughn proved more popular than super heroes as their romantic comedy "The Break-Up" knocked "X-Men: The Last Stand" out of the number one spot in only its second weekend. The Universal comedy opened to $39.2M on its way to a better-than-expected $118.7M. The mutant sequel tumbled 67% to $34M in its sophomore frame for the runnerup position. Paramount’s toon sensation "Over the Hedge" held up well in third with $20.6M followed by "The Da Vinci Code" with $18.6M and "Mission: Impossible III" with $4.7M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Peter Parker suffered a massive sophomore slide, but "Spider-Man 3" still dominated the box office around the globe spending a second weekend at number one with no other film coming anywhere near its stellar numbers.

Among the frame’s four new releases, the zombie thriller "28 Weeks Later" fared best with a decent bow in the runnerup spot while the Jane FondaLindsay Lohan pic "Georgia Rule" was mostly ignored and opened with disastrous results. Two other new comedies "Delta Farce" and "The Ex" barely registered a blip on the radar.

Sony was still crushing its competitors this weekend with "Spider-Man 3" which tumbled 60% to an estimated $60M in its second try in theaters. After ten days, the PG-13 hit has amassed a stunning $242.1M from North America and is still running ahead of its two predecessors. Ten-day cumes for 2002’s "Spider-Man" and 2004’s "Spider-Man 2" were $223M and $225M, respectively. However the new Venom installment is eroding faster as is often the case with the third part of a franchise. After the first three days, "Spider-Man 3" was an impressive 32% ahead of the first webslinger pic which opened on the exact same weekend in 2002. After seven days the lead was cut to 20% and now after ten days the gap has been reduced to 9%.

For the weekend, "Spider-Man 3" accounted for a stellar 64% of the box office for the top ten and grossed $17.1M on Friday (down 72% from its record-shattering opening day last week), $25M on Saturday (down 51% from last Saturday), and is projected to gross $18M on Sunday (down 55% from a week ago). The 60% second weekend drop is not uncommon for high-profile tentpole sequels with mammoth debuts. Some other sophomore drops include 53% for "X2: X-Men United," 54% for "Pirates of the Caribbean: Dead Man’s Chest," 63% for "Harry Potter and the Prisoner of Azkaban," and 67% for "X-Men: The Last Stand."

Where is part 3 headed in the long run? It would make sense to look at other action films that kicked off the summer movie season on the first weekend of May. The shares of the total cume collected in the first ten days were 64% for last year’s "Mission: Impossible III," 69% for 2003’s "X2," and 71% for 2004’s "Van Helsing." Based on its trajectory and the competitive road ahead, "Spider-Man 3" could be headed for a finish of about $340-360M domestically. That would make it the lowest-grossing Spidey film in North America, however the overseas markets are a different story.

"Spider-Man 3" grossed an estimated $85.4M internationally this weekend to boost its overseas haul up to a mammoth $379.6M for a colossal global gross of $622M. Next weekend, the Sandman entry will surpass the international takes of $418M and $410M for the first two Spider-Man flicks to become the top performer of the franchise outside of North America. With the "Spider-Man" fan base already maxed out domestically, Sony made a strategic move to grow the brand around the world by hosting several star-studded international red carpet premieres and opening the film in most countries days ahead of the United States leading to a substantial increase in moviegoer excitement in all markets. "Spider-Man 3" still stands a very good chance of becoming the biggest grossing film of the trilogy on a global scale with the North American shortfall being overshadowed by gains overseas. With a reported production budget of $258M, the super hero film should surpass the $900M mark worldwide this summer.

Flesh-eating zombies took control of second place this weekend as the horror sequel "28 Weeks Later" opened with an estimated $10M representing a solid, but somewhat weaker-than-expected debut. The R-rated gorefest averaged a decent $4,342 from 2,303 playdates and delivered a gross almost equal to the $10.1M that "28 Days Later" achieved in its opening frame in June 2003. That sleeper hit bowed in a thousand fewer locations with 1,260 theaters and scored a more potent $7,986 average. Adjust for four years of ticket price increases and "Weeks" generated an opening weekend average half that of "Days." The new chapter earned very high praise from most critics, but being the fourteenth horror film of 2007 probably hurt its cause as many genre fans have overdosed on frightfests. If the estimate holds (Fox estimated a rather slim 26% Saturday-to-Sunday drop), "Weeks" will become the first non-Spidey film to reach double digits on opening weekend since "Fracture" from mid-April.

