(Photo by Summit Entertainment)
Before she became ambassador for vegetarian vampire-and-werewolf relations in the late 2000s, Kristen Stewart had already built a steady career transitioning from child actor roles and into young adulthood. First, she starred in David Fincher’s efficient potboiler Panic Room, then went into space with with Jumanji cinematic universe-adjacent Zathura (directed by pre-Iron Man Jon Faverau), and helped guide a wayward traveler in Into the Wild.
Of course, that all seems like pre-history in the wake of Twilight, the romantic fantasy phenomenon that would make unlikely tabloid stars out of Stewart and Robert Pattinson for years to come. Five Twilight movies released annually for a half-decade, and whatever the benefits of becoming household names through them, there was also the very real threat of a post-career forever in the shadow of the vampire.
Stewart responded, much like Pattinson, by going indie, as she racked up impressive performances in the likes of Still Alice, Personal Shopper, Clouds of Sils Maria, and Certain Women, working with big arthouse names like Olivier Assayas and Kelly Reichardt. She also completed her unofficial “Co-Starring Jesse Eisenberg” trilogy that started with Adventureland, following through with American Ultra and Cafe Society.
Even Stewart’s approach towards mainstream filmmaking come packaged with feminist or revisionist touches, like Charlie’s Angels or Snow White and the Huntsman. She took a dive in Underwater, and ended 2020 on a Happiest Season. And now we’re ranking all her movies by Tomatometer!
In the battle of the single-word-titled thrillers, "Fracture" beat out "Vacancy" but neither could dislodge "Disturbia" from the number one spot this weeend. It was mostly a sluggish frame at the North American box office as the top ten slumped to its third worst level of 2007.
Shia LaBeouf enjoyed his first back-to-back stint in the top spot with the suspense hit "Disturbia" which held up well in its sophomore frame grossing an estimated $13.5M. Off only 39%, the Paramount release of a DreamWorks production averaged a solid $4,464 from 3,015 sites. Teen-oriented thrillers typically fall by more than 50% on the second session. Produced for a mere $23M, "Disturbia" has grossed an impressive $40.7M in its first ten days and could be headed for a $65-70M finish.
Leading the weekend’s crop of new movies was the murder thriller "Fracture" as ticket buyers spent an estimated $11.2M watching Anthony Hopkins and Ryan Gosling go at it. The R-rated film from New Line averaged a solid $4,574 per theater from 2,443 sites. Reviews were mostly good which helped since the film skewed to a mature adult audience.
Will Ferrell scored the third $100M blockbuster of his career, and second in nine months, with "Blades of Glory" which ranked third in its fourth weekend with an estimated $7.8M. Down 44%, the Paramount title is still the widest release in the marketplace with 3,459 locations and the cume has hit $101.1M. The comedy star’s other trips to the century club in a lead role were with 2003’s "Elf" ($173.4M) and last summer’s "Talladega Nights" ($148M).
Opening weaker than expected in the fourth slot was the horror entry "Vacancy" with only $7.6M, according to estimates. The R-rated pic about a couple stranded in a motel where videotaped killings take place averaged a mild $2,979 from 2,551 playdates. Luke Wilson and Kate Beckinsale star in the Sony release. Fright fatigue may have hurt "Vacancy"’s opening as the $19M-budgeted film was the fourth scary flick this month to be aimed at moviegoers. Young adults made up most of the audience as studio research showed that 66% of the crowd was under the age of 25 and 52% was female. "Disturbia"’s better-than-expected hold also made an impact.
Disney followed in fifth with the animated hit "Meet the Robinsons" which grossed an estimated $7.1M in its fourth frame, down 43%, for a total of $82.2M.
