Tracy Bennett/Columbia Pictures

(Photo by Tracy Bennett/©Columbia Pictures)

All Adam Sandler Movies Ranked

The critics haven’t always been kind to Adam Sandler over the course of his film career, but box office receipts don’t lie — his detractors have been handily outnumbered by his many ardent fans, many of whom have been laughing it up over the SNL vet’s shtick for decades. His filmography’s certainly had its share of ups and downs, but it includes some of the biggest — and most eminently quotable — comedy hits in recent memory, from Billy Madison to Happy Gilmore, as well as a number of beloved rom-coms like The Wedding Singer and 50 First Dates, and indie gems in the form of The Meyerowitz Stories and Punch-Drunk Love. In fact, one of his latest was exactly that: 2019’s Uncut Gems, the intense crime thriller from the Safdie bros, drew some of the highest critical acclaim of Sandler’s career.

Watch out for hired goons, giant penguins, and, of course, Bob Barker, and let’s take a look at his entire filmography, from the best Adam Sandler movies to the worst, ranked by Tomatometer!

#45
#45
Adjusted Score: 1827%
Critics Consensus: Every bit as lazily offensive as its cast and concept would suggest, The Ridiculous Six is standard couch fare for Adam Sandler fanatics and must-avoid viewing for film enthusiasts of every other persuasion.
Synopsis: White Knife, an orphan raised by Native Americans, discovers that five outlaws are actually his half-brothers. Together, they set out... [More]
Directed By: Frank Coraci

#44

Jack and Jill (2011)
3%

#44
Adjusted Score: 5997%
Critics Consensus: Although it features an inexplicably committed performance from Al Pacino, Jack and Jill is impossible to recommend on any level whatsoever.
Synopsis: Thanksgiving is usually a happy time, but ad executive Jack (Adam Sandler) dreads the holiday because his twin sister, Jill... [More]
Directed By: Dennis Dugan

#43

Bulletproof (1996)
8%

#43
Adjusted Score: 8792%
Critics Consensus: In addition to its ability to deflect gunfire, Bulletproof proves sadly impervious to humor, logic, or worthwhile viewing.
Synopsis: A none-too-bright criminal, Archie Moses (Adam Sandler) works for drug kingpin Frank Colton (James Caan) and remains oblivious to the... [More]
Directed By: Ernest R. Dickerson

#42

Grown Ups 2 (2013)
8%

#42
Adjusted Score: 11149%
Critics Consensus: While it's almost certainly the movie event of the year for filmgoers passionate about deer urine humor, Grown Ups 2 will bore, annoy, and disgust audiences of nearly every other persuasion.
Synopsis: Lenny Feder (Adam Sandler) moves his family back to his hometown to be with his friends, but he finds --... [More]
Directed By: Dennis Dugan

#41

The Do Over (2016)
9%

#41
Adjusted Score: 8530%
Critics Consensus: A dunderheaded story of mistaken identity, The Do-Over finds Adam Sandler and David Spade retreading old ground -- minus the comedic pep required to enliven the decidedly uninspired proceedings.
Synopsis: When two guys fake their owns deaths and assume the identify of two others, they quickly discover that those men... [More]
Directed By: Steven Brill

#40

Mixed Nuts (1994)
13%

#40
Adjusted Score: 13455%
Critics Consensus: Mixed Nuts may provoke strong allergic reactions in all but the most undemanding filmgoers -- and the most forgiving Steve Martin fans.
Synopsis: Philip (Steve Martin) manages a suicide-prevention hotline called Lifesavers, assisted by Mrs. Munchnik (Madeline Kahn) and Catherine (Rita Wilson). On... [More]
Directed By: Nora Ephron

#39

The Cobbler (2014)
10%

#39
Adjusted Score: 11227%
Critics Consensus: The Cobbler represents a slight step up from Adam Sandler's recent comedies, but while its cloying sentiment proves a more palatable substitute for his usual crass humor, it still isn't terribly compelling.
Synopsis: A frustrated shoemaker (Adam Sandler) finds a magical sewing machine that allows him to see the world in a new... [More]
Directed By: Tom McCarthy

#38

Grown Ups (2010)
11%

#38
Adjusted Score: 16226%
Critics Consensus: Grown Ups' cast of comedy vets is amiable, but they're let down by flat direction and the scattershot, lowbrow humor of a stunted script.
Synopsis: The death of their childhood basketball coach leads to a reunion for some old friends (Adam Sandler, Kevin James, Chris... [More]
Directed By: Dennis Dugan

#37
Adjusted Score: 14133%
Critics Consensus: Sandler returns to his roots in this nauseating concoction filled with potty humor and product placements.
Synopsis: Davey Stone (Adam Sandler), a 33-year old party animal, finds himself in trouble with the law after his wild ways... [More]
Directed By: Seth Kearsley

#36

Zookeeper (2011)
14%

#36
Adjusted Score: 17730%
Critics Consensus: Zookeeper smothers Kevin James's with a sodden script and a surfeit of jokes inappropriate for the young viewers who would be intrigued by its juvenile storyline.
Synopsis: Kindhearted Griffin Keyes (Kevin James) is one of the best-loved caretakers at the Franklin Park Zoo, but since he is... [More]
Directed By: Frank Coraci

#35

Blended (2014)
15%

#35
Adjusted Score: 20579%
Critics Consensus: Lurching between slapstick and schmaltz without showing much of a commitment to either, Blended commits the rare Sandler sin of provoking little more than boredom.
Synopsis: Recently divorced mom Lauren (Drew Barrymore) and widowed dad Jim (Adam Sandler) let their friends push them into a blind... [More]
Directed By: Frank Coraci

#34
Adjusted Score: 20895%
Critics Consensus: Whether by way of inept comedy or tasteless stereotypes, I Now Pronounce You Chuck And Larry falters on both levels.
Synopsis: Chuck Levine (Adam Sandler) and Larry Valentine (Kevin James) are firefighters and true-blue buddies. When Larry, a widower, learns he... [More]
Directed By: Dennis Dugan

#33

Pixels (2015)
18%

#33
Adjusted Score: 25232%
Critics Consensus: Much like the worst arcade games from the era that inspired it, Pixels has little replay value and is hardly worth a quarter.
Synopsis: When aliens intercept video feeds of classic arcade games and misinterpret them as a declaration of war, they attack Earth,... [More]
Directed By: Chris Columbus

#32

Just Go With It (2011)
19%

#32
Adjusted Score: 23988%
Critics Consensus: Just Go With It may be slightly better than some entries in the recently dire rom-com genre, but that's far from a recommendation.
Synopsis: His heart recently broken, plastic surgeon Danny Maccabee (Adam Sandler) pretends to be married so he can enjoy future dates... [More]
Directed By: Dennis Dugan

#31

That's My Boy (2012)
20%

#31
Adjusted Score: 24412%
Critics Consensus: While it does represent a new foray into raunch for the normally PG-13 Sandler, That's My Boy finds him repeating himself to diminishing effect - and dragging Andy Samberg down with him.
Synopsis: While still a teen himself, Donny (Adam Sandler) fathered a son,Todd (Andy Samberg), and raised him as a single parent.... [More]
Directed By: Sean Anders

#30

Little Nicky (2000)
21%

#30
Adjusted Score: 25051%
Critics Consensus: Despite the presence of a large, talented cast, the jokes in Little Nicky are dumb, tasteless, and not that funny, and Adam Sandler's character is grating to watch.
Synopsis: In a perfect world, he'd be happy to head-bang in his room all day to heavy metal music. But no,... [More]
Directed By: Steven Brill

#29

Mr. Deeds (2002)
22%

#29
Adjusted Score: 25801%
Critics Consensus: This update of Capra doesn't hold a candle to the original, and even on its own merits, Mr. Deeds is still indifferently acted and stale.
Synopsis: Longfellow Deeds (Adam Sandler) is a sweet, lovable guy leading a simple but happy life in the tiny hamlet of... [More]
Directed By: Steven Brill

#28

Airheads (1994)
25%

#28
Adjusted Score: 26851%
Critics Consensus: There's a biting satire that keeps threatening to burst out of the well-cast Airheads, but unfortunately, the end result lives down to its title in the most unfortunate ways.
Synopsis: Three aspiring rock musicians -- Chazz (Brendan Fraser), Pip (Adam Sandler) and Rex (Steve Buscemi) -- are determined to have... [More]
Directed By: Michael Lehmann

#27

Sandy Wexler (2017)
27%

#27
Adjusted Score: 27727%
Critics Consensus: Sandy Wexler marks a mild improvement from the Adam Sandler vehicles immediately preceding it -- which in no way serves as an endorsement for non-hardcore fans.
Synopsis: Sandy Wexler (Adam Sandler) is a talent manager working in Los Angeles in the 1990s who diligently represents a group... [More]
Directed By: Steven Brill

#26

The Week Of (2018)
27%

#26
Adjusted Score: 26671%
Critics Consensus: The Week Of suggests promise in further collaborations between Sandler and Robert Smigel, but its shopworn premise and listless execution aren't enough to recommend it.
Synopsis: Two fathers with opposing personalities come together to celebrate the wedding of their children. They are forced to spend the... [More]
Directed By: Robert Smigel

#25

Bedtime Stories (2008)
27%

#25
Adjusted Score: 30022%
Critics Consensus: Though it may earns some chuckles from pre-teens, this kid-friendly Adam Sandler comedy is uneven, poorly paced, and lacks the requisite whimsy to truly work.
Synopsis: Hotel handyman Skeeter Bronson (Adam Sandler) gets an unexpected surprise when he discovers that the tall tales he has been... [More]
Directed By: Adam Shankman

#24

The Longest Yard (2005)
31%

#24
Adjusted Score: 37595%
Critics Consensus: This Yard has some laughs but missing from this remake is the edginess of the original.
Synopsis: Disgraced pro football quarterback Paul Crewe (Adam Sandler) lands in jail, where manipulative Warden Hazen (James Cromwell) recruits him to... [More]
Directed By: Peter Segal

