Jumanji

(Photo by Columbia/courtesy Everett Collection)

All Robin Williams Movies, Ranked by Tomatometer

Robin Williams earned his big-screen debut as Popeye in 1980 on the the growing popularity of his frenzied, freewheeling stand-up routine, and his literally out-of-this-world role on TV’s Mork & Mindy. Williams’ follow-up, The World According to Garp, was quick to reveal the sensitive artist, the melancholic side to the actor that sought fulfillment in dramatic characters and movies. Of course, it was the ’80s, and the market demanded awful comedies, which Williams was obliged to make until that special breakthrough role that would propel him out of yuppie slapstick. That moment arrived in 1987 with Barry Levinson’s Good Morning, Vietnam, a box office smash that nabbed Williams his first Oscar nomination and was part and parcel of Reagan-era movies like First Blood and Platoon that re-defined the American perception of the War.

Vietnam kicked off a strong run of critical praise and Academy recognition, as William appeared in Dead Poets Society, Awakenings, and The Fisher King one after the other. If comedy was beginning to look like something in the rear view mirror, Williams abruptly shifted gears into family fare, starting with 1991’s Hook, and then Aladdin (a turning point for celebrity voice actors as animated marketing draws), Mrs. Doubtfire, Jumanji, and Flubber. Williams was everywhere in the ’90s, and it all culminated with the multiple career-launching Good Will Hunting, which got him his final Oscar nomination (he was previously recognized for Fisher King and Dead Poets) and only win.

After flops Bicentennial Man and Jakob the Liar saw him veer hard into sentimentality, Williams re-invented himself as a dark angel in 2002 with Death to Smoochy, Insomnia, and One Hour Photo. Broad comedies (like Old Dogs, Man of the Year, RV, or License to Wed) would still remind audiences of the old eager-to-please Williams, even as they repelled critics. And he could use his pre-conceived image as a genial figure in his favor in ensemble pieces like the Night at the Museum series, Happy Feet, or Lee Daniels’ The Butler. But it was obvious Williams was increasingly drawn to pitch-black comedies and dramas, which ramped up in menace over the course of The Night Listener, World’s Greatest Dad, The Angriest Man in Brooklyn, and A Merry Friggin’ Christmas.

Williams’ final on-screen performance was 2015’s Boulevard, and his last voice role featured in 2017 for Absolutely Anything. A Certified Fresh 2018 documentary, Robin Williams: Come Inside My Mind, remains to illuminate more of his life, as we rank all Robin Williams movies by Tomatometer.

#57

Old Dogs (2009)
5%

#57
Adjusted Score: 9006%
Critics Consensus: Its cast tries hard, but Old Dogs is a predictable, nearly witless attempt at physical comedy and moral uplift that misses the mark on both counts.
Synopsis: While preparing for an important business deal, two bachelors (John Travolta, Robin Williams) become the unexpected caretakers of twin children.... [More]
Directed By: Walt Becker

#56

The Big Wedding (2013)
7%

#56
Adjusted Score: 11015%
Critics Consensus: The Big Wedding's all-star cast is stranded in a contrived, strained plot that features broad stabs at humor but few laughs.
Synopsis: Don (Robert De Niro) and Ellie Griffin (Diane Keaton) are long-divorced, but when their adopted son's ultraconservative biological mother unexpectedly... [More]
Directed By: Justin Zackham

#55

License to Wed (2007)
7%

#55
Adjusted Score: 11981%
Critics Consensus: Featuring one of Robin Williams' most shtick-heavy performances, the broad and formulaic License to Wed wrings little out of its slightly creepy, unappealing premise.
Synopsis: Newly engaged couple Sadie (Mandy Moore) and Ben (John Krasinski) look forward to a traditional wedding in St. Augustine's Church... [More]
Directed By: Ken Kwapis

#54

The Survivors (1983)
9%

#54
Adjusted Score: 9164%
Critics Consensus: No consensus yet.
Synopsis: When Sonny Paluso's (Walter Matthau) gas station is blown up and Donald Quinelle (Robin Williams) loses his cushy executive job,... [More]
Directed By: Michael Ritchie

#53
Adjusted Score: 9503%
Critics Consensus: No consensus yet.
Synopsis: After learning that a brain aneurysm will kill him in about 90 minutes, a perpetually unhappy man (Robin Williams) struggles... [More]
Directed By: Phil Alden Robinson

#52

House of D (2004)
10%

#52
Adjusted Score: 12557%
Critics Consensus: A sincere but inept coming of age story.
Synopsis: In the present, artist Tom Warshaw (David Duchovny) recalls his traumatic coming of age. As a 13-year-old (Anton Yelchin) growing... [More]
Directed By: David Duchovny

#51

Club Paradise (1986)
11%

#51
Adjusted Score: 12036%
Critics Consensus: No consensus yet.
Synopsis: Jack Moniker (Robin Williams) is a retired firefighter who teams up with reggae singer Ernest Reed (Jimmy Cliff) to open... [More]
Directed By: Harold Ramis

#50
Adjusted Score: 13815%
Critics Consensus: No consensus yet.
Synopsis: Boyd is forced to spend Christmas at his parents' house and has to hit the road with his eccentric father... [More]
Directed By: Tristram Shapeero

#49

Jack (1996)
17%

#49
Adjusted Score: 18506%
Critics Consensus: Robin Williams' childlike energy is channeled in all the wrong places with Jack, a bizarre tragedy that aims for uplift but sinks deep into queasy schmaltz.
Synopsis: After an unusually short pregnancy, Karen Powell (Diane Lane) gives birth to a baby boy whose body ages much faster... [More]
Directed By: Francis Ford Coppola

#48
#48
Adjusted Score: 19926%
Critics Consensus: Given the impressive array of talent involved in Absolutely Anything -- and the near-total lack of laughs it provokes -- this Monty Python reunion can only be regarded as a disappointment.
Synopsis: Eccentric aliens give a man (Simon Pegg) the power to do anything he wants to determine if Earth is worth... [More]
Directed By: Terry Jones

#47

Man of the Year (2006)
21%

#47
Adjusted Score: 27005%
Critics Consensus: Weakened by second-half attempts at thriller and romance, this presidential comedy also fails to hit any sharp political notes, resulting in a confused and unsatisfying mess.
Synopsis: Tom Dobbs (Robin Williams), the satirical host of a political talk show, decides to shake things up by running for... [More]
Directed By: Barry Levinson

#46

Patch Adams (1998)
22%

#46
Adjusted Score: 24462%
Critics Consensus: Syrupy performances and directing make this dramedy all too obvious.
Synopsis: After struggling with depression in a mental hospital, Hunter "Patch" Adams (Robin Williams) decides he wants to become a doctor.... [More]
Directed By: Tom Shadyac

#45

RV (2006)
24%

#45
Adjusted Score: 27861%
Critics Consensus: An unoriginal and only occasionally funny family road-trip movie, RV is a mediocre effort that not even the charisma of Robin Williams can save.
Synopsis: The Munros are a typically American dysfunctional family, complete with rebellious, uncommunicative offspring and baffled parents. Patriarch Bob (Robin Williams)... [More]
Directed By: Barry Sonnenfeld

#44

Flubber (1997)
24%

#44
Adjusted Score: 24542%
Critics Consensus: With its overactive focus on special effects and tiresome slapstick, Flubber squanders the immense talent of its cast and crew.
Synopsis: Professor Philip Brainard (Robin Williams) is experimenting with new kinds of energy, and he thinks this project will save struggling... [More]
Directed By: Les Mayfield

#43

Fathers' Day (1997)
25%

#43
Adjusted Score: 27561%
Critics Consensus: A maudlin misfire, Father's Day manages the difficult task of making Billy Crystal and Robin Williams woefully unfunny.
Synopsis: Jack (Billy Crystal) is a straitlaced lawyer with a loving wife (Julia Louis-Dreyfus). Dale (Robin Williams) is suicidal about his... [More]
Directed By: Ivan Reitman

#42

Nine Months (1995)
25%

#42
Adjusted Score: 26486%
Critics Consensus: Nine Months finds writer-director Chris Columbus playing to his worst comedic instincts -- and relying far too heavily on the trademark tics of his miscast leading man.
Synopsis: When successful child psychologist and one-time playboy Samuel Faulkner (Hugh Grant) hears that his girlfriend, Rebecca (Julianne Moore), is pregnant,... [More]
Directed By: Chris Columbus

