(Photo by 20th Century Fox. Thumbnail: Netflix/courtesy Everett Collection.)

The Worst Superhero Movies of All Time

Great leaping tomatoes! It’s the worst superhero movies ever, an infamous league of Rotten films that scored less than 30% on the Tomatometer!

First off, to keep this list spandex-tight, not only did we include superhero movies below 30%, but each had to have at least 20 reviews, guaranteeing enough critics witnessed of these erratic efforts, franchise non-starters, and would-be blockbusters.

After looking through the list, if you’re wondering why you didn’t see the 1990 Captain America movie, a bunch of those sequels to The Crow, or Dolph Lundgren’s The Punisher, they were cut out by not accumulating at least 20 critics reviews. But, don’t worry, still plenty of room for Frank in this castle of decrepitude, as the other two Punisher movies, the Thomas Jane one and War Zone, are represented. In fact, they both even currently have the same score at 29%, just squeezing into the list. And while most Audience Scores are in the same realm as its movie’s Tomatometer, there’s a divergence on Batman v Superman: Dawn of Justice and Dark Phoenix: Both Rotten movies according to the critics, but which settled above 60% on the Audience Score.

Nic Cage appears twice on this list because they made two Ghost Rider movies. Ryan Reynolds also shows up twice but in two separate franchises, mucking it up in both houses of Marvel and DC via Blade: Trinity and Green Lantern. And because who doesn’t like a comic book showdown, in the battle of Marvel vs DC over who’s made the most worst superhero movies, Marvel is “triumphant” with 10 listings, and DC at 9. We didn’t count The League of Extraordinary Gentlemen, the movie so bad it made Sean Connery quit acting, because though it was at the time produced at an imprint of an imprint of DC Comics (it’s imprint-ception, people), the comic was always wholly owned by its creator Alan Moore.

Of course, let’s not count out other labels making special appearances, like 2000 A.D. (Judge Dredd) or Image (Spawn). Then there’s the magic that happens when when Hollywood executives come together to create something that didn’t come from a comic book, with sparkling results like Tim Allen’s Zoom, an adaptation of TV cartoon Underdog, and the toy-based Max Steel.

One last thing: For movies with the same Tomatometer scores, whichever had more reviews was placed higher. Now, come take a flying leap as we rank the worst superhero movies of all time!

(And see a movie here you love and think ‘Rotten Tomatoes Is Wrong’? Send us a note and we might cover your movie in our new podcast. Hit us up at rtiswrong@rottentomatoes.com.)

#30
Adjusted Score: 56047%
Critics Consensus: Batman v Superman: Dawn of Justice smothers a potentially powerful story -- and some of America's most iconic superheroes -- in a grim whirlwind of effects-driven action.
Synopsis: It's been nearly two years since Superman's (Henry Cavill) colossal battle with Zod (Michael Shannon) devastated the city of Metropolis.... [More]
Directed By: Zack Snyder

#29

Ghost Rider (2007)
26%

#29
Adjusted Score: 31767%
Critics Consensus: Ghost Rider is a sour mix of morose, glum histrionics amidst jokey puns and hammy dialogue.
Synopsis: Years ago, motorcycle stuntman Johnny Blaze (Nicolas Cage) sold his soul to save the life of a loved one. Now,... [More]
Directed By: Mark Steven Johnson

#28

Green Lantern (2011)
26%

#28
Adjusted Score: 34641%
Critics Consensus: Noisy, overproduced, and thinly written, Green Lantern squanders an impressive budget and decades of comics mythology.
Synopsis: Sworn to preserve intergalactic order, the Green Lantern Corps has existed for centuries. Its newest recruit, Hal Jordan (Ryan Reynolds),... [More]
Directed By: Martin Campbell

#27

Suicide Squad (2016)
26%

#27
Adjusted Score: 50737%
Critics Consensus: Suicide Squad boasts a talented cast and a little more humor than previous DCEU efforts, but they aren't enough to save the disappointing end result from a muddled plot, thinly written characters, and choppy directing.
Synopsis: Figuring they're all expendable, a U.S. intelligence officer decides to assemble a team of dangerous, incarcerated supervillains for a top-secret... [More]
Directed By: David Ayer

#26

Blade: Trinity (2004)
25%

#26
Adjusted Score: 30945%
Critics Consensus: Louder, campier, and more incoherent than its predecessors, Blade: Trinity seems content to emphasize style over substance and rehash familiar themes.
Synopsis: The war between humans and vampires continues, but the humans' best hope, human-vampire hybrid warrior Blade (Wesley Snipes), has been... [More]
Directed By: David S. Goyer

#25

Bulletproof Monk (2003)
23%

#25
Adjusted Score: 27186%
Critics Consensus: Venerable action star Chow Yun-Fat is the only saving grace in this silly action flick that more often than not resembles a commercial in style.
Synopsis: For 60 years, a mysterious monk with no name (Chow Yun-Fat) has zigzagged the globe to protect an ancient scroll... [More]
Directed By: Paul Hunter

#24
Adjusted Score: 23101%
Critics Consensus: It's a case of one sequel too many for the heroes in a half shell, with a tired time-travel plot gimmick failing to save the franchise from rapidly diminishing returns.
Synopsis: Reporter April O'Neil (Paige Turco) purchases an ancient Japanese scepter that can cause those simultaneously holding it in different centuries... [More]
Directed By: Stuart Gillard

#23

Dark Phoenix (2019)
22%

#23
Adjusted Score: 45015%
Critics Consensus: Dark Phoenix ends an era of the X-Men franchise by taking a second stab at adapting a classic comics arc -- with deeply disappointing results.
Synopsis: The X-Men face their most formidable and powerful foe when one of their own, Jean Grey, starts to spiral out... [More]
Directed By: Simon Kinberg

#22

Judge Dredd (1995)
22%

#22
Adjusted Score: 24271%
Critics Consensus: Judge Dredd wants to be both a legitimate violent action flick and a parody of one, but director Danny Cannon fails to find the necessary balance to make it work.
Synopsis: In the crime-plagued future, the only thing standing between order and chaos is Judge Joseph Dredd (Sylvester Stallone). His duty:... [More]
Directed By: Danny Cannon

#21

Thunder Force (2021)
21%

#21
Adjusted Score: 28059%
Critics Consensus: It's got a few chuckles, but Thunder Force is largely a superhero comedy that's neither exciting nor funny -- and an egregious waste of its co-stars' talents.
Synopsis: Two childhood best friends reunite as an unlikely crime-fighting superhero duo when one invents a formula that gives ordinary people... [More]
Directed By: Ben Falcone

#20
Adjusted Score: 26659%
Critics Consensus: Neither entertaining enough to recommend nor remarkably awful, Teenage Mutant Ninja Turtles may bear the distinction of being the dullest movie ever made about talking bipedal reptiles.
Synopsis: Spawned from a lab experiment gone awry, teenage terrapins Leonardo, Michelangelo, Donatello and Raphael live in the sewers beneath New... [More]
Directed By: Jonathan Liebesman

