Two-time Oscar winner Jodie Foster returns to the big screen this weekend in the vigilante thriller The Brave One which has its sights set on an easy top spot debut. The frame’s only other wide openers, the comedy Mr. Woodcock and the fantasy adventure Dragon Wars, bring with them less buzz and look to make less of a dent into the North American box office.
Gunning for her third number one hit in as many years, Foster takes a darker role starring as a woman who takes the law into her own hands after her fiancé is brutally beaten and killed in the Warner Bros. drama The Brave One. The R-rated film from director Neil Jordan (The Crying Game, Interview with the Vampire) co-stars Terrence Howard, Naveen Andrews, and Mary Steenburgen and should play to an adult audience. Cross-gender appeal is strong here so this will not play out like a chick flick or a woman-in-peril film. Foster is one of very few women in Hollywood bankable enough to open pictures consistently year after year and she tends to pick projects with commercial viability in the first place. Gone are the Nell days.
The Brave One should play to the same crowd that came out for two other September thrillers led by fortysomething white women – Foster’s own Flightplan from 2005 and Julianne Moore‘s The Forgotten from a year earlier. Flightplan took off with $24.6M and a $7,193 average while Forgotten bowed to $21M and a $6,773 average. Brave carries a harsher R rating but that should not affect the grosses too much since most of the interest will come from those over 16 anyway. A more narrow release in 2,755 theaters will have an impact though. Marketing has been top notch and Foster has been making so many promotional appearances that you’d think her name were Hillary. Despite a bad title, The Brave One should still score a strong opening weekend in the number one spot and could gross about $22M over three days.
Halloween‘s freefall means it will be out of theaters by the time trick-or-treating begins. A 55% drop would lead to a $4M frame and a 17-day tally of $50M. Superbad should continue its strong run with a 40% dip to $3M which would boost Sony’s total to $109M.
LAST YEAR: The Rock‘s football drama Gridiron Gang from Sony led a batch of new films with a debut of $14.4M which was good enough to clinch first place. Opening in second and playing to a more mature adult audience was The Black Dahlia with $10M for Universal. Final grosses reached $38.4M and $22.5M. Bowing poorly in third was the baseball toon Everyone’s Hero with $6.1M for Fox on its way to just $14.5M. Sony’s teen thriller The Covenant dropped from first to fourth with $4.8M while Paramount’s The Last Kiss opened quietly in fifth with $4.6M leading to a $11.6M final.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Young men returned to theaters in droves and powered the crude new stunts sequel Jackass: Number Two to the number one spot with the biggest opening weekend of any film in the past seven weeks. The martial arts actioner Fearless debuted impressively in second place playing to young men as well, but the new older-skewing period dramas Flyboys and All the King’s Men were mostly ignored.
Holdovers enjoyed small declines as the overall marketplace bounced back after two dismal weeks, even though ticket sales failed to reach last year’s levels for the third consecutive weekend.
Paramount scored a major victory with the chart-topping performance of Jackass: Number Two which grossed an estimated $28.1M in its first weekend in theaters. Crashing into 3,059 locations, the R-rated comedy averaged a stellar $9,188 per theater. Its predecessor, Jackass: The Movie, was a surprise number one hit in October 2002 with a $22.8M bow from 2,509 theaters and a similar $9,073 average. It went on to gross a fantastic $64.3M from a slim $5M budget. Number Two was produced for just under $12M and looks to become another highly profitable title for the studio proving that the franchise is still alive and well. The films are based on the popular MTV prank series.
With six historical films in the top ten, young movie fans were not in the mood to learn about yesterday and instead chose the immature and outrageous antics of present day jokester Johnny Knoxville and pals. Studio research showed that young men were the core audience, as expected. Those under the age of 25 made up a hefty 70% of the crowd and males accounted for 65%. Jackass also delivered the second biggest opening of the year for an R film trailing the $29M bow of March’s Inside Man. Critics were surprisingly upbeat with their reviews of Number Two.
Jet Li‘s Fearless flew into the number two spot over the weekend opening to an estimated $10.6M from 1,808 theaters with a solid $5,843 average. The PG-13 film about China’s most famous fighter from a century ago was marketed as the action star’s final martial arts picture ever and helped to get his loyal fan base out into the theaters. The Focus release marks Li’s seventh consecutive film to debut with an opening weekend average of more than $5,000. Critics were quite pleased with the Mandarin-language picture. Fearless opened in Hong Kong and most of Asia early this year and has kicked its way into other major markets like Australia, New Zealand, and France in recent weeks.
