Interested in directing a Hellraiser remake? This might be your chance.
Bloody-Disgusting reports that Alexandre Bustillo and Julien Maury — previously announced as the directors of Dimension’s planned Hellraiser remake, “are officially OFF the project,” and the studio is looking for someone new to helm to film.
The B-D report doesn’t get into the reasons why Bustillo and Maury left Hellraiser, but given that they originally signed on to direct their own script, which was passed over in favor of a new treatment from Patrick Melton and Marcus Dunstan (Saw IV, Saw V, Feast), their departure doesn’t exactly come as a surprise.
Hollywood’s never-ending remake party had to take a brief hiatus during the writers’ strike, but now that the lights are back on in Tinseltown, studios are moving forward with their plans to reboot all the franchises you know and love…like Clive Barker‘s Hellraiser, for instance.
ShockTillYouDrop reports that Marcus Dunstan and Patrick Melton, writers of Feast, Saw IV, and Saw V, have signed on to pen The Weinstein Company’s forthcoming Hellraiser remake. According to the report, TWC has the new Hellraiser penciled in for January 9, 2009, on account of it being “evident [that] directors Alexandre Bustillo and Julien Maury were never going to make the initial (unrealistic) September bow.”
A horror remake…coming out in January. Not exactly the most promising setup, but we’ve learned never to count out those crafty Weinsteins, so we’ll reserve judgment for now (and draw a little Pinhead on our calendar’s 1/9/09).
If there’s one thing Lionsgate is known for, it’s the mad marketing skills where their horror flicks are concerned. Needless to say, the promotional goodies for the third Saw sequel are no exception.
Check our source link below for your first look at the brand-new Saw 4 poster. Yep, that kid from Jerry Maguire was right: The human head weighs (about) eight pounds. I guess some could call this one-sheet a small dose of “foreshadowing.” Jigsaw (Tobin Bell) would have to be pretty damn smart to survive a weigh-in like that.
Obviously you can expect the next Saw installment to hit theaters (all together now) just in time for Halloween. The Saw sequel expert (Darren Lynn Bousman) is on hand once again, only this time he’s working from a screenplay by the Feast team.
Kitchen utensils and bloody surgical tools. Ew…
The fourth "Saw" movie is also the third one directed by Darren Lynn Bousman. New to the series are "Feast" writers Patrick Melton and Marcus Dunstan. According to this source, the cast includes Tobin Bell (obviously), Shawnee Smith, Lyriq Bent and Angus Macfadyen.
No more Dina Meyer though. Darnit.
Depends on who you’re asking…
Bloody-Disgusting.com hears from a reliable source that, yep, Shawnee Smith will indeed be returning for a fourth "Saw"-tastic murder marathon. But apparently the actress herself and director Darren Lynn Bousman are denying that claim.
The newest "Saw" flick, which welcomes "Feast" screenwriters Marcus Dunston and Patrick Melton, opens on October 26th.
Since I’ve only seen maybe 1.6 hours of "The Gilmore Girls" in my lifetime, I have no idea who this guy is, but we’re being told that actor Scott Patterson has been cast in a central role in Darren Lynn Bousman‘s third "Saw" movie, the appropriately titled "Saw 4."
Well, it’s April so I guess it’s time for the annual "running of the new "Saw" cast members." According to one source, it looks like this Patterson guy will jump in with all the traps and puzzles and torture chambers and stuff. The actor is a longtime TV veteran, although the only movies of his that I’ve seen are "Little Big League" and "Three Wishes." (Here’s hoping "Saw 4" is better than those two flicks.)
We’re also happy to remind you that Tobin Bell is indeed returning as the Energizer Bunny of near-dead psychopaths: Jigsaw. "Feast" screenwriters Marcus Dunstan and Patrick Melton are the real newcomers to the series. Expect "Saw 4" to hit theaters right before Thanksgiving. (Just kidding. Everyone knows the "Saw" movies come out right before Christmas.)
Not too long ago director Darren Lynn Bousman said he was saying goodbye to the "Saw" franchise, but with the clock running out on pre-production on "Saw 4," he ultimately accepted a third invitation to the director’s chair.
Yep, after helming such varied films as "Saw 2" and "Saw 3," Mr. Bousman will indeed be returning for "Saw 4," which begins shooting mid-April in Toronto. Earlier nerd-buzz indicated that production designer David Hackl would be stepping up to the directorial plate, but that doesn’t seem to be the case anymore.
