(Photo by Sony/courtesy Everett Collection)

The 30 Worst Romantic Comedies of All Time

Welcome to our guide to the worst romantic comedies ever: Movies suspiciously light on love and laughs that scored less than 10% on the Tomatometer – after 20 reviews from critics. This bubbly mix of misfires and killjoys includes infamous bombs (Gigli), questionable nuptials (The Big Wedding, License to Wed), vanity projects (Good Luck Chuck, The Hottie and the Nottie), and holiday hokum (New Year’s Eve, Mother’s Day). Expect some big names to show up as well: Forest Whitaker (First Daughter director), David O. Russell (director of Accidental Love…until the money ran out and the movie was then thrown together without him), Tom Cruise (Cocktail), and Sandra Bullock, whose grating All About Steve had the distinct fortune of being Bullock’s first movie to release after her comeback The Proposal.

Now, it’s meet-cutes of the damned in our guide to the worst rom-coms ever made!

#30
Adjusted Score: 8046%
Critics Consensus: No consensus yet.
Synopsis: Boston store owner Jake (Jay Jablonski) still loves his ex-girlfriend, Isabella (Marisa Petroro), who's now a married mom. He goes... [More]
Directed By: Jason Todd Ipson

#29

Accidental Love (2015)
9%

#29
Adjusted Score: 8569%
Critics Consensus: Cobbling together an unfinished satire on the healthcare system and contorting it into a dopey romance, Accidental Love is a cynical repurposing of unrealized potential.
Synopsis: A clueless politician falls in love with a waitress whose erratic behavior is caused by a nail stuck in her... [More]
Directed By: Stephen Greene

#28

Marci X (2003)
8%

#28
Adjusted Score: 9356%
Critics Consensus: The material is too thin for feature-length and the jokes are socially outdated and clueless.
Synopsis: When protest breaks out over Dr. S's new CD, the owner of the rapper's record label, Ben Feld, is hospitalized... [More]
Directed By: Richard Benjamin

#27

Gray Matters (2006)
8%

#27
Adjusted Score: 9160%
Critics Consensus: Gray Matters tries emulating Hollywood screwball classics, but the rapid fire dialogue and witticisms comes off only as a contrived gimmick.
Synopsis: Sam (Tom Cavanagh) and Gray (Heather Graham) are such a well-matched pair that it is difficult to believe they are... [More]
Directed By: Sue Kramer

#26
#26
Adjusted Score: 9906%
Critics Consensus: Offensive, incoherent, and ineptly acted and directed.
Synopsis: A misunderstanding leads Tom Stansfield (Ashton Kutcher), a mild-mannered publishing house employee, to house-sit for his boss, Jack Taylor (Terence... [More]
Directed By: David Zucker

#25

First Daughter (2004)
8%

#25
Adjusted Score: 10555%
Critics Consensus: First Daughter is a bland and charmless fairy tale that fails to rise above the formula.
Synopsis: Samantha MacKenzie (Katie Holmes), the daughter of the president of the United States (Michael Keaton), arrives at college with a... [More]
Directed By: Forest Whitaker

#24

Summer Catch (2001)
8%

#24
Adjusted Score: 10108%
Critics Consensus: A cliched and predictable sports comedy that's mostly devoid of excitement or laughs, Summer Catch is strictly bush-league.
Synopsis: A coming-of-age romantic comedy set against the backdrop of the Cape Cod Baseball League. Local boy Ryan Dunne (Freddie Prinze... [More]
Directed By: Michael Tollin

#23

Post Grad (2009)
8%

#23
Adjusted Score: 11550%
Critics Consensus: A lightweight, unambitious comedy, Post Grad features fine actors that can do little with its middling, uninspiring script.
Synopsis: Recent college graduate Ryden Malby (Alexis Bledel) has a grand plan: Find a fabulous apartment and land a job at... [More]
Directed By: Vicky Jenson

#22

Mother's Day (2016)
8%

#22
Adjusted Score: 16574%
Critics Consensus: Arguably well-intended yet thoroughly misguided, Mother's Day is the cinematic equivalent of a last-minute gift that only underscores its embarrassing lack of effort.
Synopsis: Sandy (Jennifer Aniston) is a stressed-out, single mom who learns that her ex-husband is marrying a younger woman. Her friend... [More]
Directed By: Garry Marshall

#21

Mr. Wrong (1996)
7%

#21
Adjusted Score: 7076%
Critics Consensus: A mean-spirited joke without a punchline, Mr. Wrong is so painfully unfunny that Ellen DeGeneres and Bill Pullman's lack of chemistry feels like a total drag despite being the point.
Synopsis: All Martha (Ellen DeGeneres) wants is to get married, but she just can't seem to find the right man. On... [More]
Directed By: Nick Castle

#20

Man Trouble (1992)
7%

#20
Adjusted Score: 7908%
Critics Consensus: Man Trouble has brilliant stars and the germ of an interesting idea in its favor, which makes the scattered, unfunny results even more of a disappointment.
Synopsis: Harry Bliss (Jack Nicholson) operates a struggling security service and contends with numerous personal problems, including a faltering marriage. When... [More]
Directed By: Bob Rafelson

#19

Cocktail (1988)
7%

#19
Adjusted Score: 8939%
Critics Consensus: There are no surprises in Cocktail, a shallow, dramatically inert romance that squanders Tom Cruise's talents in what amounts to a naive barkeep's banal fantasy.
Synopsis: Brian Flanagan (Tom Cruise) wants a high-paying marketing job, but needs a business degree first. Working as a bartender to... [More]
Directed By: Roger Donaldson

#18

The Big Wedding (2013)
7%

#18
Adjusted Score: 11015%
Critics Consensus: The Big Wedding's all-star cast is stranded in a contrived, strained plot that features broad stabs at humor but few laughs.
Synopsis: Don (Robert De Niro) and Ellie Griffin (Diane Keaton) are long-divorced, but when their adopted son's ultraconservative biological mother unexpectedly... [More]
Directed By: Justin Zackham

#17
#17
Adjusted Score: 10795%
Critics Consensus: Surviving Christmas is unpleasant characters attacking each other for 90 minutes before delivering a typical, hollow anti-consumerist message
Synopsis: A wealthy executive, Drew Latham (Ben Affleck) has no close relationships and becomes nostalgic for his childhood home as Christmas... [More]
Directed By: Mike Mitchell