Dropping from first to third was The Rock‘s football drama Gridiron Gang which grossed an estimated $9.7M in its second play. The Sony sports flick held up exceptionally well considering the weekend’s formidable competition for male dollars and slipped only 33%. The Rock’s movies usually fall by at least 45% in their sophomore frames. After ten days, the $30M feel-good film has grossed $27.2M and should rush past the $50M mark domestically. Even though Gridiron began with the weakest opening ever for the actor, it looks to become his highest grossing film since 2002’s The Scorpion King ($90.5M) thanks to strong legs and positive word-of-mouth.
MGM’s Flyboys took off in fourth place with an estimated $6M from 2,033 theaters. The PG-13 pic about American fighter pilots during World War I averaged a mild $2,957 per theater. Starring James Franco, the adventure film skewed older as a very high 73% of the audience was over the age of 30. Men made up 59% of the crowd and reviews were not too favorable. Flyboys is the third consecutive period drama in as many weeks that has failed to excite today’s moviegoing public following disappointing results from competing Los Angeles-based murder mysteries The Black Dahlia and Hollywoodland.
A pair of not-so-strong sophomores followed. The animated baseball flick Everyone’s Hero grossed an estimated $4.8M, down just 22%, and raised its ten-day tally to $11.6M. Fox could finish with around $25M. Universal’s crime thriller The Black Dahlia crumbled 56% to an estimated $4.4M dropping from second place to sixth. The $60M Brian De Palma entry has taken in just $17.3M and might end up with a disappointing $25M as well.
Sony saw low voter turnout for its political thriller All the King’s Men which was defeated in a landslide this weekend opening to a poor $3.8M, according to estimates. Averaging a weak $2,510 from 1,514 locations, the PG-13 film stars Sean Penn as an outspoken politician who runs for governor of Louisiana. Jude Law, Kate Winslet, Anthony Hopkins and James Gandolfini co-star. The studio had high hopes for this remake of a Best Picture Oscar winner, but instead met with awful reviews across the board from critics which helped to fuel negative buzz. Only older adults had interest as studio research showed that a whopping 75% of the audience was 35 or older and 53% were women. All the King’s Men is just the latest in a series of historical films that Hollywood has been rolling out this fall that have had moviegoers yawning.
The supernatural chiller The Covenant dropped only 31% to an estimated $3.3M with a sum of $20.3M for Sony. For the fourth consecutive weekend, the long-lasting hits The Illusionist and Little Miss Sunshine ranked back-to-back on the charts. Yari Film Group’s Vienna-set mystery eased a scant 10% to an estimated $3.3M pushing its total to $27.5M. Fox Searchlight’s comedy smash slipped just 13% to an estimated $2.9M lifting the cume to $50.3M.
In limited release action, Warner Independent saw stellar results from its surreal drama The Science of Sleep which bowed to an estimated $347,000 from only 14 theaters for a sparkling $24,786 average. Directed by Michel Gondry (Eternal Sunshine of the Spotless Mind), the R-rated film scored good reviews and will expand to over 200 theaters on Friday in most major markets. Miramax saw a so-so start for its animated noir Renaissance which debuted to an estimated $10,000 from a pair of solo engagements in New York and Los Angeles for a mild $5,200 average.
Four more pictures were pushed out of the top ten this weekend. Two-time chart-topper Invincible grossed an estimated $2.6M in its fifth session. Off 36%, the Mark Wahlberg football pic has collected a solid $54.8M to date and might end up with around $60M for Buena Vista. The Zach Braff comedy The Last Kiss grossed an estimated $2.5M, down 45%, putting its ten-day total at a puny $8.5M. A final take of roughly $15M seems likely.
The murder mystery Hollywoodland fell 46% in its third frame to an estimated $1.5M for Focus. With only $12.9M in the bank, look for a weak $16M conclusion to its case. Lionsgate’s action thriller Crank tumbled 56% to an estimated $1.2M for a $26.6M cume. The Jason Statham pic should reach about $29M.
