(Photo by Consolidated Pictures Group/courtesy Everett Collection)

80 Best Dog Movies, Ranked by Tomatometer

Dogs: Man’s best friend, movie’s most endangered hero. Seriously, how many times have we gone into a dog movie hoping we didn’t just get suckered into another one where the dog dies in the end? But some of those movies make up the classics. And some of those movies where the dog lives happily after ever, with a nice house and a bowl of kibble and a robust 401k, are also classics. And some dog movies ain’t so classic, but people love ’em anyways, so we’re including those, and all the other good boys and girls of canine cinema for our guide to the 80 Best Dog Movies, ranked by Tomatometer!

First, we’ve retrieved all the golden films of yesteryear, like Old Yeller, Lassie, and The Incredible Journey. Then we rescued those nearly forgotten from the kennels of history, including Wendy and Lucy, Sounder, and Megan Leavey. After that, we introduced them to the tearjerkers of today, such as Hachi: A Dog’s Tale and Marley and Me.

Because dogs can take on new dimensions of ferocity and cuteness in animation, there’s plenty to see here in this list. Take the Disney classics (The Fox and the Hound, Bolt). Add a little stop-motion (Isle of Dogs, Frankenweenie). And, of course, bring along the ones that can solve mysteries (Scooby-Doo), hold a job (Wallace, he of Gromit), and pilot their house (Snoopy, Come Home).

And we approached the dogs that could benefit from a little obedience school, like the ones in Cujo, White Dog, and its reverse friend White God. Also, because seekers of dog movies don’t necessarily mind some treacly sentiment the way critics do, we’re opening the doggie doors to some movies rated Rotten that audiences adore, like Balto and All Dogs Go to Heaven.

Finally, we took home some films that aren’t strictly known as dog movies (e.g. Umberto D, As Good As It Gets, I Am Legend) but whose (canine) stars play a significant role in the plot, and generate (human) character development.

Time to let all of them off the leash for the 80 Best Dog Movies, ranked by Tomatometer!

#80

The Stray (2017)
40%

#80
Adjusted Score: 31403%
Critics Consensus: No consensus yet.
Synopsis: Young Christian Davis finds a stray dog named Pluto and decides to bring it home to his parents and two... [More]
Directed By: Mitch Davis

#79
#79
Adjusted Score: 43439%
Critics Consensus: Despite hitting some sweet notes, Beverly Hills Chihuahua is little more than disposable family entertainment.
Synopsis: Chloe (Drew Barrymore), a pampered Chihuahua from Beverly Hills, gets an unwelcome taste of the real world when she gets... [More]
Directed By: Raja Gosnell

#78

101 Dalmatians (1996)
41%

#78
Adjusted Score: 41648%
Critics Consensus: Neat performance from Glenn Close aside, 101 Dalmatians is a bland, pointless remake.
Synopsis: Fashion designer Anita and computer-game writer Roger meet, fall in love and marry along with their dalmatians Perdita and Pongo.... [More]
Directed By: Stephen Herek

#77
Adjusted Score: 50879%
Critics Consensus: Its heartstring-tugging overtures may be difficult for dog lovers to resist, but The Art of Racing in the Rain is sentimental and contrived.
Synopsis: Denny Swift is a Formula One race car driver who understands that the techniques needed on the racetrack can also... [More]
Directed By: Simon Curtis

#76

Zeus and Roxanne (1997)
44%

#76
Adjusted Score: 29608%
Critics Consensus: No consensus yet.
Synopsis: Children engineer a romance between their single parents (Steve Guttenberg, Kathleen Quinlan), while his dog and her dolphin bond.... [More]
Directed By: George Miller

#75
#75
Adjusted Score: 44746%
Critics Consensus: No consensus yet.
Synopsis: In this animated feature, canine casino owner Charlie (Burt Reynolds) is killed by gambler Carface (Vic Tayback), but returns to... [More]
Directed By: Don Bluth

#74
Adjusted Score: 21933%
Critics Consensus: No consensus yet.
Synopsis: A mischievous puppy (Scott Wolf) joins a pack of strays when he leaves home to pursue a more exciting life.... [More]
Directed By: Darrell Rooney

#73

Air Bud (1997)
45%

#73
Adjusted Score: 45645%
Critics Consensus: No consensus yet.
Synopsis: Diffident in the wake of his father's death, high schooler Josh (Kevin Zegers) struggles to adapt to his new home... [More]
Directed By: Charles Martin Smith

#72

Hotel for Dogs (2009)
46%

#72
Adjusted Score: 49596%
Critics Consensus: Hotel for Dogs may appeal to children and dog lovers, but it's ultimately contrived, predictable, and simplistic.
Synopsis: After moving into a foster home that forbids pets, siblings Andi (Emma Roberts) and Bruce (Jake T. Austin) must quickly... [More]
Directed By: Thor Freudenthal

#71

Rock Dog (2016)
47%

#71
Adjusted Score: 50475%
Critics Consensus: Rock Dog is amiable enough, but its second-tier animation and uninspired story add up to a movie whose meager charms are likely to escape all but the youngest and least demanding viewers.
Synopsis: For the Tibetan mastiffs on Snow Mountain, a dog's life has a simple riff -- guard a peaceful village of... [More]
Directed By: Ash Brannon

#70

Benji the Hunted (1987)
55%

#70
Adjusted Score: 54056%
Critics Consensus: No consensus yet.
Synopsis: When a shipwreck separates the courageous dog Benji from his trainer (Frank Inn), the crafty canine must brave the dangers... [More]
Directed By: Joe Camp

#69

The Shaggy D.A. (1976)
50%

#69
Adjusted Score: 19056%
Critics Consensus: No consensus yet.
Synopsis: When successful lawyer Wilby Daniels (Dean Jones) returns from vacation to find his home has been burglarized, he decides to... [More]
Directed By: Robert Stevenson

#68

A Dog's Journey (2019)
51%

#68
Adjusted Score: 54581%
Critics Consensus: A Dog's Journey is as sentimental as one might expect, but even cynical viewers may find their ability to resist shedding a tear stretched to the puppermost limit.
Synopsis: Bailey is living the good life on the Michigan farm of his boy, Ethan and Ethan's wife Hannah. He even... [More]
Directed By: Gail Mancuso

#67
Adjusted Score: 14362%
Critics Consensus: No consensus yet.
Synopsis: Scooby and friends investigate creepy goings-on and a mystery involving a famous horror writer in a small Massachusetts town.... [More]
Directed By: Jim Stenstrum

#66

Oliver & Company (1988)
50%

#66
Adjusted Score: 53473%
Critics Consensus: Predictable and stodgy, Oliver & Company isn't one of Disney's best, though its colorful cast of characters may be enough to entertain young viewers looking for a little adventure.
Synopsis: In this animated update of the classic "Oliver Twist" tale, Oliver (Joey Lawrence) is an orphaned kitten taken in by... [More]
Directed By: George Scribner

#65

Turner & Hooch (1989)
52%

#65
Adjusted Score: 52813%
Critics Consensus: Tom Hanks makes Turner and Hooch more entertaining than it might look on paper, but ultimately, this is still a deeply silly comedy about a cop and a canine.
Synopsis: Det. Scott Turner (Tom Hanks) is an uptight, by-the-book police officer who hopes to leave his sleepy California town and... [More]
Directed By: Roger Spottiswoode

#64
Adjusted Score: 53323%
Critics Consensus: While a dull affair for parents, Clifford's Really Big Movie should charm its intended preschool audience.
Synopsis: A gigantic red dog (John Ritter) leaves home and becomes the main attraction at a traveling circus.... [More]
Directed By: Robert Ramirez

#63
Adjusted Score: 34713%
Critics Consensus: No consensus yet.
Synopsis: The Seaver family arrives at San Francisco International Airport to catch a flight to Canada. They check in their pets:... [More]
Directed By: David R. Ellis

#62

Balto (1995)
54%

#62
Adjusted Score: 54864%
Critics Consensus: Balto is a well-meaning adventure with spirited animation, but mushy sentimentality and bland characterization keeps it at paw's length from more sophisticated family fare.
Synopsis: In this animated feature, a deadly diphtheria epidemic strikes the remote town of Nome, Alaska. With the life-saving medicine located... [More]
Directed By: Simon Wells

#61

Cats & Dogs (2001)
53%

#61
Adjusted Score: 57293%
Critics Consensus: A great concept, but the movie fails to develop the characters and some of the jokes are hit-or-miss.
Synopsis: "Cats & Dogs" uncovers the truth about the high-tech, secret war being waged in neighborhoods everywhere that humans aren't even... [More]
Directed By: Lawrence Guterman

#60
#60
Adjusted Score: 58453%
Critics Consensus: An old-fashioned, if bland, adaptation of Kate DiCamillo's novel.
Synopsis: Abandoned by her mother years ago, Opal (AnnaSophia Robb), a 10-year-old girl, moves with her preacher father (Jeff Daniels) to... [More]
Directed By: Wayne Wang

#59
Adjusted Score: 30990%
Critics Consensus: No consensus yet.
Synopsis: While sailing off the shore of British Columbia, John McCormick (Bruce Davison), his son, Angus (Jesse Bradford), and the boy's... [More]
Directed By: Phillip Borsos

#58

A Dog's Way Home (2019)
59%

#58
Adjusted Score: 63185%
Critics Consensus: A Dog's Way Home may not quite be a family-friendly animal drama fan's best friend, but this canine adventure is no less heartwarming for its familiarity.
Synopsis: As a puppy, Bella finds her way into the arms of Lucas, a young man who gives her a good... [More]
Directed By: Charles Martin Smith