#19
Adjusted Score: 21368%
Critics Consensus: With a weak script, uneven CG work, and a Nic Cage performance so predictably loony it's no longer amusing, Ghost Rider: Spirit of Vengeance aims to be trashy fun but ends up as plain trash.
Synopsis: Now hiding out in Eastern Europe, Johnny Blaze (Nicolas Cage) is still struggling with the curse of the Ghost Rider... [More]

#18

Spawn (1997)
17%

#18
Adjusted Score: 19426%
Critics Consensus: Spawn is an overbearing, over-violent film that adds little to the comic book adaptation genre.
Synopsis: Covert government assassin Al Simmons (Michael Jai White) is killed after being double-crossed by his boss, Jason Wynn (Martin Sheen).... [More]
Directed By: Mark A.Z. Dippé

#17
Adjusted Score: 23265%
Critics Consensus: Just ordinary. LXG is a great premise ruined by poor execution.
Synopsis: A team of extraordinary figures culled from great adventure literature (including Alan Quatermain, vampiress Mina Harker from Dracula, the Invisible... [More]
Directed By: Stephen Norrington

#16

Underdog (2007)
16%

#16
Adjusted Score: 17351%
Critics Consensus: Underdog is a mostly forgettable adaptation that relies far too heavily on recycled material and sloppy production.
Synopsis: After a lab accident gives him extraordinary powers, including the ability to speak, a canine (Jason Lee) declares himself the... [More]
Directed By: Frederik Du Chau

#15
Adjusted Score: 15490%
Critics Consensus: No no, Power Rangers.
Synopsis: The young superheroes square off against an evil villainess who plots to free a fiery monster from its volcano cage.... [More]
Directed By: Shuki Levy, David Winning

#14

The Spirit (2008)
14%

#14
Adjusted Score: 17143%
Critics Consensus: Though its visuals are unique, The Spirit's plot is almost incomprehensible, the dialogue is ludicrously mannered, and the characters are unmemorable.
Synopsis: Apparently murdered cop Denny Colt (Gabriel Macht) returns as the Spirit, dedicated to protecting Central City from crime. His archenemy,... [More]
Directed By: Frank Miller

#13

Howard the Duck (1986)
14%

#13
Adjusted Score: 15687%
Critics Consensus: While it has its moments, Howard the Duck suffers from an uneven tone and mediocre performances.
Synopsis: In this film based on the comic book character, Howard the Duck is suddenly beamed from Duckworld, a planet of... [More]
Directed By: Willard Huyck

#12

Steel (1997)
12%

#12
Adjusted Score: 11936%
Critics Consensus: Steel is a badly-acted movie that indulges not only in superhero cliches, but also the sappy TV-movie-of-the-week ones.
Synopsis: Former Army scientists (Shaquille O'Neal, Annabeth Gish), one in a steel suit, team up in Los Angeles against another (Judd... [More]
Directed By: Kenneth Johnson

#11

Batman & Robin (1997)
12%

#11
Adjusted Score: 17001%
Critics Consensus: Joel Schumacher's tongue-in-cheek attitude hits an unbearable limit in Batman & Robin resulting in a frantic and mindless movie that's too jokey to care much for.
Synopsis: This superhero adventure finds Batman (George Clooney) and his partner, Robin (Chris O'Donnell), attempting to the foil the sinister schemes... [More]
Directed By: Joel Schumacher

#10

Jonah Hex (2010)
12%

#10
Adjusted Score: 16503%
Critics Consensus: Josh Brolin gives it his best shot, but he can't keep the short, unfocused Jonah Hex from collapsing on the screen.
Synopsis: Having cheated death, gunslinger and bounty hunter Jonah Hex (Josh Brolin) has one foot in the natural world and one... [More]
Directed By: Jimmy Hayward

#9
Adjusted Score: 13609%
Critics Consensus: The Superman series bottoms out here: the action is boring, the special effects look cheaper, and none of the actors appear interested in where the plot's going.
Synopsis: Seeing the United States and the Soviet Union engaged in a nuclear arms race that could lead to Earth's destruction,... [More]
Directed By: Sidney J. Furie

#8
#8
Adjusted Score: 12505%
Critics Consensus: The Crow: City of Angels is a sloppy pretender that captures neither the mood nor energy of the original.
Synopsis: After mechanic Ashe (Vincent Perez) and his son (Eric Acosta) witness a murder, they are captured and killed by drug... [More]
Directed By: Tim Pope

#7

Elektra (2005)
11%

#7
Adjusted Score: 16419%
Critics Consensus: Jennifer Garner inhabits her role with earnest gusto, but Elektra's tone deaf script is too self-serious and bereft of intelligent dialogue to provide engaging thrills.
Synopsis: Assassin-for-hire Elektra (Jennifer Garner) works for a mysterious international organization known as the Hand, for which she kills her targets... [More]
Directed By: Rob Bowman

#6

Supergirl (1984)
9%

#6
Adjusted Score: 10233%
Critics Consensus: The effects are cheesy and Supergirl's wide-eyed, cheery heroine simply isn't interesting to watch for an hour and a half.
Synopsis: Kara (Helen Slater) of Argo City poses as Clark Kent's cousin, Linda Lee, to recover the Omegahedron from a witch... [More]
Directed By: Jeannot Szwarc

#5

Catwoman (2004)
9%

#5
Adjusted Score: 15185%
Critics Consensus: Halle Berry is the lone bright spot, but even she can't save this laughable action thriller.
Synopsis: "Catwoman" is the story of shy, sensitive artist Patience Philips (Halle Berry), a woman who can't seem to stop apologizing... [More]
Directed By: Pitof

#4

Fantastic Four (2015)
9%

#4
Adjusted Score: 18685%
Critics Consensus: Dull and downbeat, this Fantastic Four proves a woefully misguided attempt to translate a classic comic series without the humor, joy, or colorful thrills that made it great.
Synopsis: Transported to an alternate universe, four young outsiders gain superhuman powers as they alter their physical form in shocking ways.... [More]
Directed By: Josh Trank

#3

Son of the Mask (2005)
6%

#3
Adjusted Score: 8693%
Critics Consensus: Overly frantic, painfully unfunny, and sorely missing the presence of Jim Carrey.
Synopsis: A cartoonist and family man, Tim Avery (Jamie Kennedy) lives a peaceful existence with his wife, Tonya (Traylor Howard), as... [More]
Directed By: Lawrence Guterman

#2

Zoom (2006)
4%

#2
Adjusted Score: 6239%
Critics Consensus: Lacking the punch and good cheer of The Incredibles and Sky High, Zoom is a dull and laugh-free affair.
Synopsis: Capt. Zoom, or Jack (Tim Allen), as he is now known, has long since given up his career of fighting... [More]
Directed By: Peter Hewitt

#1

Max Steel (2016)
0%

#1
Adjusted Score: 397%
Critics Consensus: Bereft of characterization or even satisfying rock 'em sock 'em, Max Steel feels like futzing with an action figure without any childhood imagination.
Synopsis: Teenager Max McGrath (Ben Winchell) discovers that his body can generate the most powerful energy in the universe. Steel (Josh... [More]
Directed By: Stewart Hendler

This week the shelves are packed, and just in time for the holidays! Check out the long-awaited big-screen debut of Springfield’s finest (The Simpsons Movie), Matthew Vaughn‘s fantastic tale of witches, romance, and flying pirates (Stardust), or, as we strongly advise, take a chance on one of the year’s best cinematic gems (Once).


