A Wrinkle in Time, adaptation of the Madeleine L’engle kids fantasy novel and Ava DuVernay’s sojourn into $100 million filmmaking, isn’t getting the best reviews. As the score settles in the lower-40s, Wrinkle would place somewhere in the middle of this week’s gallery: the 24 worst children’s book adaptations, each rated PG and ranked by Tomatometer.

The critically-acclaimed, Oscar-winning No Country For Old Men comes to DVD this week, accompanied by a litany of fellow Fresh films (Lake of Fire, Summer Palace, Dan in Real Life) as well as a gaggle of critical duds (Hitman, Bee Movie, August Rush, and more).


No Country For Old Men

Tomatometer: 94%

Joel and Ethan Coen add another celebrated film to their resume with this four-category Oscar-winning thriller about a bag of stolen cash, a man on the run, the killer on his tail, and the old lawman desperately trying to make sense of it all. While we’ll get no commentary track on this initial DVD release (just wait for the inevitable super-sized special editions), three features comprise the bonus menu, but the film itself is its own reward — just ask those Academy voters.

Bee Movie

Tomatometer: 54%

Jerry Seinfeld‘s bid for post-Seinfeld success came last year in the form of a honeybee: a neurotic, rather Jerry-esque bee named Barry Bee Benson, to be exact, who leaves corporatized hive life for the great big world of humans in New York City’s Central Park. When Barry discovers that humans have been stealing the hard-earned honey of his buzzing brethren, he takes the most American action there is — he sues the human race. With a supporting voice cast that includes Chris Rock, Renee Zellweger, Patrick Warburton, and Matthew Broderick — and cameos by Sting, Ray Liotta, and Oprah WinfreyBee Movie is full of that familiar Seinfeld sardonic humor, although, as the critics say, it’s fairly forgettable.
Dan in Real Life


Tomatometer: 66%

Steve Carell‘s trademark hangdog deadpan finds appropriate anchor in this romantic comedy from Peter Hedges (Pieces of April). Carell stars as Dan, the widowed father of three girls who writes an advice column for a living; when Dan meets his dream girl (Juliette Binoche) during a family get-together, he’s elated — until he learns she’s his brother’s new girlfriend. A soundtrack by Swedish singer-songwriter Sondre Lerch underscores Dan’s comic heartache, though some critics found the script to be occasionally too flat and contrived. A decently packed bonus menu with director commentary, deleted scenes, and outtakes round out the disc.

August Rush


Tomatometer: 38%

Freddie Highmore, Britain’s omnipresent kid actor, stars as a musically-gifted orphan on a quest to find his birth parents — and exposure any and every person he meets along the way to the magic of music. Sound schmaltzy enough for you? Well, throw in Robin Williams (channeling his doppelganger, U2 front man Bono) as a musical street pimp named Wizard, salvation in the form of a choir, and lines like “The music is all around us. All you have to do is listen,” and you’ve got one heckuva a saccharine smorgasbord.

Nancy Drew


Tomatometer: 48%

If, like some of us, you were an avid fan of the Nancy Drew mystery books — over 170 stories published under the pseudonym “Carolyn Keene” since 1930 — then you might have felt some apprehension when a feature-length film about the classic sleuthing teen was announced. Unfortunately for us purists, the reviews confirm those fears. Emma Roberts stars as the titular teen, whose prudish, Type-A manner clashes with the spoiled kids she encounters when she and her dad (Tate Donovan) move to Tinseltown. A Hollywood mystery surfaces, of course, but grown audiences will remain unspooked. I say, bring on the Choose Your Own Adventure movie instead!

Sleuth


Tomatometer: 36%

The gimmick of casting this cat-and-mouse thriller is intriguing on its own; having starred as a young adulterer opposite Laurence Olivier in 1972’s Sleuth, Michael Caine now plays the older role opposite Jude Law in Kenneth Branagh‘s remake. Unfortunately, the script by Harold Pinter, adapting Anthony Shaffer’s play, fails to serve the two leads well, making for a tedious time — unless you enjoy watching two distinguished British actors out-act one another. Law, Caine, and Branagh make recompense in a jointly recorded commentary track in the special features.

