(Photo by Summit Entertainment)

All Kristen Stewart Movies Ranked by Tomatometer

Before she became ambassador for vegetarian vampire-and-werewolf relations in the late 2000s, Kristen Stewart had already built a steady career transitioning from child actor roles and into young adulthood. First, she starred in David Fincher’s efficient potboiler Panic Room, then went into space with with Jumanji cinematic universe-adjacent Zathura (directed by pre-Iron Man Jon Faverau), and helped guide a wayward traveler in Into the Wild.

Of course, that all seems like pre-history in the wake of Twilight, the romantic fantasy phenomenon that would make unlikely tabloid stars out of Stewart and Robert Pattinson for years to come. Five Twilight movies released annually for a half-decade, and whatever the benefits of becoming household names through them, there was also the very real threat of a post-career forever in the shadow of the vampire.

Stewart responded, much like Pattinson, by going indie, as she racked up impressive performances in the likes of Still Alice, Personal Shopper, Clouds of Sils Maria, and Certain Women, working with big arthouse names like Olivier Assayas and Kelly Reichardt. She also completed her unofficial “Co-Starring Jesse Eisenberg” trilogy that started with Adventureland, following through with American Ultra and Cafe Society.

Even Stewart’s approach towards mainstream filmmaking come packaged with feminist or revisionist touches, like Charlie’s Angels or Snow White and the Huntsman. She took a dive in Underwater, and ended 2020 on a Happiest Season. And now we’re ranking all her movies by Tomatometer!

#40

Cold Creek Manor (2003)
12%

#40
Adjusted Score: 14361%
Critics Consensus: The plot of Cold Creek Manor is too predictable and contrived to generate suspense.
Synopsis: When filmmaker Cooper Tilson (Dennis Quaid) and his wife, Leah (Sharon Stone), tire of life in New York City, they... [More]
Directed By: Mike Figgis

#39

The Messengers (2007)
12%

#39
Adjusted Score: 14022%
Critics Consensus: The Messengers is an atmospheric but derivative rip-off of countless other horror movies.
Synopsis: When the Solomons trade in the craziness of big-city life for the quiet of a North Dakota farm, little do... [More]

#38

Catch That Kid (2004)
13%

#38
Adjusted Score: 14555%
Critics Consensus: An unimaginative heist movie aimed strictly at the preteen set.
Synopsis: Athletic 12-year-old Maddy (Kristen Stewart) shares an enthusiasm for mountain climbing with her father, Tom (Sam Robards). Unfortunately, Tom suffers... [More]
Directed By: Bart Freundlich

#37

Jumper (2008)
15%

#37
Adjusted Score: 20622%
Critics Consensus: Featuring uninvolving characters and loose narrative, Jumper is an erratic action pic with little coherence and lackluster special effects.
Synopsis: Aimless David Rice (Hayden Christensen) has the ability to instantly transport himself to any place he can imagine. He uses... [More]
Directed By: Doug Liman

#36

Fierce People (2005)
24%

#36
Adjusted Score: 25011%
Critics Consensus: Fierce People's premise of a teenager studying rich people like animals is grating and self-satisfied, and Anton Yelchin's smug performance makes the film even harder to agree with.
Synopsis: Finn (Anton Yelchin) is a teenager trying to escape his drug-addicted mother (Diane Lane) by going to study tribal people.... [More]
Directed By: Griffin Dunne

#35

Anesthesia (2015)
25%

#35
Adjusted Score: 26926%
Critics Consensus: Anesthesia's incredible cast is wasted on a sloppily-assembled drama whose grand ambitions are undermined by a flawed screenplay.
Synopsis: The lives of a self-destructive student (Kristen Stewart), a hard-drinking housewife (Gretchen Mol) and an impoverished junkie (K. Todd Freeman)... [More]
Directed By: Tim Blake Nelson

#34
Adjusted Score: 33122%
Critics Consensus: Slow, joyless, and loaded with unintentionally humorous moments, Breaking Dawn Part 1 may satisfy the Twilight faithful, but it's strictly for fans of the franchise.
Synopsis: At last, Bella (Kristen Stewart) and Edward (Robert Pattinson) are getting married. When Jacob (Taylor Lautner) finds out that Bella... [More]
Directed By: Bill Condon

#33
Adjusted Score: 37559%
Critics Consensus: The Twilight Saga's second installment may satisfy hardcore fans of the series, but outsiders are likely to be turned off by its slow pace, relentlessly downcast tone, and excessive length.
Synopsis: After the abrupt departure of Edward (Robert Pattinson), her vampire love, Bella (Kristen Stewart) finds comfort in her deepening friendship... [More]
Directed By: Chris Weitz

#32

Equals (2015)
36%

#32
Adjusted Score: 40653%
Critics Consensus: Equals is a treat for the eyes, but its futuristic aesthetic isn't enough to make up for its plodding pace and aimlessly derivative story.
Synopsis: Nia (Kristen Stewart) and Silas work together in a futuristic society known as the Collective. A seemingly utopian world, the... [More]
Directed By: Drake Doremus

#31

Seberg (2019)
36%

#31
Adjusted Score: 45022%
Critics Consensus: Seberg's frustratingly superficial treatment of a fascinating true story does a disservice to its subject -- and Kristen Stewart's performance in the central role.
Synopsis: In the late 1960s, French new wave actress and "Breathless" star Jean Seberg becomes the target of the FBI due... [More]
Directed By: Benedict Andrews

#30

American Ultra (2015)
44%

#30
Adjusted Score: 50024%
Critics Consensus: American Ultra has some interesting ideas, but like its stoned protagonist, it's too easily distracted to live up to its true potential.
Synopsis: Small-town stoner Mike Howell (Jesse Eisenberg) spends most of his time getting high and writing a graphic novel. What Mike... [More]
Directed By: Nima Nourizadeh

#29
#29
Adjusted Score: 47615%
Critics Consensus: While pleasantly acted, In the Land of Women is a dramatically stilted film with underdeveloped characters.
Synopsis: After a bad breakup with his girlfriend leaves him heartbroken, Carter Webb (Adam Brody) moves to Michigan to take care... [More]
Directed By: Jon Kasdan

#28
Adjusted Score: 52642%
Critics Consensus: Billy Lynn's Long Halftime Walk has noble goals, but lacks a strong enough screenplay to achieve them -- and its visual innovations are often merely distracting.
Synopsis: Nineteen-year-old private Billy Lynn (Joe Alwyn), along with his fellow soldiers in Bravo Squad, becomes a hero after a harrowing... [More]
Directed By: Ang Lee

#27

On the Road (2012)
45%

#27
Adjusted Score: 50940%
Critics Consensus: Beautiful to look at but a bit too respectfully crafted, On the Road doesn't capture the energy and inspiration of Jack Kerouac's novel.
Synopsis: An aspiring writer (Sam Riley), his new friend (Garrett Hedlund) and his friend's seductive wife (Kristen Stewart) heed the call... [More]
Directed By: Walter Salles

#26
Adjusted Score: 56824%
Critics Consensus: Stuffed with characters and overly reliant on uninspired dialogue, Eclipse won't win The Twilight Saga many new converts, despite an improved blend of romance and action fantasy.
Synopsis: Danger once again surrounds Bella (Kristen Stewart), as a string of mysterious killings terrorizes Seattle and a malicious vampire continues... [More]
Directed By: David Slade

#25

Twilight (2008)
49%

#25
Adjusted Score: 57019%
Critics Consensus: Having lost much of its bite transitioning to the big screen, Twilight will please its devoted fans, but do little for the uninitiated.
Synopsis: High-school student Bella Swan (Kristen Stewart), always a bit of a misfit, doesn't expect life to change much when she... [More]
Directed By: Catherine Hardwicke

