Batman takes on Cinderella Man at the box office as the Russell CroweChristian Bale Western remake 3:10 to Yuma heads into the multiplexes over what is traditionally a tumbleweed weekend in the marketplace. More action comes in the form of Shoot ‘Em Up which pits Clive Owen against Paul Giamatti while those craving comedy get the new laugher The Brothers Solomon. With summer gone and most students back in school, Hollywood has decided to roll out nothing but R-rated films this weekend.

Hoping to bounce back from last year’s critical and commercial disaster A Good Year, Oscar winner Russell Crowe leads the charge and aims for his first trip to the number one spot in nearly four years with 3:10 to Yuma. Directed by James Mangold (Walk the Line), the update on the 1957 semi-classic finds Bale playing a down-on-his-luck family man who takes the job of delivering a captured outlaw (Crowe) to the authorities. Having two strong actors face each other on screen is
usually a good thing and here the starpower should help bring in audiences. Reviews have been solid and since this genre plays to a more mature adult audience, the opinions of critics will make a big difference. The marketing push from Lionsgate has been commendable and with few other interesting new choices out there, Yuma should carve out its own space. Heading into 2,652 theaters, 3:10 to Yuma could open with roughly $14M over the Friday-to-Sunday period.


Russell Crowe and Peter Fonda in 3:10 to Yuma.

For cinemagoers who want even more bullets flying across their screens, New Line is offering up the modern-day crime thriller Shoot ‘Em Up. The R-rated film stars Clive Owen as the good guy on the run, Paul Giamatti as the bad guy with a gun, and Monica Bellucci as a hooker out for fun. Just as with Yuma, the film will skew more male but will probably play a bit younger. Competition will be a big factor since the pic has some big guns it’s going up against. Starpower is also lacking as the actors, though well-respected creatively, are not big ticket sellers as leads. Opening nationally, Shoot ‘Em Up might debut to about $8M this weekend.


Paul Giamatti, in a strict departure from his Lady in the Water character.

Will Forte and Will Arnett, two funnymen with little pull at the box office, team up for the new comedy The Brothers Solomon from Sony. The R-rated pic from director Bob Odenkirk (Let’s Go To Prison) finds the two playing siblings on a wacky quest to fulfill their dying father’s wish of having a grandson. With little starpower, the film is not likely to score much business over the weekend as most interested fans will wait for the DVD. Opening in about 650 locations, The Brothers Solomon could bow to less than $2M.


The Wills (Forte and Arnett) in The Brothers Solomon.

After its record-breaking opening weekend, Halloween should fall sharply in the sophomore session since intense fan interest brought out everyone upfront. The three-day gross could drop by 60% to about $11M giving MGM and The Weinstein Company $45M after ten days. With the new action titles likely to skew older, Superbad could be in for another solid frame. A 45% dip to around $7M may be in order giving McLovin and gang a cume of $102M.

LAST YEAR: The worst box office weekend of 2006 was led by the modest opening of the thriller The Covenant which debuted with only $8.9M which was enough to capture the crown. The Sony pic went on to gross $23.3M overall. Opening with weak results in second was the Ben Affleck starrer Hollywoodland with only $5.9M on its way to $14.4M for Focus. Following two weeks at number one, the football drama Invincible dropped to third with $5.6M for Buena Vista. The Weinstein Company’s Thai actioner The Protector premiered in fourth with $5M leading to only $12M. The Jason Statham action pic Crank ranked fifth with $4.9M for Lionsgate.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

It made a billion dollars and I can’t remember talking to ONE person who actually liked it. But you knew it was coming. The ball is rolling on another Night at the Museum.

And I’d be willing to bet that’s what they call it, too: "Another Night at the Museum." Because that’s what passes for clever these days.

