Aaron Eckhart stars as a doctor able to enter the subconscious minds of possessed patients in this week’s Incarnate, a new take on the old exorcism story. And in this week’s 24 Frames gallery, we give our take on the best and worst exorcism horror movies by Tomatometer. Before we start, some règle de jeu: there are no comedies or non-horrors listed, and only movies with at least 20 reviews qualify. Got it? Good. God help us.

There have been so many horror remakes that there’s no way we could cover them all at once. We did, however, decide to collect a sampling list, making room for some of the best, worst, and most puzzlingly misguided examples from the genre. Let’s get started, shall we?


The Amityville Horror (2005) 23%

Amytville
Like many of the movies on this week’s list, the latter-day Amityville Horror was produced by Michael Bay’s Platinum Dunes — and like more than a few of them, it suffered in comparison to the original. Which is a shame, because Amityville‘s central story — about a young family moving into a horrifically haunted house — is both devilishly simple and allegedly fact-based, which has helped the franchise retain its aura even through a series of sometimes-silly sequels and spinoffs. Unfortunately, despite a talented cast that included Ryan Reynolds, Melissa George, and a young(er) Chloe Grace Moretz, this Horror was mainly scary for the studio execs who had to account for its $64 million domestic gross, which sentenced the franchise to years of direct-to-DVD purgatory.

 


The Blob (1988) 62%

The-Blob
Inspired by the way David Cronenberg used modern special effects and less-campy storytelling to amp up the horror in The Fly, Hollywood spent a portion of the late 1980s rushing to the vaults and searching for other long-dormant properties that might benefit from the remake treatment. Hence 1988’s The Blob, in which an alien goo plops down in a small town and starts gorging on its unsuspecting residents. It was just as fantastically cheesy a premise as it had been in 1958, when Steve McQueen starred in the original — but thanks to a solid screenplay from future Shawshank Redemption director/adapter Frank Darabont, as well as a (slightly) more believable Blob, it managed to just about reach the rather low bar set by its predecessor, which is about all one can hope for when making a film about hungry interstellar plasma.

 


Cat People (1982) 61%

Cat-Peopl-1982
The original Cat People, produced on the cheap by Val Lewton in 1942, emphasized suggestion over explicit horror; four decades later, director Paul Schrader used the movie’s central idea — about people whose sexual desires trigger a sometimes-deadly feline transformation — as the basis for a steamy softcore flick that made up for its lack of genuine scares with an abundance of Natassja Kinski and a cool soundtrack featuring David Bowie and Giorgio Moroder. While it may not be the most terrifying movie on this list, it’s probably one of the hardest to turn away from if you happen across it on the cable dial during a bout of late-night viewing.

 


The Crazies (2010) 70%

The-crazies
“WHY ARE THE GOOD PEOPLE DYING?” screamed the poster for George A. Romero’s paranoid The Crazies about the side effects of a military accident that resulted in a small American town being poisoned with a biological weapon that turns people into violent lunatics. Sadly, the tagline for Romero’s 1973 effort might as well have been “WHY WON’T MOST THEATERS SHOW THE CRAZIES?,” because the picture died with a whimper at the box office — but a good idea always turns up again in the horror genre, and in 2010, director Breck Eisner repurposed Romero’s original to create a sleek, gleefully nasty update that managed a surprisingly robust 71 percent on the Tomatometer. Alas, while Eisner’s Crazies at least made it to wide release, they didn’t fare a whole lot better at the box office, managing to slash together ony $54 million worldwide. The result of a military-industrial conspiracy, perhaps?

 


Dawn of the Dead (2004) 76%

Dawn-of-the-Dead
Did George Romero’s Dawn of the Dead really need a remake? Perhaps not. But if we were going to get one, it might as well have been one that blended the the visual wizardry of director Zack Snyder with a screenplay from future Guardians of the Galaxy mastermind James Gunn, and that’s just what we got with this 2004 “re-envisioning” of the zombie classic. Using the original’s basic framework as an effective delivery mechanism for a fresh round of gruesome gore and heart-pumping action, the new Dawn proved surprisingly bright for most critics, including Aisle Seat’s Mike McGranaghan, who wrote, “Dawn of the Dead is ultra-violent, excessively bloody, and extremely gory — all in a good way. I left the theater feeling pumped full of adrenaline.”

 


Don't Be Afraid of the Dark (2010) 60%

Dont-Be-Afraid
It might seem a little odd to base a horror remake on a TV movie from the 1970s, but the original Don’t Be Afraid of the Dark — starring Kim Darby as a housewife whose new home comes with some nasty little tenants lurking in the basement — is a cult classic for aficionados of the genre, so a theatrical version was probably inevitable. Given that the 2011 edition was co-written and produced by Guillermo del Toro, fans had reason to be hopeful that the remade Dark would be even scarier than the first; alas, after being trapped in studio limbo for months due to Miramax’s shuttering, director Troy Nixey’s update on the story — which focused on an eight-year-old (Bailee Madison) and her father’s girlfriend (Katie Holmes) — was greeted with lukewarm indifference by audiences and critics alike. Perhaps some things are just more frightening on the boob tube.

