(Photo by Peter Iovino. ©Lionsgate/courtesy Everett Collection)

All Blake Lively Movies Ranked by Tomatometer

After her major feature debut in 2005’s The Sisterhood of Travelling Pants, Blake Lively hopped over to television as the lead in Gossip Girl, the CW teen drama fixture that ran for six seasons. Though busy with the show, Lively was still able to turn in a few memorable appearances in films, like the Certified Fresh crime saga The Town, and Green Lantern, where she would meet future husband Ryan Reynolds.

Though Gossip Girl ended in 2012, it would be several years before her film career would resume in earnest, starting with the romantic fantasy The Age of Adaline. But it would be shark movie The Shallows that would propel her to movie stardom. 2018’s A Simple Favor, where she goes tête-à-tête with Anna Kendrick, was another critical and box office hit. In her latest movie, 2020’s The Rhythm Section, Lively goes on a one-woman mission to take down those responsible for a plane crash that killed her family. See where it places as we rank Blake Lively’s best movies (and her worst) by Tomatometer!

#14

Hick (2011)
5%

#14
Adjusted Score: 4035%
Critics Consensus: Hick's talented young star is ill served by a film whose story wavers between discomfitingly inappropriate and simply muddled.
Synopsis: A pistol-packing teen (Chloë Grace Moretz) meets an unstable rebel (Eddie Redmayne) and a cocaine-snorting drifter (Blake Lively) as she... [More]
Directed By: Derick Martini

#13

Green Lantern (2011)
26%

#13
Adjusted Score: 34641%
Critics Consensus: Noisy, overproduced, and thinly written, Green Lantern squanders an impressive budget and decades of comics mythology.
Synopsis: Sworn to preserve intergalactic order, the Green Lantern Corps has existed for centuries. Its newest recruit, Hal Jordan (Ryan Reynolds),... [More]
Directed By: Martin Campbell

#12

All I See Is You (2016)
29%

#12
Adjusted Score: 30598%
Critics Consensus: All I See Is You hints at a number of intriguing questions with its premise, but they dissolve in a stylish yet empty psychodrama that fails to connect.
Synopsis: Gina is a beautiful young woman who's still haunted by the accident that took her sight years earlier. Living in... [More]
Directed By: Marc Forster

#11
#11
Adjusted Score: 41431%
Critics Consensus: Blake Lively delivers an impressive lead performance, but The Rhythm Section plods predictably through a story that could have used some flashier riffs.
Synopsis: Stephanie Patrick veers down a path of self-destruction after a tragic plane crash kills her family. When Stephanie discovers it... [More]
Directed By: Reed Morano

#10

Accepted (2006)
38%

#10
Adjusted Score: 41573%
Critics Consensus: Like its characters who aren't able to meet their potential, Accepted's inconsistent and ridiculous plot gets annoying, despite a few laughs.
Synopsis: After receiving his latest college rejection letter, senior Bartleby Gaines devises a novel way to fool everyone into thinking he... [More]
Directed By: Steve Pink

#9

Savages (2012)
50%

#9
Adjusted Score: 58188%
Critics Consensus: It's undeniably messy, but Savages finds Oliver Stone returning to dark, fearlessly lurid form.
Synopsis: California entrepreneurs Ben (Aaron Johnson) and Chon (Taylor Kitsch) run a lucrative business raising marijuana and share a one-of-a-kind love... [More]
Directed By: Oliver Stone

#8
#8
Adjusted Score: 60621%
Critics Consensus: The Age of Adaline ruminates on mortality less compellingly than similarly themed films, but is set apart by memorable performances from Blake Lively and Harrison Ford.
Synopsis: Adaline Bowman (Blake Lively) has miraculously remained a youthful 29 years of age for nearly eight decades, never allowing herself... [More]
Directed By: Lee Toland Krieger

#7
Adjusted Score: 68484%
Critics Consensus: The workable chemistry among the four leads combined with the enriching message make for a winning Sisterhood of the Traveling Pants 2.
Synopsis: Following freshman year at college, best friends Tibby (Amber Tamblyn), Lena (Alexis Bledel), Carmen (America Ferrera) and Bridget (Blake Lively)... [More]
Directed By: Sanaa Hamri

#6
Adjusted Score: 71230%
Critics Consensus: Reverential and offbeat, the road trip film Private lives of Pippa Lee takes emotional detours and is elevated by great performances, particularly that of Robin Wright-Penn.
Synopsis: Pippa Lee (Robin Wright Penn) is a middle-aged woman married to a much older man named Herb (Alan Arkin), a... [More]
Directed By: Rebecca Miller

#5

Café Society (2016)
71%

#5
Adjusted Score: 85961%
Critics Consensus: Café Society's lovely visuals and charming performances round out a lightweight late-period Allen comedy whose genuine pleasures offset its amiable predictability.
Synopsis: Looking for an exciting career, young Bobby Dorfman leaves New York for the glitz and glamour of 1930s Hollywood. After... [More]
Directed By: Woody Allen

#4
Adjusted Score: 82076%
Critics Consensus: This adaptation of a beloved novel charms with its heartwarming tale of friendship and young adulthood; realistic portrayals of the lives of teenage girls lend the comedy-drama sincerity, and may capture hearts outside the female-centric demographic.
Synopsis: Bridget (Blake Lively), Carmen (America Ferrera), Lena (Alexis Bledel) and Tibby (Amber Tamblyn) are best friends living in Maryland. After... [More]
Directed By: Ken Kwapis

