Paramount Pictures courtesy Everett Collection

(Photo by Paramount Pictures courtesy Everett Collection)

Nicolas Cage Movies, Ranked by Tomatometer

There’s a lot to be said for consistency, and for film fans, the ability to count on reliably great performances from an actor can be the difference between pre-ordering tickets weeks in advance or waiting until a movie comes out on home video. On the other hand, there’s also an undeniable excitement that comes with unpredictability, and Nicolas Cage‘s filmography is a perfect case in point. From toking up with Sean Penn’s Spicoli in Fast Times at Ridgemont High to waging chainsaw vengeance against the cultists that murdered his wife in Mandy — and beyond — Cage has racked up more than 100 film credits over the last several decades, delivering performances that range from Oscar-winning (Leaving Las Vegas) to wildly over the top (Bad Lieutenant: Port of Call New Orleans) and starring in blockbuster fare (The Rock, National Treasure) as well as acclaimed indies (Raising Arizona, Joe), and we wouldn’t want him any other way.

Most recently, he’s gotten career-best accolades for the drama Pig. Nobody captures the camera’s attention quite like Nicolas Cage, and to honor all those years of singularly entertaining achievement, we’ve rounded up all of his major film roles, sorted by Tomatometer. Read on to see where your favorites rank, and remember: Not the bees!

#88

Deadfall (1993)
0%

#88
Critics Consensus: No consensus yet.
Synopsis: A New Yorker (Michael Biehn) heads to California to find the look-alike brother (James Coburn) of his con-man father.... [More]
Directed By: Christopher Coppola

#87

Grand Isle (2019)
0%

#87
Critics Consensus: No consensus yet.
Synopsis: Walter and his neglected wife lure a young stranger into their Victorian home to escape from a hurricane. When the... [More]
Directed By: Stephen S. Campanelli

#86

Left Behind (2014)
1%

#86
Adjusted Score: 3288%
Critics Consensus: Yea verily, like unto a plague of locusts, Left Behind hath begat a further scourge of devastation upon Nicolas Cage's once-proud filmography.
Synopsis: The entire planet is thrown into mayhem when millions of people disappear without a trace -- all that remains are... [More]
Directed By: Vic Armstrong

#85

Arsenal (2017)
3%

#85
Adjusted Score: 4355%
Critics Consensus: Aside from an opportunity to watch a mustachioed Nicolas Cage acting from under a wig and behind a prosthetic nose, Arsenal has depressingly little to offer.
Synopsis: The Lindel brothers, Mikey and JP, only had each other to rely on growing up. As adults, JP finds success... [More]
Directed By: Steven C. Miller

#84

Outcast (2014)
4%

#84
Adjusted Score: 4031%
Critics Consensus: Unforgivably dull, Outcast fails to deliver virtually all of the goofy fun that should come from a movie starring Nicolas Cage and Hayden Christensen in ancient China.
Synopsis: A fugitive Chinese prince and his sister enlist the aid of two war-weary Crusaders (Nicolas Cage, Hayden Christensen) to help... [More]
Directed By: Nick Powell

#83

211 (2018)
4%

#83
Adjusted Score: 4606%
Critics Consensus: 211's disjointed assortment of action clichés and uninspired set pieces adds up to roughly zero.
Synopsis: Officer Mike Chandler and a young civilian passenger find themselves unprepared and outgunned when fate puts them squarely in-the-crosshairs of... [More]
Directed By: York Shackleton

#82
#82
Adjusted Score: 5506%
Critics Consensus: Loaded with talent but borderline unwatchable, Trapped in Paradise will leave viewers feeling the first part of the title and pining for the last.
Synopsis: Fresh out of prison, Alvin (Dana Carvey) and Dave Firpo (Jon Lovitz) pull their brother Bill (Nicolas Cage) back into... [More]
Directed By: George Gallo

#81
#81
Adjusted Score: 10640%
Critics Consensus: With murky cinematography, a meandering pace, a dull storyline, and rather wooden performances, The Pang Brothers' Hollywood remake of Bangkok Dangerous is unsuccessful.
Synopsis: Remorseless assassin Joe (Nicolas Cage) is in Thailand to complete a series of contract killings for a crime boss called... [More]
Directed By: Oxide Pang, Danny Pang

#80

Fire Birds (1990)
10%

#80
Adjusted Score: 9826%
Critics Consensus: Despite the talent on board, Fire Birds is little more than a subpar military adventure sporting video game-like action, outdated philosophy, and uneven acting.
Synopsis: Army lovers (Nicolas Cage, Sean Young) and their task-force leader (Tommy Lee Jones) join the drug war in Apache assault... [More]
Directed By: David Green

#79

Pay the Ghost (2015)
10%

#79
Adjusted Score: 9390%
Critics Consensus: Pay the Ghost takes a weak stab at supernatural horror, but ultimately, it's only viewers who will pay for watching this sloppily assembled picture.
Synopsis: Haunted by eerie images and unexplainable messages, a man (Nicolas Cage) tries to unravel the mystery behind the disappearance of... [More]
Directed By: Uli Edel

#78
#78
Adjusted Score: 10659%
Critics Consensus: Dying of the Light envelops the spark of several intriguing talents, leaving audiences lost in a yawning void of uninspired filmmaking.
Synopsis: Forced into retirement and terminally ill, a CIA agent (Nicolas Cage) gets word that his longtime nemesis (Alexander Karim) has... [More]
Directed By: Paul Schrader

#77

Trespass (2011)
11%

#77
Adjusted Score: 12270%
Critics Consensus: Another claustrophobic thriller that Joel Schumacher can churn out in his sleep, Trespass is nasty and aggressive, more unpleasant than entertaining.
Synopsis: Fast-talking diamond dealer Kyle Miller (Nicolas Cage) and his wife, Sarah (Nicole Kidman), live the good life in a beautiful... [More]
Directed By: Joel Schumacher

#76
#76
Adjusted Score: 15385%
Critics Consensus: Slow, cheap-looking, and dull, Season of the Witch fails even as unintentional comedy.
Synopsis: His faith broken by many years fighting in the Crusades, a knight named Behman (Nicolas Cage) returns to Europe and... [More]
Directed By: Dominic Sena

#75

Tokarev (2014)
12%

#75
Adjusted Score: 11973%
Critics Consensus: Depressingly dull and all-around poorly made, Rage is the rare Nicolas Cage action thriller lacking enough energy to reach "so bad it's good" territory.
Synopsis: Following the kidnapping and murder of his daughter (Aubrey Peeples), a reformed criminal (Nicolas Cage) returns to his old ways... [More]
Directed By: Paco Cabezas

#74
Adjusted Score: 3769%
Critics Consensus: No consensus yet.
Synopsis: In this animated retelling of Charles Dickens' classic tale, Ebeneezer Scrooge (Simon Callow) remains the same old curmudgeonly hermit. As... [More]
Directed By: Jimmy T. Murakami

#73
#73
Adjusted Score: 15312%
Critics Consensus: No consensus yet.
Synopsis: Diagnosed with a fatal condition, a mob enforcer leaves prison after 19 years and plots a bloody course of revenge... [More]
Directed By: Shawn Ku

#72

The Wicker Man (2006)
15%

#72
Adjusted Score: 18146%
Critics Consensus: Puzzlingly misguided, Neil LaBute's update The Wicker Man struggles against unintentional comedy and fails.
Synopsis: A reclusive lawman (Nicolas Cage) travels to a secluded island to search for a girl who has gone missing. Once... [More]
Directed By: Neil LaBute

#71
Adjusted Score: 15073%
Critics Consensus: No consensus yet.
Synopsis: After their ship is torpedoed by a Japanese submarine, the crew members of the USS Indianapolis face a harrowing nightmare... [More]
Directed By: Mario Van Peebles

#70

Amos & Andrew (1993)
17%

#70
Adjusted Score: 17326%
Critics Consensus: No consensus yet.
Synopsis: When erudite black playwright Andrew Sterling (Samuel L. Jackson) moves to a predominantly white suburb, the buffoonish local police surround... [More]
Directed By: E. Max Frye

#69
Adjusted Score: 21368%
Critics Consensus: With a weak script, uneven CG work, and a Nic Cage performance so predictably loony it's no longer amusing, Ghost Rider: Spirit of Vengeance aims to be trashy fun but ends up as plain trash.
Synopsis: Now hiding out in Eastern Europe, Johnny Blaze (Nicolas Cage) is still struggling with the curse of the Ghost Rider... [More]

#68

Stolen (2012)
20%

#68
Adjusted Score: 18808%
Critics Consensus: No consensus yet.
Synopsis: A former thief (Nicolas Cage) has just 12 hours to come up with $10 million after his former partner (Josh... [More]
Directed By: Simon West

#67

Looking Glass (2018)
21%

#67
Adjusted Score: 20542%
Critics Consensus: Looking Glass gives Nicolas Cage a chance to turn in an atypically understated performance, but this is still a suspense thriller with a fatal dearth of suspense or thrills.
Synopsis: Ray must race to save his wife and himself from a gruesome secret connected to a desert hotel and the... [More]
Directed By: Tim Hunter

#66

Sonny (2002)
22%

#66
Adjusted Score: 22024%
Critics Consensus: Sonny is sunk by debuting director Nicolas Cage's evident inability to locate the heart of his movie's story - or properly modulate his cast's performances.
Synopsis: After a stint in the army, former male prostitute Sonny Phillips (James Franco) returns to his home in a run-down... [More]
Directed By: Nicolas Cage

#65

G-Force (2009)
22%

#65
Adjusted Score: 26780%
Critics Consensus: G-Force features manic action, but fails to come up with interesting characters or an inspired plot.
Synopsis: Armed with the latest high-tech spy gear, a guinea pig named Darwin (Sam Rockwell) and his team of specially trained... [More]
Directed By: Hoyt H. Yeatman Jr.

