(Photo by 20th Century Fox Film Corp./courtesy Everett Collection)

All Bruce Willis Movies Ranked

Where there’s a Willis, there’s a way. A way to make it from TV sitcom star to eternal everyman action movie hero (Die Hard). A way to make a talking baby movie work (Look Who’s Talking) to the tune of $300 million at the box office in the ’80s. And a way to throw it all away with misfires like Bonfire of the Vanities and Hudson Hawk. And a way to get it all back again by kickstarting the ’90s indie boom with Pulp Fiction.

Since then, Bruce has continued to have a wild career, with the occasional crucial movie released at the exact right time to freshen up his image, whether in epic blockbusters (Armageddon), muted horror (The Sixth Sense), twee comedy (Moonrise Kingdom), or sci-fi cult classics (Looper). Recent highlights include Glass, the surprise finale to M. Night Shyamalan’s trilogy that started with Unbreakable and Glass, and Edward Norton passion project Motherless Brooklyn. And now we’re ranking all Bruce Willis movies by Tomatometer!

#85

Air Strike (2018)
0%

#85
Critics Consensus: No consensus yet.
Synopsis: During World War II, five Chinese people fight their way through Japanese air attacks to protect a military machine.... [More]
Directed By: Xiao Feng

#84

10 Minutes Gone (2019)
0%

#84
Critics Consensus: No consensus yet.
Synopsis: A man loses his memory after a bank heist goes wrong.... [More]
Directed By: Brian A. Miller

#83

The Prince (2014)
0%

#83
Critics Consensus: No consensus yet.
Synopsis: A retired assassin is drawn back into his former life and a confrontation with an old rival when his daughter... [More]
Directed By: Brian A. Miller

#82
#82
Critics Consensus: No consensus yet.
Synopsis: Three Midwestern brothers, a crime lord, and an incorruptible cop are on a deadly collision course when the youngest brother's... [More]
Directed By: Brett Donowho

#81

Hard Kill (2020)
0%

#81
Adjusted Score: 558%
Critics Consensus: No consensus yet.
Synopsis: Mercenaries race against the clock to stop a madman from using a computer program to wreak havoc around the globe.... [More]
Directed By: Matt Eskandari

#80

Precious Cargo (2016)
0%

#80
Adjusted Score: 463%
Critics Consensus: No consensus yet.
Synopsis: To get back in the good graces of her murderous boss (Bruce Willis), a seductive thief (Claire Forlani) recruits an... [More]
Directed By: Max Adams

#79

Cosmic Sin (2021)
3%

#79
Adjusted Score: 3941%
Critics Consensus: Let he who is without Cosmic Sin cast the first stone -- and possibly use it to rouse Bruce Willis from the slumber he seems to be in throughout this dreadful sci-fi blunder.
Synopsis: Bruce Willis and Frank Grillo star in the new epic sci-fi adventure set in the year 2524, four hundred years... [More]
Directed By: Edward Drake

#78

Vice (2015)
4%

#78
Adjusted Score: 3210%
Critics Consensus: Bruce Willis and Thomas Jane are visibly bored by the dreary material in this sci-fi hodgepodge, proving that star power in service of a lousy script is no virtue.
Synopsis: A self-aware, artificial human (Ambyr Childers) becomes caught in the crossfire between a cop (Thomas Jane) and the creator (Bruce... [More]
Directed By: Brian A. Miller

#77
#77
Adjusted Score: 5212%
Critics Consensus: No consensus yet.
Synopsis: Young business consultant Will Shaw (Henry Cavill) flies to Spain for a vacation aboard his family's sailboat. When Will returns... [More]
Directed By: Mabrouk El Mechri

#76
#76
Adjusted Score: 7961%
Critics Consensus: A strained, laugh-free sequel, The Whole Ten Yards recycles its predecessor's cast and plot but not its wit or reason for being.
Synopsis: After faking his death, former killer-for-hire Jimmy "The Tulip" Tudeski (Bruce Willis) retires to Mexico with his new wife, Jill... [More]
Directed By: Howard Deutch

#75

Extraction (2015)
6%

#75
Adjusted Score: 5197%
Critics Consensus: No consensus yet.
Synopsis: A government analyst (Kellan Lutz) launches his own rescue mission when terrorists kidnap his father (Bruce Willis), a retired CIA... [More]
Directed By: Steven C. Miller

#74

Fire With Fire (2012)
7%

#74
Adjusted Score: 4232%
Critics Consensus: No consensus yet.
Synopsis: A firefighter does something unexpected after a man that he has been ordered to testify against threatens him.... [More]
Directed By: David Barrett

#73

Rock the Kasbah (2015)
7%

#73
Adjusted Score: 11559%
Critics Consensus: The Shareef don't like Rock the Kasbah, and neither will viewers hoping for a film that manages to make effective use of Bill Murray's knack for playing lovably anarchic losers.
Synopsis: While visiting Kabul, Afghanistan, washed-up music manager Richie Lanz (Bill Murray) gets dumped by his last client. His luck changes... [More]
Directed By: Barry Levinson

#72

Reprisal (2018)
8%

#72
Adjusted Score: 5847%
Critics Consensus: No consensus yet.
Synopsis: An ex-cop joins forces with a bank manager to track down a highly skilled and ruthless thief. The situation soon... [More]
Directed By: Brian A. Miller

#71

Perfect Stranger (2007)
10%

#71
Adjusted Score: 14810%
Critics Consensus: Despite the presence of Halle Berry and Bruce Willis, Perfect Stranger is too convoluted to work, and features a twist ending that's irritating and superfluous. It's a techno-thriller without thrills.
Synopsis: Rowena Price (Halle Berry), a reporter, uses her investigative skills to solve the murder of a friend. Her search leads... [More]
Directed By: James Foley

#70
#70
Adjusted Score: 13304%
Critics Consensus: No consensus yet.
Synopsis: In the sequel to "Look Who's Talking," formerly single mom Mollie (Kirstie Alley) is about to have a baby with... [More]
Directed By: Amy Heckerling

#69

Four Rooms (1995)
14%

#69
Adjusted Score: 15417%
Critics Consensus: Four Rooms comes stocked with a ton of talent on both sides of the camera, yet only manages to add up to a particularly uneven -- and dismayingly uninspired -- anthology effort.
Synopsis: Working New Year's Eve at a hotel in Hollywood, Calif., the new bellhop, Ted (Tim Roth), has no idea what's... [More]

#68
#68
Adjusted Score: 14040%
Critics Consensus: No consensus yet.
Synopsis: A doctor and his family are held hostage by a wounded gunman and his unhinged brother.... [More]
Directed By: Matt Eskandari

#67

North (1994)
14%

#67
Adjusted Score: 15771%
Critics Consensus: Laden with schmaltz and largely bereft of evident narrative purpose, North represents an early major disappointment from previously sure-handed director Rob Reiner.
Synopsis: North (Elijah Wood) is a talented and bright kid, but his mom (Julia Louis-Dreyfus) and dad (Jason Alexander) are utterly... [More]
Directed By: Rob Reiner