 


Evil Dead (2013) 63%

Evil-Dead-Remake
How in the world do you put together a remake of one of the most beloved horror-comedy cult classics of the last 40 years? If you’re director Fede Alvarez, you film a new version of Evil Dead with production input from creator Sam Raimi and original star Bruce Campbell, a much bigger budget, and a far more serious take on the story of young campers who unwittingly unleash a demon plague while goofing around with the Book of the Dead. The amped-up gore in Alvarez’s Evil Dead certainly wasn’t for everyone, but it arguably made more sense, given the film’s narrative outline — and the resultant uptick in attention to the franchise helped lead to the subsequent TV series Ash vs. Evil Dead.

 


The Fly (1986) 93%

The-Fly-1984
The original version of The Fly, released in 1958, was a Vincent Price classic that didn’t really need to be remade, but that didn’t stop producer Stuart Cornfield (working with an uncredited Mel Brooks) from getting the ball rolling on a new version. After several years in development, plenty of studio struggle, and some turnover at the screenwriter and director positions, Cornfield had his movie: David Cronenberg’s gorier, more suspenseful take on The Fly, which went back to George Langelaan’s 1957 short story and emerged with one of the more delightfully suspenseful horror/sci-fi movies of the 1980s. Unfortunately, Cronenberg’s Fly — starring Jeff Goldblum as the ill-fated scientist whose experiments leave his DNA accidentally intertwined with the titular pest, and Geena Davis as the woman who loves him — was too successful to prevent a sequel: 1989’s rather uninspired The Fly II. Rumors of another remake (and a quasi-sequel penned by Cronenberg) have popped up over the years, but it’s all been for naught. So far, anyway.

 


Friday the 13th (2009) 26%

Friday
Featuring a “star” hidden behind a hockey mask and a brilliantly low-budget conceit that needed nothing more than anonymous young actors capable of screaming in various states of undress, the Friday the 13th series was one of the most reliably profitable horror franchises of the 1980s — and ripe for the reboot treatment in the 21st century. Platinum Dunes did the honors in 2009, reimagining the murderous Jason Voorhees as more of a lethal maniac and less of a lumbering dolt, with cooler special effects and plenty of T&A; once again, the formula worked, producing plenty of pure profit for the studio and signaling that perhaps a new slew of sequels was on the horizon. Alas, Jason slumbered for the next several years, although he’s currently set to terrorize a fresh batch of Crystal Lake campers on May 13, 2016.

 


Fright Night (2011) 72%

Fright-Night
If director Craig Gillespie had polled horror fans in 2011 and asked them if he really needed to remake 1985’s Fright Night, the answer probably would have been a resounding “no”; after all, the original was not only a surprise hit, it had matured into a solid favorite among scary movie lovers, and little seemed to be gained by updating the story of a horror-loving teen (William Ragsdale) who makes the awful discovery that his new neighbor (Chris Sarandon) is secretly a vampire. While it may not have been strictly necessary, the new Fright Night — starring Anton Yelchin as young Charley Brewster and Colin Farrell as the undead addition to the neighborhood — proved surprisingly potent, with Farrell’s charismatic performance matching Gillespie’s confident lens. While box office returns were fairly weak, the remake brought the Fright Night franchise back to life, with a direct-to-video sequel arriving in 2013.

 


Halloween (2007) 28%

Halloween-Remake
By the 2000s, producer Moustapha Akkad’s once-proud Halloween franchise had fallen on hard times, with deathless serial killer Michael Myers resurfacing in a series of low-budget sequels that bore little resemblance to John Carpenter’s classic 1978 original. All that was left was to start over from the beginning — and that’s what director Rob Zombie did with 2007’s Halloween, which retold Myers’ gruesome origin story and returned him to poor, unfortunate Haddonfield, Illinois for a gorier version of his first grown-up killing spree. While Zombie had previously flirted with critical respectability with 2005’s The Devil’s Rejects, his Halloween mustered a mere 25 percent on the Tomatometer — not as high as 1982’s much-maligned Halloween III: Season of the Witch, but still better than the sixth installment in the series, 1995’s The Curse of Michael Myers, and good enough to greenlight a sequel (dubbed H2) in 2009. A planned 3D follow-up eventually fell off the schedule, but the next sequel, reportedly titled Halloween Returns, is currently in development.

