(Photo by Paramount Insurge/courtesy Everett Collection)
We’re scraping the bottom of the cauldron for this one, freaky folks. Here lies a group of wretched movies with the lowest Tomatometers of all time – with a minimum of 20 reviews – now rising and shambling into our guide to the worst horror movies ever made.
No movie listed here achieved higher than 9% on the Tomatometer. As you might expect, the list features an inordinate number are remakes, the biggest offenders including The Fog, Jacob’s Ladder, Flatliners, and Martyrs. Same goes for sequels, as Jason, Jaws, the living dead, and an American werewolf make their appearances. And then there’s movies that will never even get a sniff of a chance for a sequel, like Sandra Bullock’s Premonition, the Daniel Craig clunker Dream House, or the eerily and aptly-titled The Disappointments Room.
Nothing but trouble coming up on in the worst, lowest-rated horror movies of all time!
(Photo by Michael Gibson/STX Entertainment)
To some fans, Idris Elba will forever be Stringer Bell from The Wire. To others, he’ll always be best remembered as John Luther. For still others, he’s the guy who gave us the Heimdall of the Marvel Cinematic Universe, or — and this is admittedly a much smaller subset — finally brought gunslinger Roland Deschain to the big screen in the long-gestating adaptation of Stephen King’s The Dark Tower. All of which is to say that Mr. Elba’s done a lot in his impressive career, and by all appearances, he’s still just getting started: even if those persistent rumors about him taking over the James Bond franchise never pan out, he’s got plenty of projects lined up to add to an eclectic filmography that already includes some of the more popular and widely acclaimed TV and film releases in recent memory, including an original character in The Suicide Squad. And now we’re ranking all Idris Elba movies by Tomatometer!
A few days ago, prompted by the disparity between the Audience Score and the Tomatometer for Ari Aster’s horror film Hereditary, we ran through a list of some critically acclaimed horror films that ended up generating a collective sigh from audiences. But what about when the situation is flipped? We thought it was worth taking a look at the opposite scenario, when movies that largely resonate well with audiences are savaged by critics.
We looked at a number of films with low Tomatometer ratings and high Audience Scores to determine what, if anything, might result in the critical dismissal of horror flicks that moviegoers hold near and dear to their hearts. There’s a bit of the occult, a dash of religious panic, and a few choices that are a little wacky. On top of that, we even discovered a few franchises that managed to defy expectations and consistently strike a chord with their fans over several installments, even as critics pooh-poohed them.
So read on to see what horror flicks you loved and critics didn’t, and let us know where you fall on the entries listed below. Then, go back and check out our list of movies that critics loved and audiences shunned to see if that matches your tastes any better!
Audience Score: 61%
Divide: 37 percentage points
Critics were not all that kind to this gruesome combination of space adventure and supernatural horror, but there’s no denying that the movie has become a cult classic of the modern era. Just mention this movie on Twitter and watch how many people respond!
Audience Score: 72%
Divide: 37 points
Filmmaker Darren Bousman probably doesn’t mind all that much that critics don’t love his offbeat, fan-friendly horror musical mash-ups, because his target audience sure does. Repo! has more than its fair share of vocal supporters, as does The Devil’s Carnival, which presently enjoys an 87% approval rating among movie watchers.
Audience Score: 62%
Divide: 58 points
Now this one just boggles my mind. I like a whole lot of goofy horror films but I cannot image what 62% of the audience enjoyed about this patently ridiculous tale of four young warlocks who get up to no good. Then again, the movie is full of handsome young men, so perhaps that explains some of the audience approval.
Audience Score: 49%
Divide: 41 points
One of those occult thrillers in which a professional skeptic who has seen it all finally faces something she cannot explain in a creepy location. Something that deals with biblical plagues. I think. Pretty sure I fell asleep during this one.
Audience Score: 84%
Divide: 51 points
Yes, the musical. It’s only tangentially a horror film but we had to include it because wow: 84% of the audience liked this adaptation? One can only assume that’s a lot of residual fandom and goodwill from people who adore the stage version — and of course the music — but one could also assert that those fans deserved a better cinematic adaptation. Maybe they’ll try again in a few years.
Audience Score: 63%
Divide: 42 points
Horror fans enjoy nothing more than a truly horrific possession story, and while Stigmata didn’t win over all that many fans on the Tomatometer, the Audience Score remains inordinately high for this rarely-discussed occult story. (I do recall Patricia Arquette delivering a fantastic, punishing performance, but that’s about it.) Perhaps this film critic should take the advice of the Audience Score and give Stigmata a second spin.
Audience Score: 65%
Divide: 46 points
Rob Zombie is sort of the poster child for “fans dug it, but critics did not,” and it all began with his gruesome grindhouse-style debut. His second film, The Devil’s Rejects, fared slightly better, with a 53% Tomatometer, but then his Halloween remake (25% Tomatometer vs. 59% Audience Score) proved one thing beyond a shadow of a doubt: Mr. Zombie’s fans are nothing if not loyal, and very few film critics are big fans of the man’s films.