The star-driven chick flick "Georgia Rule" was dead on arrival at the box office debuting to an estimated $5.9M from 2,523 theaters for a flimsy $2,330 average. The R-rated film stars Lindsay Lohan as a rebellious teen left with her no-nonsense grandmother (Jane Fonda) for the summer. Felicity Huffman plays the alcoholic middle mom in the family. "Georgia" played more to the Fonda crowd than to the Lohan audience. Studio research from Universal showed that a whopping 81% of the turnout was female, 79% was white, and 70% was over the age of 30.

"Georgia Rule" imploded at the box office since it repelled its two main consumer groups. Older women pay attention to reviews and critics were brutal in reviewing the dramedy. And younger teen girls who track Lohan obsessively couldn’t get in thanks to the harsh R rating. The opening was less than half the amount that the studio saw earlier this year when it targeted the same audience with the same number of theaters with the Diane KeatonMandy Moore pic "Becasue I Said So" which bowed to $13.1M over Super Bowl weekend. The Fonda flick was released over the Mother’s Day frame, but most daughters chose to give their moms the gift of not seeing "Georgia Rule."

Paramount’s hit teen thriller "Disturbia" enjoyed the best legs in the top ten dipping only 18% to an estimated $4.8M. Although in its fifth weekend, the Shia LaBeouf hit has the second largest theater count of any film and is playing in 3,106 locations that are still holding onto the durable thriller. Cume to date is $66.3M.

The military comedy "Delta Farce" bombed in its opening weekend grossing only $3.5M, according to estimates, landing in fifth place. The PG-13 pic averaged a dismal $1,813 from 1,931 locations for Lionsgate. Reviews were understandably pitiful.

New Line’s Anthony HopkinsRyan Gosling drama "Fracture" dipped only 22% to an estimated $2.9M in its fourth frame and upped its cume to $31M. The horror flick "The Invisible" dropped to seventh with an estimated $2.2M, down 33%, for a $15.5M total.

Sliding only 25% in its third round was the action-comedy "Hot Fuzz" with an estimated $1.7M for Focus putting the sum at $18.9M. Nicolas Cage followed with his sci-fi flop "Next" which took in an estimated $1.6M, down 45%, for a total of $14.6M. Rounding out the top ten with an estimated $1.6M as well was the Disney animated hit "Meet the Robinsons" which fell 39% for a sturdy $94.1M cume. The 3D comedy will enjoy its status as the year’s top-grossing toon for just one more week since "Shrek the Third," which opens on Friday, could march past it after only one weekend in theaters.

Debuting with miserable results outside of the top ten was the Zach BraffAmanda Peet comedy "The Ex" which opened to an estimated $1.3M from 1,009 locations for a pathetic $1,288 average. The PG-13 date flick was released by MGM and earned poor reviews. With "The Ex," Hollywood has now seen a disturbing twelve wide releases over the last eight weeks fail to open to at least $5M. Numerous movies with little to offer paying moviegoers are being slaughtered in an overcrowded marketplace.

Three star-driven vehicles dropped out of the top ten this weekend. Will Ferrell’s blockbuster comedy "Blades of Glory" grossed an estimated $1.4M in its seventh lap and boosted its cume to $113.8M. Off 41%, the $60M-plus DreamWorks/Paramount pic looks to skate to a $116-118M finish. Ice Cube’s comedy sequel "Are We Done Yet?" fell 46% to an estimated $950,000 giving Sony $47.4M to date. The family film looks to end with just under $50M putting it 40% behind its predecessor "Are We There Yet?" which pulled in $82.3M two years ago. Warner Bros. has collected a measly $5M in ten days for its Eric BanaDrew Barrymore poker pic "Lucky You" and will probably fold with an embarrassing $7M.

Arthouse darling "Waitress" starring Keri Russell expanded successfully in its second weekend serving up an estimated $636,000 from 65 sites for a solid $9,788 average. Fox Searchlight widened the acclaimed film from just four locations last weekend and pushed its cume to $788,000. A special Mother’s Day gift bag promotion across the country is expected to strengthen Sunday sales. This Friday, the comedy expands in its existing markets adding 57 theaters and on May 25 it will widen to 400-500 total theaters nationwide for the Memorial Day holiday weekend.