 


Invasion of the Body Snatchers (1978) 92%

Body-Snatchers

If Gus Van Sant’s Psycho serves as an argument against remakes, then the 1978 version of Invasion of the Body Snatchers offers an equally persuasive rebuttal. While the 1956 original is one of the most highly regarded sci-fi/horror movies of its era, director Philip Kaufman’s update matched it with a thrillingly gritty, ensemble-driven look at what might happen if alien spores landed on Earth and started sprouting eerily emotionless replicas of our friends and loved ones. Sharpening up the special effects without overly relying on them, the new-look Body Snatchers featured solid performances from a stellar cast that included Donald Sutherland, Leonard Nimoy, and Jeff Goldblum — and although it definitely made its share of money at the box office in 1978, if anything it’s even more highly regarded today. Here’s hoping Kaufman’s Snatchers continues to stand as the most recent version of the movie for many more years to come.

 


My Bloody Valentine (2009) 61%

My-Bloody-Valentine
If you’re looking for fright value, bad guys don’t come much more elegantly brutal than a bloodthirsty lunatic with a pickaxe, which might be why the low-budget 1981 Canadian slasher flick My Bloody Valentine — about a miner who survives a collapse by dining on his fellow crew members, goes crazy before being rescued, and wages murderous revenge — proved even more potent when its 3D remake surfaced in 2009. And although it may not have generated blockbuster numbers at the box office, it fared surprisingly well with critics; it can’t be long before we’re treated to yet another Bloody Valentine.

 


A Nightmare on Elm Street (2010) 15%

Nightmare-on-Elm-Street-Remake
Given how much money the Nightmare on Elm Street movies made for New Line during the 1980s and early 1990s, remakes and/or reboots were probably always a matter of course; problem was, the series was just as memorable for Robert Englund’s outstanding performance in the role of series killer Freddy Krueger as it was for its scores of inventive on-screen murders. Faced with the unsolvable problem of replacing Englund, the folks at Platinum Dunes hired Jackie Earle Haley to take over the part for their 2010 reboot — and although Haley is certainly a talented actor, and more than capable of exuding a sinister aura, he isn’t as physically imposing as Englund. Add that to a story that hit many of the same beats as the original, and the end result was a movie that, while certainly profitable, failed to land with as much impact as it had the first (eight) time(s) around.

 


Nosferatu (1979) 95%

Nosferatu
Werner Herzog’s filmography offers more than a few case studies in audaciousness, not the least of which is 1979’s Nosferatu: Phantom der Nacht. Occasionally referred to by its less cool English title, Nosferatu the Vampyre, this remake of F.W. Murnau’s classic 1922 silent film finds Klaus Kinski stepping into the bloodsucking role so memorably inhabited by Max Schreck, with all parties involved acquitting themselves admirably. No less a cinematic authority than Roger Ebert agreed, writing that “To say of someone that they were born to play a vampire is a strange compliment, but if you will compare the two versions of Nosferatu you might agree with me that only Kinski could have equaled or rivaled Max Schreck’s performance.”

 


Psycho (1998) 39%

Psycho
Of all the remakes on our list, Gus Van Sant’s Psycho embraces the concept more eagerly than most, delivering a somewhat bafflingly precise update on the 1960 Hitchcock classic with a shot-for-shot replication that, while assembled and acted by talented creative types, exhibited no real creativity of its own. But while Van Sant’s Psycho wound up bottoming out at a rather miserable 37 percent on the Tomatometer, he dodged a few bullets in at least one sense — unlike a lot of remakes of classic films, his attempt to re-Hitchcock Hitchcock inspired more critical bafflement than anger or derision. Ultimately, the 1998 Psycho serves as a perfectly persuasive (albeit most likely unintentional) argument against remakes in general.

 


The Texas Chainsaw Massacre (2003) 37%

Texas-Massacre
A man, a plan, a chainsaw. Oh, and a facemask made out of human skin. It may not sound like much, but from the moment 1974’s Texas Chainsaw Massacre terrified its first audiences, it’s served as the basis for one of the horror genre’s more surprisingly durable franchises — in spite of the mostly miserable track record suffered by its spate of periodic prequels, sequels, and spinoffs. The horror remake enthusiasts at Platinum Dunes tried to take things back to the beginning (again) with their 2003 Texas Chainsaw Massacre, and although most critics claimed time had dulled Leatherface’s blade, audiences still turned out to the tune of more than $100 million in box office grosses. Yet another prequel followed in 2006,  followed by a 3D sequel to the original in 2013, and the origin story Leatherface is currently scheduled for 2016. Confused? Don’t think too hard; in the end, it all goes back to those first simple ingredients.