Audience Score: 58%
Divide: 42 points
Never try to apply logic to a certified cult flick. I remember not caring for this one when it played theaters, but somehow this bizarre horror-comedy about a slacker with a possessed hand has turned into a bona fide cable/Netflix favorite. It just goes to show that a movie may fail at the box office, and it may also fail to win critical acclaim, but if people like it enough, it can enjoy a very long afterlife.
Audience Score: 78%
Divide: 33 points
This one really confuses me. I have yet to meet a film critic who dislikes this fascinating tale of war, cannibalism, and insanity, yet the Audience Score is clearly the one on the side of goodness and decency. Speaking as both a film critic and a horror nut, I cannot recommend this strangely engaging genre concoction highly enough. And get a load of that awesome score!
Average Audience Score for the Saw Series: 64.4%
Average Tomatometer: 28.4%
Divide: 36 points
Wow! Talk about a disparity between critics and horror fans! I’m a film critic and a Saw fan but this surprised even me. Film critics have never particularly liked this franchise, but that hasn’t stopped fans from digging through every terrible trap, brutal betrayal, and ridiculous resurrection. The eight Saw movies hold an average Audience Score of 64.4%, which may not sound super impressive, but considering the average Tomatometer for the same films is 28.3%, it’s pretty solid.
Average Audience Score for the Underworld series: 65.2%
Average Tomatometer: 24.8%
Divide: 40.4 points
What? Film critics didn’t fall in love with a “werewolf vs. vampire” rendition of Romeo & Juliet set in a gloomy Gothic location? How weird! Granted, there’s a lot of down time scattered across this series, but there’s also some pretty decent action and some wildly indecipherable accents. Though some critics dug the first chapter, it gets pretty dire after that, and thanks to a pretty decent average Audience Score, we’re looking at a beefy 40-point differential for the entire franchise.
Average Audience Score for the Resident Evil series: 55.5%
Average Tomatometer: 27.7%
Divide: 27.8 points
This is the other Screen Gems franchise (after Underworld) that doesn’t even bother screening films for critics but brings in lots of money from movie theaters from all over the world. And yes, there’s definitely some fun to be found within this willfully wacky zombie action franchise. Unfortunately, while most of my colleagues don’t seem to agree with me on that last part, there are enough moviegoers who do, resulting in a nearly 28-point chasm.
George Clooney, the Mayor McCheese of Hollywood, leaves behind Oscar season and returns to the big screen with lighter fare with the period sports comedy Leatherheads. The PG-13 pic also stars Renee Zellweger and John Krasinski while the former Caped Crusader directs. Given the story of the origins of football in the 1920’s, turnout should come mostly from older adults although The Office star is being counted on to pull in some younger moviegoers. In Los Angeles, Clooney is a God. But the other 99% of the U.S. population doesn’t necessarily bow down to him (unless pals Brad and Matt are along for the ride). Michael Clayton, which creatively was one of the actor’s best films, only managed $10.4M in ticket sales during its first wide weekend. And it was backed by plenty of Oscar buzz and glowing reviews.
Reviews for Leatherheads have been lukewarm at best which spells bad news since the target audience will be reading up on the opinions of critics and taking their warnings. Plus Zellweger is no A-lister when it comes to drawing in paying audiences. Add in a period setting that will turn many off and you’ve got a spring film that will have to work hard for the money. To its credit, Universal has backed the title with a solid marketing push doing what it can to generate excitement and the current top five will not provide too much direct competition. But a lack of momentum in the current marketplace will also have a negative effect on all films. Rushing into 2,778 theaters, Leatherheads may take in around $15M this weekend.
Fox’s animated blockbuster Horton Hears A Who will find its competition coming from the studio’s own new Jodie Foster adventure. But the Dr. Seuss comedy has been holding up well so a 30% fall to $12.5M could result. That would up the cume to a robust $134M.
Superhero Movie stumbled out of the gate last weekend and is not likely to have legs. A 45% drop would give The Weinstein Company roughly $5M and a sum of $17M after ten days.
LAST YEAR: With Easter falling on the first weekend of April, the box office was vibrant thanks to a pair of solid sophomores and a slate of new releases. Will Ferrell‘s skating comedy Blades of Glory spent a second frame on top with $22.5M while the Disney toon Meet the Robinsons held onto second with $16.7M. Leading the newcomers was the Ice Cube sequel Are We Done Yet? with $14.3M on its way to $49.7M for Sony. Opening in fourth was the two-for-one special Grindhouse with $11.6M followed by the new supernatural thriller The Reaping which bowed to $10M. Final grosses reached $25M and $25.1M, respectively. Failing to excite family audiences was Firehouse Dog which debuted in tenth with just $3.8M leading to a weak $13.9M final.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
It’s a blockbuster week for DVD watchers, as two highly anticipated titles — a little robot action here (Transformers), a little zombie plague there (Planet Terror) — come a’calling. Thankfully for you more reserved types, we’ve also got some more serious (and critically endorsed) fare, whether it’s based-on-real-life sorrow (A Mighty Heart), trickery (The Hoax), or unexplainable attraction (Crazy Love) you’re after.