#16

License to Wed (2007)
7%

#16
Adjusted Score: 11984%
Critics Consensus: Featuring one of Robin Williams' most shtick-heavy performances, the broad and formulaic License to Wed wrings little out of its slightly creepy, unappealing premise.
Synopsis: Newly engaged couple Sadie (Mandy Moore) and Ben (John Krasinski) look forward to a traditional wedding in St. Augustine's Church... [More]
Directed By: Ken Kwapis

#15

New Year's Eve (2011)
7%

#15
Adjusted Score: 12117%
Critics Consensus: Shallow, sappy, and dull, New Year's Eve assembles a star-studded cast for no discernible purpose.
Synopsis: Intertwining stories promise love, hope, forgiveness, second chances and more for a number of New Yorkers on the celebrated night.... [More]
Directed By: Garry Marshall

#14
#14
Adjusted Score: 5522%
Critics Consensus: Stranding Pierce Brosnan as a charmless cad, this tone-deaf romantic comedy is Some Kind Of something, but it definitely isn't beautiful.
Synopsis: A woman (Salma Hayek) starts to fall in love with a successful college professor (Pierce Brosnan) who had a baby... [More]
Directed By: Tom Vaughan

#13
#13
Adjusted Score: 6617%
Critics Consensus: Flat and unfocused, A Smile Like Yours aims for romantic comedy but settles for tired sitcom formula.
Synopsis: Danny Robertson (Greg Kinnear) and his wife, Jennifer (Lauren Holly), are happily married, except for one major issue -- he... [More]
Directed By: Keith Samples

#12
#12
Adjusted Score: 7004%
Critics Consensus: The Hottie and the Nottie is a crass, predictable, and ineptly staged gross-out comedy that serves little purpose beyond existing as another monument to Paris Hilton's vanity.
Synopsis: Nate Cooper (Joel David Moore) has never gotten over his first crush from elementary school, Cristabelle (Paris Hilton). Now in... [More]
Directed By: Tom Putnam

#11

The Perfect Man (2005)
6%

#11
Adjusted Score: 10763%
Critics Consensus: Preposterous and predictable, The Perfect Man manages few laughs with its poorly paced sitcom script, cookie-cutter characters and contrived plotting.
Synopsis: Every time Jean (Heather Locklear) goes through a bad breakup, she moves her two daughters elsewhere. Determined to make a... [More]
Directed By: Mark Rosman

#10

All About Steve (2009)
6%

#10
Adjusted Score: 11370%
Critics Consensus: All About Steve is an oddly creepy, sour film, featuring a heroine so desperate and peculiar that audiences may be more likely to pity than root for her.
Synopsis: After a lovely blind date, crossword-puzzle creator Mary Horowitz (Sandra Bullock) falls head over heels in love with Steve (Bradley... [More]
Directed By: Phil Traill

#9

Gigli (2003)
6%

#9
Adjusted Score: 12382%
Critics Consensus: Bizarre and clumsily plotted, Gigli is a mess. As for its stars, Affleck and Lopez lack chemistry.
Synopsis: Gigli (Ben Affleck) is ordered to kidnap the psychologically challenged younger brother of a powerful federal prosecutor. When plans go... [More]
Directed By: Martin Brest

#8
#8
Adjusted Score: 6916%
Critics Consensus: Utterly bereft of romance or humor, 'Til There Was You is a singularly misguided attempt at romantic comedy.
Synopsis: Gwen Moss (Jeanne Tripplehorn), a writer hired to pen a book about former child star Francesca Lanfield (Sarah Jessica Parker),... [More]
Directed By: Scott Winant

#7

Good Luck Chuck (2007)
5%

#7
Adjusted Score: 9599%
Critics Consensus: A shortage of laughs and an undercurrent of mean-spiritedness undermine Good Luck Chuck, squandering a decent premise on gross-out humor and shopworn slapstick.
Synopsis: Cursed since childhood, dentist Charlie Kagan (Dane Cook) cannot find the right woman. Even worse, he learns that each of... [More]
Directed By: Mark Helfrich

#6

Material Girls (2006)
4%

#6
Adjusted Score: 4573%
Critics Consensus: Plagued by paper-thin characterizations and a hackneyed script, Material Girls fails to live up to even the minimum standards of its genre.
Synopsis: Two sibling cosmetics heiresses (Hilary Duff, Haylie Duff) must grow up quickly when a company scandal leaves them penniless. Though... [More]
Directed By: Martha Coolidge

#5
#5
Adjusted Score: 4589%
Critics Consensus: A Little Bit of Heaven subjects viewers to a whole bunch of schmaltz - and strands Kate Hudson and Gael García Bernal in a fatally misguided film.
Synopsis: New Orleans ad executive Marley Corbett (Kate Hudson) is a free-spirited woman who embraces her easy sexuality, shuns commitment, and... [More]
Directed By: Nicole Kassell

#4
#4
Adjusted Score: 7282%
Critics Consensus: Witless, unfocused, and arguably misogynistic, Playing for Keeps is a dispiriting, lowest-common-denominator Hollywood rom-com.
Synopsis: Long past his soccer-playing heyday, George Dryer (Gerard Butler) is struggling financially and failing in his attempt to reconcile with... [More]
Directed By: Gabriele Muccino

#3

Serving Sara (2002)
4%

#3
Adjusted Score: 7285%
Critics Consensus: A romantic comedy that's neither funny nor particularly romantic, Serving Sara is a forgettable time waster.
Synopsis: When Sara (Elizabeth Hurley) is served divorce papers while she is in New York, she is stunned. Not about to... [More]
Directed By: Reginald Hudlin

#2
#2
Adjusted Score: 9608%
Critics Consensus: Overly reliant on caricatures and lacking any human insight, Because I Said So is an unfunny, cliche-ridden mess.
Synopsis: Daphne Wilder (Diane Keaton) is the proud mother of three women: Milly (Mandy Moore), Maggie (Lauren Graham) and Mae (Piper... [More]
Directed By: Michael Lehmann

#1

Down to You (2000)
3%

#1
Adjusted Score: 4659%
Critics Consensus: Down to You is ruined by a bland, by-the-numbers plot and an awful script.
Synopsis: College coeds in New York City, Al (Freddie Prinze Jr.), the son of a celebrity chef (Henry Winkler), and Imogen... [More]
Directed By: Kris Isacsson

This Valentine’s Day, meet the movie romances doomed to be forever single — single-digit on the Tomatometer, precisely! From annoying YouTube people to Paris Hilton, from stalkers to acting bad enough to steam a 1912 Renault: Here’s 24 movies with central romances that got less than 10% on Rotten Tomatoes.

