(Photo by Summit Entertainment)

All Kristen Stewart Movies Ranked by Tomatometer

Before she became ambassador for vegetarian vampire-and-werewolf relations in the late 2000s, Kristen Stewart had already built a steady career transitioning from child actor roles and into young adulthood. First, she starred in David Fincher’s efficient potboiler Panic Room, then went into space with with Jumanji cinematic universe-adjacent Zathura (directed by pre-Iron Man Jon Faverau), and helped guide a wayward traveler in Into the Wild.

Of course, that all seems like pre-history in the wake of Twilight, the romantic fantasy phenomenon that would make unlikely tabloid stars out of Stewart and Robert Pattinson for years to come. Five Twilight movies released annually for a half-decade, and whatever the benefits of becoming household names through them, there was also the very real threat of a post-career forever in the shadow of the vampire.

Stewart responded, much like Pattinson, by going indie, as she racked up impressive performances in the likes of Still Alice, Personal Shopper, Clouds of Sils Maria, and Certain Women, working with big arthouse names like Olivier Assayas and Kelly Reichardt. She also completed her unofficial “Co-Starring Jesse Eisenberg” trilogy that started with Adventureland, following through with American Ultra and Cafe Society.

Even Stewart’s approach towards mainstream filmmaking come packaged with feminist or revisionist touches, like Charlie’s Angels or Snow White and the Huntsman. She took a dive in Underwater, and ended 2020 on a Happiest Season. And now we’re ranking all her movies by Tomatometer!

#40

Cold Creek Manor (2003)
12%

#40
Adjusted Score: 14666%
Critics Consensus: The plot of Cold Creek Manor is too predictable and contrived to generate suspense.
Synopsis: When filmmaker Cooper Tilson (Dennis Quaid) and his wife, Leah (Sharon Stone), tire of life in New York City, they... [More]
Directed By: Mike Figgis

#39

The Messengers (2007)
11%

#39
Adjusted Score: 13129%
Critics Consensus: The Messengers is an atmospheric but derivative rip-off of countless other horror movies.
Synopsis: When the Solomons trade in the craziness of big-city life for the quiet of a North Dakota farm, little do... [More]

#38

Catch That Kid (2004)
13%

#38
Adjusted Score: 14952%
Critics Consensus: An unimaginative heist movie aimed strictly at the preteen set.
Synopsis: Athletic 12-year-old Maddy (Kristen Stewart) shares an enthusiasm for mountain climbing with her father, Tom (Sam Robards). Unfortunately, Tom suffers... [More]
Directed By: Bart Freundlich

#37

Jumper (2008)
15%

#37
Adjusted Score: 21048%
Critics Consensus: Featuring uninvolving characters and loose narrative, Jumper is an erratic action pic with little coherence and lackluster special effects.
Synopsis: Aimless David Rice (Hayden Christensen) has the ability to instantly transport himself to any place he can imagine. He uses... [More]
Directed By: Doug Liman

#36

Fierce People (2005)
24%

#36
Adjusted Score: 25176%
Critics Consensus: Fierce People's premise of a teenager studying rich people like animals is grating and self-satisfied, and Anton Yelchin's smug performance makes the film even harder to agree with.
Synopsis: Finn (Anton Yelchin) is a teenager trying to escape his drug-addicted mother (Diane Lane) by going to study tribal people.... [More]
Directed By: Griffin Dunne

#35

Anesthesia (2015)
25%

#35
Adjusted Score: 27006%
Critics Consensus: Anesthesia's incredible cast is wasted on a sloppily-assembled drama whose grand ambitions are undermined by a flawed screenplay.
Synopsis: The lives of a self-destructive student (Kristen Stewart), a hard-drinking housewife (Gretchen Mol) and an impoverished junkie (K. Todd Freeman)... [More]
Directed By: Tim Blake Nelson

#34
Adjusted Score: 33641%
Critics Consensus: Slow, joyless, and loaded with unintentionally humorous moments, Breaking Dawn Part 1 may satisfy the Twilight faithful, but it's strictly for fans of the franchise.
Synopsis: At last, Bella (Kristen Stewart) and Edward (Robert Pattinson) are getting married. When Jacob (Taylor Lautner) finds out that Bella... [More]
Directed By: Bill Condon