 


The Wicker Man (2006) 15%

Wicker
There are worse (and far, far better) horror remakes than Neil LaBute’s update on The Wicker Man, but we absolutely had to include it here, because no other film provides its particular brand of sheer, cackling lunacy. While it’s misguided on just about every level, the 2006 Wicker is chiefly noteworthy thanks to Nicolas Cage’s presence as police detective Edward Malus, whose journey to a secluded island in search of his abducted daughter ends very badly for all concerned — including any audience members not prepared for the unforgettable sight of Cage punching a woman in the face while wearing a bear suit, or the equally memorable sound of Cage screaming “Oh God! Not the bees!” Avoid it if you’re looking for truly scary viewing, but it still needs to be seen in order to be believed.


En español: Read this article in Spanish at Tomatazos.com.

After months of news droplets regarding Rob Zombie‘s new rendition of John Carpenter‘s "Halloween," we now have our very first look at some footage, and guess what? It looks a whole heck of a lot like … John Carpenter’s "Halloween."

In case you missed it over the holiday weekend, here’s where you can check out the (kinda) all-new for Rob Zombie’s "Halloween" redo. Looks like a full-on remake all the way, not unlike what you’d find in a trailer for "Dawn of the Dead," "The Amityville Horror," or (god help us if it’s as bad as) "The Fog."

Even the skeptics (like me) are pretty curious to see how the gore-lovin’ Mr. Zombie will approach the violence in his version. The original, as you’ll no doubt remember, has next to no blood whatsoever. I’m pretty curious to see a lot of things in this remake, truth be told.

August 31st is when "Halloween" hits — probably because Jigsaw owns October these days. Stars include Malcolm McDowell, Scout Taylor-Compton, Brad Dourif, Tyler Mane, and (of course) Sheri Moon-Zombie. (She’s Rebecca Pidgeon to Zombie’s David Mamet, don’t forget.) Expect a full-court press push on "Halloween" as the big summer flicks fade into the distance.

Source: Yahoo! Movies

It’s remake heaven. Platinum Dunes producer Brad Fuller has his sights on adding "The Birds" to his slate — which already includes "The Hitcher," "Texas Chainsaw Massacre," "Amityville Horror" and "Friday the 13th." And "King Kong" remake veteran Naomi Watts is his first pick for the Tippi Hedren role.

"No actor or actress is going to commit to anything without a script," said Fuller. "We’ve sat down with her and conceptually I think we all want to make the same movie, but until we have a script and a director, I think it’s a little premature. But, we’ll all talking and she’s who we’d like to have as the lead."

There’s no deadline for making art, but Fuller hopes to have a solid enough draft soon to get Watts to commit. "In the next two weeks, or the next week or so I think they’ll announce it because they’re starting to talk about a new writer to come on and write that. It definitely feels like it’s moving."

Movie studios are offering something for every age group over the Columbus Day holiday weekend. Mature adults will go undercover with Martin Scorsese‘s cop thriller "The Departed," twentysomethings looking for a scare get the horror prequel "The Texas Chainsaw Massacre: The Beginning," while teenagers have a chance to laugh with the new comedy "Employee of the Month."

Meanwhile, last weekend’s number one film – the animated comedy "Open Season" – will continue to play to young children during a frame when a large percentage of students will have no class on Monday. The top ten will try to crack the $100M mark for the first time in nearly two months thanks to the variety of good product.

Ranking dead last among Hollywood’s big six studios in year-to-date market share, Warner Bros. has a lot of catching up to do in the fourth quarter if it wants to prevent snapping its five-year streak of billion-dollar-plus box office years. So this weekend, it hands the ball off to Scorsese who delivers what critics are calling one of his best films ever with "The Departed." The R-rated picture stars Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Alec Baldwin, and Martin Sheen. Overflowing with starpower, the Boston-set film is an American remake of the award-winning Hong Kong blockbuster "Infernal Affairs" which finds an Irish cop going undercover into the underworld and a mob mole infiltrating the police department.

After rejecting a seemingly endless line of period dramas including "Hollywoodland," "The Black Dahlia," "Flyboys," and "All the King’s Men," adult audiences should be ready to throw its support behind a modern-day action thriller juiced up with major stars worth paying top dollar for. If the cast isn’t enough to seal the deal, glowing reviews from critics across the board should have a big impact on driving in traffic. In fact, reviews are among the best of any wide release hitting theaters this year. DiCaprio and Damon appeal to a wide age group so expect strong numbers from young adults. And Jack is that rare star who can flirt with age 70 but still be relevant to the iPod generation. With $100M blockbusters in each of the last four decades, the Oscar-winner is a perennial favorite and his films are
events.