#66
#66
Adjusted Score: 23343%
Critics Consensus: A Good Day to Die Hard is the weakest entry in a storied franchise, and not even Bruce Willis' smirking demeanor can enliven a cliched, uninspired script.
Synopsis: New York City cop John McClane (Bruce Willis) arrives in Moscow to track down his estranged son, Jack (Jai Courtney).... [More]
Directed By: John Moore

#65

First Kill (2017)
15%

#65
Adjusted Score: 15570%
Critics Consensus: No consensus yet.
Synopsis: Trying to reconnect with his son Danny, big shot Wall Street broker Will takes his family on a hunting trip... [More]
Directed By: Steven C. Miller

#64
Adjusted Score: 18421%
Critics Consensus: The Bonfire of the Vanities is a vapid adaptation of a thoughtful book, fatally miscast and shorn of the source material's crucial sense of irony. Add it to the pyre of Hollywood's ambitious failures.
Synopsis: In this adaptation of the Tom Wolfe novel, powerful Wall Street executive Sherman McCoy (Tom Hanks) is riding with his... [More]
Directed By: Brian De Palma

#63
#63
Adjusted Score: 17326%
Critics Consensus: Weighed down by a rote story and passionless performances, Striking Distance represents one of the lesser '90s genre outings from action hero Bruce Willis.
Synopsis: Sgt. Tom Hardy (Bruce Willis) denounces his partner, Jimmy Detillo (Robert Pastorelli), for brutally interrogating a suspect. After Jimmy falls... [More]
Directed By: Rowdy Herrington

#62

Lay the Favorite (2012)
18%

#62
Adjusted Score: 18283%
Critics Consensus: A clumsy misstep for director Stephen Frears, Lay the Favorite puts all its chips on endearing quirk only to go bust.
Synopsis: A former stripper's (Rebecca Hall) talent with numbers lands her a job with a professional gambler (Bruce Willis) who runs... [More]
Directed By: Stephen Frears

#61

Death Wish (2018)
18%

#61
Adjusted Score: 26537%
Critics Consensus: Death Wish is little more than a rote retelling that lacks the grit and conviction of the original -- and also suffers from spectacularly bad timing.
Synopsis: Dr. Paul Kersey is a surgeon who often sees the consequences of the city's violence in the emergency room. When... [More]
Directed By: Eli Roth

#60

Cop Out (2010)
19%

#60
Adjusted Score: 24919%
Critics Consensus: Cop Out is a cliched buddy action/comedy that suffers from stale gags and slack pacing.
Synopsis: Veteran detective Jimmy Monroe (Bruce Willis) needs money to pay for his daughter's upcoming wedding, so he decides it's time... [More]
Directed By: Kevin Smith

#59

Breach (2020)
20%

#59
Adjusted Score: 20113%
Critics Consensus: No consensus yet.
Synopsis: Fleeing a devastating plague on Earth, an interstellar ark comes under attack from a new threat -- a shape-shifting alien... [More]
Directed By: John Suits

#58

Blind Date (1987)
21%

#58
Adjusted Score: 20063%
Critics Consensus: Blind Date has all the ingredients for a successful madcap comedy, but the end results suggest director Blake Edwards has lost his once-reliable touch.
Synopsis: When bachelor Walter Davis (Bruce Willis) is set up with his sister-in-law's pretty cousin, Nadia Gates (Kim Basinger), a seemingly... [More]
Directed By: Blake Edwards

#57
Adjusted Score: 22062%
Critics Consensus: Once Upon a Time in Venice has a little more of a spark than typical late-period Bruce Willis tough guy movies, but it's still a steep, disappointing tumble from his best work.
Synopsis: Steve Ford is a private detective in Venice Beach, Calif., who's good with the ladies, bad with the punches and... [More]
Directed By: Mark Cullen

#56

Mercury Rising (1998)
21%

#56
Adjusted Score: 23687%
Critics Consensus: Mercury Rising lays the action on thick, but can never find a dramatic pulse to keep viewers -- or Bruce Willis -- engaged with its maudlin story.
Synopsis: "Mercury Rising" stars Bruce Willis as Art Jeffries, a renegade FBI agent who combats ruthless federal agents to protect Simon... [More]
Directed By: Harold Becker

#55

Color of Night (1994)
22%

#55
Adjusted Score: 24037%
Critics Consensus: Bruce willie shot aside, the only other things popping out in Color of Night are some ridiculous plot contortions and majorly camp moments.
Synopsis: Attempts on his life escalate as a New York psychologist (Bruce Willis) closes in on a colleague's killer in Los... [More]
Directed By: Richard Rush

#54

Sunset (1988)
21%

#54
Adjusted Score: 21256%
Critics Consensus: No consensus yet.
Synopsis: Having retired from a life of gunfights and peacekeeping, the great Wyatt Earp (James Garner) has landed a job as... [More]
Directed By: Blake Edwards

#53

The Jackal (1997)
23%

#53
Adjusted Score: 24243%
Critics Consensus: The Jackal is a relatively simple chase thriller incapable of adding thrills or excitement as the plot chugs along.
Synopsis: During an FBI raid on a Moscow nightclub, the brother of Russian gangster Terek Murad (David Hayman) is killed. Murad... [More]
Directed By: Michael Caton-Jones

#52

Marauders (2016)
24%

#52
Adjusted Score: 23396%
Critics Consensus: From its clichéd story to Bruce Willis' rote performance, Marauders is a crime thriller content to settle for merely competent -- a goal it all too rarely achieves.
Synopsis: FBI agents (Christopher Meloni, Dave Bautista) uncover a conspiracy while trying to nail a group of deadly bank robbers.... [More]
Directed By: Steven C. Miller

#51
#51
Adjusted Score: 26470%
Critics Consensus: The movie is overwhelmed by its chaotic visual effects and disjointed storyline.
Synopsis: An unhappy car dealer (Bruce Willis) believes that a dime-store author/philosopher (Albert Finney) has the answers to life's important questions.... [More]
Directed By: Alan Rudolph

#50

The Story of Us (1999)
26%

#50
Adjusted Score: 31021%
Critics Consensus: A lack of chemistry between Bruce Willis and Michelle Pfeiffer fatally undermines the dull and predictable Story of Us.
Synopsis: After 15 years of marriage, Katie (Michelle Pfeiffer) and her husband, Ben (Bruce Willis), have grown apart. While they keep... [More]
Directed By: Rob Reiner

#49
#49
Adjusted Score: 35104%
Critics Consensus: Though arguably superior to its predecessor, G.I. Joe: Retaliation is overwhelmed by its nonstop action and too nonsensical and vapid to leave a lasting impression.
Synopsis: In the continuing adventures of the G.I. Joe team, Duke (Channing Tatum), second-in-command Roadblock (Dwayne Johnson), and the rest of... [More]
Directed By: Jon M. Chu

#48

Hudson Hawk (1991)
33%

#48
Adjusted Score: 32794%
Critics Consensus: Hudson Hawk's kitchen-sink approach to its blend of action and slapstick results in a surreal, baffling misfire.
Synopsis: Thief extraordinaire Hudson Hawk (Bruce Willis) has just been released from prison and all he wants is a nice cappuccino.... [More]
Directed By: Michael Lehmann