#57

Benji (2018)
60%

#57
Adjusted Score: 38550%
Critics Consensus: No consensus yet.
Synopsis: A dog comes to the rescue and helps heal a broken family when a boy and his sister stumble into... [More]
Directed By: Brandon Camp

#56
Adjusted Score: 14362%
Critics Consensus: No consensus yet.
Synopsis: Transported into a video game, the gang must survive different levels of difficulty to solve a mystery.... [More]
Directed By: Jim Stenstrum

#55
#55
Adjusted Score: 69766%
Critics Consensus: The Secret Life of Pets 2 doesn't teach its animated stars any new narrative tricks -- but for fans of the original, this funny, energetic sequel should still satisfy.
Synopsis: Explore the emotional lives of pets and the deep bond between them and the families that love them as Max,... [More]
Directed By: Chris Renaud

#54

Cujo (1983)
62%

#54
Adjusted Score: 64447%
Critics Consensus: Cujo is artless work punctuated with moments of high canine gore and one wild Dee Wallace performance.
Synopsis: In this tale of a killer canine, man's best friend turns into his worst enemy. When sweet St. Bernard Cujo... [More]
Directed By: Lewis Teague

#53
#53
Adjusted Score: 76282%
Critics Consensus: It's undermined by distracting and unnecessary CGI, but this heartwarming Call of the Wild remains a classic story, affectionately retold.
Synopsis: Buck is a big-hearted dog whose blissful domestic life gets turned upside down when he is suddenly uprooted from his... [More]
Directed By: Chris Sanders

#52

Iron Will (1994)
67%

#52
Adjusted Score: 66188%
Critics Consensus: No consensus yet.
Synopsis: His father's demise leaves young Will Stoneman (Mackenzie Astin) and his mother struggling to save their farm from financial ruin.... [More]
Directed By: Charles Haid

#51

Marley & Me (2008)
63%

#51
Adjusted Score: 67367%
Critics Consensus: Pet owners should love it, but Marley and Me is only sporadically successful in wringing drama and laughs from its scenario.
Synopsis: Newlyweds John and Jenny Grogan (Owen Wilson, Jennifer Aniston) leave behind snowy Michigan and move to Florida, where they buy... [More]
Directed By: David Frankel

#50

White Fang (1991)
65%

#50
Adjusted Score: 65791%
Critics Consensus: This glossy edition of White Fang shaves off the rough-hewn edges that made Jack London's epic story so distinct, but gorgeous photography and heartfelt performances make this an appealing adventure.
Synopsis: This adaptation of Jack London's wilderness tale focuses on young Jack Conroy (Ethan Hawke), who has arrived in Alaska to... [More]
Directed By: Randal Kleiser

#49

Dog Days (2018)
62%

#49
Adjusted Score: 65433%
Critics Consensus: Dog Days is frivolous but frothy, sporting a forgettable cast of human characters but a lovable troupe of pooches that ought to delight viewers looking for a gentle affirmation of humanity's bond with their furry friends.
Synopsis: Elizabeth is a charming anchorwoman who seeks advice from her dog's therapist. Tara is a spunky barista who dreams of... [More]
Directed By: Ken Marino

#48
#48
Adjusted Score: 64190%
Critics Consensus: No consensus yet.
Synopsis: A college professor (Richard Gere) forms a lasting bond with a dog that he finds on a train platform.... [More]
Directed By: Lasse Hallström

#47
#47
Adjusted Score: 67462%
Critics Consensus: Lady and the Tramp's cute dogs and likable cast work well enough, but the live-action update lacks some of the magic that made the original 1955 film such a delight.
Synopsis: In this heartwarming romantic adventure, a timeless re-telling of the 1955 animated classic, Lady, an overachieving, pampered American Cocker Spaniel... [More]
Directed By: Charlie Bean

#46

The Plague Dogs (1982)
63%

#46
Adjusted Score: 50330%
Critics Consensus: No consensus yet.
Synopsis: In this animation, Snitter (John Hurt) and Rowf (Christopher Benjamin) are two dogs trapped in a lab where they are... [More]
Directed By: Martin Rosen

#45
Adjusted Score: 15019%
Critics Consensus: No consensus yet.
Synopsis: A scrappy puppy tries to rescue his siblings after evil Cruella kidnaps them.... [More]
Directed By: Jim Kammerud, Brian Smith

#44

The Shaggy Dog (1959)
68%

#44
Adjusted Score: 69135%
Critics Consensus: No consensus yet.
Synopsis: The son of dog-hating former mailman Wilson Daniels (Fred MacMurray), young Wilby (Tommy Kirk) accidentally becomes a canine himself when... [More]
Directed By: Charles Barton

#43

I Am Legend (2007)
68%

#43
Adjusted Score: 77389%
Critics Consensus: I Am Legend overcomes questionable special effects and succeeds largely on the strength of Will Smith's mesmerizing performance.
Synopsis: Robert Neville (Will Smith), a brilliant scientist, is a survivor of a man-made plague that transforms humans into bloodthirsty mutants.... [More]
Directed By: Francis Lawrence

#42
#42
Adjusted Score: 70029%
Critics Consensus: No consensus yet.
Synopsis: Young Marty (Zachary Browne) adopts Shiloh, a beagle mistreated by its former owner, local hunter and town drunk Judd (Scott... [More]
Directed By: Sandy Tung

#41
#41
Adjusted Score: 71582%
Critics Consensus: The Fox and the Hound is a likeable, charming, unassuming effort that manages to transcend its thin, predictable plot.
Synopsis: After his mother is killed, Tod the fox (Mickey Rooney) is taken in by the kindly Widow Tweed (Jeanette Nolan).... [More]

#40
Adjusted Score: 39354%
Critics Consensus: No consensus yet.
Synopsis: In this sequel, the hero of the first film, Jack Conroy, passes the torch to adventure-seeker Henry Casey (Scott Bairstow)... [More]
Directed By: Ken Olin

#39

Eight Below (2006)
72%

#39
Adjusted Score: 78241%
Critics Consensus: Featuring a stellar cast of marooned mutts, who deftly display emotion, tenderness, loyalty and resolve, Eight Below is a heartwarming and exhilarating adventure film.
Synopsis: The frozen wasteland of Antarctica serves as the background for a tale about the bonds of friendship and loyalty. Three... [More]
Directed By: Frank Marshall

#38

Shiloh (1997)
73%

#38
Adjusted Score: 59230%
Critics Consensus: No consensus yet.
Synopsis: Young Marty Preston (Blake Heron) wants to keep a beagle dog that followed him home. He even names him Shiloh.... [More]
Directed By: Dale Rosenbloom

#37

My Dog Skip (2000)
73%

#37
Adjusted Score: 75633%
Critics Consensus: Critics say My Dog Skip is cute, wholesome entertainment for the family. It's especially designed to appeal to your sentiment, but you might find yourself choking up just the same.
Synopsis: Who says best friends have to be human? Not Willie Morris (Frankie Muniz), who receives a talented terrier named Skip... [More]
Directed By: Jay Russell

#36
#36
Adjusted Score: 86698%
Critics Consensus: Fast-paced, funny, and blessed with a talented voice cast, The Secret Life of Pets offers a beautifully animated, cheerfully undemanding family-friendly diversion.
Synopsis: Max (Louis C.K.) is a spoiled terrier who enjoys a comfortable life in a New York building until his owner... [More]
Directed By: Chris Renaud

#35

Wiener-Dog (2016)
74%

#35
Adjusted Score: 80781%
Critics Consensus: For filmgoers predisposed to enjoy Todd Solondz' brand of black comedy, Wiener-Dog won't disappoint -- but those put off by previous works need not apply.
Synopsis: A cute dachshund puppy finds itself shuffled from one oddball owner to the next, including two couples, a veterinary nurse... [More]
Directed By: Todd Solondz

#34
#34
Adjusted Score: 77574%
Critics Consensus: An offbeat, eccentric black comedy, A Boy and His Dog features strong dialogue and an oddball vision of the future.
Synopsis: Vic (Don Johnson) is a libidinous 18-year-old traversing the post-apocalyptic desert of 2024, in the company of his telepathic dog,... [More]
Directed By: L.Q. Jones

#33
Adjusted Score: 17934%
Critics Consensus: No consensus yet.
Synopsis: When their van breaks down in a remote desert town, Scooby and the gang find themselves surrounded by aliens.... [More]
Directed By: Jim Stenstrum

#32

White Fang (2018)
80%

#32
Adjusted Score: 51397%
Critics Consensus: No consensus yet.
Synopsis: A young boy befriends a half-breed wolf as he searches for his father, who has mysteriously gone missing during the... [More]
Directed By: Alexandre Espigares

#31
Adjusted Score: 77723%
Critics Consensus: No consensus yet.
Synopsis: A cat and a dog find perils and mates after straying from their farm in Japan. Narrated by Dudley Moore.... [More]
Directed By: Masanori Hata

#30

Alpha (2018)
80%

#30
Adjusted Score: 87545%
Critics Consensus: Well-acted and beautifully filmed, Alpha offers a canine-assisted epic adventure that blends rousing action with an extra helping of canine charm.
Synopsis: Young Keda tries to survive alone in the wilderness after he's left for dead during his first hunt with his... [More]
Directed By: Albert Hughes