#41

Hook (1991)
29%

#41
Adjusted Score: 32909%
Critics Consensus: The look of Hook is lively indeed but Steven Spielberg directs on autopilot here, giving in too quickly to his sentimental, syrupy qualities.
Synopsis: When his young children are abducted by his old nemesis, Capt. Hook (Dustin Hoffman), middle-aged lawyer Peter Banning (Robin Williams)... [More]
Directed By: Steven Spielberg

#40

Jakob the Liar (1999)
29%

#40
Adjusted Score: 31703%
Critics Consensus: Any real story is buried by awkward performances and contrived situations.
Synopsis: In 1944, Jewish shop owner Jakob (Robin Williams) overhears a radio broadcast on the movements of the Soviet army while... [More]
Directed By: Peter Kassovitz

#39

The Big White (2005)
30%

#39
Adjusted Score: 14296%
Critics Consensus: No consensus yet.
Synopsis: An indebted travel agent (Robin Williams) tries to land $1 million by claiming a dead body is his missing brother.... [More]
Directed By: Mark Mylod

#38

Toys (1992)
30%

#38
Adjusted Score: 30615%
Critics Consensus: Like a colorfully overengineered gewgaw on the shelf, Toys might look like fun, but its seemingly limitless possibilities lead mainly to confusion and disappointment.
Synopsis: A hi-tech toy factory falls into the hands of an army general who turns the models into killing machines. The... [More]
Directed By: Barry Levinson

#37
#37
Adjusted Score: 30410%
Critics Consensus: No consensus yet.
Synopsis: Married banker Jack Dundee (Robin Williams) has lived his life regretting a botched play he made in a high school... [More]
Directed By: Roger Spottiswoode

#36
Adjusted Score: 30754%
Critics Consensus: No consensus yet.
Synopsis: In this animated sequel, after months of preparation for their wedding, former street thief Aladdin (Scott Weinger) and his beloved... [More]
Directed By: Tad Stones

#35

Bicentennial Man (1999)
36%

#35
Adjusted Score: 39988%
Critics Consensus: Bicentennial Man is ruined by a bad script and ends up being dull and mawkish.
Synopsis: Richard Martin (Sam Neill) buys a gift, a new NDR-114 robot. The product is named Andrew (Robin Williams) by the... [More]
Directed By: Chris Columbus

#34

Final Cut (1985)
37%

#34
Adjusted Score: 39349%
Critics Consensus: The Final Cut fails to make compelling use of its intriguing premise and talented cast, settling for a middling sci-fi drama that never justifies its pretensions.
Synopsis: A Hollywood film crew's bayou location takes a dangerous turn when one of their technicians and a local woman disappear.... [More]
Directed By: Larry G. Brown

#33

August Rush (2007)
37%

#33
Adjusted Score: 41885%
Critics Consensus: Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot.
Synopsis: A musically gifted orphan, Evan (Freddie Highmore), runs away from his orphanage and searches New York City for his birth... [More]
Directed By: Kirsten Sheridan

#32
#32
Adjusted Score: 44481%
Critics Consensus: This psychological thriller compels by blurring the line between truth and fiction; unfortunately, the film itself gets muddled in a hazy account of Maupin's original novel.
Synopsis: Gabriel Noone (Robin Williams), a writer and host of a late-night radio show, begins a phone correspondence with Pete (Rory... [More]
Directed By: Patrick Stettner

#31

Death to Smoochy (2002)
42%

#31
Adjusted Score: 45512%
Critics Consensus: The talent involved can't save a script that has nowhere to go with its promising premise.
Synopsis: Tells the story of Rainbow Randolph (Robin Williams), the corrupt, costumed star of a popular children's TV show, who is... [More]
Directed By: Danny DeVito

#30
#30
Adjusted Score: 48671%
Critics Consensus: Parents might call this either a spectacle-filled adventure or a shallow and vapid CG-fest, depending on whether they choose to embrace this on the same level as their kids.
Synopsis: A night watchman (Ben Stiller) at a museum of natural history makes a startling discovery: Thanks to the unleashing of... [More]
Directed By: Shawn Levy

#29
Adjusted Score: 50692%
Critics Consensus: Night at the Museum: Battle at the Smithsonian is busy enough to keep the kids interested but the slapstick goes overboard and the special effects (however well executed) throw the production into mania.
Synopsis: Once the night guard at the Museum of Natural History, Larry Daley (Ben Stiller) is now a successful purveyor of... [More]
Directed By: Shawn Levy

#28

Happy Feet Two (2011)
45%

#28
Adjusted Score: 49213%
Critics Consensus: The animation is as eye-popping as ever, but Happy Feet Two's narrative is too noisily incoherent to recapture the Oscar-winning charm of its predecessor.
Synopsis: Mumble (Elijah Wood) the penguin, now called the Master of Tap, has an unusual problem: Erik, his son, is reluctant... [More]
Directed By: George Miller

#27
Adjusted Score: 50308%
Critics Consensus: While not without its moments, Night at the Museum: Secret of the Tomb is a less-than-inspired sendoff for the trilogy.
Synopsis: When the exhibits at New York's Natural History Museum start behaving strangely, Larry Daley (Ben Stiller) -- now the director... [More]
Directed By: Shawn Levy

#26

Boulevard (2014)
52%

#26
Adjusted Score: 54272%
Critics Consensus: Boulevard features a richly layered performance from Robin Williams, but that may be this dour drama's sole distinctive feature.
Synopsis: A married man's (Robin Williams) long-suppressed sexual identity slowly emerges when picks up a male hooker (Roberto Aguire) and pays... [More]
Directed By: Dito Montiel

#25

Being Human (1994)
54%

#25
Adjusted Score: 53029%
Critics Consensus: No consensus yet.
Synopsis: One human soul named Hector (Robin Williams) gets the chance to live five separate lives, through different periods of history.... [More]
Directed By: Bill Forsyth

#24
#24
Adjusted Score: 55397%
Critics Consensus: An insubstantial plot overshadows the beautiful, surreal scenery.
Synopsis: After Chris Nielsen (Robin Williams) dies in a car accident, he is guided through the afterlife by his spirit guide,... [More]
Directed By: Vincent Ward

#23

Cadillac Man (1990)
55%

#23
Adjusted Score: 51644%
Critics Consensus: No consensus yet.
Synopsis: Car dealer Joey O'Brien (Robin Williams) is spread as thin financially as he is in his love life. He's dating... [More]
Directed By: Roger Donaldson

#22

Jumanji (1995)
55%

#22
Adjusted Score: 56951%
Critics Consensus: A feast for the eyes with a somewhat malnourished plot, Jumanji is an underachieving adventure that still offers a decent amount of fun for the whole family.
Synopsis: A magical board game unleashes a world of adventure on siblings Peter (Bradley Pierce) and Judy Shepherd (Kirsten Dunst). While... [More]
Directed By: Joe Johnston

#21

Popeye (1980)
63%

#21
Adjusted Score: 64744%
Critics Consensus: Altman's take on the iconic cartoon is messy and wildly uneven, but its robust humor and manic charm are hard to resist.
Synopsis: Looking for the father (Ray Walston) who deserted him as a baby, a sailor named Popeye (Robin Williams) journeys to... [More]
Directed By: Robert Altman

#20
Adjusted Score: 62550%
Critics Consensus: No consensus yet.
Synopsis: Crysta (Samantha Mathis) is a fairy who lives in FernGully, a rainforest in Australia, and has never seen a human... [More]
Directed By: Bill Kroyer

#19

Robots (2005)
64%

#19
Adjusted Score: 70179%
Critics Consensus: Robots delights on a visual level, but the story feels like it came off an assembly line.
Synopsis: In a world of sentient robots, striving young inventor Rodney Copperbottom (Ewan McGregor) wants to work for the avuncular Bigweld... [More]

#18

Mrs. Doubtfire (1993)
72%

#18
Adjusted Score: 75136%
Critics Consensus: On paper, Mrs. Doubtfire might seem excessively broad or sentimental, but Robin Williams shines so brightly in the title role that the end result is difficult to resist.
Synopsis: Troubled that he has little access to his children, divorced Daniel Hillard (Robin Williams) hatches an elaborate plan. With help... [More]
Directed By: Chris Columbus