#47

Tears of the Sun (2003)
33%

#47
Adjusted Score: 37086%
Critics Consensus: Tries to be high-minded, but in the end, it's just a stylish action movie.
Synopsis: The Nigerian government has fallen, and the country is on the verge of civil war. Lt. A.K. Waters (Bruce Willis)... [More]
Directed By: Antoine Fuqua

#46

Hostage (2005)
35%

#46
Adjusted Score: 40059%
Critics Consensus: Grisly and cliched, audiences may feel they're being held Hostage.
Synopsis: After one of his hostage negotiations goes awry, LAPD officer Jeff Talley (Bruce Willis) quits the force and relocates his... [More]
Directed By: Florent Siri

#45
#45
Adjusted Score: 36329%
Critics Consensus: Last Man Standing's brooding atmosphere and bursts of artfully arranged action prove intriguing yet ultimately insufficient substitutes for a consistently compelling story.
Synopsis: Loyal to nobody but himself, John Smith (Bruce Willis) hires his services out to Fredo Strozzi (Ned Eisenberg), a bootlegging... [More]
Directed By: Walter Hill

#44

Surrogates (2009)
37%

#44
Adjusted Score: 40317%
Critics Consensus: Though it sports a slick look and feel, Surrogates fails to capitalize on a promising premise, relying instead on mindless action and a poor script.
Synopsis: In the near future, people live their lives free of pain, danger and complications through robotic representations of themselves, called... [More]
Directed By: Jonathan Mostow

#43

Glass (2019)
36%

#43
Adjusted Score: 61525%
Critics Consensus: Glass displays a few glimmers of M. Night Shyamalan at his twisty world-building best, but ultimately disappoints as the conclusion to the writer-director's long-gestating trilogy.
Synopsis: David Dunn tries to stay one step ahead of the law while delivering vigilante justice on the streets of Philadelphia.... [More]
Directed By: M. Night Shyamalan

#42

Billy Bathgate (1991)
38%

#42
Adjusted Score: 38151%
Critics Consensus: No consensus yet.
Synopsis: In 1935, Bronx teenager Billy Behan (Loren Dean) attracts the attention of powerful mobster Dutch Schultz (Dustin Hoffman) and quickly... [More]
Directed By: Robert Benton

#41

Armageddon (1998)
38%

#41
Adjusted Score: 44954%
Critics Consensus: Lovely to look at but about as intelligent as the asteroid that serves as the movie's antagonist, Armageddon slickly sums up the cinematic legacies of producer Jerry Bruckheimer and director Michael Bay.
Synopsis: When an asteroid threatens to collide with Earth, NASA honcho Dan Truman (Billy Bob Thornton) determines the only way to... [More]
Directed By: Michael Bay

#40

Rugrats Go Wild (2003)
39%

#40
Adjusted Score: 41495%
Critics Consensus: The Rugrats franchise has gone from fresh to formulaic.
Synopsis: Chuckie (Nancy Cartwright) and Tommy (Elizabeth Daily) find themselves stranded with their parents on a remote island. By coincidence, the... [More]
Directed By: Norton Virgien, John Eng

#39

The Expendables (2010)
42%

#39
Adjusted Score: 49868%
Critics Consensus: It makes good on the old-school action it promises, but given all the talent on display, The Expendables should hit harder.
Synopsis: Mercenary leader Barney Ross (Sylvester Stallone) and his loyal men take on what they think is a routine assignment: a... [More]
Directed By: Sylvester Stallone

#38
Adjusted Score: 50069%
Critics Consensus: A Dame to Kill For boasts the same stylish violence and striking visual palette as the original Sin City, but lacks its predecessor's brutal impact.
Synopsis: The damaged denizens of Sin City return for another round of stories from the mind of Frank Miller. In "Just... [More]

#37

The Siege (1998)
44%

#37
Adjusted Score: 46010%
Critics Consensus: An exciting, well-paced action film.
Synopsis: After terrorists attack a bus in Brooklyn, a Broadway theater and FBI headquarters, FBI anti-terrorism expert Anthony Hubbard (Denzel Washington)... [More]
Directed By: Edward Zwick

#36
#36
Adjusted Score: 46608%
Critics Consensus: Despite a charming cast, The Whole Nine Yards can't tickle funny bones consistently enough to distract from its sitcom-like story.
Synopsis: Jimmy "The Tulip" Tudeski (Bruce Willis), a mob hitman-turned-informant, ratted on the mob and put his life in jeopardy. Now... [More]
Directed By: Jonathan Lynn

#35

Red 2 (2013)
44%

#35
Adjusted Score: 49895%
Critics Consensus: While it's still hard to argue with its impeccable cast or the fun they often seem to be having, Red 2 replaces much of the goofy fun of its predecessor with empty, over-the-top bombast.
Synopsis: Former CIA black-ops agent Frank Moses (Bruce Willis) and his old partner, Marvin Boggs (John Malkovich), are caught in the... [More]
Directed By: Dean Parisot

#34
#34
Adjusted Score: 47313%
Critics Consensus: The Last Boy Scout is as explosive, silly, and fun as it does represent the decline of the buddy-cop genre.
Synopsis: Once a first-rate Secret Service agent, Joe Hallenbeck (Bruce Willis) is now a gruff private investigator whose latest gig is... [More]
Directed By: Tony Scott

#33

The Kid (2000)
49%

#33
Adjusted Score: 52387%
Critics Consensus: Critics find The Kid to be too sweet and the movie's message to be annoyingly simplistic.
Synopsis: ... [More]
Directed By: Jon Turteltaub

#32

Fast Food Nation (2006)
49%

#32
Adjusted Score: 54002%
Critics Consensus: Despite some fine performances and memorable scenes, Fast Food Nation is more effective as Eric Schlosser's eye-opening non-fiction book than as Richard Linklater's fictionalized, mostly punchless movie.
Synopsis: Don Henderson (Greg Kinnear), a marketing executive for a national burger chain must leave blissful ignorance behind when his boss... [More]
Directed By: Richard Linklater

#31
Adjusted Score: 22756%
Critics Consensus: No consensus yet.
Synopsis: After the theft of copies of SAT exams from a principal's office, teenage reporter Bobby Funke (Reece Thompson) sets out... [More]
Directed By: Brett Simon

#30
#30
Adjusted Score: 55367%
Critics Consensus: What Just Happened has some inspired comic moments, but this inside-baseball take on Hollywood lacks satirical bite.
Synopsis: During the course of an ordinary week in Hollywood, movie producer Ben (Robert De Niro) must navigate his way through... [More]
Directed By: Barry Levinson

#29
#29
Adjusted Score: 57288%
Critics Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succumbs to a convoluted plot, overly stylized characters, and dizzying set design.
Synopsis: A case of mistaken identity puts a man named Slevin (Josh Hartnett) in the middle of a war between two... [More]
Directed By: Paul McGuigan

#28

Alpha Dog (2006)
54%

#28
Adjusted Score: 59905%
Critics Consensus: A glossy yet unflinching portrait of violent, hedonistic teenagers. Bruce Willis and Sharon Stone chew the scenery, while Justin Timberlake gives a noteworthy performance.
Synopsis: Teenage dealer Johnny Truelove (Emile Hirsch) and his friends kidnap the impressionable younger brother (Anton Yelchin) of a junkie (Ben... [More]
Directed By: Nick Cassavetes

