Transformers

(Photo by Paramount/Courtesy Everett Collection)

All Shia LaBeouf Movies Ranked

Shia LaBeouf’s first movie was the Certified Fresh surprise kids hit Holes. And though his next starring project, The Even Stevens Movie (based on the show that gave his young career a start), didn’t get same critical reception, it was a quick launch towards the Hollywood A-list. Soon enough he was groomed to be next of adventuring kin in Indiana Jones and the Kingdom of the Crystal Skull, and was the main confused human face among non-stop robotic carnage with the Transformers franchise.

By 2014, LaBeouf had all but ditched blockbusters for arthouse material, starring in Lars von Trier’s Nymphomaniac saga. Afterwards, red carpet antics, abrasive art projects, and personal issues began to consume his image, with LaBeouf seemingly in danger of becoming another industry burnout. 2016’s American Honey hinted at a comeback, but 2019 was a true redemption arc with the sentimental, classically-styled adventure The Peanut Butter Falcon, and the autobiographical Honey Boy, a searing personal history, both which became his highest-rated movies. As he prepares his next films for release (including re-teaming with Fury director David Ayer for The Tax Collector, and the Vanessa Kriby-starring drama Pieces of a Woman), we’re ranking all Shia LaBeouf movies by Tomatometer!

#27

Man Down (2015)
16%

#27
Adjusted Score: 19315%
Critics Consensus: Well-intentioned but overall misjudged, Man Down makes an unfortunately muddled attempt to mine thoughtful drama out of modern warfare's emotional wreckage.
Synopsis: When U.S. Marine Gabriel Drummer (Shia LaBeouf) returns from Afghanistan, he finds the place he once called home is no... [More]
Directed By: Dito Montiel

#26
Adjusted Score: 31664%
Critics Consensus: Transformers: Revenge of the Fallen is a noisy, underplotted, and overlong special effects extravaganza that lacks a human touch.
Synopsis: Two years after he and his Autobot friends saved the Earth from the Decepticons, Sam Witwicky (Shia LaBeouf) faces a... [More]
Directed By: Michael Bay

#25

Eagle Eye (2008)
26%

#25
Adjusted Score: 33205%
Critics Consensus: Eagle Eye is a preposterously plotted thriller that borrows heavily from other superior films.
Synopsis: Jerry Shaw (Shia LaBeouf) and Rachel Holloman (Michelle Monaghan) are two strangers whose lives are suddenly thrown into turmoil by... [More]
Directed By: D.J. Caruso

#24
Adjusted Score: 29114%
Critics Consensus: Shia LaBeouf clearly relishes his role in Charlie Countryman, but his efforts can't salvage the movie's shallow script and overstuffed direction.
Synopsis: In Romania, an American tourist (Shia LaBeouf) falls for the estranged wife (Evan Rachel Wood) of a brutal gangster (Mads... [More]
Directed By: Fredrik Bond

#23
Adjusted Score: 44330%
Critics Consensus: Its special effects -- and 3D shots -- are undeniably impressive, but they aren't enough to fill up its loud, bloated running time, or mask its thin, indifferent script.
Synopsis: Sam Witwicky (Shia LaBeouf) and his new girlfriend, Carly (Rosie Huntington-Whiteley), join the fray when the evil Decepticons renew their... [More]
Directed By: Michael Bay

#22
#22
Adjusted Score: 40245%
Critics Consensus: Like many anthologies, New York, I Love You has problems of consistency, but it isn't without its moments.
Synopsis: On the eve of her wedding, a Hasidic woman (Natalie Portman) considers a romance with another man, in one of... [More]

#21
Adjusted Score: 39317%
Critics Consensus: LaBeouf is appealing, but The Battle of Shaker Heights feels too watered down and disjointed.
Synopsis: A quirky teen with a penchant for war reenactments, Kelly Ernswiler (Shia La Beouf) obsesses over military tactics with his... [More]
Directed By: Kyle Rankin, Efram Potelle

#20
#20
Adjusted Score: 7853%
Critics Consensus: No consensus yet.
Synopsis: Members (Shia LaBeouf, Nick Spano, Tom Virtue) of a family unwittingly appear on a reality-television show after the producer sends... [More]
Directed By: Sean McNamara

#19

Constantine (2005)
46%

#19
Adjusted Score: 55279%
Critics Consensus: Despite solid production values and an intriguing premise, Constantine lacks the focus of another spiritual shoot-em-up: The Matrix.
Synopsis: As a suicide survivor, demon hunter John Constantine (Keanu Reeves) has literally been to hell and back -- and he... [More]
Directed By: Francis Lawrence

#18

Bobby (2006)
47%

#18
Adjusted Score: 53979%
Critics Consensus: Despite best intentions from director Emilio Estevez and his ensemble cast, they succumb to a script filled with pointless subplots and awkward moments working too hard to parallel contemporary times.
Synopsis: In 1968 the lives of a retired doorman (Anthony Hopkins), hotel manager (William H. Macy), lounge singer (Demi Moore), busboy... [More]
Directed By: Emilio Estevez

#17
#17
Adjusted Score: 57507%
Critics Consensus: The Company You Keep is a (frustratingly) slow-burning thriller about very contemporary issues.
Synopsis: Decades after an ill-fated robbery, a former member (Susan Sarandon) of the Weather Underground turns herself in to authorities. While... [More]
Directed By: Robert Redford

