For some, staying home right now can mean curling up with a loved one on the couch for a date-night flick or gathering the whole family together for movie night. For many others, it can mean flying solo – long days and nights of streaming by yourself. We’re here to help with some movie suggestions we think are tailor-made for that latter experience.
Just like going to the movie theater alone can be a singularly joyous “treat yo self” excursion, solo home-viewing can be a great experience too – if you choose the right film. There are movies out there that actually benefit from being watched alone: It might be that they require a level of concentration and focus that distracting friends and loved ones just won’t allow you, or that the maximum scare factor is best felt when you are completely isolated – just like the babysitter being stalked on screen. It might just be that the movie has the kind of awkward/titillating sexy bits that make watching it with a first date – or, let’s say, mom – not exactly ideal. Watch it alone – no judgment, no nervous giggles.
To help those solo-fliers get through the next little while, the RT team pulled together a list of movies perfect for watching alone for all of those reasons – and a bunch that are just guaranteed to put you in an awesome mood the moment they start. Which might be the best reason of all.
What’s your favorite movie to watch by yourself? Let us know in the comments.
Click on each movie’s title to find out more, including where to stream, rent, or buy.
BECAUSE THE MOVIE REQUIRES YOUR ABSOLUTE CONCENTRATION…
Critics Consensus: Propelled by Charlie Kaufman's smart, imaginative script and Michel Gondry's equally daring directorial touch, Eternal Sunshine is a twisty yet heartfelt look at relationships and heartache.
Synopsis: After a painful breakup, Clementine (Kate Winslet) undergoes a procedure to erase memories of her former boyfriend Joel (Jim Carrey)... [More]
Critics Consensus:Annihilation backs up its sci-fi visual wonders and visceral genre thrills with an impressively ambitious -- and surprisingly strange -- exploration of challenging themes that should leave audiences pondering long after the end credits roll.
Synopsis: Lena, a biologist and former soldier, joins a mission to uncover what happened to her husband inside Area X --... [More]
Critics Consensus: A quiet, dialogue-driven thriller that delivers with scene after scene of gut-wrenching anxiety. David Fincher also spends more time illustrating nuances of his characters and recreating the mood of the '70s than he does on gory details of murder.
Synopsis: In the late 1960s and 1970s, fear grips the city of San Francisco as a serial killer called Zodiac stalks... [More]
Critics Consensus:Silence ends Martin Scorsese's decades-long creative quest with a thoughtful, emotionally resonant look at spirituality and human nature that stands among the director's finest works.
Synopsis: Two 17th-century Portuguese missionaries, Father Sebastian Rodrigues (Andrew Garfield) and Father Francisco Garupe (Adam Driver), embark on a perilous journey... [More]
Critics Consensus: Its greatness is blunted by its length and one-sided point of view, but the film's weaknesses are overpowered by Michael Cimino's sympathetic direction and a series of heartbreaking performances from Robert De Niro, Meryl Streep, and Christopher Walken.
Synopsis: In 1968, Michael (Robert De Niro), Nick (Christopher Walken) and Steven (John Savage), lifelong friends from a working-class Pennsylvania steel... [More]
Critics Consensus:Inherent Vice may prove frustrating for viewers who demand absolute coherence, but it does justice to its acclaimed source material -- and should satisfy fans of director P.T. Anderson.
Synopsis: In a California beach community, private detective Larry "Doc" Sportello (Joaquin Phoenix) tends to work his cases through a smoky... [More]
Critics Consensus: It might have been better served by a filmmaker with a deeper connection to the source material, but The Color Purple remains a worthy, well-acted adaptation of Alice Walker's classic novel.
Synopsis: An epic tale spanning forty years in the life of Celie (Whoopi Goldberg), an African-American woman living in the South... [More]
Critics Consensus: Playing as both an exciting sci-fi adventure and a remarkable portrait of childhood, Steven Spielberg's touching tale of a homesick alien remains a piece of movie magic for young and old.