Michael Bay‘s high-octane saga of alien robot races warring on Earth blasted audiences away last summer and in IMAX, and the DVD release follows suit this week with a wealth of buying options. If you want two specially-made exclusive figurines with your Transformers, go to Best Buy. For a tin collectible case and an animated prequel film, hit up Wal-Mart. But if you ask us, the sweetest release comes courtesy of Target, which will exclusively offer a DVD case that transforms into OPTIMUS PRIME!! Pure marketing genius, we say. Oh yes, there are also behind-the-scenes featurettes and a commentary by Michael Bay. But the Target DVD case IS A TRANSFORMER!
Robert Rodriguez‘s half of the mis-marketed Grindhouse double feature comes this week to finish what Quentin Tarantino‘s Death Proof started back in September: namely, teasing fans with a longer version of the original flick and a few extra features while conspicuously omitting those fan-favorite fake trailers. For those, we’ll have to wait for the deluxe DVD. But, lest we encourage you to wait for that holy grail of Grindhouse fun, let us remind you that some Planet Terror is better than no Planet Terror, and watching the extended, gorier version of what some might argue was the better half of the double bill might just make your day. Features on the 2-disc release include commentary by Rodriguez, an Audience Reaction track, 10-Minute Film School with the director, and more.
This Certified Fresh dramatization of the real-life disappearance and murder of Wall Street Journal writer Daniel Pearl is told through the eyes of Pearl’s widow, Marianne, whose memoirs serve the basis for the film. Director Michael Winterbottom‘s handheld camera captures deeply emotional performances by his cast, led by Angelina Jolie; the disc’s three special features (a making-of piece, a public service announcement by Christiane Amanpour, and a documentary about the Committee to Protect Journalists) remind us of the real-life circumstances of Pearl’s case and the dangers posed to embedded journalists reporting in highly volatile areas of the world.
Richard Gere stars as Clifford Irving, a writer in the 1970s who had all of America convinced he’d written an authorized autobiography of infamous recluse Howard Hughes — until the book, for which he’d collected hundreds of thousands of dollars — was declared a fake. Critics lauded the film’s performances and direction, earning The Hoax a Certified Fresh distinction. The bonus menu is populated by the expected commentary tracks, but look especially for an interview with 60 Minutes correspondent Mike Wallace, in which he recounts being duped himself by Irving’s charade.
Supplementary Selections for Your Cinematic Senses
A young Bronx beauty in 1959 tries to break off her affair with a married man, but he becomes dangerously obsessed and plots a horrible attack on her; when he is released from jail years later, she not only forgives her attacker, but marries him. The craziest part about Crazy Love? It’s not fiction. The real-life rocky relationship between Burt Pugach and Linda Riss was well-documented tabloid fodder in the 1960s, and now co-directors Dan Klores and Fisher Stevens have crafted a complex documentary about love, obsession, and forgiveness that is almost as hard to believe as it is to watch. As they say, that’s amore!
Lights in the Dusk
Finnish auteur Aki Kaurismaki, a veritable master of deadpan humor, completes his “Loser trilogy” (which began with Drifting Clouds and the The Man Without a Past) with this slow but rewarding bleak comedy about a lonely watchman being set up by a blonde.
The Trials of Darryl Hunt
Wrongfully convicted of the rape and murder of a white woman, Darryl Hunt, an African-American man, spent nearly two decades in prison before being exonerated; his case and court battles are chronicled in this convincing documentary.
Studio 60 on the Sunset Strip: The Complete Series
Creator Aaron Sorkin crafted this seriocomic backstage serial, set behind the scenes of a fictional primetime sketch comedy show called Studio 60 on the Sunset Strip; unfortunately, fans of the show were as fervent as they were few, and dwindling ratings led the way to cancellation after just one season. If you were among Studio 60‘s champions, make this 6-disc complete series collection a must.
Knowing is Half the Battle
Critics found little to redeem the overwrought clichés of this Biblical plague pic, which couldn’t even be saved by a starring performance by Oscar-winner Hilary Swank.
This teen ghost story about a dying kid solving his own murder while invisible to everyone around him proved too ludicrous, and yet too dull, for most critics to bear. Will you want to see it on DVD? (Get it? “See”? He’s invisible!)
Until next week, happy renting!
Universal looks to score its first number one hit in nearly a year this weekend with the new Steve Carell comedy "Evan Almighty" which hits the multiplexes on Friday targeting a broad family audience.
Reaching out to adult moviegoers are MGM with the John Cusack chiller "1408" and Paramount Vantage with the Angelina Jolie starrer "A Mighty Heart." Overall, the marketplace could slow down a bit this weekend before another wave of high-profile summer blockbusters arrives towards the end of June.
