Sophia Myles is probably best known to international audiences as Erika in the popular – if not critically hailed – Underworld series. She was also the only good thing in Thunderbirds where she chewed scenery as Lady Penelope, and has starred in features Art School Confidential and Tristan + Isolde. RT‘s Joe Utichi caught up with the actress on the eve of the release of her latest film, Hallam Foe. Directed by David Mackenzie she stars alongside Jamie Bell – the titular Hallam – in a moving and darkly comic tale of lost innocence.
Hallam Foe is released in the UK on August 31st. A US release is currently TBA.
Can Ben Stiller and his living artifacts four-peat at the top of the North American box office, or will one of the new releases take the crown over the four-day Dr. Martin Luther King holiday weekend? Ticket buyers will decide.
Leading the freshman class is the dance drama "Stomp the Yard" which could have breakout potential. Also opening are the fantasy pic "Arthur and the Invisibles," the drug dealer pic "Alpha Dog," and the horror flick "Primeval." With so many schools closed on Monday, the new films are targeting students of all ages who will have extra time on their hands.
The west and east coasts meet in "Stomp the Yard," a story of a Los Angeles student enrolled in an Atlanta university who uses his unique style to help his fraternity compete in a step dancing contest. The PG-13 film is short on starpower, but makes up for that with terrific marketing which is the real ingredient that will put asses into the seats. Sony has cut exciting trailers and commercial spots which should spark lots of interest with teens and young adults. Plus, MLK weekend is the perfect time to open a black college film since interest will be high for this particular subject matter. African American students will especially be out in solid numbers. However, the opening of Justin Timberlake‘s "Alpha Dog" could take away some of the young adult crowd.
"Stomp" should appeal to the same audiences that delivered bigger-than-expected openings for "Drumline" ($12.6M opening, $6,865 average), "ATL" ($11.6M, $7,212), and "You Got Served" ($16.1M, $8,341). The urban youth of America possesses tremendous spending power and Hollywood has just woken up to this in recent years financing low cost flicks that return handsome profits through theatrical and DVD sales. "Stomp" also offers an appealing story relevant to today’s young people and looks to join this list. Stepping into 2,051 theaters, "Stomp the Yard" could collect about $16M over four days this weekend.
The weekend’s only new kidpic comes in the form of the French production "Arthur and the Invisibles," a groundbreaking feature which mixes live-action with animation in a fantasy tale. The PG-rated film from The Weinstein Co. is directed by action professional Luc Besson ("The Fifth Element," "Joan of Arc") and features the voices of Robert De Niro, Harvey Keitel, Snoop Dogg, and Madonna. With so many young children across the country having a long school holiday, "Arthur" should get some play as the only new option for parents who have taken enough trips to the Museum. Of course "Happily N’Ever After" flopping last weekend shows that family audiences will not come out for just anything. With about 2,500 theaters, it is the widest of the new titles which could help it get into double digit millions over the extended frame. The marketing push has been admirable too. MLK weekend has often seen better-than-expected results for debuting kiddie flicks like "Kangaroo Jack," "Racing Stripes," and "Hoodwinked." "Arthur and the Invisibles" may carve out its share of the pie and gross roughly $11M over the four-day period.
Pop music king Justin Timberlake joins an ensemble cast which includes Emile Hirsch, Sharon Stone, and Bruce Willis in the gritty drama "Alpha Dog." Directed by Nick Cassavetes, the R-rated film tells of a drug dealer who kidnaps the younger brother of a friend who owes a debt. The Universal release is based on true events and will target older teens and twentysomethings. The marketing makes the film look slick and cool plus JT provides a built-in audience of fans that can be tapped into.
However, two main obstacles are in the way – the rating and competition from "Stomp the Yard." A large portion of Timberlake’s fans are young teens and they will have a hard time buying tickets. Plus, "Stomp" will be distracting the urban youth with its slick look and milder PG-13 rating. On top of that, the studio’s release is not too wide. These factors should curtail the potential of "Alpha." Critics have given solid support which may help a little, although Time Out New York boldly calls the pic the worst movie of the year in its zero-star review. Opening in about 1,200 theaters, "Alpha Dog" might bite down on around $8M over the long weekend.
Every horror film since Halloween has flopped and the streak looks to continue with "Primeval" from Buena Vista. The R-rated film about a news crew hunting down a killer boasts no starpower and lacks a compelling plot worthy of the ten-dollar bills of genre fans. Marketing support has been weak and awareness is not very high. The fright flick seems to have the same potential as last month’s "Turistas" which bowed to a weak $3.6M and $2,282 average. "Primeval" will open wider with about 2,000 theaters and has an extended four-day session so a gross of roughly $6M could result followed by steep drops.