Fortunately Darren B. does have a non-"Saw" project cooking between Twisted Pictures and Lionsgate. It’s a rather strange-sounding piece called "Repo! The Genetic Opera," but I’m guessing that flick won’t get underway until "Saw 4" is put to bed … or he’s roped back in to "Saw 5."
Ah, and it seems that the final "Saw 4" screenplay has been chosen; it’s the one written by "Feast" scribes Marcus Dunston and Patrick Melton.
"Saw 4" opens on October 26th. (And did you know that the "Saw" trilogy has grossed over $400 million worldwide, not including DVD? Yowch!)
This week at the movies, we’ve got a new take on the first Noel ("The Nativity Story," starring Keisha Castle-Hughes), endangered Americans in Brazil ("Turistas," starring Melissa George), and a hard partying expat ("Van Wilder: The Rise of Taj," starring Kal Penn). What do the critics have to say?
It may be based on The Greatest Story Ever Told, but critics say "The Nativity Story" is hardly the greatest movie ever made — or even a particularly good one. In case you need a refresher on the origins of the upcoming holiday that may be the occasion for you to receive a Playstation 3, "The Nativity Story" tells the tale of a teenager named Mary (Keisha Castle-Hughes) who is to give birth to the savior of mankind — all the while dealing with political persecution and lousy hotel service. Critics say the film is too safe (strange, given director Catherine Hardwicke‘s previous films about remarkable young people, "Thirteen" and "Lords of Dogtown"), adding little spark to the most inspirational (and familiar) of sagas. "The Nativity Story" currently stands at 26 percent on the Tomatometer.
"Turistas" continues a mini-trend in slasher films that began with "Hostel": arrogant Americans getting their comeuppance in foreign locales. In this case, a group of youngsters are terrorized in Brazil after they fall into the clutches of a mad organ harvester. While some critics have praised the film’s political undertones and better-than-average tension, most say "Turistas" adds little to a stale genre. At 38 percent on the Tomatometer, this tourist trap may be worth avoiding.
"Van Wilder: The Rise of Taj" was not screened for critics, which may indicate that it has the potential to sink like a stone with the scribes. (The original "Van Wilder" garnered a robust 17 percent.) Guess that Tomatometer.
Opening this week in limited release: "10 Items or Less," a laid-back romance starring Morgan Freeman and Paz Vega, is at 53 percent; "3 Needles," a globe-spanning drama about the toll of the AIDS virus, is at 33 percent; and "The Architect," a tale of two families in conflict over a public housing structure, is at 33 percent.
Notable Biblical Epics:
51% — The Passion of the Christ (2004)
80% — The Last Temptation of Christ (1988)
88% — The Gospel According to St. Matthew (1965)
96% — Ben Hur (1959)
91% — The Ten Commandments (1956)
This week at the movies, we’ve got the return of Jigsaw ("Saw III," starring Tobin Bell), a tale of rebellion in apartheid-era South Africa ("Catch a Fire," starring Derek Luke and Tim Robbins), and a story of family dysfunction in the 1970s ("Running with Scissors," starring Annette Bening, Gwyneth Paltrow, and Alec Baldwin). What do the critics have to say?
The sheer awfulness of South Africa’s apartheid system has been grist for Hollywood’s mill in recent years, but Phillip Noyce’s "Catch a Fire" may be one of the subgenre’s strongest entries to date. "Fire" tells the true story of Patrick Chamusso (Derek Luke), a dedicated family man falsely accused of terrorism who in turn becomes a radical rebel fighter against the apartheid government. Critics say the film works as both a political thriller and as a potent history lesson, and it features a particularly strong performance from Luke. At 77 percent on the Tomatometer, you may want to "Catch" this one. (Check out RT editor Jen Yamato’s review from the Toronto Film Fest here.)
Augusten Burroughs’ memoir "Running with Scissors" struck a nerve as a bizarre depiction of dysfunctional families and a culture of therapy among the privileged. Unfortunately, it doesn’t appear the movie adaptation will do the same. The film is a coming-of-age story about a young man whose unstable mother sends him to live with her therapist’s family, at which point his life only gets weirder. The critics say the film features some sharp performances — particularly by Annette Bening — but also note the film is too awash with mannered eccentricity and cartoonish caricatures rather than fully developed characters. At 33 percent on the Tomatometer, this one’s "Running" on fumes.