Warner Bros. has backed "The Departed" with a solid marketing campaign which is effectively exciting ticket buyers. No R-rated film has hit the $30M mark on opening weekend in nearly a year so that could once again be the ceiling on this film’s short-term potential. Appeal to both men and women is substantial, although as is typical at this time of year, business from males may be affected by football and the baseball playoffs. But word-of-mouth is likely to be very positive so look for the pic to remain a contender for weeks to come. With a colossal amount of starpower, sensational reviews, and a Monday holiday helping Sunday night sales,
the Leo vs. Matt flick should be able to generate plenty of excitement with audiences this weekend. "The Departed" opens in 3,017 theaters on Friday and could gross about $27M over the frame.

Leo DiCaprio, ‘lending a hand’ in Martin Scorsese’s "The Departed."

Moviegoers that don’t get starstruck, but instead want some gore and violence in their weekend entertainment, can opt for "The Texas Chainsaw Massacre: The Beginning." The prequel to the 2003 remake of the 1974 horror classic is an R-rated tale with Jordana Brewster ("The Fast and the Furious", "Annapolis") as its only star. Horror remakes usually do not rely on stars anyway, but on the brand name of a popular terrorfest. Budgets are relatively low with most of the money going towards production values rather than talent. Three years ago, the previous "Massacre" posted powerful numbers bowing to $28.1M in mid-October on its way to a brutal $80.1M. It opened the door to many other moneymaking remake hits like "Dawn of the Dead," "The Amityville Horror," and "The Omen" which each went on to gross over $50M.

"Beginning" will play to hardcore genre fans that are older teens and young adults. But look for some older horror aficionados to take a curious peek too. The marketplace is primed and ready for its arrival as there has not been a major horror hit since June’s "Omen" pic hit cinemas. Add in the fact that Halloween is around the corner prompting audience demand for the genre to rise and a large turnout should be expected. Excitement does not seem to be reaching the same height that this installment’s predecessor had, so an opening in the high 20s may not result. Plus Leo, Matt, and even bad boy Jack will be drawing away many twentysomethings this weekend. Buzzing through victims in over 2,800 theaters, "The Texas Chainsaw Massace: The Beginning" could scare up around $19M this weekend.

More teens in trouble in the latest "Texas Chainsaw Massacre" film.

The classic love triangle storyline is set in a Walmart-like super store in the new Lionsgate comedy "Employee of the Month." The PG-13 pic stars Dane Cook and Dax Shepard as co-workers competing for the attention of the hot new sales clerk, played by Jessica Simpson, who only dates those who win the coveted employee prize. The comedy should play to a teen and young adult audience and with the weekend’s other new films being R flicks, Month could score some points with the under-17 crowd. Teenage girls have especially been neglected this fall. Why would they care about 1940s murder mysteries, moronic stunt films, or Sean Penn as a flamboyant politician? Two hunky young dudes fighting over the former Daisy Duke could make for the most interesting film to grab their attention since "Step Up."

Still, "Employee of the Month" will have its work cut out for it. Many older teens and young adults will be drawn away by "Departed" and "Chainsaw" and Ashton Kutcher fans are still checking out "The Guardian." Starpower is not too high, but teenagers in need of a laugh will not have many other options. Opening in 2,579 theaters, "Employee of the Month" could debut with around $10M.

Dane Cook, in his first leading role in "Employee of the Month."

Sony’s animated comedy "Open Season" enjoyed a healthy start to its run last weekend and will face no new competition during the sophomore frame. Plus with the Columbus Day school holiday, the Martin Lawrence – Ashton Kutcher toon should remain a popular (and only) option for young children. A 30% drop would give "Season" about $16M over the weekend and a sturdy ten-day cume of $46M.

Buena Vista’s Coast Guard adventure "The Guardian" did moderately well in its debut last weekend, but adult audiences will be pulled away by the starpower of "The Departed" this weekend. The studio has been reporting strong exit polls so word-of-mouth could prevent a large falloff. A 40% decline would give "Guardian" about $11M for the weekend and $34M in ten days.

"Jackass: Number Two" will face some stiff competition from the weekend’s two new R-rated films so a 45% drop could be in order. That would leave the Paramount hit with $8M and an impressive 17-day total of $64M allowing the comedy sequel to surpass the gross of the 2002 original in under three weeks.

LAST YEAR: New films invaded the box office over the Columbus Day frame taking four of the top five slots. Leading the way was the acclaimed claymation pic "Wallace and Gromit: The Curse of the Were-Rabbit" with a $16M debut. The DreamWorks film enjoyed good legs and ended up with $56.1M domestically plus the Oscar for Best Animated Film. Jodie Foster‘s two-time chart-topper "Flightplan" held up well in its third weekend grossing $10.8M for Buena Vista. Cameron Diaz opened her new comedy "In Her Shoes" in third place with $10M on its way to $32.9M for Fox. Universal followed with the sports betting film "Two For the Money" with a $8.7M bow and Sony opened its drama "The Gospel" in fifth with $7.5M. Final grosses reached $22.9M and $15.8M, respectively. Lions Gate saw its new comedy "Waiting" launch in seventh place with just $6M leading to a $16.1M final. Opening with strong results in limited release were the acclaimed dramas "Good Night, and Good Luck" and "The Squid and the Whale" which both earned rave reviews and kudos during awards season. Their domestic grosses reached $31.6M and $7.4M, respectively.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

You thought the awards season ended with the Oscars? Please. MTV’s just gearing up for their movie awards, which will be broadcast worldwide on June 8th — but we have all the nominations listed just a click away. (Interesting to note that not only were Paris Hilton & Rob Schneider nominated for awards, but also that "Hustle & Flow" earned three noms — a movie produced by "MTV Films.")

