Despite the arrival of four new films cluttering the multiplexes, the Disney/Pixar animated film Cars remained the most popular movie in North America for a second straight weekend.
Among the freshman class, both the comedy Nacho Libre and the actioner The Fast and the Furious: Tokyo Drift opened with impressive numbers targeting young male moviegoers. The Keanu Reeves–Sandra Bullock romance The Lake House appealed to adult women and saw a respectable showing while the kid sequel Garfield: A Tail of Two Kitties opened poorly. With so much new product entering the marketplace, most holdovers suffered large declines.
Cars was once again the box office champion and grossed an estimated $31.2M in its second weekend boosting its ten-day cume to a stellar $114.5M. Though taking home another trophy, the G-rated film experienced a disturbing decline of 48% from last weekend which was much higher than the sophomore drops of previous Disney/Pixar toons. The last film from the companies, The Incredibles, dipped only 29% while 2003’s Finding Nemo eased 34%. Each bowed to about $70M and raced to over $143M in ten days. Cars opened last week about $10M weaker and is now eroding faster which means it is not likely to come close to the lofty heights reached previously. After ten days, Cars is running 20% behind the pace of Nemo and Incredibles. The talking automobile flick will still try to reach the $200M mark before running out of gas.
Opening a few notches behind in second place was the wrestling comedy Nacho Libre with an estimated $27.5M from 3,070 theaters. Averaging a muscular $8,962 per ring, the Paramount release stars Jack Black as a cook who moonlights as a flamboyant wrestler and was directed by Napoleon Dynamite’s Jared Hess. The $35M film appealed to young guys with studio data showing that 53% of the audience was male and 55% was under the age of 25. Nacho Libre began its weekend a bit early with 10pm preview shows on Thursday night which helped propel Friday’s opening day to a solid $11M. The PG-rated film dropped 14% to $9.4M on Saturday however, which could indicate a bumpy ride ahead.
Universal raced into third place with its street racing sequel The Fast and the Furious: Tokyo Drift which opened with an estimated $24.1M. The PG-13 pic debuted in 3,027 locations and averaged a strong $7,947 average. The studio generated a strong performance considering this was the third time around for the franchise and that most of the stars of the first two Furious films were nowhere to be found. Young guys were the driving force behind the $75M Drift which like its predecessors appealed to a multicultural audience. According to studio data, 58% of the audience was male, 60% was under 25, and 71% was non-white.
Lucas Black and Bow Wow led the mostly unknown cast as fans responded more to the fast cars and racing attitudes than to starpower. The studio’s decision to include Vin Diesel‘s cameo in the television commercials also may have sparked interest from fans of the franchise. Tokyo Drift did not open as well as the first two pics in the series, but that was expected. In 2001, The Fast and the Furious opened to $40.1M on its way to $144.5M while its 2003 sequel 2 Fast 2 Furious debuted to $50.5M leading to a $127.2M tally. Tokyo Drift also opened in eight international markets this weekend grossing an estimated $7.5M from 825 theaters including number one openings in the U.K., Australia, New Zealand, Malaysia and Thailand. Japan, where the film is set, will open in September.
A dozen years after exciting audiences in Speed, Keanu Reeves and Sandra Bullock reunited in the romantic drama The Lake House which debuted in fourth place with an estimated $13.7M. The Warner Bros. release averaged a respectable $5,166 from 2,645 theaters. The PG-rated film was a remake of the Korean drama Il Mare and told the story of a man and a woman from two different years who communicate and fall in love through letters they send to each other in a magical mailbox at a lake house. Reviews were not very good and both stars routinely see bigger openings for their films.
Universal’s The Break-Up dropped 53% in its third weekend and took fifth place with an estimated $9.5M boosting the 17-day cume to $91.9M.
Fox took up the next three spots on the chart starting with its kidpic sequel Garfield: A Tail of Two Kitties which flopped in its debut grossing an estimated $7.2M. Playing in 2,945 theaters, the PG-rated comedy averaged a weak $2,445 per venue. The first Garfield opened to $21.7M in June 2004 on its way to $75.4M domestically and a stellar $198M worldwide forcing the studio to dip into the well again with a new story. Bill Murray returned to voice the fat cat in Kitties which brought the characters to England for another adventure, but most families did not show much interest.