Synopsis: After a gentle alien becomes stranded on Earth, the being is discovered and befriended by a young boy named Elliott... [More]
Critics Consensus: In Stories We Tell, Sarah Polley plays with the documentary format to explore the nature of memory and storytelling, crafting a thoughtful, compelling narrative that unfolds like a mystery.
Synopsis: Through a series of revealing interviews, filmmaker Sarah Polley investigates the truth about her family history.... [More]
Critics Consensus:Old Yeller is an exemplary coming of age tale, packing an emotional wallop through smart pacing and a keen understanding of the elemental bonding between humanity and their furry best friends.
Synopsis: While Jim Coates (Fess Parker) is off on a cattle drive, his wife, Katie (Dorothy McGuire), and sons, Travis (Tommy... [More]
Critics Consensus: A delightfully postmodern fairy tale, The Princess Bride is a deft, intelligent mix of swashbuckling, romance, and comedy that takes an age-old damsel-in-distress story and makes it fresh.
Synopsis: A fairy tale adventure about a beautiful young woman and her one true love. He must find her after a... [More]
Critics Consensus:Little Miss Sunshine succeeds thanks to a strong ensemble cast that includes Greg Kinnear, Steve Carell, Toni Collette, Alan Arkin, and Abigail Breslin, as well as a delightfully funny script.
Synopsis: The Hoover family -- a man (Greg Kinnear), his wife (Toni Collette), an uncle (Steve Carell), a brother (Paul Dano)... [More]
Critics Consensus: Undisciplined, scatological, profoundly silly, and often utterly groan-worthy, Robin Hood: Men in Tights still has an amiable, anything-goes goofiness that has made it a cult favorite.
Synopsis: Crusading nobleman Robin of Loxley (Cary Elwes) escapes from prison in Jerusalem and returns home to find that the evil... [More]
Critics Consensus: With a terrific cast and a surfeit of visual razzle dazzle, Crazy Rich Asians takes a satisfying step forward for screen representation while deftly drawing inspiration from the classic -- and still effective -- rom-com formula.
Synopsis: Rachel Chu is happy to accompany her longtime boyfriend, Nick, to his best friend's wedding in Singapore. She's also surprised... [More]
Critics Consensus: David Lynch's dreamlike and mysterious Mulholland Drive is a twisty neo-noir with an unconventional structure that features a mesmirizing performance from Naomi Watts as a woman on the dark fringes of Hollywood.
Synopsis: A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles... [More]
Critics Consensus:A Quiet Place artfully plays on elemental fears with a ruthlessly intelligent creature feature that's as original as it is scary -- and establishes director John Krasinski as a rising talent.
Synopsis: If they hear you, they hunt you. A family must live in silence to avoid mysterious creatures that hunt by... [More]
Critics Consensus: Though its underlying themes are familiar, House of the Devil effectively sheds the loud and gory cliches of contemporary horror to deliver a tense, slowly building throwback to the fright flicks of decades past.
Synopsis: Desperate to make some money so she can move into a new apartment, college student Samantha Hughes (Jocelin Donahue) takes... [More]
Critics Consensus: Though it deviates from Stephen King's novel, Stanley Kubrick's The Shining is a chilling, often baroque journey into madness -- exemplified by an unforgettable turn from Jack Nicholson.
Synopsis: Jack Torrance (Jack Nicholson) becomes winter caretaker at the isolated Overlook Hotel in Colorado, hoping to cure his writer's block.... [More]
Thumbnail image: Everett Collection, Paramount Pictures, Focus Features
A nanny is shocked to learn that her new employers’ son is actually a living doll in this Friday’s The Boy, inspiring this week’s 24 Frames gallery of the creepiest dolls from film and TV history!
Three new releases roll into multiplexes across North America – one the size of an elephant, the others like specks of dust. Fox aims to deliver the largest opening weekend of the year so far with its animated family event film Horton Hears A Who which could very well triple the gross of its nearest competitor. Summit counters with its action title Never Back Down while Universal also targets young men with its horror flick Doomsday. Overall, the marketplace looks to bounce back and even stands a chance of beating year-ago figures for the first time in a month.
