Mac And Me

(Photo by Orion/courtesy Everett Collection. Thumbnail: Vertical Entertainment, TriStar Pictures/courtesy Everett Collection)

100 Worst Movies of All Time

It’s bad movies galore as we encounter the Rottenest of the Rotten: 100 movies that scored less than 5% with the critics on the Tomatometer!

You’re going to see lots of 0% movies, and there’s even more out there, but the ones on this list all have at least 20 reviews. We wanted to make sure the movies we’re “vouching” for as the worst ever have inflicted a minimum threshold of agony on critics. And the 20-review entry applies for every other movie on this list, and that includes the usual suspects of garbage cinema, like the deep space train wreck Battlefield Earth, the box office turkey (turtle?) The Master of Disguise, Netflix’s lazy western The Ridiculous 6, and flaccid softcore Killing Me Softly (which also makes a dubious appearance in the 200 best and worst erotic movies).

You may also note a number of significant stinkers are from the past 20 years. It’s not just because Uwe Boll was employed during this time period. And, by the way, he’s actually beat by dubious directing duo Aaron Seltzer and Jason Friedberg, who have four movies on the list. Instead, it’s the fact more reviews are being written and collected than ever before, so today’s disasters have a better chance of vaunting over 20 reviews. (And for movies that share the same score, more reviews means you’re placed higher within the ranking.)

But fret not: Plenty of yesteryear’s bombs are here. After all, the decade that produced Mac & Me has a lot to account for. Some of the classic trash featured includes the soul-sucking Mortal Kombat: AnnihilationSpeed 2: Cruise Control (see what happens when you throw Keanu overboard?), off-the-deep-end Jaws: The Revenge, and prime directive-violating RoboCop 3.

What you won’t see: Some legendary bad movies like CatsBirdemic, and The Room, all of which have cleared at least a 10% Tomatometer. That’s right, they were too good. And Miami Connection and Plan 9 From Outer Space are actually Fresh!

Now that we set the mood for truly bad movies, start the most painful watchlist you’ll ever make with the 100 worst movies of all time!

#100

Mac and Me (1988)
4%

#100
Adjusted Score: 4417%
Critics Consensus: Mac and Me is duly infamous: not only is it a pale imitation of E.T., it's also a thinly-veiled feature length commercial for McDonalds and Coca-Cola.
Synopsis: A young extraterrestrial, separated from its family and stranded on Earth, finds friendship with a boy in a wheelchair.... [More]
Directed By: Stewart Raffill

#99
Adjusted Score: 4331%
Critics Consensus: Featuring mostly wooden performances, laughable dialogue, and shoddy production values, In the Name of the King fulfills all expectations of an Uwe Boll film.
Synopsis: As war looms in an idyllic kingdom, a man named Farmer (Jason Statham) begins a heroic quest to find his... [More]
Directed By: Uwe Boll

#98

Material Girls (2006)
4%

#98
Adjusted Score: 4572%
Critics Consensus: Plagued by paper-thin characterizations and a hackneyed script, Material Girls fails to live up to even the minimum standards of its genre.
Synopsis: Two sibling cosmetics heiresses (Hilary Duff, Haylie Duff) must grow up quickly when a company scandal leaves them penniless. Though... [More]
Directed By: Martha Coolidge

#97

BloodRayne (2005)
4%

#97
Adjusted Score: 4413%
Critics Consensus: BloodRayne is an absurd sword-and-sorcery vid-game adaptation from schlock-maestro Uwe Boll, featuring a distinguished (and slumming) cast.
Synopsis: In 18th-century Romania, after spending much of her life in a traveling circus, human-vampire hybrid Rayne (Kristanna Loken) escapes and... [More]
Directed By: Uwe Boll

#96
#96
Adjusted Score: 4589%
Critics Consensus: A Little Bit of Heaven subjects viewers to a whole bunch of schmaltz - and strands Kate Hudson and Gael García Bernal in a fatally misguided film.
Synopsis: New Orleans ad executive Marley Corbett (Kate Hudson) is a free-spirited woman who embraces her easy sexuality, shuns commitment, and... [More]
Directed By: Nicole Kassell

#95

Darkness (2002)
4%

#95
Adjusted Score: 4274%
Critics Consensus: Yet another predictable variation on the hoary old haunted-house movie, Darkness is an illogical, portentous mess.
Synopsis: Paul (Stephan Enquist) and his older sister, Regina (Anna Paquin), unpack and settle into their new country home with their... [More]
Directed By: Jaume Balagueró

#94

Zoom (2006)
4%

#94
Adjusted Score: 6239%
Critics Consensus: Lacking the punch and good cheer of The Incredibles and Sky High, Zoom is a dull and laugh-free affair.
Synopsis: Capt. Zoom, or Jack (Tim Allen), as he is now known, has long since given up his career of fighting... [More]
Directed By: Peter Hewitt

#93

The Fog (2005)
4%

#93
Adjusted Score: 6127%
Critics Consensus: The Fog is a so-so remake of a so-so movie, lacking scares, suspense or originality.
Synopsis: The prosperous town of Antonio Bay, Ore., is born in blood, as the town's founders get their money by murdering... [More]
Directed By: Rupert Wainwright

#92
#92
Adjusted Score: 6495%
Critics Consensus: Speed 2 falls far short of its predecessor, thanks to laughable dialogue, thin characterization, unsurprisingly familiar plot devices, and action sequences that fail to generate any excitement.
Synopsis: Annie (Sandra Bullock) is looking forward to a Caribbean cruise with her cop boyfriend, Alex (Jason Patric), who purchased the... [More]
Directed By: Jan de Bont

#91

The Covenant (2006)
4%

#91
Adjusted Score: 6573%
Critics Consensus: The Covenant plays out like a teen soap opera, full of pretty faces, wooden acting, laughable dialogue, and little suspense.
Synopsis: In the 17th century, five families with supernatural powers make a pact of silence. Eventually one power-hungry family is banished.... [More]
Directed By: Renny Harlin

#90

Flatliners (2017)
4%

#90
Adjusted Score: 8046%
Critics Consensus: Flatliners falls flat as a horror movie and fails to improve upon its source material, rendering this reboot dead on arrival.
Synopsis: Five medical students embark on a daring and dangerous experiment to gain insight into the mystery of what lies beyond... [More]
Directed By: Niels Arden Oplev

#89
#89
Adjusted Score: 5830%
Critics Consensus: Happily N'Ever After has none of the moxy, edge, or postmodern wit of the other fairy-tales-gone-haywire CG movie it so blatantly rips off.
Synopsis: Fairy Tale Land becomes a realm of happy endings gone wrong when Cinderella's wicked stepmother, Frieda (Sigourney Weaver), joins forces... [More]
Directed By: Paul J. Bolger

#88
#88
Adjusted Score: 6019%
Critics Consensus: Code Name: The Cleaner is a limp action/comedy flick that alternates between lame, worn-out jokes and cheesy martial arts.
Synopsis: When Jake (Cedric the Entertainer) awakes one morning in a strange hotel room, he finds himself in a bit of... [More]
Directed By: Les Mayfield

#87

Movie 43 (2013)
4%

#87
Adjusted Score: 6985%
Critics Consensus: A star-studded turkey, Movie 43 is loaded with gleefully offensive and often scatological gags, but it's largely bereft of laughs.
Synopsis: Twelve directors, including Peter Farrelly, Griffin Dunne and Brett Ratner, contributed to this collection of outrageous spoofs and stories. A... [More]

#86
Adjusted Score: 6375%
Critics Consensus: The Adventures of Pluto Nash is neither adventurous nor funny, and Eddie Murphy is on autopilot in this notorious box office bomb.
Synopsis: "Pluto Nash" is an action comedy set on the moon in the year 2087, starring Eddie Murphy as the title... [More]
Directed By: Ron Underwood

#85

Vampires Suck (2010)
4%

#85
Adjusted Score: 6863%
Critics Consensus: Witlessly broad and utterly devoid of laughs, Vampires Suck represents a slight step forward for the Friedberg-Seltzer team.
Synopsis: Becca (Jenn Proske), an angst-ridden teenager, is torn between two supernatural suitors: vampire Edward (Matt Lanter) and werewolf Jacob (Chris... [More]

#84
#84
Adjusted Score: 7282%
Critics Consensus: Witless, unfocused, and arguably misogynistic, Playing for Keeps is a dispiriting, lowest-common-denominator Hollywood rom-com.
Synopsis: Long past his soccer-playing heyday, George Dryer (Gerard Butler) is struggling financially and failing in his attempt to reconcile with... [More]
Directed By: Gabriele Muccino

#83

Serving Sara (2002)
4%

#83
Adjusted Score: 7285%
Critics Consensus: A romantic comedy that's neither funny nor particularly romantic, Serving Sara is a forgettable time waster.
Synopsis: When Sara (Elizabeth Hurley) is served divorce papers while she is in New York, she is stunned. Not about to... [More]
Directed By: Reginald Hudlin