#16
Adjusted Score: 63593%
Critics Consensus: It's more entertaining than many sequels, but with Oliver Stone directing, a terrific cast, and a timely storyline that picks up where the original left off, Wall Street: Money Never Sleeps should be better.
Synopsis: Following a long prison term for insider trading, Gordon Gekko (Michael Douglas) finds himself on the outside looking in at... [More]
Directed By: Oliver Stone

#15
#15
Adjusted Score: 63969%
Critics Consensus: It doesn't quite live up to the promise of the first installment, but Nymphomaniac: Volume II still benefits from Lars von Trier's singular craft and vision, as well as a bravura performance from Charlotte Gainsbourg.
Synopsis: ... [More]
Directed By: Lars von Trier

#14
Adjusted Score: 66004%
Critics Consensus: Despite all the underdog sports movie conventions, the likable cast and lush production values make The Greatest Game Ever Played a solid and uplifting tale.
Synopsis: Blue-collar Francis Ouimet (Shia LaBeouf) fights class prejudice while mastering golf, a game guarded by the upper crust. Employed as... [More]
Directed By: Bill Paxton

#13

Lawless (2012)
66%

#13
Adjusted Score: 75552%
Critics Consensus: Grim, bloody, and utterly flawed, Lawless doesn't quite achieve the epic status it strains for, but it's too beautifully filmed and powerfully acted to dismiss.
Synopsis: In 1931, the Bondurant brothers of Franklin County, Va., run a multipurpose backwoods establishment that hides their true business, bootlegging.... [More]
Directed By: John Hillcoat

#12

Disturbia (2007)
69%

#12
Adjusted Score: 76530%
Critics Consensus: Aside from its clichéd resolution, Disturbia is a tense, subtle thriller with a noteworthy performance from Shia LaBeouf.
Synopsis: Ever since his father died, young Kale (Shia LaBeouf) has become increasingly sullen and withdrawn, until he finds himself under... [More]
Directed By: D.J. Caruso

#11

Fury (2014)
76%

#11
Adjusted Score: 87221%
Critics Consensus: Overall, Fury is a well-acted, suitably raw depiction of the horrors of war that offers visceral battle scenes but doesn't quite live up to its larger ambitions.
Synopsis: In April 1945, the Allies are making their final push in the European theater. A battle-hardened Army sergeant named Don... [More]
Directed By: David Ayer

#10
#10
Adjusted Score: 84535%
Critics Consensus: Darkly funny, fearlessly bold, and thoroughly indulgent, Nymphomaniac finds Lars von Trier provoking viewers with customary abandon.
Synopsis: ... [More]
Directed By: Lars von Trier

#9
Adjusted Score: 78573%
Critics Consensus: A Guide to Recognizing Your Saints is a lively, powerful coming-of-age tale with winning performances and sharp direction from first-timer Dito Montiel.
Synopsis: Dito Montiel (Robert Downey Jr.), a successful author, receives a call from his long-suffering mother (Dianne Wiest), asking him to... [More]
Directed By: Dito Montiel

#8
Adjusted Score: 88411%
Critics Consensus: Though the plot elements are certainly familiar, Indiana Jones and the Kingdom of the Crystal Skull still delivers the thrills and Harrison Ford's return in the title role is more than welcome.
Synopsis: It's the height of the Cold War, and famous archaeologist Indiana Jones (Harrison Ford), returning from his latest adventure, finds... [More]
Directed By: Steven Spielberg

#7

Holes (2003)
78%

#7
Adjusted Score: 82326%
Critics Consensus: Faithful to its literary source, this is imaginative, intelligent family entertainment.
Synopsis: A boy and his friends question the motives of a woman (Sigourney Weaver) who forces them to dig holes at... [More]
Directed By: Andrew Davis

#6

American Honey (2016)
79%

#6
Adjusted Score: 91536%
Critics Consensus: American Honey offers a refreshingly unconventional take on the coming-of-age drama whose narrative risks add up to a rewarding experience even if they don't all pay off.
Synopsis: Star (Sasha Lane), an adolescent girl from a troubled home, runs away with a traveling sales crew that drives across... [More]
Directed By: Andrea Arnold

#5

Surf's Up (2007)
79%

#5
Adjusted Score: 84045%
Critics Consensus: Surf's Up is a laid back, visually stunning animated movie that brings a fresh twist to some familiar conventions. Its witty mockumentary format is fun and inventive, and the CGI is breathtakingly realistic.
Synopsis: Surfing means everything to teenage penguin Cody Maverick (Shia LaBeouf). Followed by a documentary film crew, he leaves his home... [More]
Directed By: Ash Brannon, Chris Buck

#4

Borg vs. McEnroe (2017)
84%

#4
Adjusted Score: 92382%
Critics Consensus: Borg vs McEnroe makes tennis improbably cinematic -- and brings the absolute best out of Shia LaBeouf, who delivers some of the best work of his career.
Synopsis: It's the summer of 1980, and Björn Borg is the top tennis player in the world, dominating the sport both... [More]
Directed By: Janus Metz

#3
Adjusted Score: 89247%
Critics Consensus: No consensus yet.
Synopsis: Far in the future, after an apocalyptic conflict has devastated much of the world's ecosystem, the few surviving humans live... [More]
Directed By: Hayao Miyazaki