No awards season — even a strike-tainted one — would be complete without the Razzies, right? Of course not. And that’s why we’ve thoughtfully assembled all of this year’s nominees in one convenient location.

The Razzies, now entering their 28th year, have been celebrating the worst in film since 1980, when John Wilson took a raspberry trophy, spray-painted it gold, and stuck it to Can’t Stop the Music. This year’s nominees are suitably distinguished, and they all follow below (with Tomatometers in parentheses). ‘Fess up, Vineketeers — how many of these have you seen? And enjoyed?

Worst Picture:
Bratz (7 percent)
Daddy Day Camp (1 percent)

I Know Who Killed Me (8 percent)
I Now Pronounce You Chuck & Larry (14 percent)
Norbit (9 percent)

Worst Actor:
Nicolas Cage, for Ghost Rider (27 percent), National Treasure: Book of Secrets (32 percent), and Next (30 percent)
Jim Carrey, for The Number 23 (8 percent)
Cuba Gooding, Jr., for Daddy Day Camp and Norbit
Eddie Murphy, for Norbit
Adam Sandler, for I Now Pronounce You Chuck & Larry

Worst Actress:
Jessica Alba, for Awake (21 percent), Fantastic Four: Rise of the Silver Surfer (35 percent), and Good Luck Chuck (3 percent)
Logan Browning, Janel Parrish, Nathalia Ramos & Skyler Shaye, for Bratz
Elisha Cuthbert, for Captivity (7 percent)
Diane Keaton, for Because I Said So (5 percent)
Lindsay Lohan (as Aubrey), for I Know Who Killed Me
Lindsay Lohan (as Dakota), for I Know Who Killed Me

Worst Supporting Actor:
Orlando Bloom, for Pirates of the Carribbean: At World’s End (45 percent)
Kevin James, for I Now Pronounce You Chuck & Larry
Eddie Murphy, for Norbit
Rob Schneider, for I Now Pronounce You Chuck & Larry
Jon Voight, for Bratz, National Treasure: Book of Secrets, September Dawn (13 percent), and Transformers (57 percent)

Worst Supporting Actress:
Jessica Biel, for I Now Pronounce You Chuck & Larry and Next
Carmen Electra, for Epic Movie (2 percent)
Eddie Murphy, for Norbit
Julia Ormond, for I Know Who Killed Me
Nicolette Sheridan, for Code Name: The Cleaner (4 percent)

Worst Screen Couple:
Jessica Alba with Dane Cook (for Good Luck Chuck), Hayden Christensen (for Awake), and Ioan Gruffudd (for Fantastic Four: Rise of the Silver Surfer)
Any combination of two totally air-headed characters in Bratz
Lindsay Lohan and Lindsay Lohan, for I Know Who Killed Me

Worst Remake or Ripoff:
Are We Done Yet? (8 percent, remake/ripoff of Mr. Blandings Builds His Dream House)
Bratz (a ripoff if ever there was one)
Epic Movie (ripoff of every movie it rips off)
I Know Who Killed Me (ripoff of Hostel, Saw, and The Patty Duke Show)
Who’s Your Caddy? (7 percent, ripoff of Caddyshack)

Worst Prequel or Sequel:
Aliens vs. Predator: Requiem (16 percent)
Daddy Day Camp
Evan Almighty (24 percent)
Hannibal Rising, (15 percent)
Hostel: Part II (44 percent)

Worst Director:
Dennis Dugan, I Now Pronounce You Chuck & Larry
Roland Joffe, Captivity
Brian Robbins, Norbit
Fred Savage, Daddy Day Camp
Chris Sivertson, I Know Who Killed Me

Worst Screenplay:
Geoff Rodkey and David J. Stem & David N. Weiss, Daddy Day Camp

Jason Friedberg & Aaron Seltzer, Epic Movie
Jeffrey Hammond, I Know Who Killed Me
Barry Fanaro and Alexander Payne & Jim Taylor, I Now Pronounce You Chuck & Larry
Eddie Murphy & Charles Murphy, Jay Sherick & David Ronn, Norbit

Worst Excuse for a Horror Movie:
Aliens vs. Predator: Requiem
Captivity
Hannibal Rising

Hostel: Part II
I Know Who Killed Me

Source: Razzies

Here at RT we’re glass-half full kinds of people, so instead of dwelling on the abysmally-reviewed home video offerings of the week – Billy Bob Thornton’s Mr. Woodcock and Dane Cook’s Good Luck Chuck — we’re thrilled to point out that there are delights to be had on DVD shelves, if you’ll only look (Family Guy Presents Blue Harvest, Criterion’s The Naked Prey)!


Mr. Woodcock

Tomatometer: 14%

It’s possible that Billy Bob Thornton will one day get past his irritable Bad Santa persona and graduate (or return) to roles with depth, challenge, and variety, but Mr. Woodcock will not be the catalyst for such a change. Thornton, an Academy Award-winner for writing, directing, and starring in a far better film about a mentally handicapped man a dozen years ago, now plays a terrifying…gym teacher. When Seann William Scott finds out his dear mother (Susan Sarandon, Oscar-winner) is dating the man who terrorized his adolescent years, he comes home to match wits, and slapstick wrestling movies, with Mr. Woodcock. You can do better, video hounds!

 


Good Luck Chuck

Tomatometer: 3%

They say January is a dumping ground for bad movies; this week, the saying is true for DVD titles. Our first single digit-Tomatometer DVD release of the year, Good Luck Chuck – a raunchy, unfunny romantic comedy starring Dane Cook and Jessica Alba — earned the scorn of an overwhelming majority of critics. On DVD, expect unrated laughs and a strange, interactive feature of Matrix-style sex positions.

 

Family Guy Presents Blue Harvest

Tomatometer: N/A

Leave it to Family Guy to save the day! The infamous Star Wars episode, retelling the entire space saga with Peter Griffin and Co., has arrived to poke geeky fun, Quahog-style, at Jedis, lightsabers, and storm troopers. Great extras include Seth MacFarlane interviewing George Lucas himself, an episode commentary, and a table reading Easter egg for you to uncover. Bonus points for knowing the working title of Episode VI.

 

The Naked Prey


Tomatometer: 80%

Film enthusiasts also have something to look for this week: a new Criterion release! Cornel Wilde’s 1966 film The Naked Prey, in a newly restored high definition transfer, offers much more than just the movie itself — the story, based on real events, follows a 19th century colonist on safari forced to flee for his life as African tribesmen hunt him. But as with every Criterion release, this title’s packed with goodies — audio commentary, the original soundtrack cues created by the director and an ethnomusicologist, and a recounted version of the 1913 event that inspired the story, read by Paul Giamatti.