#17
#17
Adjusted Score: 79000%
Critics Consensus: Gut-wrenching and emotionally affecting, Lee Daniels' The Butler overcomes an uneven narrative thanks to strong performances from an all-star cast.
Synopsis: After leaving the South as a young man and finding employment at an elite hotel in Washington, D.C., Cecil Gaines... [More]
Directed By: Lee Daniels

#16
#16
Adjusted Score: 73766%
Critics Consensus: No consensus yet.
Synopsis: Novelist Harry Block (Woody Allen) has become a success by turning his family and friends' lives into fodder for his... [More]
Directed By: Woody Allen

#15
Adjusted Score: 73926%
Critics Consensus: No consensus yet.
Synopsis: A nurse during World War II, Jenny Fields (Glenn Close) conceives with a dying pilot and bears a boy named... [More]
Directed By: George Roy Hill

#14

Happy Feet (2006)
76%

#14
Adjusted Score: 82053%
Critics Consensus: Visually dazzling, with a thoughtful storyline and catchy musical numbers, Happy Feet marks a successful animated debut from the makers of Babe.
Synopsis: Mumble (Elijah Wood), a young emperor penguin, lives in Antarctica. Like others of his kind, he needs to be able... [More]
Directed By: George Miller

#13

The Birdcage (1996)
81%

#13
Adjusted Score: 83778%
Critics Consensus: Mike Nichols wrangles agreeably amusing performances from Robin Williams and Nathan Lane in this fun, if not quite essential, remake of the French comedy La Cage aux Folles.
Synopsis: In this remake of the classic French farce "La Cage aux Folles," engaged couple Val Goldman (Dan Futterman) and Barbara... [More]
Directed By: Mike Nichols

#12

One Hour Photo (2002)
82%

#12
Adjusted Score: 87620%
Critics Consensus: Robin Williams is very effective in this creepy, well-shot thriller.
Synopsis: Casual shoppers stocking up at the local SavMart may not pay much attention to the man at the photo counter.... [More]
Directed By: Mark Romanek

#11

Dead Again (1991)
83%

#11
Adjusted Score: 85208%
Critics Consensus: No consensus yet.
Synopsis: When a mute woman suffering from amnesia (Emma Thompson) arrives at the gates of an old orphanage, private investigator Mike... [More]
Directed By: Kenneth Branagh

#10
#10
Adjusted Score: 88721%
Critics Consensus: Affecting performances from the young cast and a genuinely inspirational turn from Robin Williams grant Peter Weir's prep school drama top honors.
Synopsis: A new English teacher, John Keating (Robin Williams), is introduced to an all-boys preparatory school that is known for its... [More]
Directed By: Peter Weir

#9

The Fisher King (1991)
84%

#9
Adjusted Score: 87551%
Critics Consensus: An odd but affecting mixture of drama, comedy and fantasy, The Fisher King manages to balance moving performances from Robin Williams and Jeff Bridges with director Terry Gilliam's typically askew universe.
Synopsis: After shock jock Jack Lucas (Jeff Bridges) inadvertently provokes a caller into murdering a group of innocent people in a... [More]
Directed By: Terry Gilliam

#8
#8
Adjusted Score: 85995%
Critics Consensus: With Robin Williams' affecting portrayal as a Russian immigrant at the center of its fish-out-of-water story, Moscow on The Hudson soars with an abundance of laughs and heart.
Synopsis: A Russian musician defects to the United States and settles in New York with the help of a Bloomingdale's employee.... [More]
Directed By: Paul Mazursky

#7

Awakenings (1990)
89%

#7
Adjusted Score: 90043%
Critics Consensus: Elevated by some of Robin Williams' finest non-comedic work and a strong performance from Robert De Niro, Awakenings skirts the edges of melodrama, then soars above it.
Synopsis: The story of a doctor's extraordinary work in the Sixties with a group of catatonic patients he finds languishing in... [More]
Directed By: Penny Marshall

#6
#6
Adjusted Score: 92407%
Critics Consensus: World's Greatest Dad is a risky, deadpan, dark comedy that effectively explores the nature of posthumous cults of celebrity.
Synopsis: When the son of high school English teacher Lance Clayton (Robin Williams) accidentally kills himself, Clayton writes a fake suicide... [More]
Directed By: Bobcat Goldthwait

#5
#5
Adjusted Score: 93129%
Critics Consensus: A well-calibrated blend of manic comedy and poignant drama, Good Morning, Vietnam offers a captivating look at a wide range of Robin Williams' cinematic gifts.
Synopsis: Radio funny man Adrian Cronauer (Robin Williams) is sent to Vietnam to bring a little comedy back into the lives... [More]
Directed By: Barry Levinson

#4

Insomnia (2002)
92%

#4
Adjusted Score: 98583%
Critics Consensus: Driven by Al Pacino and Robin Williams' performances, Insomnia is a smart and riveting psychological drama.
Synopsis: From acclaimed director Chris Nolan ("Memento") comes the story of a veteran police detective (Al Pacino) who is sent to... [More]
Directed By: Christopher Nolan

#3

Hamlet (1996)
95%

#3
Adjusted Score: 96992%
Critics Consensus: Kenneth Branagh's sprawling, finely textured adaptation of Shakespeare's masterpiece lives up to its source material, using strong performances and a sharp cinematic focus to create a powerfully resonant film that wastes none of its 246 minutes.
Synopsis: In the only unabridged film version of the classic play, here updated to the 19th century, Prince Hamlet (Kenneth Branagh)... [More]
Directed By: Kenneth Branagh

#2

Aladdin (1992)
95%

#2
Adjusted Score: 100264%
Critics Consensus: A highly entertaining entry in Disney's renaissance era," Aladdin is beautifully drawn, with near-classic songs and a cast of scene-stealing characters.
Synopsis: When street rat Aladdin frees a genie from a lamp, he finds his wishes granted. However, he soon finds that... [More]
Directed By: Ron Clements, John Musker

#1
#1
Adjusted Score: 101368%
Critics Consensus: It follows a predictable narrative arc, but Good Will Hunting adds enough quirks to the journey -- and is loaded with enough powerful performances -- that it remains an entertaining, emotionally rich drama.
Synopsis: Will Hunting (Matt Damon) has a genius-level IQ but chooses to work as a janitor at MIT. When he solves... [More]
Directed By: Gus Van Sant

A Wrinkle in Time, adaptation of the Madeleine L’engle kids fantasy novel and Ava DuVernay’s sojourn into $100 million filmmaking, isn’t getting the best reviews. As the score settles in the lower-40s, Wrinkle would place somewhere in the middle of this week’s gallery: the 24 worst children’s book adaptations, each rated PG and ranked by Tomatometer.

They’ve been a long time coming, but Dakota Johnson and Jamie Dornan are reaching the climax with Fifty Shades Freed, opening wide this Friday. And if history is any indication (Grey and Darker are 25% and 10% respectively on the Tomatometer), Freed won’t be hitting the spot with critics, prompting this week’s gallery of the most Rotten movie trilogies ever.

Ricky Gervais - Jeff Vespa/WireImage.com

NB: This is the third part of a larger feature – to start from the beginning click here.

Ricky Gervais, the award-winning creator of The Office and Extras, is a very funny guy – a description he’d no doubt agree with.

But fame found the 47 year-old late in life. An early stint in the 80s as one half of pop duo Seona Dancing – by his own admission a duo more than slightly influenced by David Bowie — didn’t catapult the Reading-born Gervais to international success. Instead it was years later, when he wrote, directed and starred in The Office, a faux-documentary about life in a Slough paper merchant’s, that Gervais truly found fame. The show became one of the country’s most successful sitcoms and set Gervais up as one of comedy’s icons.

His career has gone from strength to strength ever since. With his writing partner Stephen Merchant and radio producer Karl Pilkington, The Ricky Gervais Show served London station XFM well for years before spinning off into the most successful podcast of all time. With Merchant he went on to write Extras, leveraging all the good will he’d earned with The Office to pepper a sitcom about life as a Supporting Artiste with cameos from the likes of Kate Winslet, Samuel L. Jackson and Orlando Bloom.

Hollywood soon beckoned, and Gervais’ star began to ascend Stateside with cameos in the likes of Night at the Museum, For Your Consideration and Stardust. This year it’s his turn to dominate, with the recently-released comedy Ghost Town marking his first romantic lead. He’ll follow it next year with This Side of the Truth, which he’s written and directed with Matthew Robinson. The star-studded comedy is set in a world in which the human race hasn’t evolved the gene to lie until a writer discovers he’s different.