#29

Baxter (1989)
89%

#29
Adjusted Score: 37918%
Critics Consensus: No consensus yet.
Synopsis: A bull terrier observes the behavior of an old lady, a young couple and a troubled boy and adapts his... [More]
Directed By: Jérôme Boivin

#28

Red Dog (2011)
83%

#28
Adjusted Score: 83695%
Critics Consensus: No consensus yet.
Synopsis: A dog unites a fractured community while searching for its master.... [More]
Directed By: Kriv Stenders

#27
#27
Adjusted Score: 89981%
Critics Consensus: James L. Brooks and Jack Nicholson, doing what they do best, combine smart dialogue and flawless acting to squeeze fresh entertainment value out of the romantic-comedy genre.
Synopsis: Melvin Udall (Jack Nicholson) is an obsessive-compulsive writer of romantic fiction who's rude to everyone he meets, including his gay... [More]
Directed By: James L. Brooks

#26

Wendy and Lucy (2008)
85%

#26
Adjusted Score: 92420%
Critics Consensus: Michelle Williams gives a heartbreaking performance in Wendy and Lucy, a timely portrait of loneliness and struggle.
Synopsis: Wendy (Michelle Williams), a near-penniless drifter, is traveling to Alaska in search of work, and her only companion is her... [More]
Directed By: Kelly Reichardt

#25
Adjusted Score: 45007%
Critics Consensus: No consensus yet.
Synopsis: Scooby (Scott Innes) and the rest of the Mystery, Inc., crew encounter creepy characters at a haunted house on a... [More]
Directed By: Jim Stenstrum

#24

Benji (1974)
86%

#24
Adjusted Score: 69398%
Critics Consensus: No consensus yet.
Synopsis: Stray dog Benji doesn't need an owner, preferring to roam freely all over his friendly Texas town. He delights in... [More]
Directed By: Joe Camp

#23

Oddball (2015)
87%

#23
Adjusted Score: 86530%
Critics Consensus: No consensus yet.
Synopsis: A chicken farmer and his granddaughter train a dog to protect a penguin sanctuary from foxes.... [More]
Directed By: Stuart McDonald

#22
Adjusted Score: 87908%
Critics Consensus: Disney's remake of The Incredible Journey successfully replicates, and in some ways improves upon, the simple charms of the original, with its cross-country animal odyssey sure to delight kids.
Synopsis: Before the Seavers leave for a family vacation to San Francisco, they drop off their pets -- Chance (Michael J.... [More]
Directed By: Duwayne Dunham

#21

Megan Leavey (2017)
86%

#21
Adjusted Score: 92166%
Critics Consensus: Megan Leavey honors its real-life subjects with a sensitive, uplifting drama whose honest emotion more than makes up for its mild approach to the story.
Synopsis: The true life story of Megan Leavey, a young Marine corporal whose unique discipline and bond with a military combat... [More]

#20

Frankenweenie (2012)
87%

#20
Adjusted Score: 96453%
Critics Consensus: Frankenweenie is an energetic stop-motion horror movie spoof with lovingly crafted visuals and a heartfelt, oddball story.
Synopsis: Young Victor Frankenstein (Charlie Tahan) is a science nerd and outsider at school, but he does have one good friend:... [More]
Directed By: Tim Burton

#19

Lassie (1994)
88%

#19
Adjusted Score: 87267%
Critics Consensus: No consensus yet.
Synopsis: On their way to start a new life at a sheep farm in rural Virginia, the Turner family are halted... [More]
Directed By: Daniel Petrie

#18
#18
Adjusted Score: 88064%
Critics Consensus: No consensus yet.
Synopsis: An unlikely trio of pets -- aging bull terrier Bodger, spry Labrador retriever Luath, and Siamese cat Tao -- begin... [More]
Directed By: Fletcher Markle

#17

White God (2014)
88%

#17
Adjusted Score: 92021%
Critics Consensus: White God isn't an easy watch, but its soaring ambition and powerful acting -- human and canine alike -- make it well worth the effort.
Synopsis: Failing in his efforts to find his beloved owner (Zsófia Psotta), an abandoned dog eventually joins a canine revolt against... [More]
Directed By: Kornél Mundruczó

#16

Sounder (1972)
90%

#16
Adjusted Score: 91612%
Critics Consensus: No consensus yet.
Synopsis: The Morgans, a family of poor black sharecroppers in the Depression-plagued South, struggle to find enough to eat despite the... [More]
Directed By: Martin Ritt

#15

Bolt (2008)
89%

#15
Adjusted Score: 96474%
Critics Consensus: Bolt is a pleasant animated comedy that overcomes the story's familiarity with strong visuals and likable characters.
Synopsis: The days of canine superstar Bolt (John Travolta) are filled with danger and intrigue ... until the cameras stop rolling.... [More]

#14

Togo (2019)
92%

#14
Adjusted Score: 93560%
Critics Consensus: An endearing and exciting underdog story that benefits greatly from its stars (canine and human alike), Togo is a timeless tale, well-told.
Synopsis: "Togo" is the true story set in the winter of 1925 of champion dogsled trainer Leonhard Seppala and his lead... [More]
Directed By: Ericson Core

#13

My Dog Tulip (2009)
90%

#13
Adjusted Score: 91585%
Critics Consensus: A beautifully animated diversion, My Dog Tulip is as comforting and delightful as cuddling with your own canine companion.
Synopsis: Despite a lack of affinity for dogs, a confirmed bachelor (Christopher Plummer) adopts an Alsatian and forms a close bond... [More]

#12

Isle of Dogs (2018)
90%

#12
Adjusted Score: 111580%
Critics Consensus: The beautifully stop-motion animated Isle of Dogs finds Wes Anderson at his detail-oriented best while telling one of the director's most winsomely charming stories.
Synopsis: When, by executive decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island,... [More]
Directed By: Wes Anderson

#11

White Dog (1982)
93%

#11
Adjusted Score: 92425%
Critics Consensus: No consensus yet.
Synopsis: An animal-trainer (Paul Winfield) tries to deprogram an actress's (Kristy McNichol) found dog, trained for racial attacks.... [More]
Directed By: Samuel Fuller

#10
#10
Adjusted Score: 92742%
Critics Consensus: No consensus yet.
Synopsis: Charlie Brown's (Chad Webber) beloved dog Snoopy (Bill Melendez) receives a letter from his original owner, Lila (Johanna Baer), who... [More]
Directed By: Bill Melendez

#9

Lassie (2005)
93%

#9
Adjusted Score: 94334%
Critics Consensus: A beautifully-made retelling of the classic collie tale, one need not be a dog-lover to fall for Lassie.
Synopsis: Young Joe Carraclough (Jonathan Mason) and his family (Samantha Morton, John Lynch) love their faithful collie, Lassie. However, when Joe's... [More]
Directed By: Charles Sturridge

#8
#8
Adjusted Score: 97157%
Critics Consensus: A nostalgic charmer, Lady and the Tramp's token sweetness is mighty but the songs and richly colored animation are technically superb and make for a memorable experience.
Synopsis: This Disney animated classic follows a pampered cocker spaniel named Lady (Barbara Luddy) whose comfortable life slips away once her... [More]

#7

Lassie Come Home (1943)
94%

#7
Adjusted Score: 94707%
Critics Consensus: No consensus yet.
Synopsis: In a small Yorkshire village during the Great Depression, financial pressures cause the parents of young Joe Carraclough (Roddy McDowall)... [More]
Directed By: Fred M. Wilcox

#6

Best in Show (2000)
93%

#6
Adjusted Score: 97140%
Critics Consensus: A fine example of writer-director-star Christopher Guest's gift for improv comedy, Best in Show boasts an appealingly quirky premise and a brilliantly talented cast.
Synopsis: The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds... [More]
Directed By: Christopher Guest

#5
Adjusted Score: 102223%
Critics Consensus: The Curse of the Were-Rabbit is a subtly touching and wonderfully eccentric adventure featuring Wallace and Gromit.
Synopsis: ... [More]
Directed By: Steve Box

#4

Heart of a Dog (2015)
96%

#4
Adjusted Score: 99985%
Critics Consensus: Of a piece with much of director Laurie Anderson's idiosyncratic output, Heart of a Dog delves into weighty themes with lyrical, haunting grace.
Synopsis: Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved... [More]
Directed By: Laurie Anderson

#3

Umberto D (1952)
97%

#3
Adjusted Score: 100133%
Critics Consensus: Anchored by Carlo Battisti's moving performance as Umberto D, Vittorio de Sica's deeply empathetic character study is a bracing glimpse into the lives of the downtrodden.
Synopsis: When elderly pensioner Umberto Domenico Ferrari (Carlo Battisti) returns to his boarding house from a protest calling for a hike... [More]
Directed By: Vittorio De Sica

#2
Adjusted Score: 102963%
Critics Consensus: With plenty of pooches and a memorable villain (Cruella De Vil), this is one of Disney's most enduring, entertaining animated films.
Synopsis: In a Disney animation classic, Dalmatian Pongo is tired of his bachelor-dog life. He spies lovely Perdita and maneuvers his... [More]

#1

Old Yeller (1957)
100%

#1
Adjusted Score: 101991%
Critics Consensus: Old Yeller is an exemplary coming of age tale, packing an emotional wallop through smart pacing and a keen understanding of the elemental bonding between humanity and their furry best friends.
Synopsis: While Jim Coates (Fess Parker) is off on a cattle drive, his wife, Katie (Dorothy McGuire), and sons, Travis (Tommy... [More]
Directed By: Robert Stevenson

(Photo by Warner Bros. Pictures/Courtesy Everett Collection)

In Wes Anderson movies, dogs usually get the short end of the whimsy stick. The rampage began in The Royal Tenenbaums, when the family beagle is crushed by a car driven by Owen Wilson on mescaline. Since then, dogs are routinely killed, poisoned, and abandoned. As if to repent, Anderson is releasing a new stop-motion adventure all about dogs…who are crushed, killed, poisoned, and abandoned. But, hey, it’s called Isle of Dogs, a pun when said aloud about how much Anderson loves man’s best friend. Sure, dude.