#23
#23
Adjusted Score: 38532%
Critics Consensus: Men, Women & Children is timely, but director Jason Reitman's overbearing approach to its themes blunts the movie's impact.
Synopsis: Like many Americans, average suburbanite Don Truby (Adam Sandler) and his 15-year-old son use the Internet for information, communication and... [More]
Directed By: Jason Reitman

#22

The Waterboy (1998)
34%

#22
Adjusted Score: 37915%
Critics Consensus: This is an insult to its genre with low humor and cheap gags.
Synopsis: Raised by his overprotective mother, Helen (Kathy Bates), Bobby Boucher Jr. (Adam Sandler) is the water boy for a successful... [More]
Directed By: Frank Coraci

#21

Click (2006)
34%

#21
Adjusted Score: 40288%
Critics Consensus: This latest Adam Sandler vehicle borrows shamelessly from It's A Wonderful Life and Back To The Future, and fails to produce the necessary laughs that would forgive such imitation.
Synopsis: Michael Newman (Adam Sandler) seems to have it all but his wife, Donna (Kate Beckinsale), is increasingly frustrated by the... [More]
Directed By: Frank Coraci

#20

Coneheads (1993)
35%

#20
Adjusted Score: 37005%
Critics Consensus: Listless, crude, and overall uninspired, Coneheads offers further evidence that stretching an SNL sketch to feature length can be tougher than narfling a garthok.
Synopsis: Cone-headed extraterrestrials Beldar (Dan Aykroyd) and Prymaat (Jane Curtin) find themselves in New Jersey after a recon mission for their... [More]
Directed By: Steve Barron

#19
Adjusted Score: 43519%
Critics Consensus: You Don't Mess With the Zohan features intermittent laughs, and will please Sandler diehards, but after awhile the leaky premise wears thin.
Synopsis: Tired of all the fighting in his country, legendary Israeli commando Zohan (Adam Sandler) fakes his own death and goes... [More]
Directed By: Dennis Dugan

#18

Big Daddy (1999)
39%

#18
Adjusted Score: 42837%
Critics Consensus: Adam Sandler acquits himself admirably, but his charm isn't enough to make up for Big Daddy's jarring shifts between crude humor and mawkish sentimentality.
Synopsis: Thirty-two-year-old Sonny Koufax (Adam Sandler) has spent his whole life avoiding responsibility. But when his girlfriend dumps him for an... [More]
Directed By: Dennis Dugan

#17

Billy Madison (1995)
42%

#17
Adjusted Score: 43728%
Critics Consensus: Audiences who enjoy Adam Sandler's belligerent comic energy may find him in joyously obnoxious form as Billy Madison, but this thinly-plotted starring vehicle surrounds its star with an aggressively pedestrian movie.
Synopsis: Man-child Billy Madison (Adam Sandler) has been a spoiled rich kid all his life, and spends his days drinking and... [More]
Directed By: Tamra Davis

#16

Anger Management (2003)
42%

#16
Adjusted Score: 48618%
Critics Consensus: Thought not without its funny moments, Anger Management is ultimately stale and disappointingly one-note, especially considering its capable cast.
Synopsis: Dave Buznik (Adam Sandler) is usually a mild-mannered nonconfrontational guy. But after an altercation aboard an airplane, he is remanded... [More]
Directed By: Peter Segal

#15

Shakes the Clown (1991)
43%

#15
Adjusted Score: 43039%
Critics Consensus: Shakes the Clown has a handful of memorable moments, but they're scattered in a movie whose best ideas were left undeveloped on their way to the screen.
Synopsis: The all-clown town of Palukaville provides a colorful backdrop for this tale of an alcoholic funnyman framed for murder.... [More]
Directed By: Bobcat Goldthwait

#14

Murder Mystery (2019)
45%

#14
Adjusted Score: 47530%
Critics Consensus: Murder Mystery reunites Jennifer Aniston and Adam Sandler for a lightweight comedy that's content to settle for merely mediocre.
Synopsis: A New York cop and his wife go on a European vacation to reinvigorate the spark in their marriage. A... [More]
Directed By: Kyle Newacheck

#13
#13
Adjusted Score: 49822%
Critics Consensus: Hotel Transylvania's buoyant, giddy tone may please children, but it might be a little too loud and thinly-scripted for older audiences.
Synopsis: When monsters want to get away from it all, they go to Count Dracula's (Adam Sandler) Hotel Transylvania, a lavish... [More]
Directed By: Genndy Tartakovsky

#12

50 First Dates (2004)
45%

#12
Adjusted Score: 50276%
Critics Consensus: Gross-out humor overwhelms the easy chemistry between Adam Sandler and Drew Barrymore, who bring some energy and yucks to this tale of a girl with short-term memory loss and the guy who tries to get her to love him.
Synopsis: Playboy vet Henry sets his heart on romancing Lucy, but she has short-term memory loss; she can't remember anything that... [More]
Directed By: Peter Segal

#11

Hubie Halloween (2020)
52%

#11
Adjusted Score: 57083%
Critics Consensus: Viewers immune to its star's charms won't find it much of a treat, but Hubie Halloween is sweet enough to satisfy fans of Adam Sandler's antics.
Synopsis: It's October 31st in Salem, Massachusetts, and a town's eccentric, devoted community volunteer and the good-natured object of his fellow... [More]
Directed By: Steven Brill

#10

Spanglish (2004)
53%

#10
Adjusted Score: 58987%
Critics Consensus: Paz Vega shines, and Adam Sandler gives a performance of thoughtfulness and depth, but Spanglish is ultimately undermined by sitcommy plotting and unearned uplift.
Synopsis: Mexican immigrant and single mother Flor Moreno (Paz Vega) finds housekeeping work with Deborah (Téa Leoni) and John Clasky (Adam... [More]
Directed By: James L. Brooks

#9
#9
Adjusted Score: 57931%
Critics Consensus: Hotel Transylvania 2 is marginally better than the original, which may or may not be enough of a recommendation to watch 89 minutes of corny, colorfully animated gags from Adam Sandler and company.
Synopsis: Now that Dracula (Adam Sandler) has opened the Hotel Transylvania's doors to humans, things are changing for the better; however,... [More]
Directed By: Genndy Tartakovsky

#8

Happy Gilmore (1996)
61%

#8
Adjusted Score: 63868%
Critics Consensus: Those who enjoy Adam Sandler's schtick will find plenty to love in this gleefully juvenile take on professional golf; those who don't, however, will find it unfunny and forgettable.
Synopsis: All Happy Gilmore (Adam Sandler) has ever wanted is to be a professional hockey player. But he soon discovers he... [More]
Directed By: Dennis Dugan

#7
Adjusted Score: 68646%
Critics Consensus: Hotel Transylvania 3: Summer Vacation delivers exactly what fans will expect - which means another 97 agreeably lightweight minutes of fast-paced gags and colorful animation.
Synopsis: Your favorite monster family boards a luxury cruise ship so Dracula can take a summer vacation from the hotel. It's... [More]
Directed By: Genndy Tartakovsky

#6

Reign Over Me (2007)
64%

#6
Adjusted Score: 70373%
Critics Consensus: Reign Over Me is a charming, affecting tale of friendship and loss, with solid performances from Adam Sandler as a broken, grief-stricken man and Don Cheadle as his old friend and savior.
Synopsis: Charlie Fineman (Adam Sandler), who lost his family in the terrorist attacks of Sept. 11, still grieves over their deaths.... [More]
Directed By: Mike Binder

#5
#5
Adjusted Score: 72204%
Critics Consensus: It's decidedly uneven -- and surprisingly sappy for an early Adam Sandler comedy -- but The Wedding Singer is also sweet, funny, and beguiling.
Synopsis: Set in 1985, Adam Sandler plays a nice guy with a broken heart who's stuck in one of the most... [More]
Directed By: Frank Coraci

#4

Funny People (2009)
69%

#4
Adjusted Score: 77815%
Critics Consensus: Funny People features the requisite humor, as well as considerable emotional depth, resulting in Judd Apatow's most mature film to date.
Synopsis: Recently learning that he has a fatal disease, comic George Simmons (Adam Sandler) spots a struggling performer named Ira (Seth... [More]
Directed By: Judd Apatow

#3

Punch-Drunk Love (2002)
79%

#3
Adjusted Score: 84507%
Critics Consensus: Odd, touching, and unique, Punch-Drunk Love is also delightfully funny, utilizing Adam Sandler's comic persona to explore the life of a lonely guy who finds love.
Synopsis: Although susceptible to violent outbursts, bathroom supply business owner Barry Egan (Adam Sandler) is a timid and shy man by... [More]
Directed By: Paul Thomas Anderson

#2

Uncut Gems (2019)
92%

#2
Adjusted Score: 112454%
Critics Consensus: Uncut Gems reaffirms the Safdies as masters of anxiety-inducing cinema -- and proves Adam Sandler remains a formidable dramatic actor when given the right material.
Synopsis: A charismatic jeweler makes a high-stakes bet that could lead to the windfall of a lifetime. In a precarious high-wire... [More]
Directed By: Benny Safdie, Josh Safdie

#1
Adjusted Score: 105682%
Critics Consensus: The Meyerowitz Stories (New and Selected) observes the family dynamic through writer-director Noah Baumbach's bittersweet lens and the impressive efforts of a remarkable cast.
Synopsis: The adult children of Harold Meyerowitz reunite in New York in preparation for their father's career retrospective.... [More]
Directed By: Noah Baumbach

It’s almost time to hand out some golden popcorn — the nominations for the 2008 MTV Movie Awards have been announced!