#64

8MM (1999)
23%

#64
Adjusted Score: 25322%
Critics Consensus: Its sadistic violence is unappealing and is lacking in suspense and mystery.
Synopsis: Private detective Tom Welles (Nicolas Cage) lives a normal life with his wife (Catherine Keener) and young daughter, until he... [More]
Directed By: Joel Schumacher

#63
#63
Adjusted Score: 24640%
Critics Consensus: No consensus yet.
Synopsis: A tenacious federal agent traces the supply line of a group of cagey and experienced cocaine dealers.... [More]
Directed By: Jason Cabell

#62

The Runner (2015)
24%

#62
Adjusted Score: 23703%
Critics Consensus: In spite of a promising premise and a roundly talented cast, The Runner is a disappointing outing to be viewed by only the staunchest of Nicolas Cage completists.
Synopsis: An embarrassing video threatens the career of an idealistic Louisiana congressman (Nicolas Cage) who dreams of running for the Senate.... [More]
Directed By: Austin Stark

#61
#61
Adjusted Score: 12850%
Critics Consensus: No consensus yet.
Synopsis: In the near future, global warming turns parts of the American Midwest into a desert. In its attempt to take... [More]
Directed By: Rob King

#60

Army of One (2016)
25%

#60
Adjusted Score: 19951%
Critics Consensus: No consensus yet.
Synopsis: Gary Faulkner (Nicolas Cage), an ex-con, unemployed handyman, and modern day Don Quixote receives a vision from God telling him... [More]
Directed By: Larry Charles

#59
#59
Adjusted Score: 30115%
Critics Consensus: Even though Oscar-bearers Nicolas Cage, Angelina Jolie, and Robert Duval came aboard for this project, the quality of Gone in 60 Seconds is disappointingly low. The plot line is nonsensical, and even the promised car-chase scenes are boring.
Synopsis: Randall "Memphis" Raines long ago abandoned his life of crime, but after an ominous visit from an old friend, he... [More]
Directed By: Dominic Sena

#58

Ghost Rider (2007)
26%

#58
Adjusted Score: 31746%
Critics Consensus: Ghost Rider is a sour mix of morose, glum histrionics amidst jokey puns and hammy dialogue.
Synopsis: Years ago, motorcycle stuntman Johnny Blaze (Nicolas Cage) sold his soul to save the life of a loved one. Now,... [More]
Directed By: Mark Steven Johnson

#57

Justice (2011)
28%

#57
Adjusted Score: 29717%
Critics Consensus: Seeking Justice is nothing more than a typical potboiler with another phoned-in performance by Nicolas Cage.
Synopsis: A stranger (Guy Pearce) approaches a high-school teacher (Nicolas Cage) and offers to punish his wife's (January Jones) attacker.... [More]
Directed By: Roger Donaldson

#56
Adjusted Score: 31338%
Critics Consensus: The cinematography is gorgeous, but the movie plays it fast and loose with history and the novel it was adapted from. Mostly, the movie fails because the romance between the leads strains credulity and the story is largely uninvolving.
Synopsis: An epic tale about the enduring hope of love and the devastating brutality of war, set amid the Italian occupation... [More]
Directed By: John Madden

#55

Next (2007)
28%

#55
Adjusted Score: 33268%
Critics Consensus: Numerous plot holes and poorly motivated characters prevent Next from being the thought-provoking sci-fi flick it could've been.
Synopsis: Blessed, or cursed, with the ability to see events minutes before they occur, Cris Johnson (Nicolas Cage) earns a living... [More]
Directed By: Lee Tamahori

#54

Inconceivable (2017)
31%

#54
Adjusted Score: 30020%
Critics Consensus: No consensus yet.
Synopsis: Angela develops a friendship with a mysterious woman named Katie and offers her a job as a live-in nanny. The... [More]
Directed By: Jonathan Baker

#53

Zandalee (1991)
33%

#53
Adjusted Score: 17727%
Critics Consensus: No consensus yet.
Synopsis: An artist (Nicolas Cage) drifts to New Orleans and explores the theme of lust with his poet buddy's (Judge Reinhold)... [More]
Directed By: Sam Pillsbury

#52

Windtalkers (2002)
33%

#52
Adjusted Score: 37332%
Critics Consensus: The action sequences are expertly staged. Windtalkers, however, sinks under too many clichés and only superficially touches upon the story of the code talkers.
Synopsis: Marine Joe Enders (Nicolas Cage) is assigned to protect Ben Yahzee (Adam Beach) -- a Navajo code talker, the Marines'... [More]
Directed By: John Woo

#51

Knowing (2009)
34%

#51
Adjusted Score: 40374%
Critics Consensus: Knowing has some interesting ideas and a couple good scenes, but it's weighted down by its absurd plot and over-seriousness.
Synopsis: Fifty years after it was buried in a time capsule, a schoolgirl's cryptic document falls into the hands of Caleb... [More]
Directed By: Alex Proyas

#50
Adjusted Score: 41220%
Critics Consensus: A talented cast goes to waste in the improbable National Treasure: Book of Secrets, which is eerily similar to the first film.
Synopsis: When a long-missing page from the diary of assassin John Wilkes Booth suddenly resurfaces, it implicates the great-great grandfather of... [More]
Directed By: Jon Turteltaub

#49

Primal (2019)
37%

#49
Adjusted Score: 38019%
Critics Consensus: Chiefly of interest to Nicolas Cage completists and hardcore B-movie fans, this action thriller suffers from an unfortunate lack of Primal energy.
Synopsis: Hunter and collector Frank Walsh expects a big payday after bagging a priceless white jaguar for a zoo. But the... [More]
Directed By: Nicholas Powell

#48
#48
Adjusted Score: 46386%
Critics Consensus: It has a likable cast and loads of CGI spectacle, but for all but the least demanding viewers, The Sorcerer's Apprentice will be less than spellbinding.
Synopsis: Dave Stutler (Jay Baruchel) is just an average guy, but the wizard Balthazar Blake (Nicolas Cage) sees in him a... [More]
Directed By: Jon Turteltaub

#47

Snake Eyes (1998)
41%

#47
Adjusted Score: 43268%
Critics Consensus: Snake Eyes has a number of ingredients that promise a trashy fun time; unfortunately, they're lost in an energetic and stylish thriller with a frustratingly hollow core.
Synopsis: Detective Rick Santoro (Nicolas Cage) has never played by the rules. When he attends a high-profile boxing match with his... [More]
Directed By: Brian De Palma

#46
#46
Adjusted Score: 51400%
Critics Consensus: National Treasure is no treasure, but it's a fun ride for those who can forgive its highly improbable plot.
Synopsis: Historian and code-breaker Ben Gates (Nicolas Cage) has been searching his whole life for a rumored treasure dating back to... [More]
Directed By: Jon Turteltaub

#45

Drive Angry (2011)
48%

#45
Adjusted Score: 51342%
Critics Consensus: It may deliver the over-the-top action pieces, but Drive Angry prefers to work safely within grindhouse formula than do something truly unique.
Synopsis: Thrown into hell for his crimes, brutal felon John Milton (Nicolas Cage) escapes from the fiery pit after cultists murder... [More]
Directed By: Patrick Lussier

#44

Dog Eat Dog (2016)
49%

#44
Adjusted Score: 52721%
Critics Consensus: Dog Eat Dog's refreshing bundle of quirks and surfeit of visual style aren't quite enough to compensate for an aimlessly forgettable story.
Synopsis: Ex-cons, Troy (Nicolas Cage), Mad Dog (Willem Dafoe) and Diesel (Christopher Matthew Cook), are hired by an eccentric mob boss... [More]
Directed By: Paul Schrader

#43

Astro Boy (2009)
50%

#43
Adjusted Score: 55326%
Critics Consensus: While it isn't terribly original, and it seems to have a political agenda that may rankle some viewers, Astro Boy boasts enough visual thrills to please its target demographic.
Synopsis: In futuristic Metro City, a brilliant scientist named Tenma builds Astro Boy (Freddie Highmore), a robotic child with superstrength, X-ray... [More]
Directed By: David Bowers

#42

The Family Man (2000)
53%

#42
Adjusted Score: 57760%
Critics Consensus: Despite good performances by Cage and especially by Leoni, The Family Man is too predictable and derivative to add anything new to the Christmas genre. Also, it sinks under its sentimentality.
Synopsis: Jack's lavish, fast-paced lifestyle changes one Christmas night when he stumbles into a grocery store holdup and disarms the gunman.... [More]
Directed By: Brett Ratner

#41

Con Air (1997)
56%

#41
Adjusted Score: 59935%
Critics Consensus: Con Air won't win any awards for believability - and all involved seem cheerfully aware of it, making some of this blockbuster action outing's biggest flaws fairly easy to forgive.
Synopsis: Just-paroled army ranger Cameron Poe (Nicolas Cage) is headed back to his wife (Monica Potter), but must fly home aboard... [More]
Directed By: Simon West

#40

Guarding Tess (1994)
57%

#40
Adjusted Score: 58771%
Critics Consensus: No consensus yet.
Synopsis: Doug Chesnic (Nicolas Cage), an agent with the Secret Service Uniformed Division, is assigned to protect former first lady Tess... [More]
Directed By: Hugh Wilson

#39

City of Angels (1998)
59%

#39
Adjusted Score: 61945%
Critics Consensus: City of Angels may not tug the heartstrings as effortlessly as it aims to, but the end results will still leave more than a few viewers in tears.
Synopsis: This is the story of Seth (Nicolas Cage), an angel who wanders the Los Angeles area invisible to humans. As... [More]
Directed By: Brad Silberling