Almighty pals Jim Carrey and Steve Carell play nice this time in the first-ever animated feature version of a Dr. Seuss tale in Horton Hears A Who which goes into
saturation release on Friday. The G-rated pic tells of a playful elephant that discovers an entire city living on a tiny speck on a flower, but can’t convince others of its
existence. Fox has a mighty big hit on its hands for a number of reasons. The property is from an author that all generations are familiar with so parents and kids
alike can relate. The marketplace has very few viable options for children at the moment. Plus starpower from the two leads makes this a comedy juggernaut that
will allow the film to go beyond its core family audience and tap into business from teens and young adults too.
With one of the sharpest marketing departments around, Fox has the means to mine riches from this surefire spring blockbuster. Who else could propel lame
kidpics like Night at the Museum and Alvin and the Chipmunks to $200M+ megahit status over consecutive holiday seasons? The studio has used March as a
launching pad for its animated offerings from Blue Sky Studios allowing the films to steer clear of summer and holiday hits from Pixar and DreamWorks. In 2002, Ice Age surprised everyone with its $46.3M debut. Three years later its Robots opened to $36M while the 2006 sequel Ice Age: The Meltdown bowed to a
mammoth $68M. Forgotten are the days of Titan A.E. Horton Hears A Who is destined to join its March brothers on the hit list.
The key to grosses skyrocketing lies in the interest of teens. Will they look at this as a Carrey-Carell dream team laugh-a-thon and line up? Chances are many will,
especially with no other major comedies doing substantial business. Appeal is broad with males and females of all ages opening their wallets. Sure it’s not as funny
as you’d hope given the two big C’s involved, but moviegoers will eat it up nonetheless. Plus with Good Friday and Easter helping the second weekend, long-term
prospects seem rosy too. Debuting ultrawide in over 3,900 theaters, Horton Hears A Who could collect about $50M over the Friday-to-Sunday period.
Seth Rogen and Jim Carrey (voices, that is) in Horton Hears a Who
Rookie distrib Summit Entertainment kicks into high gear with its fighting extravaganza Never Back Down which hopes to connect with the Mountain Dew crowd
looking for extreme action. The PG-13 flick stars relative unknowns Sean Faris and Amber Heard with Djimon Hounsou cast as the only star name. Action comes
from a high schooler’s discovery of the world of Mixed Martial Arts with the film playing as a hybrid of Fight Club and The Karate Kid. With little starpower and
a generic premise, Never will struggle to post strong box office numbers on opening weekend. Plus Doomsday will be stealing away some of the target audience
of young males. The two films really should not be opening head to head since neither is strong enough to stand on its own two feet in the first place. Summit gets
credit for at least trying with a marketing push that goes beyond what a pic with such little star wattage deserves. Never Back Down punches its way into 2,729
locations on Friday and could bag around $6M over three days.
Sean Faris in Never Back Down
Another killer virus film attacks the multiplexes, this time the British thriller Doomsday from Universal. The R-rated fright flick marks one of the studio’s few films to
not be screened for the press ahead of time and instead will rely on marketing to find its audience. Young men and genre aficionados should make up the primary
crowd here and they won’t be easy to reach. Besides the debut of Never Back Down, 10,000 BC is also in the marketplace playing to a good chunk of this
audience. Overall, the promotional push has not been too strong and awareness levels are not high, especially outside of the target demo. Infecting 1,935 theaters, Doomsday looks to debut with about $5M this weekend before making a swift jump to that shiny disc.
The riotous revelry of Doomsday
After a sturdy debut, the prehistoric adventure 10,000 BC should suffer a sizable drop thanks to negative word-of-mouth. Direct competition from new releases
won’t be too much of a factor, but bad buzz will scare away prospective second weekend patrons. Look for a 55% decline which would give Warner Bros. about
$16M for the frame and $61M in ten days. The caveman pic will continue to dominate the overseas box office thanks to debuts this weekend in lucrative markets
like France, Italy, South Korea, and the United Kingdom.