 

Hitman


Tomatometer: 15%

With a title like Hitman, you know what you’re getting into with this video game adaptation from French director Xavier Gens (Frontier(es)). Timothy Olyphant stars as a bar coded professional killer named Number 47 dealing with his sinister bosses, a Russian politico, and a hot prostitute (Olga Kurylenko) on the run. Overwhelmingly derided by the critical set, who might alternately recommend the film to a PS2-obsessed pre-teen boy, Hitman at least serves one purpose: bringing you a closer look at future Bond girl Kurylenko half a year before Quantum of Solace hits theaters.

Lake of Fire


Tomatometer: 94%

When Nirvana covered the Meat Puppets’ “Lake of Fire” in their Unplugged album session, they sang that the Biblical body of water was “where bad folks go when they die.” In his sprawling documentary on abortion, director Tony Kaye brings us a comprehensive look at the often violent, always vehement hot button debate that has raged for 25 years since Roe vs. Wade. Kaye, who filmed the doc over a period of 17 years, is the same director who earned Hollywood’s praise for directing the 1998 skinhead drama American History X (then disappeared from view following his bitter falling out with New Line and star Edward Norton). Be warned that Lake of Fire contains graphic images; a commentary with Kaye accompanies the DVD.

Summer Palace


Tomatometer: 70%

A young rural woman gets accepted to Peking University and encounters sexual awakening, politics, and discontent against the backdrop of the Tiananmen Square protests in controversial director Lou Ye‘s epic drama. Actress Hao Lei gives a brazen performance as the film’s restless protagonist, who spends over two decades (the late 1980s to the 2000s) struggling to get over the lost love of her life. At over two and a half hours, Ye’s film could be split into two stories — one of the young woman and another of her adult years) — but his film captures the zeitgeist of an entire generation forever marked by Tiananmen-era experiences, at times recalling the verve of Godard and the French New Wave. Shown in competition at the Cannes Film Festival without government approval, the sexually-explicit film was subsequently banned in China, its filmmakers censured from further filmmaking for a five year span.

 

So there you have your new releases for this week. In the words of the ancient Romans, “Amicule, deliciae, num is sum qui mentiar tibi?

Jodie Foster will find herself in the middle of a catfight over the number one spot this weekend. The star of current chart-topper The Brave One will face challenges from Milla Jovovich‘s new action sequel Resident Evil: Extinction, Jessica Alba‘s romantic comedy Good Luck Chuck, and the Amanda Bynes college laugher Sydney White. With adult-skewing dramas ruling the box office over the past couple of weeks, teens and young adults should be out in full force this weekend thanks to the selection of new options.

Deadly viruses and killer zombies are back in Sony’s Extinction, the latest and final chapter in its video game-inspired action-horror franchise. The series has been a popular one with the first Resident Evil opening to $17.7M in March 2002 and its sequel Resident Evil: Apocalypse debuting to a stronger $23M in September 2004. Each averaged about $7,000 over the debut frame. The R-rated Extinction will play to the converted and is not likely to generate any new fans. In fact, some will drop out thinking a third helping is a bit too much. Still the built-in audience of young adults and gamers plus a solid marketing push guarantee a top spot launch. Attacking over 2,700 locations, Resident Evil: Extinction could capture roughly $20M over the three-day debut period.


Milla Jovovich fights a zombie in Resident Evil: Extinction

Dane Cook plays a dude whose every ex-girlfriend ends up engaged to the next guy she dates in the romantic comedy Good Luck Chuck. Jessica Alba co-stars in the R-rated release from Lionsgate which will use starpower to attract an audience of older teens and young adults. Last October Cook teamed up with another Jessica, Simpson that time, in the PG-13 comedy Employee of the Month which bowed to $11.4M. The marketing on Chuck has been good and cross-gender appeal seems solid too, although the rating could cut into business from younger teens who will certainly want to see this picture. Falling into 2,612 theaters, Good Luck Chuck may gross about $12M this weekend.