The top ten films grossed an estimated $94.1M which was up 16% from last year when "Mission: Impossible III" stayed at number one with $25M; and up a scant 3% from 2005 when "Monster-in-Law" debuted on top with just $23.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

In the most lopsided box office victory in history, the hugely anticipated super sequel "Spider-Man 3" swung into theaters and monopolized the marketplace breaking the all-time records for both opening day and opening weekend in the process.

Sony unleashed its summer behemoth worldwide and also shattered the record for the biggest global debut ever as it conquered the box office in over 100 countries. The summer movie season could not have asked for a better way to begin.

Following a tidal wave of hype, "Spider-Man 3" exploded on the scene and grossed an eye-popping $148M during its opening weekend in North America, according to estimates, breaking the previous record of $135.6M set last summer by "Pirates of the Caribbean: Dead Man’s Chest." The super hero flick opened in 4,252 theaters (also a record) and averaged a staggering $34,807 for Sony. The smash hit also set a new Imax record with $4.8M from those large-format engagements beating 300’s old mark set two months ago by 33%. Imax presentations, despite their higher ticket prices, were reportedly sold out from coast to coast.

Overseas, "Spider-Man 3" began its global assault on Tuesday May 1 in several key nations in Asia and Europe and has since grossed a mammoth $227M from 105 international territories putting its worldwide cume at a gargantuan $375M in a mere six days. In less than one week around the world, "SM3" has already reached nearly half of the total global gross of "Spider-Man 2" which hauled in $784M in 2004.

Domestically, the new webslinger adventure kicked things off on Friday with a record $59.3M in its first day beating the former record "Chest" set with $55.8M. Both figures included shows beginning at midnight on Thursday night. "Spidey" dropped 14% on Saturday to $51M and the studio estimated that Sunday sales will fall by only 26% to $37.7M. Final figures will be released on Monday after Sunday sales are tabulated. According to Sony research, the opening weekend audience skewed towards young men as expected. Males made up 54% of the crowd while 63% were under the age of 25.

"Spider-Man 3" reunited director Sam Raimi with his key actors Tobey Maguire, Kirsten Dunst, and James Franco. Joining the cast were Topher Grace, Thomas Haden Church, and Bryce Dallas Howard. Critics had mixed feelings with many calling it the worst of the series. Part "3" scored a 62% Fresh rating on RottenTomatoes.com compared to 90% for the first "Spidey" flick and 93% for the second installment. Moviegoers, however, did not care as they showed up anyway in unprecedented numbers proving that "SM3" was indeed a critic-proof blockbuster. The film’s long-term success will rely more on word-of-mouth from fans, rather than a thumbs up or down from reviewers. Users of Yahoo! Movies have given it a mild B grade from over 17,000 votes which could mean that fans are not exactly ecstatic.

"Spider-Man 3" carries a reported production cost of $258M, although many industry watchers believe it to be much higher. Despite its sky high budget, the PG-13 film has enjoyed such a strong start that it has a good chance of surging past the $822M worldwide gross of the first "Spider-Man" and could even approach the $1 billion mark. Buzz from fans will of course be a major factor in helping the Venom pic spread.

Competition, or a lack of it, was a key contributor to the record opening. There were absolutely no other films that energized audiences as every wide release failed to reach an average of even $2,000. That allowed the newest "Spider-Man" pic to account for a jaw-dropping 80% of the entire box office pie and dominate the marketplace with ease. Led almost exclusively by Peter Parker and friends, the top ten powered its way to an incredible $174M — its highest level since the "Pirates" sequel bowed last summer. It was an astonishing reversal from the previous weekend when the box office slumped to a seven-month low.

With nothing else worthy to program, multiplexes had no problem opening up screens. Sony did not report its official screen count but industry insiders note that it was over 10,000. By comparison, screen counts for previous blockbuster openers were 9,400 for "Star Wars Episode III," 8,500 for "Dead Man’s Chest," and 7,500 for the first "Spider-Man" which opened five years ago this same weekend and also broke the all-time opening weekend record. The extra screens for the new film allowed Sony to absorb all demand right away and leave almost nothing on the table.