The top ten films grossed an estimated $76.8M which was down 9% from last year when Flightplan debuted at number one with $24.6M; but up a healthy 38% from 2004 when The Forgotten opened in the top spot with $21M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Wrestler-turned-actor The Rock suffered the worst opening of his career with the football drama Gridiron Gang, but thanks to weak competition, it was still enough to capture the number one position at the North American box office.
The new murder mystery The Black Dahlia bowed in second place with moderate results, but fellow freshmen Everyone’s Hero and The Last Kiss both failed to excite moviegoers. For the first time in over a year, only three movies were able to gross more than $5M during the frame. Overall ticket sales rose slightly from last weekend’s dismal showing, but still managed to post the second worst performance of 2006 giving the fall season a worrisome start.
For the third time in the last four weekends, football ruled the box office as Gridiron Gang topped the charts with an estimated $15M kickoff. Playing extremely wide in 3,504 theaters, the PG-13 drama averaged a decent $4,281 per site and gave The Rock the fifth number one opener of his career, but also his smallest debut ever. The action star continued to see diminishing returns on opening weekend with Gang which followed last fall’s Doom ($15.5M), 2004’s remake of Walking Tall ($15.5M), The Rundown ($18.5M) in 2003, and 2002’s The Scorpion King ($36.1M). The Rock also saw a $23.5M bow for 2005’s John Travolta flick Be Cool, but his comedic turn was only a supporting role.
In Gridiron Gang, the charismatic actor plays a juvenile detention camp counselor who inspires delinquent kids by coaching them in football. Budgeted at about $30M, the pic played to a younger and more male audience, as expected. Studio research showed that 52% of the crowd consisted of guys and 55% was under the age of 25. Reviews were not very good.
For Sony, Gang’s top spot bow marked the tenth number one opening of the year for the studio setting a new industry record. Having already banked over $1 billion in box office this year, Sony aims to extend its record performance with promising sequels like The Grudge 2 and Casino Royale which debut in October and November, respectively. The studio has opened a whopping 18 films so far in 2006, the most of any distributor. It has placed films in the top ten in all but two weekends this year.
September is often the worst month of the year at the box office as people shift their attention to other distractions like a new school year, a new television season, and the return of NFL football. But this year, the late summer and early fall have been especially slow at theaters. Over the past two months, only one film (Talladega Nights) has managed to open north of $30M. Four films did the deed during the same period in each of the last two years while five surpassed that mark in 2003.
Universal debuted its new crime thriller The Black Dahlia in second place with an estimated $10.4M. Playing in about 1,300 fewer theaters than Gridiron Gang, the Brian De Palma-directed pic averaged a moderate $4,655 per location giving it the best average among all the weekend’s wide releases. Starring Josh Hartnett, Scarlett Johansson, Aaron Eckhart, and Hilary Swank, Dahlia played to a mature adult audience with its tale of the investigation behind the brutal murder of a Hollywood starlet in the 1940s. The $60M film needed strong reviews to score with its target audience, but was met with little support from critics. In fact, the film scored only a 30% rating on RottenTomatoes.com’s critic scale which was even lower than Gridiron Gang’s 43%.
The weekend’s two other new national releases were mostly ignored by moviegoers. Fox opened its animated baseball kidpic Everyone’s Hero to an estimated $6.2M from a very wide 2,896 theaters. Co-directed by the late Christopher Reeve, the G-rated film averaged a soft $2,124 per site. 2006 has seen nearly a dozen toons invade the multiplexes. Hero’s opening ranks as the second worst of the year for an animated pic trailing only Doogal‘s $3.6M launch in February.
Paramount quietly opened its DreamWorks romantic comedy The Last Kiss in fourth place with only $4.7M, according to estimates. Landing in a mere 1,357 theaters, the R-rated film starring Zach Braff as a soon-to-be-dad with jitters averaged a mild $3,465 per location. Reviews were mixed.
Falling from first place was the supernatural teen thriller The Covenant which grossed an estimated $4.7M as well, off 47% from its debut. With $15.7M collected in ten days, Sony’s $20M pic could end its run with $24-26M. Another former number one, Buena Vista’s football drama Invincible, placed sixth with an estimated $3.9M, down only 31%, lifting the total to $50.9M.