They say the first cut is the deepest. And if the fact that it hasn’t been screened for critics is any indication, it appears that in the case of "Saw III," the blade’s gotten pretty dull. So kids, it’s time to bust out the old crystal balls and play Guess the Tomatometer!
Also in theaters this week in limited release: "Cocaine Cowboys," a documentary about drug smuggling in Miami in the late 1970s and early 1980s, is at 100 percent; "Exit: The Right to Die," a documentary about assisted suicide, is at 86 percent; "Shut Up & Sing," a rockumentary about the Dixie Chicks, is at 83 percent; "Babel," Alejandro Gonzalez Inarritu‘s globetrotting film about despair and interconnectivity, starring Brad Pitt and Cate Blanchett, is at 72 percent; "The Wild Blue Yonder: A Science Fiction Fantasy," Werner Herzog‘s latest epic journey, is at 70 percent; "The Bridge," a doc about suicides on San Francisco’s Golden Gate Bridge, is at 63 percent; "Climates," an atmospheric Turkish import about the decline of a relationship, is at 46 percent; and "Death of a President," the incendiary mockumentary about a plot against George W. Bush, bombed with the critics, as it’s at 33 percent.
Four new films open wide, but they may not be enough to stop the North American box office from suffering its third consecutive down weekend.
Leading the way is the Paramount sequel "Jackass: Number Two" which will enjoy the widest release by far. The rest of the films will take moviegoers back in time just as so many other recent releases have done. Focus Features unleashes Jet Li‘s martial arts epic "Fearless," MGM takes off with the World War I adventure "Flyboys," and Sony remakes the political thriller "All the King’s Men."
Four years ago, Paramount shocked the industry with the number one bow for its crude stunts flick "Jackass: The Movie" which managed to keep "The Ring" out of the top spot on the weekend right before Halloween. Its $22.8M debut and eventual $64.3M domestic take and DVD success helped to bring about a sequel, "Jackass: Number Two" which hopes to conquer the charts once again. The R-rated pic regroups the team from the hit MTV reality series including Johnny Knoxville and finds them taking part in another series of outlandish don’t-try-this-at-home antics. Males in their late teens and early twenties are the target audience here although slightly older guys who were devoted followers a half-decade ago might also be up for some nostalgia.
The first "Jackass" bowed to a muscular $9,073 average from 2,509 playdates which at today’s ticket prices would be over $10,000. "Number Two" is not likely to match that amount though. A wider launch will dilute the average a bit and the franchise has aged and is no longer at the peak of its popularity. But since Knoxville has found more mainstream success recently with films like "The Dukes of Hazzard" and "The Ringer," the studio is hoping that some new fans will give "Two" a try. Competition for males will be fierce with last weekend’s top film "Gridiron Gang" still playing to sports-loving boys and men while Jet Li’s new film "Fearless" will
steal away dudes who dig martial arts fighting, bones cracking, and necks breaking. Male dollars will be stretched to the limit this weekend and an already sluggish marketplace will mean that there will only be so much overall traffic. Busting into over 3,000 theaters, "Jackass: Number Two" will rank number one and may open with around $23M.
Mr. Knoxville and co. are back to cheat death and reason.
Also gunning for young men with R-rated fare is Focus Features with the historical martial arts actioner "Fearless" starring Jet Li. Already a hit at cinemas in Asia, Australia, and parts of Europe, the period pic tells the true story of a legendary fighter who inspired his nation in China at the start of the twentieth century. With a bigger star in the lead, "Fearless" is sure to perform better than Tony Jaa‘s Thai actioner "The Protector" which bowed to just $5M two weeks earlier. Li has a consistently loyal fan following that is likely to turn out especially since the marketing campaign is pushing the claim that this is his final martial arts film ever. This tactic gives the pic a level of urgency, although it should not mean much to those outside of his fan base. Crossover potential to mainstream action fans is not very likely, though the actor’s pull with urban males should not be underestimated.
Still, Li has posted some impressive numbers in his career. Each of his six films from this decade has launched with an opening weekend average of at least $5,500 with five having averaged more than $6,000. His last effort "Unleashed" bowed last summer to $10.9M and a solid $5,570 average while 2004’s Chinese blockbuster "Hero" conquered the North American charts for two straight weeks bowing to an impressive $18M and $8,865 average. Foreign language films pretty much never do that in the U.S. market. "Fearless" will not duplicate the success of "Hero" which used the "Quentin Tarantino Presents" tag to attract extra biz. Plus with "Jackass" taking away many young men this weekend, only the true followers will make it out. But reviews have been very positive (the best for any new
release) and advance buzz from overseas has been encouraging too. Kicking its way into roughly 1,806 theaters, "Fearless" might debut to about $9M.