#27
#27
Adjusted Score: 57232%
Critics Consensus: Hawn and Streep are as fabulous as Death Becomes Her's innovative special effects; Zemeckis' satire, on the other hand, is as hollow as the world it mocks.
Synopsis: When a novelist loses her man to a movie star and former friend, she winds up in a psychiatric hospital.... [More]
Directed By: Robert Zemeckis

#26
#26
Adjusted Score: 58588%
Critics Consensus: Look Who's Talking holds some appeal thanks to its affable stars and Amy Heckerling's energetic direction, but a silly script doesn't allow wit to get a word in edgewise.
Synopsis: The romantic ups and downs of accountant Mollie Jensen (Kirstie Alley) are viewed cynically by a most unusual bystander --... [More]
Directed By: Amy Heckerling

#25

16 Blocks (2006)
56%

#25
Adjusted Score: 61717%
Critics Consensus: Despite strong performances from Bruce Willis and Mos Def, 16 Blocks is a shopworn entry in the buddy-action genre.
Synopsis: Boozy and world-weary, NYPD Detective Jack Mosley (Bruce Willis) draws a routine assignment to transport trial witness Eddie Bunker (Mos... [More]
Directed By: Richard Donner

#24

Mortal Thoughts (1991)
57%

#24
Adjusted Score: 57255%
Critics Consensus: No consensus yet.
Synopsis: A loathsome man ends up dead, but it's not clear who's to blame. If ever a person got what he... [More]
Directed By: Alan Rudolph

#23
#23
Adjusted Score: 62607%
Critics Consensus: The Astronaut Farmer is a charming, inspirational drama that successfully avoids modern cinematic cliches while appealing to the optimistic dreamer in all of us.
Synopsis: Charles Farmer (Billy Bob Thornton), a rancher who once trained to be an astronaut, decides to fulfill a lifelong dream:... [More]
Directed By: Michael Polish

#22

Hart's War (2002)
59%

#22
Adjusted Score: 62663%
Critics Consensus: Well-made and solidly acted, Hart's War is modestly compelling. However, the movie suffers from having too many subplots.
Synopsis: Lieutenant Tommy Hart (Colin Farrell) is a second year law student who is enlisted as an officer's aide in World... [More]
Directed By: Gregory Hoblit

#21
#21
Adjusted Score: 63902%
Critics Consensus: Die Hard with a Vengeance benefits from Bruce Willis and Samuel L. Jackson's barbed interplay, but clatters to a bombastic finish in a vain effort to cover for an overall lack of fresh ideas.
Synopsis: Detective John McClane (Bruce Willis) is now divorced, alcoholic and jobless after getting fired for his reckless behavior and bad... [More]
Directed By: John McTiernan

#20
#20
Adjusted Score: 76375%
Critics Consensus: Motherless Brooklyn's imposing length requires patience, but strong performances and a unique perspective make this a mystery worth investigating.
Synopsis: Lionel Essrog is a lonely private detective who doesn't let Tourette's syndrome stand in the way of his job. Gifted... [More]
Directed By: Edward Norton

#19

Bandits (2001)
64%

#19
Adjusted Score: 69236%
Critics Consensus: The story may not warrant its lengthy running time, but the cast of Bandits makes it an enjoyable ride.
Synopsis: Joe (Bruce Willis) and Terry (Billy Bob Thornton) have escaped from prison. Cutting a swath from Oregon through California, these... [More]
Directed By: Barry Levinson

#18
#18
Adjusted Score: 72214%
Critics Consensus: Taut, violent, and suitably self-deprecating, The Expendables 2 gives classic action fans everything they can reasonably expect from a star-studded shoot-'em-up -- for better and for worse.
Synopsis: Mercenary leader Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham) and the rest of the Expendables team reunite when Mr.... [More]
Directed By: Simon West

#17

In Country (1989)
68%

#17
Adjusted Score: 68716%
Critics Consensus: With a slow build to a dramatic conclusion, In Country benefits largely from its strong acting, particularly by Emily Lloyd in the lead role.
Synopsis: Samantha Hughes (Emily Lloyd) lives with her uncle, Emmett Smith (Bruce Willis), in a small Kentucky town. After her high... [More]
Directed By: Norman Jewison

#16

Die Hard 2 (1990)
69%

#16
Adjusted Score: 72566%
Critics Consensus: It lacks the fresh thrills of its predecessor, but Die Hard 2 still works as an over-the-top -- and reasonably taut -- big-budget sequel, with plenty of set pieces to paper over the plot deficiencies.
Synopsis: A year after his heroics in L.A, detective John McClane (Bruce Willis) is mixed up in another terrorist plot, this... [More]
Directed By: Renny Harlin

#15

Unbreakable (2000)
70%

#15
Adjusted Score: 76710%
Critics Consensus: With a weaker ending, Unbreakable is not as a good as The Sixth Sense. However, it is a quietly suspenseful film that intrigues and engages, taking the audience through unpredictable twists and turns along the way.
Synopsis: David Dunn (Bruce Willis) is the sole survivor of a devastating train wreck. Elijah Price (Samuel L. Jackson) is a... [More]
Directed By: M. Night Shyamalan

#14
#14
Adjusted Score: 74084%
Critics Consensus: Visually inventive and gleefully over the top, Luc Besson's The Fifth Element is a fantastic piece of pop sci-fi that never takes itself too seriously.
Synopsis: In the 23rd century, a New York City cabbie, Korben Dallas (Bruce Willis), finds the fate of the world in... [More]
Directed By: Luc Besson

#13
Adjusted Score: 72865%
Critics Consensus: Beavis and Butt-Head Do America is unabashedly offensive, unapologetically stupid, and unexpectedly funny.
Synopsis: Two of the biggest animated slackers around, Beavis (Mike Judge) and Butt-head (also Judge) get a kick-start when two crooks... [More]
Directed By: Mike Judge, Yvette Kaplan

#12

Red (2010)
72%

#12
Adjusted Score: 78999%
Critics Consensus: It may not be the killer thrill ride you'd expect from an action movie with a cast of this caliber, but Red still thoroughly outshines most of its big-budget counterparts with its wit and style.
Synopsis: After surviving an assault from a squad of hit men, retired CIA agent Frank Moses (Bruce Willis) reassembles his old... [More]
Directed By: Robert Schwentke

#11

Over the Hedge (2006)
75%

#11
Adjusted Score: 82241%
Critics Consensus: Even if it's not an animation classic, Over the Hedge is clever and fun, and the jokes cater to family members of all ages.
Synopsis: When Verne (Garry Shandling) and fellow woodland friends awake from winter's hibernation, they find they have some new neighbors: humans,... [More]

#10

Planet Terror (2007)
76%

#10
Adjusted Score: 75392%
Critics Consensus: A cool and hip grindhouse throwback, Planet Terror is an unpredictable zombie thrillride.
Synopsis: An ordinary evening in a small Texas town becomes a grisly nightmare when a horde of flesh-eating zombies goes on... [More]
Directed By: Robert Rodriguez

