(Photo by Fox. Thumbnail: WB/courtesy Everett Collection)

Every ’90s Blockbuster Movie Ranked

Thirty years on, the 1990s has solidified its stature as one of the magical decades in filmmaking, much like how we view the ’30s and the ’70s. Precisely, this Gen X-decade pulled together the Hollywood studio power of the ’30s and the groundbreaking creativity of the ’70s, crocheting commercialism and art into the movie behemoths we speak of in legend as the ’90s blockbuster — which we’ve now ranked all by Tomatometer!

First off, in putting together this list, we didn’t want no scrubs: We defined the ’90s blockbuster as any film that made over $100 million at the box office — movies that had people literally lining up around the block to spend their easy-earned cash. (The economy was booming after all.) This, of course, ushers in all those films synonymous with ’90s blockbusterism, including Jurassic Park, Speed, Twister, Independence Day, Terminator 2: Judgment Day, The Phantom Menace, Armageddon, Wild wild West, and Batmans with three different guys.

But the ’90s blockbuster was more than just fast buses, exploding White Houses, and bat nipples. Audiences opened up wallets and handbags (they’re European!) on brazen independent films (Pulp Fiction, Good Will Hunting, The Blair Witch Project), big comedies (Sister Act, The Nutty Professor, The Waterboy, Dumb & Dumber, The Birdcage), and romances both funny and dramatic (Pretty Woman, Shakespeare in Love, Jerry Maguire, Ghost).

It was the era of the Disney renaissance (Aladdin, Beauty and the Beast, The Lion King), special-effects breakthroughs (Toy Story, Total Recall, The Matrix), and where the most popular movies of the year could reasonably expect a Best Picture statue come next February (Unforgiven, Titanic, Dances With Wolves). A scintillating ’90s blockbuster can transport us to that moment before cinematic universes, before CGI overload, and before ubiquitous cell phones and Internet; today, Lloyd Christmas can just DM Mary Samsonite and say “Hey, I have your briefcase :)” if he weren’t still illiterate.

Now, relive the rush of the decade without the searing sting of slap bracelets, or shotgunning Fruitopia, with our guide to every ’90s blockbuster ranked by Tomatometer!

#128

Batman & Robin (1997)
12%

#128
Adjusted Score: 17001%
Critics Consensus: Joel Schumacher's tongue-in-cheek attitude hits an unbearable limit in Batman & Robin resulting in a frantic and mindless movie that's too jokey to care much for.
Synopsis: This superhero adventure finds Batman (George Clooney) and his partner, Robin (Chris O'Donnell), attempting to the foil the sinister schemes... [More]
Directed By: Joel Schumacher

#127

Godzilla (1998)
15%

#127
Adjusted Score: 19109%
Critics Consensus: Without compelling characters or heart, Godzilla stomps on everything that made the original (or any monster movie worth its salt) a classic.
Synopsis: During a nuclear test, the French government inadvertently mutates a lizard nest; years later, a giant lizard makes its way... [More]
Directed By: Roland Emmerich

#126

Wild Wild West (1999)
17%

#126
Adjusted Score: 21787%
Critics Consensus: Bombastic, manic, and largely laugh-free, Wild Wild West is a bizarre misfire in which greater care was lavished upon the special effects than on the script.
Synopsis: When President Ulysses S. Grant (Kevin Kline) learns that diabolical inventor Dr. Arliss Loveless (Kenneth Branagh) is planning to assassinate... [More]
Directed By: Barry Sonnenfeld

#125

The Flintstones (1994)
20%

#125
Adjusted Score: 22563%
Critics Consensus: The Flintstones wastes beloved source material and imaginative production design on a tepid script that plunks Bedrock's favorite family into a cynical story awash with lame puns.
Synopsis: Big-hearted, dim-witted factory worker Fred Flintstone (John Goodman) lends money to his friend Barney Rubble (Rick Moranis) so that he... [More]
Directed By: Brian Levant

#124
#124
Adjusted Score: 22136%
Critics Consensus: A game Julia Roberts gives it her all, but Sleeping with the Enemy is one stalker thriller that's unlikely to inspire many obsessions of its own.
Synopsis: After faking her death in order to flee from her violent husband, Martin (Patrick Bergin), Laura Burney (Julia Roberts) leaves... [More]
Directed By: Joseph Ruben

#123
#123
Adjusted Score: 24576%
Critics Consensus: Contrived performances and over-the-top sequences offer little real drama.
Synopsis: When the body of Army Capt. Elizabeth Campbell (Leslie Stefanson) is found on a Georgia military base, two investigators, Warrant... [More]
Directed By: Simon West

#122

Patch Adams (1998)
22%

#122
Adjusted Score: 24462%
Critics Consensus: Syrupy performances and directing make this dramedy all too obvious.
Synopsis: After struggling with depression in a mental hospital, Hunter "Patch" Adams (Robin Williams) decides he wants to become a doctor.... [More]
Directed By: Tom Shadyac

#121
Adjusted Score: 26175%
Critics Consensus: Nature Calls in this Ace Ventura sequel, and it's answered by the law of diminishing returns.
Synopsis: Legendary pet detective Ace Ventura (Jim Carrey) returns for another adventure when he's coerced out of retirement while on a... [More]
Directed By: Steve Oedekerk

#120

Double Jeopardy (1999)
27%

#120
Adjusted Score: 29422%
Critics Consensus: A talented cast fails to save this unremarkable thriller.
Synopsis: Framed for the murder of her husband, Libby Parsons (Ashley Judd) survives the long years in prison with two burning... [More]
Directed By: Bruce Beresford

#119

Hook (1991)
29%

#119
Adjusted Score: 32909%
Critics Consensus: The look of Hook is lively indeed but Steven Spielberg directs on autopilot here, giving in too quickly to his sentimental, syrupy qualities.
Synopsis: When his young children are abducted by his old nemesis, Capt. Hook (Dustin Hoffman), middle-aged lawyer Peter Banning (Robin Williams)... [More]
Directed By: Steven Spielberg

#118

The Bodyguard (1992)
34%

#118
Adjusted Score: 37555%
Critics Consensus: The Bodyguard is a cheesy, melodramatic potboiler with occasional moments of electricity from Whitney Houston.
Synopsis: Best-selling pop diva Rachel Marron (Whitney Houston) has a stalker whose obsession has risen to the level of disturbing threats.... [More]
Directed By: Mick Jackson