#24
Adjusted Score: 57370%
Critics Consensus: It's the most entertaining Twilight, but that's not enough to make Breaking Dawn Part 2 worth watching for filmgoers who don't already count themselves among the franchise converts.
Synopsis: Bella (Kristen Stewart) awakes -- as a vampire -- from her life-threatening labor, and her newborn daughter, Renesmee, proves to... [More]
Directed By: Bill Condon

#23
Adjusted Score: 59204%
Critics Consensus: While it offers an appropriately dark take on the fairy tale that inspired it, Snow White and the Huntsman is undone by uneven acting, problematic pacing, and a confused script.
Synopsis: Queen Ravenna (Charlize Theron), who seized control of her kingdom by marrying and killing its rightful ruler, needs the life... [More]
Directed By: Rupert Sanders

#22
#22
Adjusted Score: 51906%
Critics Consensus: The large cast of characters and scripting are too unwieldy, and the suburban angst theme feels tired.
Synopsis: In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold (Glenn Close)... [More]
Directed By: Rose Troche

#21
#21
Adjusted Score: 55367%
Critics Consensus: What Just Happened has some inspired comic moments, but this inside-baseball take on Hollywood lacks satirical bite.
Synopsis: During the course of an ordinary week in Hollywood, movie producer Ben (Robert De Niro) must navigate his way through... [More]
Directed By: Barry Levinson

#20

Underwater (2020)
47%

#20
Adjusted Score: 62184%
Critics Consensus: Underwater's strong cast and stylish direction aren't enough to distract from the strong sense of déjà vu provoked by this claustrophobic thriller's derivative story.
Synopsis: Disaster strikes more than six miles below the ocean surface when water crashes through the walls of a drilling station.... [More]
Directed By: William Eubank

#19

Charlie's Angels (2019)
52%

#19
Adjusted Score: 65099%
Critics Consensus: Earnest and energetic, if a bit uneven, Elizabeth Banks's pulpy Charlie's Angels adds new flair to the franchise with fun performances from its three leads.
Synopsis: Elena Houghlin is a scientist, engineer and inventor of Calisto -- a sustainable energy source that will revolutionize the way... [More]
Directed By: Elizabeth Banks

#18
#18
Adjusted Score: 56576%
Critics Consensus: Despite earnest performances, Welcome to the Rileys cannot escape its belabored over-sentimentality and sluggish delivery.
Synopsis: Seeking refuge from his grief and crumbling marriage, a salesman (James Gandolfini) becomes a surrogate father to an underage stripper... [More]
Directed By: Jake Scott

#17

Undertow (2004)
55%

#17
Adjusted Score: 58002%
Critics Consensus: Undertow's gently fantastical elements are balanced by fully realized characters and a story with genuine, steadily accumulating emotional weight.
Synopsis: After his wife dies, John Munn (Dermot Mulroney) moves with his sons Chris (Jamie Bell) and Tim (Devon Alan) to... [More]
Directed By: David Gordon Green

#16

J.T. LeRoy (2018)
55%

#16
Adjusted Score: 59711%
Critics Consensus: While it may leave some viewers wishing for a more in-depth exploration of its story and themes, J.T. Leroy offers a diverting dramatization of incredible real-life events.
Synopsis: A young woman named Savannah Knoop spends six years pretending to be the celebrated author JT LeRoy, the made-up literary... [More]
Directed By: Justin Kelly

#15

The Cake Eaters (2007)
64%

#15
Adjusted Score: 64137%
Critics Consensus: Though light on theme and craftsmanship, The Cake Eaters relies on fine performances and brisk direction to provide an affecting tale of small-town life.
Synopsis: The death of the Kimbrough family matriarch affects the three male survivors of the clan. Widower Easy (Bruce Dern) tries... [More]
Directed By: Mary Stuart Masterson

#14
#14
Adjusted Score: 67151%
Critics Consensus: Small and intimate -- occasionally to a fault -- The Yellow Handkerchief rises above its overly familiar ingredients thanks to riveting performances from William Hurt and Kristen Stewart.
Synopsis: Former con man Brett Hanson (William Hurt) is imprisoned for six years before finally being released on parole. Now he... [More]
Directed By: Udayan Prasad

#13

Lizzie (2018)
66%

#13
Adjusted Score: 73765%
Critics Consensus: Lizzie forces audiences to take a new look at a widely known true-crime story -- even if the well-acted end result is never quite as gripping as it could be.
Synopsis: In 1892 Lizzie Borden lives a quiet life in Massachusetts under the strict rules established by her father. Lizzie finds... [More]

#12

The Runaways (2010)
69%

#12
Adjusted Score: 75203%
Critics Consensus: Viewers expecting an in-depth biopic will be disappointed, but The Runaways is as electric as the band's music, largely thanks to strong performances from Michael Shannon, Dakota Fanning, and Kristen Stewart.
Synopsis: Joan Jett (Kristen Stewart) and Cherie Currie (Dakota Fanning), two rebellious teenagers from Southern California, become the frontwomen for the... [More]
Directed By: Floria Sigismondi

#11

Café Society (2016)
71%

#11
Adjusted Score: 85958%
Critics Consensus: Café Society's lovely visuals and charming performances round out a lightweight late-period Allen comedy whose genuine pleasures offset its amiable predictability.
Synopsis: Looking for an exciting career, young Bobby Dorfman leaves New York for the glitz and glamour of 1930s Hollywood. After... [More]
Directed By: Woody Allen

#10

Camp X-Ray (2014)
75%

#10
Adjusted Score: 75644%
Critics Consensus: Camp X-Ray's treatment of its subject verges on the shallow, but benefits greatly from a pair of impressive performances from Kristen Stewart and Peyman Moaadi.
Synopsis: A female guard (Kristen Stewart) at Guantanamo Bay forms an unlikely friendship with one of the facility's longtime detainees.... [More]
Directed By: Peter Sattler

#9

Panic Room (2002)
75%

#9
Adjusted Score: 81090%
Critics Consensus: Elevated by David Fincher's directorial talent and Jodie Foster's performance, Panic Room is a well-crafted, above-average thriller.
Synopsis: Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins,... [More]
Directed By: David Fincher

#8

Zathura (2005)
76%

#8
Adjusted Score: 81195%
Critics Consensus: Dazzling special effects for the kids + well-crafted storytelling for the 'rents = cinematic satisfaction for the whole family.
Synopsis: After their father (Tim Robbins) is called into work, two young boys, Walter (Josh Hutcherson) and Danny (Jonah Bobo), are... [More]
Directed By: Jon Favreau

#7

Personal Shopper (2016)
81%

#7
Adjusted Score: 100433%
Critics Consensus: Personal Shopper attempts a tricky series of potentially jarring tonal shifts with varying results, bolstered by a performance from Kristen Stewart that's impossible to ignore.
Synopsis: A young American in Paris works as a personal shopper for a celebrity. She seems to have the ability to... [More]
Directed By: Olivier Assayas

#6

Into the Wild (2007)
83%

#6
Adjusted Score: 90575%
Critics Consensus: With his sturdy cast and confident direction, Sean Penn has turned a complex work of non-fiction like Into the Wild into an accessible and poignant character study.
Synopsis: Christopher McCandless (Emile Hirsch), son of wealthy parents (Marcia Gay Harden, William Hurt), graduates from Emory University as a top... [More]
Directed By: Sean Penn

#5

Happiest Season (2020)
82%

#5
Adjusted Score: 95288%
Critics Consensus: A jolly good time with heartfelt performances and more than enough holiday cheer, all you'll want for Christmas is Happiest Season.
Synopsis: This romantic comedy is about longtime lesbian couple Abby (Kristen Stewart) and Harper (Mackenzie Davis), who made plans to go... [More]
Directed By: Clea DuVall

#4

Still Alice (2014)
85%

#4
Adjusted Score: 93222%
Critics Consensus: Elevated by a gripping performance from Julianne Moore, Still Alice is a heartfelt drama that honors its delicate themes with bravery and sensitivity.
Synopsis: Dr. Alice Howland (Julianne Moore) is a renowned linguistics professor at Columbia University. When words begin to escape her and... [More]