#3

The Shallows (2016)
78%

#3
Adjusted Score: 91556%
Critics Consensus: Lean and solidly crafted, The Shallows transcends tired shark-attack tropes with nasty thrills and a powerful performance from Blake Lively.
Synopsis: Still reeling from the loss of her mother, medical student Nancy Adams (Blake Lively) travels to a secluded beach for... [More]
Directed By: Jaume Collet-Serra

#2

A Simple Favor (2018)
84%

#2
Adjusted Score: 99512%
Critics Consensus: Twisty, twisted, and above all simply fun, A Simple Favor casts a stylish mommy noir spell strengthened by potent performances from Anna Kendrick and Blake Lively.
Synopsis: Stephanie is a widowed, single mother who works as a vlogger in Connecticut. Her best friend, Emily, seems to have... [More]
Directed By: Paul Feig

#1

The Town (2010)
92%

#1
Adjusted Score: 99975%
Critics Consensus: Tense, smartly written, and wonderfully cast, The Town proves that Ben Affleck has rediscovered his muse -- and that he's a director to be reckoned with.
Synopsis: Doug MacRay (Ben Affleck) leads a band of ruthless bank robbers and has no real attachments except for James (Jeremy... [More]
Directed By: Ben Affleck

Carrying some major buzz into the marketplace, Sony’s teen comedy Superbad hits the multiplexes this weekend aiming to bring in some big business from horny young adults looking for a spark to get rid of their end-of-summer blues. The R-rated entry comes from current comedy king Judd Apatow who directed Knocked Up and The 40-Year-Old Virgin which collectively grossed a stunning $256M domestically. He takes on producing chores here but his involvement has wisely been promoted heavily in the film’s marketing campaign which really ignited earlier this summer with the release of the uncensored red-band trailer on the internet which basically put Superbad on the map.

The marketplace for teen sex comedies has had a void since the American Pie franchise switched into direct-to-DVD mode. Superbad has the goods to make itself into this generation’s must-see raunchfest with its story of three lovable nerdy high school kids on a mission to score booze for a party to impress some girls. The lethal mix of strong marketing, filmmaker starpower, and a high-quality product that actually delivers what the audience wants will lead to a potent opening weekend that should be enough to send it to the top of the charts. And with a reported $18M budget, this could very well be the summer’s least expensive number one hit. Crashing into over 2,800 theaters, Superbad might collect around $25M this weekend.


Superbad!

Nicole Kidman and Daniel Craig give the suspense thriller The Invasion the most starpower of any of this weekend’s new releases. The PG-13 film finds the Oscar-winning actress playing a psychiatrist and the current Bond as her doctor pal who must team up to fight an alien entity that infects the human population around the world. This latest remake of Invasion of the Body Snatchers boasts some considerable star wattage which will help it get the attention of adults. Warner Bros. is hoping to appeal to the same audience that made hits out of previous late-summer adult thrillers like The Skeleton Key ($16.1M, $5,795 average)and Kidman’s The Others ($14.1M opening, $8,397 average). With no other scary movies for mature audiences, competition should not be too fierce although The Bourne Ultimatum‘s third weekend will be a formidable foe. Landing in about 2,700 locations, The Invasion could debut with around $13M.


The two stars of The Invasion.

The Weinstein Company unleashes its Roman empire adventure The Last Legion on Friday. The PG-13 film stars Ben Kingsley, Colin Firth, and Bollywood superstar Aishwarya Rai. Excitement in the marketplace is not too high and the push has not been very strong so modest returns are expected at the box office. The current pair of threequels topping the charts will give Legion some major competition for the action crowd. Debuting in roughly 2,000 theaters, The Last Legion could bow to about $6M.


Ben Kingsley leads The Last Legion.

Like most summer sequels, Rush Hour 3 should lose more than half of its opening weekend audience in the sophomore session. There is no special buzz around the action-comedy to prevent a big drop and Superbad will steal away much of the young comedy crowd. A 55% decline is likely which would put Rush Hour 3 at about $22M for the weekend and $88M after ten days.

Fellow threequel The Bourne Ultimatum looks to witness a smaller decline in its third assignment. Universal might experience a 45% drop to around $18M for a robust 17-day cume of $162M.

LAST YEAR: Opening weaker than expected, but still at number one, was the Samuel L. Jackson actioner Snakes on a Plane which bowed to $15.2M. New Line found its way to a disappointing $34M. Talladega Nights dropped to second with $13.8M while World Trade Center held steady in third with $10.9M. The dance sensation Step Up fell to fourth with $10.2M while Universal’s teen comedy Accepted debuted in fifth place with $10M. A $36.3M final resulted. MGM’s comedy Material Girls stumbled into ninth with a mere $4.6M on its way to only $11.4M. But opening powerfully in limited release was the mystery The Illusionist with less than $1M from only 51 theaters for a potent $18,195 average. The Yari Film Group release expanded nationally and enjoyed good legs going on to gross $39.9M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Last thing we heard about a new "Fletch" flick was that "Scrubs" creator Bill Lawrence would direct and (probably) Zach Braff would star. Well, forget all that.

Most recent word states that director Steve Pink will be helming the adaptation of Gregory McDonald’s "Fletch Won," and his title character will be played by … (ready for it?) … Joshua Jackson.