#9

Sin City (2005)
77%

#9
Adjusted Score: 86441%
Critics Consensus: Visually groundbreaking and terrifically violent, Sin City brings the dark world of Frank Miller's graphic novel to vivid life.
Synopsis: In this quartet of neo-noir tales, a mysterious salesman (Josh Hartnett) narrates a tragic story of co-dependency, while a musclebound... [More]

#8
#8
Adjusted Score: 90071%
Critics Consensus: Live Free or Die Hard may be preposterous, but it's an efficient, action-packed summer popcorn flick with thrilling stunts and a commanding performance by Bruce Willis. Fans of the previous Die Hard films will not be disappointed.
Synopsis: As the nation prepares to celebrate Independence Day, veteran cop John McClane (Bruce Willis) carries out another routine assignment: bringing... [More]
Directed By: Len Wiseman

#7

The Sixth Sense (1999)
86%

#7
Adjusted Score: 93227%
Critics Consensus: M Night Shayamalan's The Sixth Sense is a twisty ghost story with all the style of a classical Hollywood picture, but all the chills of a modern horror flick.
Synopsis: Young Cole Sear (Haley Joel Osment) is haunted by a dark secret: he is visited by ghosts. Cole is frightened... [More]
Directed By: M. Night Shyamalan

#6

12 Monkeys (1995)
89%

#6
Adjusted Score: 93669%
Critics Consensus: The plot's a bit of a jumble, but excellent performances and mind-blowing plot twists make 12 Monkeys a kooky, effective experience.
Synopsis: Traveling back in time isn't simple, as James Cole (Bruce Willis) learns the hard way. Imprisoned in the 2030s, James... [More]
Directed By: Terry Gilliam

#5

Nobody's Fool (1994)
91%

#5
Adjusted Score: 93355%
Critics Consensus: It's solidly directed by Robert Benton and stacked with fine performances from an impressive cast, but above all, Nobody's Fool is a showcase for some of Paul Newman's best late-period work.
Synopsis: Donald "Sully" Sullivan (Paul Newman) is an expert at avoiding adult responsibilities. At 60, he divides all his time between... [More]
Directed By: Robert Benton

#4

Pulp Fiction (1994)
92%

#4
Adjusted Score: 98550%
Critics Consensus: One of the most influential films of the 1990s, Pulp Fiction is a delirious post-modern mix of neo-noir thrills, pitch-black humor, and pop-culture touchstones.
Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this... [More]
Directed By: Quentin Tarantino

#3

Moonrise Kingdom (2012)
93%

#3
Adjusted Score: 104518%
Critics Consensus: Warm, whimsical, and poignant, the immaculately framed and beautifully acted Moonrise Kingdom presents writer/director Wes Anderson at his idiosyncratic best.
Synopsis: The year is 1965, and the residents of New Penzance, an island off the coast of New England, inhabit a... [More]
Directed By: Wes Anderson

#2

Looper (2012)
93%

#2
Adjusted Score: 103710%
Critics Consensus: As thought-provoking as it is thrilling, Looper delivers an uncommonly smart, bravely original blend of futuristic sci-fi and good old-fashioned action.
Synopsis: In a future society, time-travel exists, but it's only available to those with the means to pay for it on... [More]
Directed By: Rian Johnson

#1

Die Hard (1988)
94%

#1
Adjusted Score: 99439%
Critics Consensus: Its many imitators (and sequels) have never come close to matching the taut thrills of the definitive holiday action classic.
Synopsis: New York City policeman John McClane (Bruce Willis) is visiting his estranged wife (Bonnie Bedelia) and two daughters on Christmas... [More]
Directed By: John McTiernan

A terrorist attack is played out through multiple perspectives in the high-octane political thriller Vantage Point which leads the four-pack of new openers which also includes three small comedies. Sony will score its first number one hit since October with this star-driven actioner which boasts a cast that features Dennis Quaid, Forest Whitaker, Sigourney Weaver, Matthew Fox, and William Hurt. The PG-13 pic has the biggest marketing and distribution push of any new release this weekend so a comfortable lead over its competitors should be expected. None of the actors are guaranteed box office sensations, but together they equal one big bankable A-lister.

Adults will make up the primary age group and appeal seems strong to both males and females. The intriguing style of the film will make it stand out from the crowd, although fellow action options Jumper and Fool’s Gold will provide some competition. Plus many adults will be preoccupied with their last chance to see the Oscar nominees before Sunday night’s big show. The five Best Picture candidates banked $14M over Presidents’ Day weekend. Vantage Point should play to the same folks that came out for other star-driven non-special effects action and suspense pics from this time of year like Sahara ($18.1M), The Interpreter ($22.8M) and Premonition ($17.6M). Attacking over 3,000 locations, Vantage Point could open to about $21M this weekend.


Vantage Point

Jack Black and Mos Def star in the video store comedy Be Kind Rewind playing two men who recreate top Hollywood movies after their tapes get damaged. The PG-13 film from New Line comes from acclaimed French director Michel Gondry who after Eternal Sunshine of the Spotless Mind and The Science of Sleep has built up his share of fans on this side of the Atlantic. A marketplace full of new comedies will split that crowd so Rewind will have to rely on fans of the director and stars to come out. Jumper and Vantage Point will also take mainstream moviegoers out of the picture. Breaking into roughly 800 theaters, Be Kind Rewind could bow to about $3M.


Mos Def and Jack Black in Driving Miss Daisy, er, Be Kind Rewind

Larry the Cable Guy returns for more blue collar humor in the Lionsgate comedy Witless Protection opening on Friday. The standup comedian plays a small town sheriff that kidnaps a woman in FBI custody for a road trip to solve a case. Rated PG-13, the pic has the goal of establishing the funnyman as a box office draw, but if the grosses of his last two films are any indication, this one will be gunned down quickly. Two years ago, Larry the Cable Guy: Health Inspector debuted to $6.9M while last year’s Delta Farce slumped by half to a $3.4M bow. Diminishing returns could again be in order especially since Witless will not be released as wide. Opening in 1,333 locations, Witless Protection might collect about $3M this weekend.


Larry the Cable Guy and Jenny McCarthy in Witless Protection

After many delays, MGM releases the comedy Charlie Bartlett which stars that iron guy Robert Downey Jr., Hope Davis, and Anton Yelchin as the title character. The R-rated film tells of a private school kid who becomes an underground shrink and pill pusher in public school. Teens are a core component of the target audience, but the restrictive rating will keep many of them out. The marketing push has not been strong and a lack of starpower and excitement will keep the grosses low. Juno‘s brand of high school fun in its 12th weekend could see a bigger audience. Entering about 1,000 theaters, Charlie Bartlett may debut to around $2M.


Anton Yelchin and Robert Downey, Jr. in Charlie Bartlett

Fox’s sci-fi actioner Jumper should take a big jump down this weekend. Word-of-mouth is not all that great and Vantage Point will steal away much of the action crowd. Look for a 50% drop to about $13.5M which would give the Hayden Christensen flick $57M in eleven days.