#82
#82
Adjusted Score: 7959%
Critics Consensus: A strained, laugh-free sequel, The Whole Ten Yards recycles its predecessor's cast and plot but not its wit or reason for being.
Synopsis: After faking his death, former killer-for-hire Jimmy "The Tulip" Tudeski (Bruce Willis) retires to Mexico with his new wife, Jill... [More]
Directed By: Howard Deutch

#81

Godsend (2004)
4%

#81
Adjusted Score: 8746%
Critics Consensus: A murky thriller with few chills, Godsend features ludicrous dialogue, by-the-numbers plotting, and an excess of cheap shocks.
Synopsis: After Paul Duncan (Greg Kinnear) and his wife, Jessie (Rebecca Romijn-Stamos), lose their young son, Adam (Cameron Bright), in an... [More]
Directed By: Nick Hamm

#80
#80
Adjusted Score: 9608%
Critics Consensus: Overly reliant on caricatures and lacking any human insight, Because I Said So is an unfunny, cliche-ridden mess.
Synopsis: Daphne Wilder (Diane Keaton) is the proud mother of three women: Milly (Mandy Moore), Maggie (Lauren Graham) and Mae (Piper... [More]
Directed By: Michael Lehmann

#79

McHale's Navy (1997)
3%

#79
Adjusted Score: 4169%
Critics Consensus: About as funny as a keelhauling, McHale's Navy will leave most viewers feeling they've been the victim of a particularly dishonorable discharge.
Synopsis: Shopkeeper McHale (Tom Arnold) is called back to captain the PT-73 and save a Caribbean island from annihilation.... [More]
Directed By: Bryan Spicer

#78

Arsenal (2017)
3%

#78
Adjusted Score: 4355%
Critics Consensus: Aside from an opportunity to watch a mustachioed Nicolas Cage acting from under a wig and behind a prosthetic nose, Arsenal has depressingly little to offer.
Synopsis: The Lindel brothers, Mikey and JP, only had each other to rely on growing up. As adults, JP finds success... [More]
Directed By: Steven C. Miller

#77

Twelve (2010)
3%

#77
Adjusted Score: 3273%
Critics Consensus: As pretentious as it is hopelessly clichéd, this Twelve is closer to zero.
Synopsis: A high-school dropout (Chace Crawford) sells drugs to his wealthy former classmates.... [More]
Directed By: Joel Schumacher

#76
#76
Adjusted Score: 3391%
Critics Consensus: Overly formulaic and tonally inconsistent, Getting Even with Dad tries for a sentimental conclusion it doesn't earn and winds up a slapsticky cash grab aimed at fans of Home Alone.
Synopsis: Con man Ray Gleason (Ted Danson) is going after one last heist -- a stash of rare coins -- when... [More]
Directed By: Howard Deutch

#75

Passion Play (2010)
3%

#75
Adjusted Score: 3422%
Critics Consensus: Passion Play has a terrific cast, but don't be fooled - the only real question at the heart of this misbegotten mystery is what its stars were thinking.
Synopsis: A washed-up musician (Mickey Rourke) tries to protect an enigmatic winged woman (Megan Fox) from a merciless gangster (Bill Murray)... [More]
Directed By: Mitch Glazer

#74

The Darkness (2016)
3%

#74
Adjusted Score: 3262%
Critics Consensus: The Darkness clumsily relies on an assortment of genre tropes, leaving only the decidedly non-frightening ghost of superior horror films in its wake.
Synopsis: Peter Taylor (Kevin Bacon), his wife Bronny and their two children return to Los Angeles after a fun-filled vacation to... [More]
Directed By: Greg McLean

#73

Deal (2008)
3%

#73
Adjusted Score: 2569%
Critics Consensus: Employing multiple cinematic clichés and milking stale performances, Deal proves inadequate for even the lowly regarded poker movie genre.
Synopsis: Tommy Vinson (Burt Reynolds), a former cardsharp, gave up poker years ago when his wife threatened to leave him. Tommy... [More]
Directed By: Gil Cates Jr.

#72
Adjusted Score: 2551%
Critics Consensus: A severely misguided and inept comedy incapable of even telling its single joke properly.
Synopsis: Innocent Midwesterner Bucky Larson (Nick Swardson) works in a dead-end job as a grocery bagger and has never even kissed... [More]
Directed By: Tom Brady

#71

Down to You (2000)
3%

#71
Adjusted Score: 4659%
Critics Consensus: Down to You is ruined by a bland, by-the-numbers plot and an awful script.
Synopsis: College coeds in New York City, Al (Freddie Prinze Jr.), the son of a celebrity chef (Henry Winkler), and Imogen... [More]
Directed By: Kris Isacsson

#70
#70
Adjusted Score: 4395%
Critics Consensus: A grungy, disjointed, mostly brainless mess of a film, House of the Dead is nonetheless loaded with unintentional laughs.
Synopsis: Simon (Tyron Leitso) and Greg (Will Sanderson) meet a group of friends and set out to attend a rave on... [More]
Directed By: Uwe Boll

#69

The Apparition (2012)
3%

#69
Adjusted Score: 4917%
Critics Consensus: The Apparition fails to offer anything original, isn't particularly scary, and offers so little in the way of dramatic momentum that it's more likely to put you to sleep than thrill you.
Synopsis: Plagued by frightening occurrences in their home, Kelly (Ashley Greene) and Ben (Sebastian Stan) learn that a university's parapsychology experiment... [More]
Directed By: Todd Lincoln

#68

The Mod Squad (1999)
3%

#68
Adjusted Score: 5239%
Critics Consensus: The Mod Squad aims for stylish cool and thrilling adventure, but collapses in an incoherent jumble of dated source material and unintentional hilarity.
Synopsis: Julie (Claire Danes) is on her way to jail for assault. Arsonist Linc (Omar Epps) is looking at serious prison... [More]
Directed By: Scott Silver

#67

Deuces Wild (2002)
3%

#67
Adjusted Score: 3844%
Critics Consensus: Melodramatic and weighed down with silly dialogue, Deuces Wild is a forgettable, overheated thriller that leaves no cliche unturned.
Synopsis: Leon (Stephen Dorff) and Bobby (Brad Renfro) are brothers who, with their friends, are determined to maintain the way of... [More]
Directed By: Scott Kalvert

#66

The Roommate (2011)
3%

#66
Adjusted Score: 5705%
Critics Consensus: Devoid of chills, thrills, or even cheap titillation, The Roommate isn't even bad enough to be good.
Synopsis: When Sara (Minka Kelly), a young design student from Iowa, arrives for college in Los Angeles, she is eager to... [More]

#65

Half Past Dead (2002)
3%

#65
Adjusted Score: 5337%
Critics Consensus: Seagal is now too bulky to make a convincing action hero, and Half Past Dead is too silly and incoherent to deliver any visceral kicks.
Synopsis: Criminal mastermind Donny/49er One (Morris Chestnut) has set in motion a plan to infiltrate a high-tech prison in order to... [More]
Directed By: Don Michael Paul

#64

FeardotCom (2002)
3%

#64
Adjusted Score: 4832%
Critics Consensus: As frustrating as a 404 error, Fear Dot Com is a stylish, incoherent, and often nasty mess with few scares.
Synopsis: When four bodies are discovered among the industrial decay and urban grime of New York City, brash young detective Mike... [More]
Directed By: William Malone

#63

Bless the Child (2000)
3%

#63
Adjusted Score: 5918%
Critics Consensus: Bless the Child squanders its talented cast on a plot that's more likely to inspire unintentional laughs than shivers.
Synopsis: When Maggie's sister Jenna saddles her with an autistic newborn named Cody she touches Maggie's heart and becomes the daughter... [More]
Directed By: Chuck Russell

#62

Jack and Jill (2011)
3%

#62
Adjusted Score: 5997%
Critics Consensus: Although it features an inexplicably committed performance from Al Pacino, Jack and Jill is impossible to recommend on any level whatsoever.
Synopsis: Thanksgiving is usually a happy time, but ad executive Jack (Adam Sandler) dreads the holiday because his twin sister, Jill... [More]
Directed By: Dennis Dugan

#61

Rollerball (2002)
3%

#61
Adjusted Score: 6436%
Critics Consensus: Removing the social critique of the original, this updated version of Rollerball is violent, confusing, and choppy. Klein makes for a bland hero.
Synopsis: Jonathan (Chris Klein) is the most popular player in the fastest and most extreme sport of all time: rollerball. Along... [More]
Directed By: John McTiernan

#60
#60
Adjusted Score: 7782%
Critics Consensus: Ugly, campy, and poorly acted, Battlefield Earth is a stunningly misguided, aggressively bad sci-fi folly.
Synopsis: In the year 3000, there are no countries, no cities... Earth is a wasteland. And man is an endangered species.... [More]
Directed By: Roger Christian