OK, I’ll put the sarcasm away. According to Dark Horizons, screenwriters Ben Garant and Thomas Lennon (who have Balls of Fury on the way) have confessed: Yes, they’ve started in on the sequel’s screenplay. Then again, Night at the Museum was a pretty big step up from their other screenplays. Shield your eyeballs and then scan those credits. Yep, the same guys who co-created the hilarious Reno 911! and The State — also co-wrote Taxi, The Pacifier, Herbie: Fully Loaded, and Let’s Go to Prison. I’m not sure if Ben Stiller is signed yet, but that shouldn’t be a problem. That guy will do just about any flick for a paycheck. (And how the heck did the Reno 911! movie turn out so rotten?)

Having said all that, the Balls of Fury trailer did make me chuckle a few times — about five months ago. But back to the main issue: Another Night at the Museum? Who’s up for that? Be honest. The first flick didn’t gross $250 million by itself.

Source: Dark Horizons

The post-turkey blues will kick in as the North American box office should slump this weekend following a busy Thanksgiving holiday frame.

Three new releases venture into the multiplexes. The Biblical drama "The Nativity Story" will open in the most theaters and try to court a faith-based audience as Christmas nears. Teens and young adults looking to push the envelope with R-rated fare have the college comedy "Van Wilder: The Rise of Taj" and the horror thriller "Turistas." Meanwhile, the penguin toon "Happy Feet" and the James Bond actioner "Casino Royale" will both be past the $100M mark by Friday and will try to stay atop the charts for a third straight time.

The story of Baby Jesus comes to the big screen with New Line’s "The Nativity Story" which stars Keisha Castle-Hughes ("Whale Rider") as Mary. The PG-rated film should appeal to Christian parents wanting to share the religious saga with their children in an environment that the whole family can enjoy. Certainly "The Passion of the Christ" showed how big a Biblical film could be at the box office. However, "Nativity" is completely different and does not have that film’s high-profile director, controversy, or national media frenzy.


Keisha Castle-Hughes and friends in "The Nativity Story."

Instead, it may tap into the same audience as October’s Babylon epic "One Night With the King" which opened to $4.1M from just 909 theaters for a $4,518 average. "The Nativity Story" will launch in more than twice the number of theaters and has a more timely release with December 25 right around the corner, but could generate a similar per-theater average. Critics have not been kind to the pic which might prompt some to wait for the DVD. Opening in around 2,800 theaters, "The Nativity Story" could collect about $13M over the weekend.

Four and a half years after the release of National Lampoon’s first raunchy college comedy "Van Wilder" comes a new installment with "Van Wilder: The Rise of Taj." This R-rated tale finds Taj (Kal Penn) from the first film moving to England to teach a group of misfits how to party down. It’s been a tough road in recent weeks for R-rated films aimed at young males. "Tenacious D in The Pick of Destiny," "Let’s Go to Prison," and "Harsh Times" all opened with about $2M or $3M a piece. "Taj" has some brand recognition since the first "Van Wilder" went on to become popular on video and on cable. In theaters, it opened to $7.3M and a $3,612 average in April 2002 leading to a $21M final. However, a crowded marketplace will make it tough for the sequel to stand out. And "Borat" becoming a runaway smash with four straight $10M+ weekends won’t help either. Opening in 2,000 around theaters, "Van Wilder: The Rise of Taj" might debut with about $5M.


Kal Penn returns in "Van Wilder: The Rise of Taj."

Fox’s new division Fox Atomic, which will cater to teen and young adult audiences, sets sail with its first film with the horror pic "Turistas." The R-rated thriller is directed by John Stockwell ("Blue Crush," "Crazy/Beautiful") and follows a group of American tourists on vacation in Brazil who cross paths with creepy organ harvesters. No starpower here. Instead, Fox is hoping to appeal to college kids looking for a good scare. Outside of older teens and twentysomethings, appeal should be minimal. Even with its core audience, "Turistas" will have to share shelf space with "Taj" so potential will be limited. Opening in less than 2,000 theaters, "Turistas" could find its way to a weekend gross of roughly $4M.


A trio of scared turistas in "Turistas."