#2

Honey Boy (2019)
95%

#2
Adjusted Score: 108560%
Critics Consensus: Honey Boy serves as an act of cinematic therapy for its screenwriter and subject -- one whose unique perspective should strike a chord in audiences from all backgrounds.
Synopsis: When 12-year-old Otis begins to find success as a television star, his abusive, alcoholic father returns and takes over as... [More]
Directed By: Alma Har'el

#1
#1
Adjusted Score: 107434%
Critics Consensus: A feelgood adventure brought to life by outstanding performances, The Peanut Butter Falcon finds rich modern resonance in classic American fiction.
Synopsis: After running away from a residential nursing home to pursue his dream of becoming a pro wrestler, a man who... [More]

Zach Galifianakis and Isla Fisher get Hamm-sandwiched into an international espionage plot when it’s revealed their new neighbors (Jon Hamm, Gal Gadot) are actually gainfully employed action spies. Try Keeping Up with the Joneses as it inspires this week’s gallery of 24 more horrible (or horribly exciting) neighbors!

In this week’s roster of UK cinema releases we have the latest addition to the Coen canon in the CIA comedy caper, Burn After Reading. Shia LeBeouf stakes a further claim to the Hollywood A-list in the high concept cyber-thriller Eagle Eye, and a washed up ’80s rockstar wannabe gets another stab at fame with his nephew’s band in The Rocker. But what did the UK critics have to say?

Last year, the Coen brothers picked up the Academy Award for Best Picture for their neo-western thriller No Country For Old Men, and at 94% on the Tomatometer, this was long-deserved acclaim for Joel and Ethan Coen, and set their already high standards to an even higher benchmark. It’s an oft-quoted theory that the Coens make two types of films; Screwball caper comedies a la Raising Arizona and The Big Lebowski or the ‘serious,’ tougher and more gritty efforts like Fargo and Miller’s Crossing. With No Country they made, arguably, their toughest and grittiest film yet, with great success, so it makes sense that with their follow up, instead of trying to outmuscle their modern masterpiece, they’ve stepped into screwball mode for Burn After Reading. To many this may have seemed a risk, with their last comedic outing, Ealing comedy remake, The Ladykillers taking a bit of a critical kicking at 55% on the Tomatometer, but the Coens’ gamble seems to have paid off with Burn After Reading, as it currently stands at a respectable 78% on the Tomatometer. Despite a few calls from the critics over the lightweight throwaway feel of the film due to its slender running time of 96 minutes, most have been raving about the daffy turns from all the actors involved, with many praising Brad Pitt’s brainless portrayal of fitness instructor Chad Feldheimer as comedy gold. With a killer one/two combo of their last two movies, fans all over will be waiting with baited breath for their next cinematic outing, A Serious Man, due for release next year.

Shia LeBeouf’s rise to the top of the pile in Hollywood surely hasn’t been hindered after being taken under the wing of Steven Spielberg. With a starring role in Spielberg’s Dreamworks Studio teen-thriller Disturbia, followed by a lead role in the Spielberg-produced, robots in disguise, action adventure hit Transformers and finally being cast as Indiana Jones Jr, Mutt Williams, in Indiana Jones and The Kingdom Of The Crystal Skull, LeBeouf has become an instantly recognised presence on the big screen. In Eagle Eye,(produced by Spielberg unsurprisingly) he is back with Disturbia director DJ Caruso, and is out to carry on his winning streak in this cyber thriller, as Jerry Shaw, a slacker who gets embroiled in a terrorist plot, out to clear his name with help from the FBI. Unfortunately, the critics didn’t allow themselves to get carried away with the high octane, low brainer action, and many dismiss the film for its preposterous and implausible plotting, accusing it of borrowing too heavily from many other superior, and classic, films. The critics who liked it enjoyed the snappy and thrilling pace of the brainless entertainment on offer, but not enough to escape the ignominy of a measly 28% on the Tomatometer as it currently stands.

Rainn Wilson is probably not a name too well known to UK audiences, but he has a face that makes you think “Hmm, I recognise him from somewhere” thanks to small roles in Juno, and My Super Ex-Girlfriend, as well as a regular role in the American remake of The Office, and a recurring one in the critically-acclaimed Six-Feet Under. In The Rocker, Wilson takes centre stage as ex-rocker Robert ‘Fish’ Fishman, a drummer with fictitious ’80s rock band Vesuvius, who was given the boot moments before the band hit the big time, and who has been coming to terms with his near brush with superstardom ever since. He gets his second chance to reclaim his rock-god throne, when he joins his teenage nephews, high school rock band A.D.D., whilst showing his young band mates the merits of a rock and roll lifestyle in the process. The Rocker seems to have fared better with the UK critics than it did with the US critics, who, in the main had panned the film for its formulaic and unoriginal style, unfunny and forgettable script and shameless similarities to the vastly superior School Of Rock. UK critics weren’t so harsh, and many enjoyed the brisk humour, snappy one liners and good natured feeling to the whole proceedings, even if some of the slapstick doesn’t quite get the laughs it hopes for. Currently at 39% on the Tomatometer, The Rocker isn’t quite that rocking.

Also worth checking out this week…

Young@Heart – Full of endearing characters, this doc about a choir of “seniors behaving badly” is uplifting and delightful. 88% on the Tomatometer.

La Zona – A slick and smart Mexican thriller of middle-class panic and vigilantism, that is lean, mean and often shocking. 78% on the Tomatometer.

Quote Of The Week

“A worse film might be dismissed as sobsploitation.”