Zhang Yimou has seen solid but not spectacular averages for his latest Chinese epic "Curse of the Golden Flower" which has already grossed $2.2M from its limited release in about 60 theaters. Its average of $6,104 last weekend will drop considerably as it expands nationwide into about 1,200 playdates. The Mandarin-language period piece seems to be going too wide too fast and with all the choices in the multiplexes, Sony Classics may find it difficult to get multiplex crowds into all those new seats. "Curse" will try to play to fans of the "Hero" director, but Chow Yun Fat and Gong Li are no Jet Li and Zhang Ziyi at the American box office. A $4M gross over the long weekend could result.
Ben Stiller and Will Smith have been inseparable blockbuster brothers atop the box office charts for the last three weeks. But the weekend’s new releases should finally cause a breakup. Stiller’s runaway smash "Night at the Museum" has been holding up incredibly well against any competition that has come its way and will attempt to become the first film since 2003’s "The Return of the King" to remain number one for four consecutive weekends. The only thing standing in its path is a possible teen explosion for "Stomp." "Museum’s" four-day holiday gross could slip 25% from last weekend’s three-day figure giving the Fox hit about $18M and a remarkable cume to date of $187M.
Smith has done pretty well for himself too with "The Pursuit of Happyness" which should see another solid turnout over MLK weekend. A 20% drop would give Sony a four-day tally of $10M boosting its total to a stellar $137M.
Since it opened nationally on Christmas Day, "Dreamgirls" has been posting the best per-theater averages of any wide release. Now, Paramount will more than double the run and expand the Golden Globe nominee for Best Picture – Comedy or Musical from 852 to about 1,800 theaters. The Jamie Foxx–Beyonce Knowles musical is the favorite to take home that honor, plus other statues, and the studio wants to make sure the product is available everywhere once the wins occur. Plus, films with African American casts routinely do very well over the King frame so a jump in sales is assured. For the four-day period, "Dreamgirls" may climb to around $11M putting the cume at $68M. If it wins the Globe for Best Picture and secures a sizable number of Oscar nominations the following week, the total domestic take could certainly surpass the $100M mark as it did for "Chicago" four years ago. The Richard Gere musical reached a similar $63.8M at the end of the weekend it went fully national into 1,841 locations and went on to a sensational $170.7M final total.
LAST YEAR: Disney kicked off the first of what would be many hit sports flicks in 2006 with the basketball drama "Glory Road" which opened at number one over MLK weekend with $16.9M over four days. The live action film barely beat out the animated comedy "Hoodwinked" which also grossed $16.9M over the Friday-to-Monday period, but was about $50,000 shy of the number one spot. The duo reached $42.6M and $51.2M, respectively. Third place also was held by a new release. Paramount’s Queen Latifah comedy "Last Holiday" bowed to a solid $15.5M on its way to $38.4M. Rounding out the top five were former number ones "The Chronicles of Narnia" with $12.8M and "Hostel" with $11.4M over the long weekend. Fox’s romance "Tristan & Isolde" found few lovers in its debut opening to $7.6M on its way to just $14.7M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
UGO.com had a chat with master filmmaker Ridley Scott during a press push for his "Tristan + Isolde" DVD, and the topic of "Gladiator 2" briefly came up — and let’s just say that you shouldn’t expect to see "The Return of Maximus" anytime soon.
From UGO: "We tried. Russell (Crowe) didn’t want to let it go, obviously, because it worked very well. I mean, when I say ‘worked very well,’ I don’t refer to success. I mean, as a piece it works very well. Storytelling, he works brilliantly. I think he enjoyed doing it, and I think it was one of those things that he thought, "Well, maybe there’s a sequel where we can adjust the fantasy and bring him back from the dead."
UGO: You said that you loved the ending. What was it about that draft that you couldn’t get it off the ground?
RIDLEY: We were all having a go. DreamWorks was having a go, so we were having a go. DreamWorks was addressing Rome without Maximus, because clearly he’s gone, and he’s dead. Therefore, it would be to the son that Maximus had probably left behind with his affair with Lucilla. You’re then basing a film on a different kind of premise. Again, you’re basing it on a corrupt Rome, the Rome that would be heading to its own demise. It was far more rambling and complex. Often great plays are very simple, and I think that the mechanics of the Gladiator story were really very satisfactory and worked very well."