Among holdovers, films usually suffer steep declines on the weekend after the Thanksgiving holiday frame. Overall box office spending contracts and studios usually avoid programming any of their heavy hitters into the slot. In fact in the last 15 years, only one new release has opened at number one during this particular weekend – 2003’s "The Last Samurai."

This weekend, it could end up being "Happy Feet" and "Casino Royale" duking it out for box office supremacy for the third straight time. Family pics do extremely well over the turkey frame, but then come down hard a week later. Plus "The Nativity Story" could provide some competition for families. Warner Bros. might suffer a 55% fall for its penguin film which would leave it with $17M for the weekend and $120M after 17 days.

The new blonde Bond is pleasing audiences worldwide and in the United States, "Casino Royale" is set to give "Die Another Day" a run for its money thanks to good word-of-mouth. With kids back in school, the Sony adventure film has taken over the number one spot during the mid-week period. "Casino" could drop by 50% this weekend to around $15M which would push the domestic cume to $116M. Look for the global tally to surpass the $400M mark with ease by the end of the holiday season.

Last weekend, Denzel Washington‘s action thriller "Deja Vu" got off to a good start with a $28.6M five-day bow. Buena Vista may witness a 50% drop and collect roughly $10M over three days and raise its 12-day total to $43M.

LAST YEAR: For the third straight weekend, "Harry Potter and the Goblet of Fire" rose to the head of the class and grossed $19.9M to lead the box office. Paramount opened its Charlize Theron actioner "Aeon Flux" to $12.7M on its way to a lukewarm $25.9M. It was the only new wide release of the weekend. "Walk the Line" dropped to third with $9.5M, "Yours, Mine, and Ours" placed fourth with $8.3M, and "Just Friends" rounded out the top five with $5.6M.

This week at the movies, we’ve got holiday mischief ("Deck the Halls," starring Matthew Broderick and Danny DeVito), a phenomenon known as déjà vu ("Déjà Vu," starring Denzel Washington), a spiritual journey through time ("The Fountain," starring Hugh Jackman and Rachel Weisz), and a mystical guitar pick ("Tenacious D in: The Pick of Destiny," starring Jack Black and Kyle Gass). What do the critics have to say?

The holiday season is nearly upon us, which means another poorly-reviewed seasonal comedy is hitting theaters. In "Deck the Halls," Matthew Broderick and Danny DeVito star as next-door neighbors competing to hang the shiniest star upon the highest bough — or at least out-decorate each other. Practical jokes and one-upmanship ensue. The critics have made a list of the film’s problems and checked it twice, and they say it’s too juvenile to pull off the combination of slapstick and family togetherness it’s attempting. At 13 percent on the Tomatometer, "Deck the Halls" has coal in its stocking.


"Ok, the first one to cause rolling blackouts wins."

Denzel Washington rejoins director Tony Scott in "Déjà Vu" as an ATF agent who goes back in time to stop the murder of a woman he subsequently falls in love with. And while the movie’s high-concept angle is riling some critics, others are falling in love with Tony Scott’s unique visual twist on time travel. So either it’s an original take on a familiar concept or it’s about as believable as Keira Knightley the bounty hunter… At 59 percent, the pundits seem to favor the latter.


"So how do you say ‘deja vu’ in Aramaic?"

Beautiful and transcendent or muddled and pretentious? Darren Aronofsky‘s "The Fountain" is dividing the critics right down the middle. This philosophical, time-jumping sci-fi tale stars Hugh Jackman and Rachel Weisz as a couple in Conquistador-era Spain, the present, and in a space-age future who are obsessed with death and rebirth. "The Fountain" overflows with ideas and images, and while some critics praise the film’s striking visual flair and Aronofsky’s audacity, others say it’s ultimately too incoherent to pull off the "2001"-esque meditation it strives for. "The Fountain" currently stands at 39 percent on the Tomatometer.


Mosh pits have not evolved much in 500 years.