Syndromes and a Century


Tomatometer: 87%

Abandoning conventional narrative, Thai filmmaker Apichatpong Weerasethakul has crafted a meditative story about how his own parents met and fell in love. Slow and mesmerizing, Syndromes and a Century was commissioned to honor the work of Mozart — a nice, alternative date movie for the discerning, Dane Cook-averse viewer.

‘Til next week, happy renting!

When they sit down on January 15th to determine the Best Song nominees for this year’s Oscars, voting members of the Academy’s Music Branch will have plenty of tunes to choose from — 59, to be exact.

While a number of the contenders were written by film-music vets — including Alan Silvestri, Alan Menken, and Diane Warren — this year’s field also boasts submissions by big pop names (John Legend, Sheryl Crow, John Mayer), rock superstars (Eddie Vedder, Roger Waters), and critically beloved songwriters (Marshall Crenshaw, Mike Viola, Dan Bern).

According to Variety, August Rush leads the crowd with four contenders, followed by Dan in Real Life, 56 Drops of Blood, Enchanted, Good Luck Chuck, Into the Wild, and Walk Hard: The Dewey Cox Story with three apiece.

On January 15th, the Academy will randomly screen clips featuring each song for voters, who will then have the unenviable task of narrowing the group of 59 down to three, four, or five nominees.

Source: Variety

In an age of fast-rising Hollywood production costs, the young actresses who strive to keep movie budgets down — specifically in the wardrobe department — deserve to be saluted.

To that end, noted film critic Mr. Skin has unveiled his Top 20 Nude Scenes of 2007. Calling the last twelve months “A surprisingly strong year for big-screen nudity…among this decade’s very breast,” the renowned nakedologist has compiled the following list:

1. Marisa TomeiBefore the Devil Knows You’re Dead
2. Keeley Hazell – Cashback
3. Natalie Portman – Hotel Chevalier
4. Christina RicciBlack Snake Moan
5. Sienna MillerFactory Girl
6. Roselyn SanchezYellow
7. Malin AkermanThe Heartbreak Kid
8. Eva MendesWe Own the Night
9. Lena Headey300
10. Stormy Daniels and Nautica Thorne – Knocked Up
11. Alexa DavalosFeast of Love
12. Chelan SimmonsGood Luck Chuck
13. Wei TangLust, Caution
14. Ashley JuddBug
15. Olivia WildeAlpha Dog
16. Ana Claudia TalanconAlone With Her
17. Danielle HarrisHalloween
18. Heather MatarazzoHostel: Part II
19. Amber VallettaThe Last Time
20. Lucy LiuBlood Hunter

Adjust your Netflix queues accordingly.

Source: PR Newswire

Ben Stiller‘s new comedy


The Heartbreak Kid
stumbled in its opening frame and
forced the overall box office to plunge to the worst October weekend in eight
years. Incumbent family comedy
The Game Plan
posted a strong sophomore hold and
retained its position as North America’s most popular film. But two other new
releases did nothing to energize the multiplexes as the top ten films together
grossed what just the top three pictures did a year ago on this same weekend.
The calendar may say October but the dismal box office grosses make it seem like
September never ended.

Surprising industry watchers once again, Disney’s
The Game Plan
held onto the
number one spot for a second time grossing an estimated $16.3M for a slim 29%

decline. That gave
The Rock‘s first entry into the world of kid’s movies a solid
$42.8M in only ten days allowing the PG-rated comedy to already surpass the
total
grosses of his last two films

Gridiron Gang
($38.4M) and
Doom
($28M). All three pics were number one openers. Last weekend, many expected
Game Plan to
debut in second place behind
The Kingdom
while this weekend
Heartbreak was
widely seen as debuting on top. In both cases the quarterback daddy flick
swiped the top spot and with little family competition in the weeks ahead, a
trip to the $100M club could be in the works.

 


Disney is still benefiting from the fall season’s shocking lack of product for
families. For the third consecutive weekend, seven of the top ten films carried
R ratings
giving parents few other options for their children. The studio has virtually no
foes to deal with until
Jerry Seinfeld‘s animated pic
Bee Movie hits theaters on

November 2. Game Plan‘s second weekend drop was even smaller than the 40%
decline that the studio’s
Vin Diesel family film
The Pacifier experienced in
March 2005 on its way to a stunning $113.1M tally. The Game Plan now looks
certain to surpass the $90.5M of 2002’s The
Scorpion King
to become The
Rock’s highest grossing film in a lead role.

 



The weekend’s big disappointment came from the Ben Stiller-Farrelly brothers
collaboration

The Heartbreak Kid
which debuted in second place with an
estimated $14M from 3,229 theaters. Averaging a mediocre $4,345 per site, the
R-rated film marked the first reteaming of the actor with the filmmakers since
the
1998 sleeper smash

There’s Something About Mary
which grossed a stunning $176.5M
that year. Heartbreak was universally expected to open at number one
and was thought to have the potential to capture at least $20M in opening
weekend business for DreamWorks and Paramount. The budget was more than $60M,

according to the studios.

 



For Stiller, Heartbreak‘s opening was half the size of the bows of his other
recent comedies like
Night at the Museum
($30.4M),
Starsky and Hutch
($28.1M), and Along Came Polly ($27.7M). Those were PG or PG-13 films but the
comedian was still expected to draw a large crowd this weekend. However
for the Farrelly brothers, the performance was better than the $12.4M of their
last pic
Fever
Pitch
in 2005 and the $9.4M of 2003’s
Stuck
on You
. Reviews were

mostly negative which is par for the course with these types of comedies.

 



The Heartbreak Kid put Stiller’s box office power to the test and the results
were discouraging. Most of the comedian’s hits feature other big stars to help
bring in
a paying audience. This time Stiller was the only major name and audiences did
not bite. In fact the launch was very similar to that of rival R-rated romantic
comedy
Good Luck Chuck which debuted to $13.7M and a better $5,227 average just two
weeks ago. That film offered some star wattage from both genders with
Dane Cook and
Jessica Alba.


Universal’s Middle East drama
The Kingdom

dropped 46% in its second weekend to an estimated $9.3M and placed third. The
Jamie Foxx pic has taken in
$31.4M in ten days and should find its way to $50-55M. Sony’s action-horror
sequel
Resident Evil: Extinction
fell 47% to an estimated $4.3M and pushed its

17-day cume to $43.5M.
 




