Mac And Me

(Photo by Orion/courtesy Everett Collection. Thumbnail: Vertical Entertainment, TriStar Pictures/courtesy Everett Collection)

100 Worst Movies of All Time

It’s bad movies galore as we encounter the Rottenest of the Rotten: 100 movies that scored less than 5% with the critics on the Tomatometer!

You’re going to see lots of 0% movies, and there’s even more out there, but the ones on this list all have at least 20 reviews. We wanted to make sure the movies we’re “vouching” for as the worst ever have inflicted a minimum threshold of agony on critics. And the 20-review entry applies for every other movie on this list, and that includes the usual suspects of garbage cinema, like the deep space train wreck Battlefield Earth, the box office turkey (turtle?) The Master of Disguise, Netflix’s lazy western The Ridiculous 6, and flaccid softcore Killing Me Softly (which also makes a dubious appearance in the 200 best and worst erotic movies).

You may also note a number of significant stinkers are from the past 20 years. It’s not just because Uwe Boll was employed during this time period. And, by the way, he’s actually beat by dubious directing duo Aaron Seltzer and Jason Friedberg, who have four movies on the list. Instead, it’s the fact more reviews are being written and collected than ever before, so today’s disasters have a better chance of vaunting over 20 reviews. (And for movies that share the same score, more reviews means you’re placed higher within the ranking.)

But fret not: Plenty of yesteryear’s bombs are here. After all, the decade that produced Mac & Me has a lot to account for. Some of the classic trash featured includes the soul-sucking Mortal Kombat: AnnihilationSpeed 2: Cruise Control (see what happens when you throw Keanu overboard?), off-the-deep-end Jaws: The Revenge, and prime directive-violating RoboCop 3.

What you won’t see: Some legendary bad movies like CatsBirdemic, and The Room, all of which have cleared at least a 10% Tomatometer. That’s right, they were too good. And Miami Connection and Plan 9 From Outer Space are actually Fresh!

Now that we set the mood for truly bad movies, start the most painful watchlist you’ll ever make with the 100 worst movies of all time!

#100

Mac and Me (1988)
4%

#100
Adjusted Score: 4417%
Critics Consensus: Mac and Me is duly infamous: not only is it a pale imitation of E.T., it's also a thinly-veiled feature length commercial for McDonalds and Coca-Cola.
Synopsis: A young extraterrestrial, separated from its family and stranded on Earth, finds friendship with a boy in a wheelchair.... [More]
Directed By: Stewart Raffill

#99
Adjusted Score: 4326%
Critics Consensus: Featuring mostly wooden performances, laughable dialogue, and shoddy production values, In the Name of the King fulfills all expectations of an Uwe Boll film.
Synopsis: As war looms in an idyllic kingdom, a man named Farmer (Jason Statham) begins a heroic quest to find his... [More]
Directed By: Uwe Boll

#98

Material Girls (2006)
4%

#98
Adjusted Score: 4573%
Critics Consensus: Plagued by paper-thin characterizations and a hackneyed script, Material Girls fails to live up to even the minimum standards of its genre.
Synopsis: Two sibling cosmetics heiresses (Hilary Duff, Haylie Duff) must grow up quickly when a company scandal leaves them penniless. Though... [More]
Directed By: Martha Coolidge

#97

BloodRayne (2005)
4%

#97
Adjusted Score: 4413%
Critics Consensus: BloodRayne is an absurd sword-and-sorcery vid-game adaptation from schlock-maestro Uwe Boll, featuring a distinguished (and slumming) cast.
Synopsis: In 18th-century Romania, after spending much of her life in a traveling circus, human-vampire hybrid Rayne (Kristanna Loken) escapes and... [More]
Directed By: Uwe Boll

#96
#96
Adjusted Score: 4589%
Critics Consensus: A Little Bit of Heaven subjects viewers to a whole bunch of schmaltz - and strands Kate Hudson and Gael García Bernal in a fatally misguided film.
Synopsis: New Orleans ad executive Marley Corbett (Kate Hudson) is a free-spirited woman who embraces her easy sexuality, shuns commitment, and... [More]
Directed By: Nicole Kassell

#95

Darkness (2002)
4%

#95
Adjusted Score: 4274%
Critics Consensus: Yet another predictable variation on the hoary old haunted-house movie, Darkness is an illogical, portentous mess.
Synopsis: Paul (Stephan Enquist) and his older sister, Regina (Anna Paquin), unpack and settle into their new country home with their... [More]
Directed By: Jaume Balagueró

#94

Zoom (2006)
4%

#94
Adjusted Score: 6239%
Critics Consensus: Lacking the punch and good cheer of The Incredibles and Sky High, Zoom is a dull and laugh-free affair.
Synopsis: Capt. Zoom, or Jack (Tim Allen), as he is now known, has long since given up his career of fighting... [More]
Directed By: Peter Hewitt

#93

The Fog (2005)
4%

#93
Adjusted Score: 6127%
Critics Consensus: The Fog is a so-so remake of a so-so movie, lacking scares, suspense or originality.
Synopsis: The prosperous town of Antonio Bay, Ore., is born in blood, as the town's founders get their money by murdering... [More]
Directed By: Rupert Wainwright

#92
#92
Adjusted Score: 6504%
Critics Consensus: Speed 2 falls far short of its predecessor, thanks to laughable dialogue, thin characterization, unsurprisingly familiar plot devices, and action sequences that fail to generate any excitement.
Synopsis: Annie (Sandra Bullock) is looking forward to a Caribbean cruise with her cop boyfriend, Alex (Jason Patric), who purchased the... [More]
Directed By: Jan de Bont

#91

The Covenant (2006)
4%

#91
Adjusted Score: 6573%
Critics Consensus: The Covenant plays out like a teen soap opera, full of pretty faces, wooden acting, laughable dialogue, and little suspense.
Synopsis: In the 17th century, five families with supernatural powers make a pact of silence. Eventually one power-hungry family is banished.... [More]
Directed By: Renny Harlin

#90

Flatliners (2017)
4%

#90
Adjusted Score: 8045%
Critics Consensus: Flatliners falls flat as a horror movie and fails to improve upon its source material, rendering this reboot dead on arrival.
Synopsis: Five medical students embark on a daring and dangerous experiment to gain insight into the mystery of what lies beyond... [More]
Directed By: Niels Arden Oplev

#89
#89
Adjusted Score: 5840%
Critics Consensus: Happily N'Ever After has none of the moxy, edge, or postmodern wit of the other fairy-tales-gone-haywire CG movie it so blatantly rips off.
Synopsis: Fairy Tale Land becomes a realm of happy endings gone wrong when Cinderella's wicked stepmother, Frieda (Sigourney Weaver), joins forces... [More]
Directed By: Paul J. Bolger

#88
#88
Adjusted Score: 6019%
Critics Consensus: Code Name: The Cleaner is a limp action/comedy flick that alternates between lame, worn-out jokes and cheesy martial arts.
Synopsis: When Jake (Cedric the Entertainer) awakes one morning in a strange hotel room, he finds himself in a bit of... [More]
Directed By: Les Mayfield

#87

Movie 43 (2013)
4%

#87
Adjusted Score: 6983%
Critics Consensus: A star-studded turkey, Movie 43 is loaded with gleefully offensive and often scatological gags, but it's largely bereft of laughs.
Synopsis: Twelve directors, including Peter Farrelly, Griffin Dunne and Brett Ratner, contributed to this collection of outrageous spoofs and stories. A... [More]

#86
Adjusted Score: 6375%
Critics Consensus: The Adventures of Pluto Nash is neither adventurous nor funny, and Eddie Murphy is on autopilot in this notorious box office bomb.
Synopsis: "Pluto Nash" is an action comedy set on the moon in the year 2087, starring Eddie Murphy as the title... [More]
Directed By: Ron Underwood

#85

Vampires Suck (2010)
4%

#85
Adjusted Score: 6863%
Critics Consensus: Witlessly broad and utterly devoid of laughs, Vampires Suck represents a slight step forward for the Friedberg-Seltzer team.
Synopsis: Becca (Jenn Proske), an angst-ridden teenager, is torn between two supernatural suitors: vampire Edward (Matt Lanter) and werewolf Jacob (Chris... [More]

#84
#84
Adjusted Score: 7282%
Critics Consensus: Witless, unfocused, and arguably misogynistic, Playing for Keeps is a dispiriting, lowest-common-denominator Hollywood rom-com.
Synopsis: Long past his soccer-playing heyday, George Dryer (Gerard Butler) is struggling financially and failing in his attempt to reconcile with... [More]
Directed By: Gabriele Muccino

#83

Serving Sara (2002)
4%

#83
Adjusted Score: 7284%
Critics Consensus: A romantic comedy that's neither funny nor particularly romantic, Serving Sara is a forgettable time waster.
Synopsis: When Sara (Elizabeth Hurley) is served divorce papers while she is in New York, she is stunned. Not about to... [More]
Directed By: Reginald Hudlin

#82
#82
Adjusted Score: 7961%
Critics Consensus: A strained, laugh-free sequel, The Whole Ten Yards recycles its predecessor's cast and plot but not its wit or reason for being.
Synopsis: After faking his death, former killer-for-hire Jimmy "The Tulip" Tudeski (Bruce Willis) retires to Mexico with his new wife, Jill... [More]
Directed By: Howard Deutch

#81

Godsend (2004)
4%

#81
Adjusted Score: 8746%
Critics Consensus: A murky thriller with few chills, Godsend features ludicrous dialogue, by-the-numbers plotting, and an excess of cheap shocks.
Synopsis: After Paul Duncan (Greg Kinnear) and his wife, Jessie (Rebecca Romijn-Stamos), lose their young son, Adam (Cameron Bright), in an... [More]
Directed By: Nick Hamm

#80
#80
Adjusted Score: 9608%
Critics Consensus: Overly reliant on caricatures and lacking any human insight, Because I Said So is an unfunny, cliche-ridden mess.
Synopsis: Daphne Wilder (Diane Keaton) is the proud mother of three women: Milly (Mandy Moore), Maggie (Lauren Graham) and Mae (Piper... [More]
Directed By: Michael Lehmann

#79

McHale's Navy (1997)
3%

#79
Adjusted Score: 4168%
Critics Consensus: About as funny as a keelhauling, McHale's Navy will leave most viewers feeling they've been the victim of a particularly dishonorable discharge.
Synopsis: Shopkeeper McHale (Tom Arnold) is called back to captain the PT-73 and save a Caribbean island from annihilation.... [More]
Directed By: Bryan Spicer

#78

Arsenal (2017)
3%

#78
Adjusted Score: 4355%
Critics Consensus: Aside from an opportunity to watch a mustachioed Nicolas Cage acting from under a wig and behind a prosthetic nose, Arsenal has depressingly little to offer.
Synopsis: The Lindel brothers, Mikey and JP, only had each other to rely on growing up. As adults, JP finds success... [More]
Directed By: Steven C. Miller

#77

Twelve (2010)
3%

#77
Adjusted Score: 3273%
Critics Consensus: As pretentious as it is hopelessly clichéd, this Twelve is closer to zero.
Synopsis: A high-school dropout (Chace Crawford) sells drugs to his wealthy former classmates.... [More]
Directed By: Joel Schumacher

#76
#76
Adjusted Score: 3391%
Critics Consensus: Overly formulaic and tonally inconsistent, Getting Even with Dad tries for a sentimental conclusion it doesn't earn and winds up a slapsticky cash grab aimed at fans of Home Alone.
Synopsis: Con man Ray Gleason (Ted Danson) is going after one last heist -- a stash of rare coins -- when... [More]
Directed By: Howard Deutch

#75

Passion Play (2010)
3%

#75
Adjusted Score: 3422%
Critics Consensus: Passion Play has a terrific cast, but don't be fooled - the only real question at the heart of this misbegotten mystery is what its stars were thinking.
Synopsis: A washed-up musician (Mickey Rourke) tries to protect an enigmatic winged woman (Megan Fox) from a merciless gangster (Bill Murray)... [More]
Directed By: Mitch Glazer

#74

The Darkness (2016)
3%

#74
Adjusted Score: 3262%
Critics Consensus: The Darkness clumsily relies on an assortment of genre tropes, leaving only the decidedly non-frightening ghost of superior horror films in its wake.
Synopsis: Peter Taylor (Kevin Bacon), his wife Bronny and their two children return to Los Angeles after a fun-filled vacation to... [More]
Directed By: Greg McLean

#73

Deal (2008)
3%

#73
Adjusted Score: 2569%
Critics Consensus: Employing multiple cinematic clichés and milking stale performances, Deal proves inadequate for even the lowly regarded poker movie genre.
Synopsis: Tommy Vinson (Burt Reynolds), a former cardsharp, gave up poker years ago when his wife threatened to leave him. Tommy... [More]
Directed By: Gil Cates Jr.

