50 Worst Summer Movies of All Time

Cinema history is filled with movies that got burned under the hot summer sun, and every year, we get our share of critically panned big-budget duds (this year’s slate includes such low achievers asFantastic Four and Hot Pursuit). However, it takes a rare kind of awful to merit inclusion into RT’s Worst Summer Movies list, a compendium of cinematic horrors that were granted a wide theatrical release between the months of May and September in the years since the release of Jaws in 1975 kickstarted the blockbuster era. Without further ado, we present our countdown of the 50 worst-reviewed summer movies!

 

 

Time for a new "Wonder Woman" rumor, fellas! Everyone gather ’round! Fresh-faced hottie Sophia Bush is rumored to be "in the running" for the title role in Joss Whedon‘s (eventually) upcoming adaptation of the very sexy DC Comics character.

Moviehole.net reports a bit beyond what IESB.net was able to discover: That while spending some time on her press junket for "The Hitcher," Ms. Bush was asked about her involvement on "Wonder Woman," to which she basically answered "Maybe." Which isn’t a "no."

Back when Mr. Whedon landed the "WW" gig, he stated that he wanted a fresh newcomer for the career-making super-role, and it seems like Sophia Bush has those qualifications covered. Aside from next weekend’s "The Hitcher," Ms. Bush has appeared in "John Tucker Must Die," "Stay Alive," and "Supercross" — which means she’s more than due for a good movie, and soon.

This weekend Samuel L. Jackson looks to seize control of the muthaf*ckin’ box office with his new muthaf*ckin’ film "Snakes on a Plane" which invades theaters on a wave of internet buzz.

It should be a smooth trip to number one for the action thriller which will face competition from the teen comedies "Accepted" and "Material Girls" plus the expansion of the indie darling "Little Miss Sunshine." After two weeks in the top spot, Will Ferrell‘s hit comedy "Talladega Nights" will decelerate and lose pole position, but will have the distinction of crossing the celebrated $100M mark.

All eyes are on Sam Jackson this weekend as his much-blogged-about action vehicle "Snakes on a Plane" makes its way into theaters. The R-rated film presents an old fashioned good guy versus bad guy story with the former Mace Windu playing an FBI agent assigned to escort a key witness to a mob murder on a flight from Hawaii to Los Angeles. When the crime boss masterminds a plan to unleash poisonous snakes mid-flight, all hell breaks loose. New Line has no ambitions of winning Oscars here. "Snakes" is pure entertainment aimed at giving fans a thrill ride for two hours. No advance screenings are being held for the media which is usually a sign that the studio believes that the reviews will only trash the picture so why waste the time and money?

No R-rated film this year has broken the $30M mark on opening weekend. In fact, in the past two years, only a pair of R pics have opened north of that mark – last year’s duo of "Saw II" with $31.7M and "Wedding Crashers" with $33.9M. "Snakes" will be relying on an adult male audience for its ticket sales with older teens and twentysomethings being the driving force. Jackson may also be able to pull in African American audiences given his stature and the type of role he is playing. Typically, the Oscar-nominated actor does not have much box office muscle when anchoring a film solo. But the buzz and media coverage surrounding "Snakes" has almost made it into a franchise.

With so many on the internet buzzing about the movie since the beginning of the year, uploading their own trailers and "Snakes"-related videos, and pushing for more violence and profanity, the fans have gotten a sense of empowerment. They feel like they have been part of the filmmaking process and you can be sure that they will be out when the film opens to see the final product. And since everyone knows that the film will be cheesy and that there are no press screenings, expectations are not too high. Without all the hoopla, this film would only be seen as action movie number ten that Hollywood churns out for the summer season. New Line is taking the step of launching "Snakes" a day early on Thursday night with showtimes starting at 10pm.