#117

The Waterboy (1998)
34%

#117
Adjusted Score: 37915%
Critics Consensus: This is an insult to its genre with low humor and cheap gags.
Synopsis: Raised by his overprotective mother, Helen (Kathy Bates), Bobby Boucher Jr. (Adam Sandler) is the water boy for a successful... [More]
Directed By: Frank Coraci

#116
Adjusted Score: 39521%
Critics Consensus: A change of venue -- and more sentimentality and violence -- can't obscure the fact that Home Alone 2: Lost in New York is a less inspired facsimile of its predecessor.
Synopsis: After snarky youth Kevin McCallister (Macaulay Culkin) loses track of his father at the airport, he mistakenly gets on a... [More]
Directed By: Chris Columbus

#115
#115
Adjusted Score: 37556%
Critics Consensus: Lurid but acted with gusto, Indecent Proposal has difficulty keeping it up beyond its initial titillating premise.
Synopsis: David (Woody Harrelson) and Diana Murphy (Demi Moore) are a loving couple with a bright future. David is a talented... [More]
Directed By: Adrian Lyne

#114

Armageddon (1998)
38%

#114
Adjusted Score: 44954%
Critics Consensus: Lovely to look at but about as intelligent as the asteroid that serves as the movie's antagonist, Armageddon slickly sums up the cinematic legacies of producer Jerry Bruckheimer and director Michael Bay.
Synopsis: When an asteroid threatens to collide with Earth, NASA honcho Dan Truman (Billy Bob Thornton) determines the only way to... [More]
Directed By: Michael Bay

#113

Eraser (1996)
39%

#113
Adjusted Score: 41650%
Critics Consensus: Eraser's shoot-'em-up action might show off some cutting edge weaponry, but its rote story is embarrassingly obsolete.
Synopsis: John "The Eraser" Kruger is the top gun in the US Marshall Witness Protection scheme; he erases their past and... [More]
Directed By: Charles Russell

#112

Batman Forever (1995)
38%

#112
Adjusted Score: 42282%
Critics Consensus: Loud, excessively busy, and often boring, Batman Forever nonetheless has the charisma of Jim Carrey and Tommy Lee Jones to offer mild relief.
Synopsis: Batman (Val Kilmer) faces off against two foes: the schizophrenic, horribly scarred former District Attorney Harvey Dent, aka Two-Face (Tommy... [More]
Directed By: Joel Schumacher

#111

Big Daddy (1999)
39%

#111
Adjusted Score: 42837%
Critics Consensus: Adam Sandler acquits himself admirably, but his charm isn't enough to make up for Big Daddy's jarring shifts between crude humor and mawkish sentimentality.
Synopsis: Thirty-two-year-old Sonny Koufax (Adam Sandler) has spent his whole life avoiding responsibility. But when his girlfriend dumps him for an... [More]
Directed By: Dennis Dugan

#110
Adjusted Score: 43699%
Critics Consensus: Teenage Mutant Ninja Turtles is exactly as advertised: one-liners, brawls, and general silliness. Good for the young at heart, irritating for everyone else.
Synopsis: In New York, mysterious radioactive ooze has mutated four sewer turtles into talking, upright-walking, crime-fighting ninjas. The intrepid heroes --... [More]
Directed By: Steve Barron

#109

101 Dalmatians (1996)
41%

#109
Adjusted Score: 41648%
Critics Consensus: Neat performance from Glenn Close aside, 101 Dalmatians is a bland, pointless remake.
Synopsis: Fashion designer Anita and computer-game writer Roger meet, fall in love and marry along with their dalmatians Perdita and Pongo.... [More]
Directed By: Stephen Herek

#108

Dr. Dolittle (1998)
42%

#108
Adjusted Score: 44363%
Critics Consensus: Doctor Dolittle finds some mirth in the novelty of wisecracking critters, but this family feature's treacly tone is made queasy by a reliance on scatological gags that undercut the intended warmth.
Synopsis: After a fender bender, Dr. John Dolittle (Eddie Murphy) gets back his childhood ability to converse with animals. But the... [More]
Directed By: Betty Thomas

#107

Deep Impact (1998)
45%

#107
Adjusted Score: 46597%
Critics Consensus: A tidal wave of melodrama sinks Deep Impact's chance at being the memorable disaster flick it aspires to be.
Synopsis: A comet is hurtling toward Earth and could mean the end of all human life. The U.S. government keeps the... [More]
Directed By: Mimi Leder

#106

Runaway Bride (1999)
46%

#106
Adjusted Score: 48473%
Critics Consensus: Cliche story with lack of chemistry between Richard Gere and Julia Roberts.
Synopsis: Having already left three grooms at the altar, Maggie Carpenter (Julia Roberts) is branded "the runaway bride" by jaded city... [More]
Directed By: Garry Marshall

#105
#105
Adjusted Score: 53225%
Critics Consensus: First Wives Club is headlined by a trio of comedic dynamos, but the script lets them down with tepid plotting and a fatal lack of satirical bite.
Synopsis: Despondent over the marriage of her ex-husband to a younger woman, a middle-aged divorcée plunges to her death from her... [More]
Directed By: Hugh Wilson

#104

Phenomenon (1996)
50%

#104
Adjusted Score: 51577%
Critics Consensus: No consensus yet.
Synopsis: On his birthday, mechanic George Malley (John Travolta) sees a flash of light and proceeds to exhibit extraordinary mental abilities.... [More]
Directed By: Jon Turteltaub

#103

Casper (1995)
51%

#103
Adjusted Score: 53184%
Critics Consensus: A meandering, mindless family movie that frequently resorts to special effects and transparent sappiness.
Synopsis: Casper (voiced by Malachi Pearson) is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James... [More]
Directed By: Brad Silberling

#102
Adjusted Score: 55014%
Critics Consensus: Robin Hood: Prince of Thieves brings a wonderfully villainous Alan Rickman to this oft-adapted tale, but he's robbed by big-budget bombast and a muddled screenplay.
Synopsis: Nobleman crusader Robin of Locksley (Kevin Costner) breaks out of a Jerusalem prison with the help of Moorish fellow prisoner... [More]
Directed By: Kevin Reynolds