#72
Adjusted Score: 2551%
Critics Consensus: A severely misguided and inept comedy incapable of even telling its single joke properly.
Synopsis: Innocent Midwesterner Bucky Larson (Nick Swardson) works in a dead-end job as a grocery bagger and has never even kissed... [More]
Directed By: Tom Brady

#71

Down to You (2000)
3%

#71
Adjusted Score: 4659%
Critics Consensus: Down to You is ruined by a bland, by-the-numbers plot and an awful script.
Synopsis: College coeds in New York City, Al (Freddie Prinze Jr.), the son of a celebrity chef (Henry Winkler), and Imogen... [More]
Directed By: Kris Isacsson

#70
#70
Adjusted Score: 4395%
Critics Consensus: A grungy, disjointed, mostly brainless mess of a film, House of the Dead is nonetheless loaded with unintentional laughs.
Synopsis: Simon (Tyron Leitso) and Greg (Will Sanderson) meet a group of friends and set out to attend a rave on... [More]
Directed By: Uwe Boll

#69

The Apparition (2012)
3%

#69
Adjusted Score: 4919%
Critics Consensus: The Apparition fails to offer anything original, isn't particularly scary, and offers so little in the way of dramatic momentum that it's more likely to put you to sleep than thrill you.
Synopsis: Plagued by frightening occurrences in their home, Kelly (Ashley Greene) and Ben (Sebastian Stan) learn that a university's parapsychology experiment... [More]
Directed By: Todd Lincoln

#68

The Mod Squad (1999)
3%

#68
Adjusted Score: 5239%
Critics Consensus: The Mod Squad aims for stylish cool and thrilling adventure, but collapses in an incoherent jumble of dated source material and unintentional hilarity.
Synopsis: Julie (Claire Danes) is on her way to jail for assault. Arsonist Linc (Omar Epps) is looking at serious prison... [More]
Directed By: Scott Silver

#67

Deuces Wild (2002)
3%

#67
Adjusted Score: 3843%
Critics Consensus: Melodramatic and weighed down with silly dialogue, Deuces Wild is a forgettable, overheated thriller that leaves no cliche unturned.
Synopsis: Leon (Stephen Dorff) and Bobby (Brad Renfro) are brothers who, with their friends, are determined to maintain the way of... [More]
Directed By: Scott Kalvert

#66

The Roommate (2011)
3%

#66
Adjusted Score: 5705%
Critics Consensus: Devoid of chills, thrills, or even cheap titillation, The Roommate isn't even bad enough to be good.
Synopsis: When Sara (Minka Kelly), a young design student from Iowa, arrives for college in Los Angeles, she is eager to... [More]

#65

Half Past Dead (2002)
3%

#65
Adjusted Score: 5337%
Critics Consensus: Seagal is now too bulky to make a convincing action hero, and Half Past Dead is too silly and incoherent to deliver any visceral kicks.
Synopsis: Criminal mastermind Donny/49er One (Morris Chestnut) has set in motion a plan to infiltrate a high-tech prison in order to... [More]
Directed By: Don Michael Paul

#64

FeardotCom (2002)
3%

#64
Adjusted Score: 4827%
Critics Consensus: As frustrating as a 404 error, Fear Dot Com is a stylish, incoherent, and often nasty mess with few scares.
Synopsis: When four bodies are discovered among the industrial decay and urban grime of New York City, brash young detective Mike... [More]
Directed By: William Malone

#63

Bless the Child (2000)
3%

#63
Adjusted Score: 5918%
Critics Consensus: Bless the Child squanders its talented cast on a plot that's more likely to inspire unintentional laughs than shivers.
Synopsis: When Maggie's sister Jenna saddles her with an autistic newborn named Cody she touches Maggie's heart and becomes the daughter... [More]
Directed By: Chuck Russell

#62

Jack and Jill (2011)
3%

#62
Adjusted Score: 5997%
Critics Consensus: Although it features an inexplicably committed performance from Al Pacino, Jack and Jill is impossible to recommend on any level whatsoever.
Synopsis: Thanksgiving is usually a happy time, but ad executive Jack (Adam Sandler) dreads the holiday because his twin sister, Jill... [More]
Directed By: Dennis Dugan

#61

Rollerball (2002)
3%

#61
Adjusted Score: 6436%
Critics Consensus: Removing the social critique of the original, this updated version of Rollerball is violent, confusing, and choppy. Klein makes for a bland hero.
Synopsis: Jonathan (Chris Klein) is the most popular player in the fastest and most extreme sport of all time: rollerball. Along... [More]
Directed By: John McTiernan

#60
#60
Adjusted Score: 7782%
Critics Consensus: Ugly, campy, and poorly acted, Battlefield Earth is a stunningly misguided, aggressively bad sci-fi folly.
Synopsis: In the year 3000, there are no countries, no cities... Earth is a wasteland. And man is an endangered species.... [More]
Directed By: Roger Christian

#59

Getaway (2013)
3%

#59
Adjusted Score: 8493%
Critics Consensus: Monotonously fast-paced to the point of exhaustion, Getaway offers a reminder of the dangers in attempting to speed past coherent editing, character development, sensible dialogue, and an interesting plot.
Synopsis: Though he used to race cars for a living, Brent Magna (Ethan Hawke) is now pitted against the clock in... [More]
Directed By: Courtney Solomon

#58
Adjusted Score: 2838%
Critics Consensus: The Haunting of Molly Hartley is a rather lifeless horror endeavor, with a pedestrian plot and few scares.
Synopsis: After surviving a brutal attack by her insane mother, teenage Molly (Haley Bennett) is eager to get a fresh start... [More]
Directed By: Mickey Liddell

#57

Nina (2016)
2%

#57
Adjusted Score: 3793%
Critics Consensus: A wholly misguided tribute to its subject's searing talent and enduring impact, Nina is the cinematic equivalent of a covers project featuring all the wrong artists.
Synopsis: Manager Clifton Henderson (David Oyelowo) helps singer and pianist Nina Simone (Zoe Saldana) rediscover her love for music.... [More]
Directed By: Cynthia Mort

#56
#56
Adjusted Score: 3059%
Critics Consensus: Kickin' It Old Skool is one big unfunny pop culture reference that doesn't feature many laughs.
Synopsis: At a talent show in 1986, young Justin Schumacher suffers a head injury and slips into a coma. Twenty years... [More]
Directed By: Harvey Glazer

#55

Baby Geniuses (1999)
2%

#55
Adjusted Score: 3315%
Critics Consensus: Flat direction and actors who look embarrassed to be onscreen make Baby Geniuses worse than the premise suggests.
Synopsis: Evil partners (Kathleen Turner, Christopher Lloyd) experiment on an infant and send his twin to a reputable research nursery.... [More]
Directed By: Bob Clark

#54
#54
Adjusted Score: 3147%
Critics Consensus: Strange Wilderness is a laugh-free comedy that's both aimless and overly crass.
Synopsis: Peter Gaulke takes over, when his father, a respected wildlife TV host dies, but receives far less success. When the... [More]
Directed By: Fred Wolf

#53
#53
Adjusted Score: 3147%
Critics Consensus: A tired, unfunny, offensive waste of time, Meet the Spartans scrapes the bottom of the cinematic barrel.
Synopsis: When Xerxes (Ken Davitian), the evil god king of Persia, sends his massive army to Sparta, King Leonidas (Sean Maguire)... [More]

#52
Adjusted Score: 5798%
Critics Consensus: With its shallow characters, low budget special effects, and mindless fight scenes, Mortal Kombat - Annihilation offers minimal plot development and manages to underachieve the low bar set by its predecessor.
Synopsis: Every generation, a portal opens up between the Outerworld and Earth. Emperor Shao-Kahn (Brian Thompson), ruler of the mythical Outerworld,... [More]
Directed By: John R. Leonetti

#51

King's Ransom (2005)
2%

#51
Adjusted Score: 3235%
Critics Consensus: Filled with crass dialogue, unlikable characters, and overdone slapstick gags, King's Ransom is an utterly inept would-be comedy.
Synopsis: When the rich and arrogant Malcolm King (Anthony Anderson) informs his wife, Renee (Kellita Smith), that he plans to divorce... [More]
Directed By: Jeff Byrd

#50

Texas Rangers (2001)
2%

#50
Adjusted Score: 2288%
Critics Consensus: As far as westerns go, Texas Rangers is strictly mediocre stuff.
Synopsis: Texas, 1875. In a land without justice, where chaos reigns, one legendary man, Leander McNelly (Dylan McDermott), is chosen to... [More]
Directed By: Steve Miner

#49
#49
Adjusted Score: 2589%
Critics Consensus: Dull and unfunny, One For the Money wastes Katherine Heigl's talents on a stunningly generic comic thriller.
Synopsis: New Jersey native Stephanie Plum (Katherine Heigl) has plenty of attitude, even if she is broke after six months of... [More]
Directed By: Julie Anne Robinson

#48

The In Crowd (2000)
2%

#48
Adjusted Score: 2659%
Critics Consensus: A dull, soapy potboiler that lacks the energy to qualify as a guilty pleasure, The In Crowd is undone by slow pacing, poor acting, and a stunning lack of originality.
Synopsis: Adrien Williams has spent time at a psychiatric hospital, learning to come to terms with a troubled past and is... [More]
Directed By: Mary Lambert

#47

Crossover (2006)
2%

#47
Adjusted Score: 3097%
Critics Consensus: This heartfelt but incompetent, cliche-ridden sports picture is the cinematic equivalent of an airball.
Synopsis: The lives of a gifted athlete (Wesley Jonathan) and his best friend (Anthony Mackie) change when they take a fateful... [More]

#46

Epic Movie (2007)
2%

#46
Adjusted Score: 3158%
Critics Consensus: A crude comedy with nothing new or insightful to say about the subjects it satirizes.
Synopsis: Four adult orphans (Kal Penn, Adam Campbell, Faune Chambers, Jayma Mays) have an incredible adventure in a spoof of blockbuster... [More]

#45

Left Behind (2014)
1%

#45
Adjusted Score: 3288%
Critics Consensus: Yea verily, like unto a plague of locusts, Left Behind hath begat a further scourge of devastation upon Nicolas Cage's once-proud filmography.
Synopsis: The entire planet is thrown into mayhem when millions of people disappear without a trace -- all that remains are... [More]
Directed By: Vic Armstrong

#44

Disaster Movie (2008)
1%

#44
Adjusted Score: 3310%
Critics Consensus: Returning to their seemingly bottomless well of flatulence humor, racial stereotypes, and stale pop culture gags, Jason Friedberg and Aaron Seltzer have produced what is arguably their worst Movie yet.
Synopsis: During a fateful night, a group of impossibly attractive 20-somethings (Matt Lanter, Vanessa Minnillo, Kim Kardashian) must dodge a series... [More]

#43

Daddy Day Camp (2007)
1%

#43
Adjusted Score: 3878%
Critics Consensus: A mirthless, fairly desperate family film, Daddy Day Camp relies too heavily on bodily functions for comedic effect, resulting in plenty of cheap gags but no laughs.
Synopsis: Spurred on by their wives' insistence that their children attend summer camp, daycare entrepreneurs Charlie Hinton (Cuba Gooding Jr.) and... [More]
Directed By: Fred Savage

#42
#42
Adjusted Score: 3943%
Critics Consensus: An ill-concieved attempt to utilize Dana Carvey's talent for mimicry, The Master of Disguise is an irritating, witless farce weighted down by sophomoric gags.
Synopsis: Pistachio Disguisey (Dana Carvey), a genial waiter at his father Frabbrizio's (James Brolin) Italian restaurant, possesses an uncanny knack for... [More]
Directed By: Perry Andelin Blake

#41
#41
Adjusted Score: 5497%
Critics Consensus: Inept on almost every level, Alone in the Dark may not work as a thriller, but it's good for some head-slapping, incredulous laughter.
Synopsis: When the investigations of supernatural detective Edward Carnby (Christian Slater) lead him to uncover a long-lost tribe called the Abskani,... [More]
Directed By: Uwe Boll

#40

Twisted (2004)
1%

#40
Adjusted Score: 5579%
Critics Consensus: An implausible, overheated potboiler that squanders a stellar cast, Twisted is a clichéd, risible whodunit.
Synopsis: Recently promoted and transferred to the homicide division, Inspector Jessica Shepard (Ashley Judd) feels pressure to prove herself -- and... [More]
Directed By: Philip Kaufman

#39

Dark Tide (2012)
0%

#39
Critics Consensus: Shallow and brackish, Dark Tide fails to rise.
Synopsis: A traumatized shark expert (Halle Berry) must battle her own fears to lead a thrill-seeking businessman on a dive into... [More]
Directed By: John Stockwell

#38

Stolen (2009)
0%

#38
Critics Consensus: With plot points Stolen from countless superior films, this would-be thriller squanders a solid cast on overly serious and suspense-free storytelling.
Synopsis: A detective (Jon Hamm) becomes obsessed with solving a child's 50-year-old murder, uncovering striking similarities between the case and his... [More]
Directed By: Anders Anderson

#37

Constellation (2005)
0%

#37
Critics Consensus: Though earnestly directed, Constellation lacks dramatic fireworks and eventually falls into TV-movie sentimentality.
Synopsis: The continuing legacy of a long-ago, interracial love affair forms the backdrop for a tale of an extended Southern family's... [More]