The sixth consecutive sequel to open at number one has a different formula up its sleeve. "Evan Almighty" loses Jim Carrey from "Bruce Almighty," drops the rating from PG-13 to PG, and shifts the plot over to a Biblical story while courting family audiences. Michael Bay isn’t the only one with a transformer at the box office this summer. Universal’s big-budget comedy offering should easily top the charts, however the financial picture will be very different. Steve Carell, whose starpower has blossomed since the 2003’s "Bruce," takes over as the lead playing a TV anchorman-turned-congressman who is told by God to build an ark because a mighty flood is coming. Morgan Freeman reprises his supporting role as the big G.
On a budget rumored to have ballooned to $175M thanks to extensive special effects and overages, "Evan Almighty" stands as one of the priciest comedies ever. The loss of Jim Carrey means it has almost no chance of reaching the $68M three-day opening weekend gross of "Bruce" from four years ago when it shocked the film industry by kicking "The Matrix Reloaded" out of the top spot in only its second frame. It reached a domestic haul of $242.8M. "Evan Almighty" could conceivably gross half the amount of "Bruce," while costing twice as much to produce. Does that mean it will lose money? Not necessarily. "Evan" would love nothing more than to follow in the footsteps of "Night at the Museum," another effects-driven comedy led by a popular comedian aimed at families, which has grossed over $570M worldwide. If it can tap into that crowd, then it will be a divine road ahead.
"Evan"’s trim running time of about 90 minutes will help since multiplexes can schedule numerous showtimes per day. Competition will come from current chart-topper "Fantastic Four: Rise of the Silver Surfer," another action-comedy sequel tamed down to a PG to cater to eight-year-old boys on summer vacation. Teens and young adults who have to wait until the fall to see new episodes of Carell’s "The Office" may line up for "Evan" and give it a try, despite the negative reviews. There’s not much else exciting that demo right now. And given its themes, moviegoers in the Bible Belt may contribute some solid sales on opening weekend as the studio is wisely targeting churches in its marketing outreach. Opening in 3,602 theaters, "Evan Almighty" could premiere to about $40M this weekend.
John Cusack hopes to avoid the current horror curse at the box office with his new psychological thriller "1408." The MGM release finds the actor playing a writer who checks into a haunted hotel room that many have died in. Samuel L. Jackson co-stars in the PG-13 pic. Scary movies have been slaughtered at the cash registers lately. Even star-driven adult thrillers have struggled as witnessed by openings of $11.2M for "Perfect Stranger" starring Halle Berry and Bruce Willis, $10M for Hilary Swank‘s "The Reaping," $10M for Kevin Costner‘s "Mr. Brooks," and $7.6M for Luke Wilson‘s hotel-themed "Vacancy." Managing to surge a bit higher were Sandra Bullock‘s "Premonition" with $17.6M and Jim Carrey’s "The Number 23" with $14.6M. "1408" may not scare up that much business given consumer apathy towards fright flicks right now. Plus Cusack and Jackson are not really known for packing them in on opening weekend unless there are bigger stars present. Checking into 2,678 theaters, "1408" might take in about $12M this weekend.
Angelina Jolie headlines this weekend’s serious offering for adult audiences, "A Mighty Heart." Directed by Michael Winterbottom ("The Road to Guantanamo," "Welcome to Sarajevo"), the R-rated film finds the Oscar-winning actress playing Mariane Pearl, wife of slain Wall Street Journal reporter Daniel Pearl, and documents her struggle to find her kidnapped husband in Pakistan. In a summer of sequels and effects-driven action pictures for kids on vacation, Paramount Vantage is going after the adults that are often neglected at this time of year. Reviews for "Heart" have been strong with Jolie already earning kudos buzz and the film should appeal to the same audiences that came out for other acclaimed political thrillers like "United 93" ($11.5M, $6,395 average), "The Constant Gardener" ($8.7M, $6,444), and "Syriana" ($11.7M, $6,699). Competition will come from "Ocean’s Thirteen" and "Knocked Up" which have both been playing well with the 30-plus crowd. Debuting in about 1,350 theaters, "A Mighty Heart" might open in the vicinity of $7M.
Last weekend, Fox’s "Fantastic Four: Rise of the Silver Surfer" opened at the top and was just one of six sequels to land in the top ten. Its 2005 predecessor tumbled 59% in its second weekend thanks to poor word-of-mouth and intense competition from newcomers "Charlie and the Chocolate Factory" and "Wedding Crashers" which stole over $90M worth of ticket sales away from holdover pics. "Silver Surfer" has been greeted with marginally better responses and will not face as much competition from the incoming class this weekend, although "Evan Almighty" will be gunning for that PG-loving family crowd. A drop of 55% would give the new "Fantastic Four" saga around $25M for the frame and a ten-day cume of $103M.
"Ocean’s Thirteen" will see some of its adult audience get pulled away by the weekend’s two new mature-skewing flicks. A 40% decline will leave the caper sequel with roughly $12M pushing the total to $91M after 17 days for Warner Bros. Universal’s comedy sensation "Knocked Up" will smash through the $100M mark this weekend, probably on Friday. Look for a 30% fall to around $10M boosting the cume to $108M.