Jack Black and Kyle Gass set out to unleash the Greatest Movie in the World when "Tenacious D in: The Pick of Destiny" hits theaters this week, but the critics have had a tough time figuring out if they’ve actually done it. The facts are smudged in this would-be biopic telling the story of the formation of The D and their quest to find a magical guitar pick that’ll transform them into rock gods. When the reviews are good The D look set to rock the world, but when they’re bad the word ‘cerebral’ pops up only in reference to what this movie is not. "Pick" currently stands at 48 percent on the Tomatometer.


"Eins, zwei, drei, Hasselhoff!"

"Bobby" and "For Your Consideration" opened in limited release last week, and now both are going wide. Emilio Estevez‘s "Bobby," an Altman-esque tale of the night of Robert Kennedy’s assassination starring half the population of California, is at 51 percent on the Tomatometer, and the Hollywood-skewering "For Your Consideration," Christopher Guest‘s latest ensemble comedy, is at 52 percent. Also opening this week in limited release are "Opal Dream," a coming-of-age tale about a little girl with imaginary friends in the outback, is at 80 percent, and "The History Boys," a tale of hypercompetitive English schoolboys adapted from Alan Bennett, is at 61 percent.


"The History Boys": the UK’s least intimidating street gang.

Finally, while it may be a bit early to call dreday as consistent a hitmaker as is Dr. Dre himself, it is worth noting that he came the closest to guessing the Tomatometer for "Let’s Go to Prison" (8 percent), making it his second consecutive Guess victory in a row. Watch out for player haters, dreday.

Thanks to Joe Utichi for his help on this article.

Recent Denzel Washington Movies:
——————————————-
88% — Inside Man (2006)
81% — The Manchurian Candidate (2004)
39% — Man on Fire (2004)
66% — Out of Time (2003)
79% — Antwone Fisher (2002)

Recent Jack Black Movies:
———————————
37% — Nacho Libre (2006)
84% — King Kong (2005)
35% — Shark Tale (2004)
6% — Envy (2004)
90% — School of Rock (2003)

It’s a box office battle royale at the multiplexes this weekend as two guys in penguin suits fight over the number one spot with their new releases.

Warner Bros. offers the animated kids movie "Happy Feet" while Sony counters with the latest James Bond adventure "Casino Royale." Each has a legitimate shot at reaching number one and will play to different audiences. Meanwhile, two-time chart-topper "Borat" plans to stick around and cause trouble (and collect more lawsuits) despite the arrival of two new heavy hitters.

Yet another computer-animated film featuring talking animals hits the big screen this weekend in the form of "Happy Feet" which tells the story of Mumble, a young penguin who can’t sing like all his other classmates can, but can dance up a storm with his toe-tapping skills. The PG-rated film features the voices of Robin Williams, Elijah Wood, Nicole Kidman, Hugh Jackman, and Brittany Murphy and is directed by George Miller ("Babe"). Warner Bros. will offer dozens of Imax runs simultaneously with the standard launch of the film which will give the grosses a nice little boost.


The penguins return in animated form in "Happy Feet."

The weekend before the Thanksgiving holiday frame has always been a potent one for films that play to kids. Although "Happy Feet" has a story that wanders from one genre to the next, its dazzling digital animation should please audiences. Plus, Williams is in top form voicing two different characters who together provide about 95% of the film’s comedy. Last year, the Oscar-winning actor lent his pipes to Fox’s "Robots" which opened with $36M thanks to the star wattage he brings to a big toon vehicle. "Feet" should be able to debut above that mark.

The marketing push behind "Happy" has been colossal as the studio is hoping for big things from its little penguin. Kids and moms have been bombarded with promotion everywhere they go and awareness with that key demo is sky high. But crossover potential to teens and young adults in questionable. This is not like "The Incredibles" or "Shrek" where every teenager is pumped up and ready to buy tickets. There is also solid competition for the family audience in the current marketplace as "The Santa Clause 3" and "Flushed Away" are set to collect $20M or more worth of ticket sales from the exact same crowd this weekend. But penguin power could edge out Bond’s guns as "Happy Feet" will have around 400 more theaters, a shorter running time, and more starpower. Opening in 3,804 theaters, the animated film might take in about $40M this weekend.