Proving his talents operated just as comfortably in the live arena, Gervais has performed three stand-up shows, Animals, Politics and Fame, which have had respective DVD releases. A new show for the US will be released there shortly.

Dinner and the Movies
Ricky Gervais talks to RT-UK editor Joe Utichi

As Gervais works to finish This Side of the Truth and begins work on his next project — a new British comedy with Stephen Merchant — he joins RT to accept his Certified Fresh award for Ghost Town and discuss his career past, present and future. This is the latest chapter in our Dinner and the Movies series of extended interviews, which began with Kevin Smith and continued with Neil Gaiman, Edgar Wright and Guillermo del Toro.

The interview, presented in 15 parts which we’ll release in 5 chapters every day this week, can be watched back-to-back for a full conversational experience or dipped in and out of at will. Start from the beginning here.

Previously:

Part 1 – On being Certified Fresh and the worth of reviews.
Part 2 – On this year’s Emmys — highlights and lowlights.
Part 3 – On receiving the RT award and the public reception of Ghost Town.
Part 4 – On redemption as a key theme and comedy plus.
Part 5 – On how annoyance informs the podcast.
Part 6 – On the brilliance of Karl Pilkington.
Part 7 – On a return to the podcast and a possible live run.
Part 8 – On going back to Extras.
Part 9 – On taking Andy Millman and company to America.
Part 10 – On why it’s easy to be ambitious.
Part 11 – On what to expect from This Side of the Truth.
Part 12 – On Karl’s appearance in the film and his take on evolution.

In Today’s Chapter:

Part 13 – On Karl becoming a Rotten Tomatoes film critic.
Part 14 – On The Man from the Pru and a TV spin-off for the film.
Part 15 – On Simon Pegg, British comedy and dealing with press over-exaggeration.

Join us again tomorrow as Gervais discusses the ease of ambition, what to expect from This Side of the Truth and Karl’s abortive appearence in the film. But for now, continue onto Part 13.

Ricky Gervais’ home on the web is rickygervais.com

Part 13 of 15: On Karl becoming a Rotten Tomatoes film critic.

Could Karl soon be reviewing films for RT? We certainly hope so — Ricky and RT strike a deal.

Continue on Part 14: On The Man from the Pru and a TV spin-off for the film.

Part 14 of 15: On The Man from the Pru and a TV spin-off for the film.

Gervais will reteam with Stephen Merchant on The Man from the Pru — he shares his idea for a TV spinoff exclusively with RT.

Continue on Part 15: On Simon Pegg, British comedy and dealing with press over-exaggeration.

Part 15 of 15: On Simon Pegg, British comedy and dealing with press over-exaggeration.

Simon Pegg recently made some comments that started an all-out war with Gervais. Except it didn’t. Ricky laughs about the “feud,” talks about British comedy and ponders press over-exaggeration.

This concludes our Dinner and the Movies interview with Ricky Gervais. If you missed any part of it click here to start from the beginning. Ricky Gervais’ home on the web is rickygervais.com

Ricky Gervais - Jeff Vespa/WireImage.com

NB: This is the third part of a larger feature – to start from the beginning click here.

Ricky Gervais, the award-winning creator of The Office and Extras, is a very funny guy – a description he’d no doubt agree with.

But fame found the 47 year-old late in life. An early stint in the 80s as one half of pop duo Seona Dancing – by his own admission a duo more than slightly influenced by David Bowie — didn’t catapult the Reading-born Gervais to international success. Instead it was years later, when he wrote, directed and starred in The Office, a faux-documentary about life in a Slough paper merchant’s, that Gervais truly found fame. The show became one of the country’s most successful sitcoms and set Gervais up as one of comedy’s icons.

His career has gone from strength to strength ever since. With his writing partner Stephen Merchant and radio producer Karl Pilkington, The Ricky Gervais Show served London station XFM well for years before spinning off into the most successful podcast of all time. With Merchant he went on to write Extras, leveraging all the good will he’d earned with The Office to pepper a sitcom about life as a Supporting Artiste with cameos from the likes of Kate Winslet, Samuel L. Jackson and Orlando Bloom.

Hollywood soon beckoned, and Gervais’ star began to ascend Stateside with cameos in the likes of Night at the Museum, For Your Consideration and Stardust. This year it’s his turn to dominate, with the recently-released comedy Ghost Town marking his first romantic lead. He’ll follow it next year with This Side of the Truth, which he’s written and directed with Matthew Robinson. The star-studded comedy is set in a world in which the human race hasn’t evolved the gene to lie until a writer discovers he’s different.

Proving his talents operated just as comfortably in the live arena, Gervais has performed three stand-up shows, Animals, Politics and Fame, which have had respective DVD releases. A new show for the US will be released there shortly.

Dinner and the Movies
Ricky Gervais talks to RT-UK editor Joe Utichi

As Gervais works to finish This Side of the Truth and begins work on his next project — a new British comedy with Stephen Merchant — he joins RT to accept his Certified Fresh award for Ghost Town and discuss his career past, present and future. This is the latest chapter in our Dinner and the Movies series of extended interviews, which began with Kevin Smith and continued with Neil Gaiman, Edgar Wright and Guillermo del Toro.

The interview, presented in 15 parts which we’ll release in 5 chapters every day this week, can be watched back-to-back for a full conversational experience or dipped in and out of at will. Start from the beginning here.

Previously:

Part 1 – On being Certified Fresh and the worth of reviews.
Part 2 – On this year’s Emmys — highlights and lowlights.
Part 3 – On receiving the RT award and the public reception of Ghost Town.
Part 4 – On redemption as a key theme and comedy plus.
Part 5 – On how annoyance informs the podcast.
Part 6 – On the brilliance of Karl Pilkington.
Part 7 – On a return to the podcast and a possible live run.
Part 8 – On going back to Extras.
Part 9 – On taking Andy Millman and company to America.

In Today’s Chapter:

Part 10 – On why it’s easy to be ambitious.
Part 11 – On what to expect from This Side of the Truth.
Part 12 – On Karl’s appearance in the film and his take on evolution.

Join us again tomorrow as Gervais discusses the ease of ambition, what to expect from This Side of the Truth and Karl’s abortive appearence in the film. But for now, continue onto Part 10.

Ricky Gervais’ home on the web is rickygervais.com

Part 10 of 15: On why it’s easy to be ambitious.

It’s easy to be ambitious, says Gervais, which is just as well as he’s been busy recently.

Continue on Part 11: On what to expect from This Side of the Truth.

Part 11 of 15: On what to expect from This Side of the Truth.

What can audiences expect from This Side of the Truth? Ricky explains the film.

Continue on Part 12: On Karl’s appearance in the film and his take on evolution.

Part 12 of 15: On Karl’s appearance in the film and his take on evolution.

There’s a cameo for Karl Pilkington in This Side of the Truth. Or is there? We discuss his role and his take on the film’s themes.

Join us again tomorrow as Gervais finds a job for Karl Pilkington on RT, talks about his reteaming with Stephen Merchant on The Man from the Pru and continues the “feud” with Simon Pegg.

Ricky Gervais’ home on the web is rickygervais.com

Ricky Gervais - Jeff Vespa/WireImage.com

NB: This is the third part of a larger feature – to start from the beginning click here.

Ricky Gervais, the award-winning creator of The Office and Extras, is a very funny guy – a description he’d no doubt agree with.

But fame found the 47 year-old late in life. An early stint in the 80s as one half of pop duo Seona Dancing – by his own admission a duo more than slightly influenced by David Bowie — didn’t catapult the Reading-born Gervais to international success. Instead it was years later, when he wrote, directed and starred in The Office, a faux-documentary about life in a Slough paper merchant’s, that Gervais truly found fame. The show became one of the country’s most successful sitcoms and set Gervais up as one of comedy’s icons.

His career has gone from strength to strength ever since. With his writing partner Stephen Merchant and radio producer Karl Pilkington, The Ricky Gervais Show served London station XFM well for years before spinning off into the most successful podcast of all time. With Merchant he went on to write Extras, leveraging all the good will he’d earned with The Office to pepper a sitcom about life as a Supporting Artiste with cameos from the likes of Kate Winslet, Samuel L. Jackson and Orlando Bloom.