Young@Heart. Nigel Andrews, Financial Times.

It’s almost time to hand out some golden popcorn — the nominations for the 2008 MTV Movie Awards have been announced!

To cast your vote for each category’s winner — and to choose your favorite of the fan-created movie spoofs in the, um, “Best Movie Spoof” category — head to MovieAwards.MTV.com (link below). A complete list of the nominees follows:

Best Movie:
Juno
Transformers
Pirates of the Caribbean: At World’s End
I Am Legend
Superbad
National Treasure: Book of Secrets

Best Male Performance:
Will Smith, I Am Legend
Shia LaBeouf, Transformers
Denzel Washington, American Gangster

Matt Damon, The Bourne Ultimatum
Michael Cera, Juno

Best Female Performance:
Ellen Page, Juno
Keira Knightley, Pirates of the Caribbean: At World’s End

Katherine Heigl, Knocked Up
Amy Adams, Enchanted
Jessica Biel, I Now Pronounce You Chuck & Larry

Best Villain:
Johnny Depp, Sweeney Todd: The Demon Barber of Fleet Street

Denzel Washington, American Gangster
Angelina Jolie, Beowulf
Topher Grace, Spider-Man 3
Javier Bardem, No Country For Old Men

Best Comedic Performance:
Johnny Depp, Pirates of the Caribbean: At World’s End
Adam Sandler, I Now Pronounce You Chuck & Larry
Jonah Hill, Superbad
Seth Rogen, Knocked Up
Amy Adams, Enchanted

Best Fight:
Matt Damon vs. Joey Ansah, The Bourne Ultimatum

Tobey Maguire vs. James Franco, Spider-Man 3
Hayden Christensen vs. Jamie Bell, Jumper
Sean Faris vs. Cam Gigandet, Never Back Down
Chris Tucker & Jackie Chan vs. Sun Ming Ming, Rush Hour 3

Alien vs. Predator, Aliens vs. Predator Requiem

Best Kiss:
Shia LaBeouf and Sarah Roemer, Disturbia
Amy Adams and Patrick Dempsey, Enchanted
Daniel Radcliffe and Katie Leung, Harry Potter and the Order of the Phoenix
Ellen Page and Michael Cera, Juno
Briana Evigan and Robert Hoffman, Step Up 2 The Streets

Breakthrough Performance:
Zac Efron, Hairspray
Seth Rogen, Knocked Up
Jonah Hill, Superbad
Michael Cera, Superbad
Chris Brown, This Christmas
Nikki Blonsky, Hairspray
Megan Fox, Transformers
Christopher Mintz-Plasse, Superbad

Best Summer Movie So Far:
Iron Man
Indiana Jones and the Kingdom of the Crystal Skull

Sex and the City: The Movie
Speed Racer
The Chronicles Of Narnia: Prince Caspian

Source: MTV Movie Awards

It may not have been quite the box-office phenomenon that its predecessors were — and critics may have disliked it enough to keep it down at 20 percent on the Tomatometer — but that didn’t stop Rush Hour 3 from emerging as the top DVD rental of 2007.

The third Rush Hour racked up over $70 million in rental revenue, roughly half of what it took in at the box office, and besting another third installment, The Bourne Ultimatum. Count down the rest of last year’s DVD-rental top 25 below!

1. $71.2 Rush Hour 3 ($140.1M box office)
2. $69.7 The Bourne Ultimatum ($227.5 box office)
3. $66.4 The Kingdom ($47.5 box office)
4. $64.3 Superbad ($121.5 box office)
5. $57.2 Live Free or Die Hard ($134.5 box office)
6. $56.7 The Simpsons Movie ($183.1 box office)
7. $55.3 Night at the Museum ($250.86 box office)
8. $54.1 Harry Potter and the Order of the Phoenix ($292 box office)
9. $51.8 Shrek the Third ($322.7 box office)
10. $51.2 The Heartbreak Kid ($36.8 box office)
11. $50.6 The Pursuit of Happyness ($163.57 box office)
12. $49.0 The Departed ($132.38 box office)
13. $47.5 Borat ($128.51 box office)
14. $47.5 Transformers ($319.3 box office)
15. $45.0 Blood Diamond ($57.38 box office)
16. $43.8 Spider-Man 3 ($336.5 box office)
17. $43.7 300 ($210.6 box office)
18. $43.0 I Now Pronounce You Chuck and Larry ($120 box office)
19. $42.9 Casino Royale ($167.45 box office)
20. $42.7 Disturbia ($80.21 box office)
21. $42.6 The Holiday ($63.22 box office)
22. $41.8 Knocked Up ($148.8 box office)
23. $40.8 Deja Vu ($64.04 box office)
24. $40.5 Fantastic Four: Rise of the Silver Surfer ($131.9 box office)
25. $40.5 The Good Shepherd ($59.95 box office)

Source: End of Boredom

Those of you who had “Shia LaBeouf walking around a post-plague landscape with a monkey” on the list of things you wanted to see before you died may soon have your dreams come true.

This news comes courtesy of USA Today, which interviewed director D.J. Caruso on the eve of the 60th (and final) issue of Y: The Last Man‘s arrival in comic shops. Caruso, as you may already be aware, is gearing up for an adaptation of the popular Brian K. Vaughan series, and given that Caruso worked with LaBeouf on Disturbia — and is currently directing him in Eagle Eye — rumors have long put LaBeouf in center stage for Y as well.