The year’s top-grossing domestic hit, X-Men: The Last Stand, tumbled another 56% in its fourth outing and grossed an estimated $7.2M. With a stellar $215.5M in the bank, the mutant sequel became the top-grossing installment of the super hero trilogy surpassing the $214.9M of X2: X-Men United from 2003. The horror remake The Omen placed eighth with an estimated $5.4M conveniently making its decline 66.6%. The top ten’s only R-rated pic has now grossed $46.9M to date for Fox.
Sony’s The Da Vinci Code followed with an estimated $5M, off 52%, pushing the domestic cume to $198.5M. Overseas, the Ron Howard–Tom Hanks vehicle uncovered another $15.2M this weekend as the international sum surged to $480M. The world’s biggest blockbuster of the year has now taken in an incredible $678.5M globally. Rounding out the top ten was the animated pic Over the Hedge with an estimated $4M, off 60%, for a $138.8M total.
The biggest summer hits continued to keep pace with last year’s. The collective gross for the top five summer releases reached $797.3M which was down less than 1% from the $802.5M from this point a year ago.
Four films dropped out of the top ten over the weekend. Robert Altman‘s A Prairie Home Companion fell 43% in its sophomore frame to an estimated $2.6M giving the Picturehouse release a ten-day tally of $8.8M. Look for a finish in the vicinity of $15M. The hit family comedy RV held up well during its seven-week run in the top ten, but this weekend the Robin Williams pic crashed 74% and grossed an estimated $500,000. With $66.4M in its tank, the Sony release is not expected to collect much more.
The Tom Cruise spy sequel Mission: Impossible III tumbled 61% in its seventh mission to an estimated $1.2M putting its cume at $130M. The Paramount sequel is the highest-grossing summer kick-off film since 2003’s X2, but with a $150M budget and a deafening amount of marketing hype, it has to be considered somewhat disappointing for the studio. The first two Mission pics grossed $181M in 1996 and $215.4M in 2000. MI3 should end its campaign with around $132M. Overseas, the Ethan Hunt film has grossed more than $200M to date.
The summer season’s second big offering Poseidon continued to sink dropping 66% in its sixth weekend to an estimated $620,000. The $160M Warner Bros. disaster film has taken in only $56.5M from North America making it one of the biggest underachievers of the summer. However, like most effects-driven action films, Poseidon is doing much better internationally where it grossed another $9M from 41 countries this weekend to boost the overseas take to $70.8M. Korea and Japan continue to be the most successful markets for the ocean liner pic with grosses that far outdistance those in key European territories.
The top ten films grossed an estimated $134.7M which was up 6% from last year when Batman Begins debuted at number one with $48.7M; and up 5% from 2004 when Dodgeball opened in the top spot with $30.1M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
This week at the movies, we’ve got wrestlers ("Nacho Libre"), Tokyo drifters ("The Fast and the Furious: Tokyo Drift"), time-delayed lovers ("The Lake House"), and lasagna-loving felines ("Garfield: A Tale of Two Kitties"). What do the critics have to say?
I’m sure I speak for much of humanity when I say that each time I see Jack Black in a wrestling outfit on the posters for "Nacho Libre," I chuckle to myself. Heartily. The critics, who’ve actually seen the movie, have been a little less charitable. Black stars as a man who becomes a wrestler to raise money for orphans who live in the monastery where he grew up. While some critics say the film has its share of laughs, others say the sophomore effort of Jared ("Napoleon Dynamite") Hess is the very definition of sophomoric. At 49 percent on the Tomatometer, this "Nacho" is only sort of tasty. And it’s nowhere near "Dynamite" (71 percent).