World War I bi-planes are the draw in "Flyboys," a new historical action adventure being released by MGM. The PG-13 film stars James Franco as a courageous American pilot in France who devotes his life to fighting for the Allies. With a high pricetag and no proven stars that can sell in America, this is yet another risky period film packed into the slow month of September. The "inspired by a true story" description used by half of the films in the current top ten is once again in play here. With sex and bad language kept to a minimum, "Flyboys" hopes to appeal to a broad family audience so adults can bring their kids. However, the starpower and subject matter are both lacking making this a tough sell at the box office especially since the marketplace is already filled with mediocre product. Zooming into 2,033 theaters, "Flyboys" might climb to around $7M over the weekend.
After taking a beating at the Toronto International Film Festival, Sony’s remake "All the King’s Men" enters the marketplace on Friday with more subdued expectations. The PG-13 reworking of the classic 1949 political thriller stars Sean Penn as a charismatic politician from the South who gains power and flirts with corruption in the process. The all-star cast also includes Jude Law, Kate Winslet, Anthony Hopkins, Mark Ruffalo, and James Gandolfini. Distributors often utilize the Toronto fest to generate buzz for their Oscar contenders right before their fall commercial openings, but in this case, it seemed to have backfired with so many reviewers panning the pic. "Men" should play exclusively to a mature adult audience as teens will yawn at the premise. The marketplace has been flooded with period dramas in recent weeks with "The Black Dahlia," "Hollywoodland," and "The Illusionist" all going after the same audience. Competition will be a major factor.
Sony is not giving its usual saturation release to "King’s Men," but instead campaigning in just 1,514 theaters this weekend hoping some positive buzz will spread. The lack of screens will keep the gross in check and the bad reviews should sting even more. Last weekend, "Dahlia" found out the hard way how far a serious film for adults can go when the critics give a thumbs down. The film’s starpower is about its only major asset right now, but will it be enough to make moviegoers risk their dollars? With negative press, an abundance of direct competition, and only a moderate amount of theaters, "All the King’s Men" could find itself with only $7M this weekend and a rocky road ahead.
In limited release, The Weinstein Co. unleashes its horror flick "Feast" in 140 theaters with special midnight shows across the country on Friday and Saturday. The latest winner from the Project Greenlight series is directed by John Gulager and finds a group of people trapped inside a bar fighting off flesh-eating creatures. Filmmaker Michel Gondry ("Eternal Sunshine of the Spotless Mind") returns to the surreal with "The Science of Sleep," a new fantasy drama starring Gael García Bernal ("The Motorcycle Diaries") as a man whose dreams collide with reality. Warner Independent is opening the film on Friday in eight major U.S. markets and will expand it across the country next weekend. Miramax platforms its futuristic sci-fi toon "Renaissance" in New York and Los Angeles. Set in Paris in the year
2054, the R-rated tale is the latest film to bring the look of a graphic novel to the big screen.
Last weekend’s top film "Gridiron Gang" is sure to lose its first place ranking. The Rock‘s films never have very good legs on the second weekend as evidenced by the sophomore declines of his recent films – 48% for 2003’s "The Rundown," 46% for 2004’s "Walking Tall," and a horrendous 73% for last fall’s "Doom." While "Gang" was not a favorite with critics, it has been getting favorable responses from moviegoers so its drop this weekend may not be too bad. Competition for young males will be a factor with the dueling R pics "Jackass" and "Fearless," but younger boys may still be up for an uplifting football tale. "Gridiron Gang" might see a decline of 45% to around $8M giving Sony a reasonable ten-day cume of $25M.
Universal’s murder mystery "The Black Dahlia" was not too powerful in its opening last weekend and both critics and moviegoers are giving negative feedback. A 50% fall would leave the Brian De Palma flick with $5M for the frame and a weak $18M after ten days.