The Spiderwick Chronicles got off to a solid start last weekend as the only major offering for families and with no new kidpics entering the scene, a smaller decline is assured. Sophomore drops for Disney’s own Presidents’ Day weekend films from the past two years were 37% for Bridge to Terabithia and 21% for 2006’s Eight Below. Spiderwick could fall in between with a 30% fall giving Paramount $13M for the frame and $44M after eleven days.

Following a potent debut, Step Up 2 The Streets will suffer a sizable drop. The dance sequel may lose 45% of its take and gross $10M pushing the eleven-day cume to $42M. Warner Bros. should see its comedy adventure Fool’s Gold drop by 35% to around $8M. Total would climb to $54M.

LAST YEAR: Spending its second weekend on top, Sony’s Ghost Rider starring Academy Award winner Nicolas Cage fell hard but still pulled in $20.1M to top the box office over Oscar weekend. Jim Carrey gave horror a chance with The Number 23 and debuted in second with a solid $14.6M bow. The New Line release eventually grossed $35.2M and was the first of many thrillers in 2007 that marked major Hollywood stars doing their first scary movies. Disney’s Bridge to Terabithia slipped one spot to third with $14.2M in its sophomore frame. Fox’s comedy Reno 911!: Miami debuted in fourth with $10.3M representing half of its eventual $20.3M final tally. Fellow comedy Norbit rounded out the top five with $9.8M in its third session. Opening at the lower rungs of the top ten were the Billy Bob Thornton drama The Astronaut Farmer with $4.5M and the slave trade drama Amazing Grace with $4.1M from a more limited release. Totals reached $11M for Warner Bros. and $21.3M for Goldwyn/Roadside Attractions.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Moviegoers rallied behind the star-driven comedy "Wild Hogs," which raced to number one at the North American box office, zooming past all expectations from Disney. Meanwhile, Viacom saw less-than-stellar debuts from its serial killer drama "Zodiac" from Paramount Pictures and the southern fried saga "Black Snake Moan" from arthouse unit Paramount Vantage. Overall, the box office remained healthy and surged well ahead of last year’s performance.

Buena Vista powered its way to an estimated $38M in opening weekend sales for its road comedy "Wild Hogs," delivering the largest March debut in history for a live-action film. The PG-13 pic starring Tim Allen, John Travolta, Martin Lawrence, and William H. Macy as four middle-aged men on a motorcycle adventure averaged a stellar $11,561 from 3,287 theaters. It was the year’s second biggest opening after "Ghost Rider‘s" $45.4M bow two weeks ago. According to studio research, 54% of the audience was actually female. Travolta’s everlasting sex appeal, Allen’s pull with moms thanks to his many Disney flicks, and the cast’s appearance on "The Oprah Winfrey Show" last week probably contributed to the solid turnout by women. The stars also allowed the film to tap into different audience segments.

"Wild Hogs" posted the best opening ever in March for a non-animated film and the third biggest overall. The only movies to debut better in this month were the "Ice Age" flicks of 2002 and 2006. It also gave Travolta the biggest opening by far of his career, beating the $23.5M of 2005’s "Be Cool," and the second best bow for Allen after the $57.4M bow of 1999’s "Toy Story 2." As expected, "Hogs" was slammed by critics but reviews are practically irrelevant for a star-driven comedy like this. This is a crowdpleaser, not a criticpleaser. Audiences make their decisions based on if they think they will get a good laugh or not and Buena Vista’s marketing push was indeed solid. Though the overall weekend gross was strong, what was even more encouraging was the significant Friday-to-Saturday boost of 49% which is rare for any new release. A journey into nine-digit territory seems likely.

Debuting far back in second place was the serial killer pic "Zodiac," with an estimated $13.1M from 2,362 sites. Averaging a respectable $5,546 per theater, the R-rated film from director David Fincher played to an older audience as two-thirds of the crowd was over the age of 25, according to studio research from Paramount. Males and females were evenly represented. Starring Jake Gyllenhaal, Robert Downey Jr., and Mark Ruffalo, "Zodiac" follows the investigation behind one of California’s most notorious murderers from the 1960s and 70s. The $65M film fared better than last fall’s murder mysteries set in the Golden State, "The Black Dahlia" and "Hollywoodland," which debuted to $10M and $5.9M respectively.

Reviews were overwhelmingly positive for "Zodiac," but its 160-minute length may have cut into its grossing potential. Plus when factoring in ticket prices increases over the years, it can be estimated that "Zodiac" sold the fewest opening weekend tickets of any of Fincher’s films. Admissions were roughly the same as for "Fight Club," which bowed to $11M in 1999. The studio is hoping that good word-of-mouth can carry the film in the weeks ahead.

After leading the pack for two full weeks, the Johnny Blaze flick "Ghost Rider" fell to third but only dropped 43% for an estimated $11.5M gross. Sony’s Nicolas Cage starrer has taken in $94.8M in 17 days and should become the first new release of 2007 to break the $100M barrier. Disney’s "Bridge to Terabithia" also held up well dipping 39% in its third adventure to an estimated $8.6M. Cume stands at $57.9M.

Jim Carrey‘s thriller "The Number 23" fell from second to fifth place in its sophomore scare and collected an estimated $7.1M. Down an understandable 52%, the New Line title has taken in a semi-decent $24.7M in ten days and looks headed for a $35-38M finish.

Eddie Murphy‘s latest comedy "Norbit" enjoyed the smallest decline in the top ten and dipped 34% to an estimated $6.4M for a $83M sum. Fellow laugher "Music and Lyrics" dropped just 36% to an estimated $4.9M giving the Hugh GrantDrew Barrymore pic $38.7M to date.

Paramount Vantage bowed its Samuel L. JacksonChristina Ricci drama "Black Snake Moan" and collected an estimated $4M from 1,252 theaters. Averaging a mild $3,208, the debut was half the size of writer/director Craig Brewer‘s last film "Hustle & Flow," which opened in July 2005 to $8M from 1,013 theaters on its way to $22.2M and an Oscar. Jackson has witnessed many of his headlining vehicles struggle at the box office including "Freedomland," "The Man," and even "Snakes on a Plane," which despite hitting the top spot, grossed much less than expected given its media hype last summer.

The Fox comedy "Reno 911!: Miami" tumbled 64% in its second weekend to an estimated $3.8M for a ninth place finish. The R-rated pic has grossed $16.4M in ten days and should conclude with roughly $20M. Rounding out the top ten was the FBI thriller "Breach" with an estimated $3.5M, off 42%, for a $25.4M total.

Three smaller films dropped out of the top ten over the weekend. The slave trade drama "Amazing Grace" dipped only 26% in its second weekend to an estimated $3M. With $8.2M in ten days, the Samuel Goldwyn/Roadside Attractions period pic may find its way to $15-18M. The Billy Bob Thornton flop "The Astronaut Farmer" grossed an estimated $2.2M, down 52%, and put its sum at an embarrassing $7.7M. Look for a $11M final.

Lionsgate’s Tyler Perry comedy "Daddy’s Little Girls" fell 53% to an estimated $2.3M in its third frame and upped its cume to $28.4M. By comparison, the distributor saw stronger 17-day grosses of $44M and $55.7M respectively for the director’s last two films, "Diary of a Mad Black Woman" and "Madea’s Family Reunion." "Daddy’s" should end its run with $30-33M.