In the third installment of the "Fast and the Furious" franchise, a new collection of thrill seekers head to Japan to engage in "drifting," that exciting brand of motorsport that values oversteering. Let’s be honest: Nobody is going to this one for anything but action, nifty driving, and other assorted cheap thrills (this ain’t "Two-Lane Blacktop"). And even utilizing those limited criteria, "The Fast and the Furious: Tokyo Drift" only attains a modest amount of success. The critics say that while the driving sequences are reasonably cool, the characters are about as well-crafted as a pinewood-derby cart that ends up in a ditch. It’s currently at 41 percent on the Tomatometer, trailing the original "F&F" (at 50 percent).
There are a lot of reasons relationships don’t work out. Sometimes couples live too far apart, or have vastly different schedules. But what about a couple communicating across a two-year time difference — can this relationship be saved? Unfortunately for "The Lake House," starring Keanu Reeves and Sandra Bullock, the answer appears to be no. The critics say the film’s premise (it’s a remake of the 2002 Korean film "Il Mare") is not necessarily a bad idea, but the execution is off; the film is neither effective as a romance or as a metaphysical puzzle. At 32 percent on the Tomatometer, this "House" looks like a fixer-upper. And how does it compare with "Speed," the last Reeves/Bullock collabo? Do you even need to ask?
The scribes’ response to "Garfield: A Tale of Two Kitties" has prompted Critical Consensus to paraphrase from Charles Dickens‘ "A Tale of Two Cities": "[The critics] looked at [Garfield] sideways with a stronger concentration of keenness, closeness, and dislike, than was comportable with its wearer’s assumption of indifference." The operative words here are "indifference" and "dislike," as critics say "Garfield" wastes a talented voice cast (Bill Murray, Bob Hoskins, Tim Curry) in a dull, relatively laugh-free plot. At 17 percent on the Tomatometer, the scribes have one thing to say: Bad "Kitties!" (By the way, the original was at 13 percent.)
Also this week, in limited release: "Wordplay," a doc about New York Times crossword puzzle editor Will Shortz, is at 89 percent; G.W. Pabst‘s silent classic "Pandora’s Box," starring the staggeringly beautiful Louise Brooks, is at 83 percent; the gritty Brazilian love triangle "Lower City" is at 57 percent; the gay cult-fave comic strip adaptation "The Mostly Unfabulous Social Life of Ethan Green" is at 33 percent; and Kevin Bacon‘s second directorial effort, "Loverboy," is at 14 percent.
Reunion fever hits the multiplexes this weekend as four new releases debut bringing together a lot of familiar faces.
Keanu Reeves and Sandra Bullock reunite in the romantic drama The Lake House which will play to adult women, while Garfield: A Tail of Two Kitties reassembles the cast of the first film in a new British adventure aimed at families. Another sequel taking a successful formula and transplanting it into another country is the action pic The Fast and the Furious: Tokyo Drift which hopes to entice young guys. But the one new film which could flex the most muscle is Jack Black‘s wrestling comedy Nacho Libre which also will be attacking younger boys. With six films reaching double-digit millions last weekend, and four new potent entries opening on Friday, the marketplace will certainly be crowded.
Fresh from his battle with the eighth wonder of the world, Jack Black returns to his bread and butter with the new Paramount comedy Nacho Libre. The PG-rated film is directed by Jared Hess, who helmed the 2004 sleeper hit Napoleon Dynamite, and sees Black playing a cook who moonlights as a masked grappler south of the border. Shooting directly for immature adolescents, Nacho is purely a marketing-driven film for summer kids. Rather than spend its time and money opening the door for hundreds of critics to pan the pic early on, Paramount has instead chosen to put all its force behind its advertising campaign and is so confident in the excitement it has been building, it is launching the film early on Thursday night with 10pm showtimes at select theaters across the country. Since the movie skews younger, the earlier time should make it more accessible than the standard midnight shows.