#3

Adventureland (2009)
89%

#3
Adjusted Score: 96964%
Critics Consensus: Full of humor and nostalgia, Adventureland is a sweet, insightful coming-of-age comedy that will resonate with teens and adults alike.
Synopsis: It's the summer of 1987, and recent college grad James Brennan (Jesse Eisenberg) can't wait to begin his long-anticipated dream... [More]
Directed By: Greg Mottola

#2
#2
Adjusted Score: 97022%
Critics Consensus: Bolstered by a trio of powerful performances from its talented leads, Clouds of Sils Maria is an absorbing, richly detailed drama with impressive depth and intelligence.
Synopsis: A veteran actress (Juliette Binoche) comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in... [More]
Directed By: Olivier Assayas

#1

Certain Women (2016)
92%

#1
Adjusted Score: 102968%
Critics Consensus: Certain Women further demonstrates writer-director Kelly Reichardt's gift for telling the stories of ordinary people with uncommon empathy and skill.
Synopsis: Three strong-willed women (Kristen Stewart, Laura Dern, Michelle Williams) strive to forge their own paths amidst the wide-open plains of... [More]
Directed By: Kelly Reichardt

Hollywood plays the race card this weekend opening a pair of star-driven comedies, one for white moviegoers and the other for black audiences. Matthew McConaughey and Kate Hudson get the wider release with the romantic adventure comedy Fool’s Gold while debuting in 741 fewer theaters is Martin Lawrence‘s family reunion laughfest Welcome Home Roscoe Jenkins. Adding to the mix is the standup comedy concert pic Vince Vaughn’s Wild West Comedy Show which will also try to tickle funnybones from coast to coast. Not all three films will get to laugh all the way to the bank.

Five years and one day after their date flick How To Lose A Guy in 10 Days became a number one hit, McConaughey and Hudson reteam for Fool’s Gold. Directed by Andy Tennant (Hitch, Sweet Home Alabama), the PG-13 picture tells of an ex-couple that must band together to find sunken treasure. The Warner Bros. release looks like a winner on paper. Take two stars with a proven track record, put them in a film that combines romantic comedy with action adventure, and hefty grosses from both genders should come rolling in. The marketing has certainly been pushing all the right aspects trying to sell this as a Romancing the Stone for today’s twentysomethings and thirtysomethings.

But the film’s poor execution will be a major liability in the long run. Reviews have been among the worst of any film in this new year. Since Fool’s Gold will play to an over-25 crowd, the thumbs down from critics could have an impact. Bad word-of-mouth will certainly kick in after this weekend and hurt future weeks. Then again, critically-panned comedies packed with big stars usually sell pretty well with the paying public. Gold will play to the same crowd that powered 10 Days to a $23.8M bow and McConaughey’s 2006 rom-com Failure to Launch to $24.4M. Both skewed female and heavily white. The actor’s latest offering could open in the same neighborhood but should suffer weaker legs. Opening in 3,125 theaters, Fool’s Gold may bow to about $23M.


Hudson and McConaughey in Fool’s Gold

Moviegoers not up for Matt and Kate’s excellent adventure can spend the weekend with Martin Lawrence and his lively family in the Universal comedy Welcome Home Roscoe Jenkins. Directed by Malcolm D. Lee (The Best Man, Undercover Brother), the PG-13 film packs ample starpower into one film with co-stars Cedric the Entertainer, James Earl Jones, Michael Clarke Duncan, Mike Epps, and Mo’Nique. Four of the stars come from a standup comedy background which only raises the volume in the laughter department. The film finds Lawrence playing a self-help guru and talk show host in Hollywood who returns to his Georgia home to reunite with the family he left behind.

Roscoe Jenkins will pull in most of its business from the African American audience. Turnout should be robust given the starpower. Sure the family reunion story has been done a hundred times, but moviegoers will want to see all the big names under one roof giving them two hours of laughs. In the right film, and when surrounded by other marquee stars, Martin Lawrence is still a big draw at the box office. His comedy sequel Big Momma’s House 2 opened to $27.7M around this time of year in 2006.

Plus with this weekend’s Top 20 set to offer no other films led by black casts, direct competition will be minimal. The Ice Cube comedy First Sunday debuted to $17.7M a month ago and Martin and gang could do better. Reviews will not be very good, but that should not matter much. The only limiting factor will be the theater count. Debuting in 2,384 locations, Welcome Home Roscoe Jenkins could collect around $20M this weekend.


Martin Lawrence in Roscoe Jenkins.

For those who like their laughs purely from standup comedians on stage, Picturehouse releases Vince Vaughn’s Wild West Comedy Show. The R-rated pic follows the Hollywood star and a group of comics on the road during their 2005 tour. Hannah Montana and U2 have had great success with their concert films over the last two weeks. But Wild West lacks the music and the 3D element that helped to make those two score at the box office. Most of the successful standup comedy hits at the box office have been from African American funnymen so Vaughn’s experiment does not have a proven formula to follow. Plus none of the comedians are big stars which is why Santa’s brother had to include his name in the title in order to grab the attention of potential ticket buyers. Most will probably wait for the DVD which is sure to have some unrated bonus material. Rolling into about 800 theaters, Vince Vaughn’s Wild West Comedy Show could take in roughly $3M this weekend.


The marquee says it all.

Miley Cyrus rocked her way to the top of the charts last weekend with her Hannah Montana concert pic which opened to a scorching $31.1M with $15 tickets resulting in more than two millions admissions. The fan fever has spilled over into the midweek period as Monday and Tuesday grosses remained red hot with takes of $3.3M and $2.9M, respectively. A full-week tally of about $42M seems likely and with Disney extending the run of the film, more wheelbarrows will be needed to haul away the green. Still, most fans planned ahead of time to see Best of Both Worlds during the first week since it was promoted aggressively as a one-week-only run. Parents may hesitate to shell out more of the pumped up ticket prices for a second helping. Sales could fall by 45% to about $17M which would push the ten-day cume to an amazing $59M.

The Eye settled for a decent second place finish over the Super Bowl frame and like most fright flicks, should not enjoy a good hold on the second weekend. The new menu of comedies won’t provide too much competition so a decline of 50% would leave Lionsgate with about $6M lifting the total to $21M after ten days.

Fox’s female-skewing comedy 27 Dresses will take a direct hit from Matt and Kate’s reunion. Look for the Katherine Heigl film to fall by 40% to $5M for a 24-day score of $64M. Playing to a slightly different audience, Rambo took a sizable blow over the Super Bowl frame and should see its drop stabilize to 50%. That would leave the ultraviolent Lionsgate sequel with $3.5M putting the overall cume at $36M.

LAST YEAR: Following soon after his first-ever Oscar nomination for Dreamgirls, Eddie Murphy rocketed to number one at the box office with the powerful $34.2M debut for the comedy Norbit. The Paramount release went on to gobble up $95.7M domestically and about $160M worldwide. Opening in second with a respectable $13.1M was the thriller Hannibal Rising which went on to gross $27.7M for The Weinstein Company. The previous weekend’s top two films followed, but switched their order. Universal’s Diane Keaton comedy Because I Said So held up well and grossed $9.2M while the horror pic The Messengers fell harder and took in $7.2M for Sony. Rounding out the top five was the unstoppable holiday hit Night at the Museum with $5.8M in its eighth frame.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

While Brady and Manning duke it out in Phoenix, the $15 movie ticket aims to conquer the multiplexes over Super Bowl weekend. That’s the admission price that theaters are charging moviegoers that line up for Disney’s Hannah Montana concert film which opens Friday on a wave of fan frenzy that has given the hot pic event-film status with young girls everywhere. But other ladies that got their big break from a television series will enter the weekend race at the North American box office too. Jessica Alba stars in the supernatural thriller The Eye while Eva Longoria Parker headlines the comedy Over Her Dead Body. Guys will be tossed their own entry in the form of the nature comedy Strange Wilderness. Disney and Lionsgate will be the studios competing for the box office trophy as Sony’s seven-year streak of ruling Super Bowl weekend will come to an end.