Seriously, though, Isle of Dogs is a terrific tribute to the purity and loyal spirit of dogs, one that also can’t help take a few potshots at cats . The cats versus dogs debate has been raging since time immemorial, but today we’re going to solve it like true 21st century people: by throwing up a bunch of numbers on your screen! We’ve taken the 20 highest-rated dog movies, and the 20 highest-rated cat movies, and averaged out a Tomatometer for each list. The animal has to be the main crux of the plot, and movies where the dogs and cats share top billing are not included — so no Incredible Journeys or Milos & Otiseses.

20 Best Dog Movies
Old Yeller: 100%
101 Dalmatians: 98%
Heart of a Dog: 96%
Lassie Come Home: 94%
Best in Show: 94%
Lassie (2006): 93%
Snoopy, Come Home:92%
White Dog: 92%
Lady and the Tramp: 90%
My Dog Tulip: 90%
Bolt: 89%
White God: 89%
Lassie (1994): 88%
Frankenweenie: 87%
Benji: 86%
Wendy and Lucy: 85%
A Boy and His Dog: 75%
My Dog Skip: 73%
Eight Below: 72%
White Fang 2: Myth of the White Wolf: 71%
AVERAGE: 88%

20 Best Cat Movies
Kedi: 98%
Born Free: 94%
The Rabbi’s Cat: 94%
That Darn Cat!: 93%
Duma: 93%
The Lion King: 92%
The Cat Returns: 90%
Harry and Tonto: 88%
The Black Cat: 87%
Puss in Boots: 84%
A Cat in Paris: 82%
Two Brothers: 78%
Keanu: 78%
A Street Cat Named Bob: 76%
The Lion King 1 1/2: 76%
The Cat from Outer Space: 75%
Disneynature African Cats: 71%
Roar: 70%
The Aristocats: 67%
Cat’s Eye: 67%
AVERAGE: 82%

The Tomatometer speaks (or barks, in this case): Dog movies get the edge over cats! But why stop there? Continue on as we break down the stats even further.


RUFF SKETCHES & FE-LINE DRAWING

Buena Vista Pictures/courtesy Everett Collection

Animated dog movies: 101 Dalmatians, Snoopy, Come Home, Lady and the Tramp, My Dog Tulip, Bolt, Frankenweenie
Average Tomatometer: 91%

Animated cat movies: The Rabbi’s Cat, The Lion King, The Cat Returns, Puss in Boots, A Cat in Paris, The Lion King 1 1/2, The Aristocats
Average Tomatometer: 84%

With a little imagination, you can draw a line from the earliest cave drawings to Space Chimps 2: Zartog Strikes Back. Since the beginning, we’ve observed and studied animals around us, for re-creation on whatever canvas available. So it’s no surprise that cartoons, our updated cave art, are synonymous with talking animals, and that a significant portion of the top 20 cats and dog movies are animated. For our canine pals, the average Tomatometer for the seven animated movies is 91%. For our kitty compatriots, the T-meter for the six animated movies equals 84%, thanks to Walt Disney (The Lion King), Studio Ghibli (The Cat Returns), and Dreamworks (Puss in Boots). Why has Pixar not made the effort? Are they secretly running some anti-cat ring from their basement dungeon in Emeryville? Look into it, people.


DOGS & CATS LIVING TOGETHER, MASS HYSTERIA

Oscilloscope/courtesy Everett Collection

Dog documentaries: Heart of a Dog
Tomatometer: 96%

Cat documentaries: Kedi, African Cats
Tomatometer: 88%

Two documentaries pop up on the cat list: Kedi, an endearing look at strays in Instanbul, and African Cats, featuring cheetahs and lions in Kenya. From the streets to the tundra to your apartment, cats remain in our eyes independent, mysterious, and almost otherwordly. Probably why we make more documentaries about them than dogs. Dog movies revolve around their connection with humans, good fodder for tugging at the heart strings in narrative films. And the only dog documentary here, Heart of a Dog, is indeed about a dog’s bond with its master, artist Laurie Anderson. It’s 96% on the Tomatometer, while the two cat documentaries average 88%.


KILL YOUR (ANIMAL) DARLINGS


Movies where the dog dies:
Old Yeller, White Dog, My Dog Tulip, My Dog Skip, Eight Below
Average Tomatometer: 86%

Movies where the cat dies: The Lion King, Harry & Tonto, The Black Cat
Average Tomatometer: 88%

Some people refuse to watch movies knowing the dog is going to die. But how does canine death affect the Tomatometer? Movies where a dog is killed (on-screen or off) average 86%, two percentage points down from the top 20’s 88%. But when the cat dies, the average Tomatometer actually goes up, also to a healthy 88%. What happened to the stereotype of film critics being cat people? Or is this all some twisted projection of resentment upon their own pets? You be the judge.


BITING THE HAND

Criterion Collection

Movies where the dog bites someone: White God, 101 Dalmatians, White Dog, A Boy and His Dog, White Fang 2
Average Tomatometer: 85%

Movies where the cat scratches someone: Two Brothers, Puss in Boots, Roar, Cat’s Eye
Average Tomatometer: 75%

Enough about killing your pets. What happens when feral instinct rears its furry head and cats and dogs attack people? With dogs, critics seem pretty okay with it: the average Tomatometer only drops to 85%, and frankly, some of the people deserve it, like the burglars in 101 Dalmatians. And we’re including Blood from A Boy and His Dog; he doesn’t bite anybody, but he does help himself to some human delicacies, if you catch our post-apocalyptic drift. Meanwhile, critics are no fans of cat scratch fever: the average rating drops to 75% in movies where cats go on the offense. Keep those claws in your paws, kittens.

A terrorist attack is played out through multiple perspectives in the high-octane political thriller Vantage Point which leads the four-pack of new openers which also includes three small comedies. Sony will score its first number one hit since October with this star-driven actioner which boasts a cast that features Dennis Quaid, Forest Whitaker, Sigourney Weaver, Matthew Fox, and William Hurt. The PG-13 pic has the biggest marketing and distribution push of any new release this weekend so a comfortable lead over its competitors should be expected. None of the actors are guaranteed box office sensations, but together they equal one big bankable A-lister.

Adults will make up the primary age group and appeal seems strong to both males and females. The intriguing style of the film will make it stand out from the crowd, although fellow action options Jumper and Fool’s Gold will provide some competition. Plus many adults will be preoccupied with their last chance to see the Oscar nominees before Sunday night’s big show. The five Best Picture candidates banked $14M over Presidents’ Day weekend. Vantage Point should play to the same folks that came out for other star-driven non-special effects action and suspense pics from this time of year like Sahara ($18.1M), The Interpreter ($22.8M) and Premonition ($17.6M). Attacking over 3,000 locations, Vantage Point could open to about $21M this weekend.


Vantage Point

Jack Black and Mos Def star in the video store comedy Be Kind Rewind playing two men who recreate top Hollywood movies after their tapes get damaged. The PG-13 film from New Line comes from acclaimed French director Michel Gondry who after Eternal Sunshine of the Spotless Mind and The Science of Sleep has built up his share of fans on this side of the Atlantic. A marketplace full of new comedies will split that crowd so Rewind will have to rely on fans of the director and stars to come out. Jumper and Vantage Point will also take mainstream moviegoers out of the picture. Breaking into roughly 800 theaters, Be Kind Rewind could bow to about $3M.


Mos Def and Jack Black in Driving Miss Daisy, er, Be Kind Rewind

Larry the Cable Guy returns for more blue collar humor in the Lionsgate comedy Witless Protection opening on Friday. The standup comedian plays a small town sheriff that kidnaps a woman in FBI custody for a road trip to solve a case. Rated PG-13, the pic has the goal of establishing the funnyman as a box office draw, but if the grosses of his last two films are any indication, this one will be gunned down quickly. Two years ago, Larry the Cable Guy: Health Inspector debuted to $6.9M while last year’s Delta Farce slumped by half to a $3.4M bow. Diminishing returns could again be in order especially since Witless will not be released as wide. Opening in 1,333 locations, Witless Protection might collect about $3M this weekend.


Larry the Cable Guy and Jenny McCarthy in Witless Protection

After many delays, MGM releases the comedy Charlie Bartlett which stars that iron guy Robert Downey Jr., Hope Davis, and Anton Yelchin as the title character. The R-rated film tells of a private school kid who becomes an underground shrink and pill pusher in public school. Teens are a core component of the target audience, but the restrictive rating will keep many of them out. The marketing push has not been strong and a lack of starpower and excitement will keep the grosses low. Juno‘s brand of high school fun in its 12th weekend could see a bigger audience. Entering about 1,000 theaters, Charlie Bartlett may debut to around $2M.


Anton Yelchin and Robert Downey, Jr. in Charlie Bartlett

Fox’s sci-fi actioner Jumper should take a big jump down this weekend. Word-of-mouth is not all that great and Vantage Point will steal away much of the action crowd. Look for a 50% drop to about $13.5M which would give the Hayden Christensen flick $57M in eleven days.