Disney’s College Road Trip will take a direct hit from Horton this weekend as the family crowd will have a much bigger film to rally behind. A 40% drop would
put the Martin Lawrence–Raven-Symone comedy at $8M for a ten-day cume of $25M.
Audiences have been receptive to the presidential assassination storyline of Vantage Point which could drop another 40% to $4.5M this weekend for a cume of
$58M for Sony. Lionsgate’s The Bank Job probably saw the bulk of Jason Statham fans rush out on opening weekend so a 45% fall would give the heist thriller
$3M and $11M in ten days.
LAST YEAR: New releases were no match for the top two films in North America which remained on top of the charts. The mammoth Spartan smash 300 tumbled 54% in its second weekend but still posted a hefty $32.9M sophomore tally. The Disney comedy Wild Hogs showed good legs dipping 31% and ranked second with $19.1M in its third lap. Faring best among the freshmen, Sandra Bullock‘s supernatural thriller Premonition opened in third with $17.6M for Sony on its way to a solid $47.9M. Rounding out the top five were fellow newcomers Dead Silence with a moderate $7.8M and Chris Rock‘s I Think I Love My Wife with a disappointing $5.7M. Final grosses reached $16.8M for the Universal pic and $12.6M for the Fox Searchlight laugher.
A crowded box office saw six new films shove their way into the multiplexes this weekend, but it was the Warner Bros. animated film "TMNT" that led the way knocking the studio’s own historical battle film "300" from the number one spot.
Mark Wahlberg‘s new sniper pic "Shooter" enjoyed a decent opening in third place while the rest of the debuting films saw more modest results. Overall, the box office was vibrant with seven different pictures hitting double digit millions.
Turtle power conquered North America as "TMNT" ruled the weekend with an opening of $25.5M, according to estimates. The PG-rated toon averaged a powerful $8,183 from 3,110 theaters and collected an amount that was almost identical to the record $25.4M debut of the live-action Teenage Mutant Ninja Turtles from March 1990. However, ticket prices were much lower 17 years ago and films played in fewer theaters so that hit’s $12,661 average from 2,006 locations was more impressive. With few new choices for kids in recent weeks, "TMNT" was able to corner the market for young ones. However, long term success could be challenging as Disney will unleash its rival animated entry "Meet the Robinsons" this Friday.
After two weeks on top of the charts, the Spartan war epic "300" dropped to second place but still held up well despite the onslaught of new films. The Warner Bros. blockbuster fell by only 38% to an estimated $20.5M and lifted its cume to a staggering $162.4M after 17 days. The R-rated smash now looks likely to reach the $200M mark domestically — a level no March film has ever reached before.
Overseas, "300" dominated the marketplace with its invasion of the U.K. and several key European countries with a colossal $48M from 33 markets with 5,000 prints. That pushed the international total to $79M and the global gross to $241M. 300 should dominate the spring box office worldwide and could go on to surpass $500M.
Mark Wahlberg‘s new action thriller "Shooter" opened in third place with an estimated $14.5M from 2,806 locations. The Paramount release averaged a good $5,168 per theater and played to an adult aduience. Studio research showed that two-thirds of the crowd for the R-rated film was age 25 or older. "Shooter" finds the recent Oscar nominee playing a former marine wrongly accused of trying to kill the U.S. President. The budget was just over $60M.
With no new comedies opening among the half-dozen new releases, Buena Vista’s motorcycle laugher "Wild Hogs" held strong once again and slipped only 25% to an estimated $14.4M. The Tim Allen–John Travolta pic has upped its cume to $123.8M to date making it 2007’s second biggest blockbuster trailing only the Spartan tale. "Hogs" is also the top-grossing release for Disney since Johnny Depp‘s pirate smash from last summer.
Three films claimed estimates near the $10M mark and could see their rankings get shuffled when final numbers are reported on Monday. New Line opened its kids adventure "The Last Mimzy" with an estimated $10.2M from 3,017 theaters for a mild $3,381 average. The sci-fi tale earned mixed reviews and faced stiff competition for children from "TMNT."