#101
Adjusted Score: 62032%
Critics Consensus: Burdened by exposition and populated with stock characters, The Phantom Menace gets the Star Wars prequels off to a bumpy -- albeit visually dazzling -- start.
Synopsis: Obi-Wan Kenobi (Ewan McGregor) is a young apprentice Jedi knight under the tutelage of Qui-Gon Jinn (Liam Neeson) ; Anakin... [More]
Directed By: George Lucas

#100
Adjusted Score: 55628%
Critics Consensus: Provides lots of laughs with Myers at the healm; as funny or funnier than the original.
Synopsis: In his second screen adventure, British super spy Austin Powers must return to 1969, as arch-nemesis Dr. Evil has ventured... [More]
Directed By: Jay Roach

#99
#99
Adjusted Score: 57455%
Critics Consensus: Plagued by mediocre writing, uneven acting, and a fairly by-the-numbers plot, The World Is Not Enough is partially saved by some entertaining and truly Bond-worthy action sequences.
Synopsis: Bond (Pierce Brosnan) must race to defuse an international power struggle with the world's oil supply hanging in the balance.... [More]
Directed By: Michael Apted

#98

Lethal Weapon 4 (1998)
53%

#98
Adjusted Score: 55397%
Critics Consensus: Jet Li's arrival breathes fresh life into a tired franchise formula -- but not enough to put Lethal Weapon 4 on equal footing with its predecessors.
Synopsis: Detective Riggs (Mel Gibson) tries to settle down with his pregnant girlfriend, Lorna (Rene Russo), while his partner, Murtaugh (Danny... [More]
Directed By: Richard Donner

#97
Adjusted Score: 56832%
Critics Consensus: The Lost World demonstrates how far CG effects have come in the four years since Jurassic Park; unfortunately, it also proves how difficult it can be to put together a truly compelling sequel.
Synopsis: John Hammond (Richard Attenborough) summons chaos theorist Ian Malcolm (Jeff Goldblum) to his home with some startling information -- while... [More]
Directed By: Steven Spielberg

#96
#96
Adjusted Score: 56136%
Critics Consensus: Julia Roberts and Denzel Washington are a compelling team in the overlong Pelican Brief, a pulpy thriller that doesn't quite justify the intellectual remove of Alan J. Pakula's direction.
Synopsis: Taut thriller about a young law student whose legal brief about the assassination of two Supreme Court justices causes her... [More]
Directed By: Alan J. Pakula

#95

Basic Instinct (1992)
55%

#95
Adjusted Score: 60684%
Critics Consensus: Unevenly echoing the work of Alfred Hitchcock, Basic Instinct contains a star-making performance from Sharon Stone but is ultimately undone by its problematic, overly lurid plot.
Synopsis: The mysterious Catherine Tramell (Sharon Stone), a beautiful crime novelist, becomes a suspect when she is linked to the brutal... [More]
Directed By: Paul Verhoeven

#94

Jumanji (1995)
55%

#94
Adjusted Score: 56951%
Critics Consensus: A feast for the eyes with a somewhat malnourished plot, Jumanji is an underachieving adventure that still offers a decent amount of fun for the whole family.
Synopsis: A magical board game unleashes a world of adventure on siblings Peter (Bradley Pierce) and Judy Shepherd (Kirsten Dunst). While... [More]
Directed By: Joe Johnston

#93

Pocahontas (1995)
55%

#93
Adjusted Score: 58349%
Critics Consensus: Pocahontas means well, and has moments of startling beauty, but it's largely a bland, uninspired effort, with uneven plotting and an unfortunate lack of fun.
Synopsis: This is the Disney animated tale of the romance between a young American Indian woman named Pocahontas (Irene Bedard) and... [More]

#92
#92
Adjusted Score: 56232%
Critics Consensus: George of the Jungle is faithful to its source material -- which, unfortunately, makes it a less-than-compelling feature film.
Synopsis: George (Brendan Fraser) has raised himself since since he was a baby and a plane crash stranded him in an... [More]
Directed By: Sam Weisman

#91

Con Air (1997)
56%

#91
Adjusted Score: 59935%
Critics Consensus: Con Air won't win any awards for believability - and all involved seem cheerfully aware of it, making some of this blockbuster action outing's biggest flaws fairly easy to forgive.
Synopsis: Just-paroled army ranger Cameron Poe (Nicolas Cage) is headed back to his wife (Monica Potter), but must fly home aboard... [More]
Directed By: Simon West

#90
#90
Adjusted Score: 60703%
Critics Consensus: A competent, if sometimes by-the-numbers entry to the 007 franchise, Tomorrow Never Dies may not boast the most original plot but its action sequences are genuinely thrilling.
Synopsis: Media mogul Elliot Carver (Jonathan Pryce) wants his news empire to reach every country on the globe, but the Chinese... [More]
Directed By: Roger Spottiswoode

#89
#89
Adjusted Score: 60298%
Critics Consensus: Charming characters; loads of fun for kids and adults.
Synopsis: This animated comedy finds Tommy Pickles (E.G. Daily) trying to return his baby brother to the hospital after being warned... [More]

#88
#88
Adjusted Score: 63902%
Critics Consensus: Die Hard with a Vengeance benefits from Bruce Willis and Samuel L. Jackson's barbed interplay, but clatters to a bombastic finish in a vain effort to cover for an overall lack of fresh ideas.
Synopsis: Detective John McClane (Bruce Willis) is now divorced, alcoholic and jobless after getting fired for his reckless behavior and bad... [More]
Directed By: John McTiernan

#87

Twister (1996)
61%

#87
Adjusted Score: 63725%
Critics Consensus: A high-concept blockbuster that emphasizes special effects over three-dimensional characters, Twister's visceral thrills are often offset by the film's generic plot.
Synopsis: During the approach of the most powerful storm in decades, university professor Dr. Jo Harding (Helen Hunt) and an underfunded... [More]
Directed By: Jan de Bont

#86

Lethal Weapon 3 (1992)
60%

#86
Adjusted Score: 63652%
Critics Consensus: Murtaugh and Riggs remain an appealing partnership, but Lethal Weapon 3 struggles to give them a worthy new adventure as it cranks up the camp along with the mean-spiritedness.
Synopsis: Veteran police detective Roger Murtaugh (Danny Glover) is only days away from retiring when he and his tough partner, Martin... [More]
Directed By: Richard Donner