#59

Getaway (2013)
3%

#59
Adjusted Score: 8493%
Critics Consensus: Monotonously fast-paced to the point of exhaustion, Getaway offers a reminder of the dangers in attempting to speed past coherent editing, character development, sensible dialogue, and an interesting plot.
Synopsis: Though he used to race cars for a living, Brent Magna (Ethan Hawke) is now pitted against the clock in... [More]
Directed By: Courtney Solomon

#58
Adjusted Score: 2838%
Critics Consensus: The Haunting of Molly Hartley is a rather lifeless horror endeavor, with a pedestrian plot and few scares.
Synopsis: After surviving a brutal attack by her insane mother, teenage Molly (Haley Bennett) is eager to get a fresh start... [More]
Directed By: Mickey Liddell

#57

Nina (2016)
2%

#57
Adjusted Score: 3793%
Critics Consensus: A wholly misguided tribute to its subject's searing talent and enduring impact, Nina is the cinematic equivalent of a covers project featuring all the wrong artists.
Synopsis: Manager Clifton Henderson (David Oyelowo) helps singer and pianist Nina Simone (Zoe Saldana) rediscover her love for music.... [More]
Directed By: Cynthia Mort

#56
#56
Adjusted Score: 3058%
Critics Consensus: Kickin' It Old Skool is one big unfunny pop culture reference that doesn't feature many laughs.
Synopsis: At a talent show in 1986, young Justin Schumacher suffers a head injury and slips into a coma. Twenty years... [More]
Directed By: Harvey Glazer

#55

Baby Geniuses (1999)
2%

#55
Adjusted Score: 3315%
Critics Consensus: Flat direction and actors who look embarrassed to be onscreen make Baby Geniuses worse than the premise suggests.
Synopsis: Evil partners (Kathleen Turner, Christopher Lloyd) experiment on an infant and send his twin to a reputable research nursery.... [More]
Directed By: Bob Clark

#54
#54
Adjusted Score: 3152%
Critics Consensus: Strange Wilderness is a laugh-free comedy that's both aimless and overly crass.
Synopsis: Peter Gaulke takes over, when his father, a respected wildlife TV host dies, but receives far less success. When the... [More]
Directed By: Fred Wolf

#53
#53
Adjusted Score: 3152%
Critics Consensus: A tired, unfunny, offensive waste of time, Meet the Spartans scrapes the bottom of the cinematic barrel.
Synopsis: When Xerxes (Ken Davitian), the evil god king of Persia, sends his massive army to Sparta, King Leonidas (Sean Maguire)... [More]

#52
Adjusted Score: 5813%
Critics Consensus: With its shallow characters, low budget special effects, and mindless fight scenes, Mortal Kombat - Annihilation offers minimal plot development and manages to underachieve the low bar set by its predecessor.
Synopsis: Every generation, a portal opens up between the Outerworld and Earth. Emperor Shao-Kahn (Brian Thompson), ruler of the mythical Outerworld,... [More]
Directed By: John R. Leonetti

#51

King's Ransom (2005)
2%

#51
Adjusted Score: 3234%
Critics Consensus: Filled with crass dialogue, unlikable characters, and overdone slapstick gags, King's Ransom is an utterly inept would-be comedy.
Synopsis: When the rich and arrogant Malcolm King (Anthony Anderson) informs his wife, Renee (Kellita Smith), that he plans to divorce... [More]
Directed By: Jeff Byrd

#50

Texas Rangers (2001)
2%

#50
Adjusted Score: 2288%
Critics Consensus: As far as westerns go, Texas Rangers is strictly mediocre stuff.
Synopsis: Texas, 1875. In a land without justice, where chaos reigns, one legendary man, Leander McNelly (Dylan McDermott), is chosen to... [More]
Directed By: Steve Miner

#49
#49
Adjusted Score: 2588%
Critics Consensus: Dull and unfunny, One For the Money wastes Katherine Heigl's talents on a stunningly generic comic thriller.
Synopsis: New Jersey native Stephanie Plum (Katherine Heigl) has plenty of attitude, even if she is broke after six months of... [More]
Directed By: Julie Anne Robinson

#48

The In Crowd (2000)
2%

#48
Adjusted Score: 2659%
Critics Consensus: A dull, soapy potboiler that lacks the energy to qualify as a guilty pleasure, The In Crowd is undone by slow pacing, poor acting, and a stunning lack of originality.
Synopsis: Adrien Williams has spent time at a psychiatric hospital, learning to come to terms with a troubled past and is... [More]
Directed By: Mary Lambert

#47

Crossover (2006)
2%

#47
Adjusted Score: 3096%
Critics Consensus: This heartfelt but incompetent, cliche-ridden sports picture is the cinematic equivalent of an airball.
Synopsis: The lives of a gifted athlete (Wesley Jonathan) and his best friend (Anthony Mackie) change when they take a fateful... [More]

#46

Epic Movie (2007)
2%

#46
Adjusted Score: 3158%
Critics Consensus: A crude comedy with nothing new or insightful to say about the subjects it satirizes.
Synopsis: Four adult orphans (Kal Penn, Adam Campbell, Faune Chambers, Jayma Mays) have an incredible adventure in a spoof of blockbuster... [More]

#45

Left Behind (2014)
1%

#45
Adjusted Score: 3289%
Critics Consensus: Yea verily, like unto a plague of locusts, Left Behind hath begat a further scourge of devastation upon Nicolas Cage's once-proud filmography.
Synopsis: The entire planet is thrown into mayhem when millions of people disappear without a trace -- all that remains are... [More]
Directed By: Vic Armstrong

#44

Disaster Movie (2008)
1%

#44
Adjusted Score: 3318%
Critics Consensus: Returning to their seemingly bottomless well of flatulence humor, racial stereotypes, and stale pop culture gags, Jason Friedberg and Aaron Seltzer have produced what is arguably their worst Movie yet.
Synopsis: During a fateful night, a group of impossibly attractive 20-somethings (Matt Lanter, Vanessa Minnillo, Kim Kardashian) must dodge a series... [More]

#43

Daddy Day Camp (2007)
1%

#43
Adjusted Score: 3876%
Critics Consensus: A mirthless, fairly desperate family film, Daddy Day Camp relies too heavily on bodily functions for comedic effect, resulting in plenty of cheap gags but no laughs.
Synopsis: Spurred on by their wives' insistence that their children attend summer camp, daycare entrepreneurs Charlie Hinton (Cuba Gooding Jr.) and... [More]
Directed By: Fred Savage

#42
#42
Adjusted Score: 3943%
Critics Consensus: An ill-concieved attempt to utilize Dana Carvey's talent for mimicry, The Master of Disguise is an irritating, witless farce weighted down by sophomoric gags.
Synopsis: Pistachio Disguisey (Dana Carvey), a genial waiter at his father Frabbrizio's (James Brolin) Italian restaurant, possesses an uncanny knack for... [More]
Directed By: Perry Andelin Blake

#41
#41
Adjusted Score: 5497%
Critics Consensus: Inept on almost every level, Alone in the Dark may not work as a thriller, but it's good for some head-slapping, incredulous laughter.
Synopsis: When the investigations of supernatural detective Edward Carnby (Christian Slater) lead him to uncover a long-lost tribe called the Abskani,... [More]
Directed By: Uwe Boll

#40

Twisted (2004)
1%

#40
Adjusted Score: 5579%
Critics Consensus: An implausible, overheated potboiler that squanders a stellar cast, Twisted is a clichéd, risible whodunit.
Synopsis: Recently promoted and transferred to the homicide division, Inspector Jessica Shepard (Ashley Judd) feels pressure to prove herself -- and... [More]
Directed By: Philip Kaufman

#39

Dark Tide (2012)
0%

#39
Critics Consensus: Shallow and brackish, Dark Tide fails to rise.
Synopsis: A traumatized shark expert (Halle Berry) must battle her own fears to lead a thrill-seeking businessman on a dive into... [More]
Directed By: John Stockwell

#38

Stolen (2009)
0%

#38
Critics Consensus: With plot points Stolen from countless superior films, this would-be thriller squanders a solid cast on overly serious and suspense-free storytelling.
Synopsis: A detective (Jon Hamm) becomes obsessed with solving a child's 50-year-old murder, uncovering striking similarities between the case and his... [More]
Directed By: Anders Anderson

#37

Constellation (2005)
0%

#37
Critics Consensus: Though earnestly directed, Constellation lacks dramatic fireworks and eventually falls into TV-movie sentimentality.
Synopsis: The continuing legacy of a long-ago, interracial love affair forms the backdrop for a tale of an extended Southern family's... [More]