Tween girls who couldn’t get their parents to shell out a grand for a scalped ticket for Hannah Montana’s live concerts can now cough up a Hamilton and a Lincoln and see the big show at their local multiplex. Disney goes 3D for its special one-week-only engagement of Hannah Montana & Miley Cyrus: Best of Both Worlds Concert which aims to capitalize on the immense fan base for the Disney Channel superstar. The G-rated musicfest will play mostly to girls but should lure in nearly 100% of its target demographic with what has become a major event film for lovers of all things Hannah. With a trim 74-minute running time, theaters will be able to squeeze in six showtimes per day to maximize their revenue. School teachers nationwide may have to brace for record high absenteeism on Friday.

The Hannah Montana phenomenon has become a cash cow for the studio. Thanks to last year’s live concerts which sold out within minutes, fans have wasted no time in pre-buying their movie tickets for Best which has been a top seller all through December and January. Fandango.com reported on Wednesday that the film accounted for a whopping 91% of all tickets purchased with over 1,000 showtimes already sold out coast to coast. Rival MovieTickets.com stated that Best has already joined its all-time top ten list of pre-sales ranking alongside tentpole sequels from franchises such as Harry Potter and The Lord of the Rings. Helping Montana-mania at the box office will be those increased $15 ticket prices which will allow the overall grosses to swell.

Best of Both Worlds could very well be one of those box office surprises that exceeds all expectations thanks to intense demand plus brilliant marketing and distribution. This could be a Borat-type weekend when the film with the fewest theaters actually beats out all of its competitors for the top spot. In fact the numbers could climb really high if parents join their daughters for the show, or if repeat business kicks in with fans seeing the film multiple times since it will only be on the big screen for seven days. The Super Bowl should not be much of a distraction since young females are typically the quadrant least interested in the big game. Hitting the stage in 683 movie theaters with digital 3D facilities, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert could open to about $17M this weekend.


That Hannah Montana movie.

Jessica Alba won’t be singing on any stage but the pregnant actress will hit the big screen for the fourth time in eight months with Lionsgate’s new supernatural thriller The Eye. A Hollywood remake of the hit Hong Kong horror flick about a blind woman who sees frightening visions after an eye transplant, the PG-13 film should play to genre fans everywhere over a weekend that welcomes scary movies. Openings for recent fright flicks over Super Bowl weekend include $14.7M for last year’s The Messengers, $21.6M for 2006’s When A Stranger Calls, and $19M for Boogeyman in 2005. All were Sony releases. All opened at number one. That studio’s Screen Gems unit and Lionsgate are the two industry leaders when it comes to mining riches from horror films.

Although there are no other major horror flicks out there, The Eye will still face formidable competition. Hannah Montana is a very different type of film, but it will take some teen girls out of the picture. Young males also have plenty of other choices out there. But Alba is a decent box office draw despite the weak launch of her last thriller Awake which debuted to only $5.9M. The Eye is in a much better position to find success, though. A scary trailer, a creepy one-sheet, a commercially-friendly rating, and a popular star in the lead all will contribute to a solid debut. The Eye opens in 2,436 locations on Friday and could scare up roughly $14M over three days.


Jessica Alba and friend in The Eye.

Eva Longoria Parker headlines her first feature film with Over Her Dead Body which will target women too old to enjoy a Miley Cyrus concert. The PG-13 pic finds the Desperate Housewives actress playing a ghost who haunts a psychic that is falling for her ex-fiance. Paul Rudd and Jason Biggs co-star in the New Line release. Body should skew heavily female and Parker has the potential to one day become a box office draw. But this may not be the vehicle to spark that change. The concept is not very intriguing and mixed reviews will probably keep it from finding a large paying audience. Plus fellow ABC heavyweight Katherine Heigl already has a lock on women with 27 Dresses which has been well received. Opening in 1,977 theaters, Over Her Dead Body could debut to around $6M.


Eva Longoria Parker, Paul Rudd and Lake Bell in Over Her Dead Body.

Paramount targets young men with its new comedy Strange Wilderness which stars Steve Zahn, Justin Long, and Superbad‘s Jonah Hill. The R-rated film will face many tough challenges in the marketplace such as competition from the Super Bowl and the restrictive rating that will affect much of the core audience’s ability to buy tickets. Zahn is no marquee name and is not a reliable anchor for a mainstream comedy. And despite hefty declines, films like Meet the Spartans, Rambo, and Cloverfield will steal away over $20M in combined business from the exact audience Wilderness is trying to reach. Overall interest is not very high so a launch in 1,208 theaters should lead to an opening weekend of around $3M for Strange Wilderness.


Steve Zahn and friend in Strange Wilderness.

Last weekend’s front-loaded boy flicks will get shoved aside this time by the girls. After opening at number one, the spoof comedy Meet the Spartans should see a hefty drop thanks to football fever, competition from new releases, and an upfront bow that attracted most fans last weekend. A year ago, Epic Movie fell by 55% in its sophomore session and a similar decline is in store for Spartans. Look for a $8M frame and a ten-day cume of $29M for Fox.

Sylvester Stallone settled for the vice president’s job on last weekend’s chart with Rambo and with most fans charging theaters in the beginning, not much of an audience will be left. Plus the Lionsgate film lacks the positive vibe that the actor/filmmaker saw with Rocky Balboa last winter. A 55% fall would give Rambo roughly $8M and a sum of $31M after ten days.

Fox could enjoy a solid third frame with its chick flick 27 Dresses which has been holding up well since its strong opening. A 40% decline to $8.5M would give the Heigl hit $57M after 17 days. Diane Lane also could see a reasonably good hold for her crime thriller Untraceable which may drop 40% to $7M for a ten-day tally of $20M. The monster flick Cloverfield fell hard in its second weekend and another sizable drop of 55% could give Paramount $5.5M and a 17-day total of $73M.

LAST YEAR: Super Bowl weekend saw teen girls edge past their moms at the box office as the thriller The Messengers bowed at number one with $14.7M beating out the $13.1M debut of the Diane Keaton pic Because I Said So. Final grosses reached $35.4M for the Sony spookfest and $42.7M for Universal’s star-driven comedy. Holdovers rounded out the top five. Epic Movie dropped from the top spot to third with $8.4M, the hit comedy Night at the Museum followed in fourth with $6.4M, and Smokin’ Aces placed fifth with $6.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Academy Award winner Nicolas Cage ruled Oscar weekend with his skull-on-fire motorcycle actioner "Ghost Rider," which held steady at number one in North America for the second straight time. Moviegoers delivered different verdicts to the handful of new releases led by the Jim Carrey thriller "The Number 23," which fared best and debuted in second place. Overall, the top ten was about even with the corresponding weekends from the last two years.

Dropping 57% from its powerful opening weekend, "Ghost Rider" took in an estimated $19.7M over the weekend and pushed its ten-day tally to a sensational $78.7M. The big-budget Sony actioner adapted from the popular Marvel comic book series suffered a decline similar to that of 2003’s "Daredevil," which sank 55% in its second frame after an explosive bow over Presidents’ Day weekend. That super hero flick captured 68% of its domestic total in the first ten days. "Ghost Rider" is so far following the same path which means a final gross of $115-120M seems likely.

Comedy guru Jim Carrey took a stab at horror with his new psychological thriller "The Number 23" and saw moderate results with a $15.1M launch, according to estimates. Playing in 2,759 theaters, the R-rated film averaged $5,476 per location for New Line. Critics were brutal to the scary pic, but the opening fared better than those of most of Carrey’s previous non-comedies.