The Spiderwick Chronicles got off to a solid start last weekend as the only major offering for families and with no new kidpics entering the scene, a smaller decline is assured. Sophomore drops for Disney’s own Presidents’ Day weekend films from the past two years were 37% for Bridge to Terabithia and 21% for 2006’s Eight Below. Spiderwick could fall in between with a 30% fall giving Paramount $13M for the frame and $44M after eleven days.

Following a potent debut, Step Up 2 The Streets will suffer a sizable drop. The dance sequel may lose 45% of its take and gross $10M pushing the eleven-day cume to $42M. Warner Bros. should see its comedy adventure Fool’s Gold drop by 35% to around $8M. Total would climb to $54M.

LAST YEAR: Spending its second weekend on top, Sony’s Ghost Rider starring Academy Award winner Nicolas Cage fell hard but still pulled in $20.1M to top the box office over Oscar weekend. Jim Carrey gave horror a chance with The Number 23 and debuted in second with a solid $14.6M bow. The New Line release eventually grossed $35.2M and was the first of many thrillers in 2007 that marked major Hollywood stars doing their first scary movies. Disney’s Bridge to Terabithia slipped one spot to third with $14.2M in its sophomore frame. Fox’s comedy Reno 911!: Miami debuted in fourth with $10.3M representing half of its eventual $20.3M final tally. Fellow comedy Norbit rounded out the top five with $9.8M in its third session. Opening at the lower rungs of the top ten were the Billy Bob Thornton drama The Astronaut Farmer with $4.5M and the slave trade drama Amazing Grace with $4.1M from a more limited release. Totals reached $11M for Warner Bros. and $21.3M for Goldwyn/Roadside Attractions.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

One super hero on a motorcycle looks to get replaced by four middle-aged bikers at the number one spot at the North American box office this weekend.

The new comedy "Wild Hogs" leads the pack of new releases with the widest release of the trio. Also debuting are the serial killer thriller "Zodiac" and the southern sizzler "Black Snake Moan" to kick of a March movie marathon.

Starpower is at the center of Buena Vista’s new highway to hell comedy "Wild Hogs." The PG-13 film brings together Tim Allen, John Travolta, Martin Lawrence, and William H. Macy as four suburban men who take to the road to put some adventure back into their lives. An adult audience is likely here and both genders should be represented fairly evenly. Star wattage and concept should sell the picture and trailers and commercials haven’t been half bad. The studio saw encouraging results from its sneak previews last Saturday which were at 85% capacity and skewed 51% male. "Wild Hogs" could reach the same audience that came out for Travolta’s "Be Cool" and "Ladder 49" which opened to $23.5M and $22.1M, respectively. Both Travolta and Allen have been out promoting the film aggressively so awareness is sizable. Opening in about 3,300 theaters, "Wild Hogs" may take in around $23M in ticket sales this weekend giving Allen a badly-needed hit.


Several actors attempt to kickstart their stalled careers in "Wild Hogs."

Jake Gyllenhaal, Robert Downey Jr., and Mark Ruffalo star in the new serial killer pic "Zodiac" from director David Fincher ("Seven," "Panic Room"). The R-rated film chronicles the investigation behind one of the most notorious and mysterious murderers of the twentieth century. Paramount has long had a solid track record at finding success from crime thrillers with its slick marketing. For this particular film, the studio is hoping that the public does not find out that it is in for a nearly three hour saga. The running time should cut into the box office potential of the film since theaters will have to offer one less showtime per day compared to most other movies. A more subdued theater count will play a role too.

Still some appealing names are being offered in front of and behind the camera. Older adults are more likely to show up as the subject matter is too ancient for those in their early 20s. Films about famous California murders were met with indifference last fall in the other 49 states when Ben Affleck‘s "Hollywoodland" and Josh Hartnett‘s "The Black Dahlia" opened nationally to just $5.9M and $10M, respectively. "Zodiac" is a little more modern and is being packaged in a better way so its debut should be stronger. But the film lacks a star that can really bring some bang to the box office right out of the gate. Critics have been very supportive which will help with the older target audience. Attacking 2,362 theaters, "Zodiac" might find itself with about $16M this weekend.


Contemplating horoscopes is emotionally draining in "Zodiac."

With the eye-catching image of an older black man chaining up a young scantily clad white woman, Paramount Vantage’s "Black Snake Moan" already has one of the year’s most memorable posters. The new R-rated entry from writer/director Craig Brewer is the follow-up to his 2005 hit "Hustle & Flow" which won an Oscar last year for best song. With some more cash and bigger stars, "Snake" features Samuel L. Jackson as a Bible-loving blues guitarist who finds and cares for a beaten, bruised, and half-naked woman with a disturbing past played by Christina Ricci. Justin Timberlake adds some starpower with his second film of the year following
January’s "Alpha Dog."

"Black Snake Moan" should appeal to much of the "Hustle" crowd. That film was a summer opener and bowed to $8M from just over 1,000 locations for a solid $7,915 average. Jackson is always a wild card at the box office as many of the films he anchors do not pull in the big numbers while his ensemble pics tend to thrive. Here, he is the main draw. Competition from other contenders should not be that much of a factor as the film will work if audiences find it cool. Reviews have been generally favorable so that could provide an assist at the turnstiles. Young adults not interested in Vincent Vega and Santa on choppers might go for a more bold moviegoing choice like this. Opening in 1,252 locations, "Black Snake Moan" may debut with about $8M.


Ricci and Jackson in "Black Snake Moan."

After leading the pack for two weeks, Sony’s "Ghost Rider" will get passed up by some of the new releases this weekend. A 50% drop to about $10M seems likely giving the Nicolas Cage film $93M in 17 days.

Disney should enjoy a better hold for its fantasy drama "Bridge to Terabithia" since its audience is a little too young for the newcomers. A 35% decline would leave the PG-rated film with roughly $9M for the frame and push the 17-day cume up to $58M. Jim Carrey on the other hand should tumble with his thriller "The Number 23" which will see some direct competition from "Zodiac." A 55% drop would leave New Line with $7M over the weekend and $25M after ten days.

LAST YEAR: Tyler Perry stayed at number one for the second straight weekend with the Lionsgate comedy "Madea’s Family Reunion" which grossed $12.6M despite a hefty sophomore drop. Opening close behind in the runnerup spot was the Bruce Willis actioner "16 Blocks" with $11.9M on its way to $36.9M for Warner Bros. Disney’s family adventure "Eight Below" held up well in its third ride grossing $10.1M for third place. Debuting with unimpressive results were Sony’s action flick "Ultraviolet" with $9.1M in fourth and Fox’s drama "Aquamarine" with $7.5M in fifth. Final grosses reached $18.5M and $18.6M, respectively. Opening with decent results was "Dave Chappelle’s Block Party" with $6.2M for Focus from 1,200 theaters on its way to $11.7M overall.

Source: Gitesh Pandya, www.BoxOfficeGuru.com

Following a busy holiday weekend when five new releases opened nationwide, the crowded marketplace will now face another four new films invading multiplexes everywhere.

Jim Carrey tries out the horror genre in "The Number 23," TV comedy comes to the big screen in "Reno 911!: Miami," Billy Bob Thornton longs to be in outer space in "The Astronaut Farmer," and more frights pop up in "The Abandoned." Overall ticket sales should simmer down after the record Presidents’ Day holiday weekend led by "Ghost Rider" which will fight to keep its box office crown. Meanwhile, aging Oscar contenders will compete over last-minute biz ahead of Sunday’s Academy Awards which will bring some drama of its own.

After tackling comedy, drama, super hero flicks, and kids movies, Jim Carrey explores his darker side in the new psychological thriller "The Number 23." The Riddler reteams with his "Batman Forever" director Joel Schumacher in this R-rated story about a man obsessed with a book that seems to reveal mysteries about his own past. Virginia Madsen co-stars. Older teens and young adults will make up the target audience here and many in the horror camps will come out of curiosity too. The title is strong and the marketing has been solid so "23" will be able to make a serious challenge for the top spot. Jim Carrey’s starpower will be put to the test once again since this is not a "Bruce Almighty" or "Liar, Liar" situation. Actually, "23" might post one of the best openings of his career for a non-comedy. Maybe if it opens big, he’ll be cast in one of the next twenty-three "Saw" films. Opening in over 2,500 locations this weekend, the new Carrey film may end up grossing $23M – $2M – $3M.


Jim Carrey goes whacko due to "The Number 23."

After making a mint on "Borat," Fox looks to another raunchy comedy for some income. "Reno 911!: Miami" finds the cast of the popular Comedy Central series hitting the road to Florida for a national convention. The R-rated pic will play almost exclusively to fans of the show which while successful, is not really a runaway smash so the potential could be limited. Trailers and commercials actually look funny so a slightly wider crowd may come in. Though "23" could not be more different of a film, it will still offer plenty of competition for older teens and young adults. Moviegoers paying top dollar for a ticket are more likely to try out a Jim Carrey film, even if he’s testing out a new genre. By not screening for critics and releasing the film in the most theaters of any new release this weekend, Fox is basically hoping that those who have seen the show will come out and give this one a try. Steep declines in subsequent weeks are assured. But for the opening frame, a debut in 2,702 venues could lead to a weekend tally of around $14M for "Reno 911!: Miami."


Our favorite careening cops are ready to take on Miami.