LAST YEAR: Adam Sandler scored his usual table at the top spot with his comedy "Click" which bowed to $40M for Sony on its way to $137.3M domestically and over $235M worldwide. The Disney/Pixar toon "Cars" dropped to the runnerup spot but dipped only 31% to $23.3M. Sophomores "Nacho Libre" and "The Fast and the Furious: Tokyo Drift" were both hit hard and tumbled by more than 50% each to $12.7M and $9.8M, respectively. Focus launched the Tyrese Gibson actioner "Waist Deep" to a solid $9.4M from just over 1,000 theaters on its way to $21.3M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
The stars come marching out to do battle with the pirates for the number one spot this weekend.
For the sixth consecutive weekend, a threequel is poised to command the top spot at the North American box office as Warner Bros. rolls out the caper pic "Ocean’s Thirteen" reuniting Hollywood’s fun boys. Sony counters with the family offering "Surf’s Up" while Lionsgate goes after the horror crowd with "Hostel Part II." Each film should target its own audience so there should be space for all newcomers.
George Clooney, Brad Pitt, Matt Damon and their endless list of co-stars are back again as everyone’s favorite criminals in "Ocean’s Thirteen." The PG-13 pic finds the group back in Las Vegas on a heist driven by revenge against a real estate mogul, played by Al Pacino, who is launching his latest luxury hotel/casino. The first two in the series had December openings of $38.1M for 2001’s "Ocean’s Eleven" and $39.2M for 2004’s "Ocean’s Twelve." They also had little direct competition for adults. Although they opened in the same fashion, the sequel was not as well-liked and found its way to $125.5M, or about one-third less than the $183.4M cume of the original which itself was a remake.
"Thirteen" should play to the exact same audience of mature adults. Appeal is equally strong for males and females and even some teen interest should be there. Reviews have been generally positive but that should have little impact. Moviegoers know exactly what they are getting the third time around and will decide based on if they want to take another two-hour trip seeing slick actors, with slick hair, and slick clothes, acting cool. Those soured by "Twelve" may take a pass on "Thirteen." Plus "Pirates" and "Knocked Up" will provide some solid competition. But the sheer amount of starpower should make this entry hard to resist to many looking for a fun mature film without pirates, super heroes, and endless special effects. "Ocean’s Thirteen" rolls the dice in 3,565 locations this weekend and might win about $37M over three days.
For those kids who can’t get enough of talking cartoon penguins, Sony unleashes its big summer animation entry "Surf’s Up." Delivered in a mockumentary style, the PG-rated film tells the story of penguins that compete in a surfing competition, and of course crack jokes along the way. Arriving just three weeks after "Shrek the Third," "Surf’s Up" will have to deal with competition from the ogre toon and to some extent the other aging threequels which combined should gross north of $40M this weekend. The new penguin pic does not have the buzz or the starpower of a Robin Williams that helped "Happy Feet" shoot to number one last November with a $41.5M bow on its way to a terrific $198M.
Instead, "Surf’s Up" seems to be in the same middle category with recent films like "Open Season" and "Meet the Robinsons" which opened to $23.6M and $25.1M, respectively. With children in the process of ending their school years and starting their summer vacations, parents should be in the mood to take them to the movies for some non-violent fun. "Surf’s Up" lands in over 3,000 theaters on Friday and could debut with about $24M.
Yet another horror sequel makes its way into theaters with Lionsgate’s "Hostel Part II." The first "Hostel" was a number one hit last year opening to $19.6M on its way to an impressive $47.3M off of a tiny budget. The new R-rated entry finds three American students in Rome who find themselves caught in a grisly game of torture and mayhem. Horror fans have been suffering from fright fatigue lately. The recent sequels "The Hills Have Eyes II" and "28 Weeks Later" both opened to just under $10M failing to match the bows of their predecessors. Other horror flicks like "Bug," "The Condemned," "The Reaping," and "Vacancy" all underperformed over the last several weeks and have helped to scare fans away from the genre.
But Lionsgate is among the best at selling this type of fare to older teens and young adults and the distributor is hoping to tap into a built-in audience. Just as with the first one, Quentin Tarantino whores his name out again with a ‘presents’ credit on the marketing materials. It would be interesting to know what kind of compensation, monetary or otherwise, he gets for these transactions. Locking up ticket buyers in 2,350 theaters, "Hostel Part II" may open with around $12M.
Following its two frames at number one, "Pirates of the Caribbean: At World’s End" should give up the top spot this weekend, although the runnerup slot is not necessarily a guarantee. The pricey Disney adventure fell by 62% last weekend and could see its drop dip to 50% this time. That would give Johnny Depp and his buddies about $22M for the session and $254M overall.
Last weekend’s number two flick "Knocked Up" raced past "At World’s End" to claim the number one spot on Monday and Tuesday thanks to great buzz and is prepared to see a solid hold this time around. Two summers ago, the R-rated comedies "Wedding Crashers" and "The 40-Year-Old Virgin" both dipped by only 24% in their sophomore frames thanks to stellar word-of-mouth and no major competition from new releases. "Knocked Up" has the same great satisfaction from moviegoers, but will see much of its adult audience get tempted away by Brad and company. A 30% drop would still give it a great hold with about $21M for the frame. That would push the cume to a stunning $68M in only ten days.