Hollywood soon beckoned, and Gervais’ star began to ascend Stateside with cameos in the likes of Night at the Museum, For Your Consideration and Stardust. This year it’s his turn to dominate, with the recently-released comedy Ghost Town marking his first romantic lead. He’ll follow it next year with This Side of the Truth, which he’s written and directed with Matthew Robinson. The star-studded comedy is set in a world in which the human race hasn’t evolved the gene to lie until a writer discovers he’s different.

Proving his talents operated just as comfortably in the live arena, Gervais has performed three stand-up shows, Animals, Politics and Fame, which have had respective DVD releases. A new show for the US will be released there shortly.

Dinner and the Movies
Ricky Gervais talks to RT-UK editor Joe Utichi

As Gervais works to finish This Side of the Truth and begins work on his next project — a new British comedy with Stephen Merchant — he joins RT to accept his Certified Fresh award for Ghost Town and discuss his career past, present and future. This is the latest chapter in our Dinner and the Movies series of extended interviews, which began with Kevin Smith and continued with Neil Gaiman, Edgar Wright and Guillermo del Toro.

The interview, presented in 15 parts which we’ll release in 5 chapters every day this week, can be watched back-to-back for a full conversational experience or dipped in and out of at will. Start from the beginning here.

Previously:

Part 1 – On being Certified Fresh and the worth of reviews.
Part 2 – On this year’s Emmys — highlights and lowlights.
Part 3 – On receiving the RT award and the public reception of Ghost Town.
Part 4 – On redemption as a key theme and comedy plus.
Part 5 – On how annoyance informs the podcast.
Part 6 – On the brilliance of Karl Pilkington.

In Today’s Chapter:

Part 7 – On a return to the podcast and a possible live run.
Part 8 – On going back to Extras.
Part 9 – On taking Andy Millman and company to America.

Join us again tomorrow as Gervais discusses the ease of ambition, what to expect from This Side of the Truth and Karl’s abortive appearence in the film. But for now, continue onto Part 7.

Ricky Gervais’ home on the web is rickygervais.com

Part 7 of 15: On a return to the podcast and a possible live run.

Could the podcast return as a live show? Gervais certainly hopes so, as he explains to RT.

Continue on Part 8: On going back to Extras.

Part 8 of 15: On going back to Extras.

Extras demands more screen time, says Gervais, as he discusses with RT where Andy Millman could go next.

Continue on Part 9: On taking Andy Millman and company to America.

Part 9 of 15: On taking Andy Millman and company to America.

Andy Millman seems destined for Hollywood, as we discuss with Ricky Gervais.

Join us again tomorrow as Gervais discusses the ease of ambition, what to expect from This Side of the Truth and Karl’s abortive appearence in the film.

Ricky Gervais’ home on the web is rickygervais.com

Ricky Gervais - Jeff Vespa/WireImage.com

NB: This is the second part of a larger feature – to start from the beginning click here.

Ricky Gervais, the award-winning creator of The Office and Extras, is a very funny guy – a description he’d no doubt agree with.

But fame found the 47 year-old late in life. An early stint in the 80s as one half of pop duo Seona Dancing – by his own admission a duo more than slightly influenced by David Bowie — didn’t catapult the Reading-born Gervais to international success. Instead it was years later, when he wrote, directed and starred in The Office, a faux-documentary about life in a Slough paper merchant’s, that Gervais truly found fame. The show became one of the country’s most successful sitcoms and set Gervais up as one of comedy’s icons.

His career has gone from strength to strength ever since. With his writing partner Stephen Merchant and radio producer Karl Pilkington, The Ricky Gervais Show served London station XFM well for years before spinning off into the most successful podcast of all time. With Merchant he went on to write Extras, leveraging all the good will he’d earned with The Office to pepper a sitcom about life as a Supporting Artiste with cameos from the likes of Kate Winslet, Samuel L. Jackson and Orlando Bloom.

Hollywood soon beckoned, and Gervais’ star began to ascend Stateside with cameos in the likes of Night at the Museum, For Your Consideration and Stardust. This year it’s his turn to dominate, with the recently-released comedy Ghost Town marking his first romantic lead. He’ll follow it next year with This Side of the Truth, which he’s written and directed with Matthew Robinson. The star-studded comedy is set in a world in which the human race hasn’t evolved the gene to lie until a writer discovers he’s different.

Proving his talents operated just as comfortably in the live arena, Gervais has performed three stand-up shows, Animals, Politics and Fame, which have had respective DVD releases. A new show for the US will be released there shortly.

Dinner and the Movies
Ricky Gervais talks to RT-UK editor Joe Utichi

As Gervais works to finish This Side of the Truth and begins work on his next project — a new British comedy with Stephen Merchant — he joins RT to accept his Certified Fresh award for Ghost Town and discuss his career past, present and future. This is the latest chapter in our Dinner and the Movies series of extended interviews, which began with Kevin Smith and continued with Neil Gaiman, Edgar Wright and Guillermo del Toro.

The interview, presented in 15 parts which we’ll release in 5 chapters every day this week, can be watched back-to-back for a full conversational experience or dipped in and out of at will. Start from the beginning here.

Previously:

Part 1 – On being Certified Fresh and the worth of reviews.
Part 2 – On this year’s Emmys — highlights and lowlights.
Part 3 – On receiving the RT award and the public reception of Ghost Town.

In Today’s Chapter:

Part 4 – On redemption as a key theme and comedy plus.
Part 5 – On how annoyance informs the podcast.
Part 6 – On the brilliance of Karl Pilkington.

Join us again tomorrow as Gervais discusses a possible return to the podcast with a live show, and taking Andy Millman to the US in Extras. But for now, continue onto Part 4.

Ricky Gervais’ home on the web is rickygervais.com

Part 4 of 15: On redemption as a key theme and comedy plus.

Redemption has been a key theme for Gervais in The Office, Extras and now Ghost Town. He discusses why “comedy plus” is important.

Continue on Part 5: On how annoyance informs the podcast.

Part 5 of 15: On how annoyance informs the podcast.

The Ricky Gervais Show Podcast is one of the most popular of all time — Ricky explains why the dynamic works so well.

Continue on Part 6: On the brilliance of Karl Pilkington.

Part 6 of 15: On the brilliance of Karl Pilkington.

Karl Pilkington has a head like an orange, but he’s strangely brilliant. Gervais tells RT why that’s so.

Join us again tomorrow as Gervais discusses a possible return to the podcast with a live show, and taking Andy Millman to the US in Extras.

Ricky Gervais’ home on the web is rickygervais.com

Ricky Gervais - Jeff Vespa/WireImage.com

Ricky Gervais, the award-winning creator of The Office and Extras, is a very funny guy – a description he’d no doubt agree with.

But fame found the 47 year-old late in life. An early stint in the 80s as one half of pop duo Seona Dancing – by his own admission a duo more than slightly influenced by David Bowie — didn’t catapult the Reading-born Gervais to international success. Instead it was years later, when he wrote, directed and starred in The Office, a faux-documentary about life in a Slough paper merchant’s, that Gervais truly found fame. The show became one of the country’s most successful sitcoms and set Gervais up as one of comedy’s icons.

His career has gone from strength to strength ever since. With his writing partner Stephen Merchant and radio producer Karl Pilkington, The Ricky Gervais Show served London station XFM well for years before spinning off into the most successful podcast of all time. With Merchant he went on to write Extras, leveraging all the good will he’d earned with The Office to pepper a sitcom about life as a Supporting Artiste with cameos from the likes of Kate Winslet, Samuel L. Jackson and Orlando Bloom.

Hollywood soon beckoned, and Gervais’ star began to ascend Stateside with cameos in the likes of Night at the Museum, For Your Consideration and Stardust. This year it’s his turn to dominate, with the recently-released comedy Ghost Town marking his first romantic lead. He’ll follow it next year with This Side of the Truth, which he’s written and directed with Matthew Robinson. The star-studded comedy is set in a world in which the human race hasn’t evolved the gene to lie until a writer discovers he’s different.

Proving his talents operated just as comfortably in the live arena, Gervais has performed three stand-up shows, Animals, Politics and Fame, which have had respective DVD releases. A new show for the US will be released there shortly.

Dinner and the Movies
Ricky Gervais talks to RT-UK editor Joe Utichi

As Gervais works to finish This Side of the Truth and begins work on his next project — a new British comedy with Stephen Merchant — he joins RT to accept his Certified Fresh award for Ghost Town and discuss his career past, present and future. This is the latest chapter in our Dinner and the Movies series of extended interviews, which began with Kevin Smith and continued with Neil Gaiman, Edgar Wright and Guillermo del Toro.