To cast your vote for each category’s winner — and to choose your favorite of the fan-created movie spoofs in the, um, “Best Movie Spoof” category — head to MovieAwards.MTV.com (link below). A complete list of the nominees follows:

Best Movie:
Juno
Transformers
Pirates of the Caribbean: At World’s End
I Am Legend
Superbad
National Treasure: Book of Secrets

Best Male Performance:
Will Smith, I Am Legend
Shia LaBeouf, Transformers
Denzel Washington, American Gangster

Matt Damon, The Bourne Ultimatum
Michael Cera, Juno

Best Female Performance:
Ellen Page, Juno
Keira Knightley, Pirates of the Caribbean: At World’s End

Katherine Heigl, Knocked Up
Amy Adams, Enchanted
Jessica Biel, I Now Pronounce You Chuck & Larry

Best Villain:
Johnny Depp, Sweeney Todd: The Demon Barber of Fleet Street

Denzel Washington, American Gangster
Angelina Jolie, Beowulf
Topher Grace, Spider-Man 3
Javier Bardem, No Country For Old Men

Best Comedic Performance:
Johnny Depp, Pirates of the Caribbean: At World’s End
Adam Sandler, I Now Pronounce You Chuck & Larry
Jonah Hill, Superbad
Seth Rogen, Knocked Up
Amy Adams, Enchanted

Best Fight:
Matt Damon vs. Joey Ansah, The Bourne Ultimatum

Tobey Maguire vs. James Franco, Spider-Man 3
Hayden Christensen vs. Jamie Bell, Jumper
Sean Faris vs. Cam Gigandet, Never Back Down
Chris Tucker & Jackie Chan vs. Sun Ming Ming, Rush Hour 3

Alien vs. Predator, Aliens vs. Predator Requiem

Best Kiss:
Shia LaBeouf and Sarah Roemer, Disturbia
Amy Adams and Patrick Dempsey, Enchanted
Daniel Radcliffe and Katie Leung, Harry Potter and the Order of the Phoenix
Ellen Page and Michael Cera, Juno
Briana Evigan and Robert Hoffman, Step Up 2 The Streets

Breakthrough Performance:
Zac Efron, Hairspray
Seth Rogen, Knocked Up
Jonah Hill, Superbad
Michael Cera, Superbad
Chris Brown, This Christmas
Nikki Blonsky, Hairspray
Megan Fox, Transformers
Christopher Mintz-Plasse, Superbad

Best Summer Movie So Far:
Iron Man
Indiana Jones and the Kingdom of the Crystal Skull

Sex and the City: The Movie
Speed Racer
The Chronicles Of Narnia: Prince Caspian

Source: MTV Movie Awards

It may not have been quite the box-office phenomenon that its predecessors were — and critics may have disliked it enough to keep it down at 20 percent on the Tomatometer — but that didn’t stop Rush Hour 3 from emerging as the top DVD rental of 2007.

The third Rush Hour racked up over $70 million in rental revenue, roughly half of what it took in at the box office, and besting another third installment, The Bourne Ultimatum. Count down the rest of last year’s DVD-rental top 25 below!

1. $71.2 Rush Hour 3 ($140.1M box office)
2. $69.7 The Bourne Ultimatum ($227.5 box office)
3. $66.4 The Kingdom ($47.5 box office)
4. $64.3 Superbad ($121.5 box office)
5. $57.2 Live Free or Die Hard ($134.5 box office)
6. $56.7 The Simpsons Movie ($183.1 box office)
7. $55.3 Night at the Museum ($250.86 box office)
8. $54.1 Harry Potter and the Order of the Phoenix ($292 box office)
9. $51.8 Shrek the Third ($322.7 box office)
10. $51.2 The Heartbreak Kid ($36.8 box office)
11. $50.6 The Pursuit of Happyness ($163.57 box office)
12. $49.0 The Departed ($132.38 box office)
13. $47.5 Borat ($128.51 box office)
14. $47.5 Transformers ($319.3 box office)
15. $45.0 Blood Diamond ($57.38 box office)
16. $43.8 Spider-Man 3 ($336.5 box office)
17. $43.7 300 ($210.6 box office)
18. $43.0 I Now Pronounce You Chuck and Larry ($120 box office)
19. $42.9 Casino Royale ($167.45 box office)
20. $42.7 Disturbia ($80.21 box office)
21. $42.6 The Holiday ($63.22 box office)
22. $41.8 Knocked Up ($148.8 box office)
23. $40.8 Deja Vu ($64.04 box office)
24. $40.5 Fantastic Four: Rise of the Silver Surfer ($131.9 box office)
25. $40.5 The Good Shepherd ($59.95 box office)

Source: End of Boredom

No awards season — even a strike-tainted one — would be complete without the Razzies, right? Of course not. And that’s why we’ve thoughtfully assembled all of this year’s nominees in one convenient location.

The Razzies, now entering their 28th year, have been celebrating the worst in film since 1980, when John Wilson took a raspberry trophy, spray-painted it gold, and stuck it to Can’t Stop the Music. This year’s nominees are suitably distinguished, and they all follow below (with Tomatometers in parentheses). ‘Fess up, Vineketeers — how many of these have you seen? And enjoyed?

Worst Picture:
Bratz (7 percent)
Daddy Day Camp (1 percent)

I Know Who Killed Me (8 percent)
I Now Pronounce You Chuck & Larry (14 percent)
Norbit (9 percent)

Worst Actor:
Nicolas Cage, for Ghost Rider (27 percent), National Treasure: Book of Secrets (32 percent), and Next (30 percent)
Jim Carrey, for The Number 23 (8 percent)
Cuba Gooding, Jr., for Daddy Day Camp and Norbit
Eddie Murphy, for Norbit
Adam Sandler, for I Now Pronounce You Chuck & Larry

Worst Actress:
Jessica Alba, for Awake (21 percent), Fantastic Four: Rise of the Silver Surfer (35 percent), and Good Luck Chuck (3 percent)
Logan Browning, Janel Parrish, Nathalia Ramos & Skyler Shaye, for Bratz
Elisha Cuthbert, for Captivity (7 percent)
Diane Keaton, for Because I Said So (5 percent)
Lindsay Lohan (as Aubrey), for I Know Who Killed Me
Lindsay Lohan (as Dakota), for I Know Who Killed Me

Worst Supporting Actor:
Orlando Bloom, for Pirates of the Carribbean: At World’s End (45 percent)
Kevin James, for I Now Pronounce You Chuck & Larry
Eddie Murphy, for Norbit
Rob Schneider, for I Now Pronounce You Chuck & Larry
Jon Voight, for Bratz, National Treasure: Book of Secrets, September Dawn (13 percent), and Transformers (57 percent)

Worst Supporting Actress:
Jessica Biel, for I Now Pronounce You Chuck & Larry and Next
Carmen Electra, for Epic Movie (2 percent)
Eddie Murphy, for Norbit
Julia Ormond, for I Know Who Killed Me
Nicolette Sheridan, for Code Name: The Cleaner (4 percent)

Worst Screen Couple:
Jessica Alba with Dane Cook (for Good Luck Chuck), Hayden Christensen (for Awake), and Ioan Gruffudd (for Fantastic Four: Rise of the Silver Surfer)
Any combination of two totally air-headed characters in Bratz
Lindsay Lohan and Lindsay Lohan, for I Know Who Killed Me

Worst Remake or Ripoff:
Are We Done Yet? (8 percent, remake/ripoff of Mr. Blandings Builds His Dream House)
Bratz (a ripoff if ever there was one)
Epic Movie (ripoff of every movie it rips off)
I Know Who Killed Me (ripoff of Hostel, Saw, and The Patty Duke Show)
Who’s Your Caddy? (7 percent, ripoff of Caddyshack)

Worst Prequel or Sequel:
Aliens vs. Predator: Requiem (16 percent)
Daddy Day Camp
Evan Almighty (24 percent)
Hannibal Rising, (15 percent)
Hostel: Part II (44 percent)

Worst Director:
Dennis Dugan, I Now Pronounce You Chuck & Larry
Roland Joffe, Captivity
Brian Robbins, Norbit
Fred Savage, Daddy Day Camp
Chris Sivertson, I Know Who Killed Me

Worst Screenplay:
Geoff Rodkey and David J. Stem & David N. Weiss, Daddy Day Camp

Jason Friedberg & Aaron Seltzer, Epic Movie
Jeffrey Hammond, I Know Who Killed Me
Barry Fanaro and Alexander Payne & Jim Taylor, I Now Pronounce You Chuck & Larry
Eddie Murphy & Charles Murphy, Jay Sherick & David Ronn, Norbit

Worst Excuse for a Horror Movie:
Aliens vs. Predator: Requiem
Captivity
Hannibal Rising

Hostel: Part II
I Know Who Killed Me

Source: Razzies

Booze and babes were still in high demand as
the teen sex comedy
Superbad
ruled the North American box office for the second straight
weekend despite the arrival of a handful of new releases. Most of the debuting
films were met with disappointing sales since ticket buyers spent their time and
money catching up on popular holdover titles which commanded the top three
spots.

The supercool kids of
Superbad
remained the leaders of the pack with an estimated weekend
gross of $18M, falling 46% from last weekend. After ten days, the Sony smash has
taken in an impressive $68.6M and could be on its way to $120M or more. That
would give the raunchy hit a domestic gross nearly seven times its production
cost of $18M. Superbad is the first summer film to spend back-to-back
weekends at number one since
Pirates of
the Caribbean: At World’s End
which bowed over Memorial Day weekend in
May. Sony has now claimed the number one film nine times in 2007, more than any
other studio.






Rising one spot to second place was
Matt Damon‘s
latest assassin flick
The Bourne Ultimatum

which slipped only 38% to an estimated $12.4M. It was the fourth best
fourth-weekend gross of any summer film this year after the threequel
triumvirate of Shrek the Third ($15.3M),
Spider-Man 3
($14.3M), and Pirates
($12.4M). With $185.1M in the bank for Universal, Bourne has now outgrossed
every James Bond film domestically (in nominal dollar terms), both previous
Bourne films, and two of the three Mission: Impossible pics. Ultimatum
is still
on track to hit the $200M mark by the end of Labor Day weekend and will give a
serious challenge to this decade’s top action films that are not driven by
special effects – Rush Hour 2 ($226.2M in 2001) and Mission: Impossible 2
($215.4M in 2000).
 