"Shrek the Third" will face direct competition from rival toon "Surf’s Up" this weekend. That could lead to a 40% decline to roughly $17M boosting the cume to $282M.
LAST YEAR: Disney and Pixar joined forces for the number one opening of "Cars" which cruised into the top spot with $60.1M. The animated comedy raced to $244.1M domestically becoming the summer’s biggest non-Captain Jack flick, and over $462M worldwide. Universal’s comedy "The Break-Up" fell 48% in its second date grossing $20.3M and was followed by "X-Men: The Last Stand" with $16.1M. The horror remake "The Omen" bowed to $16M over the weekend and a creepy $36.3M over six days since its Tuesday launch on 6/6/06. Fox scared up $54.6M eventually. "The Da Vinci Code" rounded out the top five with $10.4M in its fourth lap. Debuting to solid results in a moderate launch was "A Prairie Home Companion" with $4.6M from 760 locations for a $6,008 average. The Picturehouse release found its way to $20.3M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
In the battle of the single-word-titled thrillers, "Fracture" beat out "Vacancy" but neither could dislodge "Disturbia" from the number one spot this weeend. It was mostly a sluggish frame at the North American box office as the top ten slumped to its third worst level of 2007.
Shia LaBeouf enjoyed his first back-to-back stint in the top spot with the suspense hit "Disturbia" which held up well in its sophomore frame grossing an estimated $13.5M. Off only 39%, the Paramount release of a DreamWorks production averaged a solid $4,464 from 3,015 sites. Teen-oriented thrillers typically fall by more than 50% on the second session. Produced for a mere $23M, "Disturbia" has grossed an impressive $40.7M in its first ten days and could be headed for a $65-70M finish.
Leading the weekend’s crop of new movies was the murder thriller "Fracture" as ticket buyers spent an estimated $11.2M watching Anthony Hopkins and Ryan Gosling go at it. The R-rated film from New Line averaged a solid $4,574 per theater from 2,443 sites. Reviews were mostly good which helped since the film skewed to a mature adult audience.
Will Ferrell scored the third $100M blockbuster of his career, and second in nine months, with "Blades of Glory" which ranked third in its fourth weekend with an estimated $7.8M. Down 44%, the Paramount title is still the widest release in the marketplace with 3,459 locations and the cume has hit $101.1M. The comedy star’s other trips to the century club in a lead role were with 2003’s "Elf" ($173.4M) and last summer’s "Talladega Nights" ($148M).
Opening weaker than expected in the fourth slot was the horror entry "Vacancy" with only $7.6M, according to estimates. The R-rated pic about a couple stranded in a motel where videotaped killings take place averaged a mild $2,979 from 2,551 playdates. Luke Wilson and Kate Beckinsale star in the Sony release. Fright fatigue may have hurt "Vacancy"’s opening as the $19M-budgeted film was the fourth scary flick this month to be aimed at moviegoers. Young adults made up most of the audience as studio research showed that 66% of the crowd was under the age of 25 and 52% was female. "Disturbia"’s better-than-expected hold also made an impact.
Disney followed in fifth with the animated hit "Meet the Robinsons" which grossed an estimated $7.1M in its fourth frame, down 43%, for a total of $82.2M.
Shooting up the best average among all wide releases in the marketplace was the new British action-comedy "Hot Fuzz" which premiered to an estimated $5.8M from 825 theaters for a potent $7,075 per venue. The R-rated buddy cop flick from the creative team behind 2004’s cult hit "Shaun of the Dead" earned glowing reviews and tapped into a built-in audience of fans. "Fuzz" outgunned "Shaun" in all ways beating the latter’s September 2004 bow which delivered $3.3M from 607 theaters for a $5,487 average. Produced for $16M, "Hot Fuzz" has already grossed an impressive $48.5M overseas including $41M from the United Kingdom.
Close behind in eighth was the new chick flick "In the Land of Women" which opened poorly with an estimated $4.9M from 2,155 theaters. Averaging a weak $2,281 per location, the PG-13 film stars Adam Brody as a young man who meets a houseful of women when caring for his sick grandmother. "Women" was the fifth wide opener of the past two weeks to fail to reach a $3,000 average in its debut frame.
Rounding out the top ten were two films that that have been showing how differently starpower can affect the box office. The Halle Berry–Bruce Willis thriller "Perfect Stranger" collapsed in its second weekend and tumbled 63% to an estimated $4.1M. With only $18.1M locked up in ten days, Sony should find its way to roughly $25M followed by a quick trip to DVD. On the other hand, Buena Vista’s blockbuster comedy "Wild Hogs" starring Tim Allen and John Travolta remained in the top ten for the eighth consecutive weekend with an estimated $2.9M, off 39%, boosting the cume to $156.2M. It is the highest-grossing non-Spartan film of the year.