Jessica Alba and Dane Cook in Good Luck Chuck

Amanda Bynes headlines the college comedy Sydney White playing a freshman caught between the popular sorority sisters and her nerdy pals. The PG-13 film will aim itself squarely at teens and college students and should skew a bit more female. Hollywood has had a tough time reaching young females recently with flops like Nancy Drew ($6.8M opening), Bratz ($4.2M), and Gracie ($1.4M) all stalling. Sydney will try to appeal to the same crowd that powered Bynes’ comedy She’s the Man to $10.7M in March 2006. However the marketing push is not as strong and the release will not be as wide so the three-day take will be softer. The marketplace’s current lack of offerings for this audience creates a great opportunity for a good marketable film to come in a loot some cash. But Sydney just doesn’t seem to have what it takes to score a big opening. Pledging in over 1,900 theaters, Sydney White could debut with around $6M.


Amanda Bynes in Sydney White

Last weekend, David Cronenberg‘s latest crime thriller Eastern Promises enjoyed a limited release bow that was basically a carbon copy of his last film A History of Violence which opened to $515,992 from 14 theaters in September 2005 for a potent $36,857 average. Focus is now matching History‘s sophomore weekend expansion pattern by widening Promises to 1,404 locations nationwide. History in its second session expanded to 1,340 sites and grossed $8.1M for a solid $6,047 average. Reviews and buzz for Promises is just as good so a similar performance could be in the works. Ticket prices are slightly higher, but so are the number of films also targeting an adult audience. In fact, the top five this weekend should boast mostly R-rated fare. For this weekend, look for Eastern Promises to take in about $8M.


Eastern Promises

In the arthouse scene, which is quickly getting more crowded with each passing week, Brad Pitt rolls in as both actor and producer in the Old West drama The Assassination of Jesse James by the Coward Robert Ford. Warner Bros. is unleashing the R-rated pic in only 15 theaters in New York, Los Angeles, Toronto, and Austin hoping to generate a strong average and positive word of mouth. Pitt already scored the Best Actor trophy for his portrayal of the famous outlaw at the Venice International Film Festival and is making a bid for kudos attention over the months ahead. Reviews have been mostly positive and an expansion is planned for the coming weeks.


The Assassination of Jesse James By the Coward Robert Ford

After a less-than-spectacular number one opening, Jodie Foster‘s revenge thriller The Brave One will try to fend off competition for its mature adult audience from the expansion of Eastern Promises. The frame’s three newbies should play to other audience segments. A 45% drop would give Warner Bros. about $7.5M for the weekend and a ten-day cume of $25M which would be about how much Foster’s last starring vehicle Flightplan grossed in only its first three days.

3:10 to Yuma posted a solid hold last weekend and this time a similar drop could result. The Lionsgate release might dip by 35% to around $6M raising the total to $37M after 17 days.

LAST YEAR: Johnny Knoxville and his partners in crime landed a big number one opening for Jackass: Number Two which bowed to $29M. The Paramount sequel went on to collect $72.8M. Focus debuted in second with another R-rated film aimed at young men, the Jet Li actioner Fearless, which grossed $10.6M. The historical pic reached $24.6M. Sony’s football drama Gridiron Gang dropped two spots to third with $9.5M in its sophomore frame. Opening poorly in fourth was the action flick Flyboys with only $6M for MGM on its way to $13.1M. The animated film Everyone’s Hero rounded out the top five with $4.7M. Premiering to dismal results was the Sean Penn vehicle All the King’s Men (the third new release to take place in the past) with $3.7M for Sony. It quickly ended its run with a poor $7.2M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Yes, that’s right: Ace Ventura 3. Apparently it’s going to be one of those “son of…” experiments. Because we all know how well Son of the Mask and Son of the Pink Panther turned out.