New Line’s action-comedy sequel
Rush Hour 3 fell 43%
to an estimated $12.3M in its third mission. The
Jackie ChanChris
Tucker
threequel has collected $109M in 17 days and is on track to finish
with $140-145M.
 






In a tight race among new releases, the family film
Mr. Bean’s Holiday

edged out the action film War
for fourth place. Universal’s G-rated comedy opened to an estimated $10.1M from
1,714 theaters for a solid $5,905 average. The
Rowan Atkinson
starrer has already grossed a stellar $189M internationally. Debuting close
behind with an estimated $10M was the R-rated crime drama War which
averaged a mediocre $4,392 from 2,277 locations. Starring
Jet Li and
Jason Statham,
the Lionsgate release opened close to the numbers of the last films from the two
actors. Last September, Li’s
Fearless
bowed to
$10.6M and a $5,857 average while Statham’s
Crank
launched with
$10.5M over three days and a $4,158 average. Putting the two together did little
to broaden the audience, however.
 


MGM landed in sixth place with a disappointing opening for the comedy
The Nanny Diaries

which grossed an estimated $7.8M. Playing in 2,629 theaters, the PG-13 pic based
on the popular novel averaged just $2,971 per site.
 



The year’s top-grossing non-rat toon
The Simpsons Movie

dropped 36% to an estimated $4.4M in its fifth frame boosting the cume to
$173.4M for Fox. Paramount’s fantasy adventure
Stardust
grossed an
estimated $4M, off only 30%, for a total of $26.5M.
 



Moviegoers kept going back for more musical fun as New Line’s
Hairspray
dipped a
mere 23% in its sixth session to an estimated $3.5M and raised its overall cume
to $107.5M. Rounding out the top ten was the sci-fi flop
The Invasion
which
tumbled 47% in its second weekend to an estimated $3.1M. The Warner Bros.
release has taken in just $11.5M in ten days and should end with a miserable
$16-18M.



Three national releases dumped into the late-August abyss debuted outside of the
top ten with weak results. Yari Film Group’s well-reviewed boxing drama
Resurrecting
the Champ
starring
Samuel L.
Jackson
and
Josh Hartnett
opened with an estimated $1.8M from 1,605 theaters for a poor
$1,152 average. Universal’s Latino crime drama
Illegal Tender

bowed to an estimated $1.4M from 512 sites for a mild $2,805 average. The most
miserable results came from the
Jon Voight
film September Dawn
which grossed an estimated $600,000 from 850 playdates for an embarrassing $706
per-theater average for Slowhand Releasing.
 



In limited release, the
Mandy Moore
drama Dedication
got off to a moderate start collecting an estimated $24,000 from only four
venues for an average of $6,000 on its opening weekend for The Weinstein Co.
 



Three films dropped out of the top ten over the weekend.

Harry Potter and the Order of the Phoenix
grossed an estimated $2.5M,
down 34%, lifting the domestic haul to $283.3M. Despite the midweek launch in
July, the fifth wizard pic should end up with a final take nearly identical to
the $290M taken in by the last installment

Harry Potter and the Goblet of Fire
which had a Friday opening in
November which has been the most common type of launch for the franchise.
 



Buena Vista’s family film
Underdog
fell 42% to
an estimated $2.2M and put its sum at $36.6M. A $42-44M final seems likely.
Adam Sandler
‘s
latest comedy blockbuster
I
Now Pronounce You Chuck and Larry
grossed an estimated $2.1M, down 42%,
and gave Universal a total of $114.3M to date. The comedian has now generated
$100M blockbusters over six consecutive years trailing only Tom Cruise whose
streak is currently at seven straight years. Look for Chuck to end its
run with roughly $120M.
 



The top ten films grossed an estimated $85.5M which was up 12% from last year
when Invincible opened in first place with $17M; and up 10% from 2005 when
The
40-Year-Old Virgin
remained in the top spot with $16.3M.

Author: Gitesh Pandya,
www.BoxOfficeGuru.com

Teenagers flocked to the multiplexes for stimulation
this weekend as the raunchy new sex comedy
Superbad
powered its way to number
one while the frame’s other new releases, the sci-fi thriller The Invasion and
the adventure tale The Last Legion, were met with yawns. The overall North
American box office continued its red hot pace significantly beating out
year-ago levels yet again on its way to possibly ending the summer season with a
new record.

Sony captured the top spot for the first time since early May with
Superbad

which powered ahead of expectations to bow to an estimated $31.2M. The R-rated
tale of three nerdy high school pals on a wild search to get booze to impress
their lady friends averaged a potent $10,583 from 2,948 locations. The opening
even beat out the $30.7M debut of June’s
Knocked Up
from director
Judd Apatow
and actor Seth Rogen. Apatow produced Superbad which co-starred and was
co-written by Rogen. Critics were quite impressed with McLovin and friends and
gave the film high marks. (Click
here for
our interview with the stars of Superbad.)



The studio pushed the teen comedy for months with a well-executed marketing
campaign which included a popular uncensored trailer and touring the main actors
around the country for promotional events. Superbad delivered the second biggest
opening for an R-rated film this year only trailing
300
. The two are the only R pics to reach number one at all in 2007. With a production cost of only $18M,
the comedy will easily become a healthy moneymaker for Sony. But the film’s
troubling Friday-to-Saturday drop of 15% could mean that fans rushed out upfront
as if this were a sequel and that big dropoffs could be on the horizon. Still it
was the second biggest opening ever in the traditionally slow second half of
August behind just
Freddy vs. Jason
which debuted to $36.4M in 2003. Studio
research
showed that the audience was 52% male and 60% in the 18-34 bracket.





Rush Hour 3 fell 56% in its second weekend and slipped to the runnerup spot with
an estimated $21.8M pushing the ten-day cume to $88.2M. The New Line action
sequel should find its way to about $135-140M from North America. Like most of
this summer’s threequels, Rush Hour 3 will end its domestic run well behind the
gross of its predecessor.





The one threequel to break that trend is
The Bourne Ultimatum
which followed in
third place this weekend with an estimated $19M, off only 42%. Universal’s
latest action entry has taken in a stellar $163.8M in only 17 days and should
surpass the $176.1M of 2004’s
The Bourne Supremacy
by the end of the week to
become the top-grossing film of the franchise. Grossing an estimated $6.7M in
its fourth frame, down 41%, was
The Simpsons Movie
which has taken in
$165.1M for Fox to date.



Starpower from Nicole Kidman and
Daniel Craig meant nothing at the box office
for their new sci-fi thriller
The Invasion
which bombed with an opening of just
$6M, according to estimates. Playing wide in 2,776 theaters, the PG-13 remake of

Invasion of the Body Snatchers
averaged a measly $2,161 per site. The
Warner Bros. release earned mostly negative reviews.



Paramount’s fairy tale adventure
Stardust
fell 43% to an estimated $5.2M for a
ten-day sum of just $19.1M. A $30-35M final seems likely. The musical smash
Hairspray joined the century club over the weekend grossing an estimated $4.3M
for New Line, down just 33%, for a total of $100.7M. Disney’s
Underdog

dropped 43% to an estimated $3.6M to boost its tally to $31.7M.




Falling to ninth place was
Harry Potter and the Order of the Phoenix
which took
in an estimated $3.5M, off just 35%, giving Warner Bros. $278.6M from North
America. Overseas, the fifth wizard tale collected an estimated $16.2M from 61
territories boosting the international cume to $594M and the global gross to a stunning $873M. Rounding out the top ten was
Adam Sandler and
Kevin James in
the Universal comedy
I Now Pronounce You Chuck and Larry
which made
an estimated $3.5M, down 41%, for a total of $110.4M thus far.




Opening with weak results outside of the top ten was the historical epic
The Last Legion
starring
Ben Kingsley,
Colin Firth, and
Aishwarya Rai which launched
with an estimated $2.6M from 2,002 playdates for a dismal $1,297 average.





Debuting with respectable results in limited release was MGM’s
Death at a
Funeral
which bowed to an estimated $1.3M from 260 theaters for a $5,012
average.
Warner Independent platformed
Leonardo
DiCaprio
‘s documentary
The 11th Hour
in
New York and Los Angeles and generated a strong start. The PG-rated pic looking at environmental problems grossed an estimated $56,000 from four sites
for a muscular $14,000 average. Hour expands to the top ten markets on Friday.





Two films dropped out of the top ten over the weekend. The Warner Bros. pic
No
Reservations
took in an estimated $2.3M, off 39%, giving the
Catherine
Zeta-Jones
film $36.5M to date. A $40-43M final seems likely. Sony’s
Daddy Day
Camp
fell 47% in its second outing to an estimated $1.8M for a weak $8.8M
after ten days. The
Cuba Gooding Jr. sequel should stumble to a final take of
just $12M which will be a far cry from the $104.3M of
Eddie Murphy’s
Daddy Day
Care
in the summer of 2003.





The top ten films grossed an estimated $104.9M which was up 21% from last year
when Snakes on a Plane opened in first place with $15.2M; and up 13% from
2005 when The 40-Year-Old Virgin debuted in the top spot with $21.4M.

Author: Gitesh Pandya,
www.BoxOfficeGuru.com

 

After being off the case for six years,
Jackie Chan and
Chris Tucker raced
back into theaters with their cross-cultural cop buddy action sequel
Rush Hour 3
and
captured the number one spot. The new fantasy film
Stardust
opened to
disappointing results in fourth place while the weekend’s other new titles
Daddy Day Camp

and Skinwalkers
were virtually ignored by moviegoers. But overall, the North American box office
remained robust posting a gain of more than 25% over last year for the third
session in a row.