After enjoying a career-high opening, Sandra Bullock saw her critically-panned suspense thriller "Premonition" fall by a reasonable 43% in its second weekend to an estimated $10.1M. Sony has scared up a solid $32.2M in ten days for the $20M production and should conclude with $55-60M.
Fox Atomic, the studio’s division that targets teens and young adults, bowed its horror sequel "The Hills Have Eyes II" to the tune of $10M, according to estimates. Averaging a mediocre $4,087 from 2,447 locations, the R-rated zombie flick opened 54 weeks after its predecessor which itself was a remake. The first "Hills" performed better and opened to $15.7M and a $5,996 average last March on its way to $41.8M. Eyes 2 cost $15M to produce and played mostly to an under-25 audience. Males and females were almost equally represented.
The Adam Sandler drama "Reign Over Me" debuted in eighth place with an estimated $8M from 1,671 sites for a commendable $4,788 average per theater. The R-rated film about a man who loses his way in life after his family is killed on September 11 earned good marks from critics. Given the difference in subject matter, "Reign" played primarily to adult women and not to the young male crowd that the funnyman usually attracts with his comedies. Studio research showed that 59% of the audience was female and 60% was 25 or older. The $20M production co-stars Don Cheadle and Jada Pinkett Smith and opened a bit below Sandler’s mature pic "Spanglish" which bowed to only $8.8M in 2004.
Lionsgate’s swim team drama "Pride" tanked in its opening weekend diving into just $4M, according to estimates. Starring Cheadle’s "Crash" co-star Terrence Howard, the PG-rated film averaged a weak $2,655 from 1,518 locations and earned mixed reviews from critics. Rounding out the top ten was the killer doll flick "Dead Silence" with an estimated $3.5M in its second weekend. Off a steep 55%, the Universal release has grossed $13.3M in ten days and should finish with just under $20M.
With all the new faces, six films tumbled out of the top ten over the weekend with declines of more than 50% each. Chris Rock‘s latest film "I Think I Love My Wife" fell 51% in its second weekend to an estimated $2.8M for a ten-day cume of only $10M. A final gross of about $15M seems likely. Disney’s fantasy drama "Bridge to Terabithia" dropped 55% to an estimated $2.3M in its sixth frame. With a strong $78.9M in the bank, Bridge looks to end its run with $82-84M.
Sony’s "Ghost Rider" took in an estimated $1.7M, down 59%, for a $113.2M cume. The Nicolas Cage actioner should finish with roughly $116M. Paramount’s serial killer drama "Zodiac" has been one of the year’s big underperformers and crumbled 63% to an estimated $1.2M. The $65M film has collected only $31.7M thus far and looks to end with a disappointing $34M.
The Eddie Murphy hit "Norbit" has performed much better for Paramount and grossed an estimated $1M this weekend, off 63%, pushing the total to $94.1M. A $96M final is likely. Hugh Grant‘s latest comedy has made half as much. "Music and Lyrics," co-starring Drew Barrymore, fell 60% to an estimated $920,000 pushing the total to $49.2M. Look for a $51M final.
Fox Searchlight once again generated the best per-theater average in the Top 20 with Mira Nair‘s "The Namesake" which expanded from 41 to 117 theaters and grossed an estimated $1.4M. Averaging a sturdy $11,581 per site, the PG-13 pic upped its total to $2.7M and will add another 125 theaters this Friday.
The top ten films grossed an estimated $120.6M which was up 27% from last year when "Inside Man" opened at number one with $29M; and up 39% from 2005 when "Guess Who" debuted on top with $20.7M.
Three new competitors were no match this weekend for the mighty action epic "300," which easily defended its box office crown to rule North American theaters for a second straight time. Sandra Bullock reached a new career high with the thriller "Premonition," which debuted in third place while the horror film "Dead Silence" and the Chris Rock comedy "I Think I Love My Wife" opened in the top five with mixed results. "300" grossed as much as all three new releases combined.
It was another decisive victory for Warner Bros. as "300" commanded the top spot with an estimated $31.2M in its second weekend dropping a sizable 56% from its record launch. Averaging a stellar $9,537 from 3,270 locations, the R-rated historical actioner raised its ten-day tally to a remarkable $127.5M making it the top-grossing film of 2007 in a short period of time.