#33
Adjusted Score: 37958%
Critics Consensus: The Twilight Saga's second installment may satisfy hardcore fans of the series, but outsiders are likely to be turned off by its slow pace, relentlessly downcast tone, and excessive length.
Synopsis: After the abrupt departure of Edward (Robert Pattinson), her vampire love, Bella (Kristen Stewart) finds comfort in her deepening friendship... [More]
Directed By: Chris Weitz

#32

Equals (2015)
36%

#32
Adjusted Score: 40875%
Critics Consensus: Equals is a treat for the eyes, but its futuristic aesthetic isn't enough to make up for its plodding pace and aimlessly derivative story.
Synopsis: Nia (Kristen Stewart) and Silas work together in a futuristic society known as the Collective. A seemingly utopian world, the... [More]
Directed By: Drake Doremus

#31

Seberg (2019)
36%

#31
Adjusted Score: 44397%
Critics Consensus: Seberg's frustratingly superficial treatment of a fascinating true story does a disservice to its subject -- and Kristen Stewart's performance in the central role.
Synopsis: In the late 1960s, French new wave actress and "Breathless" star Jean Seberg becomes the target of the FBI due... [More]
Directed By: Benedict Andrews

#30

American Ultra (2015)
44%

#30
Adjusted Score: 50186%
Critics Consensus: American Ultra has some interesting ideas, but like its stoned protagonist, it's too easily distracted to live up to its true potential.
Synopsis: Small-town stoner Mike Howell (Jesse Eisenberg) spends most of his time getting high and writing a graphic novel. What Mike... [More]
Directed By: Nima Nourizadeh

#29
#29
Adjusted Score: 47821%
Critics Consensus: While pleasantly acted, In the Land of Women is a dramatically stilted film with underdeveloped characters.
Synopsis: After a bad breakup with his girlfriend leaves him heartbroken, Carter Webb (Adam Brody) moves to Michigan to take care... [More]
Directed By: Jon Kasdan

#28
Adjusted Score: 53068%
Critics Consensus: Billy Lynn's Long Halftime Walk has noble goals, but lacks a strong enough screenplay to achieve them -- and its visual innovations are often merely distracting.
Synopsis: Nineteen-year-old private Billy Lynn (Joe Alwyn), along with his fellow soldiers in Bravo Squad, becomes a hero after a harrowing... [More]
Directed By: Ang Lee

#27

On the Road (2012)
45%

#27
Adjusted Score: 51146%
Critics Consensus: Beautiful to look at but a bit too respectfully crafted, On the Road doesn't capture the energy and inspiration of Jack Kerouac's novel.
Synopsis: An aspiring writer (Sam Riley), his new friend (Garrett Hedlund) and his friend's seductive wife (Kristen Stewart) heed the call... [More]
Directed By: Walter Salles

#26
Adjusted Score: 57395%
Critics Consensus: Stuffed with characters and overly reliant on uninspired dialogue, Eclipse won't win The Twilight Saga many new converts, despite an improved blend of romance and action fantasy.
Synopsis: Danger once again surrounds Bella (Kristen Stewart), as a string of mysterious killings terrorizes Seattle and a malicious vampire continues... [More]
Directed By: David Slade

#25

Twilight (2008)
49%

#25
Adjusted Score: 57495%
Critics Consensus: Having lost much of its bite transitioning to the big screen, Twilight will please its devoted fans, but do little for the uninitiated.
Synopsis: High-school student Bella Swan (Kristen Stewart), always a bit of a misfit, doesn't expect life to change much when she... [More]
Directed By: Catherine Hardwicke

#24
Adjusted Score: 57725%
Critics Consensus: It's the most entertaining Twilight, but that's not enough to make Breaking Dawn Part 2 worth watching for filmgoers who don't already count themselves among the franchise converts.
Synopsis: Bella (Kristen Stewart) awakes -- as a vampire -- from her life-threatening labor, and her newborn daughter, Renesmee, proves to... [More]
Directed By: Bill Condon