August has been a great month for these types of action films for young males. Three years ago, the studio opened the R-rated horror flick "Freddy vs. Jason" to $36.4M while a year later, Fox found a $38.3M bow for its PG-13 sci-fi pic "Alien vs. Predator." Jackson’s film lacks a franchise following, although the hype has generated a sizable built-in audience of its own. "Snakes" will come and go quickly from theaters. A strong start should be followed by massive erosion, but with a reported budget of only $30M, it can’t lose money. Plus Jackson has done a commendable job hitting the trail and promoting his new flick. Attacking over 3,300 theaters, "Snakes on a Plane" could open with around $28M this weekend.

Universal is hoping that those too young for "Snakes," but who are still looking for some late-summer fun, will line up for its new comedy "Accepted." The PG-13 film stars Justin Long as a high school senior rejected by every college he applies to who then decides to make up his own fake university. The under-25 set is the target audience here with teens who can relate to the character’s nightmare making up the bulk of the crowd. Recent young-skewing hits like "Step Up" and "John Tucker Must Die" have proven that no-star vehicles with an interesting concept can lure in solid numbers on opening weekend. Those films debuted to $14.3M and $20.7M, respectively. Studios have done a poor job satisfying teenagers in recent weeks with their big ticket items which has only helped these low-cost pictures. "Accepted" will certainly have to face "Snakes" taking away older guys and "Step Up" in its second weekend stealing away the gals. But the concept is a good one and with so many young people getting ready to head back to campus, memories of rejection letters will come flying back. Marketing materials register some laughs too and appeal to both genders is there. Entering over 2,700 locations, "Accepted" could open with around $12M this weekend.

Hilary and Haylie Duff graduate from the world of breath mint commercials to feature films in "Material Girls" from director Martha Coolidge ("Real Genius," "The Prince and Me"). The PG-rated film finds the sisters playing heiresses to a cosmetics fortune who stumble upon bankruptcy. Anjelica Huston co-stars. The MGM release will play primarily to a female audience of teens and pre-teens. Males interested in buying tickets should number about three. "Material Girls" is not getting too big of a push and with "Step Up" doing so well with the same demographic, it will be an uphill battle attracting business. Once a potent asset, Hilary has lost much of her pull at the box office with recent clunkers like "Raise Your Voice" and "The Perfect Man" landing poor debuts of only $4M and $5.3M, respectively.. The Duffs may end up taking a lesson from the Olsen twins whose own film "New York Minute" opened a week after the bow of 2004’s surprise teen girl hit "Mean Girls" and ended up being squashed with a weak $6M debut from over 3,000 theaters. "Material Girls" will enter only 1,509 playdates and could settle for an opening of just $4M.

After three weeks of sparkling results in limited release, Fox Searchlight’s comedy sensation "Little Miss Sunshine" expands nationally into 694 locations from its current run in 153 sites. Last weekend, the R-rated dysfunctional family pic averaged a stunning $17,014 which is one of the best showings in recent years for a film playing in 100-200 locations. With strong reviews and positive word-of-mouth, "Sunshine" should jump into the top ten this weekend and could gross about $5M pushing its cume into double-digit millions.

Searchlight also debuts its next indie flick "Trust the Man" which opens in 37 theaters in selected cities on Friday. The R-rated dramedy stars Billy Crudup, David Duchovny, Maggie Gyllenhaal, Julianne Moore, and Eva Mendes and tells the story of two New York couples going through relationship troubles. Moore’s real-life husband Bart Freundlich directs. "Trust the Man" has garnered mixed reviews from critics and will expand nationwide on September 8.

Also opening in limited release, but attracting more glowing praise from critics, is the dramatic thriller "The Illusionist." Edward Norton, Paul Giamatti, and Jessica Biel star in the PG-13 film which finds a turn-of-the-century magician battling wits with a Vienna cop. Two weeks after the limited bow, Yari Film Group will expand "Illusionist" wide over the Labor Day holiday weekend.

A variable that could affect moviegoing behavior this weekend could be all the current stories in the news this week that have connections to major films in release. Tapes of 911 calls from victims of the World Trade Center disaster have been released after nearly five years. New terror plots aboard commercial planes have dominated the headlines lately, and a new arrest in the Jonbenet Ramsey case has brought attention back to little girls in beauty pageants. How this news coverage will affect the grosses for films like "Snakes on a Plane," "Little Miss Sunshine," and "World Trade Center" is anyone’s guess. But at a time of year when moviegoing typically slows down anyway, some potential ticket buyers may decide to look elsewhere for their weekend entertainment.