Disney’s "Bridge to Terabithia" dropped 40% in its sophomore adventure and pulled in an estimated $13.6M in ticket sales. The PG-rated fantasy has banked an impressive $46.2M in ten days and may be heading for around $75M overall.

Fox saw a not-so-arresting debut for its cop comedy "Reno 911!: Miami," which opened in fourth place with an estimated $10.4M. The R-rated feature adapted from the moderately successful Comedy Central series averaged a mild $3,849 from a wide release in 2,702 theaters. By comparison, openings for other recent R-rated comedies based on popular television properties include $26.5M for "Borat" and $29M for "Jackass: Number Two," both of which bowed at number one.

Eddie Murphy‘s comedy "Norbit" dropped 42% to an estimated $9.7M in its third weekend raising its total to $74.7M for Paramount. Warner Bros. followed with its own comedy "Music and Lyrics," which pulled in an estimated $8M in its sophomore weekend. Down a reasonable 41%, the Hugh GrantDrew Barrymore pic has taken in $32.1M in 12 days and could be headed for the $50M mark.

Universal’s "Breach" dipped 41% in its second weekend to an estimated $6.2M. With $20.5M in ten days, the FBI thriller in on course for a $35M total. The Tyler Perry comedy "Daddy’s Little Girls" lost half of its audience in the second weekend just like the director’s last two February comedies. The Lionsgate release grossed an estimated $5.3M, down 53%, and has taken in $25.6M. Both "Diary of a Mad Black Woman" and "Madea’s Family Reunion" made about 75% of their total grosses in the first ten days so a $35M final for Girls seems likely.

A pair of new releases rounded out the top ten. Warner Bros. saw a dismal opening for its Billy Bob Thornton drama "The Astronaut Farmer," which grossed an estimated $4.5M from 2,155 locations. Averaging a poor $2,093 per theater, the PG-rated film earned mixed reviews from critics.

Goldwyn’s historical slave trade drama "Amazing Grace" enjoyed a solid bow with an estimated $4.3M from only 791 sites for a respectable $5,442 average matching "Ghost Rider’s" per-theater average to the dollar. Reviews were mostly favorable.

Four films dropped out of the top ten over the weekend. The runaway smash "Night at the Museum" collected an estimated $2.2M in its tenth weekend and upped its total to $241.7M putting it at number 44 on the list of all-time domestic blockbusters ahead of "My Big Fat Greek Wedding," which made $241.4M in 2002. "Museum" fell 41% this weekend and should go on to reach around $246M domestically and over $500M worldwide.

Universal’s Diane Keaton comedy "Because I Said So" grossed an estimated $2.9M, down 44%, putting its cume at a decent $38.4M. A final gross of $43-45M seems likely. Sony’s thriller "The Messengers" grossed an estimated $1.6M, tumbling 58%, for a $33.4M cume. The $16M production should conclude with a healthy $35M. MGM’s "Hannibal Rising" has grossed about $26M to date and should end its run with only $30M.

The top ten films grossed an estimated $96.7M which was up 1% from last year when "Madea’s Family Reunion" opened at number one with $30M; but off 2% from 2005 when "Diary of a Mad Black Woman" debuted on top with $21.9M.

Source: Gitesh Pandya, www.BoxOfficeGuru.com

Hollywood studios opened five new wide releases targeting different audiences and were rewarded with a record-breaking Presidents’ Day holiday weekend tally as moviegoers opened their wallets and spread their cash across a variety of films. The comic book actioner "Ghost Rider" led the way with an explosive debut while the family drama "Bridge to Terabithia" was a solid performer in the runnerup spot.

The quintet of freshman films pumped in more than $100M of new business over the Friday-to-Sunday portion of the long weekend as the top ten soared to the highest gross in box office history during the January-to-April span.

Nicolas Cage led the bustling box office and set a new career high in the process with "Ghost Rider" which opened at number one grossing an estimated $44.5M over three days doubling the performance of its nearest competitor. Averaging a scorching $12,296 from an ultrawide release in 3,619 locations, the Sony smash based on the popular Marvel Comics character outgunned the $35.1M bow of "National Treasure," Cage’s previous best opening. The studio reported a preliminary four-day estimate for "Ghost Rider" of $51M over the extended Friday-to-Monday holiday span.

The PG-13 film performed much like director Mark Steven Johnson‘s last film, 2003’s "Daredevil," which was also based on a Marvel Comics character and launched over the same holiday frame. That Ben Affleck vehicle bowed to $40.3M over three days and $45M over four days which at today’s ticket prices would be almost identical to the "Ghost" numbers. Cage’s new motorcycle actioner will also set a new opening weekend record for the Washington-Lincoln holiday session beating the $45.1M four-day launch of the studio’s own "50 First Dates" from 2004.

Fanboys as expected powered "Ghost Rider" to its stellar grosses. Sony research indicated that an exceptionally high 62% of the turnout was male while 55% was under the age of 25. The effects-driven pic accounted for one-third of all ticket sales within the top ten and posted the largest opening of any film over the last six months.

Finishing the weekend in second place was Disney’s "Bridge to Terabithia" which collected an estimated $22.1M worth of ticket stubs over the Friday-to-Sunday period. The PG-rated fantasy about two seventh graders who imagine a magical wonderland to escape to averaged a sturdy $7,032 from 3,139 theaters. Earning strong reviews from critics, "Bridge" was adapted from the popular novel and played to younger children and their parents.

Last weekend’s number one flick "Norbit" fell 51% in its second weekend which considering all the new competition was a decent hold for the Eddie Murphy comedy. The Paramount release collected an estimated $16.8M over three days and lifted its ten-day cume to a solid $58.9M. The studio also reported a preliminary four-day estimate of $20.6M which would send the 11-day cume to $62.7M. "Norbit" marked the best ten-day start for a Murphy live-action picture since 2000’s summer hit "Nutty Professor II: The Klumps" which took in $76.7M by the end of its second weekend on its way to $123.3M.

Opening in fourth place with an estimated $14M was the Hugh GrantDrew Barrymore romantic comedy "Music and Lyrics." The Warner Bros. release about a washed up 80s singer who falls for a plant waterer averaged a respectable $4,738 from 2,955 locations and took in $19.5M since debuting on Wednesday for Valentine’s Day. Reviews were mixed for the PG-13 film and the three-day gross was similar to the opening of Grant’s 2002 hit "Two Weeks Notice" ($14.3M) and a bit better than Barrymore’s "Fever Pitch" which bowed to $12.4M two years ago. In its second weekend in the U.K., "Music" slipped only 17% and has grossed $10.5M in that market thus far and $14.2M overall internationally.

Lionsgate followed in fifth with another date film that bowed on the love holiday, Tyler Perry‘s "Daddy’s Little Girls." The PG-13 pic grossed an estimated $12.1M from 2,111 theaters for a solid $5,732 average over three days. Since launching on Wednesday, the tale of an attorney who couples up with a single working class father has taken in $17.8M. The opening was a far cry from the debuts of the filmmaker’s recent comedy hits. Last February, "Madea’s Family Reunion" opened to $30M on its way to $63.3M while the previous year, "Diary of a Mad Black Woman" opened to $21.9M before finishing with $50.4M. Both films were released by Lionsgate on the last weekend of February and starred Perry as the outrageous Madea character. "Girls" may have generated less audience interest without Perry on screen.

Older adults lined up for the FBI thriller "Breach" which debuted better than expected with an estimated $10.4M from only 1,489 sites. The PG-13 film which stars Ryan Phillippe and Chris Cooper averaged a strong $6,965 per theater and earned good reviews. According to studio research from Universal, half of the audience was over the age of 50 and 52% of the crowd was female. The studio also reported a preliminary four-day estimate of $12.1M and $8,155 average.