New Line hit the top spot for the first time in a year with its action-comedy
franchise hit Rush
Hour 3
which bowed to an estimated $50.2M. Playing ultrawide in 3,778
sites, the PG-13 film averaged a strong $13,298 per theater. It was the fourth
biggest opening ever in the month of August trailing
The Bourne Ultimatum

($69.3M last weekend),
Rush Hour 2

($67.4M in 2001), and Signs
($60.1M in 2002). While a powerful debut, Rush Hour 3 showed that the franchise
has suffered some audience erosion. The opening weekend gross was 26% smaller
than Rush Hour 2‘s
and factoring in six years of ticket price increases, the bow would be about 35%
weaker.

In the new saga, Chan
and Tucker reteam to
fight a Chinese organized crime syndicate in Paris. Critics were overwhelmingly
negative on the film stating that the characters have overstayed their welcome
and that Tucker, who has not done any films over the last nine years other than
the Rush Hour pics, held up part three because of his salary demands. But
audiences came out for the action and the comedy and should soon push the film
over the $100M mark in the coming weeks.



After its record-breaking opening,
The Bourne Ultimatum

dropped a reasonable 51% to an estimated $33.7M and boosted its ten-day tally to
$132.3M. The hold was a bit better than the 54% decline that
The Bourne
Supremacy
experienced in its sophomore session three years ago when it faced
The
Village
which bowed to the same numbers as Rush Hour 3. Ultimatum marks the 13th
summer film to cross the $100M mark this year compared to ten at this same point
last year. With few good action pictures left this summer, the latest
Matt Damon
assassin pic should cruise to $210-220M making it the top-grossing installment
in the popular spy series.




The Simpsons Movie fell another 56% in its third outing to an estimated $11.1M.
That put the 17-day total at $152.2M for Fox with a final tally of around $175M
likely.




The $70M fantasy adventure
Stardust
found
little magic at the box office in its opening weekend and collected just $9M in
ticket sales, according to estimates. Averaging a mild $3,548 from 2,540
locations, the PG-13 fairy tale pic starring
Michelle Pfeiffer,
Robert De Niro,
and Claire Danes found itself in fourth place. Reviews were mostly positive, but
that did little to boost its performance at the cash registers.




In its second weekend, Buena Vista’s
Underdog
fell 44% to an estimated $6.5M to
push its ten-day tally to $24.7M. A $40M final gross seems likely. The musical
Hairspray once
again enjoyed the best hold in the top ten dipping only 31% to an estimated
$6.4M in its fourth frame. With a robust $92.1M in the bank, the New Line hit
looks to reach the neighborhood of $110M.



The Adam Sandler comedy

I Now Pronounce You Chuck and Larry
followed with an
estimated $6M, down 44%, for a cume of $103.8M becoming the comedian’s eighth
$100M+ hit. Look for Universal to conclude its run with about $117M.
Harry
Potter and the Order of the Phoenix
fell 43% to an estimated $5.4M lifting the
domestic total to $272M making it the third biggest wizard pic after the first
and fourth installments. Overseas, the latest Hogwarts tale hit the $550M mark
propelling the global tally to an eye-popping $822M. Warner Bros. stablemate
No
Reservations
was close behind with an estimated $3.9M, off 40%, for a $32.1M
sum. Final grosses should reach $285M and $40M, respectively.




Sony saw almost no takers for its kidpic sequel
Daddy Day Camp

which flopped in its opening weekend grossing an estimated $3.6M from 2,332
theaters for a miserable $1,522 average. The PG-rated film stars
Cuba Gooding
Jr.
stepping in for Eddie Murphy who is currently having daddy issues of his
own. Murphy drove its predecessor Daddy Day Care to a $104.3M gross in 2003.
Since its Wednesday opening, Camp has collected just $5M in its first five days
which is less than what Care grossed in just its opening day alone.




Barely a blip on the radar in its opening weekend was the horror entry
Skinwalkers
with
an estimated $565,000 from 737 theaters for an awful $767 average for After Dark
Films.




Three pictures fell from the top ten over the weekend. The Paramount/DreamWorks
sensation Transformers grossed an estimated $3.3M in its sixth frame, off 45%,
and boosted its stellar cume to $302.9M. The $145M-budgeted blockbuster looks to
end its domestic run with about $310M. Worldwide, it has already grossed over
$600M with more markets still to open.
Transformers
currently sits at number 26
on the list of all-time domestic blockbusters and hopes to surpass
Pirates of
the Caribbean: At World’s End
to become the third biggest hit of the summer
after Spider-Man 3 and
Shrek the Third.




Two of last weekend’s poor openers tumbled in their sophomore frames. The
Andy
Samberg
comedy Hot Rod dropped 59% to an estimated $2.2M for a total of only
$11M for Paramount. Lionsgate’s girlpower flick
Bratz
stumbled 64% to an
estimated $1.5M for a pitiful $7.6M sum. Final grosses should reach $14M and
$10M, respectively.




The top ten films grossed an estimated $135.7M which was up 31% from last year
when
Talladega Nights
remained in first place with $22.1M; and up 35% from 2005
when Four Brothers debuted in the top spot with $21.2M.

Author: Gitesh Pandya,
www.BoxOfficeGuru.com
 

Matt Damon set a
new opening weekend record for the month of August with the top spot bow of

The Bourne Ultimatum
,
the third installment in the actor’s signature spy series. The frame’s other new
releases saw more modest openings while most holdovers held up well. The wide
assortment of popular hits allowed the North American box office to soar to the
highest grossing August weekend in history.

Racing past expectations, Universal’s

The Bourne Ultimatum

scored a spectacular opening grossing an estimated $70.2M in its first weekend
in theaters. Infiltrating 3,660 locations, the PG-13 film averaged a muscular
$19,175 per venue and beat out the $52.5M bow of its predecessor

The Bourne Supremacy

by a healthy 34%. That action entry launched in July 2004 and went on to gross
$176.1M. The new entry was also directed by
Paul Greengrass
and co-starred Julia
Stiles
and Joan Allen.



The eye-popping debut set a new benchmark for the month of August edging out
previous record-holder
Rush Hour 2
which bowed to $67.4M in 2001. That franchise’s next installment

Rush Hour 3
plans to
exact revenge when it opens this Friday gunning for the number one spot.
Ultimatum also generated the second largest opening weekend in studio history
for Universal trailing only
The Lost
World
which collected $72.1M over the Friday-to-Sunday portion of its
holiday debut in May 1997 during what was then the biggest opening weekend of
all time.


Matt Damon proved once
again how popular and relevant his Jason Bourne character is to today’s
audiences. Ultimatum also earned the best reviews of any action picture this
year so even though it was the summer’s eleventh sequel and fifth threequel, the
film still played out as an event picture for movie fans. The opening was even
bigger than any debut in the James Bond or Mission: Impossible franchises.
Openings for last year’s newest chapters for those spy sagas were $47.7M for
Mission:
Impossible III
in May and $40.8M for November’s

Casino Royale
.


If the estimate holds for The Bourne Ultimatum, it will become the fourth film
in five weeks to open north of $70M following
Transformers
,


Harry Potter and the Order of the Phoenix
, and
The Simpsons Movie
.
The string of big hits set the July box office ablaze and has now spilled over
into the final month of summer which should continue the fireworks. Plus most
films have been holding up well over the last few weeks. Of the 37 holdover
cases in the top ten during the last five weekends, only four have witnessed
declines of more than 50%. By comparison, nine had such drops over the same
five-week period a year ago.




Last weekend’s top film
The Simpsons Movie

was the only pic in the top ten to take a big tumble dropping 65% in its
sophomore weekend to finish in second place with an estimated $25.6M. That gave
the Fox blockbuster a robust total of $128.6M in only ten days of release. The
$75M production might find its way to the neighborhood of $190M domestically.
Overseas, Comic Book Guy and pals grossed another $47.3M shooting the
international total to $187M from 75 territories for a sensational global gross
of $315.5M and counting.



Disney launched its canine pic
Underdog
in third
place with a respectable opening of $12M, according to estimates, from 3,013
theaters. The PG-rated family film averaged a decent $3,986 per venue and tried
to take advantage of a marketplace lacking choices for younger kids.





Adam Sandler’s
latest comedy
I
Now Pronounce You Chuck and Larry
dropped 45% in its third weekend to an
estimated $10.5M for Universal. The musical
Hairspray
, also in
its third frame, dipped 41% to an estimated $9.3M for New Line. Totals to date
stand at $91.7M and $79.1M, respectively.





The megablockbuster

Harry Potter and the Order of the Phoenix
grossed an estimated $9.3M,
off 48%, boosting the total to $260.8M. That puts the fifth Hogwarts tale at
number 37 on the list of all-time domestic blockbusters after 2004’s
The Incredibles

which banked $261.4M. Overseas, Phoenix posted an estimated $25.2M to
lift the international tally to a towering $509.7M. With a worldwide gross of
$771M, the latest wizard flick is now the third biggest global blockbuster of
2007 after
Pirates of
the Caribbean: At World’s End
($952M) and
Spider-Man 3

($889M).





The Catherine
Zeta-Jones
drama
No Reservations

followed in seventh place with an estimated $6.6M in its sophomore session. Down
a reasonable 44%, the Warner Bros. release has cooked up $24.2M in ten days and
looks headed for a respectable $45M final.





With a one-way ticket to the triple-century club,
Transformers

took in an estimated $6M, down 49%, to lift its stellar cume to $296.3M. The
Michael Bay smash now
sits at number 26 on the all-time domestic list after

Pirates of the Caribbean: The Curse of the Black Pearl
which grossed $305.4M
in 2003.



For the second straight weekend, a pair of flops aimed at teens opened in the
number nine and ten spots with averages of less than $3,000. Paramount’s
Andy Samberg
comedy Hot Rod
debuted to an estimated $5M from 2,607 theaters for a dismal $1,924 average.
Lionsgate grossed an estimated $4.3M for its new preteen pic
Bratz resulting
in a mild $2,856 average from 1,509 playdates.