Mr. Pink is the director of "Accepted" and the co-writer of "High Fidelity" and "Grosse Pointe Blank." Joshua Jackson is probably best known for his "Dawson’s Creek" series, but he was also in movies like "Cruel Intentions," "The Skulls," and "Cursed."

You may have read this report last week, but our source seems intent on confirming it.

Source: IESB.net

Tumbleweeds blew through North American theaters this weekend as movie fans forgot that there were films playing at their local cinemas. For the first time in three years, no film managed to generate at least $10M in weekend ticket sales. The new supernatural teen thriller "The Covenant" was able to top the charts while the murder mystery "Hollywoodland" debuted in the runnerup spot. The overall top ten crawled to its worst performance in three years as not a single wide release was able to generate at least $4,000 per theater.


"The Covenant" didn’t break $10M but still managed to lead the B.O.

Limping into first place with a not-so-impressive debut was "The Covenant" with an estimated $9M from 2,681 theaters. The Sony thriller averaged a sluggish $3,357 per playdate, but was big enough to lead the pack over such a weak frame. Budgeted at only $20M, the PG-13 pic features a group of young prep school warlocks who unleash supernatural powers when evil strikes. It was the studio’s ninth number one opening of 2006, but also the worst gross for a number one film since "Dickie Roberts: Former Child Star" debuted this very weekend in 2003 with a puny $6.7M.

Most of the box office deficit when compared to last year can be blamed on the mediocre debut of "Covenant" which took in less than one-third of the $30.1M bow the studio saw in 2005 this weekend with its last post-Labor Day scarefest "The Exorcism of Emily Rose." The rest of the top ten this weekend grossed a combined $40.4M which was almost identical to the $40.6M from the corresponding films from last year.


Adrien Brody shows who’s boss in "Hollywoodland."

Opening in second place was the crime thriller "Hollywoodland" with an estimated $6M from only 1,548 theaters for Focus. The R-rated tale examining the investigation behind the death of Superman actor George Reeves averaged a mild $3,881 per site. That was good enough to be the best average among all wide releases. Starring Adrien Brody, Diane Lane, and Ben Affleck, "Hollywoodland" received mixed reviews from critics, but did manage to win the best actor prize over the weekend at the Venice International Film Festival for Affleck’s portrayal of Reeves.

Dropping from first to third place, Mark Wahlberg‘s two-time box office champ "Invincible" took in an estimated $5.8M falling a steep 52%. After 17 days, the Disney sports drama has scored $45.7M.

Bowing in fourth place was Thai action star Tony Jaa‘s "The Protector" with an estimated $5M from 1,541 sites. Averaging a lukewarm $3,265, the R-rated pic from The Weinstein Co. generated an opening weekend average similar to the $3,449 figure that Jaa’s "Ong Bak" posted last year when it opened to $1.3M from only 387 theaters.


Statham knows people in high places.

Action star Jason Statham‘s "Crank" dropped a hefty 54% in its second weekend to an estimated $4.8M pushing its cume to $19.9M. After ten days, the Lionsgate release is running slightly ahead of the $17.2M that Statham’s 2002 film "The Transporter" made during the same time period, but behind the $30.3M of its sequel from last year. Look for "Crank" to finish up with $27-30M. Enjoying the smallest decline in the top ten was the Edward Norton-Paul Giamatti mystery "The Illusionist" which dipped just 25% to an estimated $4.6M. Yari Film Group has collected $18.1M thus far.

Following close behind with an estimated $4.4M was Fox Searchlight’s "Little Miss Sunshine" which dropped 42%. Total to date is a solid $41.6M. Nicolas Cage‘s suspense thriller "The Wicker Man" fell 57% in its second weekend to an estimated $4.1M. With only $17.5M in ten days, the Warner Bros. release looks on course to reach a disappointing $25M.


"Talladega Nights" has a lot to cheer for.

"Talladega Nights," the highest-grossing film since Johnny Depp’s "Pirates" sequel set sail, dropped 51% in its sixth lap to an estimated $3M boosting Sony’s total to $142.2M. Rounding out the top ten was Paramount’s hit toon "Barnyard," the only major kidpic in release, which grossed an estimated $2.6M. Off 47%, the PG-rated comedy has grossed a healthy $66.9M to date.

Three August releases dropped out of the top ten this weekend. Paramount’s "World Trade Center" took in an estimated $2.5M, down 46%, for a $67.1M sum. The $65M Nicolas Cage drama should end with a solid $71-74M final. Universal’s teen comedy "Accepted" collected an estimated $2.5M as well, off 45%, and upped its total to $32.3M. A $35-37M final grade is in store for the $23M production.

Buena Vista’s surprise hit dance drama "Step Up" dropped 45% in its fifth weekend to an estimated $2.5M. With $61.6M in the bank, the teen pic looks to finish with around $65M.

The top ten films grossed a puny estimate of $49.4M which was down 30% from last year when "The Exorcism of Emily Rose" debuted at number one with $30.1M; and down 16% from 2004 when "Resident Evil: Apocalypse" opened in the top spot with $23M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Moviegoers had football on their minds for the second straight weekend as Disney’s true-life NFL tale "Invincible" remained atop the North American box office over the long Labor Day holiday weekend finishing off another summer movie season. New releases "Crank" and "The Wicker Man" opened in second and third, respectively, while the critically acclaimed films "Little Miss Sunshine" and "The Illusionist" both scored strong per-theater averages in moderate release. The holiday frame marked the first weekend in six long months where no new film debuted with at least $15M. Hollywood was happy to close the books on a summer movie season that was slightly better than than last year’s.