Will Ferrell’s "Talladega Nights" looks to race past the $100M mark by the end of its second full week in theaters. The Sony hit won’t win a third box office crown, but it should remain in the top five and drop 45% to about $12M. That would give the racing comedy $113M in 17 days making it the comedian’s second biggest hit ever, in a leading role, behind "Elf" which took in $173.4M.

Last weekend’s surprise smash "Step Up" is not afraid of "Snakes on a Plane" which is likely to tap into an older and more male audience. Instead, Buena Vista’s dance drama will see its competition come from "Accepted" and "Material Girls." Word-of-mouth for "Step Up" has been encouraging with the film averaging a solid B+ from over 5,500 users of Yahoo Movies. Still, teen pics tend to fall fast so a 50% decline would give the film around $10M for the weekend and a stellar ten-day total of $40M.

Paramount’s "World Trade Center" got off to a healthy start at the box office and is also generating positive buzz from moviegoers. Competition is not too fierce this weekend for adults looking for mature fare so a 35% drop would give the Oliver Stone movie roughly $12M and a cume of $46M after 12 days.

LAST YEAR: The surprise comedy hit "The 40-Year-Old Virgin" debuted at number one with a better-than-expected weekend opening of $21.4M. Universal’s R-rated smash displayed strong legs in the weeks ahead and ended up scoring $109.3M. Settling for second place in its first flight was the DreamWorks thriller "Red Eye" with a solid $16.2M on its way to $57.9M. Rounding out the top five were holdovers "Four Brothers" with $12.5M, "Wedding Crashers" with $8M and "The Skeleton Key" with $7.7M. The frame’s two other new releases were mostly ignored by moviegoers. Disney’s animated pic "Valiant" bowed to $5.9M for eighth place while Fox’s action drama "Supercross" crashed into 15th place with a dismal $1.3M opening weekend. Final tallies reached $19.5M and $3.1M, respectively.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Looks like some cast & crew are coming together for Platinum Dunes / Rogue’s remake of "The Hitcher," which is a brilliantly nasty cult classic from 1985 that stars C. Thomas Howell as a stupid driver and Rutger Hauer as the hitchhiker from hell.

Production Weekly informs us that Sophia Bush has been signed for the remake, which makes her the first cast member to climb aboard. You’ll no doubt remember Ms. Bush from her work in "Van Wilder," "Supercross," "Stay Alive," and TV’s "One Tree Hill."

The new "Hitcher" will be directed by music video expert Dave Meyers, from a screenplay by Jake Wade Wall ("When a Stranger Calls") and Eric Bernt ("Romeo Must Die"). (The original was directed by Robert Harmon ("Highwaymen") and written by Eric Red ("Near Dark").)

Over the past few days, we’ve tried to counter the common misconception that this summer’s cinematic fare was bereft of quality. However, that doesn’t mean the season was without some stinkers, at least critically speaking.

The most rotten movie of the summer was "Supercross: The Movie," which won praise from two percent of the critics. "Undiscovered," the title of which was often used derisively in reviews, stood at four percent. Rounding out the top five were "The Perfect Man" (six percent) "Deuce Bigalow: European Gigolo" (10 percent), and "Honeymooners" (12 percent). The most rotten limited release of the summer was the Aussie slasher flick "Undead."