Telling USA Today that he has had “preliminary discussions” with LaBeouf for the role of Yorick (the monkey-owning last man on Earth), Caruso discussed his reasons for wanting to make a Y: The Last Man film:

“For me, thematically, the most important thing and the reason I want to do this is…I don’t want to say it’s the end of the innocence, but it’s actually a man-child who has to become a real man now. I think it’s a really simple, beautiful theme, but at the same time, the movie’s really pop-culture entertainment.”

Caruso also tells the paper that — surprise! — he’ll be filming Y with an eye toward turning it into a trilogy. While the move only makes sense — you try boiling 60 issues of a comic down into a two-hour movie — we doubt New Line is complaining about possible sequels.

Source: USA Today

Only a few short years ago, Shia LaBeouf was just another Disney Channel tween actor hoping to make the leap from a family sitcom to the big screen. These days, he’s leading a master class in how to build a grown-up career, as evidenced by star turns in Disturbia and Transformers and his upcoming performance in Indiana Jones IV. Now, MTV Movies is reporting he could go from boy to man to the man.

According to the report, LaBeouf is in line to star in Disturbia director D.J. Caruso‘s adaptation of the Brian K. Vaughan comic Y: The Last Man, which deals with the aftermath of a plague that has wiped out all the males in the human race. All except one, that is — and LaBeouf would play that survivor, a man named Yorick, who wanders the Earth with a pet monkey named Ampersand.

It sounds campy, but as readers of Vaughan’s comic (now approaching its 60th issue) could tell you, it really isn’t. Y: The Last Man uses a familiar setup to delve into some rather complex sociological issues, and has earned a fair amount of acclaim during its run, which is scheduled to conclude later this year.

The project is still in the distance, and LaBeouf hasn’t committed to anything yet, but as Caruso tells MTV Movies:

“This is funny, but unbeknownst to me, Shia was already chasing this part prior to anything,” Caruso said. “I haven’t talked to him yet about it because he’s off shooting ‘Indiana Jones 4,’ but Shia is the right type and the right personality because you want to have the humor, but you also want to have the seriousness. So we’ll talk about it when we get there.”

Source: MTV Movies

Shia LaBeouf and director DJ Caruso, fresh from their $80 million success on "Disturbia," will team up once again for the terrorist thriller "Eagle Eye."

The project, which was written by Dan McDermott, was originally going to be directed by Steven Spielberg, but since he’s busy with "Indiana Jones 4," he handed the gig over to Caruso. LaBeouf will play a young man whose brother dies under mysterious circumstances — and then he and his mother are framed as terrorists. Sounds pretty cool, actually. "Forced to become members of a cell that has plans to carry out a political assassination, they must work together to extricate themselves."

The mega-busy Mr. LaBeouf also has "Transformers" and "Indy 4" on the way. Popular kid.

Source: Variety

Fox scored its first number one hit in five months with "Fantastic Four: Rise of the Silver Surfer" which grossed an estimated $57.4M on its opening weekend, tripling its nearest competitor’s sales.

Carrying a milder PG rating into 3,959 theaters, the super hero sequel averaged a sturdy $14,499 and just barely edged out the $56.1M bow of the first "Fantastic Four" pic from July 2005. A sequel has now topped the box office for seven consecutive weekends.

Reviews were mixed, but were better than for its predecessor which was critically panned. The sequel brought back director Tim Story along with the four main cast members Ioan Gruffudd, Jessica Alba, Chris Evans, and Michael Chiklis. However, the iconic Marvel Comics character Silver Surfer was prominently added to the film, and even to its title, to help bring back comic fans who may have had a bad taste after the first "Fantastic" pic. Laurence Fishburne provided the voice for the computer-generated space traveler.

The latest summer sequel kicked off the weekend on Friday with $22M, dipped an understandable 11% to $19.6M on Saturday, and is projected to drop by another 19% on Sunday to $15.8M. Fox also reported that "Rise of the Silver Surfer" opened in 32 overseas markets with a combined $25.4M this weekend although most were minor territories. Russia, Italy, and the United Kingdom were among the only major international markets that launched this frame with more to come in the weeks ahead.

"Ocean’s Thirteen" enjoyed a good hold in its second weekend dropping only 47% to an estimated $19.1M in its sophomore frame. Warner Bros. has now made off with $69.8M in ten days. Threequels often drop by 55% or more and "Ocean’s Twelve" even fell by 54% in its second try. That caper sequel grossed $18.1M in its second weekend and bagged a similar $68.5M worth of loot in its first ten days. "Thirteen," which will not benefit from holidays like Christmas and New Year’s prolonging its run, could be on track to finish with $105-110M domestically which would still be the lowest in the "Ocean’s" series.

Universal’s sleeper hit "Knocked Up" continued to capitalize on strong word-of-mouth and held onto third place with an estimated $14.5M, off only 26%, for a $90.5M cume. The R-rated smash will join the century club next weekend making it the studio’s first $100M hit since its last June romantic comedy offering "The Break-Up."

Disney’s "Pirates of the Caribbean: At World’s End" followed dropping 43% to an estimated $12M in its fourth adventure. Cume stands at $273.8M which is up 31% from 2003’s "Curse of the Black Pearl" after its fourth weekend, but down 24% from last summer’s "Dead Man’s Chest" at the same point. "At World’s End" did manage to rise to number 32 on the all-time domestic blockbusters list sailing past the $267.7M of 2001’s "Shrek."

