On the final frame of 2013, studios shoved six new wide releases into the marketplace but holiday moviegoers chose holdovers instead as The Hobbit stayed at number one while the month-old animated smash Frozen enjoyed a Christmas surge finishing close behind in second. Of the new faces, only one – The Wolf of Wall Street – posted impressive results with the rest attracting sales that ranged from mediocre to disastrous.
Topping the charts for the third straight weekend, The Hobbit: The Desolation of Smaug won a slim victory with an estimated $29.9M over the Friday-to-Sunday period boosting the cume to a healthy $190.3M. Off just 5% from last weekend, the Middle Earth saga grossed a hearty $49.7M over the five-day period from Christmas Day Wednesday to Sunday. Smaug continues to run 15% behind the pace of last year’s film An Unexpected Journey at the same point in the release. IMAX screens have accounted for $26M of the cume on the new Bilbo flick (about $50M worldwide) and this weekend’s share rose to 17% of the gross as fans continue to pay extra for the premium experience. A massive $98.3M overseas this weekend pushed the international tally to $423.8M and the global haul to $614.1M.
The Disney animated blockbuster Frozen enjoyed a huge 47% jump from last weekend and grossed an estimated $28.8M in its fifth round of nationwide play. With positive buzz and no major competition for kids, the PG-rated smash has now amassed a stellar $248.4M making it the studio’s second biggest non-Pixar toon of all-time trailing just 1994’s The Lion King. Breaking $300M domestic seems likely. Frozen was red hot overseas too with new openings helping the international weekend gross reach $50.5M for a $79.3M global weekend. New cumes are now $243.5M overseas and $491.9M worldwide with Brazil, Japan, and China still to open.
Dropping 25% from its opening weekend was the holiday season’s top broad comedy Anchorman 2 with an estimated $20.2M pushing the cume to $83.7M for Paramount putting it a day away from surpassing the $84.1M total of its 2004 predecessor. Close behind was the all-star awards contender American Hustle with an estimated $19.6M, up 2% from its wide debut last week. Sony has banked $60M to date.
Fifth place went to the excesses of the finance world as Martin Scorsese’s raunchy new film The Wolf of Wall Street delivered the best opening among the half-dozen new releases with an estimated $18.5M over three days and $34.3M across the five days since its Christmas Day launch on Wednesday. The three-day average was $7,296 from 2,537 locations – solid for an R-rated film running three hours long.
Earning strong but not sensational reviews, the director’s fifth outing with Leonardo DiCaprio skewed incredibly old playing more like a Marty film than a Leo one. A whopping 90% of the crowd was over 25 and 54% were male. Paying audiences did not like what they got as the CinemaScore grade was a troubling C which was among the lowest of any film this holiday season. With a budget of about $100M, Wolf will try to have the kind of legs that older-skewing movies do and if it secures a Best Picture Oscar nomination a few weeks from now, that could help it stay afloat too.
The feel-good Tom Hanks-Emma Thompson pic Saving Mr. Banks surged 50% despite no increase in screens and grossed an estimated $14M. Averaging a solid $6,645, the Disney release has collected $37.8M thus far.
Fox’s PG-rated film The Secret Life of Walter Mitty bowed to an estimated $13M from 2,909 locations for a mediocre $4,469 average. Total for the Ben Stiller project since its yuletide launch is $25.6M. Reviews were mixed and the CinemaScore was a B+. Demos were 52% female and 64% over 25.
Jumping 16% was the Katniss tentpole The Hunger Games: Catching Fire with an estimated $10.2M in its sixth weekend and $391.1M overall making it 2013’s second biggest blockbuster after Iron Man 3 ($409M) which it may surpass before its run is through. The Lionsgate release has climbed up to number 18 on the list of all-time domestic blockbusters.
Keanu Reeves delivered a bomb with his pricey period adventure 47 Ronin which started with a solid opening day on Wednesday but then quickly lost its audience. The weekend saw an estimated $9.9M while the five-day period brought in just $20.6M. With a budget estimated to be in the range of $150-175M, the Universal release never generated interest outside of a core subset of the male action crowd. Reviews were terrible but the CinemaScore grade was a decent B+. There was a heavy male skew (62%) while 53% were over 30. Overseas results are not much better with $22.3M total to date from 29 markets including Japan where it is now in its fourth frame.
Rounding out the top ten was A Madea Christmas with an estimated $7.4M, down just 12%, for a $43.7M total for Lionsgate. It should surpass $50M like so many previous Tyler Perry movies including all the Madea titles.
Also rejected by critics and paying audiences alike was the Sylvester Stallone-Robert DeNiro boxing comedy Grudge Match which opened just outside the top ten to an estimated $7.3M over the weekend from 2,838 locations for a wimpy $2,576 average. The PG-13 pic earned a B+ from audiences and had only $13.4M in box office over five days. Older men, as expected, made up the core crowd as 55% were male and 68% were over 25. Reviews were dreadful and with so many better options, ticketbuyers took a pass on this fight.
Two more films debuted nationwide but failed to crack the top ten posting weak grosses. The Idris Elba pic Mandela followed a prolonged one month run in platform release with an expansion into 975 theaters but grossed an estimated $2.4M for a lousy $2,484 average. Cume for The Weinstein Co. is $4.7M with a rocky road ahead.