#23
Adjusted Score: 58679%
Critics Consensus: While it offers an appropriately dark take on the fairy tale that inspired it, Snow White and the Huntsman is undone by uneven acting, problematic pacing, and a confused script.
Synopsis: Queen Ravenna (Charlize Theron), who seized control of her kingdom by marrying and killing its rightful ruler, needs the life... [More]
Directed By: Rupert Sanders

#22
#22
Adjusted Score: 52113%
Critics Consensus: The large cast of characters and scripting are too unwieldy, and the suburban angst theme feels tired.
Synopsis: In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold (Glenn Close)... [More]
Directed By: Rose Troche

#21
#21
Adjusted Score: 55685%
Critics Consensus: What Just Happened has some inspired comic moments, but this inside-baseball take on Hollywood lacks satirical bite.
Synopsis: During the course of an ordinary week in Hollywood, movie producer Ben (Robert De Niro) must navigate his way through... [More]
Directed By: Barry Levinson

#20

Underwater (2020)
47%

#20
Adjusted Score: 62624%
Critics Consensus: Underwater's strong cast and stylish direction aren't enough to distract from the strong sense of déjà vu provoked by this claustrophobic thriller's derivative story.
Synopsis: Disaster strikes more than six miles below the ocean surface when water crashes through the walls of a drilling station.... [More]
Directed By: William Eubank

#19

Charlie's Angels (2019)
52%

#19
Adjusted Score: 65305%
Critics Consensus: Earnest and energetic, if a bit uneven, Elizabeth Banks's pulpy Charlie's Angels adds new flair to the franchise with fun performances from its three leads.
Synopsis: Elena Houghlin is a scientist, engineer and inventor of Calisto -- a sustainable energy source that will revolutionize the way... [More]
Directed By: Elizabeth Banks

#18
#18
Adjusted Score: 56773%
Critics Consensus: Despite earnest performances, Welcome to the Rileys cannot escape its belabored over-sentimentality and sluggish delivery.
Synopsis: Seeking refuge from his grief and crumbling marriage, a salesman (James Gandolfini) becomes a surrogate father to an underage stripper... [More]
Directed By: Jake Scott

#17

Undertow (2004)
54%

#17
Adjusted Score: 58514%
Critics Consensus: Undertow's gently fantastical elements are balanced by fully realized characters and a story with genuine, steadily accumulating emotional weight.
Synopsis: After his wife dies, John Munn (Dermot Mulroney) moves with his sons Chris (Jamie Bell) and Tim (Devon Alan) to... [More]
Directed By: David Gordon Green

#16

J.T. LeRoy (2018)
55%

#16
Adjusted Score: 58697%
Critics Consensus: While it may leave some viewers wishing for a more in-depth exploration of its story and themes, J.T. Leroy offers a diverting dramatization of incredible real-life events.
Synopsis: A young woman named Savannah Knoop spends six years pretending to be the celebrated author JT LeRoy, the made-up literary... [More]
Directed By: Justin Kelly

#15

The Cake Eaters (2007)
64%

#15
Adjusted Score: 64186%
Critics Consensus: Though light on theme and craftsmanship, The Cake Eaters relies on fine performances and brisk direction to provide an affecting tale of small-town life.
Synopsis: The death of the Kimbrough family matriarch affects the three male survivors of the clan. Widower Easy (Bruce Dern) tries... [More]
Directed By: Mary Stuart Masterson

#14
#14
Adjusted Score: 65318%
Critics Consensus: Small and intimate -- occasionally to a fault -- The Yellow Handkerchief rises above its overly familiar ingredients thanks to riveting performances from William Hurt and Kristen Stewart.
Synopsis: Former con man Brett Hanson (William Hurt) is imprisoned for six years before finally being released on parole. Now he... [More]
Directed By: Udayan Prasad