According to Variety, young actor Josh Flitter (recently seen in Nancy Drew and License to Wed, the poor kid) has been cast in the lead of the third Ace Ventura flick. Needless to say, Jim Carrey will not be involved.

David Mickey Evans will be helming the movie; you might remember him from titles like The Sandlot, The Sandlot 2, and two of those really lame Beethoven sequels. The AV3 screenplay comes from the writing team of Heimberg, Sank and Heimberg — first-timers all around, as far as I can tell.

Our source indicates that the movie will “center on the son of Ace Ventura following in his father’s footsteps by becoming a pet detective for the 7th-grade set and tracking a stolen baby panda after his mother’s wrongly arrested for the crime.” Production gets underway in September. No word on if this is expected to be a direct-to-video release, but it sure wouldn’t surprise me.

Source: Variety

Fox scored its first number one hit in five months with "Fantastic Four: Rise of the Silver Surfer" which grossed an estimated $57.4M on its opening weekend, tripling its nearest competitor’s sales.

Carrying a milder PG rating into 3,959 theaters, the super hero sequel averaged a sturdy $14,499 and just barely edged out the $56.1M bow of the first "Fantastic Four" pic from July 2005. A sequel has now topped the box office for seven consecutive weekends.

Reviews were mixed, but were better than for its predecessor which was critically panned. The sequel brought back director Tim Story along with the four main cast members Ioan Gruffudd, Jessica Alba, Chris Evans, and Michael Chiklis. However, the iconic Marvel Comics character Silver Surfer was prominently added to the film, and even to its title, to help bring back comic fans who may have had a bad taste after the first "Fantastic" pic. Laurence Fishburne provided the voice for the computer-generated space traveler.

The latest summer sequel kicked off the weekend on Friday with $22M, dipped an understandable 11% to $19.6M on Saturday, and is projected to drop by another 19% on Sunday to $15.8M. Fox also reported that "Rise of the Silver Surfer" opened in 32 overseas markets with a combined $25.4M this weekend although most were minor territories. Russia, Italy, and the United Kingdom were among the only major international markets that launched this frame with more to come in the weeks ahead.

"Ocean’s Thirteen" enjoyed a good hold in its second weekend dropping only 47% to an estimated $19.1M in its sophomore frame. Warner Bros. has now made off with $69.8M in ten days. Threequels often drop by 55% or more and "Ocean’s Twelve" even fell by 54% in its second try. That caper sequel grossed $18.1M in its second weekend and bagged a similar $68.5M worth of loot in its first ten days. "Thirteen," which will not benefit from holidays like Christmas and New Year’s prolonging its run, could be on track to finish with $105-110M domestically which would still be the lowest in the "Ocean’s" series.

Universal’s sleeper hit "Knocked Up" continued to capitalize on strong word-of-mouth and held onto third place with an estimated $14.5M, off only 26%, for a $90.5M cume. The R-rated smash will join the century club next weekend making it the studio’s first $100M hit since its last June romantic comedy offering "The Break-Up."

Disney’s "Pirates of the Caribbean: At World’s End" followed dropping 43% to an estimated $12M in its fourth adventure. Cume stands at $273.8M which is up 31% from 2003’s "Curse of the Black Pearl" after its fourth weekend, but down 24% from last summer’s "Dead Man’s Chest" at the same point. "At World’s End" did manage to rise to number 32 on the all-time domestic blockbusters list sailing past the $267.7M of 2001’s "Shrek."

A trio of kidpics followed. The animated penguin movie "Surf’s Up" sank 47% in its second weekend to an estimated $9.3M giving Sony a not-so-cool $34.7M after ten days. A final gross of about $60M could result. "Shrek the Third" landed in sixth place with an estimated $9M, off 41%, for a $297.2M total. Knocking on the triple-century mark, the Paramount release now stands at number 24 on the all-time list just behind the first "Pirates" film which banked $305.4M four years ago.