Billy Bob Thornton plays an ex-astronaut who tends to his farm in the aptly-titled "The Astronaut Farmer" from Warner Bros. The PG-rated film co-stars Virginia Madsen who pulls double duty this weekend playing the wife to both a bad santa and a grinch. The former Mr. Jolie sells more tickets when he’s not the anchor of a film, so it could be a rough ride this weekend. Appeal to teens and young adults seems weak as the turnout could come from older adults who may also bring with them younger children thanks to the rating. With the violence of "Ghost Rider" and the debut of a trio of R-rated pics, there could be an opportunity with the family crowd. That is, if they already have seen "Bridge to Terabithia." The marketing push has not been too loud so don’t expect a high altitude here. "The Astronaut Farmer" opens in over 2,000 theaters on Friday and may find itself with about $8M.


Billy Bob has the right stuff in "The Astronaut Farmer."

Hitting theaters on a pitstop to what could be solid DVD revenue, the horror film "The Abandoned" enters the marketplace as the weekend’s other new scary movie. The R-rated film tells the story of an American woman who finds terror in Russia when she sets out to find her birth parents. Obviously, opening against Jim Carrey’s new spookfest will hurt the grosses for "The Abandoned." If it were a PG-13 film aimed at teenage girls, it could have been another story, but those over the age of 17 who want a fright will be thinking "23." Lionsgate is only launching "The Abandoned" in about 1,250 locations so a mild $3M gross could result.


No reviews, and no other photos for "The Abandoned."

Last weekend, Nicolas Cage enjoyed a record-breaking Presidents’ Day opening with "Ghost Rider" which grabbed $45.4M over the three-day portion of its holiday bow. The Marvel super hero flick opened much like 2003’s "Daredevil" which launched on the same frame and suffered a 55% drop on the sophomore session. "Ghost Rider" should see similar results as it also attracted much of its fan base last weekend and is facing the same level of competition that the Ben Affleck actioner saw in its second attack. Look for "Ghost Rider" to burn up another $20M which would lift its ten-day tally to $79M.

Disney’s "Bridge to Terabithia" should enjoy a better hold since there is little new competition for its family audience. A 30% decline would give the PG-rated fantasy around $16M for the weekend and a solid $48M after ten days. Aside from crossing his fingers for an Oscar, Eddie Murphy will see another sizable drop in sales for his comedy "Norbit." A 45% fall would give the Paramount release a $9M frame bumping the cume to $74M.

LAST YEAR: Tyler Perry‘s comedy "Madea’s Family Reunion" opened atop the charts with a powerful $30M debut for Lionsgate. The hit flick found its way to $63.3M. Holdovers rounded out the top five with Disney’s "Eight Below" dropping a spot to second with $15.9M in its sophomore frame. The Steve Martin remake "The Pink Panther" took in $11.1M and was followed by "Date Movie"’s $9.1M and the $7.2M of "Curious George." Opening to poor results were the animated film "Doogal" with $3.6M and New Line’s "Running Scared" with $3.4M. Final grosses reached only $7.6M and $6.9M, respectively.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Five new films, each targeting its own audience, cram into North American multiplexes giving moviegoers plenty of entertainment options over the four-day Presidents’ Day holiday weekend.

Segregating the races on Wednesday’s Valentine’s Day holiday with competing romantic comedies, Warner Bros. bowed the Hugh GrantDrew Barrymore starrer "Music and Lyrics" for white audiences while Lionsgate countered with Tyler Perry‘s "Daddy’s Little Girls" for black moviegoers. Adding to the overcrowded frame on Friday will be Sony’s comic book actioner "Ghost Rider," Disney’s tween adventure "The Bridge to Terabithia," and the FBI thriller "Breach" from Universal. Although studios jammed too many films into this particular frame, audience overlap seems minimal so the box office should easily expand to its largest size of the year finally beating 2006 levels.

Johnny Blaze leads the way over the extended weekend as Nicolas Cage steps into the role of the Marvel Comics character in the big-budget actioner "Ghost Rider." The PG-13 film is directed by Mark Steven Johnson whose "Daredevil," another effects-driven action flick based on a B-level Marvel hero, topped the box office over the Presidents’ Day frame four years ago with a powerful $45M with Ben Affleck in the lead. Much of the same audience of young males and comic fans will be back, however moviegoers have since been subjected to endless super hero flicks so don’t be surprised if some take a pass this time. Sony has been loud in its marketing campaign and awareness is sky high with the target audience. A crowded marketplace could keep the grosses in check. But with the most theaters of any new release by far, the motorcycle pic should ride off with the box office crown with ease. "Ghost Rider" opens in 3,619 theaters on Friday and could collect around $35M over the four-day span.


Nicolas Cage in "Ghost Rider"

Disney goes after the always reliable family audience with the fantasy drama "The Bridge to Terabithia," a film adaptation of the beloved book. In the PG-rated tale, a seventh grade boy befriends the new girl who moves in next door and together create a fantasy world through their imaginations as an escape from the struggles of real life. Kidpics based on books usually find themselves with a built-in audience showing up on opening weekend and with "Terabithia" launching over a school holiday session, the target audience will be very available. Last year, the studio won the weekend going after a similar crowd with "Eight Below" which opened to a solid $25M over four days. "Bridge" lacks big star names, but should still pull in families especially since that segment has few other titles in the current marketplace to be excited about. Younger teens may however get pulled away by the crude physical comedy of "Norbit" or the comic book action of "Ghost Rider." Launching in over 2,800 theaters, "The Bridge to Terabithia" may gross around $18M over the Friday-to-Monday period.


"The Bridge to Terabithia"

Following up his number one hits "Diary of a Mad Black Woman" and "Madea’s Family Reunion," Tyler Perry returns to the big screen with his latest comedy, "Daddy’s Little Girls." The PG-13 film stars Gabrielle Union as an attorney who falls for a working class driver who has three daughters. Unlike his last two February chart-toppers, "Girls" finds Perry strictly behind the camera and not playing the outrageous matriarch Madea.

In recent years, nobody has proven the power of the African American audience more than Perry who exceeded industry expectations both times with the $21.9M bow of "Diary" and the stronger $30M debut of "Reunion" a year ago. Both debuted on the weekend after the Presidents’ Day frame. Lionsgate once again handles distribution duties, but various factors indicate that sales should deflate a bit. Starpower is less for "Girls," most notably because of Perry’s absence. Plus competition will be much tougher than in past years with "Norbit" in its second weekend playing to much of the same audience. However, the Tyler name sells and sell-outs are sure to occur in all parts of the country. Opening Wednesday in 2,111 theaters, "Daddy’s Little Girls" could take in about $16M over four days and $23M over six days.


Tyler Perry’s "Daddy’s Little Girls"

Hugh Grant and Drew Barrymore find love in the new romantic comedy "Music and Lyrics" which also opened on Wednesday to capture the date crowd on Valentine’s Day. On paper, the PG-13 film has all the ingredients to become a box office hit thanks to the starpower and timing of its release. But a poor script and lack of chemistry could impact weekend grosses if mid-week ticket buyers spread bad word of mouth. Both actors are proven draws at the turnstiles and their first pairing will undoubtedly spark interest from women and couples. Warner Bros. has been pushing the 80’s music angle since Grant plays the washed up half of a pop music superduo from that era. Competition for white women over 25 is not too fierce among the weekend’s other contenders so a strong start is likely. Composing tunes in 2,929 locations, "Music and Lyrics" may find itself with around $16M over four days and about $22M over six days.


Hugh Grant, in a sadly realistic portrayal of an 80s popstar, in "Music and Lyrics."

Ryan Phillippe stars as a young FBI agent out to catch his boss who has been selling secrets to the Soviet Union in the new political thriller "Breach." The PG-13 pic co-stars Chris Cooper, Laura Linney, and Dennis Haysbert and is being released by Universal. Three factors will prevent big grosses for Reese’s ex-hubby. "Breach" lacks starpower, has too much competition to face, and is not being booked in too many theaters. Though the cast features some respected actors, none is a box office anchor that can draw in large paying crowds. Plus with four other new films hitting the multiplexes, and a collection of acclaimed Oscar contenders all attracting the attention of serious-minded adults, "Breach" cannot stand out. Academy pics may all be grossing small numbers individually, but moviegoers spent nearly $20M on the ones in the Top 20 last weekend and this long holiday frame will be the last full weekend to catch up on the contenders. Opening in just 1,487 theaters, "Breach" might steal about $7M over the four days.


"Breach," with Chris Cooper, Ryan Phillippe, and some blurry guy.

Among holdovers, Oscar nominee Eddie Murphy may get driven out of the top spot by Academy Award winner Nicolas Cage. Both of their new films, of course, are for commercial gain and not critical acclaim. "Norbit" will be coming off of a solid opening, but will face competition from many of the new releases. The four-day gross could slide 30% from last weekend’s three-day opening and reach roughly $24M for the frame. That would give the Paramount release a terrific $64M in 11 days. A larger drop is in the works for "Hannibal Rising." The MGM release may fall 40% to about $8M for a cume of $23M after a similar 11 days.

LAST YEAR: The battle for Presidents’ Day weekend was won by the family adventure "Eight Below" which debuted on top with $25M over the four-day frame. Disney’s hit kids flick went on to collect $81.6M. Fox settled for second with its spoof comedy "Date Movie" which bowed to $21.8M over the Friday-to-Monday period on its way to $48.5M. "The Pink Panther" dropped from first to third with $20.9M followed by fellow kidpic "Curious George" with $15.4M. Rounding out the top five was "Final Destination 3" with $11.5M. Samuel L. Jackson flopped with his new drama "Freedomland" which debuted to just $6.7M over four days leading to a weak $12.5M final for Sony.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Racing into theaters across North America, the computer animated film Cars aims to take over pole position this weekend targeting family audiences. Those looking for a good scare can instead choose The Omen which already launched on Tuesday with some frightening results. The frame’s final new wide release is the Robert Altman comedy A Prairie Home Companion giving the weekend a wide assortment of titles for all audiences.