A trio of kidpics followed. The animated penguin movie "Surf’s Up" sank 47% in its second weekend to an estimated $9.3M giving Sony a not-so-cool $34.7M after ten days. A final gross of about $60M could result. "Shrek the Third" landed in sixth place with an estimated $9M, off 41%, for a $297.2M total. Knocking on the triple-century mark, the Paramount release now stands at number 24 on the all-time list just behind the first "Pirates" film which banked $305.4M four years ago.

Moviegoers passed on solving a mystery with "Nancy Drew" which opened poorly in seventh with only $7.1M, accoridng to estimates. Averaging a weak $2,732 from 2,612 theaters, the PG-rated film starring Emma Roberts failed to make a dent in the summer box office this weekend. "Nancy" opened in the same neighborhood as other films aimed at tween girls like "Ice Princess," "Little Black Book," and "Aquamarine" which all bowed to roughly $7M a piece.

Lionsgate saw its horror sequel "Hostel Part II" tumble 64% after its weak opening to an estimated $3M this weekend. With only $14.2M taken in thus far, the torture pic should finish with just under $20M, or less than half of the $47.3M of the first "Hostel" flick from last year. MGM’s "Mr. Brooks" grossed an estimated $2.8M, off 43%, pushing the cume to only $23.4M for the Kevin Costner thriller.

"Spider-Man 3" rounded out the top ten with an estimated $2.5M falling 42% from last weekend. With $330M after its seventh frame, the Sony sequel climbed to number 15 on the list of all-time domestic blockbusters right behind "Finding Nemo" which took in $339.7M in 2003.

Opening dead on arrival was the new actioner "D.O.A.: Dead or Alive" which bowed to an estimated $232,000 from 505 theaters for a pathetic $460 average. The Weinstein Co. title was released with little fanfare and should see most of its business on DVD.

A pair of hits fell from the top ten over the weekend. Fox Searchlight’s indie darling "Waitress" grossed an estimated $1.3M, down only 21%, for a $14.1M cume to date. A final tally of $17-20M from a limited national release is likely. Paramount’s Shia LaBeouf thriller "Disturbia" collected an estimated $250,000 in its tenth frame pushing the stellar cume to $78.3M. Look for a $79M final which will serve as an appetizer to the studio’s next Shia offering — "Transformers" opening July 3.

The top ten films grossed an estimated $136.8M which was down 2% from last year when "Cars" remained at number one with $33.7M; but up 8% from 2005 when "Batman Begins" debuted in the top spot with $48.7M over three days.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Hollywood served up more of the same dishes and moviegoers said enough is enough and found their weekend entertainment elsewhere. The latest star-studded heist sequel "Ocean’s Thirteen" managed to open at number one, but with the weakest debut of the franchise.

"Surf’s Up," the second animated penguin movie in seven months, attracted a mild debut while the horror sequel "Hostel Part II" was butchered on its opening weekend. Overall, the marketplace generated the worst showing for the second weekend of June since 2003.

George Clooney, Brad Pitt, Matt Damon, and Al Pacino made off with the North American box office crown with "Ocean’s Thirteen" which debuted on top with an estimated $37.1M. Averaging a solid $10,401 from 3,565 locations, the Warner Bros. release bowed a bit below the openings of the previous installments in the heist franchise. 2001’s "Ocean’s Eleven" debuted to $38.1M and a $12,393 average while its 2004 sequel premiered to $39.2M and a $11,901 average. Both opened in early December.

"Thirteen"’s top spot debut marked the sixth consecutive weekend when a threequel ruled the charts. Given higher ticket prices, additional theaters, the more high-profile summer launch, and the publicity generated from the much-hyped world premiere at Cannes, "Ocean’s Thirteen" was expected to open stronger by some in the industry. However, competition for adults was stronger with this chapter with holdovers "Pirates" and "Knocked Up" grossing a combined $41M. Plus the non-stop assault of sequels may have made some moviegoers sick of paying to see the same characters in the same situations again and again. Reviews were mostly upbeat for the PG-13 caper pic.

"Pirates of the Caribbean: At World’s End" tumbled another 52% in its third frame and dropped down to second place with an estimated $21.3M pushing its cume to $253.6M. Both previous Captain Jack films, 2003’s "The Curse of the Black Pearl" and 2006’s "Dead Man’s Chest," did better in their third weekends with $23.1M and $35.2M, respectively. The latest Disney pic now stands at number 38 on the list of all-time domestic blockbusters after 2001’s "Monsters, Inc." which grossed $255.9M. At its current rate of decline, "At World’s End" now has no guarantee of reaching the $300M mark which was always seen as an easy milestone before the film’s release. As with the "Spider-Man" franchise, the third chapter should become the lowest-grossing installment in the series domestically.

But just like with the webslinger, international business is on fire for the latest "Pirates" which grossed an estimated $51.3M overseas this weekend, down 50%. That puts the overseas tally at $493.5M and the global gross at a colossal $747M.

Universal’s hot comedy "Knocked Up" delivered a solid hold in its second weekend thanks to strong word-of-mouth. The R-rated pic collected an estimated $20M, off 35%, for a ten-day cume of $66.2M. By comparison, director Judd Apatow’s last film "The 40-Year-Old Virgin" opened weaker and dipped only 24% to $16.3M in its second weekend for a total of $48.6M in its first ten days. "Knocked Up" is proving that a film that is good and original can attract a large paying audience and should go on to gross more than "Ocean’s Thirteen" this summer despite having a smaller budget and no bankable stars. A final gross of about $120-130M could result for the pregnancy comedy quadrupling its $30M production cost.