Next weekend, "Spider-Man 3" will have little to worry about as nothing huge is opening, but the week after that is when "Shrek the Third" launches, followed seven days later by "Pirates of the Caribbean: At World’s End" over the lucrative Memorial Day holiday frame. Peter Parker will grasp tightly onto his records for now since Captain Jack Sparrow would like nothing more than to swipe them once again.

A few moviegoers did in fact choose to see other films this weekend in auditoriums which offered plenty of space. Three-time chart-topper "Disturbia" was bumped to the number two spot, but held up well considering the new competition. The Paramount thriller dropped by only 37% to an estimated $5.7M and boosted its 24-day cume to $59.9M, or about what Spidey did in its first day. New Line’s courthouse thriller "Fracture" followed with an estimated $3.4M in its third weekend, down 50%, and lifted its sum to $26.5M.

The teen horror flick "The Invisible" ranked fourth and tumbled 60% in its sophomore frame to an estimated $3.1M. Buena Vista has scared up $12.3M in ten days and looks headed for a $16-18M finish. Nicolas Cage suffered the worst drop in the top ten as his latest action film "Next" crashed 61% and took in an estimated $2.8M this weekend. With a poor ten-day tally of $11.8M, Paramount will sputter to a horrendous $14-16M for the pricey star vehicle.

The much-delayed poker drama "Lucky You" had the unlucky fortune of opening against "Spider-Man 3" and suffered an embarrassing debut as it failed to average even $1,000. The Curtis Hanson-directed pic bowed to an estimated $2.5M from 2,525 locations for a dismal $996 average. The Warner Bros. release starring Eric Bana and Drew Barrymore met with bad marks from critics and total apathy from ticket buyers.

3D toon "Meet the Robinsons" fell 49% to seventh with an estimated $2.5M in its sixth frame for an impressive cume of $91.8M. Also in its sixth weekend, fellow spring hit "Blades of Glory" collected an estimated $2.3M, down 55%, giving Paramount $111.6M to date.

The action-comedy "Hot Fuzz" tumbled 58% in its third weekend to an estimated $2.1M. Focus has grossed $16.1M thus far. Rounding out the top ten was Sony’s "Are We Done Yet?" which dropped 51% to an estimated $1.7M leading to a total of $46.1M.

A pair of well-reviewed arthouse films aimed at adult women debuted to solid results in limited release as alternatives to the Spidey action. Fox Searchlight opened its Sundance acquisition "Waitress" to an estimated $91,000 from only four theaters in New York and Los Angeles averaging a potent $22,868 per location. The Keri Russell starrer directed by the late Adrienne Shelly will expand to 21 cities on Friday for a total of 62 theaters. Cume since the Wednesday launch is $111,000. The Alzheimer’s drama "Away From Her" from actress-turned-director Sarah Polley bowed to an estimated $56,000 from four locations for a sturdy $14,000 average for Lionsgate.

A pair of underachievers fell out of the top ten this weekend. Sony’s motel terrorfest "Vacancy" dropped a steep 65% to an estimated $1.5M upping its cume to only $16.4M. The Lionsgate action pic "The Condemned" crumbled even further collapsing 72% in its second weekend to an estimated $1.1M for a weak ten-day sum of $6M. Final grosses should end up with disappointing totals of $19M and $7M, respectively.

The top ten films soared to an estimated $174.1M which was up an astounding 85% from last year when "Mission: Impossible III" opened at number one with $47.7M; and up a staggering 129% from 2005 when "Kingdom of Heaven" debuted on top with just $19.6M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Awaiting the arrival of their webslinging hero, North American audiences avoided the multiplexes and held onto their money rejecting the slate of new releases that Hollywood dumped into theaters. That allowed the hit suspense pic "Disturbia" to retain its number one position for the third consecutive weekend despite the fact that the overall box office tumbled to its worst showing of 2007.

For the third straight weekend, moviegoers made the teen thriller "Disturbia" the top choice spending an estimated $9.1M on the Paramount release. After 17 days, the PG-13 sleeper hit has raked in a impressive $52.2M and could be headed for a $70M final. Produced by DreamWorks for only $23M, "Disturbia" is the first film to stay on top for back-to-back-to-back frames since Ben Stiller’s holiday season smash "Night at the Museum." Also, Paramount got to enjoy five straight weeks at number one with the Shia LaBeouf hit which followed on the heels of the two-week reign of "Blades of Glory." The last studio to accomplish this feat was Buena Vista in 2004 when "The Incredibles" claimed the top spot for two weeks followed by a three-week reign for "National Treasure."