The Simpsons Movie

Tomatometer: 88%

It took eleven Simpsons scribes to bring the yellowest family in America to the big screen — and a marketing campaign turning 7-Eleven stores into Kwik-E-Marts that can only be described as “inspired” — but the payoff was huge. After 19 more-or-less stellar seasons (ok, quite a few were less but it got better, didn’t it?) Homer, Marge, Bart, Lisa, and Maggie made a fashionably late entrance into the movies, to the tune of over half a billion dollars and counting, with a feature-length adventure involving the destruction of Springfield, a pet pig, environmentalism, Albert Brooks, and Green Day.

 



Stardust

Tomatometer: 75%

Neil Gaiman and Charles Vess’ illustrated fairy tale captivated readers upon publication in 1997; a decade later, Layer Cake director Matthew Vaughn enlisted the likes of Claire Danes, Michelle Pfeiffer, and Charlie Cox) in an English town called Wall bordered by a secret realm of magic, pirates and witches, the Certified Fresh Stardust dazzled critics with its heartfelt, if sprawling, tale of romance and adventure. Check out the DVD for behind-the-scenes commentary, deleted scenes, and a blooper reel.

Once

Tomatometer: 98%

John Carney‘s Irish Once is, quite simply, one of the best films of 2007. The micro-budgeted musical — shot for an astounding $160,000 guerilla-style, on the streets of Dublin — stars real-life artistic partners Glen Hansard (of The Frames) and Marketa Irglova, as a busker and an immigrant who meet and form an immediate musical bond. The Grammy-nominated soundtrack bears 13 hauntingly beautiful original songs, which alone are worth the price of admission. If you missed it in theaters — and a lot of you did — pick it up now on DVD.

Blade Runner: The Final Cut


Tomatometer: 96%

In 1982, Ridley Scott unleashed his stylishly noir sci-fi tale of replicants and blade runners onto the world, and geeks the world over were never the same. But whose vision did they see? After a 1992 Director’s Cut that was ironically not Scott-approved, we now have Blade Runner: The Final Cut. At 93 percent, the original version already had overwhelming critical praise; at 96 percent, Scott’s “final” vision, available this week, may be even closer to perfection.

Bring It On: In It To Win It

Tomatometer: N/A

The original Bring it On (2000) was a gem of a teen comedy about a privileged high school cheer captain (Kirsten Dunst) trawling the cutthroat waters of competitive cheerleading; the uninspired sequel, set on a college campus, provoked one to lament “it’s already been broughten.” Thankfully, a third installment (Bring it On: All or Nothing, starring Hayden Panetierre) revived the flagging franchise, leading us to hope, spirit fingers waving, that the feat could be repeated…in a third sequel! Bring it On: In It To Win It is that new hope — a cheertastic take on Romeo and Juliet. Sigh.

Balls of Fury

Tomatometer: 25%

If you’re like me, you love Comedy Central’s Reno 911; maybe, then, you won’t mind the underrated Balls of Fury, an Enter The Dragon-style spoof about the illicit ping-pong circuit starring Dan Fogler, Christopher Walken, Maggie Q and James (Lo Pan!) Hong. Lo Pan!

Underdog

Tomatometer: 15%

Oh Jason Lee, what hath you wrought? You haven’t had this bad a critical ravaging since Stealing Harvard!

Booze and babes were still in high demand as
the teen sex comedy
Superbad
ruled the North American box office for the second straight
weekend despite the arrival of a handful of new releases. Most of the debuting
films were met with disappointing sales since ticket buyers spent their time and
money catching up on popular holdover titles which commanded the top three
spots.

The supercool kids of
Superbad
remained the leaders of the pack with an estimated weekend
gross of $18M, falling 46% from last weekend. After ten days, the Sony smash has
taken in an impressive $68.6M and could be on its way to $120M or more. That
would give the raunchy hit a domestic gross nearly seven times its production
cost of $18M. Superbad is the first summer film to spend back-to-back
weekends at number one since
Pirates of
the Caribbean: At World’s End
which bowed over Memorial Day weekend in
May. Sony has now claimed the number one film nine times in 2007, more than any
other studio.






Rising one spot to second place was
Matt Damon‘s
latest assassin flick
The Bourne Ultimatum

which slipped only 38% to an estimated $12.4M. It was the fourth best
fourth-weekend gross of any summer film this year after the threequel
triumvirate of Shrek the Third ($15.3M),
Spider-Man 3
($14.3M), and Pirates
($12.4M). With $185.1M in the bank for Universal, Bourne has now outgrossed
every James Bond film domestically (in nominal dollar terms), both previous
Bourne films, and two of the three Mission: Impossible pics. Ultimatum
is still
on track to hit the $200M mark by the end of Labor Day weekend and will give a
serious challenge to this decade’s top action films that are not driven by
special effects – Rush Hour 2 ($226.2M in 2001) and Mission: Impossible 2
($215.4M in 2000).
 


New Line’s action-comedy sequel
Rush Hour 3 fell 43%
to an estimated $12.3M in its third mission. The
Jackie ChanChris
Tucker
threequel has collected $109M in 17 days and is on track to finish
with $140-145M.
 






In a tight race among new releases, the family film
Mr. Bean’s Holiday

edged out the action film War
for fourth place. Universal’s G-rated comedy opened to an estimated $10.1M from
1,714 theaters for a solid $5,905 average. The
Rowan Atkinson
starrer has already grossed a stellar $189M internationally. Debuting close
behind with an estimated $10M was the R-rated crime drama War which
averaged a mediocre $4,392 from 2,277 locations. Starring
Jet Li and
Jason Statham,
the Lionsgate release opened close to the numbers of the last films from the two
actors. Last September, Li’s
Fearless
bowed to
$10.6M and a $5,857 average while Statham’s
Crank
launched with
$10.5M over three days and a $4,158 average. Putting the two together did little
to broaden the audience, however.
 


MGM landed in sixth place with a disappointing opening for the comedy
The Nanny Diaries

which grossed an estimated $7.8M. Playing in 2,629 theaters, the PG-13 pic based
on the popular novel averaged just $2,971 per site.
 