Retaining its first-place position, Mark Wahlberg‘s "Invincible" grossed an estimated $15.2M over the four-day Friday-to-Monday holiday weekend and remained the most popular movie in North America. After 11 days of release, the feel-good drama about a 30-year-old bartender who earned a spot on the Philadelphia Eagles starting lineup has grossed a solid $37.8M and could be headed for the neighborhood of $60-70M.

It was only fitting that Disney topped the box office charts as the summer came to an end. Since the summer movie season kicked off on May 5 with "Mission: Impossible III," Buena Vista has grossed $786M at the multiplexes beating out all other studios. Disney’s success was powered by the summer’s two highest grossing hits, "Pirates of the Caribbean: Dead Man’s Chest" ($414.2M) and "Cars" ($242M), but also included surprise late-summer winners like "Invincible" and "Step Up." It was a drastic turnaround from last summer when the Mouse House’s biggest film was "Herbie: Fully Loaded" with $66M.

Opening in second place was action star Jason Statham‘s new thriller "Crank" with an estimated $13M over four days from 2,515 theaters. Averaging a commendable $5,169 per site, the R-rated film features a poisoned hitman who will die if he can’t keep his adrenaline up constantly. The Lionsgate release opened better than Statham’s 2002 film "The Transporter" ($9.1M in three days) but did not reach the $20.1M bow of his action sequel "Transporter 2" which ruled the Labor Day frame a year ago. That number one hit carried a commercially friendly PG-13 rating and kicked its way into 800 more theaters. Over the Friday-to-Sunday span, "Crank" grossed $10.3M and averaged $4,095.

Nicolas Cage opened his new suspense thriller "The Wicker Man" close behind in third place with an estimated $11.7M in ticket sales over the Friday-to-Monday holiday session. The Warner Bros. remake about a cop who investigates a missing girl averaged a mediocre $4,210 from 2,784 theatrs over four days. The PG-13 film grossed $9.6M in three days for a mild average of $3,448. Cage appeared twice in the top ten as his previous film "World Trade Center" finished further down in ninth place.

Two smaller films successfully expanding into national release followed and scored the best averages among all the wide releases. Fox Searchlight’s road comedy "Little Miss Sunshine" ranked fourth for the weekend with an estimated $9.7M over four days with $7.6M over the Friday-to-Sunday portion. It was the second weekend in a row that actor Greg Kinnear had two films in the top five. He plays a supporting role in "Invincible" as well. "Sunshine" averaged a strong $6,071 from 1,602 theaters over four days pushing its total to $35.8M and counting. At its current rate, it should eventually surpass "Miami Vice" as the top-grossing R-rated film to come out of the summer.

Rookie distributor Yari Film Group did an excellent job expanding its period mystery "The Illusionist" into national release and jumped into fifth place with an estimated four-day gross of $8M. Expanding from 144 to 971 theaters, the Edward NortonPaul Giamatti drama scored the best average in the top ten with a sturdy $8,261 per venue. Cume now stands at $12.1M. The distributor scored excellent averages during its two weeks in limited release allowing positive word-of-mouth to spread for a film that was not easy to sell at a time when there were plenty of good choices for mature adults. Another 400 theaters will be added on Friday.

A trio of comedies followed. Sony’s Will Ferrell hit "Talladega Nights" grossed an estimated $7.7M over four days and lifted its cume to a stellar $138.4M making it the top-grossing comedy of the summer. Paramount’s animated pic "Barnyard" took in an estimated $6.4M pushing its total to $63.6M. The teen flick "Accepted" placed eighth and collected an estimated $5.9M giving Universal $29.4M to date.

Rounding out the top ten were the 9/11 drama "World Trade Center" with an estimated $5.8M over four days and the dance saga "Step Up" with $5.5M, according to estimates. Paramount’s Oliver Stone film has taken in a solid $63.7M thus far while Buena Vista’s surprise hit has taken in $58.4M.

Opening quietly outside of the top ten was the street basketball drama "Crossover" with an estimated $4.5M over four days from a moderate release in 1,023 theaters. Sony averaged a decent $4,399 over the long weekend on the $6M film which played mostly to a young urban audience.

Platforming to muscular numbers was the IFC Films doc "This Film Is Not Yet Rated" which grossed an estimated $42,000 from solo houses in New York and Los Angeles for a potent $20,832 average. The unrated expose that examines the ratings board of the MPAA will continue to expand throughout September.

Three films dropped out of the top ten this weekend. The raunchy comedy "Beerfest" tumbled to an estimated $4.6M over four days giving Warner Bros. only $14.8M in 11 days. A $20M final seems likely. Universal’s OutKast pic "Idlewild" took in an estimated $2.9M in its sophomore session giving the music-driven film only $9.9M in 11 days. Look for a $14M conclusion. New Line’s buzzworthy action-horror pic "Snakes on a Plane" has scared up just over $31M to date and is set to end with a final domestic gross close to its $35M production budget.