The top ten films grossed an estimated $100.8M which was up a stunning 30% from last year when "Madea" stayed at number one with just $12.6M; but off 4% from 2005 when "The Pacifier" debuted on top with $30.6M.

Source: Gitesh Pandya, www.BoxOfficeGuru.com

Academy Award winner Nicolas Cage ruled Oscar weekend with his skull-on-fire motorcycle actioner "Ghost Rider," which held steady at number one in North America for the second straight time. Moviegoers delivered different verdicts to the handful of new releases led by the Jim Carrey thriller "The Number 23," which fared best and debuted in second place. Overall, the top ten was about even with the corresponding weekends from the last two years.

Dropping 57% from its powerful opening weekend, "Ghost Rider" took in an estimated $19.7M over the weekend and pushed its ten-day tally to a sensational $78.7M. The big-budget Sony actioner adapted from the popular Marvel comic book series suffered a decline similar to that of 2003’s "Daredevil," which sank 55% in its second frame after an explosive bow over Presidents’ Day weekend. That super hero flick captured 68% of its domestic total in the first ten days. "Ghost Rider" is so far following the same path which means a final gross of $115-120M seems likely.

Comedy guru Jim Carrey took a stab at horror with his new psychological thriller "The Number 23" and saw moderate results with a $15.1M launch, according to estimates. Playing in 2,759 theaters, the R-rated film averaged $5,476 per location for New Line. Critics were brutal to the scary pic, but the opening fared better than those of most of Carrey’s previous non-comedies.

Disney’s "Bridge to Terabithia" dropped 40% in its sophomore adventure and pulled in an estimated $13.6M in ticket sales. The PG-rated fantasy has banked an impressive $46.2M in ten days and may be heading for around $75M overall.

Fox saw a not-so-arresting debut for its cop comedy "Reno 911!: Miami," which opened in fourth place with an estimated $10.4M. The R-rated feature adapted from the moderately successful Comedy Central series averaged a mild $3,849 from a wide release in 2,702 theaters. By comparison, openings for other recent R-rated comedies based on popular television properties include $26.5M for "Borat" and $29M for "Jackass: Number Two," both of which bowed at number one.

Eddie Murphy‘s comedy "Norbit" dropped 42% to an estimated $9.7M in its third weekend raising its total to $74.7M for Paramount. Warner Bros. followed with its own comedy "Music and Lyrics," which pulled in an estimated $8M in its sophomore weekend. Down a reasonable 41%, the Hugh GrantDrew Barrymore pic has taken in $32.1M in 12 days and could be headed for the $50M mark.

Universal’s "Breach" dipped 41% in its second weekend to an estimated $6.2M. With $20.5M in ten days, the FBI thriller in on course for a $35M total. The Tyler Perry comedy "Daddy’s Little Girls" lost half of its audience in the second weekend just like the director’s last two February comedies. The Lionsgate release grossed an estimated $5.3M, down 53%, and has taken in $25.6M. Both "Diary of a Mad Black Woman" and "Madea’s Family Reunion" made about 75% of their total grosses in the first ten days so a $35M final for Girls seems likely.

A pair of new releases rounded out the top ten. Warner Bros. saw a dismal opening for its Billy Bob Thornton drama "The Astronaut Farmer," which grossed an estimated $4.5M from 2,155 locations. Averaging a poor $2,093 per theater, the PG-rated film earned mixed reviews from critics.

Goldwyn’s historical slave trade drama "Amazing Grace" enjoyed a solid bow with an estimated $4.3M from only 791 sites for a respectable $5,442 average matching "Ghost Rider’s" per-theater average to the dollar. Reviews were mostly favorable.

Four films dropped out of the top ten over the weekend. The runaway smash "Night at the Museum" collected an estimated $2.2M in its tenth weekend and upped its total to $241.7M putting it at number 44 on the list of all-time domestic blockbusters ahead of "My Big Fat Greek Wedding," which made $241.4M in 2002. "Museum" fell 41% this weekend and should go on to reach around $246M domestically and over $500M worldwide.

Universal’s Diane Keaton comedy "Because I Said So" grossed an estimated $2.9M, down 44%, putting its cume at a decent $38.4M. A final gross of $43-45M seems likely. Sony’s thriller "The Messengers" grossed an estimated $1.6M, tumbling 58%, for a $33.4M cume. The $16M production should conclude with a healthy $35M. MGM’s "Hannibal Rising" has grossed about $26M to date and should end its run with only $30M.

The top ten films grossed an estimated $96.7M which was up 1% from last year when "Madea’s Family Reunion" opened at number one with $30M; but off 2% from 2005 when "Diary of a Mad Black Woman" debuted on top with $21.9M.

Source: Gitesh Pandya, www.BoxOfficeGuru.com

Following a busy holiday weekend when five new releases opened nationwide, the crowded marketplace will now face another four new films invading multiplexes everywhere.

Jim Carrey tries out the horror genre in "The Number 23," TV comedy comes to the big screen in "Reno 911!: Miami," Billy Bob Thornton longs to be in outer space in "The Astronaut Farmer," and more frights pop up in "The Abandoned." Overall ticket sales should simmer down after the record Presidents’ Day holiday weekend led by "Ghost Rider" which will fight to keep its box office crown. Meanwhile, aging Oscar contenders will compete over last-minute biz ahead of Sunday’s Academy Awards which will bring some drama of its own.

After tackling comedy, drama, super hero flicks, and kids movies, Jim Carrey explores his darker side in the new psychological thriller "The Number 23." The Riddler reteams with his "Batman Forever" director Joel Schumacher in this R-rated story about a man obsessed with a book that seems to reveal mysteries about his own past. Virginia Madsen co-stars. Older teens and young adults will make up the target audience here and many in the horror camps will come out of curiosity too. The title is strong and the marketing has been solid so "23" will be able to make a serious challenge for the top spot. Jim Carrey’s starpower will be put to the test once again since this is not a "Bruce Almighty" or "Liar, Liar" situation. Actually, "23" might post one of the best openings of his career for a non-comedy. Maybe if it opens big, he’ll be cast in one of the next twenty-three "Saw" films. Opening in over 2,500 locations this weekend, the new Carrey film may end up grossing $23M – $2M – $3M.


Jim Carrey goes whacko due to "The Number 23."

After making a mint on "Borat," Fox looks to another raunchy comedy for some income. "Reno 911!: Miami" finds the cast of the popular Comedy Central series hitting the road to Florida for a national convention. The R-rated pic will play almost exclusively to fans of the show which while successful, is not really a runaway smash so the potential could be limited. Trailers and commercials actually look funny so a slightly wider crowd may come in. Though "23" could not be more different of a film, it will still offer plenty of competition for older teens and young adults. Moviegoers paying top dollar for a ticket are more likely to try out a Jim Carrey film, even if he’s testing out a new genre. By not screening for critics and releasing the film in the most theaters of any new release this weekend, Fox is basically hoping that those who have seen the show will come out and give this one a try. Steep declines in subsequent weeks are assured. But for the opening frame, a debut in 2,702 venues could lead to a weekend tally of around $14M for "Reno 911!: Miami."