#13

Lizzie (2018)
66%

#13
Adjusted Score: 74948%
Critics Consensus: Lizzie forces audiences to take a new look at a widely known true-crime story -- even if the well-acted end result is never quite as gripping as it could be.
Synopsis: In 1892 Lizzie Borden lives a quiet life in Massachusetts under the strict rules established by her father. Lizzie finds... [More]

#12

The Runaways (2010)
69%

#12
Adjusted Score: 75657%
Critics Consensus: Viewers expecting an in-depth biopic will be disappointed, but The Runaways is as electric as the band's music, largely thanks to strong performances from Michael Shannon, Dakota Fanning, and Kristen Stewart.
Synopsis: Joan Jett (Kristen Stewart) and Cherie Currie (Dakota Fanning), two rebellious teenagers from Southern California, become the frontwomen for the... [More]
Directed By: Floria Sigismondi

#11

Café Society (2016)
71%

#11
Adjusted Score: 86622%
Critics Consensus: Café Society's lovely visuals and charming performances round out a lightweight late-period Allen comedy whose genuine pleasures offset its amiable predictability.
Synopsis: Looking for an exciting career, young Bobby Dorfman leaves New York for the glitz and glamour of 1930s Hollywood. After... [More]
Directed By: Woody Allen

#10

Camp X-Ray (2014)
75%

#10
Adjusted Score: 75698%
Critics Consensus: Camp X-Ray's treatment of its subject verges on the shallow, but benefits greatly from a pair of impressive performances from Kristen Stewart and Peyman Moaadi.
Synopsis: A female guard (Kristen Stewart) at Guantanamo Bay forms an unlikely friendship with one of the facility's longtime detainees.... [More]
Directed By: Peter Sattler

#9

Panic Room (2002)
76%

#9
Adjusted Score: 81369%
Critics Consensus: Elevated by David Fincher's directorial talent and Jodie Foster's performance, Panic Room is a well-crafted, above-average thriller.
Synopsis: Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins,... [More]
Directed By: David Fincher

#8

Zathura (2005)
76%

#8
Adjusted Score: 82783%
Critics Consensus: Dazzling special effects for the kids + well-crafted storytelling for the 'rents = cinematic satisfaction for the whole family.
Synopsis: After their father (Tim Robbins) is called into work, two young boys, Walter (Josh Hutcherson) and Danny (Jonah Bobo), are... [More]
Directed By: Jon Favreau

#7

Personal Shopper (2016)
81%

#7
Adjusted Score: 102015%
Critics Consensus: Personal Shopper attempts a tricky series of potentially jarring tonal shifts with varying results, bolstered by a performance from Kristen Stewart that's impossible to ignore.
Synopsis: A young American in Paris works as a personal shopper for a celebrity. She seems to have the ability to... [More]
Directed By: Olivier Assayas

#6

Into the Wild (2007)
83%

#6
Adjusted Score: 90999%
Critics Consensus: With his sturdy cast and confident direction, Sean Penn has turned a complex work of non-fiction like Into the Wild into an accessible and poignant character study.
Synopsis: Christopher McCandless (Emile Hirsch), son of wealthy parents (Marcia Gay Harden, William Hurt), graduates from Emory University as a top... [More]
Directed By: Sean Penn

#5

Happiest Season (2020)
82%

#5
Adjusted Score: 95793%
Critics Consensus: A jolly good time with heartfelt performances and more than enough holiday cheer, all you'll want for Christmas is Happiest Season.
Synopsis: This romantic comedy is about longtime lesbian couple Abby (Kristen Stewart) and Harper (Mackenzie Davis), who made plans to go... [More]
Directed By: Clea DuVall

#4

Still Alice (2014)
85%

#4
Adjusted Score: 93421%
Critics Consensus: Elevated by a gripping performance from Julianne Moore, Still Alice is a heartfelt drama that honors its delicate themes with bravery and sensitivity.
Synopsis: Dr. Alice Howland (Julianne Moore) is a renowned linguistics professor at Columbia University. When words begin to escape her and... [More]