The interview, presented in 15 parts which we’ll release in 5 chapters every day this week, can be watched back-to-back for a full conversational experience or dipped in and out of at will.

In Today’s Chapter:

Part 1 – On being Certified Fresh and the worth of reviews.
Part 2 – On this year’s Emmys — highlights and lowlights.
Part 3 – On receiving the RT award and the public reception of Ghost Town.

Join us again tomorrow as Gervais discusses his favourite theme, redemption, explains how the podcast dynamic works and revels in the brilliance of Karl Pilkington. But for now, continue onto Part 1.

Ricky Gervais’ home on the web is rickygervais.com

Part 1 of 15: On being Certified Fresh and the worth of reviews.

As Ricky comes to the RT office to pick up his Certified Fresh award he talks about critical success and the worth of awards.

Continue on Part 2: On this year’s Emmys — highlights and lowlights.

Part 2 of 15: On this year’s Emmys — highlights and lowlights.

Gervais’ appearance at the Emmy awards this year was one of the show’s few highlights — he discusses it with RT.

Continue on Part 3: On receiving the RT award and the public reception of Ghost Town.

Part 3 of 15: On receiving the RT award and the public reception of Ghost Town.

Gervais’ appearance at the Emmy awards this year was one of the show’s few highlights — he discusses it with RT.

Join us again tomorrow as Gervais discusses his favourite theme, redemption, explains how the podcast dynamic works and revels in the brilliance of Karl Pilkington.

Ricky Gervais’ home on the web is rickygervais.com

Hitting the UK cinemas this week we have Ricky Gervais as a dentist who sees dead people in the comedy Ghost Town, the long awaited big screen debut for the Disney behemoth that is High School Musical 3, and on a slightly less fluffy note we have a young mother who sees her husband and son killed in a terrorist attack in Incendiary. But what did the UK critics have to say?

Ricky Gervais boasts a proud record of two hugely successful TV series with The Office and Extras, pioneering and record-breaking podcasts with Stephen Merchant and the legendary Karl ‘Head Like A ****ing Orange’ Pilkington, a range of critically acclaimed childrens books with the Flanimals, three sellout stand-up shows, and most recently a few minor, but well received roles in Hollywood films Night At The Museum, For Your Consideration and Stardust. But how would he fare in his first starring role as misanthropic dentist Bertram Pincus, who discovers he can communicate with the dead after dying for seven minutes during a botched medical procedure? With the movie Certified Fresh at 85% on the Tomatometer, UK critics reflected what their American counterparts had said about the movie, praising Gervais for his enjoyable, sharp and witty performance as the spirit spotting teeth tyrant, which elevates the film above its possibly creaky concept into, what some of the critics are saying, one of the rom-coms of the year. Up next for Gervais is This Side Of Truth, due for release next year, a comedy in which he not only stars, but he has written, and co-directed, so we will see if we can add auteur to his already glittering CV.

If you are aged over the age of 14, you may find the whole High School Musical phenomenon slightly bewildering, but with ticket pre-sales for the threequel, the first cinematic outing for the smash hit series, breaking box-office records, there is no denying that Disney have a monster on their hands. Teen heartthrobs Zac Efron and Vanessa Hudgens reprise their roles as Troy and Gabriella, in the final year at East High School, with university looming, the couple have to face up for a possible future apart. UK critics praised the movie for its slick production, feel good factor, and positive messages, but on the whole the jaded critics felt underwhelmed by it’s saccharine lightweight nature, predictable plot and sanitised vision of high school life. But even at a Rotten 58% on the Tomatometer, we’ve no doubt that the critical reception for HSM3 will have no bearing whatsoever on its box office takings come half term week.

Incendiary is directed by Sharon Maguire who previously helmed Bridget Jones Diary and is an adaptation of a novel by Chris Cleave. The novel was notable for its release on 7/7/05, the day of the London bombing atrocities, as it also deals with a terrorist bomb plot in London. Michelle Williams stars as a young mother who’s life is torn apart when her son and husband are killed in a bomb blast at the Arsenal football stadium, who seeks solace in her grief with Ewan McGregor‘s reporter character. The critics have praised Williams’ earnest portrayal as the mourning mother in the well-natured drama, but on the whole the movie has been dismissed for its unrealistic portrayal of modern London, far-fecthed nature and cliché ridden plot. At 26% on the Tomatometer, Incendiary is more of a misfire than a blast off.

Also worth checking out this week…

Chocolate — A tough, uncompromising, real stunt, Thai Kung Fu flick, with a slushy plot but badass fight scenes. 69% on the Tomatometer.

Quote Of The Week

“Committed acting, cast chemistry and the odd touching moment just about save you from checking whether this was actually produced by Bernard Matthews.”

Incendiary. Larushka Ivan-Zadeh, Metro.

Three new releases roll into multiplexes across North America – one the size of an elephant, the others like specks of dust. Fox aims to deliver the largest opening weekend of the year so far with its animated family event film Horton Hears A Who which could very well triple the gross of its nearest competitor. Summit counters with its action title Never Back Down while Universal also targets young men with its horror flick Doomsday. Overall, the marketplace looks to bounce back and even stands a chance of beating year-ago figures for the first time in a month.

Almighty pals Jim Carrey and Steve Carell play nice this time in the first-ever animated feature version of a Dr. Seuss tale in Horton Hears A Who which goes into
saturation release on Friday. The G-rated pic tells of a playful elephant that discovers an entire city living on a tiny speck on a flower, but can’t convince others of its
existence. Fox has a mighty big hit on its hands for a number of reasons. The property is from an author that all generations are familiar with so parents and kids
alike can relate. The marketplace has very few viable options for children at the moment. Plus starpower from the two leads makes this a comedy juggernaut that
will allow the film to go beyond its core family audience and tap into business from teens and young adults too.

With one of the sharpest marketing departments around, Fox has the means to mine riches from this surefire spring blockbuster. Who else could propel lame
kidpics like Night at the Museum and Alvin and the Chipmunks to $200M+ megahit status over consecutive holiday seasons? The studio has used March as a
launching pad for its animated offerings from Blue Sky Studios allowing the films to steer clear of summer and holiday hits from Pixar and DreamWorks. In 2002,
Ice Age surprised everyone with its $46.3M debut. Three years later its Robots opened to $36M while the 2006 sequel Ice Age: The Meltdown bowed to a
mammoth $68M. Forgotten are the days of Titan A.E. Horton Hears A Who is destined to join its March brothers on the hit list.

The key to grosses skyrocketing lies in the interest of teens. Will they look at this as a Carrey-Carell dream team laugh-a-thon and line up? Chances are many will,
especially with no other major comedies doing substantial business. Appeal is broad with males and females of all ages opening their wallets. Sure it’s not as funny
as you’d hope given the two big C’s involved, but moviegoers will eat it up nonetheless. Plus with Good Friday and Easter helping the second weekend, long-term
prospects seem rosy too. Debuting ultrawide in over 3,900 theaters, Horton Hears A Who could collect about $50M over the Friday-to-Sunday period.


Seth Rogen and Jim Carrey (voices, that is) in Horton Hears a Who

Rookie distrib Summit Entertainment kicks into high gear with its fighting extravaganza Never Back Down which hopes to connect with the Mountain Dew crowd
looking for extreme action. The PG-13 flick stars relative unknowns Sean Faris and Amber Heard with Djimon Hounsou cast as the only star name. Action comes
from a high schooler’s discovery of the world of Mixed Martial Arts with the film playing as a hybrid of Fight Club and The Karate Kid. With little starpower and
a generic premise, Never will struggle to post strong box office numbers on opening weekend. Plus Doomsday will be stealing away some of the target audience
of young males. The two films really should not be opening head to head since neither is strong enough to stand on its own two feet in the first place. Summit gets
credit for at least trying with a marketing push that goes beyond what a pic with such little star wattage deserves. Never Back Down punches its way into 2,729
locations on Friday and could bag around $6M over three days.


Sean Faris in Never Back Down

Another killer virus film attacks the multiplexes, this time the British thriller Doomsday from Universal. The R-rated fright flick marks one of the studio’s few films to
not be screened for the press ahead of time and instead will rely on marketing to find its audience. Young men and genre aficionados should make up the primary
crowd here and they won’t be easy to reach. Besides the debut of Never Back Down, 10,000 BC is also in the marketplace playing to a good chunk of this
audience. Overall, the promotional push has not been too strong and awareness levels are not high, especially outside of the target demo. Infecting 1,935 theaters,
Doomsday looks to debut with about $5M this weekend before making a swift jump to that shiny disc.