#38

The Weather Man (2005)
59%

#38
Adjusted Score: 63078%
Critics Consensus: With fine performances and a dark, dry sense of humor, The Weather Man is mostly cloudy with occasional rays of sunshine.
Synopsis: David Spritz (Nicolas Cage) is a Chicago weatherman who, despite success at his job, is deeply unhappy. Eclipsed by his... [More]
Directed By: Gore Verbinski

#37
#37
Adjusted Score: 57005%
Critics Consensus: No consensus yet.
Synopsis: In their last weeks before deployment to World War II as Marines, teenage friends Henry Nash (Sean Penn) and Nicky... [More]
Directed By: Richard Benjamin

#36

Vampire's Kiss (1989)
61%

#36
Adjusted Score: 61231%
Critics Consensus: He's a vampire! He's a vampire! He's a vampire!
Synopsis: The life of white-collar New Yorker Peter (Nicolas Cage) seems to revolve solely around making as much money and sleeping... [More]
Directed By: Robert Bierman

#35
#35
Adjusted Score: 62552%
Critics Consensus: Though this by-the-numbers true procedural seems basic, The Frozen Ground presents a welcome return for Nicolas Cage in a solid performance.
Synopsis: A teenage escapee (Vanessa Hudgens) provides a critical break in the case, as an Alaskan detective (Nicolas Cage) hunts a... [More]
Directed By: Scott Walker

#34
#34
Adjusted Score: 65015%
Critics Consensus: Willy's Wonderland isn't quite as much fun as its premise would suggest -- but it's still got Nicolas Cage beating the hell out of bloodthirsty animatronics, which is nice.
Synopsis: A quiet loner (Nicolas Cage) finds himself stranded in a remote town when his car breaks down. Unable to pay... [More]
Directed By: Kevin Lewis

#33

Lord of War (2005)
61%

#33
Adjusted Score: 66567%
Critics Consensus: While Lord of War is an intelligent examination of the gun trade, it is too scattershot in its plotting to connect.
Synopsis: The 20-year arms dealing career of Queens, N.Y., outcast Yuri Orlov (Nicolas Cage) serves as a window onto the end... [More]
Directed By: Andrew Niccol

#32

Snowden (2016)
61%

#32
Adjusted Score: 76358%
Critics Consensus: Snowden boasts a thrilling fact-based tale and a solid lead performance from Joseph Gordon-Levitt, even if director Oliver Stone saps the story of some of its impact by playing it safe.
Synopsis: Disillusioned with the intelligence community, top contractor Edward Snowden (Joseph Gordon-Levitt) leaves his job at the National Security Agency. He... [More]
Directed By: Oliver Stone

#31

The Ant Bully (2006)
62%

#31
Adjusted Score: 65623%
Critics Consensus: Sometimes inventive and witty, this animated adventure into an ant-sized world is a pleasant diversion.
Synopsis: Tired of weathering constant attacks on their colony, ants shrink a destructive boy, named Lucas (Zach Tyler Eisen), to their... [More]
Directed By: John A. Davis

#30

The Trust (2016)
63%

#30
Adjusted Score: 65058%
Critics Consensus: The Trust may not be an all-time heist classic, but its solidly workmanlike plot -- and the chemistry between Nicolas Cage and Elijah Wood -- should satisfy genre enthusiasts.
Synopsis: Corrupt cops working in the police department evidence room make plans to rob a vault full of drug money in... [More]

#29
#29
Adjusted Score: 65196%
Critics Consensus: Honeymoon in Vegas is a light screwball comedy that has just about what you expect (and nothing you don't).
Synopsis: After losing $65,000 to professional gambler and con man Tommy Korman (James Caan), penniless private investigator Jack Singer (Nicolas Cage)... [More]
Directed By: Andrew Bergman

#28

Wild at Heart (1990)
68%

#28
Adjusted Score: 70595%
Critics Consensus: One of director David Lynch's more uneven efforts, Wild at Heart is held together by his distinctive sensibilities and compelling work from Nicolas Cage and Laura Dern.
Synopsis: After serving prison time for a self-defense killing, Sailor Ripley (Nicolas Cage) reunites with girlfriend Lula Fortune (Laura Dern). Lula's... [More]
Directed By: David Lynch

#27
#27
Adjusted Score: 76151%
Critics Consensus: As a visually stunning tribute to lives lost in tragedy, World Trade Center succeeds unequivocally, and it is more politically muted than many of Stone's other works.
Synopsis: Two Port Authority officers, Sgt. John McLoughlin (Nicolas Cage) and Officer Will Jimeno (Michael Peña), become trapped in the rubble... [More]
Directed By: Oliver Stone

#26

Kiss of Death (1995)
67%

#26
Adjusted Score: 68029%
Critics Consensus: An outstanding ensemble cast propels Kiss of Death, a noir-ish crime thriller that's slick and big on atmosphere, even if its script may only provide sporadic bursts of tension.
Synopsis: After his time in prison, Jimmy Kilmartin (David Caruso) keeps his head down and provides for his wife and kids,... [More]
Directed By: Barbet Schroeder

#25

The Rock (1996)
68%

#25
Adjusted Score: 71940%
Critics Consensus: For visceral thrills, it can't be beat. Just don't expect The Rock to engage your brain.
Synopsis: FBI chemical warfare expert Stanley Goodspeed (Nicolas Cage) is sent on an urgent mission with a former British spy, John... [More]
Directed By: Michael Bay

#24
#24
Adjusted Score: 71695%
Critics Consensus: No consensus yet.
Synopsis: Charlie Lang (Nicolas Cage) is a simple, kindhearted New York City cop. When he realizes he has no money to... [More]
Directed By: Andrew Bergman

#23
#23
Adjusted Score: 75656%
Critics Consensus: Stunning and compelling, Scorsese and Cage succeed at satisfying the audience.
Synopsis: After a disheartening and haunting career wears him down, New York City paramedic Frank Pierce (Nicolas Cage) begins to collapse... [More]
Directed By: Martin Scorsese

#22

The Croods (2013)
72%

#22
Adjusted Score: 76448%
Critics Consensus: While it may not be as (ahem) evolved as the best modern animated fare, The Croods will prove solidly entertaining for families seeking a fast-paced, funny cartoon adventure.
Synopsis: Prehistoric family the Croods live in a particularly dangerous moment in time. Patriarch Grug (Nicolas Cage), his mate, Ugga (Catherine... [More]

#21

Rumble Fish (1983)
74%

#21
Adjusted Score: 76704%
Critics Consensus: Rumble Fish frustrates even as it intrigues, but director Francis Ford Coppola's strong visual style helps compensate for a certain narrative stasis.
Synopsis: Disaffected and restless, Rusty James (Matt Dillon) is spoiling for a fight. Abandoned by his mother and living with his... [More]
Directed By: Francis Ford Coppola

#20

Mom and Dad (2017)
75%

#20
Adjusted Score: 82868%
Critics Consensus: Mom and Dad's gonzo premise serves as an effective springboard for a wickedly dark, bloody comedy - and an appropriately over-the-top performance from Nicolas Cage.
Synopsis: A teenage girl and her little brother try to survive a wild 24 hours during which a mass hysteria of... [More]
Directed By: Brian Taylor

#19

Kick-Ass (2010)
76%

#19
Adjusted Score: 86376%
Critics Consensus: Not for the faint of heart, Kick-Ass takes the comic adaptation genre to new levels of visual style, bloody violence, and gleeful profanity.
Synopsis: Using his love for comics as inspiration, teenager Dave Lizewski (Aaron Johnson) decides to reinvent himself as a superhero --... [More]
Directed By: Matthew Vaughn

#18

The Cotton Club (1984)
77%

#18
Adjusted Score: 77850%
Critics Consensus: Energetic and brimming with memorable performers, The Cotton Club entertains with its visual and musical pizazz even as its plot only garners polite applause.
Synopsis: The lives of various characters intersect at Harlem's renowned Cotton Club. Handsome horn player Dix Dwyer (Richard Gere) falls for... [More]
Directed By: Francis Ford Coppola

#17
Adjusted Score: 82577%
Critics Consensus: While Fast Times at Ridgemont High features Sean Penn's legendary performance, the film endures because it accurately captured the small details of school, work, and teenage life.
Synopsis: Stacy Hamilton (Jennifer Jason Leigh) is a pretty, but inexperienced, teen interested in dating. Given advice by her uninhibited friend,... [More]
Directed By: Amy Heckerling

#16

Matchstick Men (2003)
82%

#16
Adjusted Score: 87346%
Critics Consensus: Breezy and well-acted, Matchstick Men focuses more on the characters than on the con.
Synopsis: Roy (Nicolas Cage), a depressed con artist with obsessive-compulsive disorder, and Frank (Sam Rockwell), his partner, find their line of... [More]
Directed By: Ridley Scott

#15

Birdy (1984)
83%

#15
Adjusted Score: 83758%
Critics Consensus: No consensus yet.
Synopsis: Birdy (Matthew Modine) returns from the Vietnam War scarred from the horrific experiences of battle. He is so damaged by... [More]
Directed By: Alan Parker

#14

Valley Girl (1983)
83%

#14
Adjusted Score: 85175%
Critics Consensus: With engaging performances from its two leads, Valley Girl is a goofy yet amiable film that both subverts and celebrates the cheerful superficiality of teen comedies.
Synopsis: Lovely teen Julie Richman (Deborah Foreman) is steeped in the excessive, pink-clad culture of the San Fernando Valley, complete with... [More]
Directed By: Martha Coolidge