#85

The Mummy (1999)
61%

#85
Adjusted Score: 65193%
Critics Consensus: It's difficult to make a persuasive argument for The Mummy as any kind of meaningful cinematic achievement, but it's undeniably fun to watch.
Synopsis: The Mummy is a rousing, suspenseful and horrifying epic about an expedition of treasure-seeking explorers in the Sahara Desert in... [More]
Directed By: Stephen Sommers

#84

Rush Hour (1998)
61%

#84
Adjusted Score: 63785%
Critics Consensus: A kick-ass addition to the cop-buddy film genre.
Synopsis: When a Chinese diplomat's daughter is kidnapped in Los Angeles, he calls in Hong Kong Detective Inspector Lee (Jackie Chan)... [More]
Directed By: Brett Ratner

#83

American Pie (1999)
61%

#83
Adjusted Score: 66633%
Critics Consensus: So embarrassing it's believable, American Pie succeeds in bringing back the teen movie genre.
Synopsis: A riotous and raunchy exploration of the most eagerly anticipated -- and most humiliating -- rite of adulthood, known as... [More]
Directed By: Paul Weitz

#82
Adjusted Score: 67434%
Critics Consensus: Despite lacking some of the book's subtler shadings, and suffering from some clumsy casting, Interview with a Vampire benefits from Neil Jordan's atmospheric direction and a surfeit of gothic thrills.
Synopsis: Born as an 18th-century lord, Louis is now a bicentennial vampire, telling his story to an eager biographer. Suicidal after... [More]
Directed By: Neil Jordan

#81

Dick Tracy (1990)
63%

#81
Adjusted Score: 65696%
Critics Consensus: Dick Tracy is stylish, unique, and an undeniable technical triumph, but it ultimately struggles to rise above its two-dimensional artificiality.
Synopsis: Hard-boiled detective Dick Tracy (Warren Beatty) is searching for evidence that proves Alphonse "Big Boy" Caprice is the city's most... [More]
Directed By: Warren Beatty

#80
#80
Adjusted Score: 69438%
Critics Consensus: Full of special effects, Brian DePalma's update of Mission: Impossible has a lot of sweeping spectacle, but the plot is sometimes convoluted.
Synopsis: When U.S. government operative Ethan Hunt (Tom Cruise) and his mentor, Jim Phelps (Jon Voight), go on a covert assignment... [More]
Directed By: Brian De Palma

#79
#79
Adjusted Score: 65940%
Critics Consensus: The Nutty Professor falls back on juvenile humor eagerly and often, but Eddie Murphy's consistently funny work in dual roles means more for audiences to love.
Synopsis: Brilliant and obese scientist Sherman Klump (Eddie Murphy) invents a miraculous weight-loss solution. After a date with chemistry student Carla... [More]
Directed By: Tom Shadyac

#78
#78
Adjusted Score: 68387%
Critics Consensus: The movie is peppered with amusing sight gags and one-liners, but the disjointed script doesn't cohere into a successful whole.
Synopsis: When a man (Christopher Lloyd) claiming to be Fester, the missing brother of Gomez Addams (Raul Julia), arrives at the... [More]
Directed By: Barry Sonnenfeld

#77

Pretty Woman (1990)
65%

#77
Adjusted Score: 69173%
Critics Consensus: Pretty Woman may be a yuppie fantasy, but the film's slick comedy, soundtrack, and casting can overcome misgivings.
Synopsis: In this modern update on Cinderella, a prostitute and a wealthy businessman fall hard for one another, forming an unlikely... [More]
Directed By: Garry Marshall

#76

The Rock (1996)
68%

#76
Adjusted Score: 71940%
Critics Consensus: For visceral thrills, it can't be beat. Just don't expect The Rock to engage your brain.
Synopsis: FBI chemical warfare expert Stanley Goodspeed (Nicolas Cage) is sent on an urgent mission with a former British spy, John... [More]
Directed By: Michael Bay

#75

Contact (1997)
66%

#75
Adjusted Score: 70084%
Critics Consensus: Contact elucidates stirring scientific concepts and theological inquiry at the expense of satisfying storytelling, making for a brainy blockbuster that engages with its ideas, if not its characters.
Synopsis: In this Zemeckis-directed adaptation of the Carl Sagan novel, Dr. Ellie Arroway (Jodie Foster) races to interpret a possible message... [More]
Directed By: Robert Zemeckis

#74

Maverick (1994)
66%

#74
Adjusted Score: 69196%
Critics Consensus: It isn't terribly deep, but it's witty and undeniably charming, and the cast is obviously having fun.
Synopsis: This film update of the "Maverick" TV series finds the title cardsharp (Mel Gibson) hoping to join a poker contest... [More]
Directed By: Richard Donner

#73

A Time to Kill (1996)
68%

#73
Adjusted Score: 70005%
Critics Consensus: Overlong and superficial, A Time to Kill nonetheless succeeds on the strength of its skillful craftsmanship and top-notch performances.
Synopsis: Carl Lee Hailey (Samuel L. Jackson) is a heartbroken black father who avenges his daughter's brutal rape by shooting the... [More]
Directed By: Joel Schumacher

#72

Stuart Little (1999)
67%

#72
Adjusted Score: 70987%
Critics Consensus: Critics say Stuart Little is charming with kids and adults for its humor and visual effects.
Synopsis: When the Littles go to an orphanage to adopt a new family member, a charming young mouse named Stuart is... [More]
Directed By: Rob Minkoff

#71

Independence Day (1996)
68%

#71
Adjusted Score: 71582%
Critics Consensus: The plot is thin and so is character development, but as a thrilling, spectacle-filled summer movie, Independence Day delivers.
Synopsis: In the epic adventure film "Independence Day," strange phenomena surface around the globe. The skies ignite. Terror races through the... [More]
Directed By: Roland Emmerich

#70

Home Alone (1990)
68%

#70
Adjusted Score: 71390%
Critics Consensus: Home Alone uneven but frequently funny premise stretched unreasonably thin is buoyed by Macaulay Culkin's cute performance and strong supporting stars.
Synopsis: When bratty 8-year-old Kevin McCallister (Macaulay Culkin) acts out the night before a family trip to Paris, his mother (Catherine... [More]
Directed By: Chris Columbus