More than an award show, but a film unto itself, MTV: Music Television today announced the cast, or nominees, of the “2006 MTV Movie Awards.” Up for starring roles are the “40-Year-Old Virgin” and “Wedding Crashers,” each receiving five nominations. Also vying for the spotlight are “Batman Begins,” “Harry Potter and the Goblet of Fire,” “Hustle & Flow,” “Sin City” and “Star Wars: Episode III – Revenge Of The Sith” with three nominations each. Filming June 3rd at Sony Picture Studios in Culver City, CA, the “2006 MTV Movie Awards” will premiere to audiences nationwide on Thursday, June 8th at 9pm ET/PT on MTV.

MTV also announced it will cast for new categories of “Best Hero,” “Sexiest Performance” and the “mtvU Student Filmmaker Award” for the first time ever. And in another Movie Awards first, all of this year’s categories, including “Best Performance,” will make no distinction between male and female. Breaking the gender barrier and award show tradition, both actors and actresses will be vying for the same coveted golden popcorns.

Fans can vote for the entire nominated cast of the “2006 MTV Movie Awards” by visiting movieawards.mtv.com before May 19th . Fans can also vote from their mobile phone by texting “MOVIEAWARDS” to 91757 to receive a ballot. Voting is also available by dialing toll free to 1-877-MTV-VOTE where fans can support their favorite nominees with a different category available for voting each day.

“This year’s Movie Awards will be more than an awards show — it’s an experience completely inspired by the movies, and everything we love about them,” said Christina Norman, President, MTV. “This year’s cast of movies and stars are all deserving nominees, and there is no doubt this year’s Movie Awards will in itself, be a movie to remember.”

Starring Hollywood’s hottest actors and celebrities, the “2006 MTV Movie Awards” promises to be one of the summer’s biggest blockbusters. Sources close to the production have remained tight lipped, revealing little of the project’s storyline or script except to say mystery, adventure and mayhem prevail. MTV will announce other starring roles in the upcoming weeks including the project’s leading man and/or lady, along with featured bands and performers making up the production’s soundtrack.

The “2006 MTV Movie Awards” will be seen in 171 countries/territories via 50 music programming services, and in 23 languages in more than 479.5 million households.

Nominees for the “2006 MTV Movie Awards” are:

*BEST MOVIE*

The 40-Year-Old Virgin
(Universal Pictures)
Batman Begins (Warner Bros. Pictures)
King Kong (Universal Pictures)
Sin City (Dimension Films)
Wedding Crashers (New Line Cinema)

*BEST PERFORMANCE*

Joaquin PhoenixWalk the Line
Jake GyllenhaalBrokeback Mountain
Rachel McAdamsRed Eye
Steve CarellThe 40-Year-Old Virgin
Terrence HowardHustle & Flow
Reese WitherspoonWalk the Line

*BEST COMEDIC PERFORMANCE*

Owen WilsonWedding Crashers
Adam SandlerThe Longest Yard
Steve Carell – The 40-Year-Old Virgin
Tyler PerryTyler Perry’s Madea’s Family Reunion
Vince VaughnWedding Crashers

*BEST ON-SCREEN TEAM*

Steve Carell, Paul Rudd, Seth Rogen & Romany MalcoThe 40-Year-Old Virgin
Johnny Knoxville, Seann William Scott & Jessica SimpsonThe Dukes of Hazzard
Jessica Alba, Ioan Gruffudd, Chris Evans & Michael ChiklisFantastic Four
Daniel Radcliffe, Emma Watson & Rupert GrintHarry Potter and the Goblet of Fire
Vince Vaughn & Owen Wilson – Wedding Crashers

*BEST VILLAIN*

Cillian Murphy
Batman Begins
Hayden ChristensenStar Wars: Episode III – Revenge of the Sith
Ralph FiennesHarry Potter and the Goblet of Fire
Tilda SwintonThe Chronicles of Narnia: The Lion, the Witch and the Wardrobe
Tobin BellSaw II

*BREAKTHROUGH PERFORMANCE*

Andre “3000” BenjaminFour Brothers
Isla FisherWedding Crashers
NellyThe Longest Yard
Jennifer CarpenterThe Exorcism of Emily Rose
Romany Malco –The 40-Year-Old Virgin
Taraji P. HensonHustle & Flow