#36

Folks! (1992)
0%

#36
Adjusted Score: 938%
Critics Consensus: Don't watch this alleged comedy looking for more than pained performances in support of ill-advised ageist jokes, because that's all Folks! has to offer.
Synopsis: When Jon (Tom Selleck), a well-heeled professional, visits his mother, Mildred (Anne Jackson), in the hospital, he's unaware of how... [More]
Directed By: Ted Kotcheff

#35
Adjusted Score: 923%
Critics Consensus: Utterly, completely, thoroughly and astonishingly unfunny, Police Academy 4: Citizens on Patrol sends a once-innocuous franchise plummeting to agonizing new depths.
Synopsis: Feeling that his squad is not up to snuff, a police commander comes up with an unorthodox plan to hire... [More]
Directed By: Jim Drake

#34

Simon Sez (1999)
0%

#34
Adjusted Score: 28%
Critics Consensus: Simon Sez no matter how starved you are for something to watch, there has to be a better option than this dreadfully misguided action thriller.
Synopsis: Interpol agent Simon (Dennis Rodman) is gathering information about the weapons trade on the French Riviera and trying to pinpoint... [More]
Directed By: Kevin Elders

#33

Precious Cargo (2016)
0%

#33
Adjusted Score: 463%
Critics Consensus: No consensus yet.
Synopsis: To get back in the good graces of her murderous boss (Bruce Willis), a seductive thief (Claire Forlani) recruits an... [More]
Directed By: Max Adams

#32

Max Steel (2016)
0%

#32
Adjusted Score: 396%
Critics Consensus: Bereft of characterization or even satisfying rock 'em sock 'em, Max Steel feels like futzing with an action figure without any childhood imagination.
Synopsis: Teenager Max McGrath (Ben Winchell) discovers that his body can generate the most powerful energy in the universe. Steel (Josh... [More]
Directed By: Stewart Hendler

#31
#31
Adjusted Score: 663%
Critics Consensus: A trifecta of failure for writer-director-star Keenen Ivory Wayans, A Low Down Dirty Shame lives repeatedly and resolutely down to its title.
Synopsis: After hitting a wall in his case against drug kingpin Ernesto Mendoza (Andrew Divoff), private eye Andre Shame (Keenen Ivory... [More]
Directed By: Keenen Ivory Wayans

#30

Transylmania (2009)
0%

#30
Critics Consensus: Never aiming higher than threadbare jokes and offensive attempts at politically incorrect humor, Transylmania is a vampire comedy that truly sucks.
Synopsis: College students arrive at a Romanian castle for a semester abroad, unaware that the place is infested with vampires.... [More]

#29
#29
Critics Consensus: This overly wacky farce strains for sophistication but lacks polish and a coherent narrative.
Synopsis: A gay man (Stanislas Merhar) tells a woman (Jane Birkin) impersonating a psychiatrist that he witnessed a murder.... [More]
Directed By: Andrew Litvack

#28
#28
Critics Consensus: Respected director Chen Kaige's first English-language film is a spectacularly misguided erotic thriller, with ludicrous plot twists and cringe-worthy dialogue.
Synopsis: A woman (Heather Graham) grows suspicious of her controlling husband (Joseph Fiennes) after she discovers secrets about the women in... [More]
Directed By: Chen Kaige

#27

Bolero (1984)
0%

#27
Adjusted Score: 1187%
Critics Consensus: Bolero combines a ludicrous storyline and wildly mismatched cast in its desperate attempts to titillate, but only succeeds in arousing boredom.
Synopsis: A 1920s English heiress (Bo Derek) seeks ecstasy with a sheik in Morocco and a bullfighter (Andrea Occhipinti) in Spain.... [More]
Directed By: John Derek

#26

Homecoming (2009)
0%

#26
Adjusted Score: 20%
Critics Consensus: A lazy collection of obsession thriller clichés, Homecoming will leave viewers wishing they'd opted for a lopsided football game and some awkward dancing instead.
Synopsis: A jealous woman (Mischa Barton) plots revenge after her former beau (Matt Long) returns to their hometown with a pretty... [More]
Directed By: Morgan J. Freeman

#25
Adjusted Score: 1150%
Critics Consensus: There should have been only one.
Synopsis: In this sci-fi/fantasy sequel, Connor MacLeod (Christopher Lambert) has become an elderly man after losing his immortality. Living in a... [More]
Directed By: Russell Mulcahy

#24
#24
Adjusted Score: 728%
Critics Consensus: The Disappointments Room lives down to its title with a thrill-free thriller that presumably left its stars filled with regret - and threatens to do the same for audiences.
Synopsis: Dana (Kate Beckinsale), her husband David and their 5-year-old son Lucas start a new life after moving from the hustle... [More]
Directed By: D.J. Caruso

#23
#23
Adjusted Score: 1423%
Critics Consensus: Look Who's Talking Now: Look away.
Synopsis: James (John Travolta) and Mollie Ubriacco (Kirstie Alley) are expanding the family again, this time with Rocks the mutt (Danny... [More]
Directed By: Tom Ropelewski

#22

Staying Alive (1983)
0%

#22
Adjusted Score: 1858%
Critics Consensus: This sequel to Saturday Night Fever is shockingly embarrassing and unnecessary, trading the original's dramatic depth for a series of uninspired dance sequences.
Synopsis: Six years after his glittering triumph in the disco dance contest of "Saturday Night Fever," an older and wiser Tony... [More]
Directed By: Sylvester Stallone

#21

Redline (2007)
0%

#21
Adjusted Score: 292%
Critics Consensus: Redline has plenty of bad acting, laughable dialogue, and luxury cars.
Synopsis: Natasha (Nadia Bjorlin) is an aspiring singer and an ace driver. She gets a gig illegally racing flashy sports cars... [More]
Directed By: Andy Cheng

#20
#20
Adjusted Score: 4168%
Critics Consensus: Rather than exciting audiences with a thrilling race against time, Shadow Conspiracy suggests there may be a secret cabal duping talented actors into selecting woefully deficient scripts.
Synopsis: Presidential aide Bobby Bishop (Charlie Sheen) runs into an old professor who tells him of a secret plot to assassinate... [More]
Directed By: George P. Cosmatos

#19

Cabin Fever (2016)
0%

#19
Adjusted Score: 929%
Critics Consensus: No need for a quarantine -- enthusiasm for this inert remake is not contagious.
Synopsis: Fresh out of college, five friends (Nadine Crocker, Matthew Daddario, Samuel Davis) face the horrors of a flesh-eating virus while... [More]
Directed By: Travis Z

#18

3 Strikes (2000)
0%

#18
Adjusted Score: 285%
Critics Consensus: 3 Strikes lacks direction and its low-brow humor isn't even that funny.
Synopsis: Rob Douglas (Brian Hooks) is just released from jail. The state adopts a "3 strikes" rule for felons that involves... [More]
Directed By: D.J. Pooh

#17

Wagons East! (1994)
0%

#17
Adjusted Score: 95%
Critics Consensus: Wagons East! is a witless, toothless satire of Westerns that falls far below the standard set by Blazing Saddles, and is notable only for being John Candy's final screen performance.
Synopsis: When a group of dissatisfied settlers decides they've had enough of the Wild West, they hire James Harlow (John Candy),... [More]
Directed By: Peter Markle

#16

Problem Child (1990)
0%

#16
Adjusted Score: 1523%
Critics Consensus: Mean-spirited and hopelessly short on comic invention, Problem Child is a particularly unpleasant comedy, one that's loaded with manic scenery chewing and juvenile pranks.
Synopsis: Ben (John Ritter) is a good-hearted guy who's always wanted a son of his own, but so far he and... [More]
Directed By: Dennis Dugan

#15
Adjusted Score: 1776%
Critics Consensus: Despite its lush tropical scenery and attractive leads, Return to the Blue Lagoon is as ridiculous as its predecessor, and lacks the prurience and unintentional laughs that might make it a guilty pleasure.
Synopsis: When widow Sarah Hargrave (Lisa Pelikan) washes ashore on a tropical island with her daughter and adopted son, she learns... [More]
Directed By: William A. Graham

#14
#14
Adjusted Score: 358%
Critics Consensus: Misguided, misconceived, and misbegotten on every level, The Nutcracker in 3D is a stunning exercise in astonishing cinematic wrong-headedness.
Synopsis: ... [More]
Starring: Unknown Actor
Directed By: Andreas Morell

#13

London Fields (2018)
0%

#13
Adjusted Score: 1299%
Critics Consensus: London Fields bungles its beloved source material and an intriguingly eclectic cast, leaving audiences with a would-be neo-noir of interest only to the morbidly curious.
Synopsis: Clairvoyant femme fatale Nicola Six has been living with a dark premonition of her impending death by murder. She begins... [More]
Directed By: Mathew Cullen