"Hannibal Rising" sank to seventh place in its second weekend tumbling 58% to an estimated $5.5M. With $22.2M in ten days, look for the MGM release to reach about $30M. Universal’s comedy "Because I Said So" followed with an estimated $5M, off 46%, for a $33.2M cume.

Sony’s former number one "The Messengers" dropped 47% and scared up an estimated $3.8M giving the thriller a total of $30.5M. Fox’s Ben Stiller action-comedy "Night at the Museum" grossed an estimated $3.7M, down 36%, and lifted its tally to $237.3M becoming the first film to spend nine straight weekends in the top ten since last winter’s "The Chronicles of Narnia." "Night" also climbed up to number 46 on the list of all-time domestic blockbusters sandwiching itself between a pair of action-comedy hits from 1984 – "Ghostbusters" ($238.6M) and "Beverly Hills Cop" ($234.8M). Of course, ticket prices were much lower two decades ago so "Night" has sold fewer tickets.

The top ten films grossed an estimated $137.8M over three days which was up a stunning 30% from last year when "Eight Below" opened at number one with $20.2M; and up a healthy 26% from 2005 when "Hitch" remained on top with $31.4M in its sophomore session.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Eddie Murphy scored the 14th number one hit of his career this weekend by playing three eccentric characters in the new comedy "Norbit," which generated the largest opening of any film this year by far.

Debuting far back in second place with less than half the ticket sales was the revenge thriller "Hannibal Rising." With the Academy Awards just two weeks away, many moviegoers caught up on the major nominees which all displayed fantastic holds. The explosive "Norbit" bow, however, was not enough to keep the box office from dipping below year-ago levels for the sixth consecutive weekend.

Returning to the type of crude comedy that launched his career over a quarter-century ago, Eddie Murphy proved once again how strong of a box office draw he still is with "Norbit" which opened in the top spot with a very strong $33.7M, according to estimates. The PG-13 film, which was written by the comedian and his older brother Charlie Murphy, averaged a sizzling $10,759 from 3,136 theaters. Eddie Murphy also saw his Oscar-nominated turn in "Dreamgirls" sit in the top ten at the number nine spot. Both films were produced by DreamWorks and distributed by its new owner Paramount.

"Norbit," which finds the former "Saturday Night Live" star playing a skinny timid man as well as his outrageous and overweight wife, gave Murphy his biggest opening for a live-action film since 2000’s "Nutty Professor II: The Klumps" which bowed to $42.5M in July of that year. That comedy also found the star putting on latex fat suits to play other characters. For DreamWorks, "Norbit" represented the studio’s third biggest live action opening ever and second largest for a non-sequel following the $34.8M of 2000’s "Gladiator."

Critics trashed "Norbit," but then again the target audience for this kind of comedy would never care about reviews anyway. The Murphy brand name plus effective marketing sold this movie and a broad audience turned out. Plus the actor has not been seen in these kinds of comedies in many years prompting a healthy appetite from fans. African Americans and Latinos were especially responsible for the stellar business. Budgeted in the vicinity of $65M, the battered husband pic should utilize the upcoming Valentine’s Day and Presidents’ Day holidays to help keep the tickets selling. That would allow "Norbit" to join "Dreamgirls" as the 12th and 13th $100M blockbusters of Eddie Murphy’s career with this May’s "Shrek the Third" set to become number fourteen after its first few days of release.

The return of screen villain Hannibal Lecter was not met with as much enthusiam. The prequel story "Hannibal Rising" debuted in second place with an estimated $13.4M from 3,003 theaters. Averaging a decent $4,446 per venue, the R-rated thriller about Lecter’s younger years and the revenge he sought upon those who killed his sister was marketed by The Weinstein Co. and distributed by MGM. The gross was less than half the $36.5M bow of the last film in the series, 2002’s "Red Dragon" which starred Anthony Hopkins in his final turn as the famed cannibal. "Hannibal Rising" may have opened on the exact same day of the year as 2001’s blockbuster "Hannibal," but the grosses could not have been more different. That Hopkins starrer shattered the February opening weekend record with a summer-like $58M launch. Reviews were mostly negative for the new installment.

Despite atrocious reviews, Diane Keaton‘s mother-daughter comedy "Because I Said So" held up very well in its second weekend slipping only 31% to an estimated $9M. That gave the Universal release a decent $25.6M in ten days and could put the film on track to reach about $50M. Fellow sophomore "The Messengers" dropped from first to fourth place in its second scare grossing an estimated $7.2M. Falling a steep 51%, the $16M thriller has banked $24.7M in ten days and should conclude in the neighborhood of $35M.

Ben Stiller‘s "Night at the Museum" enjoyed its eighth consecutive weekend in the top five and grossed an estimated $5.8M slipping a mere 10%. Despite the new star-driven comedy on the block, audiences still made time for the adventure pic which this weekend joined the list of the top 50 domestic blockbusters of all-time. "Museum" saw its cume rise to $232.1M putting it at number 50 just behind the $233.6M of another Fox holiday blockbuster, 2000’s "Cast Away."

Fox’s spoof comedy "Epic Movie" dropped 47% to an estimated $4.5M and bumped its cume up to $35.5M. Universal’s crime thriller "Smokin’ Aces" ranked seventh with an estimated $3.8M, down 38%, for a $30.9M total.

A trio of Oscar contenders rounded out the top ten. "Pan’s Labyrinth," the fairy tale for adults, continued showing superb legs and dipped just 4% to an estimated $3.5M. With $26.6M in sales thus far, the Picturehouse release has more than doubled its gross since earning six Academy Award nominations and is still expanding into more markets as solid word-of-mouth spreads.

Eddie Murphy’s second film in the top ten was "Dreamgirls" which slipped 23% to an estimated $3.1M. Paramount has collected $97.1M to date and is a week away from joining the century club. American subjects were still flocking to "The Queen" which eased only 5% to an estimated $2.5M lifting the cume to a stellar $49M.

A pair of Sony hits fell out of the top ten over the weekend. The Will Smith blockbuster "The Pursuit of Happyness" grossed an estimated $2.4M, down only 19%, and pushed its sum to $160.5M. The homelessness drama is Smith’s sixth consecutive $100M+ hit and tenth career blockbuster overall. His last six smashes together have grossed nearly $2 billion worldwide. "Pursuit," which earned its star an Oscar nod for best actor, could end its domestic run with close to $170M.

Sony’s $14M step dancing drama "Stomp the Yard" also took in an estimated $2.4M this weekend and boosted its incredible tally to $59.1M. Off 41%, a $65M final seems likely.

The top ten films grossed an estimated $86.5M which was off 12% from last year when "The Pink Panther" opened at number one with $20.2M; and down 12% from 2005 as well when "Hitch" debuted on top with $43.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Moviegoers get to choose between a master comic taking on three roles or a diabolical screen villain in his early years when they walk into their local multiplex this weekend.

Eddie Murphy stars in the outrageous comedy "Norbit" which is looking to rule the frame by pulling in teens while the dark thriller "Hannibal Rising" will play to an older adult audience interested in gruesome brutality. There should be little overlap between the audiences of the two films so each will have room to breathe and reach its potential. With the Super Bowl now history, Hollywood is looking for the marketplace to bounce back and score its biggest opening yet this year.

Movie fans adore films about loveable losers and the latest to add its name to the hit list is "Norbit." The PG-13 film stars Eddie Murphy as both a shy nerdy man and his vivacious wife who is large and in charge. The comic legend also plays a Chinese man who raised the title character when he was a child. Acting jobs were actually given to others too including Thandie Newton, Eddie Griffin, and Cuba Gooding Jr. The Paramount release seamlessly integrates the two Murphys on screen and the crude envelope-pushing humor will guarantee that every 15-year-old shows up on opening weekend. The marketing push has been solid too. "Night at the Museum"’s stellar box office run is proof of the hunger for big star-driven comedies and "Norbit" is finally the next biggie that will generate some major cash.