The top ten films grossed an estimated $89M over four days which was down 3% from last year when "Transporter 2" debuted at number one with $20.1M; but up 19% from 2004 when "Hero" remained in the top spot with $11.5M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Samuel L. Jackson‘s much-talked-about thriller Snakes on a Plane landed in first place at the North American box office this weekend, but lacked the kind of bite that was expected given all the media attention and internet buzz that surrounded the film.

The weekend’s two other new releases Accepted and Material Girls targeted teens and met with only mild-to-moderate results. However, the indie comedy Little Miss Sunshine flexed some muscle in its national expansion jumping into the top ten in its fourth weekend of release. Former number one Talladega Nights raced past the $100M mark while Pirates of the Caribbean cruised past the $400M milestone this weekend. However, the late-summer slowdown took its toll on the box office as for the first time in fourteen weeks, the top ten failed to top $100M.


A number one box office performance…does not a franchise make.

Following months of online buzz which translated into tons of national publicity, Snakes on a Plane finally arrived in theaters and collected an estimated $15.3M over the weekend including about $1.4M in Thursday night preview grosses. Taking off in an ultrawide 3,555 theaters, the R-rated film averaged a mediocre $4,290 per site. Of the 62 films in history that have opened in 3,500 or more theaters, 61 have grossed more than Snakes on opening weekend. Only last summer’s Herbie: Fully Loaded fared worse with $12.7M from 3,521 sites following a Wednesday bow. Snakes also suffered the second lowest gross for a number one opener this year after Glory Road‘s $13.6M top spot bow in January.

Since no film before it had generated the same type of grassroots hype, expectations varied greatly leading into the frame with most believing it would at least surpass the $20M mark. The New Line release finds Jackson playing an FBI agent escorting a key witness on a commercial airliner when deadly snakes are let loose. The studio did not screen the film for the media ahead of the release. Fans on the internet have been talking up the picture since last year creating a cult fan following which no one knew how to measure when it came to box office sales. Ultimately, Snakes did not appear to have had much appeal outside of its core fan base of young men. With a budget of only $30M, Snakes on a Plane should still end up being a moneymaker for New Line after worldwide DVD sales are tallied. However, hopes for a new franchise seem to have been crushed.


"Talladega Nights:" still reeling in moviegoers

After two weeks in pole position, Will Ferrell‘s hit comedy Talladega Nights: The Ballad of Ricky Bobby finished close behind in second place this weekend with an estimated $14.1M in its third lap. The Sony release dropped only 36% and showed good legs. On Thursday, Talladega became the eleventh film of the year to cross the $100M mark and has pushed its total to $114.7M after 17 days. Snakes led all films at the box office on Friday, but Ricky Bobby raced ahead on both Saturday and Sunday.

Oliver Stone‘s 9/11 drama World Trade Center enjoyed a good hold in its second weekend grossing an estimated $10.8M. Down a moderate 42%, the Paramount release upped its total to $45M after 12 days. The $65M film looks to reach about $70M domestically.

Universal’s new teen comedy Accepted bowed in fourth place with an estimated $10.1M from 2,914 theaters. The PG-13 film about a high school senior who forms the fictitious S.H.I.T. (South Harmon Institute of Technology) after being rejected by every other college averaged a mild $3,470 per location. Budgeted at $23M, Accepted appealed mostly to a teen and young adult audience with studio research showing that a whopping 74% of the crowd was under 25. Males slightly outnumbered females with 52% of the audience.

Last weekend’s surprise hit Step Up fell an understandable 52% in its second session taking in an estimated $9.9M for fifth place. Buena Vista’s low-budget dance drama has captured a robust $39.4M in ten days and could end its run with a terrific $60M. At the beginning of August, no one thought that Step Up would score a bigger opening than Snakes on a Plane. The animated comedy Barnyard followed with an estimated $7.5M dropping only 23%. The strong hold for the Paramount release helped boost the cume to $46M after 17 days.


"Little Miss Sunshine," no longer just an indie hit?

Boasting the best per-theater average in the top ten by far was indie sensation Little Miss Sunshine which expanded nationally and grossed an estimated $5.7M. Fox Searchlight’s dysfunctional family comedy averaged a stellar $8,213 from 691 locations after widening from 153 playdates last weekend. Cume to date stands at $12.8M with much more to come. The distributor reported that the Greg KinnearSteve Carell pic is broadening its audience beyond just the arthouse crowd and is now playing well in mainstream multiplexes in suburban markets. Sunshine will double its theater count on Friday with over 1,400 runs and will add a few hundred more the following weekend for the Labor Day holiday frame.

Disney’s unstoppable smash Pirates of the Caribbean: Dead Man’s Chest ranked eighth this weekend with an estimated $5M in its seventh voyage. Down only 31%, the Johnny Depp adventure broke the quadruple-century mark and pushed its cume to $401.1M in North America making it the seventh biggest domestic blockbuster ever trailing the $403.7M of 2002’s Spider-Man. Worldwide, the Pirates sequel cruised past the $900M mark this weekend and will break through the $1 billion barrier soon allowing it to join only Titanic and The Lord of the Rings: The Return of the King in the ten-digit club.

Opening quietly in ninth place were sisters Hilary and Haylie Duff with their comedy Material Girls which debuted with only $4.6M, according to estimates. Playing in 1,509 theaters, the MGM release averaged just $3,062 per site. The PG-rated story about wealthy sisters who must cope with being bankrupt opened much like Hilary Duff’s recent films Raise Your Voice ($4M in October 2004) and The Perfect Man ($5.3M in June 2005).