#69

Dumb & Dumber (1994)
68%

#69
Adjusted Score: 70196%
Critics Consensus: A relentlessly stupid comedy elevated by its main actors: Jim Carrey goes bonkers and Jeff Daniels carries himself admirably in an against-type performance.
Synopsis: Imbecilic best friends Lloyd Christmas (Jim Carrey) and Harry Dunne (Jeff Daniels) stumble across a suitcase full of money left... [More]

#68

Analyze This (1999)
69%

#68
Adjusted Score: 73502%
Critics Consensus: Analyze This is a satisfying comedy with great performances by De Niro and Crystal.
Synopsis: When doctors tell a mob boss (Robert De Niro) that he is suffering from anxiety attacks, he seeks the help... [More]
Directed By: Harold Ramis

#67

Sleepy Hollow (1999)
69%

#67
Adjusted Score: 74376%
Critics Consensus: It isn't Tim Burton's best work, but Sleepy Hollow entertains with its stunning visuals and creepy atmosphere.
Synopsis: Set in 1799, "Sleepy Hollow" is based on Washington Irving's classic tale "The Legend of Sleepy Hollow." Faithful to the... [More]
Directed By: Tim Burton

#66

Die Hard 2 (1990)
69%

#66
Adjusted Score: 72566%
Critics Consensus: It lacks the fresh thrills of its predecessor, but Die Hard 2 still works as an over-the-top -- and reasonably taut -- big-budget sequel, with plenty of set pieces to paper over the plot deficiencies.
Synopsis: A year after his heroics in L.A, detective John McClane (Bruce Willis) is mixed up in another terrorist plot, this... [More]
Directed By: Renny Harlin

#65

You've Got Mail (1998)
70%

#65
Adjusted Score: 73756%
Critics Consensus: Great chemistry between the leads made this a warm and charming delight.
Synopsis: Struggling boutique bookseller Kathleen Kelly (Meg Ryan) hates Joe Fox (Tom Hanks), the owner of a corporate Foxbooks chain store... [More]
Directed By: Nora Ephron

#64
Adjusted Score: 74009%
Critics Consensus: Disney's take on the Victor Hugo classic is dramatically uneven, but its strong visuals, dark themes, and message of tolerance make for a more-sophisticated-than-average children's film.
Synopsis: An animated Disney adventure follows disfigured Quasimodo (Tom Hulce), the bell-ringer of Notre Dame Cathedral, who bides his time locked... [More]
Directed By: Gary Trousdale, Kirk Wise

#63

Forrest Gump (1994)
71%

#63
Adjusted Score: 78314%
Critics Consensus: Forrest Gump may be an overly sentimental film with a somewhat problematic message, but its sweetness and charm are usually enough to approximate true depth and grace.
Synopsis: Slow-witted Forrest Gump (Tom Hanks) has never thought of himself as disadvantaged, and thanks to his supportive mother (Sally Field),... [More]
Directed By: Robert Zemeckis

#62

Mrs. Doubtfire (1993)
72%

#62
Adjusted Score: 75136%
Critics Consensus: On paper, Mrs. Doubtfire might seem excessively broad or sentimental, but Robin Williams shines so brightly in the title role that the end result is difficult to resist.
Synopsis: Troubled that he has little access to his children, divorced Daniel Hillard (Robin Williams) hatches an elaborate plan. With help... [More]
Directed By: Chris Columbus

#61

True Lies (1994)
70%

#61
Adjusted Score: 72196%
Critics Consensus: If it doesn't reach the heights of director James Cameron's and star Arnold Schwarzenegger's previous collaborations, True Lies still packs enough action and humor into its sometimes absurd plot to entertain.
Synopsis: Secretly a spy but thought by his family to be a dull salesman, Harry Tasker (Arnold Schwarzenegger) is tracking down... [More]
Directed By: James Cameron

#60
#60
Adjusted Score: 76561%
Critics Consensus: An entertaining, topical thriller that finds director Tony Scott on solid form and Will Smith confirming his action headliner status.
Synopsis: Corrupt National Security Agency official Thomas Reynolds (Jon Voight) has a congressman assassinated to assure the passage of expansive new... [More]
Directed By: Tony Scott

#59

The Santa Clause (1994)
72%

#59
Adjusted Score: 75592%
Critics Consensus: The Santa Clause is utterly undemanding, but it's firmly rooted in the sort of good old-fashioned holiday spirit missing from too many modern yuletide films.
Synopsis: Divorced dad Scott (Tim Allen) has custody of his son (Eric Lloyd) on Christmas Eve. After he accidentally kills a... [More]
Directed By: John Pasquin

#58
#58
Adjusted Score: 76469%
Critics Consensus: Thanks to a charming performance from Julia Roberts and a subversive spin on the genre, My Best Friend's Wedding is a refreshingly entertaining romantic comedy.
Synopsis: Childhood friends Julianne Potter (Julia Roberts) and Michael O'Neal (Dermot Mulroney) had a deal to marry each other if they... [More]
Directed By: P.J. Hogan

#57

Sister Act (1992)
74%

#57
Adjusted Score: 75616%
Critics Consensus: Looking for a sweet musical comedy about a witness to a crime hiding out from killers in a convent? There's nun better than Sister Act.
Synopsis: When lively lounge singer Deloris Van Cartier (Whoopi Goldberg) sees her mobster beau, Vince LaRocca (Harvey Keitel), commit murder, she... [More]
Directed By: Emile Ardolino

#56

Ghost (1990)
75%

#56
Adjusted Score: 79521%
Critics Consensus: Ghost offers viewers a poignant romance while blending elements of comedy, horror, and mystery, all adding up to one of the more enduringly watchable hits of its era.
Synopsis: Sam Wheat (Patrick Swayze) is a banker, Molly Jensen (Demi Moore) is an artist, and the two are madly in... [More]
Directed By: Jerry Zucker

#55

Ransom (1996)
75%

#55
Adjusted Score: 79154%
Critics Consensus: Directed with propulsive intensity by Ron Howard, Ransom is a fiery thriller packed with hot-blooded performances and jolting twists.
Synopsis: Through a life of hard work, airline owner Tom Mullen (Mel Gibson) has amassed a great deal of wealth. When... [More]
Directed By: Ron Howard