The best opening among the new releases came from the new supernatural thriller "The Invisible" which landed in second with an estimated $7.6M from 2,019 theaters. Averaging a mild $3,767 per location, the PG-13 chiller about a teen whose spirit must solve his own murder was the fifth scary movie of the month to hit cinemas. "Invisible" had the least starpower of the four new releases, but used its creepy premise to connect with teens and young adults.

Nicolas Cage suffered his worst action opening since becoming a hero in the genre with his latest offering "Next" which stumbled into third place with a weak $7.2M debut, according to estimates. The Paramount release, which was expected to top the charts this weekend, averaged a feeble $2,642 from 2,725 theaters. Cage scored a hit earlier this year with the comic book actioner "Ghost Rider" which has taken in nearly $116M to date, but he couldn’t get action fans to make a return trip to the multiplexes with "Next" which was equally panned by critics. The film about a Las Vegas magician who can see two minutes into the future opened in several international markets as well this weekend and hit the top spot in France, Russia, and the United Kingdom. In all markets, "Next" is trying to grab whatever business it can before "Spider-Man 3" makes its global launch this coming week.

The webslinger sequel is poised to shatter records around the world thanks to both intense anticipation and weak competition. The mega-budgeted franchise film will have the domestic marketplace virtually to itself next weekend since there is zero excitement for any other film. Sony has even planned out Spider-Man Week in New York City which kicks off on Monday with the special black carpet premiere in conjunction with the Tribeca Film Festival with director Sam Raimi and the stars attending. Just like with the first Peter Parker flick from a half-decade ago, "Spider-Man 3" is not only kicking off the summer movie season, but it is arriving in a marketplace on life support in desperate need of a hero. The first "Spider-Man" opened to a then-record $114.8M and accounted for a whopping 77% of all ticket sales in the top ten. The new installment is swinging into an even weaker competitive environment and on more screens which could lead to a more dominant launch.

The Anthony HopkinsRyan Gosling thriller "Fracture" dropped a reasonable 36% in its second weekend to an estimated $7.1M. With $21.3M collected in ten days, the New Line release looks to find its way to $35-40M domestically.

"Blades of Glory," the year’s second biggest comedy after "Wild Hogs," slipped 32% to fifth place and grossed an estimated $5.2M for Paramount. With a budget of just over $60M, the Will Ferrell hit has taken in $108.1M and should skate to a $120M finish. Disney’s animated film "Meet the Robinsons" held up well thanks to no new kids competition and dipped 31% to an estimated $4.8M pushing the cume to $88.4M. The year’s top-grossing toon looks to end its run a bit north of the $100M mark.

Focus widened the run of its British action-comedy "Hot Fuzz" by expanding from 825 to 1,272 sites and grossed an estimated $4.8M this weekend for a decent $3,758 average on the sophomore frame. That represented a slim 18% dip in the gross but a steeper 47% drop in the average with the cume rising to $12.5M. The $16M production could conclude its North American run with $21-23M adding to its $49M tally from overseas.

The horror flick "Vacancy" suffered the worst fall in the top ten dropping 45% from its poor debut to an estimated $4.2M. Sony’s $19M thriller starring Luke Wilson and Kate Beckinsale has taken in just $13.9M to date and looks to limp to around $20M overall.

Wrestling fans ignored the new "Stone Cold" Steve Austin action pic "The Condemned" which debuted in ninth with a wimpy $4M, according to estimates. The R-rated film about ten death row inmates in a contest for survival was dead on arrival averaging a pathetic $1,732 from 2,310 sites for Lionsgate. Rounding out the top ten was Ice Cube’s family comedy "Are We Done Yet?" with an estimated $3.4M, off 34%, for a $43.8M sum. Sony should reach about $50M.