Four films fell out of the top ten this weekend. The year’s biggest smash "300" dropped 49% to an estimated $2.3M in its seventh adventure and lifted its staggering domestic total to $204.7M. Budgeted at only $60M, the stylish war epic should end its North American run with an amazing $207-210M. That would amount to nearly three times its opening weekend gross which is rare these days for effects-driven action films that debut with monster bows. "300"’s legs have been strong overseas too where it has tallied $216.8M for a mammoth global gross of $421M and counting.
Other R-rated films suffered horrendous drops as they tumbled out of the top ten. Losing two-thirds of its audience was Fox’s adventure "Pathfinder" which grossed an estimated $1.7M in its second weekend. The Viking pic has collected a puny $8M in ten days and looks headed for a wimpy $10M finish. Maybe casting some Spartans would have helped.
Hilary Swank’s horrorfest "The Reaping" grossed an estimated $1.6M, down 65%, boosting the mild cume to $22.7M. The $53M double feature "Grindhouse" crashed 68% in its third try and took in an estimated $1.4M putting its 17-day take at $22.7M as well. Both films should end up in the $25M vicinity.
Miramax expanded its Richard Gere drama "The Hoax" from 413 to 1,069 theaters but saw weekend sales slip 11% to an estimated $1.3M. The average was diluted down to a poor $1,216 as the cume inched up to only $5.1M.
In limited release, Paramount Vantage widened its Molly Shannon pic "Year of the Dog" from seven to 33 sites and grossed an estimated $139,000 for a $4,200 average. Cume sits at $280,000 with more cities being added this Friday. Fox Searchlight’s "The Namesake" collected an estimated $765,000 from 327 locations in its seventh weekend averaging $2,339 for a cume of $9.8M to date.
The top ten films grossed an estimated $70.1M which was down an unsettling 26% from last year when "Silent Hill" opened at number one with $20.2M; and off 10% from 2005 when "The Interpreter" debuted on top with $22.8M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Paramount replaced itself at the top of the North American box office chart as its new teen thriller "Disturbia" opened ahead of expectations in first place bumping the studio’s two-week champ "Blades of Glory" into the runnerup spot.
The weekend’s other new suspense thriller "Perfect Stranger" starring Halle Berry and Bruce Willis disappointed and landed in fourth place. Four other new films debuted in wide release but generated little interest from moviegoers. Overall, the marketplace suffered the usual late spring slowdown as for the first time since February, the top ten failed to sell $100M worth of tickets.
Rising star Shia LaBeouf scored a big victory over the weekend with the thriller "Disturbia" which shot straight to number one debuting with an estimated $23M. The PG-13 pic was given the widest release of the frame’s six new entries playing in 2,925 theaters and generated a strong $7,872 average. A modern day version of Alfred Hitchcock’s "Rear Window," Disturbia played to a young female audience as studio research showed that 57% of the crowd was female and 75% was under 35.
Just before the film’s opening day, the studio announced that LaBeouf had been cast opposite Harrison Ford in its next "Indiana Jones" film. The news may have helped to generate more excitement for Disturbia which was the only major choice for teenage girls this weekend. The safe rating and fairly good reviews may also have contributed. The $20M production looks to become a profitable vehicle.
After its two-week run at the top, Will Ferrell’s comedy hit "Blades of Glory" slipped to second place dropping a moderate 38% to an estimated $14.1M. The 17-day cume stands at a potent $90.2M. Like "Disturbia," "Blades" was produced by DreamWorks and distributed by its new parent Paramount.
Slipping only 28% was Disney’s animated comedy "Meet the Robinsons" with an estimated $12.1M which lifted the total to $72M. With no new films for young kids this weekend, "Robinsons" enjoyed the smallest decline in the top ten.
Halle Berry and Bruce Willis failed to turn their starpower into box office bucks as their new suspense thriller "Perfect Stranger" debuted weaker than expected in fourth place with an estimated $11.5M. The critically-panned Sony release averaged a mediocre $4,322 from 2,661 theaters. With its R rating, "Perfect Stranger" played to an adult audience with a female skew. Studio research showed that women made up 54% of the audience and a very high 70% were 25 or older. The opening was weaker than the bows of other films headlined by Berry like "Catwoman" ($16.7M) and "Gothika" ($19.3M).
Ice Cube had a decent second weekend for his comedy sequel "Are We Done Yet?" which fell by 36% to an estimated $9.2M. That gave the Sony release a cume of $33M after 12 days. Its predecessor enjoyed a much slimmer 12% dip to $16.3M in its second weekend on its way to $82.3M. "Done" might find its way to the vicinity of $55M.
Fox’s Viking actioner "Pathfinder" limped into sixth place with a weak $4.8M opening, according to estimates. The R-rated film averaged a mild $2,791 from 1,720 locations.
The rest of the top ten was filled with four films separated by only $400,000. Buena Vista’s motorcycle comedy "Wild Hogs" grossed an estimated $4.6M, down only 30%, for a stellar cume of $152.2M. Hilary Swank’s horror flick "The Reaping" tumbled 55% in its second weekend to an estimated $4.6M giving Warner Bros. $19.8M in 11 days.