#54

The Firm (1993)
75%

#54
Adjusted Score: 79525%
Critics Consensus: The Firm is a big studio thriller that amusingly tears apart the last of 1980s boardroom culture and the false securities it represented.
Synopsis: A young lawyer joins a small but prestigious law firm only to find out that most of their clients are... [More]
Directed By: Sydney Pollack

#53
#53
Adjusted Score: 79816%
Critics Consensus: Sleepless in Seattle is a cute classic with a very light touch and real chemistry between the two leads -- even when spending an entire movie apart.
Synopsis: After the death of his wife, Sam Baldwin (Tom Hanks) moves to Seattle with his son, Jonah (Ross Mallinger). When... [More]
Directed By: Nora Ephron

#52

The Mask (1994)
79%

#52
Adjusted Score: 82196%
Critics Consensus: It misses perhaps as often as it hits, but Jim Carrey's manic bombast, Cameron Diaz' blowsy appeal, and the film's overall cartoony bombast keep The Mask afloat.
Synopsis: When timid bank clerk Stanley Ipkiss (Jim Carrey) discovers a magical mask containing the spirit of the Norse god Loki,... [More]
Directed By: Charles Russell

#51

The Green Mile (1999)
78%

#51
Adjusted Score: 83890%
Critics Consensus: Though The Green Mile is long, critics say it's an absorbing, emotionally powerful experience.
Synopsis: Paul Edgecomb (Tom Hanks) walked the mile with a variety of cons. He had never encountered someone like John Coffey... [More]
Directed By: Frank Darabont

#50

Air Force One (1997)
78%

#50
Adjusted Score: 80411%
Critics Consensus: This late-period Harrison Ford actioner is full of palpable, if not entirely seamless, thrills.
Synopsis: After making a speech in Moscow vowing to never negotiate with terrorists, President James Marshall (Harrison Ford) boards Air Force... [More]
Directed By: Wolfgang Petersen

#49

GoldenEye (1995)
79%

#49
Adjusted Score: 84368%
Critics Consensus: The first and best Pierce Brosnan Bond film, GoldenEye brings the series into a more modern context, and the result is a 007 entry that's high-tech, action-packed, and urbane.
Synopsis: When a powerful satellite system falls into the hands of Alec Trevelyan, AKA Agent 006 (Sean Bean), a former ally-turned-enemy,... [More]
Directed By: Martin Campbell

#48

Wayne's World (1992)
79%

#48
Adjusted Score: 85621%
Critics Consensus: An oddball comedy that revels in its silliness and memorable catch phrases, Wayne's World is also fondly regarded because of its endearing characters.
Synopsis: A big screen spin-off of the "Saturday Night Live" skit. Rob Lowe plays a producer that wants to take the... [More]
Directed By: Penelope Spheeris

#47

Scream (1996)
79%

#47
Adjusted Score: 83846%
Critics Consensus: Horror icon Wes Craven's subversive deconstruction of the genre is sly, witty, and surprisingly effective as a slasher film itself, even if it's a little too cheeky for some.
Synopsis: The sleepy little town of Woodsboro just woke up screaming. There's a killer in their midst who's seen a few... [More]
Directed By: Wes Craven

#46
#46
Adjusted Score: 85168%
Critics Consensus: Sentimental and light, but still thoroughly charming, A League of Their Own is buoyed by solid performances from a wonderful cast.
Synopsis: As America's stock of athletic young men is depleted during World War II, a professional all-female baseball league springs up... [More]
Directed By: Penny Marshall

#45
#45
Adjusted Score: 83756%
Critics Consensus: The Prince of Egypt's stunning visuals and first-rate voice cast more than compensate for the fact that it's better crafted than it is emotionally involving.
Synopsis: In this animated retelling of the Book of Exodus, Egyptian Prince Moses (Val Kilmer), upon discovering his roots as a... [More]

#44
#44
Adjusted Score: 82563%
Critics Consensus: Perfecting the formula established in earlier installments, Clear and Present Danger reunites its predecessor's creative core to solidly entertaining effect.
Synopsis: Agent Jack Ryan (Harrison Ford) becomes acting deputy director of the CIA when Admiral Greer (James Earl Jones) is diagnosed... [More]
Directed By: Phillip Noyce

#43

Batman Returns (1992)
80%

#43
Adjusted Score: 87234%
Critics Consensus: Director Tim Burton's dark, brooding atmosphere, Michael Keaton's work as the tormented hero, and the flawless casting of Danny DeVito as The Penguin and Christopher Walken as, well, Christopher Walken make the sequel better than the first.
Synopsis: The monstrous Penguin (Danny DeVito), who lives in the sewers beneath Gotham, joins up with wicked shock-headed businessman Max Shreck... [More]
Directed By: Tim Burton

#42

The Birdcage (1996)
81%

#42
Adjusted Score: 83794%
Critics Consensus: Mike Nichols wrangles agreeably amusing performances from Robin Williams and Nathan Lane in this fun, if not quite essential, remake of the French comedy La Cage aux Folles.
Synopsis: In this remake of the classic French farce "La Cage aux Folles," engaged couple Val Goldman (Dan Futterman) and Barbara... [More]
Directed By: Mike Nichols

#41

Seven (1995)
82%

#41
Adjusted Score: 86446%
Critics Consensus: A brutal, relentlessly grimy shocker with taut performances, slick gore effects, and a haunting finale.
Synopsis: When retiring police Detective William Somerset (Morgan Freeman) tackles a final case with the aid of newly transferred David Mills... [More]
Directed By: David Fincher

#40

Scream 2 (1997)
81%

#40
Adjusted Score: 86056%
Critics Consensus: As with the first film, Scream 2 is a gleeful takedown of scary movie conventions that manages to poke fun at terrible horror sequels without falling victim to the same fate.
Synopsis: Sydney (Neve Campbell) and tabloid reporter Gale Weathers (Courteney Cox) survived the events of the first "Scream," but their nightmare... [More]
Directed By: Wes Craven

#39

Liar Liar (1997)
83%

#39
Adjusted Score: 85692%
Critics Consensus: Despite its thin plot, Liar Liar is elevated by Jim Carrey's exuberant brand of physical humor, and the result is a laugh riot that helped to broaden the comedian's appeal.
Synopsis: Conniving attorney Fletcher Reede (Jim Carrey) is an ace in the courtroom, but his dishonesty and devotion to work ruin... [More]
Directed By: Tom Shadyac