#3

Adventureland (2009)
89%

#3
Adjusted Score: 97341%
Critics Consensus: Full of humor and nostalgia, Adventureland is a sweet, insightful coming-of-age comedy that will resonate with teens and adults alike.
Synopsis: It's the summer of 1987, and recent college grad James Brennan (Jesse Eisenberg) can't wait to begin his long-anticipated dream... [More]
Directed By: Greg Mottola

#2
#2
Adjusted Score: 97232%
Critics Consensus: Bolstered by a trio of powerful performances from its talented leads, Clouds of Sils Maria is an absorbing, richly detailed drama with impressive depth and intelligence.
Synopsis: A veteran actress (Juliette Binoche) comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in... [More]
Directed By: Olivier Assayas

#1

Certain Women (2016)
92%

#1
Adjusted Score: 103389%
Critics Consensus: Certain Women further demonstrates writer-director Kelly Reichardt's gift for telling the stories of ordinary people with uncommon empathy and skill.
Synopsis: Three strong-willed women (Kristen Stewart, Laura Dern, Michelle Williams) strive to forge their own paths amidst the wide-open plains of... [More]
Directed By: Kelly Reichardt

In the battle of the single-word-titled thrillers, "Fracture" beat out "Vacancy" but neither could dislodge "Disturbia" from the number one spot this weeend. It was mostly a sluggish frame at the North American box office as the top ten slumped to its third worst level of 2007.

The courtroom thriller "Fracture" and the action-comedy "Hot Fuzz" both opened to respectable results while the horror pic "Vacancy" and the drama "In the Land of Women" generated little excitement.

Shia LaBeouf enjoyed his first back-to-back stint in the top spot with the suspense hit "Disturbia" which held up well in its sophomore frame grossing an estimated $13.5M. Off only 39%, the Paramount release of a DreamWorks production averaged a solid $4,464 from 3,015 sites. Teen-oriented thrillers typically fall by more than 50% on the second session. Produced for a mere $23M, "Disturbia" has grossed an impressive $40.7M in its first ten days and could be headed for a $65-70M finish.

Leading the weekend’s crop of new movies was the murder thriller "Fracture" as ticket buyers spent an estimated $11.2M watching Anthony Hopkins and Ryan Gosling go at it. The R-rated film from New Line averaged a solid $4,574 per theater from 2,443 sites. Reviews were mostly good which helped since the film skewed to a mature adult audience.

Will Ferrell scored the third $100M blockbuster of his career, and second in nine months, with "Blades of Glory" which ranked third in its fourth weekend with an estimated $7.8M. Down 44%, the Paramount title is still the widest release in the marketplace with 3,459 locations and the cume has hit $101.1M. The comedy star’s other trips to the century club in a lead role were with 2003’s "Elf" ($173.4M) and last summer’s "Talladega Nights" ($148M).

Opening weaker than expected in the fourth slot was the horror entry "Vacancy" with only $7.6M, according to estimates. The R-rated pic about a couple stranded in a motel where videotaped killings take place averaged a mild $2,979 from 2,551 playdates. Luke Wilson and Kate Beckinsale star in the Sony release. Fright fatigue may have hurt "Vacancy"’s opening as the $19M-budgeted film was the fourth scary flick this month to be aimed at moviegoers. Young adults made up most of the audience as studio research showed that 66% of the crowd was under the age of 25 and 52% was female. "Disturbia"’s better-than-expected hold also made an impact.

Disney followed in fifth with the animated hit "Meet the Robinsons" which grossed an estimated $7.1M in its fourth frame, down 43%, for a total of $82.2M.

Shooting up the best average among all wide releases in the marketplace was the new British action-comedy "Hot Fuzz" which premiered to an estimated $5.8M from 825 theaters for a potent $7,075 per venue. The R-rated buddy cop flick from the creative team behind 2004’s cult hit "Shaun of the Dead" earned glowing reviews and tapped into a built-in audience of fans. "Fuzz" outgunned "Shaun" in all ways beating the latter’s September 2004 bow which delivered $3.3M from 607 theaters for a $5,487 average. Produced for $16M, "Hot Fuzz" has already grossed an impressive $48.5M overseas including $41M from the United Kingdom.