#12

Stratton (2017)
0%

#12
Adjusted Score: 1313%
Critics Consensus: Stratton's action-thriller ambitions are roundly thwarted by a derivative story, misguided casting, and a low-budget feel underscored by unimpressive set pieces.
Synopsis: After the death of his American counterpart, an MI6 agent and his team must race against time to stop a... [More]
Directed By: Simon West

#11
#11
Adjusted Score: 1827%
Critics Consensus: Every bit as lazily offensive as its cast and concept would suggest, The Ridiculous Six is standard couch fare for Adam Sandler fanatics and must-avoid viewing for film enthusiasts of every other persuasion.
Synopsis: White Knife, an orphan raised by Native Americans, discovers that five outlaws are actually his half-brothers. Together, they set out... [More]
Directed By: Frank Coraci

#10

Dark Crimes (2016)
0%

#10
Adjusted Score: 1377%
Critics Consensus: Dark Crimes is a rote, unpleasant thriller that fails to parlay its compelling true story and a committed Jim Carrey performance into even modest chills.
Synopsis: A hard-boiled detective becomes suspicious of an author when the incidents described in his hit novel resemble the inner-workings of... [More]
Directed By: Alexandros Avranas

#9
#9
Adjusted Score: 2745%
Critics Consensus: Illogical, tension-free, and filled with cut-rate special effects, Jaws: The Revenge is a sorry chapter in a once-proud franchise.
Synopsis: The family of widow Ellen Brody (Lorraine Gary) has long been plagued by shark attacks, and this unfortunate association continues... [More]
Directed By: Joseph Sargent

#8
Adjusted Score: 2192%
Critics Consensus: This Crime is punishment.
Synopsis: Two men and a woman plan the heist of the century before a government-broadcast signal wipes out crime forever.... [More]
Directed By: Olivier Megaton

#7

Gold Diggers (2003)
0%

#7
Adjusted Score: 728%
Critics Consensus: It aspires to Farrelly-level offensiveness, but the PG-13 rating and a dearth of decent gags renders Gold Diggers tame, toothless, and dull.
Synopsis: Calvin (Will Friedle) and Leonard (Chris Owen), two broke losers, are arrested for trying to rob rich old sisters Doris... [More]
Directed By: Gary Preisler

#6
Adjusted Score: 902%
Critics Consensus: A startling lack of taste pervades Superbabies, a sequel offering further proof that bad jokes still aren't funny when coming from the mouths of babes.
Synopsis: Toddlers use their special abilities to stop a media mogul (Jon Voight) from altering the minds of children.... [More]
Directed By: Bob Clark

#5

Pinocchio (2002)
0%

#5
Adjusted Score: 1085%
Critics Consensus: Roberto Benigni misfires wildly with this adaptation of Pinocchio, and the result is an unfunny, poorly-made, creepy vanity project.
Synopsis: A woodcarver creates a puppet (Roberto Benigni) that longs to become a real boy.... [More]
Directed By: Roberto Benigni

#4

Gotti (2018)
0%

#4
Adjusted Score: 2727%
Critics Consensus: Fuhgeddaboudit.
Synopsis: Raised on the streets of New York, young John Gotti found his way into the Gambino crime family, eventually having... [More]
Directed By: Kevin Connolly

#3
#3
Adjusted Score: 1776%
Critics Consensus: Dated jokes (A Thousand Words was shot in 2008) and removing Eddie Murphy's voice -- his greatest comedic asset -- dooms this painful mess from the start.
Synopsis: Jack McCall (Eddie Murphy) is a selfish literary agent whose fast-talking ways allow him to close any deal. His next... [More]
Directed By: Brian Robbins

#2

One Missed Call (2008)
0%

#2
Adjusted Score: 2632%
Critics Consensus: One of the weakest entries in the J-horror remake sweepstakes, One Missed Call is undone by bland performances and shopworn shocks.
Synopsis: When Beth Raymond (Shannyn Sossamon) witnesses the deaths of two friends, she knows there is more at work than just... [More]
Directed By: Éric Valette

#1
Adjusted Score: 3474%
Critics Consensus: A startlingly inept film, Ballistic: Ecks vs. Sever offers overblown, wall-to-wall action without a hint of wit, coherence, style, or originality.
Synopsis: Haunted by the mysterious death of his wife, Jeremiah Ecks (Antonio Banderas) has become a recluse, but the former FBI... [More]
Directed By: Kaos

George Carlin, the award-winning comedian, actor, and author responsible for one of the most groundbreaking routines in the history of American comedy, has passed away at the age of 71.

According to Carlin’s publicist, Jeff Abraham, Carlin — who had a history of heart problems — checked into the hospital yesterday complaining of chest pain. The Associated Press put Carlin’s time of death at 5:55 PM.

Though he often shrugged off attempts to label him as a “difference-maker” in American culture, Carlin’s 1972 routine, “Seven Words You Can Never Say on Television,” sparked an indecency debate that went all the way to the Supreme Court.

Though he was best known for his standup routine — and starred in more than a dozen HBO comedy specials — Carlin also found time to write several books and star in an assortment of television shows (he was the first host of Saturday Night Live) and movies. His most recent screen work took place behind the scenes, in the form of voicework for Cars and Happily N’Ever After, but he also made well-received appearances in films such as Dogma and Bill and Ted’s Excellent Adventure.

Carlin also accumulated a number of honors throughout his career, including four Grammy Awards, five Emmy nominations, and the 2008 Mark Twain Prize for American Humor. In announcing the Mark Twain Prize, Stephen Schwarzman, the Kennedy Center Chairman, had this to say about Carlin:

In his lengthy career as a comedian, writer, and actor, George Carlin has not only made us laugh, but he makes us think. His influence on the next generation of comics has been far-reaching.

Carlin is survived by his wife, Sally Wade, and his daughter, Kelly Carlin McCall.

Source: CNN

Sigourney Weaver is having a busy year: Not only is her voice in theaters now, as the wicked stepmother in "Happily N’Ever After," but she’ll also be seen in the upcoming films "The Girl in the Park" and "Vantage Point" … and now JoBlo.com is reporting that a scooper from Ain’t it Cool News has learned that Weaver will soon be reteaming with her "Aliens" director, James Cameron, in a big-budget sci-fi film.


Weaver behaving badly in "Happily N’Ever After" as the wicked stepmother.

Since Weaver’s comments — made on a French talk show — were rather vague, there’s some speculation as to which James Cameron big-budget sci-fi film she was referring to: The director has two of them, "Battle Angel" and "Avatar," in the pipeline. However, of the two, "Avatar" is the only one in active development.

Due out in the summer of 2009 from 20th Century Fox, "Avatar" deals with an interplanetary war 200 years in the future, and is projected to have a $190 million budget.

Can Ben Stiller and his living artifacts four-peat at the top of the North American box office, or will one of the new releases take the crown over the four-day Dr. Martin Luther King holiday weekend? Ticket buyers will decide.

Leading the freshman class is the dance drama "Stomp the Yard" which could have breakout potential. Also opening are the fantasy pic "Arthur and the Invisibles," the drug dealer pic "Alpha Dog," and the horror flick "Primeval." With so many schools closed on Monday, the new films are targeting students of all ages who will have extra time on their hands.

The west and east coasts meet in "Stomp the Yard," a story of a Los Angeles student enrolled in an Atlanta university who uses his unique style to help his fraternity compete in a step dancing contest. The PG-13 film is short on starpower, but makes up for that with terrific marketing which is the real ingredient that will put asses into the seats. Sony has cut exciting trailers and commercial spots which should spark lots of interest with teens and young adults. Plus, MLK weekend is the perfect time to open a black college film since interest will be high for this particular subject matter. African American students will especially be out in solid numbers. However, the opening of Justin Timberlake‘s "Alpha Dog" could take away some of the young adult crowd.

"Stomp" should appeal to the same audiences that delivered bigger-than-expected openings for "Drumline" ($12.6M opening, $6,865 average), "ATL" ($11.6M, $7,212), and "You Got Served" ($16.1M, $8,341). The urban youth of America possesses tremendous spending power and Hollywood has just woken up to this in recent years financing low cost flicks that return handsome profits through theatrical and DVD sales. "Stomp" also offers an appealing story relevant to today’s young people and looks to join this list. Stepping into 2,051 theaters, "Stomp the Yard" could collect about $16M over four days this weekend.


An action shot from "Stomp the Yard."

The weekend’s only new kidpic comes in the form of the French production "Arthur and the Invisibles," a groundbreaking feature which mixes live-action with animation in a fantasy tale. The PG-rated film from The Weinstein Co. is directed by action professional Luc Besson ("The Fifth Element," "Joan of Arc") and features the voices of Robert De Niro, Harvey Keitel, Snoop Dogg, and Madonna. With so many young children across the country having a long school holiday, "Arthur" should get some play as the only new option for parents who have taken enough trips to the Museum. Of course "Happily N’Ever After" flopping last weekend shows that family audiences will not come out for just anything. With about 2,500 theaters, it is the widest of the new titles which could help it get into double digit millions over the extended frame. The marketing push has been admirable too. MLK weekend has often seen better-than-expected results for debuting kiddie flicks like "Kangaroo Jack," "Racing Stripes," and "Hoodwinked." "Arthur and the Invisibles" may carve out its share of the pie and gross roughly $11M over the four-day period.