The year’s top-grossing non-rat toon
The Simpsons Movie

dropped 36% to an estimated $4.4M in its fifth frame boosting the cume to
$173.4M for Fox. Paramount’s fantasy adventure
Stardust
grossed an
estimated $4M, off only 30%, for a total of $26.5M.
 



Moviegoers kept going back for more musical fun as New Line’s
Hairspray
dipped a
mere 23% in its sixth session to an estimated $3.5M and raised its overall cume
to $107.5M. Rounding out the top ten was the sci-fi flop
The Invasion
which
tumbled 47% in its second weekend to an estimated $3.1M. The Warner Bros.
release has taken in just $11.5M in ten days and should end with a miserable
$16-18M.



Three national releases dumped into the late-August abyss debuted outside of the
top ten with weak results. Yari Film Group’s well-reviewed boxing drama
Resurrecting
the Champ
starring
Samuel L.
Jackson
and
Josh Hartnett
opened with an estimated $1.8M from 1,605 theaters for a poor
$1,152 average. Universal’s Latino crime drama
Illegal Tender

bowed to an estimated $1.4M from 512 sites for a mild $2,805 average. The most
miserable results came from the
Jon Voight
film September Dawn
which grossed an estimated $600,000 from 850 playdates for an embarrassing $706
per-theater average for Slowhand Releasing.
 



In limited release, the
Mandy Moore
drama Dedication
got off to a moderate start collecting an estimated $24,000 from only four
venues for an average of $6,000 on its opening weekend for The Weinstein Co.
 



Three films dropped out of the top ten over the weekend.

Harry Potter and the Order of the Phoenix
grossed an estimated $2.5M,
down 34%, lifting the domestic haul to $283.3M. Despite the midweek launch in
July, the fifth wizard pic should end up with a final take nearly identical to
the $290M taken in by the last installment

Harry Potter and the Goblet of Fire
which had a Friday opening in
November which has been the most common type of launch for the franchise.
 



Buena Vista’s family film
Underdog
fell 42% to
an estimated $2.2M and put its sum at $36.6M. A $42-44M final seems likely.
Adam Sandler
‘s
latest comedy blockbuster
I
Now Pronounce You Chuck and Larry
grossed an estimated $2.1M, down 42%,
and gave Universal a total of $114.3M to date. The comedian has now generated
$100M blockbusters over six consecutive years trailing only Tom Cruise whose
streak is currently at seven straight years. Look for Chuck to end its
run with roughly $120M.
 



The top ten films grossed an estimated $85.5M which was up 12% from last year
when Invincible opened in first place with $17M; and up 10% from 2005 when
The
40-Year-Old Virgin
remained in the top spot with $16.3M.

Author: Gitesh Pandya,
www.BoxOfficeGuru.com

Teenagers flocked to the multiplexes for stimulation
this weekend as the raunchy new sex comedy
Superbad
powered its way to number
one while the frame’s other new releases, the sci-fi thriller The Invasion and
the adventure tale The Last Legion, were met with yawns. The overall North
American box office continued its red hot pace significantly beating out
year-ago levels yet again on its way to possibly ending the summer season with a
new record.

Sony captured the top spot for the first time since early May with
Superbad

which powered ahead of expectations to bow to an estimated $31.2M. The R-rated
tale of three nerdy high school pals on a wild search to get booze to impress
their lady friends averaged a potent $10,583 from 2,948 locations. The opening
even beat out the $30.7M debut of June’s
Knocked Up
from director
Judd Apatow
and actor Seth Rogen. Apatow produced Superbad which co-starred and was
co-written by Rogen. Critics were quite impressed with McLovin and friends and
gave the film high marks. (Click
here for
our interview with the stars of Superbad.)



The studio pushed the teen comedy for months with a well-executed marketing
campaign which included a popular uncensored trailer and touring the main actors
around the country for promotional events. Superbad delivered the second biggest
opening for an R-rated film this year only trailing
300
. The two are the only R pics to reach number one at all in 2007. With a production cost of only $18M,
the comedy will easily become a healthy moneymaker for Sony. But the film’s
troubling Friday-to-Saturday drop of 15% could mean that fans rushed out upfront
as if this were a sequel and that big dropoffs could be on the horizon. Still it
was the second biggest opening ever in the traditionally slow second half of
August behind just
Freddy vs. Jason
which debuted to $36.4M in 2003. Studio
research
showed that the audience was 52% male and 60% in the 18-34 bracket.





Rush Hour 3 fell 56% in its second weekend and slipped to the runnerup spot with
an estimated $21.8M pushing the ten-day cume to $88.2M. The New Line action
sequel should find its way to about $135-140M from North America. Like most of
this summer’s threequels, Rush Hour 3 will end its domestic run well behind the
gross of its predecessor.





The one threequel to break that trend is
The Bourne Ultimatum
which followed in
third place this weekend with an estimated $19M, off only 42%. Universal’s
latest action entry has taken in a stellar $163.8M in only 17 days and should
surpass the $176.1M of 2004’s
The Bourne Supremacy
by the end of the week to
become the top-grossing film of the franchise. Grossing an estimated $6.7M in
its fourth frame, down 41%, was
The Simpsons Movie
which has taken in
$165.1M for Fox to date.



Starpower from Nicole Kidman and
Daniel Craig meant nothing at the box office
for their new sci-fi thriller
The Invasion
which bombed with an opening of just
$6M, according to estimates. Playing wide in 2,776 theaters, the PG-13 remake of

Invasion of the Body Snatchers
averaged a measly $2,161 per site. The
Warner Bros. release earned mostly negative reviews.



Paramount’s fairy tale adventure
Stardust
fell 43% to an estimated $5.2M for a
ten-day sum of just $19.1M. A $30-35M final seems likely. The musical smash
Hairspray joined the century club over the weekend grossing an estimated $4.3M
for New Line, down just 33%, for a total of $100.7M. Disney’s
Underdog

dropped 43% to an estimated $3.6M to boost its tally to $31.7M.




Falling to ninth place was
Harry Potter and the Order of the Phoenix
which took
in an estimated $3.5M, off just 35%, giving Warner Bros. $278.6M from North
America. Overseas, the fifth wizard tale collected an estimated $16.2M from 61
territories boosting the international cume to $594M and the global gross to a stunning $873M. Rounding out the top ten was
Adam Sandler and
Kevin James in
the Universal comedy
I Now Pronounce You Chuck and Larry
which made
an estimated $3.5M, down 41%, for a total of $110.4M thus far.




Opening with weak results outside of the top ten was the historical epic
The Last Legion
starring
Ben Kingsley,
Colin Firth, and
Aishwarya Rai which launched
with an estimated $2.6M from 2,002 playdates for a dismal $1,297 average.





Debuting with respectable results in limited release was MGM’s
Death at a
Funeral
which bowed to an estimated $1.3M from 260 theaters for a $5,012
average.
Warner Independent platformed
Leonardo
DiCaprio
‘s documentary
The 11th Hour
in
New York and Los Angeles and generated a strong start. The PG-rated pic looking at environmental problems grossed an estimated $56,000 from four sites
for a muscular $14,000 average. Hour expands to the top ten markets on Friday.