Jamie Kennedy’s new comedy "Kickin’ It Old Skool" flopped in its first weekend as the Yari Film Group release bowed to an estimated $2.8M from 1,816 locations for a miserable $1,542 average. It was a far cry from the actor’s 2003 spring comedy "Malibu’s Most Wanted" which debuted to $12.6M on its way to a solid $34.4M. Kickin’ was the ninth wide release this year to fail to reach the top ten on opening weekend.

Three films fell out of the top ten this weekend. Sony’s underperforming thriller "Perfect Stranger" dropped 46% to an estimated $2.2M putting the cume for the Halle BerryBruce Willis suspense pic at $21.6M. A disappointing $25M final seems likely for the star-driven bomb. The Warner Bros. chick flick "In the Land of Women" has grossed over $8M in its first ten days which is far from impressive. Look for a $12-14M finish for the Adam Brody clunker.

Buena Vista’s runaway smash comedy "Wild Hogs" finally left the top ten after eight long weeks. Starring Tim Allen, John Travolta, Martin Lawrence, and William H. Macy, the PG-13 pic took in an estimated $1.9M, off 33%, boosting the total to $158.8M. A final tally of $163-165M seems likely.

The top ten films slumped to an estimated $57.4M which was down 33% from last year when "RV" opened at number one with $16.4M; and down 26% from 2005 when "The Hitchhiker’s Guide to the Galaxy" debuted on top with $21.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

For the fourth consecutive weekend, four or more new wide releases will cram into multiplexes trying to get at their piece of a dwindling box office pie.

Nicolas Cage targets his second trip to the top spot this year with the action film "Next," rival actioner "The Condemned" counters with Stone Cold Steve Austin in the lead, horror fans get yet another creepy tale with "The Invisible," and Jamie Kennedy goes for some laughs with "Kickin’ It Old Skool."

Mostly garbage titles were programmed into this weekend’s menu since any studio with a decent film would not risk getting crushed on the second weekend by the webslinger sequel. Including these newest films, the first four months of 2007 boasts 64 wide releases hitting the marketplace, up slightly from last year’s 60 but up sharply from the 42 over the same period in 2005. With a mass quantity of weak April films, look for the North American box office to plunge to its lowest point of the year this weekend during what is essentially the calm before Sandman’s storm hits next Thursday night at midnight.

Following his Marvel Comics hit "Ghost Rider," Nicolas Cage once again plays the action hero card with the sci-fi thriller "Next." The PG-13 film finds the Oscar winner playing a man with the ability to see into the future who is called in to foil a terrorist plot before it happens. Directed by Lee Tamahori ("Die Another Day," "Along Came A Spider"), "Next" has the advantage of having the most screens and the most starpower of any new release this weekend. Plus with current films rotting away quickly (9 of the 16 holdovers in the Top 20 last weekend plunged by more than 55%), competition will not be too fierce. Paramount has been giving "Next" a decent amount of marketing, that is for a film being dumped into the final weekend of a month starting with the letter A. In almost any other time of year this would get clobbered, but given the current alternatives it will make for the only reasonable choice for many moviegoers. Hence, a number one opening by default and quite possibly the weakest one of the year. Crashing into over 2,500 theaters, "Next" could reach the top with around $13M.


Cage and Biel required an escort when exiting the "Next" premiere.

"The Condemned" offers a reality show idea not likely to be on any network’s fall schedule. In the weekend’s sole R-rated film, death row inmates duke it out to the death in order to avoid being executed, all while television cameras capture every brutal moment. World Wrestling Entertainment head Vince McMahon produces behind the scenes while former superstar grappler Steve Austin stars in front of the camera. Other WWE stars who headlined recent feature films include Kane in last May’s "See No Evil" ($4.6M debut) and John Cena in last fall’s "The Marine" ($7.1M bow). Both films averaged less than $4,000 on their opening weekends. Young men will make up the only audience segment for the new Lionsgate title and "Next" will provide some direct action competition. Still some hardcore wrestling fans will turn up to theaters since a movie ticket will be cheaper than ordering a pay-per-view event. But overall, prospects seem bleak. "The Condemned" will attack 2,310 theaters and may end up with $6M.


Steve Austin and some unfortunate soul in "The Condemned."