Shooting up the best average among all wide releases in the marketplace was the new British action-comedy "Hot Fuzz" which premiered to an estimated $5.8M from 825 theaters for a potent $7,075 per venue. The R-rated buddy cop flick from the creative team behind 2004’s cult hit "Shaun of the Dead" earned glowing reviews and tapped into a built-in audience of fans. "Fuzz" outgunned "Shaun" in all ways beating the latter’s September 2004 bow which delivered $3.3M from 607 theaters for a $5,487 average. Produced for $16M, "Hot Fuzz" has already grossed an impressive $48.5M overseas including $41M from the United Kingdom.
Close behind in eighth was the new chick flick "In the Land of Women" which opened poorly with an estimated $4.9M from 2,155 theaters. Averaging a weak $2,281 per location, the PG-13 film stars Adam Brody as a young man who meets a houseful of women when caring for his sick grandmother. "Women" was the fifth wide opener of the past two weeks to fail to reach a $3,000 average in its debut frame.
Rounding out the top ten were two films that that have been showing how differently starpower can affect the box office. The Halle Berry–Bruce Willis thriller "Perfect Stranger" collapsed in its second weekend and tumbled 63% to an estimated $4.1M. With only $18.1M locked up in ten days, Sony should find its way to roughly $25M followed by a quick trip to DVD. On the other hand, Buena Vista’s blockbuster comedy "Wild Hogs" starring Tim Allen and John Travolta remained in the top ten for the eighth consecutive weekend with an estimated $2.9M, off 39%, boosting the cume to $156.2M. It is the highest-grossing non-Spartan film of the year.
Four films fell out of the top ten this weekend. The year’s biggest smash "300" dropped 49% to an estimated $2.3M in its seventh adventure and lifted its staggering domestic total to $204.7M. Budgeted at only $60M, the stylish war epic should end its North American run with an amazing $207-210M. That would amount to nearly three times its opening weekend gross which is rare these days for effects-driven action films that debut with monster bows. "300"’s legs have been strong overseas too where it has tallied $216.8M for a mammoth global gross of $421M and counting.
Other R-rated films suffered horrendous drops as they tumbled out of the top ten. Losing two-thirds of its audience was Fox’s adventure "Pathfinder" which grossed an estimated $1.7M in its second weekend. The Viking pic has collected a puny $8M in ten days and looks headed for a wimpy $10M finish. Maybe casting some Spartans would have helped.
Hilary Swank’s horrorfest "The Reaping" grossed an estimated $1.6M, down 65%, boosting the mild cume to $22.7M. The $53M double feature "Grindhouse" crashed 68% in its third try and took in an estimated $1.4M putting its 17-day take at $22.7M as well. Both films should end up in the $25M vicinity.
Miramax expanded its Richard Gere drama "The Hoax" from 413 to 1,069 theaters but saw weekend sales slip 11% to an estimated $1.3M. The average was diluted down to a poor $1,216 as the cume inched up to only $5.1M.
In limited release, Paramount Vantage widened its Molly Shannon pic "Year of the Dog" from seven to 33 sites and grossed an estimated $139,000 for a $4,200 average. Cume sits at $280,000 with more cities being added this Friday. Fox Searchlight’s "The Namesake" collected an estimated $765,000 from 327 locations in its seventh weekend averaging $2,339 for a cume of $9.8M to date.
The top ten films grossed an estimated $70.1M which was down an unsettling 26% from last year when "Silent Hill" opened at number one with $20.2M; and off 10% from 2005 when "The Interpreter" debuted on top with $22.8M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Another week, another horror film. That’s the mantra in Hollywood at the moment. Among the four new films going into wide release this weekend are Sony’s terror tale "Vacancy" which represents the fourth scary flick in three weeks to hit the multiplexes.
Also debuting are New Line’s murder drama "Fracture," the Warner Bros. romantic drama "In the Land of Women," and the British action comedy "Hot Fuzz" all looking to help moviegoers kill some time as they await the return of the webslinger.