Sony and MGM try to restart one of the most successful film franchises in history with "Casino Royale," the latest James Bond action-adventure tale. Daniel Craig replaces the wildly popular Pierce Brosnan in the role of Agent 007 in the first new installment in the series in four years. Martin Campbell, who directed the former Remington Steele in his first Bond pic "Goldeneye," gets another chance to break in a rookie into one of the industry’s most iconic roles. In the U.S., Craig is practically an unknown actor and with no famous co-stars, "Casino Royale" cannot rely upon starpower to drive in audiences. Instead, it will look to the marquee value of the franchise as well as to reviews from critics which so far have been glowing and even better than what the studio could have hoped for. Many find Craig to be the best Bond ever.


New Bond, same wardrobe in "Casino Royale."

Each of Brosnan’s first three Bond films had the secret agent’s famous digits branded into its opening weekend gross figure. "Goldeneye" opened to $26,205,007 on this same weekend in 1995, "Tomorrow Never Dies" premiered to $25,143,007 in December 1997 when it faced the launch of "Titanic," and "The World is Not Enough" launched with $35,519,007 when the franchise returned to the weekend before Thanksgiving in 1999. No telling if Sony will follow suit with "Casino" and insert Bond’s trademark number into the final opening weekend tally. 2002’s "Die Another Day," the last film in the series, raised the bar even higher debuting to $47.1M on its way to a $160.9M domestic take and $415M worldwide haul.

"Casino Royale" is not likely to reach that bar in its first weekend. With Brosnan gone and many fans not sure yet if they want to try out this new blondie, the debut frame could suffer a bit. Action fans had a routine of going to see a Brosnan Bond film every couple of winters, plus the addition of Halle Berry, who was red hot from her Oscar win that year, boosted the film’s star quotient. "Royale" could have greatly benefited by casting at least one big star to help keep its hold on its fan base. Nevertheless, with no other action movies in the marketplace, "Casino" has almost no direct competition. And its Texas Hold ‘Em storyline could appeal to young men addicted to poker.

But the box office world has changed much since "Die Another Day." Nowadays, action movies that rely on stunts instead of special effects often struggle to attract audiences. Competing globe-trotting spy flick "Mission: Impossible III," which appeals to much the same audience, bowed to an underwhelming $47.7M last May while playing in over 4,000 theaters against no competition. Sure, the Tom Cruise backlash may have contributed. But today’s audiences get plenty of high-quality action for free on network television and want a lot more bang for the buck if they’re expected to pay top dollar at the multiplexes. Also impacting "Casino’s" potential is its long running time which clocks in at nearly two and a half hours. That’s a good 45 minutes longer than "Happy Feet" meaning each screen can accommodate one extra penguin showing per day.

Sony has backed its latest blockbuster with a sizable marketing push. Strong word-of-mouth could allow it to hang on in the long term. But early skepticism may lead many adult moviegoers to a wait-and-see approach as they figure out whether this Bond is worth it. Diving into 3,434 theaters, "Casino Royale" might gross about $38M for the weekend. With recent Bond flicks making 60-70% of their loot from outside of North America, international prospects look sensational over the coming weeks.

Universal quietly tosses the R-rated comedy "Let’s Go To Prison" into the marketplace on Friday hoping to tap into young men in search of bold humor. Directed by Bob Odenkirk, the jailhouse laugher boasts a cast fit for a straight-to-DVD release – Dax Shephard, Will Arnett, and Chi McBride. In this revenge comedy, a felon makes life hell for the son of the judge who sentenced him to the slammer. The marketing push has not been very strong and with "Borat" stealing away the same audience, it will be an uphill battle to find paying customers. Opening in 1,495 cells, "Let’s Go To Prison" might lock down only $5M over the weekend.


"Let’s Go to Prison" for some reason was not screened for the press.