As if moviegoers don’t have enough scary films to choose from, Buena Vista offers up one more with the supernatural thriller "The Invisible." The PG-13 film follows a high school student whose spirit wanders after a brutal accident. Fright flicks have been flopping left and right recently and there is no reason to believe that this one will turn things around. The marketing volume has been stuck on low as this remake of a Swedish pic is more of a spring cleaning film tossed into the marketplace hoping to be forgotten soon. With no starpower, there will be almost nothing driving in traffic. "The Invisible" will appear in over 2,000 theaters this Friday, but might only collect roughly $5M.


One of them is "The Invisible."

Jamie Kennedy headlines the new comedy "Kickin’ It Old Skool" playing a 1980s breakdancer that falls into a coma and awakens two decades later to a much different world. Yari Film Group is targeting teenagers with this PG-13 pic which essentially offers the same laughs as the comedian’s 2003 film "Malibu’s Most Wanted." That modest hit bowed in late April to $12.6M from 2,503 theaters on its way to a $34.4M domestic final. "Skool" does not have a big studio marketing push behind it but it may grab the attention of some young dudes killing time before Peter Parker busts into theaters. DVD is where most people will find this one. Breaking into 1,600 theaters, "Kickin’ It Old Skool" could find itself with around $5M over three days.


Jamie Kennedy and Webster kick it "Old Skool."

Among holdovers, two-time champ "Disturbia" will find it difficult to hold onto its crown given the arrival of Nicolas Cage. But Paramount won’t care as it should still claim the number one film for the fifth consecutive weekend. A 40% decline would give the Shia LaBeouf pic about $8M for the frame and a healthy $51M after 17 days. The Anthony HopkinsRyan Gosling thriller "Fracture" has been well-received and competition is not too fierce so a 40% drop could be in order as well. That would leave New Line with $6.5M and a ten-day tally of $21M.

LAST YEAR: Three new flicks topped the charts led by the family comedy "RV" starring Robin Williams which opened at number one with $16.4M. The Sony hit enjoyed stellar legs and went on to collect $71.3M. Universal followed in second with the 9/11 thriller "United 93" which debuted in half as many theaters with $11.5M. The critically acclaimed pic went on to gross $31.5M. Buena Vista’s gymnastics film "Stick It" bowed in third with $10.8M on its way to $26.9M. Rounding out the top five were "Silent Hill" with $9.3M and "Scary Movie 4" with $7.8M. Also opening was the spelling drama "Akeelah and the Bee" with a weak $6M leading to a $18.8M final for Lionsgate and its promotional partner Starbucks.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

In the battle of the single-word-titled thrillers, "Fracture" beat out "Vacancy" but neither could dislodge "Disturbia" from the number one spot this weeend. It was mostly a sluggish frame at the North American box office as the top ten slumped to its third worst level of 2007.

The courtroom thriller "Fracture" and the action-comedy "Hot Fuzz" both opened to respectable results while the horror pic "Vacancy" and the drama "In the Land of Women" generated little excitement.

Shia LaBeouf enjoyed his first back-to-back stint in the top spot with the suspense hit "Disturbia" which held up well in its sophomore frame grossing an estimated $13.5M. Off only 39%, the Paramount release of a DreamWorks production averaged a solid $4,464 from 3,015 sites. Teen-oriented thrillers typically fall by more than 50% on the second session. Produced for a mere $23M, "Disturbia" has grossed an impressive $40.7M in its first ten days and could be headed for a $65-70M finish.

Leading the weekend’s crop of new movies was the murder thriller "Fracture" as ticket buyers spent an estimated $11.2M watching Anthony Hopkins and Ryan Gosling go at it. The R-rated film from New Line averaged a solid $4,574 per theater from 2,443 sites. Reviews were mostly good which helped since the film skewed to a mature adult audience.

Will Ferrell scored the third $100M blockbuster of his career, and second in nine months, with "Blades of Glory" which ranked third in its fourth weekend with an estimated $7.8M. Down 44%, the Paramount title is still the widest release in the marketplace with 3,459 locations and the cume has hit $101.1M. The comedy star’s other trips to the century club in a lead role were with 2003’s "Elf" ($173.4M) and last summer’s "Talladega Nights" ($148M).