Here’s the 20 most rotten films of the summer, in ascending order:

2% — Supercross: The Movie
4% — Undiscovered
6% — The Perfect Man
10% — Deuce Bigalow: European Gigolo
12% — Honeymooners
13% — Stealth
14% — Rebound
14% — The Cave
17% — Monster-In-Law
17% — The Dukes of Hazzard
20% — The Adventures of Shark Boy and Lava Girl in 3D
23% — House of Wax
23% — Valiant
23% — Undead
25% — Bewitched
25% — Fantastic Four
27% — 9 Songs
28% — Mindhunters
28% — Pretty Persuasion
28% — The Baxter

Check out the rest of our coverage:
Summer Tomatometer Wrap-up: Box Office Down, Tomatometer Up
Summer Tomatometer Wrap-up #2: The Best of the Wide Releases
Summer Tomatometer Wrap-up #3: The Best of the Limited Releases

In a terribly tragic twist for fans of the WB’s "One Tree Hill," resident on- and off-screen lovebirds Chad Michael Murray and Sophia Bush are separating after five months of wedded bliss.It was a marriage made in primetime-teenage-melodrama-heaven when Murray, whose onscreen high school basketball star pines for Bush’s onscreen poor little rich girl, proposed last May while on location shooting his big-screen teen slasher, "House of Wax." In April, the photogenic pair wed in Santa Monica, dashing many a schoolgirl fantasy (but we still rooted for them, really); over the summer break, each had a movie to promote — "House of Wax" for him, "Supercross" for her. So where did it go wrong? While we ponder that thought, Season Three of "One Tree Hill" resumes next week, with Murray and Bush’s characters headed toward resuming their on-screen romance.

Steve Carell‘s "The 40 Year-Old Virgin" unzipped approximately $20.6 million from over 2,800 theaters during its debut weekend, making it the second R-rated comedy (after "Wedding Crashers") to make a big splash this summer.

Debuting in second place was the airborne thriller "Red Eye," which snagged $16.5 million from nearly 3,100 theaters, thereby making leading lady Rachel McAdams the new "it" girl of the summer.

Holding on in third place was last weekend’s leader, "Four Brothers," which added an estimated $13 million to its $43.6 million total. Fourth place was awarded to the still-popular "Wedding Crashers," which jammed another $8.2 million into its overstuffed pockets ($178 million all told). Rounding out the top 5 was last weekend’s "The Skeleton Key," which tallied $7.2 million for a total just over $30 million.

Two other newcomers, Disney’s "Valiant," and Fox’s "Supercross," didn’t fare so well, grossing $6 million from 2,000 theaters and $1.3 million from 1,600 theaters, respectively.

Next weekend’s wide releases include the subterranean thriller "The Cave," Terry Gilliam‘s "The Brothers Grimm," and the romantic comedy "Undiscovered."

As always, feel free to stop by the Rotten Tomatoes Box Office page for a closer look at the weekend numbers.

This week at the movies brings four studies in aviation. What happens when you’re trapped on a plane with a creepy seatmate? (See "Red Eye.") Is it ever too late for Cupid’s arrows to take flight? (Check out "The 40 Year-Old Virgin.") Were the unsung heroes of the Allies in WWII… pigeons? ("Valiant," this one’s for you.) Isn’t it cool when those Supercross dudes, like, totally go up in the air, and like, for a few seconds, y’know, it looks like they’re, like, flying? (Ahem…."Supercross: The Movie.") And most important of all: which of these flicks will fly with the critics?

Alfred Hitchcock once famously declared, "I like to play the audience like a piano." Wes Craven is no Hitchcock (who is?), but in his finest moments, his work embodies the spirit of that sentiment. And critics say "Red Eye" is one of Craven’s finest moments. Much like many of Hitch’s films, the plot strains credibility, but who cares; brisk, paranoid, and tense, this is excellent popcorn fare, with stars in the making Rachel McAdams and Cillian Murphy getting their share of props. "Red Eye" soars, scoring 84 percent on the Tomatometer. And it’s Craven’s best reviewed film since "Scream" (87 percent) in 1996.

Speaking of overdue props, Steve Carell has been stealing scenes from movies for a while (and he was in those weirdly funny FedEx commercials — am I the only one who remembers that?). So now that he’s getting his shot in the spotlight, he’s unsurprisingly making the most of it. Critics are showing a lot of love for "The 40 Year-Old Virgin," a film that continues the recent trend of mixing tasteless humor with aching sincerity. At 85 percent, "The 40 Year-Old Virgin" may be worth a date. And it’s getting better reviews than even the surprise comedy megahit of the summer, "Wedding Crashers" (currently at 74 percent).