After a surprising top spot debut, the Vince VaughnJennifer Aniston comedy The Break-Up will surely fall from grace, but should still remain a formidable contender.

After a near-break-up of their own, Disney and Pixar are back together again in a committed relationship and have put their full parental support behind Cars which zooms into the marketplace on Friday with some red hot buzz. Directed by Pixar guru John Lasseter (Toy Story, Toy Story 2), the G-rated film tells the story of a cocky race car who gets lost in a small town on the way to the big championship and meets a colorful group of vehicles who teach him some morals. Owen Wilson, Paul Newman, Bonnie Hunt, and Larry the Cable Guy all lend their voices.

Recent Pixar films have been spaced out evenly using the Harry Potter year-and-a-half policy. In November 2001, Monsters, Inc. opened to $62.6M and was followed by Finding Nemo with $70.3M in May 2003 and The Incredibles with $70.5M in November 2004. The timing is just enough to make each film a new event of its own that generates excitement among fans of all ages. Disney’s marketing and cross-promotional efforts have been loud as usual and awareness is sky high. But Cars does have a longer running time than most toons clocking in at nearly two hours. Maybe all eight of the credited writers demanded that their bits make the final cut.

Disney has had only two number one hits so far this year, ruling the Dr. King and Presidents’ Day holiday weekends with Glory Road and Eight Below, respectively. This weekend, the third trophy should be in the bag as anticipation among boys and girls alike is high. Business from teens and adults should be solid as well since the Pixar brand name attracts millions of loyal followers of all types. Plus, NASCAR fans are sure to provide an additional push at the turnstiles. The only major competition will come from Over the Hedge which is now fading into its fourth weekend. It’s an open highway for Cars which races into over 3,800 theaters this weekend. A three-day tally of about $72M could result.

Three decades after the original terrorized movie fans, The Omen has been reborn with today’s stars and special effects in the Fox release which opened on Tuesday, 6/6/06. With horror fans now used to a steady string of remakes of fright classics, the novelty has worn thin. So, to make this one stand out, the studio plugged the R-rated film into the unorthodox Tuesday slot to take advantage of the Satan-style date which in turn became the focal point of the marketing campaign. The Texas Chainsaw Massacre, Dawn of the Dead, and The Amityville Horror were all recent remakes that shot straight to number one. With The Omen, something new was needed to catch the attention of fans. Fox took a risk, tried something new, and won. The pic grossed a stellar $12.6M on Tuesday in its first day of release while playing in 2,660 locations.

The new Omen is hoping to attract the teens and young adults that typically power all of today’s horror hits, as well as older fans of the genre who are curious to see this new cover version. Critics have been mixed in their reviews complaining that it is too similar to the original and that there was no need to revisit this story. But money does rule Hollywood and horror films are very profitable so making newer versions of stories that worked in the past is just what studios are lining up to do. The marketing push has been commendable. Had Omen opened on a Friday, it would have been the umpteenth fright flick of the year. Instead, the date spooked people and caught the attention of the media that spread the hype.

Because this is a horror audience we are looking at, rapid erosion should follow the mid-week opening diluting down the weekend gross. Omen will burn through much of its audience in its first three days before the Friday-to-Sunday period arrives and it might even scare up more than half of its eventual domestic total in the first week. No other scary films are doing any serious biz so competition should not be much of a factor. Plus Omen is benefiting from Fox playing its trailer in front of the X-Men sequel which was seen by millions of sci-fi and horror fans over the past two weeks. For the three-day weekend period, The Omen might gross roughly $17M and over the six-day Tuesday-to-Sunday span, it could scare up around $36M.

In the weekend’s other unusual release pattern, Robert Altman’s latest film A Prairie Home Companion opens nationally on hundreds of screens instead of the typical arthouse platform release that the director’s films usually go out with. The legendary filmmaker’s latest ensemble cast brings together Woody Harrelson, Tommy Lee Jones, Kevin Kline, Meryl Streep, Lily Tomlin, and teen queen Lindsay Lohan getting herself some indie cred. The PG-13 film about country music stars gathering for one final radio show performance has earned positive reviews and is being released by Picturehouse.

Altman films usually debut in New York and Los Angeles, build momentum through critical support, and slowly widen across the country. But Prairie is rocking its way into 725 theaters on opening day aiming to offer older adults a smart alternative to the super heroes and spies of summer. The film is sure to skew older than anything else out now which means it might also have legs if the target audience is pleased. Still, there is only so much of a built-in audience that the pic can tap into and the summer release means there will be no awards season to keep the buzz rolling along like with the helmer’s Gosford Park in early 2002. Prairie might struggle to find a broad audience this weekend given all the other high profile films targeting its audience. Adults may instead choose to take their kids to Cars, catch Jen and Vince in a shouting match, or get a weather forecast from Al Gore. An opening weekend gross of around $3M seems likely.

Universal’s The Break-Up spent just four days at the number one spot before being kicked to the curb by The Omen. Romantic comedies usually do not suffer large declines and the Aniston-Vaughn pairing has held up well during the week grossing $3.9M on Monday and $4M on Tuesday when it faced Damien. Also, the new crop of films this weekend should not steal away too much of its crowd of adult women. Still, Break-Up isn’t exactly generating a whole lot of love with audiences in the word-of-mouth department so a 45% drop could result. That would give the film about $22M for the frame and a solid $76M in ten days.

X-Men: The Last Stand has its cyclops eye on joining the $200M club this weekend. The Fox sequel suffered a stiff 67% freefall last weekend in its second frame, but should stabilize in its third fight. Wolverine and chums could see sales get sliced in half which would give the super hero pic around $17M for the weekend and a plump $203M in 17 days. That would shoot it past studio stablemate Ice Age: The Meltdown to reign as the top-grossing film of 2006.

Over the Hedge should take a bit of a beating this weekend as it no longer will be the only major digital toon in town. A 40% fall would give the Paramount release roughly $12M upping the cume to $132M. Sony could see a larger 45% drop for The Da Vinci Code and finish the frame with about $10M. That would put the total for the Tom Hanks starrer at $189M and counting.

LAST YEAR: Before Namibia, fans had to look to their local movie theater to find Brad and Angelina. The much-hyped action film Mr. & Mrs. Smith conquered the box office with a strong $50.3M in its debut frame. The Fox blockbuster enjoyed sturdy legs grossing $186.3M domestically and over $465M worldwide. A pair of former number ones followed with Madagascar taking second with $17.2M and Star Wars Episode III in third with $14.9M. Adam Sandler finished fourth with The Longest Yard which scored $13.9M. Opening in fifth place was the kid adventure The Adventures of Sharkboy and Lavagirl with $12.6M on its way to $39.2M for Miramax. Disappointing in their openings were the Paramount comedy remake The Honeymooners with $5.5M and the Lions Gate horror flick High Tension with $1.9M. Final grosses reached $12.8M and $3.7M, respectively.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Empire Online had a chat with veteran producer Frank Marshall, and the longtime Spielberg collaborator dropped a few tidbits on titles like "Eight Below," "Benjamin Button," "Bourne 3," "Indy 4," and "Jurassic Park 4."

A few tidbits from the Empire article:

"Indy 4 is probably going to shoot next year, all around the world again. We’re writing the script, it’s coming along, and I think it’s on a very positive track."

"Jurassic will happen next year as well. I’m sure there will be some quirky characters in the movie. It’s always attractive, people love to be in those movies."

"(M)y next film as a producer will be the third in the Jason Bourne series, The Bourne Ultimatum, which will be shot here in London and all over in Europe, but it’ll be based here in London with Paul Greengrass again. And then Benjamin Button starts in October, with David Fincher directing Brad Pitt, so that will be very cool. I can’t wait for that. That’s an amazing story."

Click here for the full interview.

IGN FilmForce shares a few Indy4-related tidbits from producer Frank Marshall. The filmmaker was in Australia hyping his "Eight Below" when (shocker!) someone asked about the long-awaited fourth chapter in the IJ franchise.

Without making any promises, Marshall mentioned that A) Australia is a definite location possibility for IJ4, B) the flick is supposed to go into production some time next year, and C) the next adventure will take place about a decade after the action in "Last Crusade."

From IGN FF: "Marshall, who was in Australia promoting Eight Below, said, "My job as producer is to get the movie made so if I can do it better and cheaper here in Australia, then I am going to do it. Australia is a definite possibility for Indiana Jones and a couple of other things I am working on at the moment." He also gave Europe and the United States as other possible production locales for the long-awaited film.

Marshall has revealed that the film will take place roughly a decade after the events of Indiana Jones and the Last Crusade. "It is going to be 10 or 12 years later," said Marshall. By our calculations, that would place it roughly around 1948-50."

More Indy4 news right here at RT whenever it becomes available!

Tension: it’s the key to many a film, and this week’s wide releases bring three variants on that theme. We’ve got a hostage situation ("Inside Man"), class conflict ("Larry the Cable Guy: Health Inspector"), and a video game that becomes real ("Stay Alive"). What will the critics say? Well, for one, "Inside Man" is one of the year’s best.