Those troll dolls have found a new purpose in "Arthur and the Invisibles."

Pop music king Justin Timberlake joins an ensemble cast which includes Emile Hirsch, Sharon Stone, and Bruce Willis in the gritty drama "Alpha Dog." Directed by Nick Cassavetes, the R-rated film tells of a drug dealer who kidnaps the younger brother of a friend who owes a debt. The Universal release is based on true events and will target older teens and twentysomethings. The marketing makes the film look slick and cool plus JT provides a built-in audience of fans that can be tapped into.

However, two main obstacles are in the way – the rating and competition from "Stomp the Yard." A large portion of Timberlake’s fans are young teens and they will have a hard time buying tickets. Plus, "Stomp" will be distracting the urban youth with its slick look and milder PG-13 rating. On top of that, the studio’s release is not too wide. These factors should curtail the potential of "Alpha." Critics have given solid support which may help a little, although Time Out New York boldly calls the pic the worst movie of the year in its zero-star review. Opening in about 1,200 theaters, "Alpha Dog" might bite down on around $8M over the long weekend.


Timberlake gets down in "Alpha Dog."

Every horror film since Halloween has flopped and the streak looks to continue with "Primeval" from Buena Vista. The R-rated film about a news crew hunting down a killer boasts no starpower and lacks a compelling plot worthy of the ten-dollar bills of genre fans. Marketing support has been weak and awareness is not very high. The fright flick seems to have the same potential as last month’s "Turistas" which bowed to a weak $3.6M and $2,282 average. "Primeval" will open wider with about 2,000 theaters and has an extended four-day session so a gross of roughly $6M could result followed by steep drops.

Zhang Yimou has seen solid but not spectacular averages for his latest Chinese epic "Curse of the Golden Flower" which has already grossed $2.2M from its limited release in about 60 theaters. Its average of $6,104 last weekend will drop considerably as it expands nationwide into about 1,200 playdates. The Mandarin-language period piece seems to be going too wide too fast and with all the choices in the multiplexes, Sony Classics may find it difficult to get multiplex crowds into all those new seats. "Curse" will try to play to fans of the "Hero" director, but Chow Yun Fat and Gong Li are no Jet Li and Zhang Ziyi at the American box office. A $4M gross over the long weekend could result.


These horses must be suffering from "The Curse of the Golden Flower."

Ben Stiller and Will Smith have been inseparable blockbuster brothers atop the box office charts for the last three weeks. But the weekend’s new releases should finally cause a breakup. Stiller’s runaway smash "Night at the Museum" has been holding up incredibly well against any competition that has come its way and will attempt to become the first film since 2003’s "The Return of the King" to remain number one for four consecutive weekends. The only thing standing in its path is a possible teen explosion for "Stomp." "Museum’s" four-day holiday gross could slip 25% from last weekend’s three-day figure giving the Fox hit about $18M and a remarkable cume to date of $187M.

Smith has done pretty well for himself too with "The Pursuit of Happyness" which should see another solid turnout over MLK weekend. A 20% drop would give Sony a four-day tally of $10M boosting its total to a stellar $137M.

Since it opened nationally on Christmas Day, "Dreamgirls" has been posting the best per-theater averages of any wide release. Now, Paramount will more than double the run and expand the Golden Globe nominee for Best Picture – Comedy or Musical from 852 to about 1,800 theaters. The Jamie FoxxBeyonce Knowles musical is the favorite to take home that honor, plus other statues, and the studio wants to make sure the product is available everywhere once the wins occur. Plus, films with African American casts routinely do very well over the King frame so a jump in sales is assured. For the four-day period, "Dreamgirls" may climb to around $11M putting the cume at $68M. If it wins the Globe for Best Picture and secures a sizable number of Oscar nominations the following week, the total domestic take could certainly surpass the $100M mark as it did for "Chicago" four years ago. The Richard Gere musical reached a similar $63.8M at the end of the weekend it went fully national into 1,841 locations and went on to a sensational $170.7M final total.

LAST YEAR: Disney kicked off the first of what would be many hit sports flicks in 2006 with the basketball drama "Glory Road" which opened at number one over MLK weekend with $16.9M over four days. The live action film barely beat out the animated comedy "Hoodwinked" which also grossed $16.9M over the Friday-to-Monday period, but was about $50,000 shy of the number one spot. The duo reached $42.6M and $51.2M, respectively. Third place also was held by a new release. Paramount’s Queen Latifah comedy "Last Holiday" bowed to a solid $15.5M on its way to $38.4M. Rounding out the top five were former number ones "The Chronicles of Narnia" with $12.8M and "Hostel" with $11.4M over the long weekend. Fox’s romance "Tristan & Isolde" found few lovers in its debut opening to $7.6M on its way to just $14.7M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

There was no stopping the runaway smash comedy Night at the Museum which North American audiences picked as their favorite film for the third straight weekend. New releases were met with varying levels of success. Both the futuristic saga Children of Men and the high school drama Freedom Writers earned high marks while playing in moderate national play. However, the animated film Happily N’Ever After and the action-comedy Code Name: The Cleaner were both met with soft openings.

Overall, the first weekend of 2007 was solid and holdovers displayed considerable strength as audiences continued to find time to see all the interesting films in the marketplace. A remarkable 14 movies collected weekend sales of $4M or more giving the box office great breadth.

The Ben Stiller comedy Night at the Museum easily topped the charts over the weekend with an estimated $24M in its third weekend of play boosting its cume to a stellar $164.1M. Down only 35% from the Friday-to-Sunday portion of the New Year’s holiday frame, the Fox blockbuster matched the comedian’s hit Meet the Fockers from two years ago which also topped the charts over the same three weekends. With its lucrative start and impressive holding power, Museum should be able to zoom past the $200M mark domestically.

Will Smith’s The Pursuit of Happyness also stayed put for the third straight weekend taking the number two spot again with an estimated $13M. The Sony hit enjoyed the smallest decline in the top ten slipping only 33% and pushed its cume to $124.2M. Pursuit could be headed for $160M or more.

Adult audiences responded to Alfonso Cuaron’s futuristic drama Children of Men which expanded nationally in its second weekend and took third place with an estimated $10.3M. The critically acclaimed Universal release averaged a sturdy $8,515 from 1,209 theaters and has collected $11.9M since its limited opening a week earlier.

Hilary Swank saw impressive results for her school teacher drama Freedom Writers which debuted in fourth place with an estimated $9.7M from only 1,360 theaters. Averaging a strong $7,136 per location, the PG-13 film from Paramount and MTV Films connected with a young and multicultural audience. According to studio data, 62% of the audience was under the age of 21 and 50% were non-white. The road ahead for Freedom looks promising as the film scored an exceptionally high A grade from CinemaScore and 93% of those polled would definitely recommend it. Paramount will widen the picture on Friday into 700 more theaters for the Dr. Martin Luther King Jr. school holiday weekend.

The studio’s hit musical Dreamgirls followed in fifth place with an estimated $8.8M in its second full weekend of wide release, off 37%. The Jamie Foxx-Beyonce Knowles pic upped its total to $54.5M and continues to post the best average in the top ten with a stellar $10,358 from 852 sites. Paramount will add about 1,000 more theaters on Friday.

Family audiences were not too charmed by the new animated offering Happily N’Ever After which opened in sixth place with just $6.8M, according to estimates. The PG-rated fairy tale satire averaged a lukewarm $2,856 from 2,381 locations for Lionsgate and could not compete with Night at the Museum which continued to dominate the family crowd.

Competing kidpic Charlotte’s Web followed closely with an estimated $6.6M for Paramount, down 43%, pushing the cume to $67M. Universal’s CIA thriller The Good Shepherd ranked eighth with an estimated $6.5M, off 41%, for a mediocre $48.4M sum.

Rocky Balboa punched up an estimated $6.3M for MGM dropping 41% and raised its cume to an impressive $60.9M. Rounding out the top ten was another sports drama, the football saga We Are Marshall, which fell 37% to an estimated $5.1M giving Warner Bros. an underwhelming $35.4M to date.

Debuting poorly in eleventh place was the action-comedy Code Name: The Cleaner which bowed to an estimated $4.6M from 1,736 for a messy $2,650 average. The New Line release stars Cedric the Entertainer and Lucy Liu.

Three films fell from the top ten but still generated weekend grosses of $4M or more. The fantasy adventure Eragon took in an estimated $4.6M, down 44%, for a $66.8M total to date. Tied with $4M a piece were the Cameron Diaz comedy The Holiday and the penguin toon Happy Feet. Sony’s holiday comedy fell 41% and upped its sum to $59M while the animated smash dropped 48% lifting its cume to $185.4M.