#36

Folks! (1992)
0%

#36
Adjusted Score: 938%
Critics Consensus: Don't watch this alleged comedy looking for more than pained performances in support of ill-advised ageist jokes, because that's all Folks! has to offer.
Synopsis: When Jon (Tom Selleck), a well-heeled professional, visits his mother, Mildred (Anne Jackson), in the hospital, he's unaware of how... [More]
Directed By: Ted Kotcheff

#35
Adjusted Score: 923%
Critics Consensus: Utterly, completely, thoroughly and astonishingly unfunny, Police Academy 4: Citizens on Patrol sends a once-innocuous franchise plummeting to agonizing new depths.
Synopsis: Feeling that his squad is not up to snuff, a police commander comes up with an unorthodox plan to hire... [More]
Directed By: Jim Drake

#34

Simon Sez (1999)
0%

#34
Adjusted Score: 28%
Critics Consensus: Simon Sez no matter how starved you are for something to watch, there has to be a better option than this dreadfully misguided action thriller.
Synopsis: Interpol agent Simon (Dennis Rodman) is gathering information about the weapons trade on the French Riviera and trying to pinpoint... [More]
Directed By: Kevin Elders

#33

Precious Cargo (2016)
0%

#33
Adjusted Score: 463%
Critics Consensus: No consensus yet.
Synopsis: To get back in the good graces of her murderous boss (Bruce Willis), a seductive thief (Claire Forlani) recruits an... [More]
Directed By: Max Adams

#32

Max Steel (2016)
0%

#32
Adjusted Score: 396%
Critics Consensus: Bereft of characterization or even satisfying rock 'em sock 'em, Max Steel feels like futzing with an action figure without any childhood imagination.
Synopsis: Teenager Max McGrath (Ben Winchell) discovers that his body can generate the most powerful energy in the universe. Steel (Josh... [More]
Directed By: Stewart Hendler

#31
#31
Adjusted Score: 663%
Critics Consensus: A trifecta of failure for writer-director-star Keenen Ivory Wayans, A Low Down Dirty Shame lives repeatedly and resolutely down to its title.
Synopsis: After hitting a wall in his case against drug kingpin Ernesto Mendoza (Andrew Divoff), private eye Andre Shame (Keenen Ivory... [More]
Directed By: Keenen Ivory Wayans

#30

Transylmania (2009)
0%

#30
Critics Consensus: Never aiming higher than threadbare jokes and offensive attempts at politically incorrect humor, Transylmania is a vampire comedy that truly sucks.
Synopsis: College students arrive at a Romanian castle for a semester abroad, unaware that the place is infested with vampires.... [More]

#29
#29
Critics Consensus: This overly wacky farce strains for sophistication but lacks polish and a coherent narrative.
Synopsis: A gay man (Stanislas Merhar) tells a woman (Jane Birkin) impersonating a psychiatrist that he witnessed a murder.... [More]
Directed By: Andrew Litvack

#28
#28
Critics Consensus: Respected director Chen Kaige's first English-language film is a spectacularly misguided erotic thriller, with ludicrous plot twists and cringe-worthy dialogue.
Synopsis: A woman (Heather Graham) grows suspicious of her controlling husband (Joseph Fiennes) after she discovers secrets about the women in... [More]
Directed By: Chen Kaige

#27

Bolero (1984)
0%

#27
Adjusted Score: 1185%
Critics Consensus: Bolero combines a ludicrous storyline and wildly mismatched cast in its desperate attempts to titillate, but only succeeds in arousing boredom.
Synopsis: A 1920s English heiress (Bo Derek) seeks ecstasy with a sheik in Morocco and a bullfighter (Andrea Occhipinti) in Spain.... [More]
Directed By: John Derek

#26

Homecoming (2009)
0%

#26
Adjusted Score: 20%
Critics Consensus: A lazy collection of obsession thriller clichés, Homecoming will leave viewers wishing they'd opted for a lopsided football game and some awkward dancing instead.
Synopsis: A jealous woman (Mischa Barton) plots revenge after her former beau (Matt Long) returns to their hometown with a pretty... [More]
Directed By: Morgan J. Freeman

#25
Adjusted Score: 1150%
Critics Consensus: There should have been only one.
Synopsis: In this sci-fi/fantasy sequel, Connor MacLeod (Christopher Lambert) has become an elderly man after losing his immortality. Living in a... [More]
Directed By: Russell Mulcahy

#24
#24
Adjusted Score: 729%
Critics Consensus: The Disappointments Room lives down to its title with a thrill-free thriller that presumably left its stars filled with regret - and threatens to do the same for audiences.
Synopsis: Dana (Kate Beckinsale), her husband David and their 5-year-old son Lucas start a new life after moving from the hustle... [More]
Directed By: D.J. Caruso

#23
#23
Adjusted Score: 1423%
Critics Consensus: Look Who's Talking Now: Look away.
Synopsis: James (John Travolta) and Mollie Ubriacco (Kirstie Alley) are expanding the family again, this time with Rocks the mutt (Danny... [More]
Directed By: Tom Ropelewski

#22

Staying Alive (1983)
0%

#22
Adjusted Score: 1858%
Critics Consensus: This sequel to Saturday Night Fever is shockingly embarrassing and unnecessary, trading the original's dramatic depth for a series of uninspired dance sequences.
Synopsis: Six years after his glittering triumph in the disco dance contest of "Saturday Night Fever," an older and wiser Tony... [More]
Directed By: Sylvester Stallone

#21

Redline (2007)
0%

#21
Adjusted Score: 293%
Critics Consensus: Redline has plenty of bad acting, laughable dialogue, and luxury cars.
Synopsis: Natasha (Nadia Bjorlin) is an aspiring singer and an ace driver. She gets a gig illegally racing flashy sports cars... [More]
Directed By: Andy Cheng

#20
#20
Adjusted Score: 4160%
Critics Consensus: Rather than exciting audiences with a thrilling race against time, Shadow Conspiracy suggests there may be a secret cabal duping talented actors into selecting woefully deficient scripts.
Synopsis: Presidential aide Bobby Bishop (Charlie Sheen) runs into an old professor who tells him of a secret plot to assassinate... [More]
Directed By: George P. Cosmatos

#19

Cabin Fever (2016)
0%

#19
Adjusted Score: 928%
Critics Consensus: No need for a quarantine -- enthusiasm for this inert remake is not contagious.
Synopsis: Fresh out of college, five friends (Nadine Crocker, Matthew Daddario, Samuel Davis) face the horrors of a flesh-eating virus while... [More]
Directed By: Travis Z

#18

3 Strikes (2000)
0%

#18
Adjusted Score: 285%
Critics Consensus: 3 Strikes lacks direction and its low-brow humor isn't even that funny.
Synopsis: Rob Douglas (Brian Hooks) is just released from jail. The state adopts a "3 strikes" rule for felons that involves... [More]
Directed By: D.J. Pooh

#17

Wagons East! (1994)
0%

#17
Adjusted Score: 99%
Critics Consensus: Wagons East! is a witless, toothless satire of Westerns that falls far below the standard set by Blazing Saddles, and is notable only for being John Candy's final screen performance.
Synopsis: When a group of dissatisfied settlers decides they've had enough of the Wild West, they hire James Harlow (John Candy),... [More]
Directed By: Peter Markle

#16

Problem Child (1990)
0%

#16
Adjusted Score: 1523%
Critics Consensus: Mean-spirited and hopelessly short on comic invention, Problem Child is a particularly unpleasant comedy, one that's loaded with manic scenery chewing and juvenile pranks.
Synopsis: Ben (John Ritter) is a good-hearted guy who's always wanted a son of his own, but so far he and... [More]
Directed By: Dennis Dugan

#15
Adjusted Score: 1775%
Critics Consensus: Despite its lush tropical scenery and attractive leads, Return to the Blue Lagoon is as ridiculous as its predecessor, and lacks the prurience and unintentional laughs that might make it a guilty pleasure.
Synopsis: When widow Sarah Hargrave (Lisa Pelikan) washes ashore on a tropical island with her daughter and adopted son, she learns... [More]
Directed By: William A. Graham

#14
#14
Adjusted Score: 358%
Critics Consensus: Misguided, misconceived, and misbegotten on every level, The Nutcracker in 3D is a stunning exercise in astonishing cinematic wrong-headedness.
Synopsis: ... [More]
Starring: Unknown Actor
Directed By: Andreas Morell

#13

London Fields (2018)
0%

#13
Adjusted Score: 1298%
Critics Consensus: London Fields bungles its beloved source material and an intriguingly eclectic cast, leaving audiences with a would-be neo-noir of interest only to the morbidly curious.
Synopsis: Clairvoyant femme fatale Nicola Six has been living with a dark premonition of her impending death by murder. She begins... [More]
Directed By: Mathew Cullen

#12

Stratton (2017)
0%

#12
Adjusted Score: 1313%
Critics Consensus: Stratton's action-thriller ambitions are roundly thwarted by a derivative story, misguided casting, and a low-budget feel underscored by unimpressive set pieces.
Synopsis: After the death of his American counterpart, an MI6 agent and his team must race against time to stop a... [More]
Directed By: Simon West

#11
#11
Adjusted Score: 1826%
Critics Consensus: Every bit as lazily offensive as its cast and concept would suggest, The Ridiculous Six is standard couch fare for Adam Sandler fanatics and must-avoid viewing for film enthusiasts of every other persuasion.
Synopsis: White Knife, an orphan raised by Native Americans, discovers that five outlaws are actually his half-brothers. Together, they set out... [More]
Directed By: Frank Coraci

#10

Dark Crimes (2016)
0%

#10
Adjusted Score: 1377%
Critics Consensus: Dark Crimes is a rote, unpleasant thriller that fails to parlay its compelling true story and a committed Jim Carrey performance into even modest chills.
Synopsis: A hard-boiled detective becomes suspicious of an author when the incidents described in his hit novel resemble the inner-workings of... [More]
Directed By: Alexandros Avranas

#9
#9
Adjusted Score: 2744%
Critics Consensus: Illogical, tension-free, and filled with cut-rate special effects, Jaws: The Revenge is a sorry chapter in a once-proud franchise.
Synopsis: The family of widow Ellen Brody (Lorraine Gary) has long been plagued by shark attacks, and this unfortunate association continues... [More]
Directed By: Joseph Sargent

#8
Adjusted Score: 2191%
Critics Consensus: This Crime is punishment.
Synopsis: Two men and a woman plan the heist of the century before a government-broadcast signal wipes out crime forever.... [More]
Directed By: Olivier Megaton

#7

Gold Diggers (2003)
0%

#7
Adjusted Score: 728%
Critics Consensus: It aspires to Farrelly-level offensiveness, but the PG-13 rating and a dearth of decent gags renders Gold Diggers tame, toothless, and dull.
Synopsis: Calvin (Will Friedle) and Leonard (Chris Owen), two broke losers, are arrested for trying to rob rich old sisters Doris... [More]
Directed By: Gary Preisler

#6
Adjusted Score: 902%
Critics Consensus: A startling lack of taste pervades Superbabies, a sequel offering further proof that bad jokes still aren't funny when coming from the mouths of babes.
Synopsis: Toddlers use their special abilities to stop a media mogul (Jon Voight) from altering the minds of children.... [More]
Directed By: Bob Clark

#5

Pinocchio (2002)
0%

#5
Adjusted Score: 1085%
Critics Consensus: Roberto Benigni misfires wildly with this adaptation of Pinocchio, and the result is an unfunny, poorly-made, creepy vanity project.
Synopsis: A woodcarver creates a puppet (Roberto Benigni) that longs to become a real boy.... [More]
Directed By: Roberto Benigni

#4

Gotti (2018)
0%

#4
Adjusted Score: 2727%
Critics Consensus: Fuhgeddaboudit.
Synopsis: Raised on the streets of New York, young John Gotti found his way into the Gambino crime family, eventually having... [More]
Directed By: Kevin Connolly

#3
#3
Adjusted Score: 1776%
Critics Consensus: Dated jokes (A Thousand Words was shot in 2008) and removing Eddie Murphy's voice -- his greatest comedic asset -- dooms this painful mess from the start.
Synopsis: Jack McCall (Eddie Murphy) is a selfish literary agent whose fast-talking ways allow him to close any deal. His next... [More]
Directed By: Brian Robbins

#2

One Missed Call (2008)
0%

#2
Adjusted Score: 2623%
Critics Consensus: One of the weakest entries in the J-horror remake sweepstakes, One Missed Call is undone by bland performances and shopworn shocks.
Synopsis: When Beth Raymond (Shannyn Sossamon) witnesses the deaths of two friends, she knows there is more at work than just... [More]
Directed By: Éric Valette

#1
Adjusted Score: 3471%
Critics Consensus: A startlingly inept film, Ballistic: Ecks vs. Sever offers overblown, wall-to-wall action without a hint of wit, coherence, style, or originality.
Synopsis: Haunted by the mysterious death of his wife, Jeremiah Ecks (Antonio Banderas) has become a recluse, but the former FBI... [More]
Directed By: Kaos

(Photo by Sony/courtesy Everett Collection)

The 30 Worst Romantic Comedies of All Time

Welcome to our guide to the worst romantic comedies ever: Movies suspiciously light on love and laughs that scored less than 10% on the Tomatometer – after 20 reviews from critics. This bubbly mix of misfires and killjoys includes infamous bombs (Gigli), questionable nuptials (The Big Wedding, License to Wed), vanity projects (Good Luck Chuck, The Hottie and the Nottie), and holiday hokum (New Year’s Eve, Mother’s Day). Expect some big names to show up as well: Forest Whitaker (First Daughter director), David O. Russell (director of Accidental Love…until the money ran out and the movie was then thrown together without him), Tom Cruise (Cocktail), and Sandra Bullock, whose grating All About Steve had the distinct fortune of being Bullock’s first movie to release after her comeback The Proposal.