Moviegoers passed on solving a mystery with "Nancy Drew" which opened poorly in seventh with only $7.1M, accoridng to estimates. Averaging a weak $2,732 from 2,612 theaters, the PG-rated film starring Emma Roberts failed to make a dent in the summer box office this weekend. "Nancy" opened in the same neighborhood as other films aimed at tween girls like "Ice Princess," "Little Black Book," and "Aquamarine" which all bowed to roughly $7M a piece.

Lionsgate saw its horror sequel "Hostel Part II" tumble 64% after its weak opening to an estimated $3M this weekend. With only $14.2M taken in thus far, the torture pic should finish with just under $20M, or less than half of the $47.3M of the first "Hostel" flick from last year. MGM’s "Mr. Brooks" grossed an estimated $2.8M, off 43%, pushing the cume to only $23.4M for the Kevin Costner thriller.

"Spider-Man 3" rounded out the top ten with an estimated $2.5M falling 42% from last weekend. With $330M after its seventh frame, the Sony sequel climbed to number 15 on the list of all-time domestic blockbusters right behind "Finding Nemo" which took in $339.7M in 2003.

Opening dead on arrival was the new actioner "D.O.A.: Dead or Alive" which bowed to an estimated $232,000 from 505 theaters for a pathetic $460 average. The Weinstein Co. title was released with little fanfare and should see most of its business on DVD.

A pair of hits fell from the top ten over the weekend. Fox Searchlight’s indie darling "Waitress" grossed an estimated $1.3M, down only 21%, for a $14.1M cume to date. A final tally of $17-20M from a limited national release is likely. Paramount’s Shia LaBeouf thriller "Disturbia" collected an estimated $250,000 in its tenth frame pushing the stellar cume to $78.3M. Look for a $79M final which will serve as an appetizer to the studio’s next Shia offering — "Transformers" opening July 3.

The top ten films grossed an estimated $136.8M which was down 2% from last year when "Cars" remained at number one with $33.7M; but up 8% from 2005 when "Batman Begins" debuted in the top spot with $48.7M over three days.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Pop quiz, hotshot: which of the lesser Roberts do you prefer? Because this Friday, it’s a match between Eric Roberts (playing the bad guy in "DOA: Dead or Alive") and Emma Roberts (title star of "Nancy Drew"). Also, there’s some arty movie about people in spandex ("Fantastic Four: Rise of the Silver Surfer," starring Ioan Gruffudd and Jessica Alba). What do the critics have to say about them?

"Spider-Man" fought the symbiote, the X-Men went through the Phoenix saga, and Batman will soon fight The Joker for the first time (again). Now it’s The Fantastic Four’s turn to go through their most famous story: the Galactus crisis. In "Rise of the Silver Surfer," the molecularly enhanced quartet returns to ward off the planet-gobbling Galactus and his sporty assistant, the Silver Surfer. Critics argue that the exciting bits come only during the beginning and the climatic finale, with everything in-between featuring the same wooden acting and juvenile hijinks that pervaded the first. At 31 percent Tomatometer, "Silver Surfer" does not rise to the occasion.


"’The Shield’ kicks ‘Nip/Tuck”s ass in every way!"

After a long hiatus from the public consciousness, "Nancy Drew" is resurrected in the form of a chipper, sanguine gumshoe in Talbots. Emma Roberts stars as said Nancy, who, with some help from her friends and none from her bewildered classmates, is determined to solve a mystery that’s pickled professional dicks for decades. Though some critics are tickled by "Nancy Drew"’s jokey, laidback attitude, others take offense that the film bears little resemblance to the books, in addition to the thin characters and even-thinner central mystery. At 50 percent Tomatometer, critics are closing the case on "Nancy Drew."


Nancy Drew, borrowing the Duke Lacrosse prosecutor’s trusted handbook.