#38

Total Recall (1990)
82%

#38
Adjusted Score: 87434%
Critics Consensus: Under Paul Verhoeven's frenetic direction, Total Recall is a fast-paced rush of violence, gore, and humor that never slacks.
Synopsis: Douglas Quaid (Arnold Schwarzenegger) is a bored construction worker in the year 2084 who dreams of visiting the colonized Mars.... [More]
Directed By: Paul Verhoeven

#37
#37
Adjusted Score: 86304%
Critics Consensus: While it's fueled in part by outdated stereotypes, Driving Miss Daisy takes audiences on a heartwarming journey with a pair of outstanding actors.
Synopsis: Daisy Werthan (Jessica Tandy), an elderly Jewish widow living in Atlanta, is determined to maintain her independence. However, when she... [More]
Directed By: Bruce Beresford

#36

Notting Hill (1999)
83%

#36
Adjusted Score: 87296%
Critics Consensus: A rom-com with the right ingredients, Notting Hill proves there's nothing like a love story well told -- especially when Hugh Grant and Julia Roberts are your leads.
Synopsis: William Thacker (Hugh Grant) is a London bookstore owner whose humdrum existence is thrown into romantic turmoil when famous American... [More]
Directed By: Roger Michell

#35
Adjusted Score: 87432%
Critics Consensus: There's Something About Mary proves that unrelentingly, unabashedly peurile humor doesn't necessarily come at the expense of a film's heart.
Synopsis: Ted's (Ben Stiller) dream prom date with Mary (Cameron Diaz) never happens due to an embarrassing injury at her home.... [More]

#34

Jerry Maguire (1996)
84%

#34
Adjusted Score: 89299%
Critics Consensus: Anchored by dazzling performances from Tom Cruise, Cuba Gooding Jr., and Renée Zellweger, as well as Cameron Crowe's tender direction, Jerry Maguire meshes romance and sports with panache.
Synopsis: When slick sports agent Jerry Maguire (Tom Cruise) has a crisis of conscience, he pens a heartfelt company-wide memo that... [More]
Directed By: Cameron Crowe

#33

A Few Good Men (1992)
83%

#33
Adjusted Score: 88393%
Critics Consensus: An old-fashioned courtroom drama with a contemporary edge, A Few Good Men succeeds on the strength of its stars, with Tom Cruise, Demi Moore, and especially Jack Nicholson delivering powerful performances that more than compensate for the predictable plot.
Synopsis: Lt. Daniel Kaffee (Tom Cruise) is a military lawyer defending two U.S. Marines charged with killing a fellow Marine at... [More]
Directed By: Rob Reiner

#32
#32
Adjusted Score: 87608%
Critics Consensus: Dances with Wolves suffers from a simplistic view of the culture it attempts to honor, but the end result remains a stirring western whose noble intentions are often matched by its epic grandeur.
Synopsis: A Civil War soldier develops a relationship with a band of Lakota Indians. Attracted by the simplicity of their lifestyle,... [More]
Directed By: Kevin Costner

#31
#31
Adjusted Score: 89981%
Critics Consensus: James L. Brooks and Jack Nicholson, doing what they do best, combine smart dialogue and flawless acting to squeeze fresh entertainment value out of the romantic-comedy genre.
Synopsis: Melvin Udall (Jack Nicholson) is an obsessive-compulsive writer of romantic fiction who's rude to everyone he meets, including his gay... [More]
Directed By: James L. Brooks

#30

The Sixth Sense (1999)
86%

#30
Adjusted Score: 93227%
Critics Consensus: M Night Shayamalan's The Sixth Sense is a twisty ghost story with all the style of a classical Hollywood picture, but all the chills of a modern horror flick.
Synopsis: Young Cole Sear (Haley Joel Osment) is haunted by a dark secret: he is visited by ghosts. Cole is frightened... [More]
Directed By: M. Night Shyamalan

#29
#29
Adjusted Score: 93484%
Critics Consensus: Full of creepy campfire scares, mock-doc The Blair Witch Project keeps audiences in the dark about its titular villain, proving once more that imagination can be as scary as anything onscreen.
Synopsis: Found video footage tells the tale of three film students (Heather Donahue, Joshua Leonard, Michael C. Williams) who've traveled to... [More]

#28

Mulan (1998)
86%

#28
Adjusted Score: 90110%
Critics Consensus: Exploring themes of family duty and honor, Mulan breaks new ground as a Disney film, while still bringing vibrant animation and sprightly characters to the screen.
Synopsis: Fearful that her ailing father will be drafted into the Chinese military, Mulan (Ming-Na Wen) takes his spot -- though,... [More]
Directed By: Barry Cook, Tony Bancroft

#27

American Beauty (1999)
87%

#27
Adjusted Score: 94769%
Critics Consensus: Flawlessly cast and brimming with dark, acid wit, American Beauty is a smart, provocative high point of late '90s mainstream Hollywood film.
Synopsis: Lester Burnham (Kevin Spacey) is a gainfully employed suburban husband and father. Fed up with his boring, stagnant existence, he... [More]
Directed By: Sam Mendes

#26

The Matrix (1999)
88%

#26
Adjusted Score: 95175%
Critics Consensus: Thanks to the Wachowskis' imaginative vision, The Matrix is a smartly crafted combination of spectacular action and groundbreaking special effects.
Synopsis: Neo (Keanu Reeves) believes that Morpheus (Laurence Fishburne), an elusive figure considered to be the most dangerous man alive, can... [More]

#25

Tarzan (1999)
89%

#25
Adjusted Score: 92399%
Critics Consensus: Disney's Tarzan takes the well-known story to a new level with spirited animation, a brisk pace, and some thrilling action set-pieces..
Synopsis: In this Disney animated tale, the orphaned Tarzan (Tony Goldwyn) grows up in the remote African wilderness, raised by the... [More]
Directed By: Chris Buck, Kevin Lima

#24

Titanic (1997)
89%

#24
Adjusted Score: 101419%
Critics Consensus: A mostly unqualified triumph for James Cameron, who offers a dizzying blend of spectacular visuals and old-fashioned melodrama.
Synopsis: James Cameron's "Titanic" is an epic, action-packed romance set against the ill-fated maiden voyage of the R.M.S. Titanic; the pride... [More]
Directed By: James Cameron