Timing for "Norbit" is pitch perfect. Murphy’s Golden Globe win and Oscar nomination for "Dreamgirls" has given him plenty of heat and media exposure over the last several weeks. With Valentine’s Day right around the corner, the date crowd certainly could be looking for something fun to go out and see this weekend. Plus, Black History Month adds an extra spotlight to African American stars and the former Axel Foley is among the most reliable draws of any black actor working today with immensely broad appeal. And the box office needs a big hit to kick things in gear as for three consecutive weekends, no film has managed to sell at least $20M worth of tickets.

Murphy has spent much of the last decade doing family-friendly films and hasn’t had an all-out comedy smash since 2000’s "Nutty Professor II: The Klumps" which opened in July of that year to $42.5M on its way to $123.3M. Fans turned out in droves to see the funnyman put on fat suits and play multiple characters that were rude and crude and led the sequel to a gross that nearly matched the original’s $128.8M from the summer of 1996. After all these years, moviegoers will certainly want another helping. Crashing into around 3,000 theaters, "Norbit" might see itself grossing $31M this weekend.


Eddie Murphy and, uh, Eddie Murphy in "Norbit."

Now that movie buffs know the whole story of Darth Vader’s teen years, another popular screen villain gets his puberty tale told in "Hannibal Rising." The R-rated revenge flick tells the story of a young Mr. Lecter who seeks vengeance on those who killed his young sister. Along the way, we see how his love of eating flesh and human butchery came about. MGM and The Weinstein Company are hoping to lure in fans of the previous installments of the saga. Certainly 2001’s "Hannibal" and 2002’s "Red Dragon" proved that money could still be made despite the losses of director Jonathan Demme and actress Jodie Foster, both of whom won Oscars for 1991’s "Silence of the Lambs." Now, the real test for the franchise will come as Anthony Hopkins is no longer in the cast. However, part of his image is used in a clever way in the television spots that could fool some folks.

Many of the adult fans of the first films will definitely take a pass on "Hannibal Rising" since leads Gaspard Ulliel and Gong Li just don’t sell tickets. But curiosity and the brand name will attract some in the first week, especially those who crave brutality and a little cannibalism in their weekend fun. Long-term prospects look weak. The new chapter is not likely to approach the $36.5M opening of "Red Dragon" and will only see a fraction of the $58M bow of "Hannibal" which shattered the February opening weekend record six years ago when it opened on the exact same day. Bad reviews will not help much either. While its three predecessors all debuted in the top spot, this latest tale should find itself eating into the runnerup spot. "Hannibal Rising" opens in about 2,900 theaters on Friday and could gross roughly $15M for the weekend.


Gaspard Ulliel in "Hannibal Rising."

Last weekend, the spooky thriller "The Messengers" beat out the Diane Keaton comedy "Because I Said So" for the top spot, but the chick flick has been winning the weekdays ranking first on Monday and Tuesday. The Sony horror flick should see the steeper drop especially with Eddie stealing the teen vote and fall 55% to about $7M for a ten-day total of $24M. "Said So" may decline by 45% and rake in a similar $7M for a cume of $23M after ten days for Universal.

LAST YEAR: New releases flooded into the marketplace swiping the top four spots for the frame. Leading the way was the much-delayed Steve Martin comedy remake "The Pink Panther" which bowed to $20.2M on its way to $82.2M for Sony. Close behind was the horror sequel "Final Destination 3" with $19.2M leading to a $54.1M final for New Line. Bowing in third was the animated kidpic "Curious George" with $14.7M while Harrison Ford slumped into fourth with his action pic "Firewall" which opened to $13.6M. Final grosses reached $58.4M for the Universal toon and $48.8M for the techno thriller from Warner Bros. The fright flick "When a Stranger Calls" dropped 58% from first to fifth and collected $9.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

With the Super Bowl taking males out of the picture, mothers and daughters squared off at the North American box office this weekend with the younger set earning a slim victory. The spooky thriller "The Messengers" opened at number one driven by teenage girls and young women while the Diane Keaton comedy "Because I Said So" bowed close behind in the runnerup position drawing upon older women.

The overall box office picture was bleak as the top ten slumped below the $70M mark for the second time in three weekends.

Sony scored its seventh consecutive victory over Super Bowl weekend with the haunted house spookfest "The Messengers," which grossed an estimated $14.5M in its debut frame. The PG-13 pic averaged a solid $5,736 from 2,528 locations but was weaker than the studio’s previous three hits that ruled this particular weekend. Last year, the horror pic "When a Stranger Calls" topped the charts with a $21.6M opening and $7,205 average, in 2005 "Boogeyman" led with a $19M bow and $6,232 average, and in 2004 "You Got Served" hit number one with $16.1M and a $8,341 average. "Messengers" did however post the best opening for a horror film since October’s "Saw III." A long string of terror flops were tossed into the marketplace in between with disappointing results.

Budgeted at only $16M, "The Messengers" skewed to a young female audience. According to studio research, 53% of the crowd was female and an equal percentage was under the age of 21. The studio is already planning for next year’s Super Bowl frame when it will release the horror remake "Prom Night," which will again cater to the same crowd. Teenage girls and young women historically have been the group least interested in football’s big championship game making them an attractive audience to target on this weekend. Creepy PG-13 films with strong female characters coupled with saavy marketing have led to many number one hits for Sony and its Screen Gems unit. But with the grosses getting smaller, movie fans could be telling Hollywood that it is dipping into this well too often.

Opening in second place with respectable results was "Because I Said So" with an estimated $13M from 2,526 theaters. Averaging $5,155 per location, the PG-13 film stars Diane Keaton as a meddlesome mother trying to find love for her unmarried daughter played by Mandy Moore. Men showed practically zero interest in the Universal release. Studio research showed that a whopping 82% of the audience was female. The film also played more to Keaton fans than to the Moore crowd as 55% of the turnout was 35 or older. 83% was Caucasian. Critics trashed "Because" and "Messengers" may have eaten into its potential with younger women.

Last weekend’s number one film "Epic Movie" dropped a sizable 56% in its second weekend and ranked third with an estimated $8.2M. With $29.4M in ten days, the spoof comedy looks on course to finish with $40-44M making it a bit smaller than Fox’s spoof from last February "Date Movie." That spin on romantic comedies grossed a somewhat stronger $33.8M in its first ten days, had a slightly lower 53% sophomore drop, and found its way to $48.5M.

Fox’s runaway smash "Night at the Museum" slipped only 29% and placed fourth with an estimated $6.8M pushing its tally to $225.4M. The durable Ben Stiller blockbuster became the first film to spend seven weekends in the top five since 2004’s "The Passion of the Christ."

Universal’s mob thriller "Smokin’ Aces" dropped 57% to an estimated $6.3M in its second weekend and put its cume at $25M after ten days. The step dancing hit "Stomp the Yard" followed with an estimated $4.2M, off 45%, for a total of $56M. The Oscar-nominated musical "Dreamgirls" saw the worst decline of its run dropping 40% to an estimated $4M. Cume stands at $92.8M.

Picturehouse added 259 theaters to the run of the fantasy pic "Pan’s Labyrinth" and stayed put at number eight with an estimated $3.7M. With six Academy Award nominations, the R-rated film upped its cume to $21.7M while its average of $3,383 was the third best in the top ten. Will Smith‘s tenth career $100M blockbuster "The Pursuit of Happyness" took in an estimated $3.1M, down 38%, for a $157.4M total to date.

Tied for tenth place with an estimated $2.7M in ticket sales each were the Helen Mirren Oscar nominated pic "The Queen" and the Jennifer Garner dramedy "Catch and Release." The Miramax contender for Best Picture slipped 33% raising its cume to $45.5M while the Sony flick tumbled 65% in its second weekend thanks to its female audience shifting over to the frame’s two new releases. The ten-day total stands at a weak $12M.