Two films dropped out of the top ten over the weekend. The Warner Bros. pic
No
Reservations
took in an estimated $2.3M, off 39%, giving the
Catherine
Zeta-Jones
film $36.5M to date. A $40-43M final seems likely. Sony’s
Daddy Day
Camp
fell 47% in its second outing to an estimated $1.8M for a weak $8.8M
after ten days. The
Cuba Gooding Jr. sequel should stumble to a final take of
just $12M which will be a far cry from the $104.3M of
Eddie Murphy’s
Daddy Day
Care
in the summer of 2003.





The top ten films grossed an estimated $104.9M which was up 21% from last year
when Snakes on a Plane opened in first place with $15.2M; and up 13% from
2005 when The 40-Year-Old Virgin debuted in the top spot with $21.4M.

Author: Gitesh Pandya,
www.BoxOfficeGuru.com

 

After being off the case for six years,
Jackie Chan and
Chris Tucker raced
back into theaters with their cross-cultural cop buddy action sequel
Rush Hour 3
and
captured the number one spot. The new fantasy film
Stardust
opened to
disappointing results in fourth place while the weekend’s other new titles
Daddy Day Camp

and Skinwalkers
were virtually ignored by moviegoers. But overall, the North American box office
remained robust posting a gain of more than 25% over last year for the third
session in a row.

New Line hit the top spot for the first time in a year with its action-comedy
franchise hit Rush
Hour 3
which bowed to an estimated $50.2M. Playing ultrawide in 3,778
sites, the PG-13 film averaged a strong $13,298 per theater. It was the fourth
biggest opening ever in the month of August trailing
The Bourne Ultimatum

($69.3M last weekend),
Rush Hour 2

($67.4M in 2001), and Signs
($60.1M in 2002). While a powerful debut, Rush Hour 3 showed that the franchise
has suffered some audience erosion. The opening weekend gross was 26% smaller
than Rush Hour 2‘s
and factoring in six years of ticket price increases, the bow would be about 35%
weaker.

In the new saga, Chan
and Tucker reteam to
fight a Chinese organized crime syndicate in Paris. Critics were overwhelmingly
negative on the film stating that the characters have overstayed their welcome
and that Tucker, who has not done any films over the last nine years other than
the Rush Hour pics, held up part three because of his salary demands. But
audiences came out for the action and the comedy and should soon push the film
over the $100M mark in the coming weeks.



After its record-breaking opening,
The Bourne Ultimatum

dropped a reasonable 51% to an estimated $33.7M and boosted its ten-day tally to
$132.3M. The hold was a bit better than the 54% decline that
The Bourne
Supremacy
experienced in its sophomore session three years ago when it faced
The
Village
which bowed to the same numbers as Rush Hour 3. Ultimatum marks the 13th
summer film to cross the $100M mark this year compared to ten at this same point
last year. With few good action pictures left this summer, the latest
Matt Damon
assassin pic should cruise to $210-220M making it the top-grossing installment
in the popular spy series.




The Simpsons Movie fell another 56% in its third outing to an estimated $11.1M.
That put the 17-day total at $152.2M for Fox with a final tally of around $175M
likely.




The $70M fantasy adventure
Stardust
found
little magic at the box office in its opening weekend and collected just $9M in
ticket sales, according to estimates. Averaging a mild $3,548 from 2,540
locations, the PG-13 fairy tale pic starring
Michelle Pfeiffer,
Robert De Niro,
and Claire Danes found itself in fourth place. Reviews were mostly positive, but
that did little to boost its performance at the cash registers.




In its second weekend, Buena Vista’s
Underdog
fell 44% to an estimated $6.5M to
push its ten-day tally to $24.7M. A $40M final gross seems likely. The musical
Hairspray once
again enjoyed the best hold in the top ten dipping only 31% to an estimated
$6.4M in its fourth frame. With a robust $92.1M in the bank, the New Line hit
looks to reach the neighborhood of $110M.



The Adam Sandler comedy

I Now Pronounce You Chuck and Larry
followed with an
estimated $6M, down 44%, for a cume of $103.8M becoming the comedian’s eighth
$100M+ hit. Look for Universal to conclude its run with about $117M.
Harry
Potter and the Order of the Phoenix
fell 43% to an estimated $5.4M lifting the
domestic total to $272M making it the third biggest wizard pic after the first
and fourth installments. Overseas, the latest Hogwarts tale hit the $550M mark
propelling the global tally to an eye-popping $822M. Warner Bros. stablemate
No
Reservations
was close behind with an estimated $3.9M, off 40%, for a $32.1M
sum. Final grosses should reach $285M and $40M, respectively.




Sony saw almost no takers for its kidpic sequel
Daddy Day Camp

which flopped in its opening weekend grossing an estimated $3.6M from 2,332
theaters for a miserable $1,522 average. The PG-rated film stars
Cuba Gooding
Jr.
stepping in for Eddie Murphy who is currently having daddy issues of his
own. Murphy drove its predecessor Daddy Day Care to a $104.3M gross in 2003.
Since its Wednesday opening, Camp has collected just $5M in its first five days
which is less than what Care grossed in just its opening day alone.




Barely a blip on the radar in its opening weekend was the horror entry
Skinwalkers
with
an estimated $565,000 from 737 theaters for an awful $767 average for After Dark
Films.




Three pictures fell from the top ten over the weekend. The Paramount/DreamWorks
sensation Transformers grossed an estimated $3.3M in its sixth frame, off 45%,
and boosted its stellar cume to $302.9M. The $145M-budgeted blockbuster looks to
end its domestic run with about $310M. Worldwide, it has already grossed over
$600M with more markets still to open.
Transformers
currently sits at number 26
on the list of all-time domestic blockbusters and hopes to surpass
Pirates of
the Caribbean: At World’s End
to become the third biggest hit of the summer
after Spider-Man 3 and
Shrek the Third.




Two of last weekend’s poor openers tumbled in their sophomore frames. The
Andy
Samberg
comedy Hot Rod dropped 59% to an estimated $2.2M for a total of only
$11M for Paramount. Lionsgate’s girlpower flick
Bratz
stumbled 64% to an
estimated $1.5M for a pitiful $7.6M sum. Final grosses should reach $14M and
$10M, respectively.




The top ten films grossed an estimated $135.7M which was up 31% from last year
when
Talladega Nights
remained in first place with $22.1M; and up 35% from 2005
when Four Brothers debuted in the top spot with $21.2M.

Author: Gitesh Pandya,
www.BoxOfficeGuru.com
 

Matt Damon set a
new opening weekend record for the month of August with the top spot bow of

The Bourne Ultimatum
,
the third installment in the actor’s signature spy series. The frame’s other new
releases saw more modest openings while most holdovers held up well. The wide
assortment of popular hits allowed the North American box office to soar to the
highest grossing August weekend in history.