The penguin toon "Surf’s Up" opened in fourth place with a mediocre launch. Sony’s big summer family pic took in an estimated $18M from an ultrawide 3,528 theaters for a decent $5,102 average. The PG-rated film tells of a young penguin who competes in a surfing competition and was made in a mockumentary style. The debut was weaker than last year’s animated releases from the studio – "Open Season" ($23.6M) and "Monster House" ($22.2M). "Surf’s Up" also bowed to less than half of the $41.5M that last November’s penguin pic "Happy Feet" took in on its debut frame. Sony saw a six-week gap between the openings of the summer megatoons "Shrek the Third" and Pixar’s "Ratatouille" and positioned its entry right in the middle.

Close behind in fifth was rival toon "Shrek the Third" with an estimated $15.8M in its fourth frame. Off a reasonable 44%, the Paramount release has grabbed $281.9M to date putting it at number 29 on the all-time domestic list. A final gross of around $320M seems likely. The latest ogre now stands as the second biggest DreamWorks film ever after "Shrek 2" ($436.7M) and the third largest hit in Paramount history after "Titanic" ($600.8M) and "Forrest Gump" ($329.7M).

Yet another horror failure followed in sixth place. Lionsgate’s "Hostel Part II" opened to an estimated $8.8M from 2,350 theaters for a weak $3,723 average. That was less than half of the $19.6M bow that the first "Hostel" generated in January 2006 on its way to a solid $47.3M domestic gross. The R-rated sequel once again examines the torture of American students in Slovakia, only with female victims this time. "Part II" even opened weaker than other recent horror sequels like "28 Weeks Later" and "The Hills Have Eyes II" which both bowed to just under $10M each. With so many fright flicks flooding the multiplexes recently and moviegoers ignoring most of them, Lionsgate has to be a bit worried about getting genre fans back into theaters for the fourth consecutive Halloween with its "Saw IV."

The Kevin Costner thriller "Mr. Brooks" fell 50% to an estimated $5M and placed seventh with a $18.7M total. "Spider-Man 3" dropped 45% to an estimated $4.4M in its sixth mission giving Sony $325.7M to date. That keeps the third webslinger adventure at number 17 on the all-time domestic list just behind "The Lion King"’s lifetime cume of $328.5M. A $335M final seems likely.

Enjoying the smallest decline in the top ten once again was Keri Russell’s comedy "Waitress" which dipped only 18% to an estimated $1.7M pushing the cume to $12M for Fox Searchlight. Paramount’s "Disturbia" rounded out the top ten with an estimated $550,000, down 51%, giving the thriller $77.8M to date.

The top ten films grossed an estimated $132.5M which was down 8% from last year when "Cars" opened at number one with $60.1M; and off 1% from 2005 when "Mr. and Mrs. Smith" debuted in the top spot with $50.3M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

According to one source, the studio has the "Wolverine" director’s job down to a lead candidate … and a backup choice.

IESB.net informs us that "Disturbia" director D.J. Caruso is in the running for the "Wolverine" gig. His other films include "Two for the Money," "Taking Lives," and "The Salton Sea." But it looks like Mr. Caruso might have a different job lined up at DreamWorks, so Fox’s second option would be…

Len Wiseman, director of both "Underworld" movies and this summer’s "Live Free or Die Hard." Then again, Wiseman might be their first choice of "DH4" is a huge hit. How nice.

We do know that screenwriter David Benioff and leading man Hugh Jackman are on board. They just need a director.

Source: IESB.net

Movie fans came out in droves this weekend to see their favorite green ogre’s newest adventure as "Shrek the Third" easily captured the box office crown and broke the record for the biggest opening ever for an animated film.

That sent the super hero saga "Spider-Man 3" down to the runnerup spot but the overall marketplace once again beat last year’s levels for the third straight weekend giving the summer movie season an explosive start.

Executives at DreamWorks Animation and Paramount were drinking green champagne this weekend thanks to "Shrek the Third" which debuted to an astounding $122M, according to estimates, over the Friday-to-Sunday period and $122.9M since its early launch at 10pm on Thursday night in about 1,000 theaters. Invading 4,122 total locations, the PG-rated toon averaged a stunning $29,597 per cinema and surpassed the $108M bow of 2004’s "Shrek 2" which previously held the record for the biggest animated opening. That film, which was the first in history to break the 4,000-theater threshold, debuted on a Wednesday and captured $129M over its five-day premiere period. The next biggest toon opening is $70.5M for the 2004 Disney/Pixar vehicle "The Incredibles" which just shows how different the league that the "Shrek" franchise lives in is.

"Third" also set new opening weekend records for both DreamWorks and Paramount beating "Shrek 2" and "War of the Worlds" ($64.9M), respectively. The ogre sequel also generated the third best opening of all-time trailing only "Spider-Man 3"’s $151.1M from earlier this month and "Pirates of the Caribbean: Dead Man’s Chest’s" $135.6M from last July. That ranking should slip another spot next weekend after the new "Pirates" film sets sail.