The Ice Cube comedy sequel "Are We Done Yet?" dropped two spots to seventh with an estimated $5.2M in its third weekend. Sony’s family pic fell 42% and raised its sum to $39.6M.

Close behind in eighth was the new chick flick "In the Land of Women" which opened poorly with an estimated $4.9M from 2,155 theaters. Averaging a weak $2,281 per location, the PG-13 film stars Adam Brody as a young man who meets a houseful of women when caring for his sick grandmother. "Women" was the fifth wide opener of the past two weeks to fail to reach a $3,000 average in its debut frame.

Rounding out the top ten were two films that that have been showing how differently starpower can affect the box office. The Halle BerryBruce Willis thriller "Perfect Stranger" collapsed in its second weekend and tumbled 63% to an estimated $4.1M. With only $18.1M locked up in ten days, Sony should find its way to roughly $25M followed by a quick trip to DVD. On the other hand, Buena Vista’s blockbuster comedy "Wild Hogs" starring Tim Allen and John Travolta remained in the top ten for the eighth consecutive weekend with an estimated $2.9M, off 39%, boosting the cume to $156.2M. It is the highest-grossing non-Spartan film of the year.

Four films fell out of the top ten this weekend. The year’s biggest smash "300" dropped 49% to an estimated $2.3M in its seventh adventure and lifted its staggering domestic total to $204.7M. Budgeted at only $60M, the stylish war epic should end its North American run with an amazing $207-210M. That would amount to nearly three times its opening weekend gross which is rare these days for effects-driven action films that debut with monster bows. "300"’s legs have been strong overseas too where it has tallied $216.8M for a mammoth global gross of $421M and counting.

Other R-rated films suffered horrendous drops as they tumbled out of the top ten. Losing two-thirds of its audience was Fox’s adventure "Pathfinder" which grossed an estimated $1.7M in its second weekend. The Viking pic has collected a puny $8M in ten days and looks headed for a wimpy $10M finish. Maybe casting some Spartans would have helped.

Hilary Swank’s horrorfest "The Reaping" grossed an estimated $1.6M, down 65%, boosting the mild cume to $22.7M. The $53M double feature "Grindhouse" crashed 68% in its third try and took in an estimated $1.4M putting its 17-day take at $22.7M as well. Both films should end up in the $25M vicinity.

Miramax expanded its Richard Gere drama "The Hoax" from 413 to 1,069 theaters but saw weekend sales slip 11% to an estimated $1.3M. The average was diluted down to a poor $1,216 as the cume inched up to only $5.1M.

In limited release, Paramount Vantage widened its Molly Shannon pic "Year of the Dog" from seven to 33 sites and grossed an estimated $139,000 for a $4,200 average. Cume sits at $280,000 with more cities being added this Friday. Fox Searchlight’s "The Namesake" collected an estimated $765,000 from 327 locations in its seventh weekend averaging $2,339 for a cume of $9.8M to date.

The top ten films grossed an estimated $70.1M which was down an unsettling 26% from last year when "Silent Hill" opened at number one with $20.2M; and off 10% from 2005 when "The Interpreter" debuted on top with $22.8M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Another week, another horror film. That’s the mantra in Hollywood at the moment. Among the four new films going into wide release this weekend are Sony’s terror tale "Vacancy" which represents the fourth scary flick in three weeks to hit the multiplexes.

Also debuting are New Line’s murder drama "Fracture," the Warner Bros. romantic drama "In the Land of Women," and the British action comedy "Hot Fuzz" all looking to help moviegoers kill some time as they await the return of the webslinger.

Sony offers a new batch of frights in its latest horror pic "Vacancy" starring Luke Wilson and Kate Beckinsale as a couple stranded at a dirty motel where occupants are filmed while being brutally killed. The studio is making the right move by selling the R-rated film on concept first, and starpower second. The marketing has been creepy and effective plus the plot is different and appealing. Horror fans are likely to take interest. But moviegoers have been bombarded with scary movies so much in recent weeks that you’d think it was October. Plus the harsh rating will keep out some of the younger teens who may want in on this action. Also a wildcard will be this week’s massacre at Virginia Tech as college students may not be in the mood at this moment for a movie about senseless killings.