*BEST HERO*

Christian BaleBatman Begins
Jessica Alba – Fantastic Four
Daniel Radcliffe – Harry Potter and the Goblet of Fire
Kate BeckinsaleUnderworld: Evolution
Ewan McGregorStar Wars: Episode III – Revenge of the Sith

*SEXIEST PERFORMANCE*

Beyonce KnowlesThe Pink Panther
Jessica Alba – Sin City
Jessica Simpson – The Dukes of Hazzard
Ziyi ZhangMemoirs of a Geisha
Rob SchneiderDeuce Bigalow: European Gigolo

*BEST FIGHT*

Kong vs. The Planes — King Kong
Stephen Chow vs. Axe Gang – Kung Fu Hustle
Angelina Jolie vs. Brad PittMr. & Mrs. Smith
Ewan McGregor vs. Hayden Christensen – Star Wars: Episode III – Revenge of the Sith

*BEST KISS*

Jake Gyllenhaal & Heath Ledger – Brokeback Mountain
Taraji P. Henson & Terrence Howard – Hustle & Flow
Anna Faris & Chris Marquette – Just Friends
Angelina Jolie & Brad Pitt – Mr. & Mrs. Smith
Rosario Dawson & Clive OwenSin City

*BEST FRIGHTENED PERFORMANCE*

Rachel Nichols – The Amityville Horror
Jennifer Carpenter – The Exorcism of Emily Rose
Derek RichardsonHostel
Paris HiltonHouse of Wax
Dakota FanningWar of the Worlds

*mtvU STUDENT FILMMAKER AWARD*

Joshua Caldwell (Fordham University) – A Beautiful Lie
Sean Mullin (Columbia University) – Sadiq
Stephen Reedy (Diablo Valley College) – Undercut
Jarrett Slavin (University of Michigan) – The Spiral Project
Landon Zakheim (Emerson College) – The Fabulous Felix McCabe

*2006 MTV Movie Awards *
*Total Number of Combined Category Nominations*

The 40-Year-Old Virgin — 5
Wedding Crashers — 5
Batman Begins — 3
Harry Potter and the Goblet of Fire — 3
Hustle & Flow — 3
Sin City — 3
Star Wars: Episode III – Revenge of the Sith — 3
Brokeback Mountain — 2
The Dukes of Hazzard — 2
The Exorcism of Emily Rose — 2
Fantastic Four — 2
King Kong — 2
The Longest Yard — 2
Mr. & Mrs. Smith — 2
Walk the Line — 2
The Amityville Horror — 1
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe — 1
Deuce Bigalow: European Gigolo — 1
Four Brothers — 1
Hostel — 1
House of Wax — 1
Just Friends — 1
Kung Fu Hustle — 1
Tyler Perry’s Madea’s Family Reunion — 1
Memoirs of a Geisha — 1
The Pink Panther — 1
Red Eye — 1
Saw II — 1
Underworld: Evolution — 1
War of the Worlds — 1

* Nominees are chosen through a national poll of MTV and MTV2 viewers.

The Hollywood Reporter greets us with news of yet another horror remake. If "Dawn of the Dead," "The Texas Chainsaw Massacre," "House of Wax," "The Amityville Horror," and "The Fog" haven’t yet burnt you out on the whole remake schpiel, then get ready for a remake of the 1982 George Romero / Stephen King collaboration known as "Creepshow."

"Although in the original anthology the stories — which were written in the old 1950s EC Comics style — were unconnected, the plan is to structure the new movie a la "Go," where individual stories will have interconnected characters and situations."

Forgive my disruntled demeanor upon hearing this news, but perhaps someone at WB needs a refresher course on what the word "anthology" means. With "interconnected characters and situations," you have what’s generally known as a "long story."

Variety reminds us that we reported on Platinum Dunes’ "Hitcher" remake a little while ago — by announcing the all-new director and screenwriter. Veteran music video director Dave Meyers will helm Rogue Pictures’ revisit of Robert Harmon‘s "The Hitcher," and he’ll be doing so from a screenplay penned by Jake Wade Wall, a relative newcomer who just wrote "When a Stranger Calls" for Simon West (also a remake).

Michael Bay‘s Platinum Dunes has become a certifiable horror remake machine, what with "The Texas Chainsaw Massacre" and "The Amityville Horror" proving to be such profitable projects — and next up on deck is "The Hitcher," which, as you probably remember, "starred C. Thomas Howell as a teen who picks up the hitchhiker from hell (Rutger Hauer), a serial killer who torments the youth by implicating him in each of his crimes."

Casting news will be shared as soon as its made available.