Several arthouse films in limited release expanded over the weekend. Fox Searchlight’s Judi Dench pic Notes on a Scandal expanded from 22 to 93 theaters and grossed an estimated $1.1M for a potent $11,828 average. The film widens to over 200 sites on Friday and then into over 600 playdates on January 26. Cume is $2M. Paramount’s Perfume was not as successful in its expansion going from three to 280 sites grossing an estimated $551,000 for a weak $1,968 average. Total to date stands at $649,000.

Warner Independent went from 37 to 72 theaters for its period drama The Painted Veil and grossed an estimated $480,000. Averaging a solid $6,667, the pic has taken in $1.2M to date and will expand to 200 runs on Friday. MGM’s Miss Potter continues to attract mediocre numbers grossing an estimated $123,000 from 26 playdates for a mild $4,731 average. Cume is $140,555 for the Renee Zellweger film.

The top ten films grossed an estimated $97.2M which was off 1% from last year when Hostel opened at number one with $19.6M; and up 4% from 2005 when Meet the Fockers remained on top in its third weekend with $28.5M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Three new releases welcome in the new year this weekend, but moviegoers are likely to keep spending their cash on holiday holdovers.

Family audiences have the new toon "Happily N’Ever After," teens will be offered the drama "Freedom Writers," and the comedy crowd will have "Code Name: The Cleaner." Also, the sci-fi drama "Children of Men" expands across the country after a powerful debut last weekend in limited release. Early January is usually home to two kinds of films – weak pictures that can’t cut it during the competitive holiday season and acclaimed films expanding wider hoping for awards. This frame will see just that with current chart-topper "Night at the Museum" hoping for a third reign in the number one spot.

Kids who have had enough of digital penguins will have a chance to see a new animated film this weekend with Lionsgate’s "Happily N’Ever After." The PG-rated film tells the story of Fairy Tale World after Cinderella’s wicked stepmother takes charge. Sigourney Weaver, Andy Dick, Sarah Michelle Gellar, and hubby Freddie Prinze Jr. lend their voices. "After" has a funny premise and with "Shrek the Third" still four months away, some audiences may give this one a try for the time being. Last January, "Hoodwinked" posted some strong numbers playing to the same crowd and bowed to $16.9M over four days with a potent $7,051 average. "Happily" does not have the same marketing strength behind it plus it faces more competition. Last weekend, six films with G or PG ratings sold over $10M
worth of tickets over four days and even with heavy declines, there will be lots of choices for family audiences. Looking to attract the biggest opening among the three new films on Friday, "Happily N’Ever After" enters 2,381 theaters and may take in around $7M this weekend.


The British animated import "Happily N’Ever After."

Two-time Oscar winner Hilary Swank takes the Michelle Pfeiffer route and plays a teacher schooling a group of inner city kids in "Freedom Writers" from Paramount and MTV Films. Directed by writer-turned-director Richard LaGravenese, the PG-13 film also stars "Grey’s Anatomy" hunk Patrick Dempsey. Teens and urban youngsters will make up the core audience here as Swank’s mature adult following will likely pass on this role. The actress just doesn’t have the commercial chops to anchor a film like this on her own and the buzz is not loud enough for this to become the next "Dangerous Minds." Paramount is hoping that its push on MTV will help bring in the young vote, but the pic lacks the bang to make teens want to spend the bucks. Opening in about 1,200 theaters, "Freedom Writers" could debut with around $5M.


Hilary Swank, conjuring Michelle Pfeiffer and Edward James Olmos in "Freedom Writers."

Also expected to put only a small dent into the box office this weekend is the comedy "Code Name: The Cleaner" starring Cedric the Entertainer and Lucy Liu. Pairing black and Asian actors in an action comedy worked wonders for "Rush Hour," but here audiences will likely find the premise forced. Cedric plays a janitor who is duped into becoming an undercover agent and finds himself in the middle of an arms scandal. Both stars are great supporting players but neither has a track record of anchoring big hit films. Interested moviegoers will probably wait for the DVD. Look for the New Line release to also debut in the vicinity of $5M.


"Codename: The Cleaner" isn’t expected to clean up at the boxoffice.

Expanding nationwide on Friday into 1,200 locations after a powerful limited bow is Universal’s futuristic drama "Children of Men." The Alfonso Cuaron-directed pic about the London of the future where no humans have been born in eighteen years stars Clive Owen, Julianne Moore, and Michael Caine. The R-rated film debuted to $702,982 from only 16 theaters for a sensational four-day average of $43,936. Serious adult moviegoers are the target audience here so the studio’s own CIA thriller "The Good Shepherd" will be the primary competitor. Reviews have been strong which will help. For the weekend, "Children of Men" could deliver roughly $7M.


Clive Owen and his golden aura in "Children of Men."

Since the incoming line-up of films is not likely to do too much damage to the box office charts, it should be smooth sailing for "Night at the Museum" which looks to spend its third straight weekend at number one. "Happily N’Ever After" will take away a bit of the family crowd, but overall competition should not be too intense. Coming off of the holiday weekend, the Ben Stiller smash may drop 40% and collect $22M worth of tickets and push its stellar cume to $163M.

Will Smith‘s Golden Globe-nominated performance in "The Pursuit of Happyness" has kept moviegoers interested for three weeks. The Sony hit may slide 40% as well grossing $11.5M which would give the father-son venture $123M to date. "Dreamgirls" has been generating the best averages around since opening. Paramount could witness a 35% drop to around $9M for the frame and lift its cume to $55M.

LAST YEAR: Horror fans powered the new fright flick "Hostel" to the number one spot over the first weekend of 2006 with a $19.6M debut. The low budget Lionsgate hit went on to scare up $47.3M. Holdovers filled up the rest of the top five. "The Chronicles of Narnia" slipped to second with $15.6M followed by "King Kong" with $12.6M. The comedies "Fun with Dick and Jane" and "Cheaper by the Dozen 2" took up the next spots with $11.9M and $8.4M, respectively. The weekend’s two other new releases bombed miserably. Fox’s comedy "Grandma’s Boy" bowed to just $3M while the actioner "BloodRayne" barely made it into the Top 20 with $1.6M. Final grosses reached $6.1M and $2.4M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got a postmodern fairy tale ("Happily N’Ever After," with voicework from Sigourney Weaver and Sarah Michelle Gellar), a wacky conspiracy caper ("Code Name: The Cleaner," starring Cedric the Entertainer and Lucy Liu), a committed teacher ("Freedom Writers," starring Hilary Swank), and a chilling dystopia ("Children of Men," starring Clive Owen and Michael Caine). What do the critics have to say?

Once upon a time, in the land of make-believe (better known as Hollywood), there was a brand new formula for making dazzling kiddie movies. It was called CG, and children all over the world rejoiced when such fare as "Toy Story" and "Shrek" hit the theaters. But then an evil curse plagued the land, as a string of mediocre stories threatened to make CG stale. The latest: "Happily N’Ever After," a postmodern "Cinderella" spoof. Critics say this is a pretty charm-free affair, with less-than-dazzling images and a bland storyline. At six percent on the Tomatometer, this is a pretty grim fairy tale. And among CG features, only "Doogal," at five percent, is lower-rated.


"Sure, magic will do the dishes, but can it make my movie funny?"

Cedric the Entertainer is a funny guy, and as a supporting player he’s stolen scenes in everything from "Lemony Snicket" to "Be Cool." Sadly, he’s yet to have a starring vehicle that has utilized his comedic talents to the fullest, and it appears "Code Name: The Cleaner" is no exception. In this action/comedy, Cedric plays a janitor who stumbles into the middle of a government conspiracy, from which he tries to extricate himself with the help of Lucy Liu. The critics say the weak script does none of the actors any favors, playing up absurd thriller elements to leaden effect. At a big fat zero percent on the Tomatometer, this one’s in dire need of a "Clean-" up.


"Yes, I’ve always enjoyed the sophisticated yet robust taste of Xtreme Fruit Skittles."

Liberal and conservative education experts both have it wrong. What our inner city schools need is neither greater funding nor vouchers. In order to save the impoverished students of America, we need an unconventional, no-nonsense teacher to instruct students in ballroom dance, football, or poetry, preferably in the guise of Antonio Banderas, The Rock, or Michelle Pfeiffer. In "Freedom Writers," Hilary Swank plays a fresh-faced teacher who gets her students in touch with their creative writing side, and — wonder of wonders — it’s getting reasonably good reviews. The critics say the film may be clichéd, but it’s earnest and features strong performances. At 64 percent on the Tomatometer, this may be one to "Write" home about.


"Remember, Bagels for Complacency Day is next week."