Rounding out the top ten was the horror entry Pulse with an estimated $3.5M, off 57%, for a ten-day total of just $14.7M. The Weinstein Co. should reach a mere $20M with this one.


"The Illusionist," off to a good start in an expanding limited release

There was plenty of activity in limited release over the weekend. Yari Film Group opened its period mystery The Illusionist in 51 theaters and grossed an estimated $925,000 for a powerful $18,137 average. The Edward NortonPaul Giamatti starrer earned strong reviews and will add more theaters on Friday before expanding nationwide on September 1.

Fox Searchlight saw more modest results with its new relationship pic Trust the Man which debuted to an estimated $176,000 from 38 locations for a moderate $4,632 average. Playing in eight cities, the R-rated story stars Billy Crudup, David Duchovny, Julianne Moore, and Maggie Gyllenhaal. Trust will widen to more than 100 theaters on Friday. Reviews have been mixed.

Four summer movies dropped out of the top ten this weekend. Lionsgate’s horror film The Descent fell 47% to an estimated $2.5M putting its total at $22.3M. The chicks-in-a-cave thriller should end with $27-29M. Sony’s Tim Allen flop Zoom declined 47% to an estimated $2.4M increasing its sum to a puny $9M. A horrendous final total of around $15M seems likely.

Universal’s $135M cop pic Miami Vice dropped 50% to an estimated $2.4M in its fifth frame and lifted its sum to $59.8M. A disappointing $65M final seems likely. The $75M animated film Monster House grossed an estimated $1.9M, down 42%, for a cume of $67.3M. Sony should end up with a respectable $72M.

Among holdovers in limited release, ThinkFilm’s critically-acclaimed drama Half Nelson added one theater and grossed an estimated $57,000 from three sites for a solid $19,067 average. The existing pair of theaters in Manhattan suffered almost no decline from last weekend and continued to sell out most of their weekend shows. Cume stands at $148,000 and the film debuts on Friday in Los Angeles, San Francisco, and Washington D.C.

The global warming documentary An Inconvenient Truth became the highest-grossing film in company history for Paramount Classics this weekend. Al Gore‘s environmental pic took in an estimated $246,000 from 221 theaters and upped its total to $22.4M. The distributor’s previous top grosser was last summer’s Hustle & Flow with $22.2M.

The top ten films grossed an estimated $86.5M which was down 7% from last year when The 40-Year-Old Virgin debuted at number one with $21.4M; and down 10% from 2004 when Exorcist: The Beginning opened in the top spot with a robust $18.1M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This weekend Samuel L. Jackson looks to seize control of the muthaf*ckin’ box office with his new muthaf*ckin’ film "Snakes on a Plane" which invades theaters on a wave of internet buzz.

It should be a smooth trip to number one for the action thriller which will face competition from the teen comedies "Accepted" and "Material Girls" plus the expansion of the indie darling "Little Miss Sunshine." After two weeks in the top spot, Will Ferrell‘s hit comedy "Talladega Nights" will decelerate and lose pole position, but will have the distinction of crossing the celebrated $100M mark.

All eyes are on Sam Jackson this weekend as his much-blogged-about action vehicle "Snakes on a Plane" makes its way into theaters. The R-rated film presents an old fashioned good guy versus bad guy story with the former Mace Windu playing an FBI agent assigned to escort a key witness to a mob murder on a flight from Hawaii to Los Angeles. When the crime boss masterminds a plan to unleash poisonous snakes mid-flight, all hell breaks loose. New Line has no ambitions of winning Oscars here. "Snakes" is pure entertainment aimed at giving fans a thrill ride for two hours. No advance screenings are being held for the media which is usually a sign that the studio believes that the reviews will only trash the picture so why waste the time and money?

No R-rated film this year has broken the $30M mark on opening weekend. In fact, in the past two years, only a pair of R pics have opened north of that mark – last year’s duo of "Saw II" with $31.7M and "Wedding Crashers" with $33.9M. "Snakes" will be relying on an adult male audience for its ticket sales with older teens and twentysomethings being the driving force. Jackson may also be able to pull in African American audiences given his stature and the type of role he is playing. Typically, the Oscar-nominated actor does not have much box office muscle when anchoring a film solo. But the buzz and media coverage surrounding "Snakes" has almost made it into a franchise.

With so many on the internet buzzing about the movie since the beginning of the year, uploading their own trailers and "Snakes"-related videos, and pushing for more violence and profanity, the fans have gotten a sense of empowerment. They feel like they have been part of the filmmaking process and you can be sure that they will be out when the film opens to see the final product. And since everyone knows that the film will be cheesy and that there are no press screenings, expectations are not too high. Without all the hoopla, this film would only be seen as action movie number ten that Hollywood churns out for the summer season. New Line is taking the step of launching "Snakes" a day early on Thursday night with showtimes starting at 10pm.

August has been a great month for these types of action films for young males. Three years ago, the studio opened the R-rated horror flick "Freddy vs. Jason" to $36.4M while a year later, Fox found a $38.3M bow for its PG-13 sci-fi pic "Alien vs. Predator." Jackson’s film lacks a franchise following, although the hype has generated a sizable built-in audience of its own. "Snakes" will come and go quickly from theaters. A strong start should be followed by massive erosion, but with a reported budget of only $30M, it can’t lose money. Plus Jackson has done a commendable job hitting the trail and promoting his new flick. Attacking over 3,300 theaters, "Snakes on a Plane" could open with around $28M this weekend.