Racing past expectations, Universal’s

The Bourne Ultimatum

scored a spectacular opening grossing an estimated $70.2M in its first weekend
in theaters. Infiltrating 3,660 locations, the PG-13 film averaged a muscular
$19,175 per venue and beat out the $52.5M bow of its predecessor

The Bourne Supremacy

by a healthy 34%. That action entry launched in July 2004 and went on to gross
$176.1M. The new entry was also directed by
Paul Greengrass
and co-starred Julia
Stiles
and Joan Allen.



The eye-popping debut set a new benchmark for the month of August edging out
previous record-holder
Rush Hour 2
which bowed to $67.4M in 2001. That franchise’s next installment

Rush Hour 3
plans to
exact revenge when it opens this Friday gunning for the number one spot.
Ultimatum also generated the second largest opening weekend in studio history
for Universal trailing only
The Lost
World
which collected $72.1M over the Friday-to-Sunday portion of its
holiday debut in May 1997 during what was then the biggest opening weekend of
all time.


Matt Damon proved once
again how popular and relevant his Jason Bourne character is to today’s
audiences. Ultimatum also earned the best reviews of any action picture this
year so even though it was the summer’s eleventh sequel and fifth threequel, the
film still played out as an event picture for movie fans. The opening was even
bigger than any debut in the James Bond or Mission: Impossible franchises.
Openings for last year’s newest chapters for those spy sagas were $47.7M for
Mission:
Impossible III
in May and $40.8M for November’s

Casino Royale
.


If the estimate holds for The Bourne Ultimatum, it will become the fourth film
in five weeks to open north of $70M following
Transformers
,


Harry Potter and the Order of the Phoenix
, and
The Simpsons Movie
.
The string of big hits set the July box office ablaze and has now spilled over
into the final month of summer which should continue the fireworks. Plus most
films have been holding up well over the last few weeks. Of the 37 holdover
cases in the top ten during the last five weekends, only four have witnessed
declines of more than 50%. By comparison, nine had such drops over the same
five-week period a year ago.




Last weekend’s top film
The Simpsons Movie

was the only pic in the top ten to take a big tumble dropping 65% in its
sophomore weekend to finish in second place with an estimated $25.6M. That gave
the Fox blockbuster a robust total of $128.6M in only ten days of release. The
$75M production might find its way to the neighborhood of $190M domestically.
Overseas, Comic Book Guy and pals grossed another $47.3M shooting the
international total to $187M from 75 territories for a sensational global gross
of $315.5M and counting.



Disney launched its canine pic
Underdog
in third
place with a respectable opening of $12M, according to estimates, from 3,013
theaters. The PG-rated family film averaged a decent $3,986 per venue and tried
to take advantage of a marketplace lacking choices for younger kids.





Adam Sandler’s
latest comedy
I
Now Pronounce You Chuck and Larry
dropped 45% in its third weekend to an
estimated $10.5M for Universal. The musical
Hairspray
, also in
its third frame, dipped 41% to an estimated $9.3M for New Line. Totals to date
stand at $91.7M and $79.1M, respectively.





The megablockbuster

Harry Potter and the Order of the Phoenix
grossed an estimated $9.3M,
off 48%, boosting the total to $260.8M. That puts the fifth Hogwarts tale at
number 37 on the list of all-time domestic blockbusters after 2004’s
The Incredibles

which banked $261.4M. Overseas, Phoenix posted an estimated $25.2M to
lift the international tally to a towering $509.7M. With a worldwide gross of
$771M, the latest wizard flick is now the third biggest global blockbuster of
2007 after
Pirates of
the Caribbean: At World’s End
($952M) and
Spider-Man 3

($889M).





The Catherine
Zeta-Jones
drama
No Reservations

followed in seventh place with an estimated $6.6M in its sophomore session. Down
a reasonable 44%, the Warner Bros. release has cooked up $24.2M in ten days and
looks headed for a respectable $45M final.





With a one-way ticket to the triple-century club,
Transformers

took in an estimated $6M, down 49%, to lift its stellar cume to $296.3M. The
Michael Bay smash now
sits at number 26 on the all-time domestic list after

Pirates of the Caribbean: The Curse of the Black Pearl
which grossed $305.4M
in 2003.



For the second straight weekend, a pair of flops aimed at teens opened in the
number nine and ten spots with averages of less than $3,000. Paramount’s
Andy Samberg
comedy Hot Rod
debuted to an estimated $5M from 2,607 theaters for a dismal $1,924 average.
Lionsgate grossed an estimated $4.3M for its new preteen pic
Bratz resulting
in a mild $2,856 average from 1,509 playdates.





Jennifer Lopez and
Marc Anthony
teamed up for the biopic
El Cantante
which
debuted well in a limited national bow with an estimated $3.3M from 542 theaters
for a solid $6,004 average. The Picturehouse release about the life of Salsa
pioneer Hector Lavoe earned lackluster reviews from critics. Receiving better
notices was the period drama
Becoming Jane

which bowed in only 100 theaters to an estimated $1M for a strong $10,100
average. Starring Anne
Hathaway
as Jane Austen, the Miramax title expands to more markets in the
weeks ahead.





Four films fell from the top ten over the weekend. The animated comedy
Ratatouille
from
Disney and Pixar dropped by 46% in its sixth frame to an estimated $4M boosting
the cume to $188.3M. Though loved by critics, the rodent picture has not been
living up to Pixar standards and should end its domestic run right around the
$200M mark making it the company’s lowest-grossing hit since 1998’s A Bug’s Life
which took in $162.8M.





Fox’s action sequel
Live Free or
Die Hard
shot up an estimated $2.2M, tumbling 61%, and put its total at
$130.2M. A domestic final of about $135M seems likely while the pic’s global
gross of $309M will continue to climb rapidly over the course of the summer.





Also suffering sharp declines were the sophomores
I Know Who
Killed M
e and
Who’s Your Caddy?

which collected $1.2M and $1.1M, respectively. Lindsay Lohan’s latest box office
underachiever crumbled 67% and has taken in just $6.2M in ten days with a
pathetic $8M final likely. The golf comedy fell 60% to a ten-day cume of only
$4.8M and looks to end its run with a measly $7M.





The top ten films grossed an estimated $158.8M which was up a solid 37% from
last year when

Talladega Nights
opened at number one with $47M; and up a remarkable 62%
from 2005 when
The Dukes of Hazzard
debuted in the top spot with $30.7M.

Source: Box Office Guru

This week at the movies, we got amnesiac spies (The Bourne Ultimatum, starring Matt Damon and Julia Stiles), loser daredevils (Hot Rod, with Andy Samberg and Isla Fisher), salsa singers (El Cantante, starring Marc Anthony and Jennifer Lopez), school girls (Bratz: The Movie, starring Nathalia Ramos and Jon Voight), flying canines (Underdog, starring Jason Lee and Peter Dinklage), and radio personalities (Talk to Me, starring Don Cheadle and Chjwetel Ejiofor). What do the critics have to say?