The new ogre sequel grossed $907,000 on Thursday from night-before showings beginning at 10pm, hauled in $38.5M on Friday (its true opening day), surged 22% to $47M on Saturday, and is estimated to dip 22% on Sunday to $36.5M. "Shrek 2," which opened on the same exact weekend three years ago, also suffered a 22% Saturday-to-Sunday dip in its debut frame. The production budget on the new installment is estimated to be $160-170M.

Reuniting the voice talents of Mike Myers, Eddie Murphy, Cameron Diaz, and Antonio Banderas, "Shrek the Third" adds some new characters including a teen would-be king voiced by Justin Timberlake. The slender 92-minute film was not very well-liked by critics and earned the worst reviews for the franchise just as "Spider-Man 3" did a couple of weeks ago. However, moviegoers again disregarded the critics and came out for some early summer fun dropping some mighty big bags of cash at multiplexes nationwide. "Shrek" dominated the attention of ticket buyers and accounted for about 70% of all sales for the Top 20.

Studio research showed that Fiona’s hubby appealed to all audience segments becoming a true four-quadrant pic. Females made up 51% of the crowd and those over and under the age of 25 were evenly split. Teens, young adults, and families all came out in strong numbers. Those polled by CinemaScore gave the toon a B+ grade which is decent, but not spectacular. A fourth chapter of "Shrek" is already in development for a planned 2010 release.

Dropping 51% in its third weekend was two-time box office champ "Spider-Man 3" with an estimated $28.5M. Sony’s webslinger sequel flew to $281.9M (including Imax grosses) from North America and averaged $6,591 from a record high 4,324 theaters. After 17 days, the Venom pic shot up to number 28 on the list of all-time domestic blockbusters just ahead of "The Matrix Reloaded" which grossed $281.5M in 2003. Given its rate of erosion and upcoming competition from Captain Jack, the third webcrawler still looks on a course to conclude its domestic run with $340-350M.

"Spider-Man 3" continues to rank number one in most international territories and grossed $49.6M overseas this weekend pushing its offshore cume to a scorching $465M and the global gross to a towering $747M. The latest Peter Parker tale has now become the top-grossing "Spidey" film overseas surpassing the $418M for the first film in 2002 and the $410M of "Spider-Man 2" in 2004. The third chapter has really taken off internationally as overseas box office accounts for 62% of the global tally. The first two super hero installments saw about 52% of their worldwide groesses come from outside of North America.

Fox’s horror sequel "28 Weeks Later" dropped one spot to third place with an estimated $5.2M bringing the ten-day total to $18.6M. The well-reviewed virus thriller declined by 48% which is impressive for a fright flick. Still, "Weeks" looks to finish with about $30-32M or about one-third less than the $45.1M of 2003’s "28 Days Later."

Only scraps were left for the other films playing at multiplexes as the rest of the movies in the top ten attracted weekend ticket sales of less than $4M each. Three-time chart-topper "Disturbia" took in an estimated $3.7M, off only 22%, for a $71.3M cume for Paramount. The sleeper hit should find its way to around $80M.

Universal’s Jane FondaLindsay Lohan pic "Georgia Rule" dropped 48% to an estimated $3.5M in its second weekend pushing its ten-day total to a weak $12.6M. Look for a disappointing $20-22M final for the R-rated film which few have been showing interest in. New Line’s "Fracture" dipped just 17% to an estimated $2.5M putting the sum at $34.7M. A final tally of roughly $40M should result.

The Lionsgate comedy "Delta Farce" followed its dismal bow with a troubling 46% fall to an estimated $1.8M this weekend for a miniscule total of $6.1M in ten days. It will try to limp to a $10M overall gross. Following in eighth place was Buena Vista’s "The Invisible" with an estimated $1.3M, down 44%, putting the cume at $17.7M. The supernatural thriller will probably end up with about $21M. British import "Hot Fuzz" continued to have good legs dipping only 27% to an estimated $1.3M pushing the total to $21.1M. Focus will try to get to $25M.

Two very different films tied for tenth place with estimates of $1.1M a piece. Fox Searchlight enjoyed continued success with the expansion of the Keri Russell starrer "Waitress" which widened from 65 to 116 theaters for a solid $9,784 average serving up moviegoers in the top ten for the first time. That doubled the comedy’s cume to $2.2M. This Friday, "Waitress" will expand again to most markets across the country reaching over 500 theaters playing as an indie alternative to the mindless popcorn films of early summer. Paramount’s big-budget action flop "Next" fell 35% giving the Nicolas Cage actioner an embarrassing $16.6M to date. A $19M final seems likely.

Tumbling out of the top ten this weekend was Disney’s animated comedy "Meet the Robinsons" which fell a steep 71% thanks to the ogre’s arrival to an estimated $521,000. The G-rated toon has grossed $95.3M after its eighth weekend and may be headed for a $97M finish.

Meanwhile in just two theaters, Fox Searchlight saw a powerful debut for its musical romance "Once" which grossed an estimated $60,511 for a sizzling $30,256 per site. Showered with praise from critics, the R-rated film premieres in eleven new cities on Friday.

Yari Film Group had a mild debut for its ensemble drama "Even Money" which bowed to an estimated $26,013 from six playdates for a not-so-impressive $4,336 average.

The top ten films grossed an estimated $170.8M which was up 12% from last year when "The Da Vinci Code" opened at number one with $77.1M; and up 10% from 2005 when "Star Wars Episode III" debuted on top with $108.4M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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