 

Failing to find an audience on opening weekend was the fantasy adventure film
The Seeker: The Dark is Rising
which bowed to an estimated $3.7M from a
very wide 3,141 theaters for a dismal $1,186 average. The PG-rated pic from the
new venture between Fox and Walden Media targeted young boys but got
nowhere at the box office. Seeker‘s debut was even worse than the $5M launch of
Dragon Wars from just two weeks ago which went after the same audience.
But thanks to a sluggish marketplace, Seeker‘s weak opening still landed the
film in the top five even though its nearly $40M budget will take much time to
recoup.


The Lionsgate comedy
Good Luck Chuck  grossed an estimated $3.5M, off 44%, for a
$29.1M sum. The dance drama
Feel the Noise
delivered a seventh place
debut with an estimated $3.4M from just 1,015 theaters. Averaging a mild $3,350
per site, the PG-13 film played to urban teens and came from the new
Sony/BMG film division.
 



A trio of R-rated films rounded out the top ten. The long-lasting Western
3:10 to Yuma
once again enjoyed the smallest decline in the top ten sliding only 28%
to
an estimated $3M in its fifth frame for a solid cume of $48.6M for Lionsgate.
The Warner Bros. vigilante thriller
The Brave One
dropped 39% to an estimated

$2.3M giving
Jodie Foster
and her gun $34.3M to date.
Mr. Woodcock
claimed the
ten spot for New Line with an estimated $2M, down 31%, and a new total of
$22.3M.
 


The weekend’s most notable fireworks came in limited release as the increasingly
crowded arthouse scene saw some red hot numbers from awards hopefuls.

George Clooney
led the way with his legal thriller



Michael Clayton
which bowed
in only 15 theaters but grossed an estimated $704,000 for an astounding
$46,933 average. Powered by strong reviews and starpower from the Oscar-winning
actor, the R-rated film is hoping to keep the momentum going when it
expands nationally on Friday into more than 2,400 theaters.


A pair of acclaimed filmmakers enjoyed encouraging sophomore expansions with
their latest efforts and delivered the next best averages.
Wes Anderson‘s comedy
The Darjeeling
Limited
widened from two New York houses to 19 locations in seven
markets and grossed an estimated $553,000 for a powerful $29,099
average. Fox Searchlight will continue to open in more cities over the next two
weekends before going nationwide into more than 800 playdates at the end of the

month. Ang Lee‘s NC-17 romantic thriller
Lust, Caution also held up very well as
it entered new cities. The Focus release went from a solo Manhattan house to
17 venues and collected an estimated $369,000 for a potent $21,696 average.
Totals stand at $$477,000 for Lust and $781,000 for Darjeeling.

 




Also expanding and still generating good averages in their third frames were
Sean Penn‘s
Into the Wild
and
Brad Pitt‘s

The Assassination of Jesse James by the Coward Robert Ford
. Paramount Vantage widened
Wild from 33 to 135 houses and
grossed an estimated $1.3M for an impressive $9,593 average. Warner
Bros. made a leap from five to 61 locations with Jesse and made off with an
estimated $408,000 for a respectable $6,689 average. Cumes are $2.5M and
$746,000 respectively and each film will continue to add more cities and
theaters in the weeks ahead.
 



Not faring well in its national expansion was the drama The
Jane Austen Book Club
which grossed an estimated $1.5M from 1,232 sites for a weak $1,247
average. Last weekend, the Sony Classics release averaged $4,700 from only 41
venues. Total sits at $2M.



Three films fell out of the top ten over the weekend. The Focus mob thriller
Eastern Promises

dipped 33% to an estimated $2M giving the
David Cronenberg

David
Cronenberg
pic

$14.3M overall. A decent $20M final seems likely which would put it about
one-third below the $31.5M of the director’s last film
A History of Violence

which
also starred
Viggo Mortensen
.

Sony’s Beatles-themed musical feature
Across the
Universe
continued to have
great legs easing a mere 8% in its fourth outing to an estimated $1.9M. With $8M

in the bank from limited release, the Julie Taymor-directed pic goes wide on
Friday into more than 700 sites. Universe joins the music-themed films

Hairspray
and
Once
as movies with some of the best legs at the box office over the last
several months. But it was a sad tune for Universal’s teen comedy
Sydney White

which tumbled 49% to an estimated $1.3M for a weak total of just $10.2M. Look
for a poor $13M finish.
 


The top ten films grossed a disappointing estimate of $61.9M which was down a
substantial 37% from last year when
The
Departed
debuted in first place with $26.9M; and off 23% from 2005 when


Wallace & Gromit: The Curse of the Were-Rabbit
opened in the top spot with
$16M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

After two weeks of rule by Jodie and Milla, the boys come charging back in what could be a fierce fight for the number one spot. Jamie Foxx heads up the Middle East political thriller The Kingdom while The Rock targets a kinder and gentler audience with his family comedy The Game Plan. With little to no overlap in customers, both films should have room to breathe. Also debuting but in a moderate national release is the Morgan Freeman pic Feast of Love.

After scoring four consecutive $100M grossers this summer, Universal aims for another trip to the number one spot with its new military drama The Kingdom. Oscar winner Jamie Foxx leads the cast playing an agent with the FBI that assembles a talented team of experts to go to Saudi Arabia against government orders to investigate a suicide bomber’s attack against Americans. Jennifer Garner, Chris Cooper, Jason Bateman, and Jeremy Piven co-star in the R-rated pic. The studio is hoping to reconnect with the same audience that powered its 2005 Iraq War drama Jarhead to a strong $27.7M bow. It’s even used Kanye West‘s music in its advertising just as it did two years ago.

The Kingdom is part of a handful of fall flicks to deal with political issues in the Middle East. As one of the first ones out of the gate, it may not suffer from the backlash against this genre that may eventually be created. Marketed as a revenge picture featuring Americans fighting back against those who wronged us, the Peter Berg-directed film should tap into a certain segment of the audience that will find comfort in this type of fare. But competition for adults will be a factor especially considering how seven of the top eight films last weekend were rated R. Reviews have been mixed, however starpower is ample which should compensate. Infiltrating more than 2,700 theaters, The Kingdom might open with approximately $19M this weekend.


Jamie Foxx and co. in The Kingdom.

A superstar quarterback’s life is thrown into disarray when he meets the daughter he never knew he had in Disney’s The Game Plan starring Dwayne “The Rock” Johnson. The PG-rated entry enters multiplexes in the early weeks of the football season and at a time when there are zero options for families meaning the timing could not be better. The concept should sell to moms, dads, and kids alike. Plus, the studio found great success with this format two years ago when it put muscular action star Vin Diesel into the family comedy The Pacifier and drove $30.6M worth of business into theaters on opening weekend.