Jennifer Lopez and
Marc Anthony
teamed up for the biopic
El Cantante
which
debuted well in a limited national bow with an estimated $3.3M from 542 theaters
for a solid $6,004 average. The Picturehouse release about the life of Salsa
pioneer Hector Lavoe earned lackluster reviews from critics. Receiving better
notices was the period drama
Becoming Jane

which bowed in only 100 theaters to an estimated $1M for a strong $10,100
average. Starring Anne
Hathaway
as Jane Austen, the Miramax title expands to more markets in the
weeks ahead.





Four films fell from the top ten over the weekend. The animated comedy
Ratatouille
from
Disney and Pixar dropped by 46% in its sixth frame to an estimated $4M boosting
the cume to $188.3M. Though loved by critics, the rodent picture has not been
living up to Pixar standards and should end its domestic run right around the
$200M mark making it the company’s lowest-grossing hit since 1998’s A Bug’s Life
which took in $162.8M.





Fox’s action sequel
Live Free or
Die Hard
shot up an estimated $2.2M, tumbling 61%, and put its total at
$130.2M. A domestic final of about $135M seems likely while the pic’s global
gross of $309M will continue to climb rapidly over the course of the summer.





Also suffering sharp declines were the sophomores
I Know Who
Killed M
e and
Who’s Your Caddy?

which collected $1.2M and $1.1M, respectively. Lindsay Lohan’s latest box office
underachiever crumbled 67% and has taken in just $6.2M in ten days with a
pathetic $8M final likely. The golf comedy fell 60% to a ten-day cume of only
$4.8M and looks to end its run with a measly $7M.





The top ten films grossed an estimated $158.8M which was up a solid 37% from
last year when

Talladega Nights
opened at number one with $47M; and up a remarkable 62%
from 2005 when
The Dukes of Hazzard
debuted in the top spot with $30.7M.

Source: Box Office Guru

Matt Damon aims to gun down his competitors and rule the North American box office this weekend with The Bourne Ultimatum, the third in the popular spy series, which opens on Friday aiming to sell more tickets than the frame’s four other new wide releases combined. The Universal release reteams the actor with director Paul Greengrass who helmed the last installment in the franchise The Bourne Supremacy which bowed to $52.5M in July 2004 on its way to a stellar $176.1M domestic cume. The Bourne series has been very well-received and fans do not seem sick of it yet so expect most to return for this new threequel.

Ultimatum has three major advantages over Supremacy – 500 more theaters, slightly higher ticket prices, and less competition from action flicks. Three years ago when the last Bourne bowed on top, the next three films on the charts were all action titles gobbling up a similar $53.5M between them. This time, Hollywood has taken a break with comedies and wizardry filling up the top five so audiences should be ready for an action-packed film from a reliable brand name. As is often the case with the third part in a franchise, there will be some who feel they saw this twice before and don’t need to spend money yet again for the same entertainment. And others will feel that the summer’s eleventh sequel will be a bit too much.

However, ticket sales from adults over 25 should be solid since Ultimatum‘s serious tone counters the wave of immature films flooding the marketplace. Plus critics
are showering the new Bourne with praise which will help convince those with some doubt. Invading 3,661 locations, Universal could possibly score its biggest
opening in four years with The Bourne Ultimatum which might bow to around $55M this weekend.


“MATT…DAMON!”


Moviegoers that like their super hero antics from a canine do not have to fear. Buena Vista rolls out the family adventure Underdog which tells of a pooch that gains super powers after a lab accident and becomes a crime fighter that protects the citizens of his town. Loosely based on the cartoon which was a cult favorite, the PG-rated film has no major starpower and falls into the common boy-and-his-dog genre which there always seems to be a market for. There has not been much PG fare for younger kids over the last month so family audiences should be looking for a new movie to try out. This one will have to rely on the brand name which could entice parents to take a trip down memory lane. Opening in around 2,800 theaters, Underdog could debut with approximately $11M.


“Why must I feel like that, why must I chase the cat?”


Andy Samberg takes the leap from Saturday Night Live to his first lead role in a film with Hot Rod playing a slacker with big dreams of being a respected stuntman. The PG-13 film is aimed squarely at immature boys who often represent a lucrative audience in the dog days of summer. Samberg has made a name for himself on SNL more through his popular short films than his sketches, and has reached millions of fans online because of them. Hot Rod represents a test to see if that can translate at all to the box office where people actually have to pay money for his humor. Homer, Chuck, and Harry are all pulling in young males so competition will be a big factor. Even Jason will cast a wide net. But the slacker crowd could show up in some number before turning this into a hit DVD for Paramount during the holiday season. Jumping into 2,500 theaters, Hot Rod might debut with roughly $10M.


Hot Rod


Transforming robots aren’t the only toys to get their own movie this summer. Lionsgate targets young girls with Bratz, a live-action flick based on the popular dolls, which looks to have no success outside of its core demographic. The PG-rated film is not getting much of a marketing push with any audience segment other than tween females so the grosses will be limited. But with so many testosterone movies this season, something specifically designed for this underserved audience will find itself a little shelf space. The teen girl crowd can often be unpredictable as seen with last August’s Step Up zooming to $65.3M while Material Girls sputtered to just $11.4M. Bratz, which enters 1,509 theaters on Friday, should end up in the lower end of that range and open to around $5M.


like, omg we’re bffs!


Real-life hubby and wife Mark Anthony and Jennifer Lopez star in El Cantante, a biopic on Puerto Rican salsa pioneer Hector Lavoe. The R-rated drama is getting a moderate national release from Picturehouse with about 600 theaters running the film this weekend. Fans of the actor/singers are being counted on to show up and business from Latino audiences should be solid. But the pic lacks the kind of commercial buzz that could make it crossover to other audience groups. Reviews have not been too good either which could prevent wider appeal. But there is nothing else like it in the marketplace so El Cantante could post a respectable average and collect about $3M this weekend.


Lopez and Anthony react to the low tomatometer rating


After a spectacular opening weekend, The Simpsons Movie is bound to fall hard in its sophomore frame since its die-hard fan base rushed out over the debut period already. A 55% fall could result which would leave the Fox toon with an impressive $33M gross and a muscular ten-day haul of $138M. Adam Sandler‘s I Now Pronounce You Chuck and Larry might slide by 40% to about $11.5M for a cume of $92M for Universal while Harry Potter and the Order of the Phoenix should drop by 45% to $10M giving Warner Bros.$261M to date.

LAST YEAR: Will Ferrell raced to the top spot with the comedy Talladega Nights which bowed to an impressive $47M. The Sony release went on to gross $148M. Debuting far back in second place was the animated film Barnyard with $15.8M to kick off a leggy run that resulted in a $72.6M final for Paramount. Pirates of the Caribbean: Dead Man’s Chest placed third with $11M followed by Miami Vice which tumbled by 60% in its second weekend to $10.2M. Lionsgate opened its horror flick The Descent with $8.9M on its way to $26M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Moviegoers across North America embraced The Simpsons Movie which beat out all industry expectations for an explosive number one opening this weekend grossing more than the next four biggest hits combined. The Fox release collected an estimated $71.9M in its first weekend in theaters and averaged a spectacular $18,320 per site from 3,922 locations. The PG-13 comedy enjoyed the third largest debut ever for an animated film trailing only Shrek the Third and Shrek 2 which bowed to $121.6M and $108M, respectively.

The Simpsons Movie delivered the fifth biggest July opening weekend ever after the megasequels Pirates of the Caribbean: Dead Man’s Chest ($135.6M in 2006), Spider-Man 2 ($88.2M in 2004), Harry Potter and the Order of the Phoenix ($77.1M in 2007), and Austin Powers in Goldmember ($76.6M in 2002). It also ranks fifth among the biggest non-sequel opening weekends in history following Spider-Man ($114.8M in 2002), Harry Potter and the Sorcerer’s Stone ($90.3M in 2001), The Passion of the Christ ($83.8M in 2004), and The Da Vinci Code ($77.1M in 2006). The magic number five is also where The Simpsons Movie stands in Fox’s company history behind the debuts of the last two installments in both the Star Wars and X-Men franchises.

After building up an enormous fan base over the last 18 years, The Simpsons Movie was finally ready to capitalize on the popularity of the television series by jumping to the big screen and the audience certainly followed. Fox reported that the audience for the $75M production was solid in all four quadrants. Strong reviews from critics also helped the cause and probably encouraged many fans who have given up on watching the weekly series to return for the theatrical fun. The studio’s marketing department also deserves a gold medal for its unorthodox campaign which really commanded the attention of the public. From the contest between different towns named Springfield to host the premiere to the conversion of a dozen 7-11 stores into Kwik-E-Marts, the studio was able to generate massive amounts of excitement with creative new ideas.

Dropping a notch from its top spot debut, Adam Sandler and Kevin James cuddled up in second place with the comedy I Now Pronounce You Chuck and Larry which fell 44% to an estimated $19.1M. The Sony release has laughed up a solid $71.6M in its first ten days and should find its way to the neighborhood of $125M. Chuck is performing much like Sandler’s 2002 summer comedy Mr. Deeds which bowed in late June to $37.2M, tallied $73.6M in ten days, and finished with $126.3M.

Another former number one followed. Harry Potter and the Order of the Phoenix dropped 48% to an estimated $17.1M in its third weekend and boosted its 19-day cume to $241.8M. Phoenix posted the smallest third-weekend gross of any Potter film to date, however a final domestic cume close to the $290M of the last installment Goblet of Fire still seems possible.

The hot musical Hairspray posted a decent hold in its second weekend dropping 43% to an estimated $15.6M for New Line. The ensemble pic featuring John Travolta and Queen Latifah watched its total soar to $59.3M after only ten days which already makes it the studio’s top grossing film in two years. The PG-rated entry looks to pass the $103.3M of last winter’s Dreamgirls and may reach about $110M.