Sony offers a new batch of frights in its latest horror pic "Vacancy" starring Luke Wilson and Kate Beckinsale as a couple stranded at a dirty motel where occupants are filmed while being brutally killed. The studio is making the right move by selling the R-rated film on concept first, and starpower second. The marketing has been creepy and effective plus the plot is different and appealing. Horror fans are likely to take interest. But moviegoers have been bombarded with scary movies so much in recent weeks that you’d think it was October. Plus the harsh rating will keep out some of the younger teens who may want in on this action. Also a wildcard will be this week’s massacre at Virginia Tech as college students may not be in the mood at this moment for a movie about senseless killings.
Most of the business will depend on marketing and the campaign has been solid. It is very difficult nowadays to set your horror flick apart from all the other ones but "Vacancy" has done it right. Competition from "Disturbia" will be a factor, but older teens and young adults who like a good scare should line up in decent spring-like numbers. "Vacancy" opens in 2,551 theaters on Friday and could pull in around $14M over three days.
Recent Oscar nominee Ryan Gosling plays an assistant district attorney prosecuting a man who murdered his wife, played by Academy Award winner Anthony Hopkins, in the new courtroom thriller "Fracture." The New Line release will play to a mature adult audience which puts it in a strong position given all the films targeting teens and young adults at the moment. Both actors are well-respected, however they are not necessarily box office powers. Hopkins has done well when he’s playing a cannibal, but otherwise his track record is spotty when anchoring a film with no other major commercial draws. Reviews have been somewhat positive which could help a tad. "Fracture" debuts in about 2,400 theaters and may collect roughly $12M over the frame.
Warner Bros. goes after the ladies with the weekend’s only PG-13 entry "In the Land of Women." Written and directed by actor-turned-filmmaker Jonathan Kasdan, the romantic drama stars "The O.C."’s Adam Brody along with Meg Ryan and Olympia Dukakis in the story of a young man who learns the complexities of the other sex while caring for his ailing granny. Male appeal will be close to zero. That means that "Disturbia," which is playing very well with teenage girls, will be a major competitor here. Aside from that, there aren’t too many direct threats however the overall marketing push has not been very loud on "Women." Landing in 2,155 theaters, "In the Land of Women" might capture about $8M for the weekend.
The creative team behind 2004’s cult hit "Shaun of the Dead" is back with its take on cop buddy flicks with "Hot Fuzz." The R-rated action comedy finds an overachieving London cop being transferred to a seemingly peaceful countryside village before stumbling upon a series of mysterious killings. Young men will make up the core audience. But through video and cable, "Shaun" has built up a loyal fan following which is likely to give this new entry a try. Add in positive buzz from its blockbuster release in the U.K. earlier this year (it’s already grossed $48M outside of North America) plus glowing reviews from U.S. critics and it is sure to pack a punch in the per-theater average race. Holding it back will be the moderate wide release in 825 locations. In 2004, "Shaun" debuted in 607 sites and grossed $3.3M for a solid $5,487 average. "Hot Fuzz" should be hotter and could arrest about $6M this weekend.
Following its surprisingly potent number one opening, Shia LaBeouf‘s thriller "Disturbia" will face some hefty competition from "Vacancy" which also goes after those seeking a scary flick. A 45% drop could be in order giving the Paramount title around $12M for the frame and a ten-day tally of $39M.
Will Ferrell‘s hit comedy "Blades of Glory" looks set to break through the $100M mark this weekend. A 35% decline would give the Paramount release about $9M for the frame and $102M after 24 days. Disney’s animated film "Meet the Robinsons" has been holding up very well and with another weekend of mostly R-rated new entries, look for another slim dip. The 3D toon might slide by just 25% to roughly $9M boosting the cume to $84M. An invitation to the century club is in the mail.