Video games and summer blockbusters have a lot in common, and the "Dead or Alive" series represents these qualities in spades: it’s repetitive, violent, and features men and women of rather fantastic proportions. I still don’t know what the games are about (I recall fighting a big ugly bird at the end of the second one), but the plot of the "Dead or Alive" movie adaptation involves hardened fighters attending a mysterious tournament run by Julia Roberts‘s brother. While some pundits were more than ready to turn off their brains for the feature, everybody else wasn’t game for the wacky plot, bad acting, or Eric Roberts’s constantly exposed paunch. "DOA" is more dead than alive at 47 percent Tomatometer.


Hot chicks + swords = boxoffice gold!

"The Trials of Darryl Hunt," a harrowing doc chronicling a rape in the American South, is at 100 percent; "Czech Dream," a doc about a grand prank in the Czech Republic, is at 88 percent; "Beyond Hatred," a reflection in documentary form from parents of a murdered 29-year old, is at 83 percent; "Gypsy Caravan," a visually appealing doc about gypsy music, is at 80 percent; "Lights in the Dusk," the latest deadpan-o-rama from Aki Kaurismäki, is at 74 percent; "Fido," a zombie spoof set in the Atomic Age, is at 70 percent (catch our interview with the "Fido" director here); "Golden Door," a lyrical drama recalling the classic Italian directors, is at 64 percent; and "Eagle vs Shark," a darkly twee romantic comedy from New Zealand, is at 47 percent.


"Lights in the Dusk," accurately recreating my last romantic date.

With schools letting out for the summer, Hollywood rolls out a pair of PG-rated films hoping to attract kids to the multiplexes with some mindless fun.

Fox unleashes "Fantastic Four: Rise of the Silver Surfer" which looks to give the box office its seventh consecutive weekend ruled by a sequel. Warner Bros. counters the testosterone effects pic with its teen girl story "Nancy Drew" while The Weinstein Co. mixes the formulas by opening its all-female action flick "DOA: Dead or Alive."

Marvel super heroes look to top the charts for the third time this year with the new "Fantastic Four" film which reunites the main cast members of the first pic. That comic book actioner opened to a sturdy $56.1M in July 2005 and went on to gross $154.7M domestically and over $330M worldwide. Though panned by critics, it got the franchise going and Fox hopes to keep the cash registers ringing this summer. The studio aims to follow the same pattern it saw for its other Marvel ensemble series. 2000’s "X-Men" debuted to $54.5M and reached a $157.3M final with the 2003 and 2006 followups each grossing more and more.

But "Silver Surfer" is different from "X2: X-Men United" which bowed to $85.6M. That mutant sequel earned strong reviews, followed a predecessor that was well-received, and opened at the beginning of May when there was no competition. The current sequel fatigue that has been hitting the box office could prevent "Four" from expanding beyond its core base. The studio gets credit for building the marketing campaign around the Silver Surfer character so it feels like it is offering something new. The milder PG rating could allow it to reach a broader audience, but many parents may not even notice as the ads make it look like all the other PG-13 comic pics. Cruising into over 3,800 theaters, "Fantastic Four: Rise of the Silver Surfer" could take in around $53M this weekend.


"FF 2: ROTSS"

"Nancy Drew" hits the big screen with the teen sleuth from the popular mystery books moving to California to find herself in the middle of an unsolved case. The PG-rated film should see most of its business from the under-18 female set however since the property has been around for so long, it could bring in some older folks too. With Unfabulous star Emma Roberts as the title character, the Warner Bros. release offers little starpower beyond its core demographic. The studio will have to rely on the brand name and the current lack of films exciting girls. The turnout could be similar to what Warners saw two years ago in June 2005 with "The Sisterhood of the Traveling Pants" which bowed to $9.8M over three days and $13.6M over its five-day launch. Opening in 2,612 theaters, "Nancy Drew" might debut with around $12M.


"Nancy Drew"

The videogame-inspired action film "DOA: Dead or Alive" gets a quiet release in 505 theaters on Friday. A babes-in-bikinis fight flick, the Weinstein Co. release is not being pushed too feverishly and will have little chance of drawing in business against the more high-profile action films out there now. With no major stars, the much-delayed PG-13 film might find itself with $1M or less this weekend.