Now, it’s meet-cutes of the damned in our guide to the worst rom-coms ever made!

#30
Adjusted Score: 8046%
Critics Consensus: No consensus yet.
Synopsis: Boston store owner Jake (Jay Jablonski) still loves his ex-girlfriend, Isabella (Marisa Petroro), who's now a married mom. He goes... [More]
Directed By: Jason Todd Ipson

#29

Accidental Love (2015)
9%

#29
Adjusted Score: 8569%
Critics Consensus: Cobbling together an unfinished satire on the healthcare system and contorting it into a dopey romance, Accidental Love is a cynical repurposing of unrealized potential.
Synopsis: A clueless politician falls in love with a waitress whose erratic behavior is caused by a nail stuck in her... [More]
Directed By: Stephen Greene

#28

Marci X (2003)
8%

#28
Adjusted Score: 9356%
Critics Consensus: The material is too thin for feature-length and the jokes are socially outdated and clueless.
Synopsis: When protest breaks out over Dr. S's new CD, the owner of the rapper's record label, Ben Feld, is hospitalized... [More]
Directed By: Richard Benjamin

#27

Gray Matters (2006)
8%

#27
Adjusted Score: 9160%
Critics Consensus: Gray Matters tries emulating Hollywood screwball classics, but the rapid fire dialogue and witticisms comes off only as a contrived gimmick.
Synopsis: Sam (Tom Cavanagh) and Gray (Heather Graham) are such a well-matched pair that it is difficult to believe they are... [More]
Directed By: Sue Kramer

#26
#26
Adjusted Score: 9906%
Critics Consensus: Offensive, incoherent, and ineptly acted and directed.
Synopsis: A misunderstanding leads Tom Stansfield (Ashton Kutcher), a mild-mannered publishing house employee, to house-sit for his boss, Jack Taylor (Terence... [More]
Directed By: David Zucker

#25

First Daughter (2004)
8%

#25
Adjusted Score: 10555%
Critics Consensus: First Daughter is a bland and charmless fairy tale that fails to rise above the formula.
Synopsis: Samantha MacKenzie (Katie Holmes), the daughter of the president of the United States (Michael Keaton), arrives at college with a... [More]
Directed By: Forest Whitaker

#24

Summer Catch (2001)
8%

#24
Adjusted Score: 10082%
Critics Consensus: A cliched and predictable sports comedy that's mostly devoid of excitement or laughs, Summer Catch is strictly bush-league.
Synopsis: A coming-of-age romantic comedy set against the backdrop of the Cape Cod Baseball League. Local boy Ryan Dunne (Freddie Prinze... [More]
Directed By: Michael Tollin

#23

Post Grad (2009)
8%

#23
Adjusted Score: 11551%
Critics Consensus: A lightweight, unambitious comedy, Post Grad features fine actors that can do little with its middling, uninspiring script.
Synopsis: Recent college graduate Ryden Malby (Alexis Bledel) has a grand plan: Find a fabulous apartment and land a job at... [More]
Directed By: Vicky Jenson

#22

Mother's Day (2016)
8%

#22
Adjusted Score: 16574%
Critics Consensus: Arguably well-intended yet thoroughly misguided, Mother's Day is the cinematic equivalent of a last-minute gift that only underscores its embarrassing lack of effort.
Synopsis: Sandy (Jennifer Aniston) is a stressed-out, single mom who learns that her ex-husband is marrying a younger woman. Her friend... [More]
Directed By: Garry Marshall

#21

Mr. Wrong (1996)
7%

#21
Adjusted Score: 7076%
Critics Consensus: A mean-spirited joke without a punchline, Mr. Wrong is so painfully unfunny that Ellen DeGeneres and Bill Pullman's lack of chemistry feels like a total drag despite being the point.
Synopsis: All Martha (Ellen DeGeneres) wants is to get married, but she just can't seem to find the right man. On... [More]
Directed By: Nick Castle

#20

Man Trouble (1992)
7%

#20
Adjusted Score: 7908%
Critics Consensus: Man Trouble has brilliant stars and the germ of an interesting idea in its favor, which makes the scattered, unfunny results even more of a disappointment.
Synopsis: Harry Bliss (Jack Nicholson) operates a struggling security service and contends with numerous personal problems, including a faltering marriage. When... [More]
Directed By: Bob Rafelson

#19

Cocktail (1988)
7%

#19
Adjusted Score: 8939%
Critics Consensus: There are no surprises in Cocktail, a shallow, dramatically inert romance that squanders Tom Cruise's talents in what amounts to a naive barkeep's banal fantasy.
Synopsis: Brian Flanagan (Tom Cruise) wants a high-paying marketing job, but needs a business degree first. Working as a bartender to... [More]
Directed By: Roger Donaldson

#18

The Big Wedding (2013)
7%

#18
Adjusted Score: 11015%
Critics Consensus: The Big Wedding's all-star cast is stranded in a contrived, strained plot that features broad stabs at humor but few laughs.
Synopsis: Don (Robert De Niro) and Ellie Griffin (Diane Keaton) are long-divorced, but when their adopted son's ultraconservative biological mother unexpectedly... [More]
Directed By: Justin Zackham

#17
#17
Adjusted Score: 10795%
Critics Consensus: Surviving Christmas is unpleasant characters attacking each other for 90 minutes before delivering a typical, hollow anti-consumerist message
Synopsis: A wealthy executive, Drew Latham (Ben Affleck) has no close relationships and becomes nostalgic for his childhood home as Christmas... [More]
Directed By: Mike Mitchell

#16

License to Wed (2007)
7%

#16
Adjusted Score: 11984%
Critics Consensus: Featuring one of Robin Williams' most shtick-heavy performances, the broad and formulaic License to Wed wrings little out of its slightly creepy, unappealing premise.
Synopsis: Newly engaged couple Sadie (Mandy Moore) and Ben (John Krasinski) look forward to a traditional wedding in St. Augustine's Church... [More]
Directed By: Ken Kwapis

#15

New Year's Eve (2011)
7%

#15
Adjusted Score: 12117%
Critics Consensus: Shallow, sappy, and dull, New Year's Eve assembles a star-studded cast for no discernible purpose.
Synopsis: Intertwining stories promise love, hope, forgiveness, second chances and more for a number of New Yorkers on the celebrated night.... [More]
Directed By: Garry Marshall

#14
#14
Adjusted Score: 5522%
Critics Consensus: Stranding Pierce Brosnan as a charmless cad, this tone-deaf romantic comedy is Some Kind Of something, but it definitely isn't beautiful.
Synopsis: A woman (Salma Hayek) starts to fall in love with a successful college professor (Pierce Brosnan) who had a baby... [More]
Directed By: Tom Vaughan

#13
#13
Adjusted Score: 6617%
Critics Consensus: Flat and unfocused, A Smile Like Yours aims for romantic comedy but settles for tired sitcom formula.
Synopsis: Danny Robertson (Greg Kinnear) and his wife, Jennifer (Lauren Holly), are happily married, except for one major issue -- he... [More]
Directed By: Keith Samples

#12
#12
Adjusted Score: 7004%
Critics Consensus: The Hottie and the Nottie is a crass, predictable, and ineptly staged gross-out comedy that serves little purpose beyond existing as another monument to Paris Hilton's vanity.
Synopsis: Nate Cooper (Joel David Moore) has never gotten over his first crush from elementary school, Cristabelle (Paris Hilton). Now in... [More]
Directed By: Tom Putnam

#11

The Perfect Man (2005)
6%

#11
Adjusted Score: 10765%
Critics Consensus: Preposterous and predictable, The Perfect Man manages few laughs with its poorly paced sitcom script, cookie-cutter characters and contrived plotting.
Synopsis: Every time Jean (Heather Locklear) goes through a bad breakup, she moves her two daughters elsewhere. Determined to make a... [More]
Directed By: Mark Rosman

#10

All About Steve (2009)
6%

#10
Adjusted Score: 11370%
Critics Consensus: All About Steve is an oddly creepy, sour film, featuring a heroine so desperate and peculiar that audiences may be more likely to pity than root for her.
Synopsis: After a lovely blind date, crossword-puzzle creator Mary Horowitz (Sandra Bullock) falls head over heels in love with Steve (Bradley... [More]
Directed By: Phil Traill

#9

Gigli (2003)
6%

#9
Adjusted Score: 12382%
Critics Consensus: Bizarre and clumsily plotted, Gigli is a mess. As for its stars, Affleck and Lopez lack chemistry.
Synopsis: Gigli (Ben Affleck) is ordered to kidnap the psychologically challenged younger brother of a powerful federal prosecutor. When plans go... [More]
Directed By: Martin Brest

#8
#8
Adjusted Score: 6916%
Critics Consensus: Utterly bereft of romance or humor, 'Til There Was You is a singularly misguided attempt at romantic comedy.
Synopsis: Gwen Moss (Jeanne Tripplehorn), a writer hired to pen a book about former child star Francesca Lanfield (Sarah Jessica Parker),... [More]
Directed By: Scott Winant

#7

Good Luck Chuck (2007)
5%

#7
Adjusted Score: 9599%
Critics Consensus: A shortage of laughs and an undercurrent of mean-spiritedness undermine Good Luck Chuck, squandering a decent premise on gross-out humor and shopworn slapstick.
Synopsis: Cursed since childhood, dentist Charlie Kagan (Dane Cook) cannot find the right woman. Even worse, he learns that each of... [More]
Directed By: Mark Helfrich

#6

Material Girls (2006)
4%

#6
Adjusted Score: 4573%
Critics Consensus: Plagued by paper-thin characterizations and a hackneyed script, Material Girls fails to live up to even the minimum standards of its genre.
Synopsis: Two sibling cosmetics heiresses (Hilary Duff, Haylie Duff) must grow up quickly when a company scandal leaves them penniless. Though... [More]
Directed By: Martha Coolidge

#5
#5
Adjusted Score: 4589%
Critics Consensus: A Little Bit of Heaven subjects viewers to a whole bunch of schmaltz - and strands Kate Hudson and Gael García Bernal in a fatally misguided film.
Synopsis: New Orleans ad executive Marley Corbett (Kate Hudson) is a free-spirited woman who embraces her easy sexuality, shuns commitment, and... [More]
Directed By: Nicole Kassell

#4
#4
Adjusted Score: 7282%
Critics Consensus: Witless, unfocused, and arguably misogynistic, Playing for Keeps is a dispiriting, lowest-common-denominator Hollywood rom-com.
Synopsis: Long past his soccer-playing heyday, George Dryer (Gerard Butler) is struggling financially and failing in his attempt to reconcile with... [More]
Directed By: Gabriele Muccino

#3

Serving Sara (2002)
4%

#3
Adjusted Score: 7284%
Critics Consensus: A romantic comedy that's neither funny nor particularly romantic, Serving Sara is a forgettable time waster.
Synopsis: When Sara (Elizabeth Hurley) is served divorce papers while she is in New York, she is stunned. Not about to... [More]
Directed By: Reginald Hudlin

#2
#2
Adjusted Score: 9608%
Critics Consensus: Overly reliant on caricatures and lacking any human insight, Because I Said So is an unfunny, cliche-ridden mess.
Synopsis: Daphne Wilder (Diane Keaton) is the proud mother of three women: Milly (Mandy Moore), Maggie (Lauren Graham) and Mae (Piper... [More]
Directed By: Michael Lehmann

#1

Down to You (2000)
3%

#1
Adjusted Score: 4659%
Critics Consensus: Down to You is ruined by a bland, by-the-numbers plot and an awful script.
Synopsis: College coeds in New York City, Al (Freddie Prinze Jr.), the son of a celebrity chef (Henry Winkler), and Imogen... [More]
Directed By: Kris Isacsson

Hollywood plays the race card this weekend opening a pair of star-driven comedies, one for white moviegoers and the other for black audiences. Matthew McConaughey and Kate Hudson get the wider release with the romantic adventure comedy Fool’s Gold while debuting in 741 fewer theaters is Martin Lawrence‘s family reunion laughfest Welcome Home Roscoe Jenkins. Adding to the mix is the standup comedy concert pic Vince Vaughn’s Wild West Comedy Show which will also try to tickle funnybones from coast to coast. Not all three films will get to laugh all the way to the bank.