Confusing audiences in nearly 500 theaters across the country this weekend will be "After Dark Horrorfest – 8 Films to Die For." For one weekend only, this collection of B-grade fright flicks will play in theaters with moviegoers having the choice of which films they want to see. These include such titles as "The Gravedancers," Takashi Shimizu‘s "Reincarnation," and "Wicked Little Things" plus a special Sunday night presentation of "Snoop Dogg’s Hood of Horror" as the ninth creepy tale. To generate interest, After Dark is promoting this as a special event for horror fans featuring films that they were not supposed to see. To fill the dead space on screen between Sunday and Wednesday when many new Thanksgiving weekend films open, theaters will get to run "encore presentations of audience favorites."

In limited release, more potential candidates for awards season make their way into theaters. Fox Searchlight unleashes Richard Linklater‘s newest creation "Fast Food Nation" in 321 theaters across the major markets. The R-rated ensemble pic stars Greg Kinnear, Wilmer Valderrama, Ethan Hawke, and Patricia Arquette in an expose of the American junk food biz.


The stars of "Fast Food Nation."

MGM and The Weinstein Co. go back to June 5, 1968 with the political drama "Bobby" examining the lives of those inside the Ambassador Hotel on the day Senator Robert F. Kennedy was assassinated. Another large cast takes to the screen including Anthony Hopkins, Laurence Fishburne, Elijah Wood, Lindsay Lohan, Sharon Stone, Helen Hunt, Demi Moore, William H. Macy, Heather Graham, Ashton Kutcher, Martin Sheen, and son Emilio Estevez who also serves as writer/director. "Bobby" platforms in solo engagements in New York and Los Angeles on Friday and expands nationally next Wednesday.


Emilio Estevez directs and stars in "Bobby."

Packing films with stars seems to be the way to go as showcased again by the film industry comedy "For Your Consideration" from writer/director Christopher Guest ("Best in Show," "A Mighty Wind"). Eugene Levy, Michael McKean, Catherine O’Hara, Parker Posey, Ricky Gervais, and Fred Willard team up for a story about the wackiness that results when a small indie film attracts Oscar buzz for its cast members. Warner Independent Pictures will debut "Consideration" on Friday in ten U.S. markets plus three Canadian cities before expanding next Wednesday into major cities across North America.


More Christopher Guest satire in "For Your Consideration."

After stumbling into the number one spot two weeks ago, "Borat" will have to settle for being bumped a couple of spots this time thanks to the frame’s two new heavyweights. "Casino Royale" will provide some competition but "Happy Feet" should have no effect on the raunchy comedy’s war of terror on the nation’s multiplexes. Midweek business is still very strong so a 35% drop to about $18M could occur. That would give "Borat" a hefty $94M in 17 days and could possibly allow it to crack the $100M mark by Turkey Day.

Disney’s "The Santa Clause 3" and Paramount’s "Flushed Away" have been chart buddies for two weeks now, but the pair of kidpics might have a chance to swap positions this weekend. Both will take direct hits thanks to the arrival of the new penguin pic, but "Flushed" seems to be holding up a bit better. This weekend, we may see it drop 35% to $11M raising its total to $53M. "Santa," meanwhile, may fall 40% to around $10M for a $53M cume as well.

Will Ferrell saw a respectable showing for his new comedy "Stranger Than Fiction," but most of that crowd will be opting for Sony’s other offering this weekend – James Bond. A 45% drop might occur giving the flick $7.5M over the sophomore session and a ten-day tally of $24M.

LAST YEAR: Warner Bros. destroyed the competition with the latest installment of its enduring franchise – "Harry Potter and the Goblet of Fire." The fourth wizard flick bowed to a jaw-dropping $102.3M making it the fourth-biggest opening weekend in history, at the time. "Goblet" was a big winner grossing $290M domestically and a towering $892M worldwide making it the second highest grossing "Potter" pic. Debuting far back in second place, but with solid results of its own, was Fox’s Johnny Cash drama "Walk the Line" with $22.3M. The Joaquin PhoenixReese Witherspoon film went on to capture $119.5M plus an Oscar for Reese. Rounding out the top five were Disney’s "Chicken Little" with $14.7M, The Weinstein Company’s "Derailed" with $6.5M, and Sony’s "Zathura" with $5.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies prompts several questions. Will the latest Bond movie ("Casino Royale," starring Daniel Craig) leave pundits shaken and stirred? Can penguins learn to dance ("Happy Feet," featuring voice work by Elijah Wood, Nicole Kidman, and Robin Williams)? And can prison be fun ("Let’s Go to Prison," starring Dax Shepard)? Find out what the critics have to say!