Black certainly can shine in the comedy genre as evidenced by his 2003 hit School of Rock which opened at number one with $19.6M on its way to a robust $81.3M. Plus with Viacom sibling Nickelodeon adding its promotional muscle, and school children starting their summer vacations and looking for mindless entertainment to rot their brains, Nacho could be the hot item on the menu. Older boys may be distracted by the Fast and the Furious sequel this weekend which could put a limit on how high Nacho can fly. Plus the Disney/Pixar hit Cars is only in its second weekend so competition for kids will be fierce. Body slamming its foes in over 2,800 theaters, Nacho Libre might pin down about $24M over the weekend.
Universal kicks in the nitrous oxide for a third time in its street racing actioner The Fast and the Furious: Tokyo Drift. Ditching all the major stars of the first two installments (sort of), this PG-13 entry takes the tough-guy-likes-to-race-and-be-cool formula and moves the setting to Japan where an American must learn the local style of racing in order to score some street cred. Paul Walker who starred in the original 2001 surprise blockbuster and the very successful 2003 follow-up 2 Fast 2 Furious is nowhere to be found. Instead, the lead role is taken by Lucas Black (Friday Night Lights, Jarhead) while the rapper-turned-actor slot filled previously by Ja Rule and Ludacris now gets passed on to Bow Wow (Like Mike, Roll Bounce). With little starpower, concept will have to sell here.
Since Drift is the third dip into the same well, and with the recognizable stars from before not starring again, some fans of the previous films will wait for this one on a "tricked out" DVD. Young guys are the core audience here and with schools letting out for the summer, many will give Drift a chance hoping it will be a summer thrill ride. Acting and writing score pretty low in this one, but the target audience is not likely to care too much since there is an abundance of hot cars and hot babes. But Nacho Libre could put a dent in the grosses since it will be stealing away many of the same young males this weekend. Tokyo Drift is not likely to reach the openings of the first two Furious pics which bowed to $40.1M and $50.5M, respectively. Speeding into 3,027 locations, The Fast and the Furious: Tokyo Drift may cross the finish line with around $21M.
Twelve years and one week after they crashed into theaters in Speed, Keanu Reeves and Sandra Bullock reteam but this time in a romantic drama starring in The Lake House. A remake of the Korean film Il Mare, the PG-rated film tells the story of a man and woman, two years apart in time, who communicate with each other through the mailbox of a lake house and fall in love. Sci-fi and romance don’t snuggle up too often, so this Warner Bros. release prides itself on a story that has a unique twist to it. But it’s really the starpower that will drive sales for The Lake House. These actors look good together and mature adults will be sold. In some ways, Lake House resembles the Al Pacino-Robert De Niro actioner Heat in that moviegoers will be drawn in by two leads who hardly share any actual screen time together. But that shouldn’t matter to Speed freaks everywhere who would love to see Reeves and Bullock back together again without a looney Dennis Hopper trying to blow them up.
Adult women will overwhelmingly make up the audience here. Lake House should play to the same crowd that came out for two other star-driven films aimed at older women in the first half of the summer of 2002. The Richard Gere–Diane Lane drama Unfaithful opened to $14.1M and a $5,383 average in May while Bullock’s Divine Secrets of the Ya-Ya Sisterhood debuted to $16.2M and a $6,449 average a month later. Many of the same folks will hit theaters this weekend. Competition will come from The Break-Up which also has been skewing heavily female although Cars will be a factor as well since it has been pulling in moms with small children. Given the ages of the stars, Lake House should also do well with twentysomething single women too. Opening in 2,645 theaters, The Lake House could open with about $17M this weekend.
Breckin Meyer, Jennifer Love Hewitt, and the vocal chords of Bill Murray reunite for the family comedy Garfield: A Tail of Two Kitties. The PG-rated film is the sequel to Fox’s Garfield: The Movie which was a solid hit two years ago when it opened to $21.7M on its way to $75.4M domestically and nearly $200M worldwide. With strong international sales, and further success on video and television, the studio decided that a sequel could bring in more profits. This new tale finds everyone’s favorite fat cat going to England where he is mistaken for a local feline who is royalty. The studio has had a tough problem finding the right release date. Garfield was originally scheduled to open next Friday, one week ahead of Superman Returns, but was moved up one week and now must face the sophomore frame of Cars which is already doing brisk biz with the exact same audience.