Opening weaker than expected in the fourth slot was the horror entry "Vacancy" with only $7.6M, according to estimates. The R-rated pic about a couple stranded in a motel where videotaped killings take place averaged a mild $2,979 from 2,551 playdates. Luke Wilson and Kate Beckinsale star in the Sony release. Fright fatigue may have hurt "Vacancy"’s opening as the $19M-budgeted film was the fourth scary flick this month to be aimed at moviegoers. Young adults made up most of the audience as studio research showed that 66% of the crowd was under the age of 25 and 52% was female. "Disturbia"’s better-than-expected hold also made an impact.

Disney followed in fifth with the animated hit "Meet the Robinsons" which grossed an estimated $7.1M in its fourth frame, down 43%, for a total of $82.2M.

Shooting up the best average among all wide releases in the marketplace was the new British action-comedy "Hot Fuzz" which premiered to an estimated $5.8M from 825 theaters for a potent $7,075 per venue. The R-rated buddy cop flick from the creative team behind 2004’s cult hit "Shaun of the Dead" earned glowing reviews and tapped into a built-in audience of fans. "Fuzz" outgunned "Shaun" in all ways beating the latter’s September 2004 bow which delivered $3.3M from 607 theaters for a $5,487 average. Produced for $16M, "Hot Fuzz" has already grossed an impressive $48.5M overseas including $41M from the United Kingdom.

The Ice Cube comedy sequel "Are We Done Yet?" dropped two spots to seventh with an estimated $5.2M in its third weekend. Sony’s family pic fell 42% and raised its sum to $39.6M.

Close behind in eighth was the new chick flick "In the Land of Women" which opened poorly with an estimated $4.9M from 2,155 theaters. Averaging a weak $2,281 per location, the PG-13 film stars Adam Brody as a young man who meets a houseful of women when caring for his sick grandmother. "Women" was the fifth wide opener of the past two weeks to fail to reach a $3,000 average in its debut frame.

Rounding out the top ten were two films that that have been showing how differently starpower can affect the box office. The Halle BerryBruce Willis thriller "Perfect Stranger" collapsed in its second weekend and tumbled 63% to an estimated $4.1M. With only $18.1M locked up in ten days, Sony should find its way to roughly $25M followed by a quick trip to DVD. On the other hand, Buena Vista’s blockbuster comedy "Wild Hogs" starring Tim Allen and John Travolta remained in the top ten for the eighth consecutive weekend with an estimated $2.9M, off 39%, boosting the cume to $156.2M. It is the highest-grossing non-Spartan film of the year.

Four films fell out of the top ten this weekend. The year’s biggest smash "300" dropped 49% to an estimated $2.3M in its seventh adventure and lifted its staggering domestic total to $204.7M. Budgeted at only $60M, the stylish war epic should end its North American run with an amazing $207-210M. That would amount to nearly three times its opening weekend gross which is rare these days for effects-driven action films that debut with monster bows. "300"’s legs have been strong overseas too where it has tallied $216.8M for a mammoth global gross of $421M and counting.

Other R-rated films suffered horrendous drops as they tumbled out of the top ten. Losing two-thirds of its audience was Fox’s adventure "Pathfinder" which grossed an estimated $1.7M in its second weekend. The Viking pic has collected a puny $8M in ten days and looks headed for a wimpy $10M finish. Maybe casting some Spartans would have helped.

Hilary Swank’s horrorfest "The Reaping" grossed an estimated $1.6M, down 65%, boosting the mild cume to $22.7M. The $53M double feature "Grindhouse" crashed 68% in its third try and took in an estimated $1.4M putting its 17-day take at $22.7M as well. Both films should end up in the $25M vicinity.

Miramax expanded its Richard Gere drama "The Hoax" from 413 to 1,069 theaters but saw weekend sales slip 11% to an estimated $1.3M. The average was diluted down to a poor $1,216 as the cume inched up to only $5.1M.

In limited release, Paramount Vantage widened its Molly Shannon pic "Year of the Dog" from seven to 33 sites and grossed an estimated $139,000 for a $4,200 average. Cume sits at $280,000 with more cities being added this Friday. Fox Searchlight’s "The Namesake" collected an estimated $765,000 from 327 locations in its seventh weekend averaging $2,339 for a cume of $9.8M to date.

The top ten films grossed an estimated $70.1M which was down an unsettling 26% from last year when "Silent Hill" opened at number one with $20.2M; and off 10% from 2005 when "The Interpreter" debuted on top with $22.8M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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