Five years and one day after their date flick How To Lose A Guy in 10 Days became a number one hit, McConaughey and Hudson reteam for Fool’s Gold. Directed by Andy Tennant (Hitch, Sweet Home Alabama), the PG-13 picture tells of an ex-couple that must band together to find sunken treasure. The Warner Bros. release looks like a winner on paper. Take two stars with a proven track record, put them in a film that combines romantic comedy with action adventure, and hefty grosses from both genders should come rolling in. The marketing has certainly been pushing all the right aspects trying to sell this as a Romancing the Stone for today’s twentysomethings and thirtysomethings.

But the film’s poor execution will be a major liability in the long run. Reviews have been among the worst of any film in this new year. Since Fool’s Gold will play to an over-25 crowd, the thumbs down from critics could have an impact. Bad word-of-mouth will certainly kick in after this weekend and hurt future weeks. Then again, critically-panned comedies packed with big stars usually sell pretty well with the paying public. Gold will play to the same crowd that powered 10 Days to a $23.8M bow and McConaughey’s 2006 rom-com Failure to Launch to $24.4M. Both skewed female and heavily white. The actor’s latest offering could open in the same neighborhood but should suffer weaker legs. Opening in 3,125 theaters, Fool’s Gold may bow to about $23M.


Hudson and McConaughey in Fool’s Gold

Moviegoers not up for Matt and Kate’s excellent adventure can spend the weekend with Martin Lawrence and his lively family in the Universal comedy Welcome Home Roscoe Jenkins. Directed by Malcolm D. Lee (The Best Man, Undercover Brother), the PG-13 film packs ample starpower into one film with co-stars Cedric the Entertainer, James Earl Jones, Michael Clarke Duncan, Mike Epps, and Mo’Nique. Four of the stars come from a standup comedy background which only raises the volume in the laughter department. The film finds Lawrence playing a self-help guru and talk show host in Hollywood who returns to his Georgia home to reunite with the family he left behind.

Roscoe Jenkins will pull in most of its business from the African American audience. Turnout should be robust given the starpower. Sure the family reunion story has been done a hundred times, but moviegoers will want to see all the big names under one roof giving them two hours of laughs. In the right film, and when surrounded by other marquee stars, Martin Lawrence is still a big draw at the box office. His comedy sequel Big Momma’s House 2 opened to $27.7M around this time of year in 2006.

Plus with this weekend’s Top 20 set to offer no other films led by black casts, direct competition will be minimal. The Ice Cube comedy First Sunday debuted to $17.7M a month ago and Martin and gang could do better. Reviews will not be very good, but that should not matter much. The only limiting factor will be the theater count. Debuting in 2,384 locations, Welcome Home Roscoe Jenkins could collect around $20M this weekend.


Martin Lawrence in Roscoe Jenkins.

For those who like their laughs purely from standup comedians on stage, Picturehouse releases Vince Vaughn’s Wild West Comedy Show. The R-rated pic follows the Hollywood star and a group of comics on the road during their 2005 tour. Hannah Montana and U2 have had great success with their concert films over the last two weeks. But Wild West lacks the music and the 3D element that helped to make those two score at the box office. Most of the successful standup comedy hits at the box office have been from African American funnymen so Vaughn’s experiment does not have a proven formula to follow. Plus none of the comedians are big stars which is why Santa’s brother had to include his name in the title in order to grab the attention of potential ticket buyers. Most will probably wait for the DVD which is sure to have some unrated bonus material. Rolling into about 800 theaters, Vince Vaughn’s Wild West Comedy Show could take in roughly $3M this weekend.


The marquee says it all.

Miley Cyrus rocked her way to the top of the charts last weekend with her Hannah Montana concert pic which opened to a scorching $31.1M with $15 tickets resulting in more than two millions admissions. The fan fever has spilled over into the midweek period as Monday and Tuesday grosses remained red hot with takes of $3.3M and $2.9M, respectively. A full-week tally of about $42M seems likely and with Disney extending the run of the film, more wheelbarrows will be needed to haul away the green. Still, most fans planned ahead of time to see Best of Both Worlds during the first week since it was promoted aggressively as a one-week-only run. Parents may hesitate to shell out more of the pumped up ticket prices for a second helping. Sales could fall by 45% to about $17M which would push the ten-day cume to an amazing $59M.

The Eye settled for a decent second place finish over the Super Bowl frame and like most fright flicks, should not enjoy a good hold on the second weekend. The new menu of comedies won’t provide too much competition so a decline of 50% would leave Lionsgate with about $6M lifting the total to $21M after ten days.

Fox’s female-skewing comedy 27 Dresses will take a direct hit from Matt and Kate’s reunion. Look for the Katherine Heigl film to fall by 40% to $5M for a 24-day score of $64M. Playing to a slightly different audience, Rambo took a sizable blow over the Super Bowl frame and should see its drop stabilize to 50%. That would leave the ultraviolent Lionsgate sequel with $3.5M putting the overall cume at $36M.

LAST YEAR: Following soon after his first-ever Oscar nomination for Dreamgirls, Eddie Murphy rocketed to number one at the box office with the powerful $34.2M debut for the comedy Norbit. The Paramount release went on to gobble up $95.7M domestically and about $160M worldwide. Opening in second with a respectable $13.1M was the thriller Hannibal Rising which went on to gross $27.7M for The Weinstein Company. The previous weekend’s top two films followed, but switched their order. Universal’s Diane Keaton comedy Because I Said So held up well and grossed $9.2M while the horror pic The Messengers fell harder and took in $7.2M for Sony. Rounding out the top five was the unstoppable holiday hit Night at the Museum with $5.8M in its eighth frame.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

While Brady and Manning duke it out in Phoenix, the $15 movie ticket aims to conquer the multiplexes over Super Bowl weekend. That’s the admission price that theaters are charging moviegoers that line up for Disney’s Hannah Montana concert film which opens Friday on a wave of fan frenzy that has given the hot pic event-film status with young girls everywhere. But other ladies that got their big break from a television series will enter the weekend race at the North American box office too. Jessica Alba stars in the supernatural thriller The Eye while Eva Longoria Parker headlines the comedy Over Her Dead Body. Guys will be tossed their own entry in the form of the nature comedy Strange Wilderness. Disney and Lionsgate will be the studios competing for the box office trophy as Sony’s seven-year streak of ruling Super Bowl weekend will come to an end.

Tween girls who couldn’t get their parents to shell out a grand for a scalped ticket for Hannah Montana’s live concerts can now cough up a Hamilton and a Lincoln and see the big show at their local multiplex. Disney goes 3D for its special one-week-only engagement of Hannah Montana & Miley Cyrus: Best of Both Worlds Concert which aims to capitalize on the immense fan base for the Disney Channel superstar. The G-rated musicfest will play mostly to girls but should lure in nearly 100% of its target demographic with what has become a major event film for lovers of all things Hannah. With a trim 74-minute running time, theaters will be able to squeeze in six showtimes per day to maximize their revenue. School teachers nationwide may have to brace for record high absenteeism on Friday.

The Hannah Montana phenomenon has become a cash cow for the studio. Thanks to last year’s live concerts which sold out within minutes, fans have wasted no time in pre-buying their movie tickets for Best which has been a top seller all through December and January. Fandango.com reported on Wednesday that the film accounted for a whopping 91% of all tickets purchased with over 1,000 showtimes already sold out coast to coast. Rival MovieTickets.com stated that Best has already joined its all-time top ten list of pre-sales ranking alongside tentpole sequels from franchises such as Harry Potter and The Lord of the Rings. Helping Montana-mania at the box office will be those increased $15 ticket prices which will allow the overall grosses to swell.

Best of Both Worlds could very well be one of those box office surprises that exceeds all expectations thanks to intense demand plus brilliant marketing and distribution. This could be a Borat-type weekend when the film with the fewest theaters actually beats out all of its competitors for the top spot. In fact the numbers could climb really high if parents join their daughters for the show, or if repeat business kicks in with fans seeing the film multiple times since it will only be on the big screen for seven days. The Super Bowl should not be much of a distraction since young females are typically the quadrant least interested in the big game. Hitting the stage in 683 movie theaters with digital 3D facilities, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert could open to about $17M this weekend.


That Hannah Montana movie.

Jessica Alba won’t be singing on any stage but the pregnant actress will hit the big screen for the fourth time in eight months with Lionsgate’s new supernatural thriller The Eye. A Hollywood remake of the hit Hong Kong horror flick about a blind woman who sees frightening visions after an eye transplant, the PG-13 film should play to genre fans everywhere over a weekend that welcomes scary movies. Openings for recent fright flicks over Super Bowl weekend include $14.7M for last year’s The Messengers, $21.6M for 2006’s When A Stranger Calls, and $19M for Boogeyman in 2005. All were Sony releases. All opened at number one. That studio’s Screen Gems unit and Lionsgate are the two industry leaders when it comes to mining riches from horror films.

Although there are no other major horror flicks out there, The Eye will still face formidable competition. Hannah Montana is a very different type of film, but it will take some teen girls out of the picture. Young males also have plenty of other choices out there. But Alba is a decent box office draw despite the weak launch of her last thriller Awake which debuted to only $5.9M. The Eye is in a much better position to find success, though. A scary trailer, a creepy one-sheet, a commercially-friendly rating, and a popular star in the lead all will contribute to a solid debut. The Eye opens in 2,436 locations on Friday and could scare up roughly $14M over three days.


Jessica Alba and friend in The Eye.

Eva Longoria Parker headlines her first feature film with Over Her Dead Body which will target women too old to enjoy a Miley Cyrus concert. The PG-13 pic finds the Desperate Housewives actress playing a ghost who haunts a psychic that is falling for her ex-fiance. Paul Rudd and Jason Biggs co-star in the New Line release. Body should skew heavily female and Parker has the potential to one day become a box office draw. But this may not be the vehicle to spark that change. The concept is not very intriguing and mixed reviews will probably keep it from finding a large paying audience. Plus fellow ABC heavyweight Katherine Heigl already has a lock on women with 27 Dresses which has been well received. Opening in 1,977 theaters, Over Her Dead Body could debut to around $6M.


Eva Longoria Parker, Paul Rudd and Lake Bell in Over Her Dead Body.

Paramount targets young men with its new comedy Strange Wilderness which stars Steve Zahn, Justin Long, and Superbad‘s Jonah Hill. The R-rated film will face many tough challenges in the marketplace such as competition from the Super Bowl and the restrictive rating that will affect much of the core audience’s ability to buy tickets. Zahn is no marquee name and is not a reliable anchor for a mainstream comedy. And despite hefty declines, films like Meet the Spartans, Rambo, and Cloverfield will steal away over $20M in combined business from the exact audience Wilderness is trying to reach. Overall interest is not very high so a launch in 1,208 theaters should lead to an opening weekend of around $3M for Strange Wilderness.


Steve Zahn and friend in Strange Wilderness.

Last weekend’s front-loaded boy flicks will get shoved aside this time by the girls. After opening at number one, the spoof comedy Meet the Spartans should see a hefty drop thanks to football fever, competition from new releases, and an upfront bow that attracted most fans last weekend. A year ago, Epic Movie fell by 55% in its sophomore session and a similar decline is in store for Spartans. Look for a $8M frame and a ten-day cume of $29M for Fox.

Sylvester Stallone settled for the vice president’s job on last weekend’s chart with Rambo and with most fans charging theaters in the beginning, not much of an audience will be left. Plus the Lionsgate film lacks the positive vibe that the actor/filmmaker saw with Rocky Balboa last winter. A 55% fall would give Rambo roughly $8M and a sum of $31M after ten days.

Fox could enjoy a solid third frame with its chick flick 27 Dresses which has been holding up well since its strong opening. A 40% decline to $8.5M would give the Heigl hit $57M after 17 days. Diane Lane also could see a reasonably good hold for her crime thriller Untraceable which may drop 40% to $7M for a ten-day tally of $20M. The monster flick Cloverfield fell hard in its second weekend and another sizable drop of 55% could give Paramount $5.5M and a 17-day total of $73M.

LAST YEAR: Super Bowl weekend saw teen girls edge past their moms at the box office as the thriller The Messengers bowed at number one with $14.7M beating out the $13.1M debut of the Diane Keaton pic Because I Said So. Final grosses reached $35.4M for the Sony spookfest and $42.7M for Universal’s star-driven comedy. Holdovers rounded out the top five. Epic Movie dropped from the top spot to third with $8.4M, the hit comedy Night at the Museum followed in fourth with $6.4M, and Smokin’ Aces placed fifth with $6.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

No awards season — even a strike-tainted one — would be complete without the Razzies, right? Of course not. And that’s why we’ve thoughtfully assembled all of this year’s nominees in one convenient location.

The Razzies, now entering their 28th year, have been celebrating the worst in film since 1980, when John Wilson took a raspberry trophy, spray-painted it gold, and stuck it to Can’t Stop the Music. This year’s nominees are suitably distinguished, and they all follow below (with Tomatometers in parentheses). ‘Fess up, Vineketeers — how many of these have you seen? And enjoyed?