While the first film was successful, it did not become the type of pop culture smash that had fans demanding more. Fox’s best bet might be with families that already came out to see the Pixar toon. Long-term success may also be tough since kids of all ages will have interest in seeing the Man of Steel. The studio’s marketing push has been commendable and there is somewhat of a built-in fan base the film will tap into. But it may find itself on the same path as the Scooby Doo sequel which went on to gross 45% less than its predecessor. Opening in over 2,900 theaters, Garfield: A Tale of Two Kitties might debut with around $14M this weekend.
Opening in a pair of New York sites is the IFC Films release Wordplay, a documentary that looks at The New York Times crossword puzzles and the celebs that just can’t get enough of them. The PG-rated film played at the Sundance and Tribeca film festivals earlier this year and features commentary from such crossword fans as Bill Clinton, Bob Dole, and Jon Stewart. The former commander-in-chief even snagged the coveted "and" credit.
With all the new drivers on the highway, Cars will try to stay ahead of the pack and hold onto pole position in its second lap. The Disney/Pixar film’s $60.1M bow was slightly below what the industry was expecting given the track record of the pair’s previous computer animated movies. However, their digital toons usually have good legs and with more kids getting out of school this week, a solid sophomore performance should result. The Incredibles dropped only 29% in its second weekend in November 2004 while Finding Nemo slipped 34% in June 2003.
Cars has been holding up well mid-week as its target audience has become more available. Although it opened behind the $68M launch of Ice Age: The Meltdown this past spring, the stronger weekday business should allow Cars to match or exceed the $81.9M gross that the prehistoric sequel collected in its first seven days. Garfield will take away some of the family audience and Nacho Libre should distract many young boys so competition will be fierce. A 45% drop for Cars would give the toon about $33M for the frame keeping it in the number one spot. That would give Disney a robust $115M in ten days.
Keanu and Sandra will steal away the attention of women from Vince and Jennifer this weekend. The Break-Up will face direct competition from The Lake House for its core audience of adult females so another sizable drop could be in the works. A 40% fall would give Universal a weekend tally of around $12M pushing the 17-day cume to a still-impressive $94M.
Fox grabbed $16M and change last weekend with each of its films X-Men: The Last Stand and The Omen. The mutant saga could see sales get sliced in half while the horror remake, because of its mid-week launch, might suffer a slightly smaller decline. This weekend could find Omen taking in roughly $9M for a $50M total and X-Men grossing about $8M boosting its cume to $216M making it the top-grossing installment of the franchise.
LAST YEAR: Super hero power hit the box office with the top spot debut of Batman Begins which relaunched a profitable franchise for Warner Bros. with its $48.7M opening weekend. Bowing on Wednesday, the Caped Crusader grossed a solid $72.9M over five days and went on to display good legs reaching $205.3M domestically and over $370M worldwide. The rest of the top films all got bumped down a notch by the Dark Knight. Fox’s Mr. & Mrs. Smith placed second with $26M in its sophomore frame while DreamWorks followed with Madagascar which took in $10.7M in its fourth adventure. Fox reappeared in the number four slot with $10M for Star Wars Episode III and Paramount rounded out the top five with The Longest Yard which scored $8.2M. The only other new wide release to challenge Batman was the chick flick The Perfect Man starring Hilary Duff and Heather Locklear. The Universal title opened to just $5.3M on its way to $16.5M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
If I told you that Sandra Bullock and Keanu Reeves had gotten together to make another movie, you’d probably have visions of something like "Speed 3: Malfunctioing Ski-Lift," but instead we have a wistful little rom-drama called "The Lake House," which is based on a 2002 Korean film called "Il Mare." Anyway, here’s the trailer.
"A woman doctor and an architecture school dropout live in the same house two years apart and fall in love via letters they exchange through a mailbox that mysteriously bridges time."
Plus the trailer has that really weepy Keane song, which fits the chick-flicky tone just perfectly.