The third in a series is rarely the best — witness the critical response to the latest Shrek and Spidey installments. However, if you found the thrills and chills of The Bourne Identity and Supremacy too sedate, you’re in luck; critics say The Bourne Ultimatum is one of the most exciting, action-paced movies of the summer, and is easily the best in the series (not too shabby, considering the other two were both Certified Fresh). Yet again, Matt Damon isn’t really sure who he is or how he became such an awesome killing machine, and yet again, he’s on the run from the authorities. But in this episode, pundits say Damon really comes into his own as an action star here, and director Paul Greengrass is well on his way to becoming an auteur of commercial filmmaking. Critics say the dizzying camerawork, rapid-fire editing, and overall craftsmanship make for one wild ride. At 92 percent on the Tomatometer, this may be the ultimate Bourne.



Damon’s still hunting, but not for goodwill.

Critics are musing: is Bratz much better than Barbie? Since 2001, the ethnically diverse dolls have built an empire based on their unique brand of girl power and lip gloss, including this film adaptation featuring four girls overcoming their differences and joining together in holy BFFness. But critics deem Bratz: The Movie a vapid and clueless enterprise, with characters who don’t seem to have any discernable characteristics beyond fashion and material wealth. And it freely employs stereotypes (girls must be skinny, boys must be dreamy, and adults are idiots) while paradoxically arguing stereotypes are bad. At 11 percent Tomatometer, these Bratz need a lesson in filmmaking.



“Picking Bad Movies To Star In For Dummies.”

You loved him when he was drinking Mr. Pibb with a Red Vines straw, and you loved him when he was cutting holes in boxes. But will you love Andy Samberg in Hot Rod, his feature-length debut in which he stars as an awful amateur daredevil trying to raise money for his ill stepfather? Though Samberg is singled out for his enthusiastic, mischievous charm, little else appears to impress the critics. They say Hot Rod tries for an anarchic brand of physical and lowbrow jokes, but ends up irritating and random instead, the kind of disjointed comedy that gives SNL movies its bad name. At 30 percent Tomatometer, Rod is anything but hot. (Check out our interview with Samberg and his Lonely Island pals here.)



One method to escape the theater.

It’s been said before, but it bears repeating: Don Cheadle is one of the best actors in Hollywood today. In his latest, Talk to Me, Cheadle gives a performance that some pundits are calling Oscar-worthy — while noting his co-star, Chjwetel Ejiofor, is no slouch as well. Cheadle plays proto-shock jock Petey Green, an ex-con who brought freshness, humor, and irreverence to the medium during the tumultuous and heady late 1960s. While some pundits note that the film has some bumpy patches – often a problem for biopics — they say the performances and energy are strong enough to overlook most flaws. At 79 percent on the Tomatometer, the Certified Fresh Talk to Me is a movie worth talking about.



Oscar-worthy performances from Cheadle and Ejiofor.

Hector Lavoe isn’t widely known with the American public. And that probably won’t change much with the release of El Cantante, a biopic based on the late Puerto Rican salsa singer’s life. Marc Anthony stars as Lavoe, but it’s the life of Lavoe’s wife (played by Jennifer Lopez) that, for better or worse, you’ll remember the most vividly from the movie. Critics call Lopez’s scenery-chewing a vanity acting job, as the rest of the movie is too loosely loose structure, creating a vacuum of character and narrative focus. And while El Cantante revels in biopic clichés, it never bothers revealing why Hector Lavoe was even worthy of an inspiring biopic in the first place. At 26 percent Tomatometer, El Cantante hits a sour note.



“Do you really want to hurt me?”

“Never fear — Underdog is here!” So went the rallying cry of everyone’s favorite super-pooch back in the day. Now? It appears the people behind Underdog have plenty to fear from critics, since the film wasn’t screened before hitting theaters. The usually-dependable Jason Lee and Peter Dinklage star in the tale (or is it tail?) of a mutt who, after an experiment, gains superpowers. Kids, after you’re done taking Fido for a stroll around the block, Guess the Tomatometer.



At 11 percent on the Tomatometer, Underdog is underwhelming.

Also opening this week in limited release: Summer ’04, a riveting tale of a summer holiday gone awry, is at 92 percent on the Tomatometer; Blame it on Fidel, a Parisian coming-of-age tale about a young girl and her radical activist parents, is at 92 percent; Them, a tense and existential horror flick from France, is at 81 percent; The Willow Tree, a Bergman-esque Iranian drama of a man coming to grips with death, is at 80 percent; Colossal Youth, a sprawling drama about urban life in Portugal, is at 71 percent; Becoming Jane, a biopic of Jane Austen’s early life, is at 62 percent; and The Ten, an anthology of comic vignettes based on the Ten Commandments, is at 57 percent.



The Austen Diaries

Finally, props to love_flag for coming the closest to guessing Who’s Your Caddy‘s nine percent Tomatometer, and to SplendidIsolation and icon2008 for approximating I know Who Killed Me‘s six percent.

Recent Matt Damon Movies:
———————————–
69% — Ocean’s Thirteen (2007)
56% — The Good Shepherd (2006)
93% — The Departed (2006)
74% — Syriana (2005)
38% — The Brothers Grimm (2005)

Matt Damon aims to gun down his competitors and rule the North American box office this weekend with The Bourne Ultimatum, the third in the popular spy series, which opens on Friday aiming to sell more tickets than the frame’s four other new wide releases combined. The Universal release reteams the actor with director Paul Greengrass who helmed the last installment in the franchise The Bourne Supremacy which bowed to $52.5M in July 2004 on its way to a stellar $176.1M domestic cume. The Bourne series has been very well-received and fans do not seem sick of it yet so expect most to return for this new threequel.

Ultimatum has three major advantages over Supremacy – 500 more theaters, slightly higher ticket prices, and less competition from action flicks. Three years ago when the last Bourne bowed on top, the next three films on the charts were all action titles gobbling up a similar $53.5M between them. This time, Hollywood has taken a break with comedies and wizardry filling up the top five so audiences should be ready for an action-packed film from a reliable brand name. As is often the case with the third part in a franchise, there will be some who feel they saw this twice before and don’t need to spend money yet again for the same entertainment. And others will feel that the summer’s eleventh sequel will be a bit too much.

However, ticket sales from adults over 25 should be solid since Ultimatum‘s serious tone counters the wave of immature films flooding the marketplace. Plus critics
are showering the new Bourne with praise which will help convince those with some doubt. Invading 3,661 locations, Universal could possibly score its biggest
opening in four years with The Bourne Ultimatum which might bow to around $55M this weekend.


“MATT…DAMON!”