#13
#13
Adjusted Score: 88145%
Critics Consensus: Peggy Sue Got Married may seem just another in a line of '80s boomer nostalgia films, but none of the others have Kathleen Turner keen lead performance.
Synopsis: Peggy Sue Bodell (Kathleen Turner) attends her 25-year high school reunion after separating from her cheating husband, Charlie (Nicolas Cage).... [More]
Directed By: Francis Ford Coppola

#12

Joe (2013)
86%

#12
Adjusted Score: 90344%
Critics Consensus: Rich in atmosphere and anchored by a powerful performance from Nicolas Cage, Joe is a satisfying return to form for its star -- as well as director David Gordon Green.
Synopsis: The rough-hewn boss (Nicolas Cage) of a lumber crew courts trouble when he steps in to protect the youngest member... [More]
Directed By: David Gordon Green

#11
Adjusted Score: 90537%
Critics Consensus: Befitting its unorthodox origins, this Bad Lieutenant benefits from Werner Herzog's typically fearless direction and a delightfully unhinged Nicolas Cage in the title role.
Synopsis: Terence McDonagh (Nicolas Cage) isn't doing so well. He has a nasty painkiller addiction, courtesy of an injury he sustained... [More]
Directed By: Werner Herzog

#10
#10
Adjusted Score: 100433%
Critics Consensus: A welcome return for director Richard Stanley, Color Out of Space mixes tart B-movie pulp with visually alluring Lovecraftian horror and a dash of gonzo Nicolas Cage.
Synopsis: After a meteorite lands in the front yard of their farm, Nathan Gardner and his family find themselves battling a... [More]
Directed By: Richard Stanley

#9
#9
Adjusted Score: 93116%
Critics Consensus: Oscar-awarded Nicolas Cage finds humanity in his character as it bleeds away in this no frills, exhilaratingly dark portrait of destruction.
Synopsis: Adapted from the novel by John O'Brien, this acclaimed drama follows alcoholic screenwriter Ben Sanderson (Nicolas Cage) as he drinks... [More]
Directed By: Mike Figgis

#8

Raising Arizona (1987)
91%

#8
Adjusted Score: 95570%
Critics Consensus: A terrifically original, eccentric screwball comedy, Raising Arizona may not be the Coens' most disciplined movie, but it's one of their most purely entertaining.
Synopsis: An ex-con and an ex-cop meet, marry and long for a child of their own. When it is discovered that... [More]
Directed By: Joel Coen

#7
Adjusted Score: 97545%
Critics Consensus: Teen Titans Go! To the Movies distills the enduring appeal of its colorful characters into a charmingly light-hearted adventure whose wacky humor fuels its infectious fun -- and belies a surprising level of intelligence.
Synopsis: It seems that all the major superheroes out there are starring in their own movies -- all but the Teen... [More]

#6

Adaptation (2002)
91%

#6
Adjusted Score: 97000%
Critics Consensus: Dizzyingly original, the loopy, multi-layered Adaptation is both funny and thought-provoking.
Synopsis: Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the... [More]
Directed By: Spike Jonze

#5

Face/Off (1997)
92%

#5
Adjusted Score: 96504%
Critics Consensus: John Travolta and Nicolas Cage play cat-and-mouse (and literally play each other) against a beautifully stylized backdrop of typically elegant, over-the-top John Woo violence.
Synopsis: Obsessed with bringing terrorist Castor Troy (Nicolas Cage) to justice, FBI agent Sean Archer (John Travolta) tracks down Troy, who... [More]
Directed By: John Woo

#4

Moonstruck (1987)
94%

#4
Adjusted Score: 98239%
Critics Consensus: Led by energetic performances from Nicolas Cage and Cher, Moonstruck is an exuberantly funny tribute to love and one of the decade's most appealing comedies.
Synopsis: No sooner does Italian-American widow Loretta (Cher) accept a marriage proposal from her doltish boyfriend, Johnny (Danny Aiello), than she... [More]
Directed By: Norman Jewison

#3

Red Rock West (1993)
95%

#3
Adjusted Score: 96586%
Critics Consensus: Red Rock West is a hidden neo-noir gem with some delightful cracks in its surface -- and an opportunity to see Lara Flynn Boyle, Nicolas Cage, Dennis Hopper, and J.T. Walsh go toe-to-toe in all their early '90s glory.
Synopsis: When unemployed ex-marine Michael Williams (Nicolas Cage) stumbles into a bar in Red Rock, Wyo., the owner, Wayne (J.T. Walsh),... [More]
Directed By: John Dahl

#2

Pig (2021)
97%

#2
Adjusted Score: 109579%
Critics Consensus: Like the animal itself, Pig defies the hogwash of expectations with a beautiful odyssey of loss and love anchored by Nicolas Cage's affectingly raw performance.
Synopsis: Living alone in the Oregon wilderness, a truffle hunter returns to Portland to find the person who stole his beloved... [More]
Directed By: Michael Sarnoski

#1
Adjusted Score: 121248%
Critics Consensus: Spider-Man: Into the Spider-Verse matches bold storytelling with striking animation for a purely enjoyable adventure with heart, humor, and plenty of superhero action.
Synopsis: Bitten by a radioactive spider in the subway, Brooklyn teenager Miles Morales suddenly develops mysterious powers that transform him into... [More]

This week at the movies, we have a pair of very belated, very different sequels (Bridget Jones’s Baby, starring Renée Zellweger and Colin Firth; and Blair Witch, starring James Allen McCune and Callie Hernandez), a ripped-from-the-headlines Oliver Stone drama (Snowden, starring Joseph Gordon-Levitt and Shailene Woodley), and a concert movie (Hillsong – Let Hope Rise). What are the critics saying? Let’s take a look.


Bridget Jones's Baby (2016) 78%

Bridget Jones’s Diary made rom-com magic out of Helen Fielding‘s bestselling novel in 2001, but the sequel, 2004’s Bridget Jones: The Edge of Reason, failed to produce similar results. It might have seemed safe to assume we’d seen the last of Ms. Jones on the big screen, but lo and behold, all these years later, she’s back with Bridget Jones’s Baby. Reviews describe a third installment that delivers pretty much what fans would expect; although Hugh Grant has departed the cast, Renee Zellweger remains as charming as ever as Bridget, and Colin Firth is back for another appearance as her longtime squeeze (and potential baby daddy) Mark Darcy. Critics say this is the rare threequel that, while somewhat safe and fairly predictable, remains a surprising return to form over its predecessor — and may even be the best Bridget of the bunch.


Blair Witch (2016) 38%

Speaking of sequels to long-ago movies, here’s Blair Witch, a follow-up to the 1999 found-footage horror hit that eschews the side road taken by 2000’s ill-received Book of Shadows in favor of taking audiences back where they started. Which, in a nutshell, is the problem: Instead of taking the Blair Witch mythology in any substantially new or extra-terrifying directions, director Adam Wingard (working from a script by his frequent collaborator Simon Barrett) seems mostly content to settle for a loose rehash of the original story. Although the end results are still good for some jolts, and Blair Witch does manage to add a few wrinkles to the familiar narrative, critics say you can safely wait to watch this one in the dark from the comfort of your own home.


Snowden (2016) 61%

Oliver Stone is certainly no stranger to political filmmaking; in fact, his filmography contains some of Hollywood’s more provocative — and widely acclaimed — cinematic statements on American history and current events. But looking to the headlines isn’t always enough to guarantee an Oscar contender from Stone; in recent years, fact-based efforts such as World Trade Center and W. have fallen short of the lofty standard set by achievements like Platoon and Born on the Fourth of July. Unfortunately, critics say this weekend’s Snowden follows that downward slope, giving the fascinating story of the titular whistleblower (played by Joseph Gordon-Levitt) a curiously muted dramatization that critics say is well-acted and topical, but occasionally too slackly paced. If it’s a great Snowden film you’re in the mood for, try checking out the Citizenfour documentary this weekend — but if you’re holding out for the next great Oliver Stone production, you might be a little disappointed.


Hillsong: Let Hope Rise (2016) 60%

They may not be household names yet, but the members of Australian contemporary worship band Hillsong UNITED have cracked the Billboard Top 10 with each of their last two albums — and now they’re getting their documentary due with Hillsong — Let Hope Rise, which purports to capture their “on-stage energy and off-stage hearts” while bringing new meaning to the phrase “theatrical worship experience.” Unfortunately, we can’t really speak to their success in that mission, because critics don’t seem to be rushing out to see it. As of this writing, Let Hope Rise has a pair of reviews, and they’re evenly split. Go on and Guess the Tomatometer!


What’s Hot on TV

High Maintenance: Season 1 (2016) 95%

Dreamlike, poignant, and often funny, High Maintenance successfully transitions from the web to the small screen thanks to sharp writing and an excellent cast.


American Horror Story: Roanoke (2016) 74%

Season six of American Horror Story takes a surprising turn away from prior AHS formats, revisiting the deliberate pace of earlier seasons on a spookier, smaller scale, even if the true-crime format feels overdone.


Also Opening This Week In Limited Release

  • The Beatles: Eight Days a Week -- The Touring Years (2016) , a Ron Howard documentary offering a new look at the titular period in the Fab Four’s history, is at 97 percent.
  • Miss Stevens (2016) , about a teacher whose inner turmoil dovetails with her chaperoning duties on a weekend school trip, is at 92 percent.
  • Command and Control (2016) , a documentary that raises questions about the stewardship of America’s nuclear weapons program, is at 92 percent.
  • Operation Avalanche (2016) , a Cold War thriller about a pair of CIA agents trying to root out a mole in NASA’s space program, is at 74 percent.
  • Tanna (2015) , the reality-inspired story of young South Pacific lovers caught in the middle of a tribal war, is at 73 percent.
  • Mr. Church (2016) , starring Eddie Murphy in a rare dramatic role as a chef who proves a fateful addition to a household in their time of need, is at 14 percent.