LAST YEAR: Spooky flick "Silent Hill" topped the charts opening to a strong $20.2M on its way to $47M for Sony. The Weinstein Company’s spoof hit "Scary Movie 4" tumbled 58% in its second weekend to $16.8M for the runnerup spot. Debuting in third was the Michael Douglas actioner "The Sentinel" with $14.4M before finishing with $36.3M for Fox. The studio’s toon sequel "Ice Age: The Meltdown" followed with $13.3M in its fourth frame while competing animated entry "The Wild" rounded out the top five with $8.3M. The weekend’s other new release, the Hugh Grant comedy "American Dreamz," bowed poorly in ninth with $3.7M on its way to just $7.2M for Universal.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
This week at the movies, we’ve got motel hells ("Vacancy," starring Luke Wilson and Kate Beckinsale), legal battles ("Fracture," starring Anthony Hopkins and Ryan Gosling), lots of babes ("In the Land of Women," starring Adam Brody and Meg Ryan), and smokin’ barrels ("Hot Fuzz," starring Simon Pegg). What do the critics have to say?
In "Vacancy," Luke Wilson and Kate Beckinsale star as a couple whose vacation is sidetracked when their car breaks down and they check into a nowhere motel with a sinister history. "Vacancy"’s premise, which borrows from such voyeur classics as "Psycho" and "Peeping Tom," ain’t exactly original, and some critics have denounced the clichés from the get-go. But the movie’s defenders say it’s a surprisingly effective B-thriller, a sleazy movie that works because it relies more on tension than gore. At 65 percent on the Tomatometer, "Vacancy" may not become a genre classic but horror and thriller fans would do well to check into theaters this Friday.
Anthony Hopkins plays a charming rogue better than just about anyone, and Ryan Gosling has showed he can do earnest better than the rest as well. Put them together, and what have you got? "Fracture," a crime drama about a young district attorney (Gosling) convinced of the guilt of a just-acquitted attempted murderer (Hopkins). The critics say "Fracture" may be manipulative, but in the best way, with suspenseful plotting and excellent lead performances. At 67 percent on the Tomatometer, you may want to make a break for "Fracture."
"The O.C." may have been canceled, but the show will live on through its DVDs, countless compilation soundtracks…and the careers of the show’s alumni. Displacing his sensitive young adult persona onto the silver screen, Adam Brody stars in "In the Land of Women" as a man who returns to his hometown and gets touchy-feely with not one, not two, but three females. While pleasantly acted, the critics deride it as painfully obvious, dramatically stunted, and with underdeveloped characters better suited for TV movies. "Land of Women" registers a 38 percent on the Tomatometer, so consider taking a detour.
With "Shaun of the Dead," director Edgar Wright and screenwriter/star Simon Pegg made a delirious zombie flick that worked as both a satire and as a straight-ahead horror film. Now they’re back with "Hot Fuzz," turning their attention to the world of cop-buddy-action movies. And the critics say it’s a perfect fit. Pegg stars as a city cop who’s so accomplished that he’s commissioned to a sleepy village, which is subsequently overrun with grisly accidents. The pundits say "Hot Fuzz" is works as a loving homage to such fare as "Lethal Weapon" and "Bad Boys," while skewing the conventions of the sub-genre with panache and glee. At 87 percent on the Tomatometer, "Fuzz" isn’t only smokin’ hot, it’s also Certified Fresh.
Also opening this week in limited release: Thai import "Syndromes and a Century," the latest from Apichatpong Weerasethakul, is at 93 percent on the Tomatometer; "The Valet," a frothy French farce starring Kristin Scott Thomas and Daniel Auteuil, is at 90 percent; "Severance," a slasher/ corporate satire, is at 85 percent; "Stephanie Daley," a drama about a family grappling with a variety of sordid topics, is at 86 percent; and "Smiley Face," a stoner comedy from Gregg Araki starring Anna Faris, is at 67 percent (check out RT’s Sundance review here).
And finally, props to two of our most consistent Tomatometer guessers. –eternity- was correct in his belief that "Redline" would notch a robust zero percent on the Tomatometer, while dreday came the closest to guessing "Slow Burn"’s seven percent. Keep the heads ringin,’ you two.