Moviegoers that like their super hero antics from a canine do not have to fear. Buena Vista rolls out the family adventure Underdog which tells of a pooch that gains super powers after a lab accident and becomes a crime fighter that protects the citizens of his town. Loosely based on the cartoon which was a cult favorite, the PG-rated film has no major starpower and falls into the common boy-and-his-dog genre which there always seems to be a market for. There has not been much PG fare for younger kids over the last month so family audiences should be looking for a new movie to try out. This one will have to rely on the brand name which could entice parents to take a trip down memory lane. Opening in around 2,800 theaters, Underdog could debut with approximately $11M.


“Why must I feel like that, why must I chase the cat?”


Andy Samberg takes the leap from Saturday Night Live to his first lead role in a film with Hot Rod playing a slacker with big dreams of being a respected stuntman. The PG-13 film is aimed squarely at immature boys who often represent a lucrative audience in the dog days of summer. Samberg has made a name for himself on SNL more through his popular short films than his sketches, and has reached millions of fans online because of them. Hot Rod represents a test to see if that can translate at all to the box office where people actually have to pay money for his humor. Homer, Chuck, and Harry are all pulling in young males so competition will be a big factor. Even Jason will cast a wide net. But the slacker crowd could show up in some number before turning this into a hit DVD for Paramount during the holiday season. Jumping into 2,500 theaters, Hot Rod might debut with roughly $10M.


Hot Rod


Transforming robots aren’t the only toys to get their own movie this summer. Lionsgate targets young girls with Bratz, a live-action flick based on the popular dolls, which looks to have no success outside of its core demographic. The PG-rated film is not getting much of a marketing push with any audience segment other than tween females so the grosses will be limited. But with so many testosterone movies this season, something specifically designed for this underserved audience will find itself a little shelf space. The teen girl crowd can often be unpredictable as seen with last August’s Step Up zooming to $65.3M while Material Girls sputtered to just $11.4M. Bratz, which enters 1,509 theaters on Friday, should end up in the lower end of that range and open to around $5M.


like, omg we’re bffs!


Real-life hubby and wife Mark Anthony and Jennifer Lopez star in El Cantante, a biopic on Puerto Rican salsa pioneer Hector Lavoe. The R-rated drama is getting a moderate national release from Picturehouse with about 600 theaters running the film this weekend. Fans of the actor/singers are being counted on to show up and business from Latino audiences should be solid. But the pic lacks the kind of commercial buzz that could make it crossover to other audience groups. Reviews have not been too good either which could prevent wider appeal. But there is nothing else like it in the marketplace so El Cantante could post a respectable average and collect about $3M this weekend.


Lopez and Anthony react to the low tomatometer rating


After a spectacular opening weekend, The Simpsons Movie is bound to fall hard in its sophomore frame since its die-hard fan base rushed out over the debut period already. A 55% fall could result which would leave the Fox toon with an impressive $33M gross and a muscular ten-day haul of $138M. Adam Sandler‘s I Now Pronounce You Chuck and Larry might slide by 40% to about $11.5M for a cume of $92M for Universal while Harry Potter and the Order of the Phoenix should drop by 45% to $10M giving Warner Bros.$261M to date.

LAST YEAR: Will Ferrell raced to the top spot with the comedy Talladega Nights which bowed to an impressive $47M. The Sony release went on to gross $148M. Debuting far back in second place was the animated film Barnyard with $15.8M to kick off a leggy run that resulted in a $72.6M final for Paramount. Pirates of the Caribbean: Dead Man’s Chest placed third with $11M followed by Miami Vice which tumbled by 60% in its second weekend to $10.2M. Lionsgate opened its horror flick The Descent with $8.9M on its way to $26M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

If you love sitting in front of your computer watching brand-new trailers and TV ads for movies that you really wanna see, you’ve come to the right post.

Click here to get a half-dozen new TV spots for "Harry Potter and the Order of the Phoenix." (Opens July 13th)

Then click here to enjoy four new spots for "Fantastic Four: Rise of the Silver Surfer." (Opens June 15th)

And if you’re still bored, feel free to check out the brand-new theatrical trailer for "Underdog." (Opens August 3rd)

Source: ComingSoon.net, CanMag.com

Another cool actor has been seduced by the CGI machine: Funny guy Jason Lee has signed on to star opposite Alvin, Simon and Theodore in Fox’s live-action version of "Alvin and the Chipmunks."

And just when you started to get visions of Bill Murray slumming through both "Garfield" movies, we learn that "Alvin" will be directed by Tim Hill — the guy who helmed "Garfield: A Tale of Two Kitties." For Mr. Lee’s part, the CG stuff should be old hat by now; he recently voiced the title character in the upcoming "Underdog" movie.

Production begins next month, and they’ll be working from a screenplay by "Simpsons" scribe Jon Vitti. The plot will cover the origins of The Chipmunks band, all three of whom will be computer animated. And get this: It’s already scheduled for a December 14th release!

Source: Variety

If you’re old enough to remember "Underdog," then you’re probably too old to appreciate the direction in which Disney has decided to take the character. And if you’re too young to know who Underdog is, then all you’ll see in this brand-new teaser is a dog who can fly.

"Name recognition" is the game being played here, and all I can say is I hope "Underdog" turns out better than "The Adventures of Rocky and Bullwinkle" and "Dudley Do-Right." Click here to see the new "Underdog" teaser, but don’t expect a whole lot. Aside from one cute shot of a flying doggy, we’re not offered much in the way of movie footage.

Opening August 8th, "Underdog" comes from the director of "Racing Stripes," and it stars Peter Dinklage, Patrick Warburton and the voices of Amy Adams and Jason Lee. I’ve been wrong before (a whole lot of time, actually) but to me this trailer looks like a harbinger of obvious puns and broad silliness. Still, the dog is pretty cute — even if it doesn’t look a darn thing like the Underdog I remember.

What do Uwe Boll, Neil Gaiman and Underdog have in common? Not a blessed thing, obviously, aside from the fact that we just got handed a bunch of fresh pics from each of their latest movies.

Let’s start with the dog: Uwe Boll’s "Postal" is supposed to be some ultra-nutty, hyper-violent insano-fest, and considering what Uwe Boll puts together when he’s trying to be serious, I can only imagine what his phaser feels like when it’s set on "intentionally amusing." Regardless, you can check out some "Postal" pics right here at IGN Movies.

Next up we have a comedically superheroic canine making his big-screen debut after becoming a cult-fave cartoon character. But, um, this doggy (while adorable) doesn’t look anything like the Underdog I know and love. (See pic above and then click here to enjoy the rest of the goods over at ComingSoon.net.) "Underdog" opens on August 3rd.

Last but in no way least we have some photos from Neil Gaiman’s "Stardust," which looks to be a high-fantasy adventure thing that I’ll probably dig a whole lot. (I was a big sucker for "MirrorMask.") This one opens on July 27th, and you can see the new pics over at JoBlo’s.

Plus if you want to see some super-secret on-set photos from "Indiana Jones 4," yeah; so would I.

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