The horror remake "The Hitcher" also saw sales nosedive and dropped out of the top ten. The Focus release slumped 68% to an estimated $1.2M giving the R-rated scarefest only $15.6M overall. A final gross of $17M seems likely.

MGM and The Weinstein Co. saw a solid start for its indie drama "Factory Girl," starring media darling Sienna Miller grossing an estimated $95,000 from only three theaters for a stellar $31,764 average per site. Bowing in just New York and Los Angeles, the R-rated film tells of the rise of Edie Sedgwick and her mentor Andy Warhol. Reviews were mostly negative.

The top ten films grossed an estimated $66.5M which was off 13% from last year when "When A Stranger Calls" opened at number one with $21.6M; and down 19% from 2005 when "Boogeyman" debuted on top with $19M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

As the Chicago Bears and the Indianapolis Colts get ready to rumble at the Super Bowl on Sunday, Hollywood goes into counterprogramming mode and targets female moviegoers with a pair of new releases.

Those looking for big names will get to laugh with the new comedy "Because I Said So" while those in the mood for a scare get the haunted house flick "The Messengers." Overall, it should be a low scoring game at North American multiplexes this weekend.

Diane Keaton leaves behind the men and anchors her own comedy in "Because I Said So" playing an overbearing mother trying to find the right man for her youngest daughter. Directed by Michael Lehmann ("Heathers," "40 Days and 40 Nights"), the PG-13 film boasts some added girlpower in the cast with Mandy Moore, Piper Perabo, and Lauren Graham playing the daughters. The Universal release will undoubtedly skew heavily female and heavily Caucasian, but the acting ensemble could lead to a broad age range with mature women drawn in by Keaton’s motherly problems and young women connecting with the sisters. Aside from Mother’s Day weekend, the Super Bowl frame could indeed be the best time to launch a film like this as male interest will be low.

In a world where Meryl Streep can open "The Devil Wears Prada" to $27.5M, Jane Fonda can drive "Monster-in-Law" to a $23.1M debut, and Helen Mirren keeps bringing in audiences month after month with "The Queen," there certainly is box office gold with Hollywood’s elder stateswomen. Whether Keaton can join the ranks with this particular vehicle might be a different story. The studio has been pushing "Because" with great energy, but poor reviews could prompt many to just wait for the DVD. Starpower should help drive women of different ages to the box office and away from football and in a weak marketplace, that may be enough to reach the top spot. Opening in 2,526 theaters, "Because I Said So" might debut with around $14M.


Diane Keaton in "Because I Said So."

Also opening on Friday is "The Messengers," the fourth horror film in as many weeks to hit multiplexes. The PG-13 film directed by the Hong Kong-born Pang brothers tells the story of a family that moves into a run-down old house only to find creepy forces at play. Audiences have rejected every fright flick Hollywood has offered since October and "The Messengers" does not seem to bring anything new and exciting to the table to change things. Teens and young adults seem to be the core audience and with the big game in Miami commanding a lot of attention from the boys, Sony is hoping that teenage girls will be up for a scare. Marketing has been textbook and identical to every other horror pic. The starpower battle will be lost against "Because" so this flick will have to cater to those young ladies who do not want to be reminded of how meddlesome mothers can be. "The Messengers" opens in 2,528 theaters and could scare up around $12M for the weekend.


Kristen Stewart gets a message in "The Messengers."

Among holdovers, the spoof comedy "Epic Movie" may have won last weekend’s box office derby beating fellow freshman "Smokin’ Aces," but the R-rated action pic has taken over at number one each day during the mid-week period as "Epic" fans have gone back to class. The Fox comedy should see the larger drop as word-of-mouth will be nonexistent given its pathetic 3% score on RottenTomatoes.com which makes it the odds-on favorite so far for next year’s Razzie Awards. A 50% fall would leave "Epic Movie" with about $9M and a ten-day cume of $30M.

"Smokin’ Aces" has held up better during the week and newcomers won’t threaten its audience of young men that much. A 45% drop would give the Universal release around $8M for the weekend and a total of $27M after ten days.

The blockbuster "Night at the Museum" will enjoy yet another weekend when no kid movies enter the marketplace. That should lead to a small drop, possibly 25%, giving the Ben Stiller pic roughly $7M for the frame pushing the cume to an amazing $225M.

LAST YEAR: Thrills ruled the box office as the scary pic "When a Stranger Calls" opened at number one with a strong $21.6M to easily lead the frame. Sony found its way to $47.9M. Fox’s "Big Momma’s House 2" dropped a notch to second with $13.6M in its second weekend while the kidpic "Nanny McPhee" finished in third with $9.8M. "Brokeback Mountain" climbed to the highest position of its entire run coming in fourth place with $6M. Rounding out the top five was the animated hit "Hoodwinked" with $5.3M. Focus opened its new cross-cultural romantic comedy "Something New" in seventh place with a mild $4.9M on its way to only $11.5M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got mother/daughter conflict ("Because I Said So," starring Diane Keaton and Mandy Moore) and dark proceedings on a North Dakota sunflower farm ("The Messengers," starring Dylan McDermott and Penelope Ann Miller). What do the critics have to say?

Diane Keaton is one of America’s finest actresses, and Mandy Moore has continued to emerge as an engaging cinematic presence. Thus, critics say it’s especially disappointing that "Because I Said So," a dramedy about the dating woes of a mother and daughter, is so derivative. Keaton stars as a mom who is overly involved in Moore’s love life, in the hopes of helping her avoid past mistakes. The pundits say the actors in "Because" do the best they can with the material, which isn’t much, since the script is slight and shrill. At eight percent on the Tomatometer, the critics are saying to stay away from this one just "Because."


The eight percent tomatometer came as a shock.

The folks behind "The Messengers" are sending a missive to audiences by not screening the film for critics. The message is this: the movie probably isn’t any good. Directed by the Pang brothers, the film stars Dylan McDermott and Penelope Ann Miller as a couple whose children see dead people; evil goings-on ensue. Memo to readers: Guess that Tomatometer!


"I see…film critics!"

Also opening this week in limited release: "East of Havana," a documentary about young rap artists in Cuba, is at 100 percent; "An Unreasonable Man," a documentary about Ralph Nader‘s tumultuous career, is at 91 percent on the Tomatometer; "Fired!" a comedic meditation on the nature of getting sacked, is at 75 percent; "In The Pit," a Mexican documentary about freeway builders, is at 57 percent; "Puccini for Beginners," a screwball love-triangle comedy starring Gretchen Mol, is at 36 percent; "The Situation," a multifaceted look at the U.S. occupation of Iraq starring Connie Nielsen, is at 36 percent; and “Constellation,” a story of familial togetherness, is at zero percent.


"An Unreasonble Man" is good for consumers.

And finally, it’s time to dole out congrats to those clairvoyant souls who correctly guessed last week’s Tomatometers for "Epic Movie" and "Blood and Chocolate." To sir_mcchris_the_pirate, we say, "yo-ho-ho and a bottle of props" for correctly guessing "Epic"’s three percent. And a "bow-wow-wow-yippie-yo-yippie-yay" to the one and only dreday, on a Tomatometer-guessing spree; the good doctor correctly estimated "Blood"’s eight percent.

Recent Diane Keaton Movies:
————————————-
53% — The Family Stone (2005)
69% — Something’s Gotta Give (2003)
13% — Town and Country (2001)
11% — Hanging Up (2000)
32% — The Other Sister (1999)

Recent Mandy Moore Movies:
—————————————
41% — American Dreamz (2006)
45% — Romance and Cigarettes (2006)
67% — Brother Bear 2 (2006)
34% — Racing Stripes (2005)
60% — Saved! (2004)

Films Not Screened for Critics in 2007
———————————————-
3% — Epic Movie
8% — Blood and Chocolate
22% — The Hitcher
16% — Primeval

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