The mighty "300" broke through the double century mark over the weekend both domestically and internationally. In North America, the Warner Bros. smash dropped 48% to an estimated $4.3M boosting the total to $200.8M. Overseas, "300" collected an estimated $14.8M this weekend to lift the international haul to $204.1M giving the Spartan epic a global tally of $405M and counting. The stylish war film is now the highest grossing March release ever having surpassed the old record holder "Ice Age: The Meltdown" which grossed $195.3M last spring.
Rounding out the top ten was the Quentin Tarantino–Robert Rodriguez flop "Grindhouse" which plunged 63% in its sophomore session to an estimated $4.2M. Budgeted at $53M, the double feature has taken in just $19.7M in its first ten days and looks headed for a weak $25-27M finish for The Weinstein Co.
In addition to the three new wide releases that debuted in the top ten, another three opened outside of it with weaker results. The car racing pic "Redline" bowed to an estimated $4M from 1,607 sites for a slow $2,492 average per theater. The first title from rookie distributor Chicago Pictures stars Eddie Griffin and targeted young males.
First Look opened the animated film "Aqua Teen Hunger Force" to the tune of $3.1M, according to estimates, giving the R-rated film an average of just $3,521 from 877 locations. Lionsgate made no impact with its Ray Liotta actioner "Slow Burn" which bowed to an estimated $805,000 from 1,163 playdates for a puny average of $692 per theater.
Three films fell out of the top ten this weekend. Mark Wahlberg’s sniper pic "Shooter" dropped 47% to an estimated $3.1M putting its total at $42.1M. The $60M Paramount release should end its run with $47-49M. Fox’s family film "Firehouse Dog" held up well in its second weekend, despite collecting low overall grosses. The PG-rated drama dipped 28% to an estimated $2.8M for a cume of $9.9M after 12 days. Warner Bros. took in an estimated $2.1M for the animated actioner "TMNT," off 56%, for a total of $50.7M. Look for a $53-55M final.
Platforming to solid results was the Molly Shannon comedy "Year of the Dog" which bowed in seven New York and Los Angeles sites and grossed an estimated $112,000. The Paramount Vantage release averaged $16,049 and will open in nine additional cities this Friday boosting its theater count to more than 30.
The top ten films grossed an estimated $92.5M which was down 14% from last year when Scary Movie 4 opened at number one with $40.2M; but up 29% from 2005 when The Amityville Horror debuted on top with $23.5M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Note to high-profile actresses: we know branching out maintains a healthy resume, but it looks like it’s time to stay away from the ol’ thrillers and horror flicks. Sandra, Halle, and Sharon — welcome Hilary to the Worst of the Worst List!
Following Sandra Bullock’s induction into our Worst of the Worst List last month with "Premonition," Hilary Swank likewise didn’t have a prayer with the critics: her Easter tie-in horror flick, "The Reaping," got only seven percent on its Tomatometer, placing #70 on our hallowed list.
Only seven out of 90 critics recommended "The Reaping," starring Hilary Swank as a world-renowned professional skeptic, citing the cliched scare tactics and spiritual hokum as unberable. "The Reaping" was designed to question your beliefs, but critics were left only questioning the movie’s dubious quality.
"Why were they … ? Did she … ? Couldn’t he have just … ?" asks Chicago Sun-Times Page Wiser, "Since I have no intention of watching the movie two more times to sort it all out, I’m left disgruntled."
And The Onion A.V. Club, always good for a quip, writes, "For bad-movie lovers, it’s manna from heaven."
For those of you who were desperately waiting to see a sequel to "House on Haunted Hill," your wait is soon over. Also, raise your hand if you’re interested in seeing a third sequel to "The Fast and the Furious."
Production has just wrapped on "Return to House on Haunted Hill," which will be released direct-to-video by Warner Bros. this September. Producer Joel Silver sees it as a test product of sorts, in that he’ll happily greenlight more DTV sequels inspired by his Dark Castle titles if this one proves popular enough. Which is really great news if you’re a fan of "Thirteen Ghosts," "Ghost Ship," "Gothika," "House of Wax," or "The Reaping."
Written by first-timer William Massa and directed by first-timer Victor Garcia, the sequel will star genre veterans like Jeffrey Combs, Erik Palladino, and Cerina Vincent. We haven’t been given much in the way of plot details, but do we really need any? It’s a haunted house flick!
In other sequel news, it looks like screenwriter Chris Morgan has sold an untitled adventure script to Universal, which is all fine and good, but in the same report we get this information: "Morgan also penned last summer’s "The Fast and the Furious: Tokyo Drift" for Universal. Based on the global success of "Tokyo Drift," which grossed $158 million worldwide, the studio tapped Morgan to write a fourth installment of the franchise."
Really? Another "F & F" flick? And it won’t be going direct to video? Actually, I’m not that surprised. All you need is a bunch of cars and some photogenic faces and you’re already halfway into production on a "Fast and the Furious" sequel.