A pair of solid word-of-mouth hits from smaller distributors followed. Yari Film Group’s period mystery The Illusionist slipped just 17% to an estimated $3.8M in its third weekend of wide release and upped its cume to $23.3M. Fox Searchlight’s indie hit Little Miss Sunshine became the company’s second-biggest grosser of all-time this weekend taking in an estimated $3.4M, down just 22%, raising the sum to $46.4M. The distributor’s only bigger hit has been 2004’s Sideways with $71.5M thanks to a prolonged Oscar run.
The George Reeves murder mystery Hollywoodland fell sharply in its second weekend tumbling 54% to an estimated $2.7M. Suffering the worst decline in the top ten, the Focus release has taken in a disappointing $10.5M in ten days and looks headed for a quick finish with only $15-17M. Rounding out the top ten was the Jason Statham actioner Crank with an estimated $2.7M as well, down 45%, giving Lionsgate $24.4M to date.
Buena Vista offered sneak previews in 800 theaters on Saturday for its upcoming marine adventure The Guardian and drew a well-balanced audience with males slightly edging out the women with 51% of the crowd. The Ashton Kutcher–Kevin Costner pic played to 70% capacity and will officially open on September 29 opposite Sony’s animal toon Open Season and MGM’s comedy School for Scoundrels.
Arthouses were flooded with new product this weekend as a number of films platformed in hopes of generating strong indie buzz. Lionsgate got off to a good start with its documentary The U.S. vs. John Lennon which debuted in only six theaters and grossed an estimated $72,000 for a solid $12,000 average. The film expands on September 29 into more than ten additional markets.
Proving once again that he is not much of a box office draw without pirates or Hobbits around, Orlando Bloom‘s new revenge thriller Haven flopped in its debut grossing an estimated $38,000 from 24 sites for a dismal $1,588 average for Yari Film Group. Fox Searchlight also struggled with its new wedding mockumentary Confetti which debuted to an estimated $20,000 from a dozen sites for a poor $1,701 average. Both films still plan to expand this Friday with Haven widening to about 75 theaters and Confetti falling into over 130 playdates.
Four films dropped out of the top ten this weekend. The Thai action pic The Protector grossed an estimated $2.5M in its sophomore frame falling 51% from its opening. The Weinstein Co. has kicked up $9M in ten days and should end up with only $13-15M. Nicolas Cage‘s suspense thriller The Wicker Man dropped 48% to an estimated $2.1M pushing the cume to a lukewarm $20.7M. The Warner Bros. title looks to complete its run with around $25M.
The summer’s top-grossing comedy, Tallageda Nights: The Ballad of Ricky Bobby, slipped 34% to an estimated $2M in its seventh lap and boosted its stellar total to $145M. Sony’s Will Ferrell smash could cross the $150M line before calling it quits. Paramount’s Barnyard, another late-summer hit, grossed an estimated $1.6M while also in its seventh weekend. Down 40%, the animated entry has laughed up $69.1M thus far and is headed for $72-74M.
The top ten films grossed an estimated $57.4M which was down 14% from last year when Just Like Heaven debuted at number one with $16.4M; and down 4% from 2004 when Sky Captain and the World of Tomorrow opened in the top spot with $15.6M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
This week at the movies, we have De Palma‘s latest thriller ("The Black Dahlia"), Zach Braff whining about growing up ("The Last Kiss"), The Rock teaching young criminals about the reformative nature of football ("Gridiron Gang"), and the late Christopher Reeve‘s brainchild ("Everyone’s Hero"). What do the critics have to say?
Everyone is dressed to kill (Hilary Swank as a femme fatale!) in Brian De Palma‘s latest thriller "The Black Dahlia," but the movie is decidedly coming up snake eyes for critics. While his movie captures the tawdry atmosphere of the ’40s, the story is so convoluted and, in retrospect, so flimsy, the phrase "looks great, less filling" comes to mind. That several of the lead characters are miscast doesn’t help, either. Critics agree De Palma has overreached in his ambitious adaptation of James Ellroy’s novel, as "The Black Dahlia" currently sits at 44% on the Tomatometer.