"DOA: Dead Or Alive"

"Ocean’s Thirteen" was met with the smallest jackpot ever won by the franchise last weekend. "Ocean’s Twelve" fell by 53% in its second weekend in December 2004. The new installment should also see a steep drop given that it is the third time around and people are not exactly loving the pic. Warner Bros. could suffer a 55% decline and collect about $16M for a ten-day cume of $67M.

"Pirates of the Caribbean: At World’s End" has been dropping by more than 50% each weekend and with the new "Fantastic Four" sequel arriving, this frame should be no different. Look for sales to get sliced in half and dip to about $11M pushing the domestic cume to $272M.

A 30% drop could be in the works for "Knocked Up" which will not face much competition for adults. Look for a $14M weekend giving the Universal comedy $90M in 17 days.

LAST YEAR: The Disney/Pixar collaboration "Cars" held onto the top spot for a second weekend with $33.7M for a reasonable drop of 44%. The Jack Black comedy "Nacho Libre" led the newcomers with an opening of $28.3M on its way to $80.2M for Paramount. "The Fast and the Furious: Tokyo Drift" followed in third with a $24M bow while "The Lake House" debuted in fourth with $13.6M. Final grosses reached $62.5M for Universal’s racing sequel and $52.3M for the Warner Bros. romance. Jennifer Aniston‘s "The Break-Up" ranked fifth with $9.8M in its third frame. The kidpic "Garfield: A Tail of Two Kitties" opened in seventh with $7.3M for Fox on its way to $28.4M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

In this week’s Ketchup, the first trailer for "Pirates of the Caribbean: At World’s End" appears on RT, Natalie Portman delights many by showing her stuff in "Goya’s Ghosts," and Emma Watson fuels speculation about her status in the next "Harry Potter" films.

Also, Frank Miller has his sights set on a "300" sequel, and "Grindhouse" may be to gruesome for the good folks at the MPAA. Read on.

This Week’s Most Popular News:

"Pirates 3" Trailer is Here!

If you missed it during "Dancing with the Stars" and you didn’t bother trolling through Yahoo! around midnight last night, you needn’t worry. The brand-new (and very stellar) trailer for "Pirates of the Caribbean: At World’s End" is now ready for consumption.

Natalie Portman "Goya’s Ghosts" Nude Scene Clips Online

You dreamt that this day would come. The rumor mill offered it up only to snatch it right back so cruelly last summer. But now they’re back — those Natalie Portman nude scene rumors, that is. This time, with clips!!

Is Emma Watson Planning to Dump "Harry Potter"?

Over the course of one news report, the info goes from "Emma Watson will NOT star in the final pair of Potter flicks" to "Well, actually, we don’t know for sure." Sounds like it’s contract renegotiation time, kiddies!

Frank Miller Prepping a "300" Sequel After "Sin City 2"?

When a movie comes out with no stars and a hard R rating, and STILL explodes at the box office, you just know you can expect some sequel talk. And while details are very sketchy at this point, Variety states that Frank Miller wants to mount a "300" sequel.

NC-17 Rating for "Grindhouse"? (Grisly Semi-Spoilers Within)

Consider these seven words describing a scene in "Grindhouse:" "Grossly obese man chewing on a baby." Yeah, so is it any wonder rumors claim the grungy Quentin Tarantino/Robert Rodriguez double feature is heading towards an NC-17?


Testing the MPAA’s nerves.

In Other News:

  • Russell Crowe will make his directorial debut on "Bra Boys," a drama based on the documentary of the same name about the underground surfer culture in Australia, on which Crowe served as narrator.
  • Finally, Sony Pictures Classics has acquired North American distribution rights to "Youth Without Youth," a drama based on the novel by Romanian author Mircea Eliade. The film marks Francis Ford Coppola‘s return to the director’s chair after a decade-long layoff.

Can their next film gross $1.84B worldwide?

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