Our favorite careening cops are ready to take on Miami.

Billy Bob Thornton plays an ex-astronaut who tends to his farm in the aptly-titled "The Astronaut Farmer" from Warner Bros. The PG-rated film co-stars Virginia Madsen who pulls double duty this weekend playing the wife to both a bad santa and a grinch. The former Mr. Jolie sells more tickets when he’s not the anchor of a film, so it could be a rough ride this weekend. Appeal to teens and young adults seems weak as the turnout could come from older adults who may also bring with them younger children thanks to the rating. With the violence of "Ghost Rider" and the debut of a trio of R-rated pics, there could be an opportunity with the family crowd. That is, if they already have seen "Bridge to Terabithia." The marketing push has not been too loud so don’t expect a high altitude here. "The Astronaut Farmer" opens in over 2,000 theaters on Friday and may find itself with about $8M.


Billy Bob has the right stuff in "The Astronaut Farmer."

Hitting theaters on a pitstop to what could be solid DVD revenue, the horror film "The Abandoned" enters the marketplace as the weekend’s other new scary movie. The R-rated film tells the story of an American woman who finds terror in Russia when she sets out to find her birth parents. Obviously, opening against Jim Carrey’s new spookfest will hurt the grosses for "The Abandoned." If it were a PG-13 film aimed at teenage girls, it could have been another story, but those over the age of 17 who want a fright will be thinking "23." Lionsgate is only launching "The Abandoned" in about 1,250 locations so a mild $3M gross could result.


No reviews, and no other photos for "The Abandoned."

Last weekend, Nicolas Cage enjoyed a record-breaking Presidents’ Day opening with "Ghost Rider" which grabbed $45.4M over the three-day portion of its holiday bow. The Marvel super hero flick opened much like 2003’s "Daredevil" which launched on the same frame and suffered a 55% drop on the sophomore session. "Ghost Rider" should see similar results as it also attracted much of its fan base last weekend and is facing the same level of competition that the Ben Affleck actioner saw in its second attack. Look for "Ghost Rider" to burn up another $20M which would lift its ten-day tally to $79M.

Disney’s "Bridge to Terabithia" should enjoy a better hold since there is little new competition for its family audience. A 30% decline would give the PG-rated fantasy around $16M for the weekend and a solid $48M after ten days. Aside from crossing his fingers for an Oscar, Eddie Murphy will see another sizable drop in sales for his comedy "Norbit." A 45% fall would give the Paramount release a $9M frame bumping the cume to $74M.

LAST YEAR: Tyler Perry‘s comedy "Madea’s Family Reunion" opened atop the charts with a powerful $30M debut for Lionsgate. The hit flick found its way to $63.3M. Holdovers rounded out the top five with Disney’s "Eight Below" dropping a spot to second with $15.9M in its sophomore frame. The Steve Martin remake "The Pink Panther" took in $11.1M and was followed by "Date Movie"’s $9.1M and the $7.2M of "Curious George." Opening to poor results were the animated film "Doogal" with $3.6M and New Line’s "Running Scared" with $3.4M. Final grosses reached only $7.6M and $6.9M, respectively.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got wacky cops ("Reno 911!: Miami"), numerological tension ("The Number 23," starring Jim Carrey), a rocket man ("The Astronaut Farmer," starring Billy Bob Thornton), and a haunted house ("The Abandoned"). What do the critics have to say?

On the small screen, the "COPS" parody "Reno 911," with its incompetent lawmen, zany situations, and absurd fashions, is good for its share of laughs. In the multiplex? Critics say "Reno 911!: Miami" is a slightly less arresting proposition. The gang heads to Miami to break up a terrorist plot on spring break; hilarity ensues. Sketch comedy is often on shaky ground when moved from the tube to the big screen, and a few of the critics say "Reno 911" is no exception; they feel the film has some good laughs but ultimately runs out of steam. Others say that fans of the show will get exactly what they want. At 55 percent on the Tomatometer, "911" is a call you have to make for yourself. (Check out an interview with "Reno 911" cast members by RT’s own Jen Yamato.)


"Reno 911!: Miami," invoking the spirit of "Baywatch Nights."

I don’t know about you, but when I think of the number 23, visions of Michael Jordan dance in my head. (Or perhaps former Red Sox first baseman Brian Daubach.) Director Joel Schumacher and star Jim Carrey want the titular figure to be synonymous with psychological intrigue, but the critics say it’s more like the law of diminishing returns. Carrey stars as a man whose wife (Virginia Madsen) has given him a pulp novel that appears to be about his life, and he subsequently becomes fixated on the number 23, which seems to turn up everywhere he goes. The pundits say "The Number 23" is incomprehensible and overly busy, draining the film of suspense. At 11 percent on the Tomatometer, you may want to subtract "The Number 23" from your list.


The tomatometer of "Pet Detective" minus the tomatometer of "When Nature Calls" equals …23!

Here’s a high concept for you: "Field of Dreams" in orbit. Sound ridiculous? Well, cynics be darned; critics say "The Astronaut Farmer" is a heartwarming fairytale, an inspirational family film that seems out of place in contemporary Hollywood. The movie tells the tale of a former astronaut (Billy Bob Thornton) who, facing foreclosure on his farm, dreams of building his own rocket against all odds. The pundits say "The Astronaut Farmer" is a heartwarming ride, featuring a strong sense of its Midwestern locale helmed with an unpretentious, pleasant directorial touch by the Polish brothers. At 78 percent on the Tomatometer, "The Astronaut Farmer" may be worth a ride.


"I sure do like them french fried potaters, mmm hmmm."

It appears that the people behind "The Abandoned" have, ahem, abandoned it, since it wasn’t screened for critics. The film tells the story of a woman who returns to the house where she was born in a remote part of Russia; horrifying events ensue. Get a search party together and Guess that Tomatometer.

Also opening this week in limited release: "Starter for 10," a Britcom about a working class kid at a posh university, is at 86 percent; "Glastonbury," a rockumentary about England’s most venerable music festival, is at 73 percent; "Cocaine Angel," a harrowing no-budget indie about a few days in the lives of Florida addicts, is at 60 percent; "Amazing Grace," about William Wilberforce’s 20 year struggle to end slavery in the British Empire, is at 55 percent; and "Gray Matters," a rom-com about a brother and sister expanding their romantic horizons starring Heather Graham, is at 20 percent.


Morrissey waxes poetic about his comatose girlfriend in "Glastonbury."

Finally, props to FernandoDANTE and alwaysforevernow for coming the closest to guessing "Ghost Rider"’s Tomatometer of 27 percent. Get your respective motors running, and then, subsequently, head out on the highway.

Recent Jim Carrey Movies:
———————————-
27% — Fun With Dick and Jane (2005)
71% — Lemony Snicket’s A Series of Unfortunate Events (2004)
93% — Eternal Sunshine of the Spotless Mind (2004)
49% — Bruce Almighty (2003)
42% — The Majestic (2001)

Recent Billy Bob Thornton Movies:
——————————————-
27% — School for Scoundrels (2006)
46% — The Ice Harvest (2005)
45% — The Bad News Bears (2005)
79% — Chrystal (2004)
82% — Friday Night Lights (2004)

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