The riotous revelry of Doomsday

After a sturdy debut, the prehistoric adventure 10,000 BC should suffer a sizable drop thanks to negative word-of-mouth. Direct competition from new releases
won’t be too much of a factor, but bad buzz will scare away prospective second weekend patrons. Look for a 55% decline which would give Warner Bros. about
$16M for the frame and $61M in ten days. The caveman pic will continue to dominate the overseas box office thanks to debuts this weekend in lucrative markets
like France, Italy, South Korea, and the United Kingdom.

Disney’s College Road Trip will take a direct hit from Horton this weekend as the family crowd will have a much bigger film to rally behind. A 40% drop would
put the Martin LawrenceRaven-Symone comedy at $8M for a ten-day cume of $25M.

Audiences have been receptive to the presidential assassination storyline of Vantage Point which could drop another 40% to $4.5M this weekend for a cume of
$58M for Sony. Lionsgate’s The Bank Job probably saw the bulk of Jason Statham fans rush out on opening weekend so a 45% fall would give the heist thriller
$3M and $11M in ten days.

LAST YEAR: New releases were no match for the top two films in North America which remained on top of the charts. The mammoth Spartan smash 300 tumbled 54% in its second weekend but still posted a hefty $32.9M sophomore tally. The Disney comedy Wild Hogs showed good legs dipping 31% and ranked second with $19.1M in its third lap. Faring best among the freshmen, Sandra Bullock‘s supernatural thriller Premonition opened in third with $17.6M for Sony on its way to a solid $47.9M. Rounding out the top five were fellow newcomers Dead Silence with a moderate $7.8M and Chris Rock‘s I Think I Love My Wife with a disappointing $5.7M. Final grosses reached $16.8M for the Universal pic and $12.6M for the Fox Searchlight laugher.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

It may not have been quite the box-office phenomenon that its predecessors were — and critics may have disliked it enough to keep it down at 20 percent on the Tomatometer — but that didn’t stop Rush Hour 3 from emerging as the top DVD rental of 2007.

The third Rush Hour racked up over $70 million in rental revenue, roughly half of what it took in at the box office, and besting another third installment, The Bourne Ultimatum. Count down the rest of last year’s DVD-rental top 25 below!

1. $71.2 Rush Hour 3 ($140.1M box office)
2. $69.7 The Bourne Ultimatum ($227.5 box office)
3. $66.4 The Kingdom ($47.5 box office)
4. $64.3 Superbad ($121.5 box office)
5. $57.2 Live Free or Die Hard ($134.5 box office)
6. $56.7 The Simpsons Movie ($183.1 box office)
7. $55.3 Night at the Museum ($250.86 box office)
8. $54.1 Harry Potter and the Order of the Phoenix ($292 box office)
9. $51.8 Shrek the Third ($322.7 box office)
10. $51.2 The Heartbreak Kid ($36.8 box office)
11. $50.6 The Pursuit of Happyness ($163.57 box office)
12. $49.0 The Departed ($132.38 box office)
13. $47.5 Borat ($128.51 box office)
14. $47.5 Transformers ($319.3 box office)
15. $45.0 Blood Diamond ($57.38 box office)
16. $43.8 Spider-Man 3 ($336.5 box office)
17. $43.7 300 ($210.6 box office)
18. $43.0 I Now Pronounce You Chuck and Larry ($120 box office)
19. $42.9 Casino Royale ($167.45 box office)
20. $42.7 Disturbia ($80.21 box office)
21. $42.6 The Holiday ($63.22 box office)
22. $41.8 Knocked Up ($148.8 box office)
23. $40.8 Deja Vu ($64.04 box office)
24. $40.5 Fantastic Four: Rise of the Silver Surfer ($131.9 box office)
25. $40.5 The Good Shepherd ($59.95 box office)

Source: End of Boredom

Hollywood plays the race card this weekend opening a pair of star-driven comedies, one for white moviegoers and the other for black audiences. Matthew McConaughey and Kate Hudson get the wider release with the romantic adventure comedy Fool’s Gold while debuting in 741 fewer theaters is Martin Lawrence‘s family reunion laughfest Welcome Home Roscoe Jenkins. Adding to the mix is the standup comedy concert pic Vince Vaughn’s Wild West Comedy Show which will also try to tickle funnybones from coast to coast. Not all three films will get to laugh all the way to the bank.

Five years and one day after their date flick How To Lose A Guy in 10 Days became a number one hit, McConaughey and Hudson reteam for Fool’s Gold. Directed by Andy Tennant (Hitch, Sweet Home Alabama), the PG-13 picture tells of an ex-couple that must band together to find sunken treasure. The Warner Bros. release looks like a winner on paper. Take two stars with a proven track record, put them in a film that combines romantic comedy with action adventure, and hefty grosses from both genders should come rolling in. The marketing has certainly been pushing all the right aspects trying to sell this as a Romancing the Stone for today’s twentysomethings and thirtysomethings.

But the film’s poor execution will be a major liability in the long run. Reviews have been among the worst of any film in this new year. Since Fool’s Gold will play to an over-25 crowd, the thumbs down from critics could have an impact. Bad word-of-mouth will certainly kick in after this weekend and hurt future weeks. Then again, critically-panned comedies packed with big stars usually sell pretty well with the paying public. Gold will play to the same crowd that powered 10 Days to a $23.8M bow and McConaughey’s 2006 rom-com Failure to Launch to $24.4M. Both skewed female and heavily white. The actor’s latest offering could open in the same neighborhood but should suffer weaker legs. Opening in 3,125 theaters, Fool’s Gold may bow to about $23M.


Hudson and McConaughey in Fool’s Gold

Moviegoers not up for Matt and Kate’s excellent adventure can spend the weekend with Martin Lawrence and his lively family in the Universal comedy Welcome Home Roscoe Jenkins. Directed by Malcolm D. Lee (The Best Man, Undercover Brother), the PG-13 film packs ample starpower into one film with co-stars Cedric the Entertainer, James Earl Jones, Michael Clarke Duncan, Mike Epps, and Mo’Nique. Four of the stars come from a standup comedy background which only raises the volume in the laughter department. The film finds Lawrence playing a self-help guru and talk show host in Hollywood who returns to his Georgia home to reunite with the family he left behind.

Roscoe Jenkins will pull in most of its business from the African American audience. Turnout should be robust given the starpower. Sure the family reunion story has been done a hundred times, but moviegoers will want to see all the big names under one roof giving them two hours of laughs. In the right film, and when surrounded by other marquee stars, Martin Lawrence is still a big draw at the box office. His comedy sequel Big Momma’s House 2 opened to $27.7M around this time of year in 2006.

Plus with this weekend’s Top 20 set to offer no other films led by black casts, direct competition will be minimal. The Ice Cube comedy First Sunday debuted to $17.7M a month ago and Martin and gang could do better. Reviews will not be very good, but that should not matter much. The only limiting factor will be the theater count. Debuting in 2,384 locations, Welcome Home Roscoe Jenkins could collect around $20M this weekend.


Martin Lawrence in Roscoe Jenkins.

For those who like their laughs purely from standup comedians on stage, Picturehouse releases Vince Vaughn’s Wild West Comedy Show. The R-rated pic follows the Hollywood star and a group of comics on the road during their 2005 tour. Hannah Montana and U2 have had great success with their concert films over the last two weeks. But Wild West lacks the music and the 3D element that helped to make those two score at the box office. Most of the successful standup comedy hits at the box office have been from African American funnymen so Vaughn’s experiment does not have a proven formula to follow. Plus none of the comedians are big stars which is why Santa’s brother had to include his name in the title in order to grab the attention of potential ticket buyers. Most will probably wait for the DVD which is sure to have some unrated bonus material. Rolling into about 800 theaters, Vince Vaughn’s Wild West Comedy Show could take in roughly $3M this weekend.


The marquee says it all.