Universal is hoping that those too young for "Snakes," but who are still looking for some late-summer fun, will line up for its new comedy "Accepted." The PG-13 film stars Justin Long as a high school senior rejected by every college he applies to who then decides to make up his own fake university. The under-25 set is the target audience here with teens who can relate to the character’s nightmare making up the bulk of the crowd. Recent young-skewing hits like "Step Up" and "John Tucker Must Die" have proven that no-star vehicles with an interesting concept can lure in solid numbers on opening weekend. Those films debuted to $14.3M and $20.7M, respectively. Studios have done a poor job satisfying teenagers in recent weeks with their big ticket items which has only helped these low-cost pictures. "Accepted" will certainly have to face "Snakes" taking away older guys and "Step Up" in its second weekend stealing away the gals. But the concept is a good one and with so many young people getting ready to head back to campus, memories of rejection letters will come flying back. Marketing materials register some laughs too and appeal to both genders is there. Entering over 2,700 locations, "Accepted" could open with around $12M this weekend.

Hilary and Haylie Duff graduate from the world of breath mint commercials to feature films in "Material Girls" from director Martha Coolidge ("Real Genius," "The Prince and Me"). The PG-rated film finds the sisters playing heiresses to a cosmetics fortune who stumble upon bankruptcy. Anjelica Huston co-stars. The MGM release will play primarily to a female audience of teens and pre-teens. Males interested in buying tickets should number about three. "Material Girls" is not getting too big of a push and with "Step Up" doing so well with the same demographic, it will be an uphill battle attracting business. Once a potent asset, Hilary has lost much of her pull at the box office with recent clunkers like "Raise Your Voice" and "The Perfect Man" landing poor debuts of only $4M and $5.3M, respectively.. The Duffs may end up taking a lesson from the Olsen twins whose own film "New York Minute" opened a week after the bow of 2004’s surprise teen girl hit "Mean Girls" and ended up being squashed with a weak $6M debut from over 3,000 theaters. "Material Girls" will enter only 1,509 playdates and could settle for an opening of just $4M.

After three weeks of sparkling results in limited release, Fox Searchlight’s comedy sensation "Little Miss Sunshine" expands nationally into 694 locations from its current run in 153 sites. Last weekend, the R-rated dysfunctional family pic averaged a stunning $17,014 which is one of the best showings in recent years for a film playing in 100-200 locations. With strong reviews and positive word-of-mouth, "Sunshine" should jump into the top ten this weekend and could gross about $5M pushing its cume into double-digit millions.

Searchlight also debuts its next indie flick "Trust the Man" which opens in 37 theaters in selected cities on Friday. The R-rated dramedy stars Billy Crudup, David Duchovny, Maggie Gyllenhaal, Julianne Moore, and Eva Mendes and tells the story of two New York couples going through relationship troubles. Moore’s real-life husband Bart Freundlich directs. "Trust the Man" has garnered mixed reviews from critics and will expand nationwide on September 8.

Also opening in limited release, but attracting more glowing praise from critics, is the dramatic thriller "The Illusionist." Edward Norton, Paul Giamatti, and Jessica Biel star in the PG-13 film which finds a turn-of-the-century magician battling wits with a Vienna cop. Two weeks after the limited bow, Yari Film Group will expand "Illusionist" wide over the Labor Day holiday weekend.

A variable that could affect moviegoing behavior this weekend could be all the current stories in the news this week that have connections to major films in release. Tapes of 911 calls from victims of the World Trade Center disaster have been released after nearly five years. New terror plots aboard commercial planes have dominated the headlines lately, and a new arrest in the Jonbenet Ramsey case has brought attention back to little girls in beauty pageants. How this news coverage will affect the grosses for films like "Snakes on a Plane," "Little Miss Sunshine," and "World Trade Center" is anyone’s guess. But at a time of year when moviegoing typically slows down anyway, some potential ticket buyers may decide to look elsewhere for their weekend entertainment.

Will Ferrell’s "Talladega Nights" looks to race past the $100M mark by the end of its second full week in theaters. The Sony hit won’t win a third box office crown, but it should remain in the top five and drop 45% to about $12M. That would give the racing comedy $113M in 17 days making it the comedian’s second biggest hit ever, in a leading role, behind "Elf" which took in $173.4M.

Last weekend’s surprise smash "Step Up" is not afraid of "Snakes on a Plane" which is likely to tap into an older and more male audience. Instead, Buena Vista’s dance drama will see its competition come from "Accepted" and "Material Girls." Word-of-mouth for "Step Up" has been encouraging with the film averaging a solid B+ from over 5,500 users of Yahoo Movies. Still, teen pics tend to fall fast so a 50% decline would give the film around $10M for the weekend and a stellar ten-day total of $40M.

Paramount’s "World Trade Center" got off to a healthy start at the box office and is also generating positive buzz from moviegoers. Competition is not too fierce this weekend for adults looking for mature fare so a 35% drop would give the Oliver Stone movie roughly $12M and a cume of $46M after 12 days.