The Weinstein’s "Hoodwinked" took on a trio of big studio rivals over the MLK holiday weekend, and early estimates for the four-day frame indicate that the little guy (er, girl) came out on top … if only by the slimmest of margins.
An animated comedy about the crazy goings-on over at grandma’s cabin, "Hoodwinked" pulled an estimated $16.6 million payday out of her goody basket, giving the relatively low-budget family flick the #1 spot. The company’s first animated feature debuted in December so as to qualify for Oscar consideration, but only in NY and LA. This weekend saw the flick hit 2,400 theaters.
Close behind in second place was Disney’s basketball drama "Glory Road," which scored about $16.4 million from 2,200 theaters. And not very far behind was Paramount’s Queen Latifomedy "Last Holiday," which made about $15.7 million from 2,500 theaters.
Still going strong in fourth place was Disney’s "The Chronicles of Narnia," which added another $12.2 million to its $263 million total, while the ferocious horror flick "Hostel" fell to fifth place with a haul of $11.6 million ($36.8m total).
Fox’s period romance "Tristan & Isolde" debuted somewhat solidly in 8th place, pulling in $7.8 million from 1,800 theaters.
And in massive primate news, Universal’s "King Kong" clocked in at 7th place with $9.2 million, but it also crossed over the $200m mark, which is something the Kongfans will be happy to learn.
Next week sees the unleashing of only one new wide release: Screen Gems romantic monster action thriller sequel "Underworld: Evolution," which stars several vampires, numerous werewolves, and one seriously hot female in black leather.
As always, you’re more than welcome to visit the Rotten Tomatoes Box Office for a closer look at the numbers.
This week at the movies brings us films about a risk-averse woman cutting loose ("Last Holiday"), a groundbreaking underdog basketball team ("Glory Road"), and an ancient folktale of grand passion ("Tristan & Isolde"). What do the critics have to say?
There are some actors and actresses who are so likable, they can pull off nearly anything, no matter how predictable. Queen Latifah is one of them. "Last Holiday," a remake of the Alec Guinness classic, tells the tale of a woman who, upon hearing dire medical news, decides to live every day as if it’s her last. Critics say a movie that could be a moderately entertaining rom-com about the virtues of believing in oneself becomes something altogether greater in the hands of Latifah, who brings a winning charm to every scene. At 68 percent, this is a "Holiday" to celebrate.
The Kentucky Wildcats were among the dominant programs in college basketball during coach Adolph Rupp’s 42-year tenure. But in 1966, an all-African American starting lineup from Texas Western defeated Rupp’s all-white squad. There is no doubt that this is an inspiring, true-life underdog tale, and many critics say "Glory Road," the big-screen adaptation starring Josh Lucas and Derek Luke, delivers the visceral thrills of our favorite sports flicks without skimping on the social commentary. But others say that inspiring true-life tales don’t necessarily make for exciting cinema; at 53 percent, this "Road" may be a little too well traveled.
Speaking of inspiring, there’s a Celtic folktale that has inspired some of the world’s most monumental artistic works, from "Romeo and Juliet" to one of Wagner’s most influential operas. But critics say the movie treatment of "Tristan & Isolde" isn’t poised to join the pantheon. A tale of romance in the war-torn aftermath of Roman control over England, critics say the film is too tepid and slow to pull off a sweeping romantic vision. At 32 percent on the Tomatometer, this is one love story that could use a little more passion.
Lions Gate’s "Hostel," which was produced for less than 5 million clams, had a pretty spectacular opening weekend at the box office, bringing in an estimated $20.1 million from about 2,200 theaters. "Hostel" drew similar numbers to last year’s "White Noise," but had a tougher climb because A) it’s rated R, and B) it’s not as stupid.
Second and third place went to two multiplex juggernauts: Disney’s "The Chronicles of Narnia" tucked an additional $15.4 million into its $247.5 million collection plate, while Universal’s "King Kong" stuffed another $12.4 million into its $192.2 million banana patch.
The top five was rounded out by another pair of hang-arounders: Sony’s "Fun with Dick and Jane" made about $12.2 million ($81.3 million total) and Fox’s "Cheaper by the Dozen 2" raked in another $8.3 million ($66.4 million total).
Debuting (hilariously) in 13th and 19th place, respectively, were Fox’s "Grandma’s Boy" ($2.9 million from 2,000 theaters) and Romar’s "BloodRayne" ($1.2 million from 985 theaters). Expect both to be on DVD in time for tax day.
For a closer look at the weekend numbers, please do stop on by the Rotten Tomatoes Box Office Page.