Miley Cyrus rocked her way to the top of the charts last weekend with her Hannah Montana concert pic which opened to a scorching $31.1M with $15 tickets resulting in more than two millions admissions. The fan fever has spilled over into the midweek period as Monday and Tuesday grosses remained red hot with takes of $3.3M and $2.9M, respectively. A full-week tally of about $42M seems likely and with Disney extending the run of the film, more wheelbarrows will be needed to haul away the green. Still, most fans planned ahead of time to see Best of Both Worlds during the first week since it was promoted aggressively as a one-week-only run. Parents may hesitate to shell out more of the pumped up ticket prices for a second helping. Sales could fall by 45% to about $17M which would push the ten-day cume to an amazing $59M.

The Eye settled for a decent second place finish over the Super Bowl frame and like most fright flicks, should not enjoy a good hold on the second weekend. The new menu of comedies won’t provide too much competition so a decline of 50% would leave Lionsgate with about $6M lifting the total to $21M after ten days.

Fox’s female-skewing comedy 27 Dresses will take a direct hit from Matt and Kate’s reunion. Look for the Katherine Heigl film to fall by 40% to $5M for a 24-day score of $64M. Playing to a slightly different audience, Rambo took a sizable blow over the Super Bowl frame and should see its drop stabilize to 50%. That would leave the ultraviolent Lionsgate sequel with $3.5M putting the overall cume at $36M.

LAST YEAR: Following soon after his first-ever Oscar nomination for Dreamgirls, Eddie Murphy rocketed to number one at the box office with the powerful $34.2M debut for the comedy Norbit. The Paramount release went on to gobble up $95.7M domestically and about $160M worldwide. Opening in second with a respectable $13.1M was the thriller Hannibal Rising which went on to gross $27.7M for The Weinstein Company. The previous weekend’s top two films followed, but switched their order. Universal’s Diane Keaton comedy Because I Said So held up well and grossed $9.2M while the horror pic The Messengers fell harder and took in $7.2M for Sony. Rounding out the top five was the unstoppable holiday hit Night at the Museum with $5.8M in its eighth frame.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Tag Cloud

Schedule serial killer Marvel Television Discovery Channel Exclusive Video Broadway Mindy Kaling Pop films Binge Guide marvel cinematic universe travel YouTube Red Trailer period drama Tomatazos politics Netflix Amazon telelvision Holidays Reality Competition versus 2017 worst theme song psycho HFPA miniseries The Witch IFC Best and Worst werewolf canceled TV shows Ovation book Comic Book Dark Horse Comics venice HBO Rocketman spinoff Spectrum Originals Premiere Dates thriller Shudder VICE hispanic BAFTA boxing screen actors guild facebook quibi GLAAD sequel classics Interview scary natural history critic resources Prime Video Drama Infographic TNT high school Pacific Islander Hear Us Out TruTV CNN king arthur Country james bond Disney Channel Hallmark Christmas movies revenge President saw Food Network Image Comics ratings Starz TIFF VH1 satire romance trailers stop motion HBO Go nfl art house blaxploitation children's TV DC Universe Pop TV Crunchyroll toronto Logo jamie lee curtis Lionsgate free movies Valentine's Day scene in color deadpool docuseries Election rt labs critics edition scorecard disaster doctor who Winners See It Skip It PaleyFest DC Comics dreamworks Paramount Plus worst movies 2018 Cannes live event Freeform critics jurassic park Awards Tour Year in Review TV renewals screenings criterion game of thrones Pirates animated movie Television Academy Classic Film Lifetime Christmas movies series Chernobyl news godzilla Holiday Baby Yoda Cartoon Network genre foreign justice league Spring TV Disney streaming service Music witnail live action Comedy Central Character Guide basketball archives Epix name the review debate teaser IMDb TV Kids & Family Disney+ Disney Plus Western scary movies prank ABC Signature MCU BBC One black comedy Watching Series indie hidden camera reboot mob First Reviews crime National Geographic DirecTV NBA DC streaming service Polls and Games Walt Disney Pictures stand-up comedy Writers Guild of America cancelled USA biography Black History Month Disney chucky Hollywood Foreign Press Association blockbusters Video Games CMT pirates of the caribbean Adult Swim The Arrangement Warner Bros. Red Carpet gangster TCM Amazon Prime Video TV movies independent nbcuniversal Tubi Thanksgiving new star wars movies Creative Arts Emmys ghosts Mudbound Photos comiccon Instagram Live black diversity women Toys hist italian Apple TV Plus Turner Classic Movies comedies E! zero dark thirty YA Vudu singing competition TCA Winter 2020 Women's History Month Comedy TV Podcast 24 frames The Walt Disney Company Tokyo Olympics spy thriller supernatural dramedy Fantasy Mary Tyler Moore Avengers new zealand mockumentary razzies Sci-Fi Apple TV+ crossover latino directors GIFs technology Tarantino Legendary asian-american franchise BET Awards GoT mcc Brie Larson IFC Films Quiz rom-coms Nat Geo ABC Family mutant what to watch ID Peacock Marathons LGBTQ Apple Superheroe rotten zombie A&E legend RT History toy story television Mystery Netflix Christmas movies all-time Trivia A24 international psychological thriller japan AMC Stephen King spanish language AMC Plus YouTube Premium Rock popular TBS Box Office 45 cinemax Alien spain 2019 Fox News vampires tv talk wonder woman strong female leads 20th Century Fox documentaries football australia remakes Pet Sematary Esquire kids king kong Heroines suspense die hard Horror BBC SXSW Rom-Com BET Pride Month Pixar Sneak Peek Calendar Teen rt labs Hallmark Musical Chilling Adventures of Sabrina kaiju harry potter Nickelodeon fresh laika Comic-Con@Home 2021 adaptation 99% Sundance marvel comics San Diego Comic-Con Marvel boxoffice slashers vs. 2016 Elton John Endgame canceled mission: impossible 79th Golden Globes Awards Comics on TV NYCC Winter TV Turner sag awards Countdown Star Wars superhero Unbreakable Kimmy Schmidt south america cancelled TV shows Martial Arts universal monsters composers Acorn TV Biopics based on movie royal family golden globes talk show space ESPN Marvel Studios YouTube aliens comic book movies streaming movies Columbia Pictures OWN Cosplay Fall TV war cults kong comic book movie First Look romantic comedy halloween tv Lucasfilm binge political drama feel good Ellie Kemper BBC America APB USA Network HBO Max Fargo History Disney Plus Syfy monster movies The CW Set visit Lifetime Mary poppins 72 Emmy Awards comics Amazon Studios leaderboard cops Universal sports Opinion fast and furious cartoon trophy Summer cancelled TV series golden globe awards Funimation halloween Film Festival Neflix Family SundanceTV Amazon Prime social media Captain marvel PlayStation WGN E3 comic books ViacomCBS lord of the rings 21st Century Fox child's play batman The Purge 73rd Emmy Awards Ghostbusters FX on Hulu CW Seed 4/20 rt archives finale a nightmare on elm street VOD X-Men spider-man anthology Wes Anderson Mary Poppins Returns streaming olympics award winner NBC blockbuster historical drama TV One joker Television Critics Association TV Land FX Trophy Talk The Academy Travel Channel superman transformers Hulu obituary CBS All Access Sundance TV dexter Song of Ice and Fire sitcom DGA docudrama parents adventure Superheroes Grammys New York Comic Con 2021 book adaptation Film adenture 71st Emmy Awards Sundance Now emmy awards TLC discovery 2020 stoner elevated horror Animation Star Trek indiana jones spider-verse dark robots 90s El Rey OneApp casting posters Fox Searchlight Nominations dc 78th Annual Golden Globe Awards CBS Bravo christmas movies japanese cooking Tags: Comedy Anna Paquin 007 Tumblr Masterpiece RT21 Crackle festivals 93rd Oscars zombies Britbox science fiction ITV heist movie Awards comic Super Bowl Sony Pictures Rocky 1990s biopic medical drama MTV movies Paramount Network aapi twilight Shondaland Christmas dragons target LGBT breaking bad Certified Fresh 2015 hispanic heritage month police drama TCA 2017 WarnerMedia American Society of Cinematographers TCA Awards cats new york crime drama video Reality video on demand ABC rotten movies we love best Spike anime Universal Pictures know your critic concert Musicals green book sopranos PBS action-comedy renewed TV shows nature FXX festival Oscars spanish FOX Emmy Nominations game show MSNBC reviews Extras Showtime cars cancelled television Paramount TCA Emmys young adult dogs richard e. Grant SDCC french dceu documentary hollywood sequels true crime The Walking Dead crime thriller Arrowverse slasher unscripted Academy Awards Action Black Mirror