Worst Picture:
Bratz (7 percent)
Daddy Day Camp (1 percent)

I Know Who Killed Me (8 percent)
I Now Pronounce You Chuck & Larry (14 percent)
Norbit (9 percent)

Worst Actor:
Nicolas Cage, for Ghost Rider (27 percent), National Treasure: Book of Secrets (32 percent), and Next (30 percent)
Jim Carrey, for The Number 23 (8 percent)
Cuba Gooding, Jr., for Daddy Day Camp and Norbit
Eddie Murphy, for Norbit
Adam Sandler, for I Now Pronounce You Chuck & Larry

Worst Actress:
Jessica Alba, for Awake (21 percent), Fantastic Four: Rise of the Silver Surfer (35 percent), and Good Luck Chuck (3 percent)
Logan Browning, Janel Parrish, Nathalia Ramos & Skyler Shaye, for Bratz
Elisha Cuthbert, for Captivity (7 percent)
Diane Keaton, for Because I Said So (5 percent)
Lindsay Lohan (as Aubrey), for I Know Who Killed Me
Lindsay Lohan (as Dakota), for I Know Who Killed Me

Worst Supporting Actor:
Orlando Bloom, for Pirates of the Carribbean: At World’s End (45 percent)
Kevin James, for I Now Pronounce You Chuck & Larry
Eddie Murphy, for Norbit
Rob Schneider, for I Now Pronounce You Chuck & Larry
Jon Voight, for Bratz, National Treasure: Book of Secrets, September Dawn (13 percent), and Transformers (57 percent)

Worst Supporting Actress:
Jessica Biel, for I Now Pronounce You Chuck & Larry and Next
Carmen Electra, for Epic Movie (2 percent)
Eddie Murphy, for Norbit
Julia Ormond, for I Know Who Killed Me
Nicolette Sheridan, for Code Name: The Cleaner (4 percent)

Worst Screen Couple:
Jessica Alba with Dane Cook (for Good Luck Chuck), Hayden Christensen (for Awake), and Ioan Gruffudd (for Fantastic Four: Rise of the Silver Surfer)
Any combination of two totally air-headed characters in Bratz
Lindsay Lohan and Lindsay Lohan, for I Know Who Killed Me

Worst Remake or Ripoff:
Are We Done Yet? (8 percent, remake/ripoff of Mr. Blandings Builds His Dream House)
Bratz (a ripoff if ever there was one)
Epic Movie (ripoff of every movie it rips off)
I Know Who Killed Me (ripoff of Hostel, Saw, and The Patty Duke Show)
Who’s Your Caddy? (7 percent, ripoff of Caddyshack)

Worst Prequel or Sequel:
Aliens vs. Predator: Requiem (16 percent)
Daddy Day Camp
Evan Almighty (24 percent)
Hannibal Rising, (15 percent)
Hostel: Part II (44 percent)

Worst Director:
Dennis Dugan, I Now Pronounce You Chuck & Larry
Roland Joffe, Captivity
Brian Robbins, Norbit
Fred Savage, Daddy Day Camp
Chris Sivertson, I Know Who Killed Me

Worst Screenplay:
Geoff Rodkey and David J. Stem & David N. Weiss, Daddy Day Camp

Jason Friedberg & Aaron Seltzer, Epic Movie
Jeffrey Hammond, I Know Who Killed Me
Barry Fanaro and Alexander Payne & Jim Taylor, I Now Pronounce You Chuck & Larry
Eddie Murphy & Charles Murphy, Jay Sherick & David Ronn, Norbit

Worst Excuse for a Horror Movie:
Aliens vs. Predator: Requiem
Captivity
Hannibal Rising

Hostel: Part II
I Know Who Killed Me

Source: Razzies

In what must be a first at the box office, an aerobics queen takes on killer zombies in a vicious battle for the silver medal during what no doubt will be another mammoth weekend for "Spider-Man 3."

Fox unleashes its horror sequel "28 Weeks Later," Universal counters with its femme-driven star vehicle "Georgia Rule," Lionsgate tosses in the comedy "Delta Farce," and MGM releases yet another laugher with "The Ex." Meanwhile, back in New York City, the webslinger will attempt to swing to a massive quarter-billion-dollar cume by the end of its second weekend.

As the second of ten sequels hitting theaters over the May-June corridor, "28 Weeks Later" is the follow-up to the cult hit zombie chiller "28 Days Later" which lit up theaters four years ago. Danny Boyle shifts from the director’s chair to the executive producer’s office as Juan Carlos Fresnadillo takes the helm. "Days" was very well-received which explains why a sequel was greenlit. In the new installment, the killer virus infects people once again as London tries to repopulate and madness ensues. The built-in audience will help the R-rated "Weeks" right out of the gate.

Its predecessor bowed to $10.1M from only 1,260 theaters for a potent $7,986 average on its way to a solid $45.1M final. Through video and cable, it found an even larger fan base and many will give "Weeks" a try. However working against it is of course competition from "Spider-Man 3" which has a hold on fans of comics and sci-fi. Plus 2007 has seen 1,001 horror films flood theaters causing recent fright fatigue. Casual fans of scary movies may pass on "Weeks" if they’re trying to stay away from blood and gore. Fox’s marketing has been clever and effective and the target audience is excited. Plus reviews have been very positive which will help a bit too since most horror films nowadays are either not screened for critics in advance or earn poor marks. Attacking over 2,000 theaters, "28 Weeks Later" might scare up around $13M this weekend.


"28 Weeks Later"

For those looking to avoid zombies and super heroes in their weekend entertainment, Universal offers the dramedy "Georgia Rule" starring Jane Fonda, Lindsay Lohan, and Felicity Huffman. The R-rated story tells of a teenage girl dumped at her grandmother’s house for the summer by her alcoholic mother which leads to the uncovering of family secrets. Just in time for Mother’s Day weekend, "Georgia" will play almost exclusively to women as men will have to be dragged against their will. However, moviegoers from a broad age group should turn out since the cast boasts stars of different generations. The one troublespot could be the rating though. Lohan arguably still has pull with teenage girls who may be left out because of the MPAA’s tag. But the film’s two uses of the F word are essential to the story as are the adult themes so the R was unavoidable.

"Georgia Rule" should play to the same audience that the studio saw for previous chick flicks like Diane Keaton‘s "Because I Said So" ($13.1M opening, $5,195 average), Meryl Streep‘s "Prime" ($6.2M, $3,405), and Debra Messing‘s "The Wedding Date" ($11.1M, $6,566). Reaching the $23.1M debut of Fonda’s last film "Monster-in-Law" is not likely however since it won’t crossover into other demographic groups like the J. Lo pic did. The weekend’s new releases will not provide too much competition which means that the universal appeal of the webslinger sequel will be the main enemy. Bad reviews will eat into sales from mature adults, but many from the "Desperate Housewives" crowd will still make a trip out to this chick flick. "Georgia Rule" enters 2,523 theaters on Friday and could walk away with about $13M.


"Georgia Rule"

Larry the Cable Guy stars in the new military comedy "Delta Farce" which also hits theaters on Friday. The PG-13 film from Lionsgate finds three hapless men being mistaken for Army recruits who are sent to Iraq but mistakenly dropped in Mexico. Not since "Best Defense" has a film of this type been such an unwelcome entry in the marketplace. Young males are the only group likely to show interest and with Spidey in only his second swing, few will find this new comedy worth paying top dollar for. Plus starpower is lacking and none of the cast members are known for anchoring box office hits. Larry’s self-titled film last spring bowed to just $6.9M and this one will probably slump even lower. Opening in about 1,800 locations, "Delta Farce" will probably shoot up around $4M.


"Delta Farce"

Zach Braff and Amanda Peet play a thirtysomething New York couple with a new baby in the new romantic comedy "The Ex" marketed by The Weinstein Company and distributed by MGM. In the PG-13 pic, the likable duo moves to Ohio where Braff’s character gets a job at her father’s ad agency where he butts heads with his wife’s former fling from high school. Jason Bateman, Charles Grodin, and Donal Logue co-star. "The Ex" will be targeting the date crowd and young women, but will have rough sailing. "Georgia Rule" will already be tapping into the female moviegoing base and Spidey is attracting his share of women and young adults too. The promotional push has not been too forceful either so the film may end up with just the die-hard "Scrubs" fans. Mixed reviews won’t help either. Also, Braff and Peet are not box office anchors who sell lots of tickets. Sure "Garden State" was an indie hit with $26.8M in 2004, but that was a word-of-mouth platform release that made its money over time and not a commercial Hollywood comedy. Debuting in 1,009 theaters, "The Ex" might gross roughly $3M this weekend.


"The Ex"

None of these new films will come close to defeating the mighty "Spider-Man 3" which will enjoy its second comfortable box office win in a row. But a steep fall is likely. The first webslinger flick opened at the beginning of May five years ago and dropped by only 38% on the second weekend which was phenomenal. But like most sequels, especialy third-parters, "Spider-Man 3" attracted so much of its total audience upfront that rapid erosion is assured. The previous record-holder for the biggest opening weekend, "Pirates of the Caribbean: Dead Man’s Chest," fell by 54% in its second adventure last July while its summer counterpart "X-Men: The Last Stand" tumbled by a troubling 67% in its sophomore frame. Of course that was coming off of a Memorial Day holiday opening so the decline was larger than normal.

"Spider-Man 3" has already been taking a hit during the week dropping to $10.3M on Monday and $8M on Tuesday. Those numbers come close to what "The Matrix Reloaded" took in on the same days after its colossal opening weekend in mid-May 2003. That sci-fi pic crashed 60% in its second weekend despite its sophomore frame being helped by a holiday. Luckily for the Sandman flick the competition this weekend will not be too menacing. "Spider-Man 3" could still fall by more than 55% to about $65M this weekend which would boost the domestic haul to a mammoth $247M in only ten days.

LAST YEAR: Tom Cruise topped the charts with "Mission Impossible: III" which dropped 48% in its second weekend to $25M. Opening in second place was the pricey disaster film "Poseidon" which debuted to $22.2M for Warner Bros. on its way to a disappointing $60.7M domestically. Worldwide, the Kurt Russell starrer grossed $182M. Robin Williams placed third with "RV" which eased by less than 10% to $10M in its third weekend. Lindsay Lohan stumbled into fourth with her new comedy "Just My Luck" which opened to a weak $5.7M on its way to $17.3M for Fox. Rounding out the top five was the horror flick "An American Haunting" with $3.6M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Academy Award winner Nicolas Cage ruled Oscar weekend with his skull-on-fire motorcycle actioner "Ghost Rider," which held steady at number one in North America for the second straight time. Moviegoers delivered different verdicts to the handful of new releases led by the Jim Carrey thriller "The Number 23," which fared best and debuted in second place. Overall, the top ten was about even with the corresponding weekends from the last two years.

Dropping 57% from its powerful opening weekend, "Ghost Rider" took in an estimated $19.7M over the weekend and pushed its ten-day tally to a sensational $78.7M. The big-budget Sony actioner adapted from the popular Marvel comic book series suffered a decline similar to that of 2003’s "Daredevil," which sank 55% in its second frame after an explosive bow over Presidents’ Day weekend. That super hero flick captured 68% of its domestic total in the first ten days. "Ghost Rider" is so far following the same path which means a final gross of $115-120M seems likely.

Comedy guru Jim Carrey took a stab at horror with his new psychological thriller "The Number 23" and saw moderate results with a $15.1M launch, according to estimates. Playing in 2,759 theaters, the R-rated film averaged $5,476 per location for New Line. Critics were brutal to the scary pic, but the opening fared better than those of most of Carrey’s previous non-comedies.

Disney’s "Bridge to Terabithia" dropped 40% in its sophomore adventure and pulled in an estimated $13.6M in ticket sales. The PG-rated fantasy has banked an impressive $46.2M in ten days and may be heading for around $75M overall.

Fox saw a not-so-arresting debut for its cop comedy "Reno 911!: Miami," which opened in fourth place with an estimated $10.4M. The R-rated feature adapted from the moderately successful Comedy Central series averaged a mild $3,849 from a wide release in 2,702 theaters. By comparison, openings for other recent R-rated comedies based on popular television properties include $26.5M for "Borat" and $29M for "Jackass: Number Two," both of which bowed at number one.

Eddie Murphy‘s comedy "Norbit" dropped 42% to an estimated $9.7M in its third weekend raising its total to $74.7M for Paramount. Warner Bros. followed with its own comedy "Music and Lyrics," which pulled in an estimated $8M in its sophomore weekend. Down a reasonable 41%, the Hugh GrantDrew Barrymore pic has taken in $32.1M in 12 days and could be headed for the $50M mark.

Universal’s "Breach" dipped 41% in its second weekend to an estimated $6.2M. With $20.5M in ten days, the FBI thriller in on course for a $35M total. The Tyler Perry comedy "Daddy’s Little Girls" lost half of its audience in the second weekend just like the director’s last two February comedies. The Lionsgate release grossed an estimated $5.3M, down 53%, and has taken in $25.6M. Both "Diary of a Mad Black Woman" and "Madea’s Family Reunion" made about 75% of their total grosses in the first ten days so a $35M final for Girls seems likely.

A pair of new releases rounded out the top ten. Warner Bros. saw a dismal opening for its Billy Bob Thornton drama "The Astronaut Farmer," which grossed an estimated $4.5M from 2,155 locations. Averaging a poor $2,093 per theater, the PG-rated film earned mixed reviews from critics.