300’s second weekend gross was even bigger than the opening weekends for recent R-rated spring actioners like "Sin City," "Constantine," and "V for Vendetta." Those films all dropped by more than half in their sophomore frames and collected 66-69% of their final grosses in the first ten days. 300 could follow in the same pattern and reach a colossal $180-190M domestically. That would be an impressive tally for a film with an estimated production cost of $60-65M.
Overseas, the Spartan sensation scored number one openings this weekend in South Korea, Turkey, Thailand, Hong Kong, and India and grossed an estimated $15.6M overall from over 1,300 screens in 13 markets. The international total stands at $24.6M with major invasions scheduled this week in Europe and the United Kingdom.
Buena Vista held steady in second place again with the motorcycle comedy "Wild Hogs," which dropped only 32% to an estimated $18.8M in its third weekend. The Tim Allen–John Travolta hit crossed the $100M mark on Sunday in its 17th day of release pushing the cume to $104M. Despite dreadful reviews, "Wild Hogs" is holding up very well and could find its way to a sensational $150M domestically.
Sandra Bullock scared up the biggest opening of her career with the supernatural thriller "Premonition," which collected an estimated $18M to land in third place. The PG-13 film about a woman who relives a day in her life and tries to prevent the death of her husband averaged a solid $6,358 from 2,831 venues. Reviews were mostly negative for the Sony release. "Premonition," Bullock’s first spooky thriller, beat out her previous best opening weekend performance of $16.2M which was generated by both "Speed 2" in 1997 and "The Divine Secrets of the Ya-Ya Sisterhood" in 2002. Adult women as expected led the way for the $20M production with studio research showing that 66% of the audience was female and 61% were 25 or older.
Universal scared up a decent opening for its new horror entry "Dead Silence," which debuted in 1,805 theaters to an estimated $7.8M. Averaging a moderate $4,305 per location, the R-rated film about a ventriliquist’s dummy on a deadly rampage was marketed as being from the director of "Saw," James Wan. Reviews were not too bad for a fright flick not screened in advance for critics and actually scored the best marks of the weekend’s three new releases.
Chris Rock saw a mild opening for his new comedy "I Think I Love My Wife," which bowed to an estimated $5.7M from 1,776 locations for a $3,218 average. The Fox Searchlight release was written, directed, and produced by the former Oscar host who also played the lead, a mild-mannered husband tempted by a lovely young woman. Reviews were mostly negative. The opening for Wife failed to reach the heights of some of Rock’s other spring comedies like 2001’s "Down to Earth" ($17.3M, $6,850 average) or 2003’s "Head of State" ($13.5M, $6,278 average), which he also directed.
Disney’s "Bridge to Terabithia" enjoyed the smallest decline in the top ten dipping just 24% in its fifth weekend to an estimated $5.1M for a solid $74.9M cume. Sony actioner "Ghost Rider" fell 40% to an estimated $4M lifitng the domestic total to $110.2M. Worldwide, the Nicolas Cage film will surpass the $200M mark later this week.
Paramount’s acclaimed serial killer drama "Zodiac" continued to struggle with paying customers tumbling another 54% to an estimated $3.1M giving the David Fincher thriller a disappointing $28.9M in 17 days. The critically-panned Eddie Murphy comedy "Norbit," on the other hand, has been pleasing audiences and dropped 36% to an estimated $2.7M pushing the cume to $92.4M for the studio. Rounding out the top ten was the Hugh Grant–Drew Barrymore comedy "Music and Lyrics" with an estimated $2.2M, down 41%, giving Warner Bros. $47.4M to date.
Three films dropped out of the top ten over the weekend. The slave trade drama "Amazing Grace" had strong legs once again and slipped just 17% to an estimated $2M. With $14.4M in the bank, the Samuel Goldwyn/Roadside Attractions release could end its run with $20M or more. Universal’s FBI thriller "Breach" has found success with its moderate release. The R-rated entry grossed an estimated $1.5M, off 42%, for a $31.3M total while playing in roughly 1,500 theaters during the past month. A $34M final seems likely. Jim Carrey‘s horror flick "The Number 23" has grossed $33.5M to date and should finish with a not-so-impressive $35M overall.