Of course Diesel, Ice Cube, and other macho men have been showing their softer side in kidpics lately so the idea is not totally new. The studio’s sneak previews last weekend helped to get more buzz out there with the target demo and with the lack of direct competition, Game Plan should have smooth sailing with parents and children. The marketing push has been effective as Disney has proven with films like Wild Hogs that it can sell just about any type of star-driven comedy to the public. Charging into about 2,800 locations, The Game Plan could grab around $17M this weekend.


The Rock stars in The Game Plan.

Morgan Freeman, Greg Kinnear, and Selma Blair star in the new drama Feast of Love which quietly enters the marketplace on Friday as the frame’s third new wide opener. Directed by Robert Benton, the R-rated collection of intertwining stories set in Oregon will play exclusively to a mature adult audience. MGM has not been pushing the film too much and the release is not very wide so the film’s potential is limited. Women should outnumber men by a small margin. Landing in about 1,200 sites, a $2M debut could result.


Morgan Freeman and Greg Kinnear in Feast of Love.

The Tommy Lee Jones drama In the Valley of Elah will expand to roughly 700 theaters nationwide on Friday as it enters its third weekend of release and will try to pop into the top ten. The Paul Haggis-directed pic got off to a solid start by platforming in nine theaters to a $14,840 average. However, things slowed down considerably last weekend during its expansion to 317 playdates which eroded its average down to $3,996. The Warner Independent title struggled as it moved into more major markets and this weekend should see its average get diluted further. A weekend tally of about $2M seems likely.


Tommy Lee Jones in Elah.

A mighty tumble awaits current box office champ Resident Evil: Extinction which is coming off of the biggest bow in the series. The first two Evil pics each suffered a steep 62% drop in the second weekend. A similar drop should result for this third chapter giving Extinction about $9.5M for the frame and $38M in ten days.

The Dane CookJessica Alba comedy Good Luck Chuck is also following up on a solid debut. Most of the fans of the actors probably came out upfront so a 50% fall to around $7M seems likely. That would give Lionsgate a ten-day cume of $24M.

LAST YEAR Sony topped the charts with its animated offering Open Season which debuted to an impressive $23.6M on its way to $85.1M. Ashton Kutcher voiced the number one film and starred on-screen opposite Kevin Costner in the second place pic The Guardian which opened to $18M. the Buena Vista release went on to collect $55M. Jackass: Number Two fell two spots to third with $14.6M losing half of it audience. Launching in fourth was the Billy Bob Thornton comedy School for Scoundrels with $8.6M for MGM on its way to $17.8M. Jet Li‘s Fearless rounded out the top five with $5M for Focus.

Two new films were met with enthusiasm from North American moviegoers who
powered each film past the openings of their respective predecessors. Fans of
action and horror lined up for the threequel
Resident
Evil: Extinction
which bowed at number one while those in search of a
laugh spent their dollars on the romantic comedy
Good Luck Chuck
.
Both opened with averages of more than $5,000 each and helped to fill the entire
Top Five with R-rated fare as the overall marketplace bounced back after recent
sluggish weeks.

Gamers still love to go to the movies. That’s what Sony learned with its
estimated $24M opening weekend for
Resident
Evil: Extinction
, the third and supposedly final chapter of the popular
movie franchise starring
Milla Jovovich.
If the estimate holds, it will give the latest chapter the best debut of the
series. 2002’s original premiered with $17.7M while its 2004 sequel
Resident
Evil: Apocalypse
bowed to $23M. Final grosses reached $39.5M and $50.7M,
respectively. In a world where third parts rarely enjoy the biggest opening in a
series (The Bourne Ultimatum is the only other of this year’s seven threequels
to do so), Extinction‘s performance is noteworthy in that it generated
its strong gross from 456 fewer theaters than Apocalyspe had three years
ago.





Dane Cook and
Jessica Alba
made a popular couple as their new romantic comedy
Good Luck Chuck

opened in second place with a solid $14M, according to estimates. Lionsgate
released the R-rated pic in 2,612 locations and averaged a commendable $5,360
per site. Critics trashed the film but moviegoers paid no attention. The debut
was 23% better than the $11.4M opening of Cook’s last comedy,
Employee of the
Month
, which the distributor bowed last October. In Chuck, the actor
plays a man who women find lucky since all his ex-girlfriends go on to get
engaged after dating him.
 




Jodie Foster
dropped two spots with her vigilante thriller
The Brave One
which
fell 45% to an estimated $7.4M in its second weekend. The Warner Bros. release
has grossed $25.1M in ten days and should reach the vicinity of $44M, or a
little less than half of the grosses of the last starring roles for the actress
– $89.7M for Flightplan
and $95.3M for Panic
Room
. The Lionsgate Western
3:10 to Yuma

continued to have good legs easing only 29% to an estimated $6.4M for a 17-day
cume of $37.9M.
 



The mob thriller
Eastern Promises
starring Viggo Mortensen expanded into nationwide
release and jumped into fifth place with an estimated $5.7M. Widening from 15 to
1,404 venues, the Focus title averaged a respectable $4,093 per site. Eastern
did not show the same strength as director
David
Cronenberg’
s last film
A History of
Violence
(another Viggo pic that opened limited in September) which
grossed $8.1M and averaged $6,047 when it expanded nationally in its sophomore
frame two years ago. Cume for Eastern stands at $6.5M.
 





Stumbling into sixth place was the new
Amanda Bynes
teen comedy Sydney
White
which bowed to an estimated $5.3M from 2,104 locations for a weak
$2,530 average. The Universal release sets the classic Snow White story on a
modern-day college campus and attracted half the business of Bynes’ last comedy
She’s the
Man
(an adaptation of Shakespeare’s The Twelfth Night) which opened to
$10.7M in March 2006. Sydney skewed to a young female audience, as expected.
 


New Line’s
Billy Bob Thornton
comedy
Mr. Woodcock

dropped 43% in its second weekend to an estimated $5M putting the ten-day total
at $15.7M. A $25-28M final seems likely. Fellow comedy
Superbad
grossed an
estimated $3.1M, off 39%, giving Sony $116.2M to date. The studio also crossed
the $1 billion mark in domestic tickets sales for the sixth year in a row.
 