LAST YEAR: One A-list Hollywood blonde replaced another at the top of the charts. Jodie Foster‘s kidnapping thriller "Flightplan" flew to number one opening with a strong $24.6M. The Buena Vista release went on to gross $89.7M making it the top-grossing film in the September-October corridor for 2005. In second place, Warner Bros. expanded its animated film "Corpse Bride" nationally taking in $19.1M. The Tim Burton–Johnny Depp collaboration found its way to $53.4M. Reese Witherspoon fell from first to third with her comedy "Just Like Heaven" which collected $9.6M. Opening in fourth place with moderate results was the skating drama "Roll Bounce" which bowed to $7.6M on its way to $17.4M from less than 1,700 theaters. Close behind in fifth was the hit thriller "The Exorcism of Emily Rose" with $7.5M in its third round.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
This week at the movies, we’ve got antisocial behavior ("Jackass: Number Two," with Johnny Knoxville and the gang), hell-raising politicos ("All The King’s Men," starring Sean Penn), fearless warriors ("Fearless," starring Jet Li), and flying aces ("Flyboys," starring James Franco). What do the critics have to say?
For some, the perilous, grotesque antics of the "Jackass" posse offer inarguable proof of America’s cultural decline, if not a bellwether of the Apocalypse. For others (Critical Consensus included)… well, what can I say? Wasabi snooters? Off-road tattoo? Gets me every time. Now, Johnny Knoxville, Bam Margera, Steve-O and the rest are back with "Jackass: Number Two," a film that promises to be as puerile as its title. But guess what? It’s getting pretty good reviews! The critics say this latest collection of stoopid stunts and bad behavior maintains a certain warped integrity in addition to its sophomoric laughs. At 64 percent on the Tomatometer, this "Jackass" may be worth a ride, provided you can stomach this stuff. And it’s better-reviewed than its predecessor (49 percent).
"All The King’s Men" has everything that makes for a compelling movie. It’s got a great cast (Sean Penn, Jude Law, Kate Winslet, and Anthony Hopkins, among others). It’s based on a great novel (by Robert Penn Warren). It’s got great cinematography. Unfortunately, critics say, the superlatives end there. Loosely based on the life of populist Louisiana Governor Huey "The Kingfish" Long, "All The King’s Men" tells the story of a small town rabble-rouser’s ascent in politics and descent into shady morality. Critics say the film is too bombastic to work, with too many vague characters and an over-the-top performance from Penn. The film received a muted reception in Toronto; it currently stands at 15 percent on the Tomatometer. And it’s well below the 1949 Oscar-winning original film (94 percent).
Jet Li has come to personify a specific film subgenre: the historical martial arts epic. "Hero" and the "Once Upon a Time in China" movies were marked by sweeping visuals and Li’s remarkable athleticism. But the star says he’s no longer making that type of picture; if that’s the case, critics say "Fearless" makes for one heck of a swan song. The film tells the tale of a great martial arts master who looks inward after succumbing to his own ego and the murder of his family. The scribes say "Fearless" is quite a show, with remarkable action sequences and an interesting philosophical undercurrent. "Fearless" is currently at 70 percent on the Tomatometer. And it’s Li’s third consecutive fresh American release, following "Unleashed" (68 percent) and "Hero" (94 percent).
"Flyboys" tells an old-fashioned tale of courage and heroism with the latest in CG technology; unfortunately, critics say, the technology ends up overshadowing everything else. The film tells the story of a group of Americans who volunteered to fly in WWI alongside the French. According to the critics, "Paths of Glory" this ain’t; they note that the CG effects are excellent, and the dogfights are exciting, but the story and the characters are far less involving. At 37 percent on the Tomatometer, "Flyboys" doesn’t soar.
"And another thing… None of you better be making any wisecracks about ‘The Pink Panther!’"
Also in theaters this week in limited release: "American Hardcore," a documentary about the life and death of the louder-faster punk rock style, is at 100 percent; "The Blossoming of Maximo Oliveros," a coming of age tale set in Manila, is at 100 percent; "Jesus Camp," a documentary about evangelical Christian campers, is at 93 percent; "Old Joy," a meditative tale of eroding friendship starring indie darling Will Oldham, is at 88 percent; "Solo Con Tu Pareja," the debut of "Y Tu Mama Tambien" helmer Alfonso Cuaron, is at 80 percent; "The Science of Sleep," Michel Gondry‘s latest head trip starring Gael Garcia Bernal and Charlotte Gainsbourg, is at 69 percent; the "Project Greenlight"- approved horror flick "Feast" is at 57 percent; and "Renaissance," a visually remarkable French noir, is at 50 percent.