LAST YEAR: The surprise comedy hit "The 40-Year-Old Virgin" debuted at number one with a better-than-expected weekend opening of $21.4M. Universal’s R-rated smash displayed strong legs in the weeks ahead and ended up scoring $109.3M. Settling for second place in its first flight was the DreamWorks thriller "Red Eye" with a solid $16.2M on its way to $57.9M. Rounding out the top five were holdovers "Four Brothers" with $12.5M, "Wedding Crashers" with $8M and "The Skeleton Key" with $7.7M. The frame’s two other new releases were mostly ignored by moviegoers. Disney’s animated pic "Valiant" bowed to $5.9M for eighth place while Fox’s action drama "Supercross" crashed into 15th place with a dismal $1.3M opening weekend. Final tallies reached $19.5M and $3.1M, respectively.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got snakes…. on a plane ("Snakes on a Plane," starring Samuel L. Jackson), slackers on a campus ("Accepted," starring Justin Long), and Duffs on the screen ("Material Girls," starring Hilary and Haylie Duff). What do the critics have to say?

"Snakes on a Plane," the movie with the greatest title since "Dude, Where’s My Car?", has captured the imagination of the blogosphere. However, it will have to wait to capture the imagination of the critics, since it wasn’t screened in advance. The plot involves an FBI agent (Samuel L. Jackson) who, golly, would really like to expel those ophidians from the aircraft upon which he’s traveling. Since "SOAP" (as the fanboys and girls call it) has no reviews, we’re going to play our favorite game: Guess the @#&$*$ Tomatometer.


Contrary to the wishes of Samuel L. Jackson, these guys are putting the snakes on the @#&$*$ plane.

There’s something inherently appealing about a bunch of party-hearty students and their battles with the uptight squares; that’s why movie people keep trying to recapture the magic of "Animal House" and "Rock ‘n’ Roll High School." "Accepted" tells the story of a high school graduate (Justin Long) who’s having no luck getting into college, so he decides to start his own fake institute of higher learning. To his surprise, a bunch of like-minded outcasts join him. Critics say the movie has its share of laughs, but it never totally gels, and turns a little too sweet at the end. At 31 percent on the Tomatometer, "Accepted" has been waitlisted.


"Accepted": In culinary class, these guys are preparing an official South Harmon Institute of Technology sandwich.

Critics can beg, and critics can plead, but they can’t see "Material Girls" (that’s right!), ’cause the audience members with the cold hard cash are always Mr. (and Ms.) Right. Or, perhaps the people behind the latest Duff sisters vehicle feel the film is in the same artistic league as Madge‘s "Body of Evidence." Guess this Tomatometer while you’re at it.


The Duff sisters flee in anguish after their unsuccessful auditions for "Hulk 2"

"Little Miss Sunshine" was a big hit at this year’s Sundance Film Festival, and now that it’s hitting the theaters, the scribes are just as enthusiastic as the folks in Park City. This tale of a dysfunctional family hitting the road for a child pageant is Certified Fresh, and features sharp performances from its ensemble cast, particularly Greg Kinnear and Steve Carell. At 94 percent, this one’s a ray of "Sunshine." (Check out RT’s interview with co-directors Valerie Faris and Jonathan Dayton here.)

Also in theaters in limited release this week: "Factotum," the Sundance-approved Bukowski adaptation starring Matt Dillon and Lili Taylor, is at 75 percent; "The Illusionist," a tale of intrigue in turn of the century Vienna starring Ed Norton, Jessica Biel, and Paul Giamatti, is at 67 percent; Dutch import "Moonlight," a tale of risky teenage love, is at 60 percent; "Trust the Man," a rom-com starring David Duchovny and Julianne Moore, is at 39 percent; and "10th & Wolf," a story of mob family ties starring James Marsden and Giovanni Ribisi, is at zero percent.

Finally, props to XeternityX, who came closest to predicting "Pulse"’s 12 percent Tomatometer. Nobody got particularly close to "Zoom," still flying high at zero percent. Be forwarned when guessing the Tomatometers for this week’s unscreened releases: the average T-meter for movies not screened for critics is 11.75 percent.

Recent Samuel L. Jackson Movies:
——————————————-
25% — Freedomland (2005)
13% — The Man (2005)
82% — Star Wars Episode III: Revenge of the Sith (2005)
18% — XXX: State of the Union (2005)
23% — In My Country (2005)

Recent Hilary Duff Movies:
———————————-
7% — Cheaper by the Dozen 2 (2005)
6% — The Perfect Man (2005)
15% — Raise Your Voice (2004)
11% — A Cinderella Story (2004)
24% — Cheaper by the Dozen (2003)

Richard Roeper will have a few guest hosts to work with while good ol’ Roger Ebert recovers from recent surgery, and it looks like he’ll have a fun time with episode #1. Writer/director/movie-geek Kevin Smith will be stopping by to share his thoughts on some new releases. (No, not "Clerks 2.")

From Smith’s blog: "Looks like I’ll be sitting in for Roger Ebert next week, as a guest critic on "Ebert and Roeper." Kind of a cool honor, I feel. We’ll be checking out "Miami Vice," "Ant Bully," "Talladega Nights," "Barnyard" and maybe (fingers crossed) "World Trade Center." We’ll be taping next week, just prior to the Chicago WizardCon. I’ll let you know how it goes."

But there seems to have been a schedule switch, as mentioned by the man himself, at Hollywood Elsewhere:

"Yes, I was originally slated to review the flicks I’d listed, but due to a scheduling change, I’ll be reviewing "World Trade Center," "Little Miss Sunshine," "Scoop," "Accepted," and "Step Up" instead."

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