Universal’s assassin smash
The Bourne Ultimatum

dipped only 32% to an estimated $2.8M pushing the domestic haul to $220.2M.
Universal can now claim the only two summer films to spend eight weeks in the
top ten as the Matt Damon smash joined studio stablemate
Knocked Up
.
Rounding out the top ten was the fantasy adventure
Dragon Wars
with an
estimated $2.5M, down 50%, for a ten-day cume of only $8.6M.
 





Debuting to scorching results in limited release was
Sean Penn‘s
latest directorial effort
Into the Wild

which banked an estimated $207,000 from only four theaters for a potent $51,649
per site. The Paramount Vantage release stars
Emile Hirsch,
earned strong reviews, and helped critics get the bad taste of Penn’s
All the King’s Men

out of their mouths. Wild expands to the top dozen markets next weekend.
 



Warner Bros. got off to a solid start with its Old West tale

The Assassination of Jesse James by the Coward Robert Ford
which made
off with an estimated $144,000 from 15 theaters for a $9,600 average. Ten of the
locations were in Austin with most double-screening the nearly-three-hour outlaw
tale. The Brad PittCasey
Affleck
starrer earned generally good notices from reviewers and will widen
on Friday.
 





With all the new films in wide release, four pictures dropped out of the top ten
over the weekend. New Line’s
Rush Hour 3
took
in an estimated $2.2M, off 33%, giving the
Jackie ChanChris
Tucker
vehicle $136.1M to date. Look for a final domestic gross of about
$142M. Fellow franchise flick
Halloween
tumbled
56% to an estimated $2.2M as well giving MGM $54.6M to date. A finish of $58M
seems likely.
 



A weekend estimate of $1.7M greeted the comedies
Balls of Fury

from Focus and
Mr. Bean’s Holiday
from Universal. The ping pong pic fell 47% for a cume
of $31.3M while the
Rowan Atkinson
Eurotrip eased 36% and has gathered $30.8M to date. A final domestic tally of
$35M should result for each.
 





Expanding successfully was the Sony musical saga
Across the
Universe
with an estimated $2.1M from only 276 theaters for an
impressive $7,428 average. The
Julie Taymor-directed
pic expanded from its platform debut in 23 venues last weekend and has raised
its total to $3M.
 





Paramount launched the summer megahit
Transformers

in Imax theaters over the weekend and saw its weekend take jump 196% to an
estimated $1.4M (including sales from standard-format screens). That pushed the
cume to $313.6M putting the robots in disguise at number 21 on the list of
all-time domestic blockbusters and less than $1 million away from tossing

The Lord of the Rings: The Fellowship of the Ring
($314.2M) out of the
Top 20.
 





The top ten films grossed an estimated $76.2M which was off 1% from last year
when Jackass:
Number Two
debuted in first place with $29M; and down 10% from 2005 when
Flightplan opened in the top spot with $24.6M.

Author: Gitesh Pandya,
www.BoxOfficeGuru.com

Jodie Foster will find herself in the middle of a catfight over the number one spot this weekend. The star of current chart-topper The Brave One will face challenges from Milla Jovovich‘s new action sequel Resident Evil: Extinction, Jessica Alba‘s romantic comedy Good Luck Chuck, and the Amanda Bynes college laugher Sydney White. With adult-skewing dramas ruling the box office over the past couple of weeks, teens and young adults should be out in full force this weekend thanks to the selection of new options.

Deadly viruses and killer zombies are back in Sony’s Extinction, the latest and final chapter in its video game-inspired action-horror franchise. The series has been a popular one with the first Resident Evil opening to $17.7M in March 2002 and its sequel Resident Evil: Apocalypse debuting to a stronger $23M in September 2004. Each averaged about $7,000 over the debut frame. The R-rated Extinction will play to the converted and is not likely to generate any new fans. In fact, some will drop out thinking a third helping is a bit too much. Still the built-in audience of young adults and gamers plus a solid marketing push guarantee a top spot launch. Attacking over 2,700 locations, Resident Evil: Extinction could capture roughly $20M over the three-day debut period.


Milla Jovovich fights a zombie in Resident Evil: Extinction

Dane Cook plays a dude whose every ex-girlfriend ends up engaged to the next guy she dates in the romantic comedy Good Luck Chuck. Jessica Alba co-stars in the R-rated release from Lionsgate which will use starpower to attract an audience of older teens and young adults. Last October Cook teamed up with another Jessica, Simpson that time, in the PG-13 comedy Employee of the Month which bowed to $11.4M. The marketing on Chuck has been good and cross-gender appeal seems solid too, although the rating could cut into business from younger teens who will certainly want to see this picture. Falling into 2,612 theaters, Good Luck Chuck may gross about $12M this weekend.


Jessica Alba and Dane Cook in Good Luck Chuck

Amanda Bynes headlines the college comedy Sydney White playing a freshman caught between the popular sorority sisters and her nerdy pals. The PG-13 film will aim itself squarely at teens and college students and should skew a bit more female. Hollywood has had a tough time reaching young females recently with flops like Nancy Drew ($6.8M opening), Bratz ($4.2M), and Gracie ($1.4M) all stalling. Sydney will try to appeal to the same crowd that powered Bynes’ comedy She’s the Man to $10.7M in March 2006. However the marketing push is not as strong and the release will not be as wide so the three-day take will be softer. The marketplace’s current lack of offerings for this audience creates a great opportunity for a good marketable film to come in a loot some cash. But Sydney just doesn’t seem to have what it takes to score a big opening. Pledging in over 1,900 theaters, Sydney White could debut with around $6M.


Amanda Bynes in Sydney White

Last weekend, David Cronenberg‘s latest crime thriller Eastern Promises enjoyed a limited release bow that was basically a carbon copy of his last film A History of Violence which opened to $515,992 from 14 theaters in September 2005 for a potent $36,857 average. Focus is now matching History‘s sophomore weekend expansion pattern by widening Promises to 1,404 locations nationwide. History in its second session expanded to 1,340 sites and grossed $8.1M for a solid $6,047 average. Reviews and buzz for Promises is just as good so a similar performance could be in the works. Ticket prices are slightly higher, but so are the number of films also targeting an adult audience. In fact, the top five this weekend should boast mostly R-rated fare. For this weekend, look for Eastern Promises to take in about $8M.


Eastern Promises

In the arthouse scene, which is quickly getting more crowded with each passing week, Brad Pitt rolls in as both actor and producer in the Old West drama The Assassination of Jesse James by the Coward Robert Ford. Warner Bros. is unleashing the R-rated pic in only 15 theaters in New York, Los Angeles, Toronto, and Austin hoping to generate a strong average and positive word of mouth. Pitt already scored the Best Actor trophy for his portrayal of the famous outlaw at the Venice International Film Festival and is making a bid for kudos attention over the months ahead. Reviews have been mostly positive and an expansion is planned for the coming weeks.