Spike Lee is a director whose work has always been wonderfully unpredictable. With "Inside Man," he may have pulled off his weirdest foray yet: a heist picture. With a terrific cast that includes Denzel Washington, Clive Owen, Jodie Foster, Willem Dafoe, and Chiwetel Ejiofor, "Inside Man" puts a spin on the "Dog Day Afternoon" scenario, with a group of sharp bank robbers who stay one step ahead of the police. Critics say this is a sharp genre film that is not only rewarding on its own terms, but manages to subvert its pulpy trappings with wit and skill. At 89 percent on the Tomatometer, this one’s pretty excellent, "Inside" and out. And it’s Lee’s best reviewed film since the brilliant documentary "4 Little Girls," which scored 100 percent on the Tomatometer. "Inside Man" is Certified Fresh, and it’s the second-best reviewed wide release of 2006 (trailing only "Dave Chappelle’s Block Party," at 93 percent).

Well, you can tell by the way it wasn’t screened for critics that "Stay Alive" may not be alright, and it may not be okay, so you might want to look the other way. And "Larry the Cable Guy: Health Inspector" wasn’t screened for critics either, which means it may be hazardous to your health. So let’s play everyone’s favorite game: Guess the Tomatometer!

Top Five Best-Reviewed Wide Releases of 2006 (So Far):
——————————————————
93% — Dave Chappelle’s Block Party
89% — Inside Man
75% — Nanny McPhee
75% — V For Vendetta
73% — Eight Below

Recent Spike Lee Joints:
—————————–
20% — She Hate Me (2004)
64% — Jim Brown: All American (2002)
77% — 25th Hour (2002)
84% — The Original Kings of Comedy (2000)
53% — Bamboozled (2000)

Recent Denzel Washington Movies:
——————————–
80% — The Manchurian Candidate (2004)
39% — Man on Fire (2004)
66% — Out of Time (2003)
24% — John Q (2002)
79% — Antwone Fisher (2002)

The power of Tyler Perry continued over Oscar weekend, with his "Madea’s Family Reunion" snagging the #1 spot for a second consecutive weekend. Despite a Tomatometer stuck on 30%, the flick just keeps packing ’em in: Madea made another $13 million last weekend, giving her a total purse of $48.1 million.

Debuting in the #2 spot was the Bruce Willis action thriller "16 Blocks," which tallied an estimated $11.7 million from 2,700 theaters. Disney’s "Eight Below" exhibited some strong staying power by hanging at #3 in its third weekend. The frozen dog flick made another $10.3 million last weekend, giving it a grand total of $58.8 million thus far.

A pair of kid-friendly newcomers rounded out the top five. Milla Jovovich‘s futuristic action flick "Ultraviolet" pulled in $9 million from 2,500 theaters, while the teen-girl mermaid comedy "Aquamarine" made about $7.5 million from its own 2,500. (I’d pay nine bucks to see a sequel called "Ultraviolet vs. Aquamarine.")

Next Friday sees the unleashing of three new wide releases: The rather painful-looking Disney remake "The Shaggy Dog," the slacker-boy/smart-girl rom-com "Failure to Launch," and Searchlight’s geek-anticipated revisit of Wes Craven‘s "The Hills Have Eyes."

For a closer look at the weekend numerals, please do stop by the Rotten Tomatoes Box Office Page.

Tyler Perry‘s follow-up to "Diary of a Mad Black Woman," "Madea’s Family Reunion" had no trouble leaping to the top of the box office in its first weekend, handily satisfying its target demographic (and without any help from the film critics, tyvm). The flick snagged an estimated (and rather impressive) $30.2 million from 2,200 theaters, while fending off a pair of underperforming newcomers and a handful of hangers-on.

Aside from the #1 spot, the top five was populated by older titles, with Disney’s "Eight Below" ($15.7m weekend, $45.1m total) coming in a distant second and spots 3 through 5 belonging to "The Pink Panther" ($11.3m weekend, $61m total), "Date Movie" ($9.2m weekend, $33.9m total), and "Curious George" ($7m weekend, $43.1m total), respectively.

A pair of new releases debuted rather inauspicously in Madea’s wake: Weinsteins’ "Doogal" managed $3.6 million from 2,300 theaters while the action thriller "Running Scared" scared up an anemic $3.1 million from 1,600 theaters.

Next weekend sees the release of three big titles: WB’s action flick "16 Blocks," Fox’s tweenie comedy "Aquamarine," and Screen Gems’ futuristic thriller "Ultraviolet." Also opening on about 800 screens is Rogue’s "Dave Chappelle’s Block Party."

For a closer look at the weekend numerals, make a stop at the Rotten Tomatoes Box Office Page.

Disney’s family adventure flick "Eight Below" narrowly defeated the spoof comedy "Date Movie" over the 4-day holiday weekend, grossing an estimated $25 million from over 3,000 theaters. Close behind in second place, the Alyson Hannigan-led rom-com spoof tallied about $22 million from just under 3,000 theaters.

Last week’s #1 movie, "The Pink Panther," dropped to third place but snagged another $21 million, which puts its grand total at about $47 million. Fourth place went to Universal’s feature-length version of "Curious George," which added $15 million to its $33 million total, while "Final Destination 3" rounded out the top 5 by pulling in another $12 million, which gives the horror sequel a grand total of about $38 million.

Debuting not all that impressively was Sony’s "Freedomland," which arrived in 7th place with a 4-day tally of about $7 million from 2,300 theaters.

Three new wide releases hit the scene next weekend: New Line’s action flick "Running Scared," the Weinstein’s animated comedy "Doogal," and the return of Tyler Perry in Lionsgate’s "Madea’s Family Reunion."

As always, you can visit the Rotten Tomatoes Box Office Page for a closer look at the weekend numbers.

A pack of sled dogs brave the cold ("Eight Below"). A detective works on a case with potentially explosive ramifications ("Freedomland"). A movie parodies other movies ("Date Movie"). It’s this week’s wide releases!

Over the years, Disney has produced many adventures with animals struggling to survive in the harsh wild ("White Fang" comes to mind). And critics say "Eight Below," the story of a group of sled dogs who must brave the cold of Antarctica, carries on that proud tradition. Paul Walker stars in the based-on-a-true-story of a guide who must take a visiting researcher across a particularly perilous stretch of territory. The scribes say this is more than just a shaggy-dog story; it’s infused with a real sense of drama and some of the warmest canine thespians ever to grace the silver screen. It’s Mr. Walker’s best reviewed film since "Pleasantville" (86 percent on the Tomatometer), and his best in a leading role. At 82 percent, "Eight Below" proves that every dog has its day. And "Eight Below" is not only Certified Fresh, is also the best-reviewed wide release of the year, besting a pair of family films, "Nanny McPhee" (75 percent) and "Curious George" (72 percent).

Sometimes the noblest of intentions can make for the clumsiest of films. Case in point: "Freedomland," a drama that delves into the thorny issue of race relations after a white woman dubiously claims she has been carjacked and her child kidnapped in a largely African American housing project. Critics say the film features perhaps the weakest performances in the distinguished careers of Samuel L. Jackson and Julianne Moore, and the script lacks the nuances that should give the film its emotional punch. (Strange, since Richard Price, the screenwriter, also penned the source novel for Spike Lee’s "Clockers," a deft mixture of police procedural and social issues. It’s at 75 percent on the Tomatometer.) At 16 percent on the Tomatometer, "Freedomland" may not be worth a visit.

Like someone on who has a stunning picture on the Internet personals but looks a lot different in person, "Date Movie" claims to be a comedy, but, since it wasn’t screened for critics, we’re guessing it may be a little short on laughs. (Here’s a hint, in love as in cinema: just be honest!) So, kids, it’s time for the funnest game since Spin the Bottle: Guess the Tomatometer! The closest guess wins a date with Critical Consensus. Or at least some props.

The Best Reviewed Wide Releases of 2006:
—————————————————–
75% — Nanny McPhee (2006)
72% — Curious George (2006)
64% — Something New (2006)
58% — Hostel (2006)
57% — Glory Road (2006)

Notable Movies About Dogs in the Wild:
——————————-
22% — Snow Dogs (2002)
67% — Lassie (1994)
75% — Homeward Bound- The Incredible Journey (1993)
82% — White Fang (1991)
86% — Benji (1974)

Recent Films Not Screened For Critics:
———————————————-
10% — When a Stranger Calls (2006)
16% — Underworold: Evolution (2006)
7% — BloodRayne (2006)
15% — Grandma’s Boy (2006)
12% — Aeon Flux (2005)

Four brand-new flicks took most of the money home over this past weekend. First and second place were remarkably close, but early estimates indicate that Steve Martin and his remake of "The Pink Panther" came in first ($21.7 million from nearly 3,500 theaters), while the horror sequel "Final Destination 3" was right on his heels with $20.1 from 2,900 theaters.

Third and fourth place also went to a pair of newcomers: Universal’s "Curious George" debuted with an unspectacular $15.3 million from 2,500 theaters, and the newest Harrison Ford thriller, "Firewall," delivered only $13.8 million from 2,800 theaters.

Rounding out the top five was last weekend’s #1 hit, "When a Stranger Calls," which dropped more than 53% in its second frame. The flick snagged an extra $10 million, which puts its grand total at nearly $39 million.

Next weekend sees three new wide arrivals: Fox’s spoof comedy "Date Movie," Disney’s family adventure "Eight Below," and Sony’s kidnapping thriller "Freedomland."

For a closer look at the weekend box office, you know where to go. (Right here.)

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