Catherine Zeta-Jones headlined the new romantic dramedy No Reservations and found moderate success with an estimated opening of $11.8M. The Warner Bros. release debuted in 2,425 locations as an alternative choice for adult women and averaged a good $4,849. Aaron Eckhart and Abigail Breslin co-star in the story of a chef whose life changes after her sister’s death leaves the woman to care for her niece. Reviews were mixed.

The action smash Transformers placed sixth in its fourth weekend with an estimated $11.5M. Down 44%, the Paramount/DreamWorks co-production boosted its cume to $284.6M putting it at number 31 on the list of all-time domestic blockbusters after The Matrix Reloaded which grossed $281.5M in 2003. Transformers is now the third biggest hit ever for Paramount after Titanic ($600.8M) and Forrest Gump ($329.7M) and also the third largest in DreamWorks history trailing the last two Shrek installments.

In their fifth weekends, Disney’s Ratatouille and Fox’s Live Free or Die Hard held up well grossing estimates of $7.2M and $5.4M, respectively. The Pixar toon dipped 34% and has banked $179.7M to date while the Bruce Willis sequel slipped only 25% pushing the cume to $125.1M. The new John McClane adventure is the actor’s highest grossing live-action film since 1999’s The Sixth Sense.

Two new flops rounded out the top ten. Sony’s Lindsay Lohan horror flick I Know Who Killed Me bowed to an estimated $3.4M from 1,320 theaters for a weak $2,576 average. The R-rated torture pic was never tracking well and its star’s recent arrests put the nail in the coffin for the film’s release. MGM opened the golf comedy Who’s Your Caddy? with an estimated $2.9M averaging only $2,846 from 1,019 sites.

Four films dropped out of the top ten over the weekend. The Warner Bros. romantic comedy License to Wed tumbled 64% to an estimated $1.3M lifting its cume to $41.7M. A mediocre $44M final should result for the Robin Williams pic. Rival comedy Knocked Up has been one of the year’s top comedy performers and fell 48% to an estimated $1.2M giving Universal a superb $145.1M to date. The low-cost $30M production should finish its domestic run with just under $150M.

Horror hit 1408 dropped 54% to an estimated $1.2M giving MGM $70M thus far. As the year’s second biggest fright flick after Disturbia, the John Cusack film should reach about $73M.

The Steve Carell epic comedy Evan Almighty grossed an estimated $1.1M, down 57%, pushing the tally to $96.3M. Produced for $175M, the PG-rated pic will have to work hard with second-run business in order to crack the $100M mark for Universal. It will also have to soar internationally and on video if it wants reach break-even.

A handful of films expanded into wider release this weekend. MGM’s military drama Rescue Dawn grossed an estimated $1.7M from 500 locations for a $3,304 average and $3M cume. The sci-fi thriller Sunshine grossed an estimated $1.3M for Fox Searchlight resulting in a $2,750 average and a total of $1.6M. The Don Cheadle film Talk To Me averaged $6,986 from 115 playdates for a weekend estimate of $803,000. Total sits at $1.9M for Focus.

The top ten films grossed an estimated $165.7M which was up a potent 52% from last year when Miami Vice opened at number one with $25.7M; and up 58% from 2005 when Wedding Crashers rose to the top spot for the first time with $20M in its third frame.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Bart, Lisa, and the whole gang from Springfield will charge into multiplexes across North America and much of the world this weekend in the highly anticipated animated comedy The Simpsons Movie which looks to easily conquer the box office. But competing studios do have other menu items in store for moviegoers. Catherine Zeta-Jones stars in the romantic comedy No Reservations, Lindsay Lohan headlines the grisly thriller I Know Who Killed Me, and hip hop star Big Boi tries out the world of golf comedy in Who’s Your Caddy?

Fox is aiming for hardcore followers and casual fans alike with its long-in-the-works comedy The Simpsons Movie which hits screens at midnight on Thursday night. The PG-13 film has a substantial built-in audience and should play out like a semi-sequel. To some extent it will be one of the more unpredictable openings of the summer since there is no track record of Simpsons fans leaving their TVs and paying money at the box office, however the fan base is sizable and will definitely come out upfront. Reviews have been good too so those who tuned out a decade ago and miss the Bobo years should return to try out what the feature-length entree is like.

The studio gets major points for executing what is certainly one of the best marketing campaigns of the year. From turning a dozen 7-11s into Kwik-E-Marts to the SimpsonizeMe web promotion, The Simpsons Movie has been generating substantial interest and has jumped from the entertainment pages to the front pages becoming a major pop culture event. That should lead to a powerful opening weekend, even if large drops follow. The marketplace will get crowded this weekend, however Simpsons will tower over its foes with ease. In fact its nearest competitors should only be in the teen millions so Krusty and company will get the attention of most folks. Busting into 3,922 theaters, The Simpsons Movie could open in the neighborhood of $54M.


The Simpsons Movie


The German film Mostly Martha gets transformed into a star-driven Hollywood vehicle in the comedy No Reservations featuring Catherine Zeta-Jones, Aaron Eckhart, and Abigail Breslin. The PG-rated film features the T-Mobile lady playing a control freak chef who must care for her niece when her sister is killed. Warner Bros. offered sneak previews last weekend to help get some buzz going since the marketplace is getting so crowded now. No Reservations should skew more female making the hotter-than-expected Hairspray a formidable competitor. Starpower is not too high here which will make for another challenge at the box office. Serving up love and laughs in 2,425 locations, No Reservations could gross roughly $9M over the weekend.


No Reservations


What seemed like a good idea a year ago – Lindsay Lohan headlining a thriller – now looks to become an unfortunate casualty of the summer box office race. I Know Who Killed Me, an R-rated scarefest from Sony, hits theaters on Friday riding a wave of bad publicity surrounding its star. Is all publicity, good publicity? Will Lohan’s arrests and substance abuse problems help sell more tickets? Moviegoers will decide that, but Killed enters the marketplace without a lot of fanfare. Hollywood has run the horror genre into the ground this year with an overabundance of product and this one’s harsh rating will make it much tougher to get Lohan’s fan base in. The film looked promising a month ago when scenes of the mean girl doing a stripper routine were released online. But most of the intrigue has evaporated and the pic now stands as yet another scary movie that ticket buyers don’t need. Debuting in about 1,200 locations, I Know Who Killed Me may collect around $4M.


I Know Who Killed Me


MGM releases the golf comedy Who’s Your Caddy? which stars hip hop players Big Boi and Lil Wayne. The PG-13 pic tells of a rap mogul who invades and turns upside-down an elite country club. Opening in only 1,019 theaters with a low-volume marketing push, Caddy is not looking to lead the pack at all but comes as a small offering for teens on summer vacation too bored to see anything else. Given the high amount of competition and the low amount of starpower, the grosses should be small. Who’s Your Caddy? might take in about $2M this weekend.


Who’s Your Caddy?


As if the weekend wasn’t crowded enough, a handful of films that have posted impressive results in limited release test the waters in many more theaters. MGM widens the acclaimed military drama Rescue Dawn from 57 to more than 500 runs, Fox Searchlight expands its sci-fi thriller Sunshine from ten to over 400 locations, and Focus jumps from 36 to 115 playdates with its well-reviewed Don Cheadle starrer Talk To Me. All three should find themselves in the Top 20.


Rescue Dawn


Harry Potter and the Order of the Phoenix took a beating last weekend when the final wizard book hit the shelves. The drop could stabilize this weekend despite the arrival of Apu and friends. A 45% decline would give the Hogwarts clan about $18M and a 19-day cume of $242M.

Adam Sandler comedies typically drop by 45-50% on the second weekend depending on how well received they are. I Now Pronounce You Chuck and Larry is not exactly a fan favorite so sales could get sliced in half and fall to about $17M. That would still give the Universal comedy about $70M after ten days.

New Line enjoyed a better than expected bow for the musical Hairspray which gave the studio its best opening in two years. However its Friday-to-Saturday drop of 15% last weekend indicates that it might be a front-loaded title. Look for a 50% fall to around $14M giving the John Travolta vehicle a ten-day tally of $59M.

LAST YEAR: Universal’s summer action entry Miami Vice opened atop the charts with $25.7M on its way to $63.5M domestically and $164M worldwide. After three weeks at number one, Pirates of the Caribbean: Dead Man’s Chest slipped to second with $20.6M. Fox’s teen comedy John Tucker Must Die enjoyed a solid opening in third with $14.3M leading to a $41M final. The animated film Monster House followed with $11.7M in its sophomore frame. Rounding out the top five was rival toon The Ant Bully with a $8.4M opening on its way to a disappointing $28.1M for Warner Bros. Introducing herself to the world in limited release was Abigail Breslin in Little Miss Sunshine which went on to become a critical and commercial hit grabbing $59.9M at the box office plus four Oscar nominations.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Adam Sandler
scored the ninth number one opening of his career with his latest comedy
I
Now Pronounce You Chuck and Larry
which edged out former champ

Harry Potter and the Order of the Phoenix
for the top spot at the North
American box office. The frame’s only other wide opener
Hairspray
enjoyed a
magical debut of its own with a strong third place bow. Overall, moviegoers
spread their dollars around as for first time in more than three years, four
films grossed over $20M each over the same weekend.

Universal won a slim box office victory with the launch of

Chuck and Larry
which grossed an estimated $34.8M to lead the frame.
Debuting in 3,495 theaters, the PG-13 pic about two straight firefighters who
pretend to be gay for the domestic partner benefits averaged an impressive
$9,950 per location. Though a solid first place performance, Chuck and Larry
also delivered the worst opening for one of
Sandler’s broad
live-action comedies since the 2000 flop
Little Nicky
.
His more dramatic turns in films like
Spanglish
and
Reign Over Me

have attracted modest openings, but his mainstream laughers typically debut near
the $40M mark. Sandler still stands a good chance of earning a $100M blockbuster
for the sixth consecutive year.