The Assassination of Jesse James By the Coward Robert Ford

After a less-than-spectacular number one opening, Jodie Foster‘s revenge thriller The Brave One will try to fend off competition for its mature adult audience from the expansion of Eastern Promises. The frame’s three newbies should play to other audience segments. A 45% drop would give Warner Bros. about $7.5M for the weekend and a ten-day cume of $25M which would be about how much Foster’s last starring vehicle Flightplan grossed in only its first three days.

3:10 to Yuma posted a solid hold last weekend and this time a similar drop could result. The Lionsgate release might dip by 35% to around $6M raising the total to $37M after 17 days.

LAST YEAR: Johnny Knoxville and his partners in crime landed a big number one opening for Jackass: Number Two which bowed to $29M. The Paramount sequel went on to collect $72.8M. Focus debuted in second with another R-rated film aimed at young men, the Jet Li actioner Fearless, which grossed $10.6M. The historical pic reached $24.6M. Sony’s football drama Gridiron Gang dropped two spots to third with $9.5M in its sophomore frame. Opening poorly in fourth was the action flick Flyboys with only $6M for MGM on its way to $13.1M. The animated film Everyone’s Hero rounded out the top five with $4.7M. Premiering to dismal results was the Sean Penn vehicle All the King’s Men (the third new release to take place in the past) with $3.7M for Sony. It quickly ended its run with a poor $7.2M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got cursed couples (Good Luck Chuck,
starring Dane Cook and
Jessica Alba), a collegiate Snow White (Sydney White,
starring Amanda Bynes), the London underworld (Eastern Promises, starring
Viggo Mortensen and
Naomi Watts), and post-apocalyptic zombie killing (Resident
Evil: Apocalypse
, starring
Milla Jovovich). What do the critics have to say?

Romantic comedies are often the most difficult films to pull off; you need
palpable chemistry between the leads, inspired jokes, and a delicate sense of
comic timing. Good luck finding those attributes in
Good Luck Chuck
,
critics say. Dane Cook stars as a guy who’s the victim of a curse, one in which
any woman who dates him finds true love — with someone else. Enter Jessica Alba
as a penguin-lover who really digs him. Can she break the curse? Critics say the
movie seems to be under a spell of its own, one in which potential laughs are
squandered by means of rude humor, shopworn slapstick, and an ultimately cheesy
resolution. At seven percent on the Tomatometer, Chuck this one to the
curb.




"Why yes, I am interested in renewing my subscription to
The Atlantic Monthly."

Sydney White, the titular heroine of this Snow White update, might find herself
singing, "Someday, my prince will come." Or perhaps, "Someday, a bunch of
princely movie critics may give my movie a good review."
Sydney White
stars
Amanda Bynes as a college freshman who has to contend with a malicious sorority
queen while whipping a frat of geeks into social shape. While critics agree
Bynes is a talented actress who’s rescued movies in the past, her comic skills
go largely to waste here on a script that functions completely on stereotypes
and does little to plant new twists on the classic
fairy tale. In fact, the scribes say the unsubtle references to Snow White lore
in the movie are jarring and distracting. At 46 percent Tomatometer, Sydney
White
is one poisoned apple.



"Tomatometers that big gotta be fake."

With Eastern Promises,
David Cronenberg continues to utilize genre
trappings for his singular dark, bold vision. Promises stars Viggo
Mortensen as a mysterious yet charismatic Russian hitman whose loyalties are put
into question when he encounters Naomi Watts’s character. Critics praise
Eastern
‘s tight pacing, grisly images that are shocking but short of
exploitation, and Mortensen’s daring performance.  And a fight scene in a
bathhouse between Mortensen and a group of thugs is being touted as one of the most impressive action set piecess in recent memory.  At a
Certified Fresh 86 percent, Cronenberg Promises a good time. (Check out our interview with Cronenberg and Mortensen
here).



"So what makes you qualified to be an American Apparel model?"

Are video game adaptations headed the way of the eggplant wizard? That’s up for debate, but
it appears that the people behind
Resident Evil: Extinction
were
prepared for a critical ice age; what other reason for not screening the movie
before its release? As with the first two Evil flicks, Extinction
stars Milla Jovovich as a zombie killer roaming a post-apocalyptic landscape.
Kids, put down your biology textbooks and Guess that Tomatometer. (Oh, and be
sure to check out our report from the Resident Evil: Extinction set
here).




"Just give me some green herb and no one gets hurt."

Also opening this week in limited release: The Brazilian import
Antonia
,
the gritty story of a group of female rappers overcoming poverty, is at 88
percent; Sean Penn‘s
Into the Wild, starring Emile Hirsch as a young man
who ditches civilization for the wilderness, is at 85 percent;
The
Assassination of Jesse James by the Coward Robert Ford
, a revisionist look
at the famed outlaw starring
Brad Pitt and
Casey Affleck, is at 84 percent;
The
Last Winter
, a supernatural/philosophical horror film set in Alaska, is at
80 percent;
Beauty Remains
, a story of
two sisters in love with the same man on the cusp of the Chinese Revolution, is
at 67 percent;
Adrift in Manhattan
, about profound encounters between
strangers in the Big Apple, is at 60 percent;
The Jane Austen Book Club
, a tale of book club members who
find their lives paralleling the text of the great author, is at 58 percent; and

Trade
, a drama about young women sold into sexual slavery, is at 33
percent.




"Now give me some sensibility, with a little pride and/or
prejudice thrown in."


Finally, props to our old buddy
Mizzoucritic, who came the closest to guessing
Dragon
Wars
‘ 25 percent Tomatometer. If you see MC, be sure to spot him for
breakfast at Ron’s Country Boy, the ideal eatery for celebrating a hard-fought
victory.

Recent Viggo Mortensen Movies:
——————————————
87% — A History of Violence (2005)
46% — Hidalgo (2004)
94% —
The Lord of the Rings: The Return of the King
(2003)
97% —
The Lord of the Rings: The Two Towers
(2002)
94% —
The Lord of the Rings: The Fellowship of the Ring
(2001)

Recent Jessica Alba Movies:
———————————–
40% — The Ten (2007)
36% —
The Fantastic Four: The Rise of the Silver Surfer
(2007)
21% — Into the Blue (2005)
26% — Fantastic Four (2005)
77% — Sin City (2005)

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