"Batman Begins" heartily displayed the virtues of taking a moribund series back to basics by ditching the camp and placing its titular superhero in a more plausible, real-world context. With "Casino Royale," the Bond series has taken a similar no-nonsense approach, and critics say the result is a triumph. "Casino Royale" delves into the 007 creation myth; the early days of the suave secret agent find him a lot more haunted — and casually cruel — in ways only vaguely suggested in the previous 20 Bond pictures. But scribes also note the film is hardly morose, with enough exciting action and in-jokes to please the diehards. Some even go so far as to say that Daniel Craig is the best Bond since Sean Connery. At 95 percent on the Tomatometer, "Casino Royale" has the Midas touch; it’s not only Certified Fresh, it’s also the best reviewed wide release of the year (although it’s still a cut below "Dr. No" at 100 percent).


Soon to appear on ESPN2…

For those of you whose cinematic appetite for flightless fowl was left unsatiated by "March of the Penguins," we’ve got good news. Featuring motion-capture dancing by Savion Glover and an eco-friendly message, "Happy Feet" is winning praise from critics for its sharp animation and rousing soundtrack. The film tells the story of a young penguin named Mumble (voiced by Elijah Wood) who’s gotta dance when all the others Emperors gotta sing. At 80 percent on the Tomatometer, "Happy Feet" is the best reviewed animated feature of the year.


Sometimes you have to settle things the hard way: with a dance-off.

"Let’s Go to Prison" was not screened for critics, which means it’s unlikely to join the list of timeless jailhouse classics that includes "Cool Hand Luke," "The Shawshank Redemption," and "Caged Heat II: Stripped of Freedom." So kids, it’s time to call up your parole officer to get some help Guessing that Tomatometer.


"There really is no life after "Arrested Development."

Also opening this week in limited release: "Who the $#%& is Jackson Pollock?, a documentary about the battle to verify what could be a painting by the famed abstract expressionist, is at 100 percent on the Tomatometer; "Flannel Pajamas," an indie about the deterioration of a longstanding relationship, is at 80 percent; the Argentine thriller "The Aura" is at 80 percent; the zero-budget teen indie "Dance Party, USA" is at 80 percent; the drug addiction drama "Candy," starring Heath Ledger and Abbie Cornish, is at 65 percent; "Fast Food Nation," Richard Linklater‘s fictional multi-plotline treatment of the muckraking bestseller, is at 60 percent (read RT’s interview with cast and crew members here); Emilio Estevez‘s "Bobby," an Altman-esque tale of the night of Robert Kennedy’s assassination starring half the population of California, is at 56 percent; the Hollywood-skewering "For Your Consideration," Christopher Guest‘s latest ensemble comedy, is at 56 percent; and the Quay Brothers’ twisted fairytale "The Piano Tuner of Earthquakes" is at 50 percent.


"Fast Food Nation": She deserves a break today.

And finally, props to dreday, who came the closest to guessing "The Return"’s Tomatometer of 13 percent. Everybody’s celebratin.’

Recent James Bond Movies:
———————————-
59% — Die Another Day (2002)
53% — The World is Not Enough (1999)
53% — Tomorrow Never Dies (1997)
83% — Goldeneye (1995)
65% — License to Kill (1989)

Recent CG Animated Films:
———————————–
78% — Flushed Away (2006)
40% — Everyone’s Hero (2006)
65% — The Ant Bully (2006)
70% — Monster House (2006)
76% — Cars (2006)

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