The long-awaited movie version of Douglas Adams‘ "The Hitchhiker’s Guide to the Galaxy" ended up in first place during its inaugural weekend, raking in a healthy (but not staggering) $21.7 million from just over 3,300 theaters. Hanging on in second place was last weekend’s "The Interpreter" which pulled in a fairly impressive $14.2m in its second weekend. Debuting in third place was …

the Ice Cube action thriller "xXx: State of the Union," which made a relatively disappointing $13.7m in over 3,800 theaters. Rounding out the Top 5 were "The Amityville Horror" with $8.1m ($55m total) and the Matthew McConaughey adventure flick "Sahara" with $6m ($57.1m total). Total box office is down from the same time last year, but that’s due to change once the Summer Movie Season gets started in full swing. Next week’s challengers are the horror remake "House of Wax," the Ridley Scott epic "Kingdom of Heaven," and the racially-charged drama "Crash." For more info on the past weekend’s box office, have a look at the Rotten Tomatoes Box Office page.

After remaking "The Texas Chainsaw Massacre" and "The Amityville Horror," as well as staking out "The Hitcher" for the same treatment, Michael Bay and his Platinum Dunes partners have yet another classic they want to revisit: "The Birds."Bay and producer Peter Guber plan to mount a second adaptation of Daphne Du Maurier‘s short story, which was also the inspiration for Alfred Hitchcock‘s horror classic from 1963. Universal owns the rights to the property and will be happy to produce the new birdfest, but they also thought Gus Van Sant‘s "Psycho" remake was a pretty great idea, too.

Not surprisingly, Sydney Pollack‘s "The Interpreter," starring Nicole Kidman and Sean Penn, took the #1 box office spot in its opening weekend. But while analysts predicted the flick would easily land in the top spot, the movie opened even stronger than expected. "The Interpreter" hauled in $22.8 million in over 2,700 theaters.In second place was "The Amityville Horror," which dropped about 40% in its sophomore weekend, but still snagged an extra $14 million. Paramount’s "Sahara" is still chugging along, pulling in $9m in its third weekend, while the Ashton Kutcher comedy "A Lot Like Love" debuted in 4th place with just over $7.5m. Rounding out the top five is "Kung Fu Hustle," which expanded from seven screens to 2,500, and raked in a solid $7.2 million. Released with little fanfare and no press screenings was the Anthony Anderson comedy "King’s Ransom," which debuted in tenth place with an anemic $2.2m. Next week marks the unofficial opening of the "summer" movie season, with two wide releases battling for supremacy: "XXX: State of the Union" and the long-awaited "The Hitchhiker’s Guide to the Galaxy." For a closer look at the multiplex numbers, make a stop at the Rotten Tomatoes Box Office Page!

No sooner is one remake an opening weekend hit than Michael Bay and his Platinum Dunes partners are press-releasing a new production. As "The Amityville Horror" was enjoying a smashing debut weekend, the Dunes boys announced that their next project will be a remake of Robert Harmon‘s 1986 cult classic "The Hitcher," which starred C. Thomas Howell as a terrorized motorist and Rutger Hauer as one of the coolest movie villains ever devised. Variety indicates that Mr. Bay might want to make a few changes for the new version: "Someone mentioned the title and I said, ‘That’s the one we should do,’ " Bay said. "I loved it as a kid, and we can add some cool twists and turn it into a rocking film." One possibility, he suggested, is to make the protagonist female." No word yet on who will be directing the new "Hitcher," but if "Chainsaw" and "Amityville" are any indication, expect it to be a first-timer.

Sure, sure, it was the only wide release to open this past weekend, so obviously "The Amityville Horror" was bound to hit the #1 spot. But what’s pleasantly surprising (to the producers, anyway) is the news that the haunted house remake scared up $23.3 million in over 3,300 theaters. Although "Amityville" did come up short of "Texas Chainsaw Massacre" and its $28 million opening frame, the filmmakers can take solace in the fact that "Horror" cost less than $20m to produce … and is therefore (almost) cutting a profit already.Hanging in at second place is last weekend’s "Sahara," which tallied just over $13m. Jimmy Fallon and Drew Barrymore‘s "Fever Pitch" was in third place with $8.8m, with "Sin City" ($6.7m) and "Guess Who" ($4.9m) closing out the Top 5. "Sahara" won an important battle by only slipping 28% in its second weekend, while I’m sure the Frank Miller fans will be pleased to know that "Sin City" has now crossed $60m in domestic sales. Looks like "Amityville" caught a break by having no new competition, but next week sees the release of three big-ticket titles ("The Interpreter," "A Lot Like Love," and "King’s Ransom"), plus the 2,000-theater expansion of Stephen Chow‘s "Kung Fu Hustle." Check out the Rotten Tomatoes Box Office Chart for a lot more of the hard numbers.

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