Good news, schoolchildren of America: Getting suspended is now a viable ticket to cinematic immortality.

Provided you earn your suspension in a suitably outlandish fashion, that is. And fight it on First Amendment grounds in front of the Supreme Court. Do all those things, and you could find yourself in the position of Joseph Frederick, the Alaskan high school student who took his battle for, um, freedom of expression all the way to the highest court in the land. From Variety:

Frederick already had a contentious relationship with the school principal when he got suspended for 10 days for displaying a “Bong Hits 4 Jesus” message on a 14-foot sign outside the school. The principal felt the banner promoted drug use. The case made national headlines, and Frederick became a poster boy for the First Amendment, but in a split decision, the Supreme Court upheld the principal’s right to suspend the student.

Bong Hits 4 Jesus is now, Variety reports, the title of a Paramount/MTV Films production which will be produced by Michael Shamberg and Stacey Sher. The story, to be written by Mark Poirier, will revolve around Frederick’s suspension — and the effect it had on his family. From the article:

“The heart of this story is the relationship between a father and son,” Shamberg said. “Frank Frederick was an insurance adjuster facing the loss of his job if his son didn’t back down.”

Frederick, who’d often discussed the importance of First Amendment rights with his son at the dinner table, would not force his son to drop the case, and he was fired from his job. Father and son now teach English in China.

Shamberg, whose previous collaborations with Sher have included the similarly ripped-from-the-headlines Freedom Writers, World Trade Center, and Erin Brockovich, describes Bong Hits 4 Jesus as being similar to Mr. Smith Goes to Washington, saying it’s “about a young man standing up for his rights.”

Source: Variety

Action stars Jet Li and Jason Statham face off this weekend in the new crime thriller War which leads a flood of new releases pouring into North American multiplexes trying to catch the final dollars of the summer movie season. The R-rated Lionsgate release finds the two playing an assassin and a federal agent, respectively, and will aim for young male audiences. Both actors have solid followings and the combination allows War to offer a two-for-one deal that will make the ticket price well worth it for many fans.

Li’s last films Fearless and Unleashed each bowed to just under $11M with averages of a little less than $6,000. Statham’s Crank opened over Labor Day weekend last year with $10.5M and an average of $4,158 over three days while during the same holiday frame in 2005 his action sequel Transporter 2 debuted to $16.5M with a $5,008 average over three days. Lionsgate has had a strong marketing push on War and should connect with male action fans. Last weekend’s top three films Superbad, Rush Hour 3, and The Bourne Ultimatum will all provide some direct competition, but a solid bow is likely. Opening in 2,271 theaters, War could premiere with about $14M this weekend.


Statham and Li compare wireless signals in War.

Scarlett Johansson plays the nanny to the family from hell in The Nanny Diaries, the big-screen adaptation of the popular novel. The PG-13 film co-stars Laura Linney and Paul Giamatti and will have some trouble appealing to moviegoers outside of its core white female demo. Critics have not been too supportive which will only hurt the film’s chances at the turnstiles. Nanny will be lucky to gross in its entire domestic run what last summer’s The Devil Wears Prada collected in just its opening weekend. As the lead, Johansson does not provide too much starpower so many will wait to catch this on DVD later. Debuting in about 1,800 theaters, MGM’s The Nanny Diaries could open to around $7M this weekend.


Johansson scaring young children in The Nanny Diaries.

One of the year’s biggest blockbusters overseas finally makes it to U.S. shores. Universal’s Mr. Bean’s Holiday targets families in the final days before students go back to the land of homework. The G-rated entry finds the popular British character winning a trip to France and of course, stumbling into all kinds of odd situations along the way. Having already grossed $189M internationally, Holiday doesn’t really need much success in North America to be a moneymaker, but it would like some more gravy on top. Competition is light, however the marketing push has not been too powerful so a modest debut could result. Falling into 1,580 venues, Mr. Bean’s Holiday might open with about $6M.


Bean up to his usual tricks in Holiday.

A struggling journalist tries to make a major news item out of the story of a homeless man who used to be a boxer in the new drama Resurrecting the Champ. Samuel L. Jackson and Josh Hartnett star in the PG-13 flick which lacks major buzz as it steps into the box office ring. Starpower is also weak in this one and paying audiences will be hard to find. Yari Film Group is releasing Champ in 1,602 theaters and could find itself with about $3M this weekend.


Resurrecting the Champ

Jon Voight stars in the Mormon massacre pic September Dawn which Slowhand Releasing will quietly unleash into about 850 theaters. Neither Voight nor Mormons are part of successful box office formulas and the marketing push has been minimal in this case so no big dollar amounts are expected. A three-day take of about $1.5M could be in the works.


Jon Voight in September Dawn.

Coming off of a spectacular opening weekend, Sony’s Superbad hopes to make it two in a row on top. The R-rated film’s only main competitor for young men will come from War as the frame’s other new releases either target different audience segments or will barely be a blip on the radar. A 45% drop to about $18M would give Superbad a ten-day tally of $70M.

Rush Hour 3 will race past the $100M mark this weekend and could slide by 50% to around $10.5M. That would give New Line $107M after 17 days. Fellow threequel The Bourne Ultimatum should have a better hold and drop by 40% to roughly $12M putting the Universal smash at $185M overall with its eye on the double-century mark by Labor Day.

LAST YEAR: Buena Vista topped the charts with its football saga Invincible which bowed at number one with $17M on its way to a solid $57.8M. Will Ferrell‘s comedy Talladega Nights placed second with $8.1M while Little Miss Sunshine expanded and jumped up to third place with $7.4M. Warner Bros. opened its comedy Beerfest in fourth with $7M leading to a $19.2M final. World Trade Center rounded out the top five with $6.5M in its third frame. Two smaller films debuting far below were Universal’s Idlewild with $5.7M and New Line’s How to Eat Fried Worms with $4M. Final tallies reached $12.6M and $13M, respectively.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Carrying some major buzz into the marketplace, Sony’s teen comedy Superbad hits the multiplexes this weekend aiming to bring in some big business from horny young adults looking for a spark to get rid of their end-of-summer blues. The R-rated entry comes from current comedy king Judd Apatow who directed Knocked Up and The 40-Year-Old Virgin which collectively grossed a stunning $256M domestically. He takes on producing chores here but his involvement has wisely been promoted heavily in the film’s marketing campaign which really ignited earlier this summer with the release of the uncensored red-band trailer on the internet which basically put Superbad on the map.

The marketplace for teen sex comedies has had a void since the American Pie franchise switched into direct-to-DVD mode. Superbad has the goods to make itself into this generation’s must-see raunchfest with its story of three lovable nerdy high school kids on a mission to score booze for a party to impress some girls. The lethal mix of strong marketing, filmmaker starpower, and a high-quality product that actually delivers what the audience wants will lead to a potent opening weekend that should be enough to send it to the top of the charts. And with a reported $18M budget, this could very well be the summer’s least expensive number one hit. Crashing into over 2,800 theaters, Superbad might collect around $25M this weekend.


Superbad!

Nicole Kidman and Daniel Craig give the suspense thriller The Invasion the most starpower of any of this weekend’s new releases. The PG-13 film finds the Oscar-winning actress playing a psychiatrist and the current Bond as her doctor pal who must team up to fight an alien entity that infects the human population around the world. This latest remake of Invasion of the Body Snatchers boasts some considerable star wattage which will help it get the attention of adults. Warner Bros. is hoping to appeal to the same audience that made hits out of previous late-summer adult thrillers like The Skeleton Key ($16.1M, $5,795 average)and Kidman’s The Others ($14.1M opening, $8,397 average). With no other scary movies for mature audiences, competition should not be too fierce although The Bourne Ultimatum‘s third weekend will be a formidable foe. Landing in about 2,700 locations, The Invasion could debut with around $13M.


The two stars of The Invasion.

The Weinstein Company unleashes its Roman empire adventure The Last Legion on Friday. The PG-13 film stars Ben Kingsley, Colin Firth, and Bollywood superstar Aishwarya Rai. Excitement in the marketplace is not too high and the push has not been very strong so modest returns are expected at the box office. The current pair of threequels topping the charts will give Legion some major competition for the action crowd. Debuting in roughly 2,000 theaters, The Last Legion could bow to about $6M.


Ben Kingsley leads The Last Legion.

Like most summer sequels, Rush Hour 3 should lose more than half of its opening weekend audience in the sophomore session. There is no special buzz around the action-comedy to prevent a big drop and Superbad will steal away much of the young comedy crowd. A 55% decline is likely which would put Rush Hour 3 at about $22M for the weekend and $88M after ten days.

Fellow threequel The Bourne Ultimatum looks to witness a smaller decline in its third assignment. Universal might experience a 45% drop to around $18M for a robust 17-day cume of $162M.

LAST YEAR: Opening weaker than expected, but still at number one, was the Samuel L. Jackson actioner Snakes on a Plane which bowed to $15.2M. New Line found its way to a disappointing $34M. Talladega Nights dropped to second with $13.8M while World Trade Center held steady in third with $10.9M. The dance sensation Step Up fell to fourth with $10.2M while Universal’s teen comedy Accepted debuted in fifth place with $10M. A $36.3M final resulted. MGM’s comedy Material Girls stumbled into ninth with a mere $4.6M on its way to only $11.4M. But opening powerfully in limited release was the mystery The Illusionist with less than $1M from only 51 theaters for a potent $18,195 average. The Yari Film Group release expanded nationally and enjoyed good legs going on to gross $39.9M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Another wide assortment of summer offerings will hit the multiplexes across North America this weekend. The action-comedy sequel Rush Hour 3 leads the way as the main course and will be joined by side dishes like the fantasy adventure Stardust, the family comedy Daddy Day Camp, and the horror flick Skinwalkers. The third mega-opening in a row should keep overall ticket sales abnormally high for this time of year.