Growing up is hard to do, but do they have to make yet another movie about it? That’s what critics are asking with "The Last Kiss," the English language remake of the Italian movie "L’Ultimo Bacio." Starring Zach Braff ("Garden State"), the movie follows four buddies in their late twenties at various stages of their lives. While the dialogue is particularly strong, courtesy of Oscar winner Paul Haggis ("Crash"), the movie brings nothing particularly new to its premise that hasn’t been done before, and better, in other movies such as Barry Levinson’s "Diner." "The Last Kiss" has a Tomatometer of 45%.
"Gridiron Gang" is one of those inspirational tales about triumphing over adversity that you’ve probably seen a million times, except this one stars former wrestler The Rock as the probation officer who reforms young criminals through football. The movie is as clichéd as you might expect, and most of the critics say the sappy nature of this tale, compounded by predictability, makes "Gridiron" (39% Tomatometer rating) a fumble.
"Everyone’s Hero," the animated tale directed partially by the late Christopher Reeve, has its heart in the right place, but critics say this bland cartoon won’t appeal to anyone besides tiny tots. It sits at 38% on the Tomatometer.
In Guess the Tomatometer for "The Covenant" last week, ‘havoc_012’ hit the bull’s-eye with a guess of 3%.
Following the worst box office weekend in three years, Hollywood has nowhere to go but up. It hopes.
Four new pictures enter wide release on Friday led by the sports drama "Gridiron Gang" from Sony which is gunning for its tenth trip to the number one spot this year. Universal goes after an older crowd with the crime thriller "The Black Dahlia," Fox aims for kids with the animated film "Everyone’s Hero," and Paramount tries to court the adult date crowd with "The Last Kiss." Overall, the North American marketplace should bounce back from last weekend’s horrible showing, but only by a small margin.
Dwayne "The Rock" Johnson hopes to score the fifth number one opening of his career this weekend with the football saga "Gridiron Gang." The PG-13 film finds the wrestler-turned-actor playing a juvenile camp officer who assembles a pigskin squad in order to give lost kids some hope in life. Sony is targeting one of the most reliable moviegoing segments with "Gang" – urban youth. With a young and multicultural cast, plus a star in the lead role, this new film hopes to appeal to the same crowd that made hits out of other sports flicks like "Remember the Titans" and "Coach Carter." Of course, the star this time is not an Oscar-caliber actor. "Gang’s" marketing push has been strong and an ultrawide release will make the product available everywhere.
The Rock provides solid starpower, although his box office muscle in recent years has delivered openings in a very narrow range. Pics like "The Rundown," "Walking Tall," and "Doom" have all debuted within the $15-19M range. "Gridiron Gang’s" rating should open the doors to a wider audience and with the start of the NFL and college football seasons, the subject matter is very relevant at this time of year. Plus with a dead marketplace featuring choices that are exciting nobody, teens and young adults should find this one the only film worth rallying behind. Charging into 3,504 locations, "Gridiron Gang" will have no problem conquering the box office and could score around $17M this weekend.
Moviegoers opting for a trip back to the 1940s instead of a football pic can choose Brian De Palma‘s "The Black Dahlia" which Universal opens on Friday. The R-rated thriller stars Josh Hartnett and Aaron Eckhart as Los Angeles cops investigating the mysterious death of a young woman chopped in half and disemboweled. Scarlett Johansson and two-time Oscar winner Hilary Swank take the token female roles. Just as with "Hollywoodland" which bowed last weekend, "Dahlia" will play to an older adult audience interested in LA-based crime noir pics from the mid twentieth century. Unlike with the younger-skewing "Gridiron Gang," reviews will play a big part in the success or failure of "Dahlia." This one needs more support from critics than it’s getting in order to become a commercial winner. Starpower is certainly there, but the subject matter may not pique the interest of adults across all 50 states. Add in competition for the target audience plus an overall slowdown in moviegoing activity and it may be hard for the studio to break even on this one. "The Black Dahlia" enters 2,224 theaters and might collect around $9M this weekend.
Following this summer’s "Superman Returns" and last week’s George Reeves mystery "Hollywoodland," the Man of Steel spotlight now turns to the late Christopher Reeve whose final project, the animated sports tale "Everyone’s Hero," makes its way into theaters on Friday. With voices provided by Rob Reiner, Whoopi Goldberg, and William H. Macy, the G-rated flick tells of a boy on a mission to retrieve Babe Ruth’s stolen bat. Reeve co-directed with Colin Brady and Dan St. Pierre. Fox will be looking to attract kids and Little League coach parents with "Hero." The film is not registering too high on the priority lists of children. But the studio does have one thing working in its favor – the current marketplace has nothing major for children. And don’t expect the other new releases to appeal to the family crowd either. Opening surprisingly wide in 2,896 theaters, "Everyone’s Hero" could score around $7M this weekend.