Goldwyn’s historical slave trade drama "Amazing Grace" enjoyed a solid bow with an estimated $4.3M from only 791 sites for a respectable $5,442 average matching "Ghost Rider’s" per-theater average to the dollar. Reviews were mostly favorable.

Four films dropped out of the top ten over the weekend. The runaway smash "Night at the Museum" collected an estimated $2.2M in its tenth weekend and upped its total to $241.7M putting it at number 44 on the list of all-time domestic blockbusters ahead of "My Big Fat Greek Wedding," which made $241.4M in 2002. "Museum" fell 41% this weekend and should go on to reach around $246M domestically and over $500M worldwide.

Universal’s Diane Keaton comedy "Because I Said So" grossed an estimated $2.9M, down 44%, putting its cume at a decent $38.4M. A final gross of $43-45M seems likely. Sony’s thriller "The Messengers" grossed an estimated $1.6M, tumbling 58%, for a $33.4M cume. The $16M production should conclude with a healthy $35M. MGM’s "Hannibal Rising" has grossed about $26M to date and should end its run with only $30M.

The top ten films grossed an estimated $96.7M which was up 1% from last year when "Madea’s Family Reunion" opened at number one with $30M; but off 2% from 2005 when "Diary of a Mad Black Woman" debuted on top with $21.9M.

Source: Gitesh Pandya, www.BoxOfficeGuru.com

Hollywood studios opened five new wide releases targeting different audiences and were rewarded with a record-breaking Presidents’ Day holiday weekend tally as moviegoers opened their wallets and spread their cash across a variety of films. The comic book actioner "Ghost Rider" led the way with an explosive debut while the family drama "Bridge to Terabithia" was a solid performer in the runnerup spot.

The quintet of freshman films pumped in more than $100M of new business over the Friday-to-Sunday portion of the long weekend as the top ten soared to the highest gross in box office history during the January-to-April span.

Nicolas Cage led the bustling box office and set a new career high in the process with "Ghost Rider" which opened at number one grossing an estimated $44.5M over three days doubling the performance of its nearest competitor. Averaging a scorching $12,296 from an ultrawide release in 3,619 locations, the Sony smash based on the popular Marvel Comics character outgunned the $35.1M bow of "National Treasure," Cage’s previous best opening. The studio reported a preliminary four-day estimate for "Ghost Rider" of $51M over the extended Friday-to-Monday holiday span.

The PG-13 film performed much like director Mark Steven Johnson‘s last film, 2003’s "Daredevil," which was also based on a Marvel Comics character and launched over the same holiday frame. That Ben Affleck vehicle bowed to $40.3M over three days and $45M over four days which at today’s ticket prices would be almost identical to the "Ghost" numbers. Cage’s new motorcycle actioner will also set a new opening weekend record for the Washington-Lincoln holiday session beating the $45.1M four-day launch of the studio’s own "50 First Dates" from 2004.

Fanboys as expected powered "Ghost Rider" to its stellar grosses. Sony research indicated that an exceptionally high 62% of the turnout was male while 55% was under the age of 25. The effects-driven pic accounted for one-third of all ticket sales within the top ten and posted the largest opening of any film over the last six months.

Finishing the weekend in second place was Disney’s "Bridge to Terabithia" which collected an estimated $22.1M worth of ticket stubs over the Friday-to-Sunday period. The PG-rated fantasy about two seventh graders who imagine a magical wonderland to escape to averaged a sturdy $7,032 from 3,139 theaters. Earning strong reviews from critics, "Bridge" was adapted from the popular novel and played to younger children and their parents.

Last weekend’s number one flick "Norbit" fell 51% in its second weekend which considering all the new competition was a decent hold for the Eddie Murphy comedy. The Paramount release collected an estimated $16.8M over three days and lifted its ten-day cume to a solid $58.9M. The studio also reported a preliminary four-day estimate of $20.6M which would send the 11-day cume to $62.7M. "Norbit" marked the best ten-day start for a Murphy live-action picture since 2000’s summer hit "Nutty Professor II: The Klumps" which took in $76.7M by the end of its second weekend on its way to $123.3M.

Opening in fourth place with an estimated $14M was the Hugh GrantDrew Barrymore romantic comedy "Music and Lyrics." The Warner Bros. release about a washed up 80s singer who falls for a plant waterer averaged a respectable $4,738 from 2,955 locations and took in $19.5M since debuting on Wednesday for Valentine’s Day. Reviews were mixed for the PG-13 film and the three-day gross was similar to the opening of Grant’s 2002 hit "Two Weeks Notice" ($14.3M) and a bit better than Barrymore’s "Fever Pitch" which bowed to $12.4M two years ago. In its second weekend in the U.K., "Music" slipped only 17% and has grossed $10.5M in that market thus far and $14.2M overall internationally.

Lionsgate followed in fifth with another date film that bowed on the love holiday, Tyler Perry‘s "Daddy’s Little Girls." The PG-13 pic grossed an estimated $12.1M from 2,111 theaters for a solid $5,732 average over three days. Since launching on Wednesday, the tale of an attorney who couples up with a single working class father has taken in $17.8M. The opening was a far cry from the debuts of the filmmaker’s recent comedy hits. Last February, "Madea’s Family Reunion" opened to $30M on its way to $63.3M while the previous year, "Diary of a Mad Black Woman" opened to $21.9M before finishing with $50.4M. Both films were released by Lionsgate on the last weekend of February and starred Perry as the outrageous Madea character. "Girls" may have generated less audience interest without Perry on screen.

Older adults lined up for the FBI thriller "Breach" which debuted better than expected with an estimated $10.4M from only 1,489 sites. The PG-13 film which stars Ryan Phillippe and Chris Cooper averaged a strong $6,965 per theater and earned good reviews. According to studio research from Universal, half of the audience was over the age of 50 and 52% of the crowd was female. The studio also reported a preliminary four-day estimate of $12.1M and $8,155 average.

"Hannibal Rising" sank to seventh place in its second weekend tumbling 58% to an estimated $5.5M. With $22.2M in ten days, look for the MGM release to reach about $30M. Universal’s comedy "Because I Said So" followed with an estimated $5M, off 46%, for a $33.2M cume.

Sony’s former number one "The Messengers" dropped 47% and scared up an estimated $3.8M giving the thriller a total of $30.5M. Fox’s Ben Stiller action-comedy "Night at the Museum" grossed an estimated $3.7M, down 36%, and lifted its tally to $237.3M becoming the first film to spend nine straight weekends in the top ten since last winter’s "The Chronicles of Narnia." "Night" also climbed up to number 46 on the list of all-time domestic blockbusters sandwiching itself between a pair of action-comedy hits from 1984 – "Ghostbusters" ($238.6M) and "Beverly Hills Cop" ($234.8M). Of course, ticket prices were much lower two decades ago so "Night" has sold fewer tickets.

The top ten films grossed an estimated $137.8M over three days which was up a stunning 30% from last year when "Eight Below" opened at number one with $20.2M; and up a healthy 26% from 2005 when "Hitch" remained on top with $31.4M in its sophomore session.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Eddie Murphy scored the 14th number one hit of his career this weekend by playing three eccentric characters in the new comedy "Norbit," which generated the largest opening of any film this year by far.

Debuting far back in second place with less than half the ticket sales was the revenge thriller "Hannibal Rising." With the Academy Awards just two weeks away, many moviegoers caught up on the major nominees which all displayed fantastic holds. The explosive "Norbit" bow, however, was not enough to keep the box office from dipping below year-ago levels for the sixth consecutive weekend.

Returning to the type of crude comedy that launched his career over a quarter-century ago, Eddie Murphy proved once again how strong of a box office draw he still is with "Norbit" which opened in the top spot with a very strong $33.7M, according to estimates. The PG-13 film, which was written by the comedian and his older brother Charlie Murphy, averaged a sizzling $10,759 from 3,136 theaters. Eddie Murphy also saw his Oscar-nominated turn in "Dreamgirls" sit in the top ten at the number nine spot. Both films were produced by DreamWorks and distributed by its new owner Paramount.

"Norbit," which finds the former "Saturday Night Live" star playing a skinny timid man as well as his outrageous and overweight wife, gave Murphy his biggest opening for a live-action film since 2000’s "Nutty Professor II: The Klumps" which bowed to $42.5M in July of that year. That comedy also found the star putting on latex fat suits to play other characters. For DreamWorks, "Norbit" represented the studio’s third biggest live action opening ever and second largest for a non-sequel following the $34.8M of 2000’s "Gladiator."

Critics trashed "Norbit," but then again the target audience for this kind of comedy would never care about reviews anyway. The Murphy brand name plus effective marketing sold this movie and a broad audience turned out. Plus the actor has not been seen in these kinds of comedies in many years prompting a healthy appetite from fans. African Americans and Latinos were especially responsible for the stellar business. Budgeted in the vicinity of $65M, the battered husband pic should utilize the upcoming Valentine’s Day and Presidents’ Day holidays to help keep the tickets selling. That would allow "Norbit" to join "Dreamgirls" as the 12th and 13th $100M blockbusters of Eddie Murphy’s career with this May’s "Shrek the Third" set to become number fourteen after its first few days of release.

The return of screen villain Hannibal Lecter was not met with as much enthusiam. The prequel story "Hannibal Rising" debuted in second place with an estimated $13.4M from 3,003 theaters. Averaging a decent $4,446 per venue, the R-rated thriller about Lecter’s younger years and the revenge he sought upon those who killed his sister was marketed by The Weinstein Co. and distributed by MGM. The gross was less than half the $36.5M bow of the last film in the series, 2002’s "Red Dragon" which starred Anthony Hopkins in his final turn as the famed cannibal. "Hannibal Rising" may have opened on the exact same day of the year as 2001’s blockbuster "Hannibal," but the grosses could not have been more different. That Hopkins starrer shattered the February opening weekend record with a summer-like $58M launch. Reviews were mostly negative for the new installment.

Despite atrocious reviews, Diane Keaton‘s mother-daughter comedy "Because I Said So" held up very well in its second weekend slipping only 31% to an estimated $9M. That gave the Universal release a decent $25.6M in ten days and could put the film on track to reach about $50M. Fellow sophomore "The Messengers" dropped from first to fourth place in its second scare grossing an estimated $7.2M. Falling a steep 51%, the $16M thriller has banked $24.7M in ten days and should conclude in the neighborhood of $35M.

Ben Stiller‘s "Night at the Museum" enjoyed its eighth consecutive weekend in the top five and grossed an estimated $5.8M slipping a mere 10%. Despite the new star-driven comedy on the block, audiences still made time for the adventure pic which this weekend joined the list of the top 50 domestic blockbusters of all-time. "Museum" saw its cume rise to $232.1M putting it at number 50 just behind the $233.6M of another Fox holiday blockbuster, 2000’s "Cast Away."

Fox’s spoof comedy "Epic Movie" dropped 47% to an estimated $4.5M and bumped its cume up to $35.5M. Universal’s crime thriller "Smokin’ Aces" ranked seventh with an estimated $3.8M, down 38%, for a $30.9M total.

A trio of Oscar contenders rounded out the top ten. "Pan’s Labyrinth," the fairy tale for adults, continued showing superb legs and dipped just 4% to an estimated $3.5M. With $26.6M in sales thus far, the Picturehouse release has more than doubled its gross since earning six Academy Award nominations and is still expanding into more markets as solid word-of-mouth spreads.

Eddie Murphy’s second film in the top ten was "Dreamgirls" which slipped 23% to an estimated $3.1M. Paramount has collected $97.1M to date and is a week away from joining the century club. American subjects were still flocking to "The Queen" which eased only 5% to an estimated $2.5M lifting the cume to a stellar $49M.

A pair of Sony hits fell out of the top ten over the weekend. The Will Smith blockbuster "The Pursuit of Happyness" grossed an estimated $2.4M, down only 19%, and pushed its sum to $160.5M. The homelessness drama is Smith’s sixth consecutive $100M+ hit and tenth career blockbuster overall. His last six smashes together have grossed nearly $2 billion worldwide. "Pursuit," which earned its star an Oscar nod for best actor, could end its domestic run with close to $170M.

Sony’s $14M step dancing drama "Stomp the Yard" also took in an estimated $2.4M this weekend and boosted its incredible tally to $59.1M. Off 41%, a $65M final seems likely.

The top ten films grossed an estimated $86.5M which was off 12% from last year when "The Pink Panther" opened at number one with $20.2M; and down 12% from 2005 as well when "Hitch" debuted on top with $43.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Moviegoers get to choose between a master comic taking on three roles or a diabolical screen villain in his early years when they walk into their local multiplex this weekend.

Eddie Murphy stars in the outrageous comedy "Norbit" which is looking to rule the frame by pulling in teens while the dark thriller "Hannibal Rising" will play to an older adult audience interested in gruesome brutality. There should be little overlap between the audiences of the two films so each will have room to breathe and reach its potential. With the Super Bowl now history, Hollywood is looking for the marketplace to bounce back and score its biggest opening yet this year.