Six years and one week after the last installment opened, Rush Hour 3 hits theaters from coast to coast hoping to recapture the magic that made its two predecessors shatter industry expectations. Jackie Chan, Chris Tucker, and director Brett Ratner have all reteamed (with some handsome raises) for a story about the world’s biggest organized crime syndicate whose secrets are hidden in Paris. The first Rush Hour smashed the September opening weekend box office record with a $33M launch in 1998. Rush Hour 2 set a new August opening record in 2001 with its $67.4M debut which it held until last weekend’s The Bourne Ultimatum arrived. Together, Carter and Lee have arrested $367M domestically and $575M worldwide with their pair of cross-cultural buddy cop hits.

But a lot of time has passed since the last Rush Hour film and some fans may have lost interest in a formula that can easily get tired the third time around. The new pic should play mostly to existing fans and will not create too many new ones. Still, Rush Hour 3 does offer the most ethnic starpower of any film this summer so business from multicultural moviegoers should be very strong. Jason Bourne’s second weekend will provide ample competition for the action crowd, then again Rush Hour 2 had to deal with the second weekend of Planet of the Apes which opened the week before with a similarly potent $68.5M which at the time was the second biggest opening in history. So Chan and Tucker can handle the pressure. Expect those who like this dish to come back for a third helping for what should be the final big bow of the summer season. Crashing into more than 3,100 theaters, Rush Hour 3 could speed to about $61M this weekend.


Chan and Tucker in familiar territory.


The stars come out for Stardust, a new fantasy adventure boasting a cast that includes Michelle Pfeiffer, Claire Danes, Robert De Niro, and Sienna Miller. The PG-13 pic should skew more to a female audience since males have more high-profile choices if they’re looking for action this weekend. Paramount has put a moderate amount of marketing support behind the film – an adequate amount for an August release. But with The Bourne Ultimatum and Rush Hour 3 absorbing roughly $90M in combined business from a broad audience, things will be tough for Stardust and for any other film for that matter. Debuting in about 2,300 locations, an opening weekend of around $11M could result.


Stardust hopes to produce another form of green.

The summer’s oddest couple entered theaters on Wednesday in Daddy Day Camp, a new family comedy starring Oscar-winner Cuba Gooding Jr. which is directed by The Wonder Years star Fred Savage. The PG-rated film is a followup to 2003’s Eddie Murphy hit Daddy Day Care which bowed to $27.6M on its way to a solid $104.3M for Sony. In a world where direct-to-DVD sequels get financed for just about any kids property, Camp seems like just that, only one which got lucky enough to get a theatrical release. Cuba is no Eddie when it comes to selling tickets. Sure, Snow Dogs grossed $81.2M in 2002, but Disney’s brand name and marketing machine were responsible for much of that success. Luckily for Sony there are not too many options for families right now so there is an opportunity, though a small one. Daddy Day Camp hit 2,184 theaters on Wednesday and could collect about $8M for the weekend and around $11M over five days.


Perhaps Cuba is beginning to understand why Eddie didn’t return.

Following in the footsteps of I Know Who Killed Me, Captivity, and Bug, the new horror flick Skinwalkers steps into the ring gunning for the title of worst fright flop of the summer. From Lionsgate and After Dark Films, the PG-13 pic has little marketing or distribution support and is only making a brief appearance at the marquees on its way to video store shelves. Debuting in just 650 theaters, an opening weekend of $1.5M seems likely.


Skinwalkers!

The Bourne Ultimatum made a big splash in its debut last weekend recording the largest August bow in history. However, it has been eroding during the week posting a solid $9.1M on Monday before dropping down to $7.5M on Tuesday. The large upfront turnout should lead to a sharp decline and Rush Hour 3‘s arrival will take away action fans too. Look for a 55% drop for the Matt Damon saga which would give Universal about $31M for the frame and a ten-day tally of $129M.

Fox’s hit toon The Simpsons Movie, already the third highest grossing animated film of the year after the ogre threequel and the rodent comedy, should stabilize this weekend after its hefty sophomore slump of two-thirds. A 50% decline would give Homer and pals around $12.5M for the weekend and a 17-day total of $153M.

LAST YEAR: Will Ferrell stayed put at number one with the hit comedy Talladega Nights despite a 53% drop to $22.1M in its second lap for Sony. Buena Vista raced past expectations with its teen sensation Step Up which bowed in the number two spot with a stellar $20.7M on its way to $65.3M. Paramount’s 9/11 drama World Trade Center debuted in third with $18.7M over three days and $26.5M over five days. The Oliver Stone pic went on to gross a solid $70.3M. The studio’s animated film Barnyard slipped only 39% in its sophomore session to $9.7M taking fourth place. Opening to mild results in fifth was the thriller Pulse with $8.2M on its way to $20.3M for The Weinstein Co. Sony crashed and burned in ninth with the kidpic Zoom which bowed to just $4.5M leading to a weak $11.6M final.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

A few weeks back I expressed some skepticism that Universal would re-cast Rachel Weisz‘s "Mummy" role with a new actress. Looks like I was wrong.

According to one very reliable source, it looks like Maria Bello will be stepping in to play the character made famous by Rachel Weisz: Evelyn O’Connell, wife to Rick O’Connell, as played by Brendan Fraser.

Universal and director Rob Cohen must be really in love with the screenplay by Alfred Gough and Miles Millar. Usually in a case like this they’d hire a new actress for a new role and explain Evie’s absence with some off-hand remark in the film’s opening scenes.

Nothing against Ms. Bello, of course, who was awesome in "A History of Violence," but it always feels a little weird when a new actor steps into an established character. Ah well, guess we’ll see how it all turns out. (You also know Ms. Bello from movies like "World Trade Center," "Assault on Precinct 13," and "Thank You for Smoking.")

Here’s an updated plot synopsis, by the way: "The film brings the O’Connells and their full-grown son (Luke Ford) to the forbidden tombs of China and the Himalayas, where they battle a shape-shifting mummy, a former Chinese emperor (Jet Li) cursed by a wizard (Michelle Yeoh). This second sequel will arrive in theaters next summer.

Source: Variety

A half-dozen new soldiers enter the marketplace this weekend trying to topple the kingdom of "300" which has reigned supreme at the box office for the past two weeks.

Mark Wahlberg toplines the sniper thriller "Shooter," animated ninja turtles fight crime in "TMNT," and mutated zombies attack in "The Hills Have Eyes 2." In addition, moviegoers will get to choose from the kids adventure "The Last Mimzy," the sports saga "Pride," and the Adam Sandler drama "Reign Over Me." Holdovers should witness some large declines as these new pics all fight over the time and attention of ticket buyers. The box office may not have room for all to survive.

Seventeen years after shocking the film industry with a record March opening, the Teenage Mutant Ninja Turtles are back but in animated form in "TMNT." The Warner Bros. toon features the voices of Patrick Stewart, Sarah Michelle Gellar, and Ziyi Zhang and carries a PG rating that is friendly for kids. Given the violence, "TMNT" should skew more to boys and might even pull in those who grew up with the characters in the late 1980s and early 1990s. With all the R-rated films recently, there have not been too many choices for kids this spring. "The Last Mimzy" is the only new release that will provide direct competition for that audience. Bringing its turtle power to 3,110 theaters, "TMNT" may generate a bow of roughly $16M this weekend.


They’re back.

Hot off his recent Oscar nomination, Mark Wahlberg hits the big screen in the action thriller "Shooter" playing a former Marine sniper trying to clear his name after being wrongly accused of trying to assassinate the U.S. President. The R-rated film comes from "Training Day" director Antoine Fuqua and co-stars Danny Glover and Michael Peña. The film is banking on the starpower of Wahlberg who has been able to anchor hits in recent years. Late summer pics like last year’s "Invincible" and 2005’s "Four Brothers" opened to $17M and $21.2M, respectively, and brought in solid sales overall. "Shooter" is targeting the adult action crowd with appeal that will reach both men and women. Certainly "300" will play to much of the same audience and be a factor. Though no Damon or Cruise, Wahlberg has indeed become a believable action hero and is in a role that audiences will buy him in. Plus his Academy nod for "The Departed" has only increased audience respect for the former rapper. Opening in 2,600 theaters, "Shooter" might take in about $16M for the weekend.


Mark Wahlberg, playing a guy named Swagger, in a movie called "Shooter."

Last March, Fox Searchlight hit gold with the horror remake "The Hills Have Eyes" which bowed to $15.7M and grossed $41.8M overall. A year later, the sequel is born this time coming out through Fox Atomic, the studio’s new division geared towards young adult audiences with genre fare. "Eyes 2" once again is targeting the horror crowd with slick marketing hoping to lure in those seeking R-rated gore and violence. Plus the distributor is premiering the trailer to the upcoming fright sequel "28 Weeks Later" with the new "Hills" installment to help give moviegoers more for their money. Much of the audience for the first pic will probably return, although the sequel will face more competition as "300" and "Shooter" will both be drawing in young men. Attacking 2,500 theaters, "The Hills Have Eyes 2" could open to around $13M this weekend.


"The Hills Have Eyes, Too."

New Line studio chief Bob Shaye steps back into the director’s chair with the family adventure "The Last Mimzy" based on a popular short story. The "E.T."-like film about a boy and a girl who find a mysterious animal with mystical powers hopes to attract an audience of kids and parents, but will have to face some stiff competition from its studio’s former heroes, the Ninja Turtles. That toon should take away more boys than girls so "Mimzy" may end up skewing a bit more female. New Line hopes that much of the crowd that spent $75M and counting on "Bridge to Terabithia" will take a spin with this new effects-filled fantasy so sneak previews were held to help raise awareness and get buzz spreading. Still, a competitive environment will probably cut into its potential. Landing in over 3,000 sites, "The Last Mimzy" might gross about $12M this weekend.