In limited release, the best per-theater average once again came from Fox Searchlight’s "The Namesake," which expanded from six to 41 theaters and grossed an estimated $692,000 for a strong $16,874 per location. The total for the well-reviewed Mira Nair film has reached $1.1M and the Indian-American drama will widen to over 100 theaters this Friday. Also doing well in limited play was the foreign language Oscar winner "The Lives of Others," which took in an estimated $839,000. The German film dipped only 2% with no extra theaters and Sony Classics has grossed $4.6M to date.
The top ten films grossed an estimated $98.6M which was up 10% from last year when "V for Vendetta" opened at number one with $25.6M; but off 4% from 2005 when "The Ring 2" debuted on top with $35.1M.
Though a highly-paid and well-liked star, Sandra Bullock has never been a big pull on opening weekend for her films. Now the actress hopes to reach a career high with her new suspense thriller "Premonition."
The PG-13 chiller finds the acclaimed actress playing a woman who finds herself in a parallel existence where her husband has been killed in an accident. No other major stars are here so this is Bullock’s to make or break. Most of her major hits have opened only in the mid-teen millions. Surprisingly, the star’s biggest debut ever has been only $16.2M delivered by both "Speed 2" in 1997 and "The Divine Secrets of the Ya-Ya Sisterhood" in 2002.
"Premonition" should skew female and play to a mature crowd. Teen interest could be mild. Those who find "300" too gory and violent might choose this pic for their weekend thrills. And when it comes to marketing scary flicks, nobody does it better than Sony. But critics have not been too kind thus far and that may make older women hesitate. Plus "Wild Hogs" will provide some competition as Travolta and company have been drawing a solid female following. Creeping into 2,831 theaters, "Premonition" could open with around $17M this weekend.
Does the premonition say anything about a low box office?
Chris Rock takes on the roles of writer, director, star, and producer in his latest comedy "I Think I Love My Wife" playing a bored businessman and husband who is tempted by a curvy female friend. A remake of the 1972 French film "Chloe in the Afternoon," the R-rated pic co-stars Kerry Washington, Gina Torres, and Steve Buscemi. The Fox Searchlight release should play to a mature adult crowd given the theme and may struggle to connect with Rock’s single young male following. The African American audience will make up a significant portion of the overall turnout as the former Saturday Night Live star still has some pull at the box office. But reviews have been underwhelming which could affect older moviegoers. Rock has been out promoting "Wife" feverishly and is counting on his core fan base to show up. The previous spring comedies he headlined were 2003’s "Head of State" and 2001’s "Down to Earth" which bowed to $13.5M and $17.3M respectively. However, those more commercial pics were given wider releases. Stepping into 1,776 locations, "I Think I Love My Wife" could debut to about $9M.
Chris Rock tries the adult comedy genre in "I Think I Love My Wife."
Horror flicks have not exactly been on fire in 2007 and Universal’s new release "Dead Silence" is not about to change things. The R-rated film about a talking dummy that terrorizes victims comes from James Wan, writer-director of the first "Saw" film. That has become its only marketing tool as otherwise, "Dead" looks and feels like any generic fright flick. Even its title is blah. Typically there is always some audience for every slasher pic so a modest bow could result, especially if fans of Jigsaw who don’t want to wait seven months for another "Saw" installment come out to see what Wan has been up to. Young adults looking for violence this weekend are much more likely to see "300" which will be a hard film to battle. Opening in 1,802 theaters, "Dead Silence" might debut with a quiet $6M.
"Dead Silence," … I’m speechless already.
"300" reigned supreme over the box office last weekend leaving the competition in the dust with a colossal opening far bigger than anyone expected. The Spartan war tale has joined the year’s other biggest hits – "Ghost Rider," "Wild Hogs," and "Norbit" – as films lacking critical acclaim but still debuting far ahead of industry expectations. "300" is the best-reviewed of the lot and has generated the most buzz. A large drop is expected since last weekend’s tally included Thursday midnight shows and because of the intense upfront demand which drew so much of the total audience in the first week.