Most of the business will depend on marketing and the campaign has been solid. It is very difficult nowadays to set your horror flick apart from all the other ones but "Vacancy" has done it right. Competition from "Disturbia" will be a factor, but older teens and young adults who like a good scare should line up in decent spring-like numbers. "Vacancy" opens in 2,551 theaters on Friday and could pull in around $14M over three days.


Kate Beckinsale and Luke Wilson are forced to snoop in "Vacancy."

Recent Oscar nominee Ryan Gosling plays an assistant district attorney prosecuting a man who murdered his wife, played by Academy Award winner Anthony Hopkins, in the new courtroom thriller "Fracture." The New Line release will play to a mature adult audience which puts it in a strong position given all the films targeting teens and young adults at the moment. Both actors are well-respected, however they are not necessarily box office powers. Hopkins has done well when he’s playing a cannibal, but otherwise his track record is spotty when anchoring a film with no other major commercial draws. Reviews have been somewhat positive which could help a tad. "Fracture" debuts in about 2,400 theaters and may collect roughly $12M over the frame.


Ryan Gosling wishes there was a time limit in "Fracture."

Warner Bros. goes after the ladies with the weekend’s only PG-13 entry "In the Land of Women." Written and directed by actor-turned-filmmaker Jonathan Kasdan, the romantic drama stars "The O.C."’s Adam Brody along with Meg Ryan and Olympia Dukakis in the story of a young man who learns the complexities of the other sex while caring for his ailing granny. Male appeal will be close to zero. That means that "Disturbia," which is playing very well with teenage girls, will be a major competitor here. Aside from that, there aren’t too many direct threats however the overall marketing push has not been very loud on "Women." Landing in 2,155 theaters, "In the Land of Women" might capture about $8M for the weekend.


An Adam Brody sandwich, courtesy of "In the Land of Women."

The creative team behind 2004’s cult hit "Shaun of the Dead" is back with its take on cop buddy flicks with "Hot Fuzz." The R-rated action comedy finds an overachieving London cop being transferred to a seemingly peaceful countryside village before stumbling upon a series of mysterious killings. Young men will make up the core audience. But through video and cable, "Shaun" has built up a loyal fan following which is likely to give this new entry a try. Add in positive buzz from its blockbuster release in the U.K. earlier this year (it’s already grossed $48M outside of North America) plus glowing reviews from U.S. critics and it is sure to pack a punch in the per-theater average race. Holding it back will be the moderate wide release in 825 locations. In 2004, "Shaun" debuted in 607 sites and grossed $3.3M for a solid $5,487 average. "Hot Fuzz" should be hotter and could arrest about $6M this weekend.


The dandy "Shaun of the Dead" gang is back in "Hot Fuzz."

Following its surprisingly potent number one opening, Shia LaBeouf‘s thriller "Disturbia" will face some hefty competition from "Vacancy" which also goes after those seeking a scary flick. A 45% drop could be in order giving the Paramount title around $12M for the frame and a ten-day tally of $39M.

Will Ferrell‘s hit comedy "Blades of Glory" looks set to break through the $100M mark this weekend. A 35% decline would give the Paramount release about $9M for the frame and $102M after 24 days. Disney’s animated film "Meet the Robinsons" has been holding up very well and with another weekend of mostly R-rated new entries, look for another slim dip. The 3D toon might slide by just 25% to roughly $9M boosting the cume to $84M. An invitation to the century club is in the mail.

LAST YEAR: Spooky flick "Silent Hill" topped the charts opening to a strong $20.2M on its way to $47M for Sony. The Weinstein Company’s spoof hit "Scary Movie 4" tumbled 58% in its second weekend to $16.8M for the runnerup spot. Debuting in third was the Michael Douglas actioner "The Sentinel" with $14.4M before finishing with $36.3M for Fox. The studio’s toon sequel "Ice Age: The Meltdown" followed with $13.3M in its fourth frame while competing animated entry "The Wild" rounded out the top five with $8.3M. The weekend’s other new release, the Hugh Grant comedy "American Dreamz," bowed poorly in ninth with $3.7M on its way to just $7.2M for Universal.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got motel hells ("Vacancy," starring Luke Wilson and Kate Beckinsale), legal battles ("Fracture," starring Anthony Hopkins and Ryan Gosling), lots of babes ("In the Land of Women," starring Adam Brody and Meg Ryan), and smokin’ barrels ("Hot Fuzz," starring Simon Pegg). What do the critics have to say?