Movie fans adore films about loveable losers and the latest to add its name to the hit list is "Norbit." The PG-13 film stars Eddie Murphy as both a shy nerdy man and his vivacious wife who is large and in charge. The comic legend also plays a Chinese man who raised the title character when he was a child. Acting jobs were actually given to others too including Thandie Newton, Eddie Griffin, and Cuba Gooding Jr. The Paramount release seamlessly integrates the two Murphys on screen and the crude envelope-pushing humor will guarantee that every 15-year-old shows up on opening weekend. The marketing push has been solid too. "Night at the Museum"’s stellar box office run is proof of the hunger for big star-driven comedies and "Norbit" is finally the next biggie that will generate some major cash.

Timing for "Norbit" is pitch perfect. Murphy’s Golden Globe win and Oscar nomination for "Dreamgirls" has given him plenty of heat and media exposure over the last several weeks. With Valentine’s Day right around the corner, the date crowd certainly could be looking for something fun to go out and see this weekend. Plus, Black History Month adds an extra spotlight to African American stars and the former Axel Foley is among the most reliable draws of any black actor working today with immensely broad appeal. And the box office needs a big hit to kick things in gear as for three consecutive weekends, no film has managed to sell at least $20M worth of tickets.

Murphy has spent much of the last decade doing family-friendly films and hasn’t had an all-out comedy smash since 2000’s "Nutty Professor II: The Klumps" which opened in July of that year to $42.5M on its way to $123.3M. Fans turned out in droves to see the funnyman put on fat suits and play multiple characters that were rude and crude and led the sequel to a gross that nearly matched the original’s $128.8M from the summer of 1996. After all these years, moviegoers will certainly want another helping. Crashing into around 3,000 theaters, "Norbit" might see itself grossing $31M this weekend.


Eddie Murphy and, uh, Eddie Murphy in "Norbit."

Now that movie buffs know the whole story of Darth Vader’s teen years, another popular screen villain gets his puberty tale told in "Hannibal Rising." The R-rated revenge flick tells the story of a young Mr. Lecter who seeks vengeance on those who killed his young sister. Along the way, we see how his love of eating flesh and human butchery came about. MGM and The Weinstein Company are hoping to lure in fans of the previous installments of the saga. Certainly 2001’s "Hannibal" and 2002’s "Red Dragon" proved that money could still be made despite the losses of director Jonathan Demme and actress Jodie Foster, both of whom won Oscars for 1991’s "Silence of the Lambs." Now, the real test for the franchise will come as Anthony Hopkins is no longer in the cast. However, part of his image is used in a clever way in the television spots that could fool some folks.

Many of the adult fans of the first films will definitely take a pass on "Hannibal Rising" since leads Gaspard Ulliel and Gong Li just don’t sell tickets. But curiosity and the brand name will attract some in the first week, especially those who crave brutality and a little cannibalism in their weekend fun. Long-term prospects look weak. The new chapter is not likely to approach the $36.5M opening of "Red Dragon" and will only see a fraction of the $58M bow of "Hannibal" which shattered the February opening weekend record six years ago when it opened on the exact same day. Bad reviews will not help much either. While its three predecessors all debuted in the top spot, this latest tale should find itself eating into the runnerup spot. "Hannibal Rising" opens in about 2,900 theaters on Friday and could gross roughly $15M for the weekend.


Gaspard Ulliel in "Hannibal Rising."

Last weekend, the spooky thriller "The Messengers" beat out the Diane Keaton comedy "Because I Said So" for the top spot, but the chick flick has been winning the weekdays ranking first on Monday and Tuesday. The Sony horror flick should see the steeper drop especially with Eddie stealing the teen vote and fall 55% to about $7M for a ten-day total of $24M. "Said So" may decline by 45% and rake in a similar $7M for a cume of $23M after ten days for Universal.

LAST YEAR: New releases flooded into the marketplace swiping the top four spots for the frame. Leading the way was the much-delayed Steve Martin comedy remake "The Pink Panther" which bowed to $20.2M on its way to $82.2M for Sony. Close behind was the horror sequel "Final Destination 3" with $19.2M leading to a $54.1M final for New Line. Bowing in third was the animated kidpic "Curious George" with $14.7M while Harrison Ford slumped into fourth with his action pic "Firewall" which opened to $13.6M. Final grosses reached $58.4M for the Universal toon and $48.8M for the techno thriller from Warner Bros. The fright flick "When a Stranger Calls" dropped 58% from first to fifth and collected $9.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

With the Super Bowl taking males out of the picture, mothers and daughters squared off at the North American box office this weekend with the younger set earning a slim victory. The spooky thriller "The Messengers" opened at number one driven by teenage girls and young women while the Diane Keaton comedy "Because I Said So" bowed close behind in the runnerup position drawing upon older women.

The overall box office picture was bleak as the top ten slumped below the $70M mark for the second time in three weekends.

Sony scored its seventh consecutive victory over Super Bowl weekend with the haunted house spookfest "The Messengers," which grossed an estimated $14.5M in its debut frame. The PG-13 pic averaged a solid $5,736 from 2,528 locations but was weaker than the studio’s previous three hits that ruled this particular weekend. Last year, the horror pic "When a Stranger Calls" topped the charts with a $21.6M opening and $7,205 average, in 2005 "Boogeyman" led with a $19M bow and $6,232 average, and in 2004 "You Got Served" hit number one with $16.1M and a $8,341 average. "Messengers" did however post the best opening for a horror film since October’s "Saw III." A long string of terror flops were tossed into the marketplace in between with disappointing results.

Budgeted at only $16M, "The Messengers" skewed to a young female audience. According to studio research, 53% of the crowd was female and an equal percentage was under the age of 21. The studio is already planning for next year’s Super Bowl frame when it will release the horror remake "Prom Night," which will again cater to the same crowd. Teenage girls and young women historically have been the group least interested in football’s big championship game making them an attractive audience to target on this weekend. Creepy PG-13 films with strong female characters coupled with saavy marketing have led to many number one hits for Sony and its Screen Gems unit. But with the grosses getting smaller, movie fans could be telling Hollywood that it is dipping into this well too often.

Opening in second place with respectable results was "Because I Said So" with an estimated $13M from 2,526 theaters. Averaging $5,155 per location, the PG-13 film stars Diane Keaton as a meddlesome mother trying to find love for her unmarried daughter played by Mandy Moore. Men showed practically zero interest in the Universal release. Studio research showed that a whopping 82% of the audience was female. The film also played more to Keaton fans than to the Moore crowd as 55% of the turnout was 35 or older. 83% was Caucasian. Critics trashed "Because" and "Messengers" may have eaten into its potential with younger women.

Last weekend’s number one film "Epic Movie" dropped a sizable 56% in its second weekend and ranked third with an estimated $8.2M. With $29.4M in ten days, the spoof comedy looks on course to finish with $40-44M making it a bit smaller than Fox’s spoof from last February "Date Movie." That spin on romantic comedies grossed a somewhat stronger $33.8M in its first ten days, had a slightly lower 53% sophomore drop, and found its way to $48.5M.

Fox’s runaway smash "Night at the Museum" slipped only 29% and placed fourth with an estimated $6.8M pushing its tally to $225.4M. The durable Ben Stiller blockbuster became the first film to spend seven weekends in the top five since 2004’s "The Passion of the Christ."

Universal’s mob thriller "Smokin’ Aces" dropped 57% to an estimated $6.3M in its second weekend and put its cume at $25M after ten days. The step dancing hit "Stomp the Yard" followed with an estimated $4.2M, off 45%, for a total of $56M. The Oscar-nominated musical "Dreamgirls" saw the worst decline of its run dropping 40% to an estimated $4M. Cume stands at $92.8M.

Picturehouse added 259 theaters to the run of the fantasy pic "Pan’s Labyrinth" and stayed put at number eight with an estimated $3.7M. With six Academy Award nominations, the R-rated film upped its cume to $21.7M while its average of $3,383 was the third best in the top ten. Will Smith‘s tenth career $100M blockbuster "The Pursuit of Happyness" took in an estimated $3.1M, down 38%, for a $157.4M total to date.

Tied for tenth place with an estimated $2.7M in ticket sales each were the Helen Mirren Oscar nominated pic "The Queen" and the Jennifer Garner dramedy "Catch and Release." The Miramax contender for Best Picture slipped 33% raising its cume to $45.5M while the Sony flick tumbled 65% in its second weekend thanks to its female audience shifting over to the frame’s two new releases. The ten-day total stands at a weak $12M.

The horror remake "The Hitcher" also saw sales nosedive and dropped out of the top ten. The Focus release slumped 68% to an estimated $1.2M giving the R-rated scarefest only $15.6M overall. A final gross of $17M seems likely.

MGM and The Weinstein Co. saw a solid start for its indie drama "Factory Girl," starring media darling Sienna Miller grossing an estimated $95,000 from only three theaters for a stellar $31,764 average per site. Bowing in just New York and Los Angeles, the R-rated film tells of the rise of Edie Sedgwick and her mentor Andy Warhol. Reviews were mostly negative.

The top ten films grossed an estimated $66.5M which was off 13% from last year when "When A Stranger Calls" opened at number one with $21.6M; and down 19% from 2005 when "Boogeyman" debuted on top with $19M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

As the Chicago Bears and the Indianapolis Colts get ready to rumble at the Super Bowl on Sunday, Hollywood goes into counterprogramming mode and targets female moviegoers with a pair of new releases.

Those looking for big names will get to laugh with the new comedy "Because I Said So" while those in the mood for a scare get the haunted house flick "The Messengers." Overall, it should be a low scoring game at North American multiplexes this weekend.

Diane Keaton leaves behind the men and anchors her own comedy in "Because I Said So" playing an overbearing mother trying to find the right man for her youngest daughter. Directed by Michael Lehmann ("Heathers," "40 Days and 40 Nights"), the PG-13 film boasts some added girlpower in the cast with Mandy Moore, Piper Perabo, and Lauren Graham playing the daughters. The Universal release will undoubtedly skew heavily female and heavily Caucasian, but the acting ensemble could lead to a broad age range with mature women drawn in by Keaton’s motherly problems and young women connecting with the sisters. Aside from Mother’s Day weekend, the Super Bowl frame could indeed be the best time to launch a film like this as male interest will be low.

In a world where Meryl Streep can open "The Devil Wears Prada" to $27.5M, Jane Fonda can drive "Monster-in-Law" to a $23.1M debut, and Helen Mirren keeps bringing in audiences month after month with "The Queen," there certainly is box office gold with Hollywood’s elder stateswomen. Whether Keaton can join the ranks with this particular vehicle might be a different story. The studio has been pushing "Because" with great energy, but poor reviews could prompt many to just wait for the DVD. Starpower should help drive women of different ages to the box office and away from football and in a weak marketplace, that may be enough to reach the top spot. Opening in 2,526 theaters, "Because I Said So" might debut with around $14M.


Diane Keaton in "Because I Said So."

Also opening on Friday is "The Messengers," the fourth horror film in as many weeks to hit multiplexes. The PG-13 film directed by the Hong Kong-born Pang brothers tells the story of a family that moves into a run-down old house only to find creepy forces at play. Audiences have rejected every fright flick Hollywood has offered since October and "The Messengers" does not seem to bring anything new and exciting to the table to change things. Teens and young adults seem to be the core audience and with the big game in Miami commanding a lot of attention from the boys, Sony is hoping that teenage girls will be up for a scare. Marketing has been textbook and identical to every other horror pic. The starpower battle will be lost against "Because" so this flick will have to cater to those young ladies who do not want to be reminded of how meddlesome mothers can be. "The Messengers" opens in 2,528 theaters and could scare up around $12M for the weekend.


Kristen Stewart gets a message in "The Messengers."

Among holdovers, the spoof comedy "Epic Movie" may have won last weekend’s box office derby beating fellow freshman "Smokin’ Aces," but the R-rated action pic has taken over at number one each day during the mid-week period as "Epic" fans have gone back to class. The Fox comedy should see the larger drop as word-of-mouth will be nonexistent given its pathetic 3% score on RottenTomatoes.com which makes it the odds-on favorite so far for next year’s Razzie Awards. A 50% fall would leave "Epic Movie" with about $9M and a ten-day cume of $30M.

"Smokin’ Aces" has held up better during the week and newcomers won’t threaten its audience of young men that much. A 45% drop would give the Universal release around $8M for the weekend and a total of $27M after ten days.

The blockbuster "Night at the Museum" will enjoy yet another weekend when no kid movies enter the marketplace. That should lead to a small drop, possibly 25%, giving the Ben Stiller pic roughly $7M for the frame pushing the cume to an amazing $225M.

LAST YEAR: Thrills ruled the box office as the scary pic "When a Stranger Calls" opened at number one with a strong $21.6M to easily lead the frame. Sony found its way to $47.9M. Fox’s "Big Momma’s House 2" dropped a notch to second with $13.6M in its second weekend while the kidpic "Nanny McPhee" finished in third with $9.8M. "Brokeback Mountain" climbed to the highest position of its entire run coming in fourth place with $6M. Rounding out the top five was the animated hit "Hoodwinked" with $5.3M. Focus opened its new cross-cultural romantic comedy "Something New" in seventh place with a mild $4.9M on its way to only $11.5M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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