King Leonidas and company have kept the momentum going with strong midweek sales as Monday saw $7.6M and Tuesday dipped to $6.5M. These are huge numbers for this time of year and college students on spring break may certainly be a contributing factor. Competition from the new films will not be much of a factor, however the start of the NCAA college basketball tournament will take many young males out of the picture. A 55% fall for "300" would still give the Warner Bros. juggernaut a comfortable lead in first place with about $32M. The ten-day total would surge to a staggering $127M.
The motorcycle comedy "Wild Hogs" has been enjoying good legs with a 31% drop last weekend. The new crop of films should not pose too much of a threat and the Tim Allen–John Travolta pic could retain its silver medal standing on the charts. A 30% decline to $19M should occur leaving Buena Vista with a terrific $103M after 17 days. That would give 2007 three $100M+ blockbusters by mid-March. A year ago, none had reached nine digits at this same point.
LAST YEAR: With a haircut that would later inspire Britney Spears, Natalie Portman debuted atop the charts with the sci-fi thriller "V For Vendetta" which opened to $25.6M. The Warner Bros. release went on to capture $70.5M domestically and $131M worldwide. Falling a notch each were the romantic comedy "Failure to Launch" with $15.6M and "The Shaggy Dog" with $13.4M. Paramount opened the teen girl comedy "She’s the Man" in fourth place with an estimated $10.7M on its way to $33.7M. "The Hills Have Eyes" rounded out the top five with $8M in its sophomore scare.
Nicolas Cage’s "Ghost Rider" starts things off next week with what’s arguably the first of the high-anticipation releases of the coming months. Will his CGI-created fireball head please die-hard fans of the comic (and of the genre)? Will "Ghost Rider" complete or defy the recent comic book adaptation trifecta of writer/director Mark Steven Johnson, whose last two scripting gigs were "Daredevil" (2003) and "Elektra" (2005)?
Click for more pics from "Ghost Rider"
"Ghost Rider" follows stuntman hero Johnny Blaze (Cage) as he sells his soul to the devil, battles the evil demon Blackheart (Wes Bentley), and romances reporter Roxanne Simpson (Eva Mendes). Also look forward to supporting roles by Peter Fonda and Sam Elliott. The pic is released February 16.
Click image for more Sam Jackson in "Black Snake Moan"
"Black Snake Moan" hits theaters February 23; check out the trailer here for a taste of the flick (and a scantily clad Ricci). Remember, it’s hard out here for a nymph!
For a slight change of pace, check out the based-on-a-true-story crime pic, "Zodiac," starring Robert Downey Jr., Jake Gyllenhaal, and Mark Ruffalo. Set in 1970s San Francisco, "Zodiac" recounts the true tale of a serial killer that terrorized the state and taunted police; Gyllenhaal plays Robert Graysmith, the real-life newspaper cartoonist who became obsessed with the killer’s cyphers and whose subsequent books on the crimes were adapted for the film.
Click image for more of the "Zodiac" gallery
Another reason for putting "Zodiac" on your must-watch list? It’s directed by David Fincher, whose "Seven" (1995) and "Fight Club" (1999) are by now veritable classics. "Zodiac" is released March 2.
But if you’re waiting for an epic, action-filled bloodbath, March 9 is your day. Frank Miller‘s "300," starring Gerard Butler as the doomed leader of Sparta in 480 B.C., is entirely shot against a green screen — resulting in potentially the most beautiful, painterly-like backdrops known to cinema.
Click on image for more "300" shots
Well, ok, there’s no telling just how fantastic it will be, but judging from the trailer (watch it here), "300" is going to deliver. Zack Snyder ("Dawn of the Dead") is at the helm, and he’s got Frank Miller’s blessing. "300" comes out March 9.
**We know you love your "300" pics, so we added over 40 more stills, concept art, and behind-the-scenes photos to the gallery today!!