Director Alfonso Cuaron may have made his best movie yet with "Children of Men," continuing a hot streak that began with "Y Tu Mama Tambien" and "Harry Potter and the Prisoner of Azkaban." This time, Cuaron has envisioned a world where women have become infertile and every country has become a dystopia or slipped into a fascist state. At 92 percent on the Tomatometer, critics are praising not only the film’s technical aspects (including seamless CG work, fluid camerawork, and complex battle scenes), but also the emotional story and performances.


"Any fool knows a dog needs a home and shelter from pigs on the wing."

Also opening this week in limited release is "Thr3e," a psychological serial killer flick with a spiritual twist, which is currently at 17 percent.

Alex Vo contributed to this article.

Recent CG Animated Films:
———————————-
77% — Happy Feet (2006)
76% — Flushed Away (2006)
41% — Everyone’s Hero (2006)
76% — Cars (2006)
64% — The Ant Bully (2006)

Recent Hilary Swank Movies:
————————————–
36% — The Black Dahlia (2006)
92% — Million Dollar Baby (2004)
100% — 11:14 (2003)
42% — The Core (2003)
92% — Insomnia (2002)

Recent Cedric the Entertainer Movies:
———————————————
81% — Charlotte’s Web (2006)
14% — Honeymooners (2005)
55% — Madagascar (2005)
29% — Be Cool (2005)
9% — Man of the House (2005)

Recent Clive Owen Movies:
———————————
88% — Inside Man (2006)
21% — Derailed (2005)
77% — Sin City (2005)
68% — Closer (2004)
29% — King Arthur (2004)

Opening in a few days is Lionsgate’s animated fantasy "Happily N’Ever After," which offers a modern spin on a whole bunch of old fairy tale characters. (Where have I heard that one before?) And if you’re undecided as to whether or not you want to see the flick, feel free to check out a new quartet of clips over at Yahoo! Movies.

Click right here for the clips and trailers and such.

Synopsis: "When the wizard in charge of Fairy Tale World goes on holiday Cinderella’s wicked stepmother takes over the world, which is home to characters such as Little Red Riding Hood, The Seven Dwarves and Rapunzel."

The voice cast includes the likes of Sarah Michelle Gellar, Freddie Prinze Jr., Sigourney Weaver, Patrick Warburton, and George Carlin. As stated earlier, the movie opens on January 5th.

Tag Cloud

what to watch rotten CMT twilight binge DC Comics Anna Paquin target Star Trek Apple TV Plus Pride Month The Academy TV One Heroines Exclusive Video PaleyFest social media 20th Century Fox A24 psychological thriller Western TBS nature stoner documentaries TNT basketball crossover Pacific Islander Turner Classic Movies CNN comics sopranos true crime FOX VOD black comedy Ellie Kemper die hard scorecard technology Travel Channel NBC cancelled TV shows superhero TCA IMDb TV canceled WGN ID docudrama witnail Alien CBS mockumentary screen actors guild mob Awards Tour Calendar streaming Hollywood Foreign Press Association YA natural history Winners Starz cats trophy revenge ESPN 45 Family Syfy TruTV BET DC Universe adventure RT History supernatural 73rd Emmy Awards The Walt Disney Company action-comedy Hallmark know your critic Hallmark Christmas movies dogs 71st Emmy Awards Reality news Music New York Comic Con Universal Pictures YouTube Red spain Elton John sports dceu Mary Poppins Returns FX on Hulu Star Wars First Look Arrowverse football TIFF Tokyo Olympics unscripted 2020 Pop TV book adaptation Emmy Nominations sitcom mission: impossible sequels Fox News king arthur HFPA wonder woman Freeform 21st Century Fox high school a nightmare on elm street Warner Bros. dark movies Apple young adult television toronto Sundance Now Binge Guide Summer 2015 OneApp Captain marvel disaster Rocky Comic-Con@Home 2021 miniseries worst movies laika breaking bad Cartoon Network Musicals video Country Tarantino Broadway Infographic Academy Awards YouTube Premium Countdown romantic comedy streaming movies Thanksgiving parents archives HBO Max sag awards Showtime art house Black Mirror Epix space Fall TV Tags: Comedy Sundance TV latino Neflix Spectrum Originals psycho hispanic heritage month japan Columbia Pictures Rom-Com Interview fast and furious saw BET Awards E! all-time boxoffice SDCC zero dark thirty Unbreakable Kimmy Schmidt 99% Sundance Lucasfilm game show Podcast game of thrones Prime Video batman blaxploitation Chernobyl Pixar VICE MSNBC mcc GoT diversity dreamworks comic book movies Tubi crime black christmas movies ABC Family Red Carpet comedies children's TV Vudu Television Critics Association golden globes Emmys halloween foreign prank Pirates The Purge Quiz cults cancelled television 2021 green book heist movie Mudbound new zealand Mary Tyler Moore comiccon Pop anthology AMC Plus free movies LGBT Disney Channel stop motion Character Guide First Reviews Set visit Discovery Channel San Diego Comic-Con obituary independent video on demand Legendary spanish Peacock BBC One nfl Women's History Month dragons 2016 PlayStation dc marvel cinematic universe zombies Creative Arts Emmys emmy awards biography movie Election book Writers Guild of America jurassic park japanese thriller AMC Superheroe Nominations renewed TV shows Classic Film Musical trailers finale franchise Mary poppins Mystery Rocketman TCA Winter 2020 DC streaming service 2018 stand-up comedy spider-verse Polls and Games justice league Spike GLAAD Endgame History worst suspense SundanceTV Netflix period drama Apple TV+ Disney Plus Paramount critic resources rt labs critics edition Disney superman BBC based on movie war child's play asian-american The Witch Spring TV 2019 vs. scary movies halloween tv Wes Anderson lord of the rings Walt Disney Pictures YouTube President gangster golden globe awards Valentine's Day Masterpiece teaser Oscars strong female leads razzies cooking Cannes Ghostbusters Reality Competition Sci-Fi Premiere Dates IFC APB directors french new york NYCC Lifetime screenings police drama Universal Funimation comic books italian Fox Searchlight National Geographic Holidays USA Chilling Adventures of Sabrina spinoff hist james bond genre LGBTQ Britbox Acorn TV TV movies crime thriller Shondaland legend ITV Box Office The CW Opinion aliens women Food Network Adult Swim Amazon Hear Us Out DirecTV indie doctor who Tumblr Photos universal monsters Trailer TV Land crime drama Watching Series fresh Fargo MCU political drama comic book movie versus FX facebook DGA romance popular discovery Song of Ice and Fire Stephen King HBO Go blockbuster feel good SXSW Action quibi award winner Bravo Martial Arts Tomatazos Marathons australia 4/20 Paramount Network adaptation Schedule Super Bowl Animation Drama GIFs Marvel transformers films king kong live event cinemax rt labs Superheroes composers politics USA Network international hispanic harry potter sequel OWN 78th Annual Golden Globe Awards Shudder kong Lionsgate marvel comics Best and Worst A&E TCA Awards pirates of the caribbean El Rey hidden camera TLC spider-man Ovation spy thriller Trivia BAFTA cancelled E3 Extras Paramount Plus science fiction Teen toy story See It Skip It Pet Sematary festival Hulu ratings FXX Comics on TV ViacomCBS dexter festivals singing competition olympics kids deadpool TCM Trophy Talk slashers reboot Baby Yoda Cosplay American Society of Cinematographers dramedy 79th Golden Globes Awards Certified Fresh boxing NBA name the review Logo Kids & Family telelvision Sony Pictures scene in color joker Sneak Peek slasher TV ghosts Film royal family jamie lee curtis cops Christmas docuseries Crackle Rock adenture Crunchyroll rotten movies we love Comedy Toys Disney+ Disney Plus canceled TV shows medical drama elevated horror Film Festival reviews Holiday PBS 2017 venice cancelled TV series 93rd Oscars concert Nat Geo Video Games Awards critics remakes Mindy Kaling new star wars movies Lifetime Christmas movies Horror criterion BBC America south america blockbusters talk show Television Academy ABC Signature Avengers Turner kaiju The Arrangement animated CW Seed cars classics WarnerMedia MTV X-Men zombie monster movies rom-coms Marvel Studios spanish language TV renewals TCA 2017 Amazon Studios Netflix Christmas movies casting posters Fantasy chucky historical drama Instagram Live Image Comics IFC Films CBS All Access debate Comic Book 72 Emmy Awards mutant 007 satire 1990s serial killer series Black History Month Nickelodeon live action indiana jones 24 frames cartoon Disney streaming service godzilla best Brie Larson 90s biopic Comedy Central Amazon Prime Video Marvel Television VH1 ABC tv talk HBO travel RT21 scary leaderboard richard e. Grant robots vampires The Walking Dead Esquire Year in Review anime Dark Horse Comics werewolf rt archives Grammys Amazon Prime Winter TV nbcuniversal theme song aapi Biopics comic hollywood documentary