In "Vacancy," Luke Wilson and Kate Beckinsale star as a couple whose vacation is sidetracked when their car breaks down and they check into a nowhere motel with a sinister history. "Vacancy"’s premise, which borrows from such voyeur classics as "Psycho" and "Peeping Tom," ain’t exactly original, and some critics have denounced the clichés from the get-go. But the movie’s defenders say it’s a surprisingly effective B-thriller, a sleazy movie that works because it relies more on tension than gore. At 65 percent on the Tomatometer, "Vacancy" may not become a genre classic but horror and thriller fans would do well to check into theaters this Friday.


"Luke Wilson Bot, power down."

Anthony Hopkins plays a charming rogue better than just about anyone, and Ryan Gosling has showed he can do earnest better than the rest as well. Put them together, and what have you got? "Fracture," a crime drama about a young district attorney (Gosling) convinced of the guilt of a just-acquitted attempted murderer (Hopkins). The critics say "Fracture" may be manipulative, but in the best way, with suspenseful plotting and excellent lead performances. At 67 percent on the Tomatometer, you may want to make a break for "Fracture."


Ryan Gosling plays cops and robbers with his finger gun.

"The O.C." may have been canceled, but the show will live on through its DVDs, countless compilation soundtracks…and the careers of the show’s alumni. Displacing his sensitive young adult persona onto the silver screen, Adam Brody stars in "In the Land of Women" as a man who returns to his hometown and gets touchy-feely with not one, not two, but three females. While pleasantly acted, the critics deride it as painfully obvious, dramatically stunted, and with underdeveloped characters better suited for TV movies. "Land of Women" registers a 38 percent on the Tomatometer, so consider taking a detour.


"I appreciate James Mercer on a much deeper level than you do."

With "Shaun of the Dead," director Edgar Wright and screenwriter/star Simon Pegg made a delirious zombie flick that worked as both a satire and as a straight-ahead horror film. Now they’re back with "Hot Fuzz," turning their attention to the world of cop-buddy-action movies. And the critics say it’s a perfect fit. Pegg stars as a city cop who’s so accomplished that he’s commissioned to a sleepy village, which is subsequently overrun with grisly accidents. The pundits say "Hot Fuzz" is works as a loving homage to such fare as "Lethal Weapon" and "Bad Boys," while skewing the conventions of the sub-genre with panache and glee. At 87 percent on the Tomatometer, "Fuzz" isn’t only smokin’ hot, it’s also Certified Fresh.


Nick Frost serves up two slices of fried DVD gold.

Also opening this week in limited release: Thai import "Syndromes and a Century," the latest from Apichatpong Weerasethakul, is at 93 percent on the Tomatometer; "The Valet," a frothy French farce starring Kristin Scott Thomas and Daniel Auteuil, is at 90 percent; "Severance," a slasher/ corporate satire, is at 85 percent; "Stephanie Daley," a drama about a family grappling with a variety of sordid topics, is at 86 percent; and "Smiley Face," a stoner comedy from Gregg Araki starring Anna Faris, is at 67 percent (check out RT’s Sundance review here).


"Who wants to come? I’m throwing a communist party!"

And finally, props to two of our most consistent Tomatometer guessers. –eternity- was correct in his belief that "Redline" would notch a robust zero percent on the Tomatometer, while dreday came the closest to guessing "Slow Burn"’s seven percent. Keep the heads ringin,’ you two.

Recent Anthony Hopkins Movies:
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60% — Slipstream (2007)
43% — Bobby (2006)
11% — All the King’s Men (2006)
79% — The World’s Fastest Indian (2005)
63% — Proof (2005)