So CGI is the wave of the future? Maybe. But technology can only go so far; a movie still has to tell a compelling story. Critics say even the technology isn’t that good in "Valiant," a tale of carrier pigeons’ heroism in WWII. And though it features voice work from some of our favorites from across the pond (Ewan McGregor, Ricky Gervais, John Cleese, Hugh Laurie), the writers say it’s plucky but impersonal, and too odd in its plot to make much sense to younger viewers, the assumed target demographic. At 24 percent on the Tomatometer, this bird’s having trouble achieving takeoff. And it’s the worst-reviewed CGI film ever, sinking lower than last year’s "Shark Tale" (35 percent).

Since there is apparently little appeal in "Segway: The Movie" or, perhaps "Jet-Ski: The Movie," X-treme fans will have to make do with "Supercross: The Movie." But according to critics, there couldn’t be much less appeal to this teen romance in between totally radical and tubular stunts. The reason old-school exclamations make sense in this context is that the plot of this movie is pretty dated; heck, "Don’t Worry Baby," the classic Beach Boys song about romance and drag racing, pretty much told the same story in three minutes. But "Supercross" does soar above the competition in one respect: at three percent on the Tomatometer, it’s among the worst reviewed movies of the year.

Worst Reviewed Movies of 2005 (So Far):
—————————————
1. King’s Ransom — 0%
2. Alone in the Dark — 1%
3. Supercross: The Movie — 3%
4. Son of the Mask — 4%
5. Modigliani — 4%
6. Fascination — 5%
7. Harry and Max — 5%
8. The Perfect Man — 6%
9. Elektra — 7%
10. White Noise — 9%

Recent Wes Craven-Directed Movies:
———————————–
14% — Cursed (2005)
41% — Scream 3 (2000)
68% — Music of the Heart (1999)
81% — Scream 2 (1997)
87% — Scream (1996)

John Singleton‘s action drama "Four Brothers" opened in 2,500 theaters to a better-than-expected $20.7 million in its first weekend, handily beating a trio of other newcomers. One of its main competitors was the Kate Hudson bayou thriller "The Skeleton Key," which unlocked nearly $15.8 million (from about 2,800 theaters) in a comparatively slow weekend at the box office.

Still hanging around in third place was WB’s "The Dukes of Hazzard," which added another $13m to its $57.5 total gross. Fourth place went to the powerful "Wedding Crashers," which grossed just over $12 million, adding to its total gross just over $164 million(!) Rounding out the top five was "Deuce Bigalow: European Gigolo," which made $9.4 million in just over 3,100 theaters.

Miramax’s long-delayed "The Great Raid" just managed to crack the top ten by grossing about $3.3 million from nearly 820 theaters.

In milestone news, Christopher Nolan‘s "Batman Begins" became only the third movie this year to gross over $200 million, after "Star Wars Episode 3: Revenge of the Sith" and "War of the Worlds."

Next week sees the arrival of another cinematic foursome: the bike-racing flick "Supercross" opens on Wednesday, while Steve Carell in "The 40 Year-Old Virgin," Wes Craven‘s airplane thriller "Red Eye," and Disney’s animated adventure "Valiant" will wait until next Friday.

As always, please stop by the Rotten Tomatoes Box Office Page for a closer look at the weekend stats.

Notoriously offbeat filmmaker David Lynch ("Mulholland Dr.") has apparently been working on his next film … for the past two years! "INLAND EMPIRE" (yes, in all caps) will star Laura Dern ("Jurassic Park"), Harry Dean Stanton ("Escape from New York"), Jeremy Irons ("Dead Ringers"), Justin Theroux ("Charlie’s Angels: Full Throttle"), and a few others whom Lynch opts not to name.

StudioCanal is bankrolling the project, but the information pretty much dries up right there. Variety indicates that the film should be ready for next year’s Cannes Film Festival, while Mr. Lynch is as vague as possible: ""It’s about a woman in trouble, and it’s a mystery, and that’s about all I want to say about it."

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