The supposedly-retired pop singer Justin Bieber failed to make his fans come out to theaters with his new music doc Believe which debuted to an estimated $2M from 1,037 locations for a flimsy $1,942 average. The five-day tally since its Christmas launch was a measly $4.3M which is a fraction of the $30.3M that his 2011 film Never Say Never opened to. Believe had only one-third of the screens and was released by Open Road which does not have the marketing muscle of Paramount and its MTV sibling. But still, the new film did not generate any impressive turnout with its opening weekend down an alarming 93% from Bieber’s last film.
The top ten films grossed an estimated $171.4M which was up 8% from last year when The Hobbit: An Unexpected Journey stayed at number one with $32.9M; and up 27% from 2011 when Mission: Impossible – Ghost Protocol was in the top spot with $29.4M.
Compared to three-day projections, The Wolf of Wall Street came in a little below my $22M forecast while The Secret Life of Walter Mitty was on target with my $13M prediction. 47 Ronin was close to my $9M projection and Grudge Match came in below my $13M forecast. Believe debuted well under my $6M prediction.
MTV Movies reports that the project has acquired a new screenwriter, and given the right set of circumstances, Waters’ involvement isn’t out of the question:
“Mike Myers is taking it over completely, throwing out the screenplay. He’s starting over with a new screenplay that he’s going to write. I may end up circling back to it because Mike and I have developed things together. If his screenplay ends up really great, I might end up jumping back into it with him.”
“We had a green-lit movie at Paramount, it was ready to go. I came right to the edge of the cliff…and basically we were shooting in New Orleans and starting to build our stages when Katrina hit. We had to kind of to drop back and reconfigure, and suddenly Owen was taking other projects and I was never available.”
As discussed last summer, Myers’ involvement has been common knowledge for some time — but Waters’ latest comments would seem to indicate that the last known script, written by Jay Kogen and “specifically tailored for Myers,” has wound up in the circular file.
A Walter Mitty remake has been on and off the table for years, passing through the hands of Jim Carrey, Steven Spielberg, Ron Howard, and others, all to no avail. Myers is known for taking his time with his projects — maybe slow and steady wins the race after all?
Source: MTV Movies
Hollywood has been trying to produce a "Walter Mitty" remake for what seems like a decade now. And now it’s finally moving forward with Mike Myers.
The project, previously a Paramount property and now one owned by Fox, will be a remake of the 1947 Danny Kaye comedy "The Secret Life of Walter Mitty." No word yet on who’ll be directing, but former "Simpsons" scribe Jay Kogen is handling the adaptation duties. Variety indicates that the new producers "are starting from scratch with a version that will be specifically tailored for Myers." Which means … fat suits and funny accents, I suppose.
Based on a short story by James Thurber, "Walter Mitty" is about a comic book writer who imagines himself in all sorts of adventures. Filmmakers who were, at one point, allllmost attached to the remake include Jim Carrey, Steven Spielberg, Ron Howard, Owen Wilson, and Mark Waters.
In related Myers news, it looks like the guy wants to mount another "Austin Powers" comedy, this one told from the perspective of Dr. Evil.
The long-discussed remake of 1947’s "The Secret Life of Walter Mitty" looked to be moving forward with Owen Wilson in the title role … but a variety of pre-production issues have arisen, which means that Paramount has placed the project on a "turnaround" back-burner, where it might just percolate for a while.
According to "The Hollywood Reporter," "Paramount Pictures’ on-again, off-again "The Secret Life of Walter Mitty" is off again as far as the studio is concerned. Paramount confirmed Friday that the long-gestating project, which was to have starred Owen Wilson, is in turnaround.
Sources said the project lost momentum at Paramount after the studio failed to cast a female lead to play opposite Wilson. Scarlett Johansson emerged as the front-runner after screen-testing with Wilson this month, but a deal never closed. Although she is believed to still be interested in the project, Wilson, who had signed on to play the title character in June contingent upon a female lead being cast, recently withdrew from the project.
Sources say Zach Braff is now the front-runner to play Mitty in the remake of 1947 comedy classic to be directed by Mark Waters and produced by Samuel Goldwyn Jr. and John Goldwyn.
Paramount denied that the delay in casting a female lead played a role in pushing Wilson off the project. Meanwhile, Goldwyn Jr. cited "creative differences" for the project being put in turnaround. "This is the best possible solution," he said."
Owen Wilson ("Wedding Crashers") will play the lead role in Paramount’s remake of "The Secret Life of Walter Mitty," says The Hollywood Reporter. "Wilson would star as the title character, a quintessential daydreamer whose vivid imagination allows him to escape from the mundane constraints of his ordinary life."
The original film, produced in 1947 and starring Danny Kaye ("The Court Jester"), has long been a topic of remake discussion, although with Wilson and director Mark Waters ("Mean Girls") on board, things look to be moving ahead quite smoothly.
The long-standing on-again, off-again remake of “The Secret Life of Walter Mitty” finally looks to be underway over at Paramount. “Freaky Friday” and “Mean Girls” director Mark Waters will helm the remake from a screenplay by Richard LaGravanese (“The Fisher King,” “The Bridges of Madison County“).This project has bounced around Hollywood for the past several years; filmmakers previously involved include actor Jim Carrey, directors Ron Howard and Steven Spielberg, and screenwriters Chuck Russell, Peter Tolan, Lowell Ganz and Babaloo Mandel. Based on the 1947 Danny Kaye film of the same name, “Mitty” is about a meek and mild writer who daydreams of becoming a powerful hero.