TV stars Zach Braff of NBC’s "Scrubs" and Rachel Bilson of Fox’s "The O.C." join forces on the big screen in "The Last Kiss" which Paramount inherited from its DreamWorks tie-up. The R-rated remake of an Italian film about a man in the early stages of a mid-life crisis also stars Casey Affleck, Blythe Danner, and Tom Wilkinson. The marketing push behind "Kiss" has been lacking so look for the romantic dramedy to become a small blip on the box office radar this weekend. Adult women will make up the primary audience making period pics "Dahlia" and "Hollywoodland" direct competitors. Consumer excitement is pretty low for "The Last Kiss" which heads into only 1,100 theaters. A weekend gross of roughly $4M could result.
The new fall season brings a flood of activity in limited-release action. Balcony Releasing got the frame started on Wednesday with its New York opening of the political doc "Al Franken: God Spoke" which adds a second Manhattan venue on Friday. The raunchy softball comedy "Artie Lange’s Beer League" opens on Friday in about 175 theaters. With Ralph Macchio in the cast, the R-rated Echo Bridge release should find itself stuck in six-digit territory. Yari Film Group unleashes the Cayman Islands-set drama "Haven," which stars Orlando Bloom and Bill Paxton, into 24 theaters across the country.
The mockumentary wedding comedy "Confetti" bows in a dozen sites from Fox Searchlight. American troops in Iraq are the focus of the Focus Features documentary "The Ground Truth" which attacks eight theaters. Lionsgate offers up its own non-fiction flick "The U.S. vs. John Lennon" in six playdates examining the Beatles icon’s rage against the establishment.
Sony’s ninth number one of the year "The Covenant" looks to get booted out of the top spot by the studio’s tenth chart-topper. A 50% drop would give the teen thriller about $4.5M for the frame and a modest ten-day cume of $15M. "Hollywoodland" lacked strength in its debut and will now face a direct hit from "Dahlia" so a 45% decline could be in order. That would give Focus around $3.5M over the weekend putting the total at a weak $11M after ten days.
LAST YEAR: Reese Witherspoon captured the number one spot with her latest comedy "Just Like Heaven" which grossed $16.4M on its way to $48.3M for DreamWorks. Sony’s surprise suspense hit "The Exorcism of Emily Rose" lost half its business and dropped to second with $14.9M in its sophomore frame. Nicolas Cage bowed in third with his new actioner "Lord of War" with $9.4M. The Lions Gate release reached $24.1M. Steve Carell enjoyed his fifth week in the top five with "The 40-Year-Old Virgin" which laughed up $6M. The horror pic "Cry Wolf" bowed poorly in fifth with only $4.4M leading to a $10M finish.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Comedic actor Zach Braff has quite a few gigs on his plate: His newest movie ("The Last Kiss") is set to open next week, he’s about to get started on the sixth (and probably final) season of "Scrubs," and he’s got that all-new rendition of "Fletch" to look forward to…
From an interview with ComingSoon.net: "Bill Lawrence is definitely writing and directing ‘Fletch,’ and there’s a good chance I’ll do it. I’ve just got to talk to Uncle Harvey…I was the one who told Harvey he should hire Bill. Bill’s a huge Fletch fan. The books aren’t as wacky and silly as the Chevy Chase movies were, so there was talk for awhile of going back to the books and not having that level of comedy in them, and Bill and I both disagreed.
"That’s what made the movie so great. It’s one of the most quoted movies ever, especially by guys. Why would you not tap back into what’s funny about that? Definitely go back to the books ’cause the books are brilliant, but we want to still make it a comedy. Bill uses the great analogy of ‘Beverly Hills Cop.’ He’s like, ‘If you look at ‘Beverly Hills Cop,’ some people think it’s one of the funniest comedies ever, but it’s an action movie with great adventure and real stakes,’ and he wants to do that with ‘Fletch.’ The books have real stakes and real action in them, but they also have some of the funniest, witty dialogue ever written."
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