Falling down one spot to the runnerup position was

Harry Potter and the Order of the Phoenix
which grossed an estimated
$32.2M in its sophomore session. Down a steep 58%, the Warner Bros. release
lifted its 12-day cume to a stunning $207.5M. Second weekend declines are
typically large for high-profile tentpole films. Phoenix’s drop was a bit
smaller than the 62% for both
Spider-Man 3
and
Pirates
of the Caribbean: At World’s End
which each debuted on a Friday in May.
However, it was larger than the drops for fellow midweek openers
Live Free or
Die Hard
and
Transformers

which witnessed sophomore declines of 47% and 48%, respectively.





The new Potter film had to compete with the arrival of the seventh and
final wizard book on Saturday which appealed to the exact same audience and
probably kept many away from the multiplexes. Still the gross to date compares
favorably to the $201M that the last film

Goblet of Fire
generated by the end of its second weekend in November
2005. That tally however was over two fewer days but did have the benefit of the
Thanksgiving holiday. With the summer playing period, Phoenix stands a
good chance of matching the $290M of Goblet and could even crack the
$300M mark. Together with Transformers, that would give this summer a
record five megablockbusters crossing the $300M threshold.





Helped by monster openings in Japan and Russia, the fifth wizard tale grossed a
staggering $100.8M overseas this weekend to boost the international tally to
$351.3M. That puts the global box office for Order of the Phoenix at a
towering $559M after only 12 days. This weekend the Harry Potter movie
franchise also crossed a major milestone as the global box office for all five
films combined shattered the $4 billion mark.





New Line attracted a large audience to its musical comedy
Hairspray
which
opened better than expected at number three with an estimated $27.8M. Playing in
3,121 houses, the PG-rated film averaged a stellar $8,907 and gave the studio
its best opening in two years. Hairspray earned rave reviews from critics
and starred a diverse cast that allowed the marketing team to target different
audiences. Hollywood veterans
John Travolta and
Michelle Pfeiffer
helped bring in adult moviegoers,
Amanda Bynes and
Zac Efron caught the
attention of teens,
Queen Latifah
helped give the film appeal to African American moviegoers,
and newcomer
Nikki Blonsky
hit the talk show circuit making everyday Americans feel they
too can win their shot at movie stardom. Many audience segments found something
here to like.

Transformers banked another $20.5M, according to estimates, and saw its
total soar to $263M. Off 45% in its third weekend, the Paramount/DreamWorks
production climbed to number 34 on the list of all-time domestic blockbusters
passing the $262M of 2002’s Harry Potter and the Chamber of Secrets.

The animated rodent film
Ratatouille

dropped 39% to fifth place with an estimated $11M in its fourth outing to boost
the cume to $165.6M. Although the acclaimed comedy is on its way past the $200M
mark, it will end up being Pixar’s lowest-grossing film since 1998’s
A Bug’s Life
. Fox’s
action sequel
Live Free or
Die Hard
followed in sixth with an estimated $7.3M, off 35%, lifting the
total to $116.5M. By Tuesday the new installment will become the top-grossing
Die Hard
film edging past the $117.3M of 1990’s Die Hard 2, however
ticket prices were much lower when all previous John McClane pics were released.

The Warner Bros. comedy
License to
Wed
fell 49% to an estimated $3.8M and gave the
Robin Williams
film $38.7M to date. The hit thriller
1408
scared up an
estimated $2.6M, down 47%, giving MGM a cume of $67.5M.





Universal rounded out the top ten with a pair of comedies from the men behind
The 40-Year-Old
Virgin
. Steve
Carell’s
Evan
Almighty
grossed an estimated $2.5M, down 50%, for a $93.5M sum. But
director Judd Apatow has been the bigger winner with
Knocked Up
which
slipped 37% to an estimated $2.3M raising the stellar total to $142.7M and
counting. Final domestic grosses should be roughly $100M and $150M,
respectively.




In limited release, Fox Searchlight’s sci-fi thriller
Sunshine
opened well
with an estimated $235,000 from only ten locations for a scorching $23,548
average. The Danny Boyle-directed
pic expands on Friday to over 400 theaters nationwide. Also posting a solid
average was Don Cheadle’s
Talk to Me with an
estimated $342,000 from 36 sites for a commendable $9,491 average. The total
sits at $895,000 with an expansion set for Friday as well.




A pair of films fell from the top ten over the weekend.
Michael Moore’s
health care documentary
Sicko
dipped 26% to an estimated $1.9M pushing the overall cume to
$19.2M. A final take of about $25M seems likely for the Lionsgate release. The
caper sequel
Ocean’s Thirteen
grossed an estimated $1.1M in its seventh heist, down
47%, for a $114.6M cume to date. A final North American tally of approximately
$118M seems likely which would be just 6% less than the $125.5M of 2004’s
Ocean’s Twelve.




The top ten films grossed an estimated $144.7M which was up 5% from last year
when

Pirates of the Caribbean: Dead Man’s Chest
remained at number one for
the third time with $35.2M; and up 17% from 2005 when Johnny Depp also ruled
with

Charlie and the Chocolate Factory
which took in $28.3M in its sophomore
session.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Two new star-driven Hollywood comedies face off at the box office this weekend in an attempt to unseat Harry Potter and the Order of Phoenix from the top spot. Adam Sandler headlines the gay marriage pic I Now Pronounce You Chuck and Larry while John Travolta goes one step further starring as a heavy-set mom in the musical Hairspray. For the first time in nearly a month, no new release gets an early midweek headstart.

Adam Sandler is back for his annual trip to blockbusterland in Chuck and Larry starring with Kevin James and Jessica Biel. The PG-13 film reunites Sandler with director Dennis Dugan (Big Daddy, Happy Gilmore)
and tells the story of two heterosexual firefighters who pretend to be married to each other to take advantage of the financial benefits. The former Saturday Night Live star only does one film per year and each comedy has a specific well-defined plot. That has led to a string of hits at the box office as fans so far have not had too much of him. Earlier this year, Eddie Murphy reached $34.2M with Norbit‘s opening while Will Ferrell bowed to $33M with Blades of Glory. Chuck should go a little higher.

The former wedding singer has scored $100M blockbusters in each of the last five years and aims to extend the streak to six with his latest summer offering. Last June, his comedy Click bowed to $40M on its way to $137.3M while 2005’s The Longest Yard debuted to $47.6M over three days before heading to a $158.1M final. Sandler is one of the most reliable box office draws in the business and his usual fan following, skewing a bit more male, should be back again this time. Reviews have been bad as usual but should not factor in much. Potter and Transformers will still provide some competition for young males and females may be swayed more to Hairspray. Universal’s marketing push has been on par with past films from the actor and Sandler has been hitting up all the standard talk shows for his yearly sales pitches. Tying the knot in 3,492 theaters, I Now Pronounce You Chuck and Larry could open to about $37M.


The happy couple

John Travolta, Michelle Pfeiffer, Queen Latifah, Christopher Walken,
Amanda Bynes, and newcomer Nicole Blonsky join forces for the lavish musical Hairspray, the 2007 movie version of the popular Broadway version of the 1988 cult film from John Waters. The new PG-rated pic has earned glowing praise from critics which will certainly help its cause in a summer full of action hits aimed at young males. Hairspray will skew more female and could appeal to multiple generations given the broad range of stars from teen queens to middle-aged sex symbols.

New Line does not have an easy sell here. However the studio was wise to program the release into the second half of summer knowing that audiences may be all actioned out by now and looking for something different. Musicals rarely hit the big screen during the summer although in 2001 Moulin Rouge opened wide to $13.7M and a $6,019 average leading to a respectable $57.4M gross. Hairspray hopes to become a hit like Chicago and Dreamgirls, rather than a dud like Rent or The Producers. Broadway musicals don’t always translate well onto the big screen but starpower often helps to make them click with moviegoers. Hairspray boasts a solid line-up of Hollywood stars and with strong reviews should
attract a good following at the box office. Dancing into more than 3,000 theaters, the Adam Shankman-directed film could collect about $19M this weekend.


Nikki Blonsky in Hairspray

A space team is sent on a mission to repair the dying sun in Fox Searchlight’s futuristic thriller Sunshine which launches in limited release in ten theaters on Friday. Michelle Yeoh, Chris Evans, and Cillian Murphy star in this latest film from director Danny Boyle which expands to more cities in the weeks ahead.


Something resembling sunshine in Sunshine

Warner Bros. will take on the two new comedies and try for a second weekend on top with Harry Potter and the Order of the Phoenix. Had the film opened on a Friday and concentrated its whole audience into three days, the dropoff would easily have been more than 60%. However, the Wednesday launch last week softened the Friday-to-Sunday tally so a smaller decline should result. The biggest foe will actually be Potter himself as the seventh and final book in the wildly popular series will go on sale early Saturday prompting millions of fans to invest their time into reading rather than munching on popcorn in front of a big screen. A 55% drop would give Phoenix around $35M for the frame and a mammoth 12-day cume of $210M.

Transformers should also have a decent hold since no new action entries are hitting the multiplexes. The Paramount/DreamWorks release might fall by 45% to roughly $20M boosting the total to a towering $262M. Disney and Pixar also look to see a good hold for Ratatouille. The animated rodent comedy may slide by 35% to $12M for a sum of $165M to date.

LAST YEAR: For the third straight weekend, Johnny Depp‘s Pirates of the Caribbean: Dead Man’s Chest led the field and grossed $35.2M boosting the 17-day total to a staggering $321.9M. Sony’s animated film Monster House debuted in second place with $22.2M and was followed by fellow freshman Lady in the Water from Warner Bros. which disappointed with a $18M launch. Final domestic tallies reached $73.5M and $42.3M, respectively. Rounding out the top five were the comedies You, Me and Dupree with $12.8M and Little Man with $11M. Another pair of comedies debuted outside the top five. MGM’s Clerks II bowed to $10.1M on its way to $24.1M, while Fox’s My Super Ex-Girlfriend opened to only $8.6M leading to a $22.5M final.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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