"The Last Mimzy."

Targeting the African American audience this weekend is Lionsgate with its swim team drama "Pride" starring Terrence Howard. The PG-rated film will try to appeal to males with the sports saga and females with its human drama and half-nude muscular men. But Howard has not yet proven that he can open a picture on his own and "Pride" may not be the one to increase his future salary demands. "Remember the Titans" and "Coach Carter" both opened north of $20M and much of that was due to starpower. Plus Chris Rock found out last week that African Americans will not just show up for any film with a predominantly black cast. Diving into 1,518 theaters, "Pride" could swim to a weekend gross of about $7M.


Terrence Howard in "Pride."

Adam Sandler goes back to serious territory with the R-rated drama "Reign Over Me" playing a man whose life fell apart after his wife and kids were killed on 9/11. It’s no surprise Sony is releasing the film given all the cash the comedian has made for the studio over the years. Don Cheadle and Jada Pinkett Smith co-star. Given the subject matter, the rating, and Sandler’s Bob Dylan haircut, the actor’s core audience of immature young males will not be lining up this time. Remember "Spanglish‘"s $8.8M bow? Well, it could get worse for "Reign." After "United 93" and "World Trade Center," demand isn’t very high for yet another look at September 11. Given all the choices in the marketplace, adult audiences will be divided between many films so only a small slice might go this way. Debuting in 1,671 venues, "Reign Over Me" could open with about $6M.


Sandler and Cheadle in "Reign Over Me."

The mighty King Leonidas barely broke a sweat over the last two weeks in his box office victories. But the invading armies this weekend will pose a great threat to "300"’s rule. "Shooter" and "Hills" will provide the most direct competition. A 50% drop may be in order which would leave the Warner Bros. epic with roughly $16.5M for the frame and an impressive $157M in 17 days.

"Wild Hogs" may finally see a normal drop and slide by 40% to $11M giving Buena Vista $121M to date. "Premonition" should lose half of its audience and fall to $9M for a ten-day cume of $30M.

LAST YEAR: Spike Lee and Denzel Washington joined forces for the heist thriller "Inside Man" and found themselves at number one with a potent $29M opening. Universal went on to collect $88.5M domestically and $183M worldwide. The competing actioner "V for Vendetta" dropped from first to second with $12.3M falling 52% in its second weekend. Debuting in third was the horror flick "Stay Alive" with $10.7M on its way to $23.1M for Buena Vista. Rounding out the top five were "Failure to Launch" with $10.5M and "The Shaggy Dog" with $9M, both in their third weekends. Bowing in seventh place was the blue collar comedy "Larry the Cable Guy" with $6.9M leading to a $15.7M final.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

After keeping politics to a minimum in this year’s hero drama "World Trade Center," director Oliver Stone is planning to cover more controversial ground with "Jawbreaker," about U.S. action in Afghanistan following the September 11 attacks.

Based on the memoir by former CIA officer Gary Berntsen, "Jawbreaker" details the hunt for Osama bin Laden and critiques the decisions of the Clinton administration in dealing with al Qaeda early on. A second script based on the memoir is being written by Cyrus Nowrasteh, who recently wrote the ABC miniseries "The Path to 9/11," which similarly criticized the American government’s policies in Afghanistan.

From Variety:

"It has the potential to be very exciting. There’s a lot of action and a thriller element that we’re still trying to bring out," Stone said. "I’m not looking to make a political movie, but it always seems to come down to that with me."

Tumbleweeds blew through North American theaters this weekend as movie fans forgot that there were films playing at their local cinemas. For the first time in three years, no film managed to generate at least $10M in weekend ticket sales. The new supernatural teen thriller "The Covenant" was able to top the charts while the murder mystery "Hollywoodland" debuted in the runnerup spot. The overall top ten crawled to its worst performance in three years as not a single wide release was able to generate at least $4,000 per theater.


"The Covenant" didn’t break $10M but still managed to lead the B.O.

Limping into first place with a not-so-impressive debut was "The Covenant" with an estimated $9M from 2,681 theaters. The Sony thriller averaged a sluggish $3,357 per playdate, but was big enough to lead the pack over such a weak frame. Budgeted at only $20M, the PG-13 pic features a group of young prep school warlocks who unleash supernatural powers when evil strikes. It was the studio’s ninth number one opening of 2006, but also the worst gross for a number one film since "Dickie Roberts: Former Child Star" debuted this very weekend in 2003 with a puny $6.7M.

Most of the box office deficit when compared to last year can be blamed on the mediocre debut of "Covenant" which took in less than one-third of the $30.1M bow the studio saw in 2005 this weekend with its last post-Labor Day scarefest "The Exorcism of Emily Rose." The rest of the top ten this weekend grossed a combined $40.4M which was almost identical to the $40.6M from the corresponding films from last year.


Adrien Brody shows who’s boss in "Hollywoodland."

Opening in second place was the crime thriller "Hollywoodland" with an estimated $6M from only 1,548 theaters for Focus. The R-rated tale examining the investigation behind the death of Superman actor George Reeves averaged a mild $3,881 per site. That was good enough to be the best average among all wide releases. Starring Adrien Brody, Diane Lane, and Ben Affleck, "Hollywoodland" received mixed reviews from critics, but did manage to win the best actor prize over the weekend at the Venice International Film Festival for Affleck’s portrayal of Reeves.

Dropping from first to third place, Mark Wahlberg‘s two-time box office champ "Invincible" took in an estimated $5.8M falling a steep 52%. After 17 days, the Disney sports drama has scored $45.7M.

Bowing in fourth place was Thai action star Tony Jaa‘s "The Protector" with an estimated $5M from 1,541 sites. Averaging a lukewarm $3,265, the R-rated pic from The Weinstein Co. generated an opening weekend average similar to the $3,449 figure that Jaa’s "Ong Bak" posted last year when it opened to $1.3M from only 387 theaters.


Statham knows people in high places.

Action star Jason Statham‘s "Crank" dropped a hefty 54% in its second weekend to an estimated $4.8M pushing its cume to $19.9M. After ten days, the Lionsgate release is running slightly ahead of the $17.2M that Statham’s 2002 film "The Transporter" made during the same time period, but behind the $30.3M of its sequel from last year. Look for "Crank" to finish up with $27-30M. Enjoying the smallest decline in the top ten was the Edward Norton-Paul Giamatti mystery "The Illusionist" which dipped just 25% to an estimated $4.6M. Yari Film Group has collected $18.1M thus far.

Following close behind with an estimated $4.4M was Fox Searchlight’s "Little Miss Sunshine" which dropped 42%. Total to date is a solid $41.6M. Nicolas Cage‘s suspense thriller "The Wicker Man" fell 57% in its second weekend to an estimated $4.1M. With only $17.5M in ten days, the Warner Bros. release looks on course to reach a disappointing $25M.


"Talladega Nights" has a lot to cheer for.

"Talladega Nights," the highest-grossing film since Johnny Depp’s "Pirates" sequel set sail, dropped 51% in its sixth lap to an estimated $3M boosting Sony’s total to $142.2M. Rounding out the top ten was Paramount’s hit toon "Barnyard," the only major kidpic in release, which grossed an estimated $2.6M. Off 47%, the PG-rated comedy has grossed a healthy $66.9M to date.

Three August releases dropped out of the top ten this weekend. Paramount’s "World Trade Center" took in an estimated $2.5M, down 46%, for a $67.1M sum. The $65M Nicolas Cage drama should end with a solid $71-74M final. Universal’s teen comedy "Accepted" collected an estimated $2.5M as well, off 45%, and upped its total to $32.3M. A $35-37M final grade is in store for the $23M production.

Buena Vista’s surprise hit dance drama "Step Up" dropped 45% in its fifth weekend to an estimated $2.5M. With $61.6M in the bank, the teen pic looks to finish with around $65M.

The top ten films grossed a puny estimate of $49.4M which was down 30% from last year when "The Exorcism of Emily Rose" debuted at number one with $30.1M; and down 16% from 2004 when "Resident Evil: Apocalypse" opened in the top spot with $23M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Moviegoers had football on their minds for the second straight weekend as Disney’s true-life NFL tale "Invincible" remained atop the North American box office over the long Labor Day holiday weekend finishing off another summer movie season. New releases "Crank" and "The Wicker Man" opened in second and third, respectively, while the critically acclaimed films "Little Miss Sunshine" and "The Illusionist" both scored strong per-theater averages in moderate release. The holiday frame marked the first weekend in six long months where no new film debuted with at least $15M. Hollywood was happy to close the books on a summer movie season that was slightly better than than last year’s.

Retaining its first-place position, Mark Wahlberg‘s "Invincible" grossed an estimated $15.2M over the four-day Friday-to-Monday holiday weekend and remained the most popular movie in North America. After 11 days of release, the feel-good drama about a 30-year-old bartender who earned a spot on the Philadelphia Eagles starting lineup has grossed a solid $37.8M and could be headed for the neighborhood of $60-70M.

It was only fitting that Disney topped the box office charts as the summer came to an end. Since the summer movie season kicked off on May 5 with "Mission: Impossible III," Buena Vista has grossed $786M at the multiplexes beating out all other studios. Disney’s success was powered by the summer’s two highest grossing hits, "Pirates of the Caribbean: Dead Man’s Chest" ($414.2M) and "Cars" ($242M), but also included surprise late-summer winners like "Invincible" and "Step Up." It was a drastic turnaround from last summer when the Mouse House’s biggest film was "Herbie: Fully Loaded" with $66M.

Opening in second place was action star Jason Statham‘s new thriller "Crank" with an estimated $13M over four days from 2,515 theaters. Averaging a commendable $5,169 per site, the R-rated film features a poisoned hitman who will die if he can’t keep his adrenaline up constantly. The Lionsgate release opened better than Statham’s 2002 film "The Transporter" ($9.1M in three days) but did not reach the $20.1M bow of his action sequel "Transporter 2" which ruled the Labor Day frame a year ago. That number one hit carried a commercially friendly PG-13 rating and kicked its way into 800 more theaters. Over the Friday-to-Sunday span, "Crank" grossed $10.3M and averaged $4,095.

Nicolas Cage opened his new suspense thriller "The Wicker Man" close behind in third place with an estimated $11.7M in ticket sales over the Friday-to-Monday holiday session. The Warner Bros. remake about a cop who investigates a missing girl averaged a mediocre $4,210 from 2,784 theatrs over four days. The PG-13 film grossed $9.6M in three days for a mild average of $3,448. Cage appeared twice in the top ten as his previous film "World Trade Center" finished further down in ninth place.

Two smaller films successfully expanding into national release followed and scored the best averages among all the wide releases. Fox Searchlight’s road comedy "Little Miss Sunshine" ranked fourth for the weekend with an estimated $9.7M over four days with $7.6M over the Friday-to-Sunday portion. It was the second weekend in a row that actor Greg Kinnear had two films in the top five. He plays a supporting role in "Invincible" as well. "Sunshine" averaged a strong $6,071 from 1,602 theaters over four days pushing its total to $35.8M and counting. At its current rate, it should eventually surpass "Miami Vice" as the top-grossing R-rated film to come out of the summer.

Rookie distributor Yari Film Group did an excellent job expanding its period mystery "The Illusionist" into national release and jumped into fifth place with an estimated four-day gross of $8M. Expanding from 144 to 971 theaters, the Edward NortonPaul Giamatti drama scored the best average in the top ten with a sturdy $8,261 per venue. Cume now stands at $12.1M. The distributor scored excellent averages during its two weeks in limited release allowing positive word-of-mouth to spread for a film that was not easy to sell at a time when there were plenty of good choices for mature adults. Another 400 theaters will be added on Friday.

A trio of comedies followed. Sony’s Will Ferrell hit "Talladega Nights" grossed an estimated $7.7M over four days and lifted its cume to a stellar $138.4M making it the top-grossing comedy of the summer. Paramount’s animated pic "Barnyard" took in an estimated $6.4M pushing its total to $63.6M. The teen flick "Accepted" placed eighth and collected an estimated $5.9M giving Universal $29.4M to date.

Rounding out the top ten were the 9/11 drama "World Trade Center" with an estimated $5.8M over four days and the dance saga "Step Up" with $5.5M, according to estimates. Paramount’s Oliver Stone film has taken in a solid $63.7M thus far while Buena Vista’s surprise hit has taken in $58.4M.

Opening quietly outside of the top ten was the street basketball drama "Crossover" with an estimated $4.5M over four days from a moderate release in 1,023 theaters. Sony averaged a decent $4,399 over the long weekend on the $6M film which played mostly to a young urban audience.

Platforming to muscular numbers was the IFC Films doc "This Film Is Not Yet Rated" which grossed an estimated $42,000 from solo houses in New York and Los Angeles for a potent $20,832 average. The unrated expose that examines the ratings board of the MPAA will continue to expand throughout September.

Three films dropped out of the top ten this weekend. The raunchy comedy "Beerfest" tumbled to an estimated $4.6M over four days giving Warner Bros. only $14.8M in 11 days. A $20M final seems likely. Universal’s OutKast pic "Idlewild" took in an estimated $2.9M in its sophomore session giving the music-driven film only $9.9M in 11 days. Look for a $14M conclusion. New Line’s buzzworthy action-horror pic "Snakes on a Plane" has scared up just over $31M to date and is set to end with a final domestic gross close to its $35M production budget.

The top ten films grossed an estimated $89M over four days which was down 3% from last year when "Transporter 2" debuted at number one with $20.1M; but up 19% from 2004 when "Hero" remained in the top spot with $11.5M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Football season was back in swing at the North American box office this weekend as Disney’s real-life pigskin drama "Invincible" scored a number-one opening by more than doubling the ticket sales of its nearest competitor. The rest of the films in the top ten were packed into a tight range and were separated by a mere $2.6M meaning chart positions could change when final numbers are released on Monday. The frame’s other newcomers — the raunchy comedy "Beerfest," the music-driven drama "Idlewild," and the kidpic "How to Eat Fried Worms" — all generated more modest grosses in their debuts. Overall, the marketplace slumped to levels typical of the last weekend of August.


Wahlberg went from mixing cocktails to playing football in "Invincible."

Mark Wahlberg was the most valuable player this weekend as his new football pic "Invincible" easily beat all foes and grossed an estimated $17M over the weekend finishing in first place. Averaging a solid $5,838 from 2,917 theaters, the PG-rated pic tells the true story of a 30-year-old bartender who landed a spot on the roster of the Philadelphia Eagles. Disney set up a sizable marketing campaign with the NFL promoting "Invincible" during the current pre-season and it seemed to have paid off handsomely. Reviews were generally favorable for the feel-good drama.


"Talladega Nights" still going strong.

Sony’s hit NASCAR comedy "Talladega Nights" stayed put in second place again with an estimated $8M in its fourth lap. The Will Ferrell smash dropped 42% and upped its cume to $127.7M making it the summer’s second biggest comedy.to date after Adam Sandler’s "Click" ($136M) which was also a Sony release. "Talladega" could race past "Click" by Labor Day.

Making its way up to the number three position was Fox Searchlight’s hit road comedy "Little Miss Sunshine" which more than doubled its theater count and grossed an estimated $7.5M from 1,430 sites. The R-rated pic averaged a solid $5,245 and boosted its cume to $23M. "Sunshine" has steadily grown over the past month into a pop culture phenomenon becoming the "it" movie of the moment and looks certain to charm its way past the $50M mark domestically in the weeks ahead.


Beer pong, a "sport" more fun playing than watching.

Another R-rated laugher followed in fourth. The new Warner Bros. comedy "Beerfest" debuted with an estimated $6.5M from 2,964 playdates for a mild $2,193 average. The Broken Lizard concoction opened much like the comedy troupe’s 2002 hit "Super Troopers" which bowed to $6.2M over three days on its way to $18.5M. "Beerfest" tells of a group of American beer chuggers who must train and compete in a secret drinking tournament in Germany.


Sam Jackson calling in to find out where the audience for "Snakes" went.

Yet another comedy followed with a similar estimate of $6.5M in ticket sales. Universal’s "Accepted" dropped only 35% and upped its ten-day total to a respectable $21.1M. Fellow sophomore "Snakes on a Plane" was an inch behind with an estimated $6.4M tumbling 58% in its second weekend. Total stands at $26.6M. Final grosses look to reach $36-39M each.

Paramount’s "World Trade Center" fell 41% to an estimated $6.4M putting its sum at $55.6M. Buena Vista’s dance drama "Step Up" captured an estimated $6.2M, off 39%, for a $50.4M total.

Universal’s music-filled drama "Idlewild" bowed in ninth place but generated the best average in the top ten. The OutKast pic grossed an estimated $5.9M from only 973 locations for a solid $6,055 average. Studio research showed that 55% of the audience was over age 30, 61% was female, and 82% was African American.

Rounding out the top ten was Paramount’s animated comedy "Barnyard" with an estimated $5.4M in its fourth weekend. Down only 28%, the PG-rated toon has taken in an encouraging $54.7M to date.

Debuting poorly just outside the top ten was New Line’s kidpic "How to Eat Fried Worms" with an estimated $4M from 1,870 sites for an average of only $2,112 per theater. Yari Film Group widened its period mystery "The Illusionist" and grossed an estimated $1.8M from just 144 theaters for a strong $12,688 per venue. Cume is $3.2M and the Edward NortonPaul Giamatti drama will go national on Friday.


"Pirates" is gold for Disney.

Three films dropped out of the top ten this weekend. The summer juggernaut "Pirates of the Caribbean: Dead Man’s Chest" enjoyed a seven-week run in the top ten, but dipped to an estimated $4M this weekend for a slim decline of only 23%. With a colossal $407.6M from North America alone, the Johnny Depp adventure surpassed "Spider-Man" ($403.7M in 2002) to claim the number six spot on the list of all-time domestic blockbusters. Chest looks to reach about $420M stateside. Worldwide, the "Pirates" sequel is closing in on an astounding one billion dollars in global box office.

The teen comedy "Material Girls" starring Hilary and Haylie Duff dropped by 50% to an estimated $2.3M in its sophomore session. The MGM title has collected just $8.5M in ten days and should end up with around $13M before finding a bigger audience on DVD. The horror flick "Pulse" grossed an estimated $1.7M, down 53%, for a total of $17.9M. A final tally of about $21M could result.

ThinkFilm’s drug-addicted teacher drama "Half Nelson" expanded from three to 21 theaters and grossed an estimated $210,000 for a strong $10,000 average. Cume is now $389,000. Fox Searchlight’s relationship film "Trust the Man" did not have as much luck during its expansion. The David DuchovnyJulianne Moore pic grossed an estimated $285,000 from 158 sites (up from 38 last weekend) and averaged a poor $1,804. Total is $541,000 with another widening up to 300 theaters set for Friday.

The top ten films grossed an estimated $75.8M which was off 2% from last year when "The 40-Year-Old Virgin" remained at number one with $16.3M; and down 4% from 2004 when "Hero" opened in the top spot with $18M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

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