#23
#23
Adjusted Score: 92347%
Critics Consensus: Perfectly cast and packed with suspense, The Hunt for Red October is an old-fashioned submarine thriller with plenty of firepower to spare.
Synopsis: Based on the popular Tom Clancy novel, this suspenseful movie tracks Soviet submarine captain Marko Ramius (Sean Connery) as he... [More]
Directed By: John McTiernan

#22

City Slickers (1991)
91%

#22
Adjusted Score: 92853%
Critics Consensus: With a supremely talented cast and just enough midlife drama to add weight to its wildly silly overtones, City Slickers uses universal themes to earn big laughs.
Synopsis: Every year, three friends take a vacation away from their wives. This year, henpecked Phil (Daniel Stern), newly married Ed... [More]
Directed By: Ron Underwood

#21

Jurassic Park (1993)
92%

#21
Adjusted Score: 102598%
Critics Consensus: Jurassic Park is a spectacle of special effects and life-like animatronics, with some of Spielberg's best sequences of sustained awe and sheer terror since Jaws.
Synopsis: In Steven Spielberg's massive blockbuster, paleontologists Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) and mathematician Ian Malcolm (Jeff... [More]
Directed By: Steven Spielberg

#20

A Bug's Life (1998)
92%

#20
Adjusted Score: 96755%
Critics Consensus: A Bug's Life is a rousing adventure that blends animated thrills with witty dialogue and memorable characters - and another smashing early success for Pixar.
Synopsis: Flik (Dave Foley) is an inventive ant who's always messing things up for his colony. His latest mishap was destroying... [More]

#19

Men in Black (1997)
92%

#19
Adjusted Score: 97654%
Critics Consensus: Thanks to a smart script, spectacular set pieces, and charismatic performances from its leads, Men in Black is an entirely satisfying summer blockbuster hit.
Synopsis: They are the best-kept secret in the universe. Working for a highly funded yet unofficial government agency, Kay (Tommy Lee... [More]
Directed By: Barry Sonnenfeld

#18

Face/Off (1997)
92%

#18
Adjusted Score: 96504%
Critics Consensus: John Travolta and Nicolas Cage play cat-and-mouse (and literally play each other) against a beautifully stylized backdrop of typically elegant, over-the-top John Woo violence.
Synopsis: Obsessed with bringing terrorist Castor Troy (Nicolas Cage) to justice, FBI agent Sean Archer (John Travolta) tracks down Troy, who... [More]
Directed By: John Woo

#17
#17
Adjusted Score: 100118%
Critics Consensus: Endlessly witty, visually rapturous, and sweetly romantic, Shakespeare in Love is a delightful romantic comedy that succeeds on nearly every level.
Synopsis: "Shakespeare in Love" is a romantic comedy for the 1990s set in the 1590s. It imaginatively unfolds the witty, sexy... [More]
Directed By: John Madden

#16

Pulp Fiction (1994)
92%

#16
Adjusted Score: 98550%
Critics Consensus: One of the most influential films of the 1990s, Pulp Fiction is a delirious post-modern mix of neo-noir thrills, pitch-black humor, and pop-culture touchstones.
Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this... [More]
Directed By: Quentin Tarantino

#15

The Lion King (1994)
93%

#15
Adjusted Score: 101779%
Critics Consensus: Emotionally stirring, richly drawn, and beautifully animated, The Lion King is a pride within Disney's pantheon of classic family films.
Synopsis: This Disney animated feature follows the adventures of the young lion Simba (Jonathan Taylor Thomas), the heir of his father,... [More]
Directed By: Roger Allers, Rob Minkoff

#14
Adjusted Score: 98521%
Critics Consensus: T2 features thrilling action sequences and eye-popping visual effects, but what takes this sci-fi/ action landmark to the next level is the depth of the human (and cyborg) characters.
Synopsis: In this sequel set eleven years after "The Terminator," young John Connor (Edward Furlong), the key to civilization's victory over... [More]
Directed By: James Cameron

#13
#13
Adjusted Score: 101376%
Critics Consensus: Anchored by another winning performance from Tom Hanks, Steven Spielberg's unflinchingly realistic war film virtually redefines the genre.
Synopsis: Captain John Miller (Tom Hanks) takes his men behind enemy lines to find Private James Ryan, whose three brothers have... [More]
Directed By: Steven Spielberg

#12
#12
Adjusted Score: 103564%
Critics Consensus: Enchanting, sweepingly romantic, and featuring plenty of wonderful musical numbers, Beauty and the Beast is one of Disney's most elegant animated offerings.
Synopsis: An arrogant young prince (Robby Benson) and his castle's servants fall under the spell of a wicked enchantress, who turns... [More]
Directed By: Gary Trousdale, Kirk Wise

#11

Speed (1994)
94%

#11
Adjusted Score: 98621%
Critics Consensus: A terrific popcorn thriller, Speed is taut, tense, and energetic, with outstanding performances from Keanu Reeves, Dennis Hopper, and Sandra Bullock.
Synopsis: Los Angeles police officer Jack (Keanu Reeves) angers retired bomb squad member Howard Payne (Dennis Hopper) by foiling his attempt... [More]
Directed By: Jan de Bont

#10

Aladdin (1992)
95%

#10
Adjusted Score: 100265%
Critics Consensus: A highly entertaining entry in Disney's renaissance era," Aladdin is beautifully drawn, with near-classic songs and a cast of scene-stealing characters.
Synopsis: When street rat Aladdin frees a genie from a lamp, he finds his wishes granted. However, he soon finds that... [More]
Directed By: Ron Clements, John Musker

#9

The Truman Show (1998)
95%

#9
Adjusted Score: 101730%
Critics Consensus: A funny, tender, and thought-provoking film, The Truman Show is all the more noteworthy for its remarkably prescient vision of runaway celebrity culture and a nation with an insatiable thirst for the private details of ordinary lives.
Synopsis: He doesn't know it, but everything in Truman Burbank's (Jim Carrey) life is part of a massive TV set. Executive... [More]
Directed By: Peter Weir

#8
#8
Adjusted Score: 100880%
Critics Consensus: A straightforward thriller of the highest order, In the Line of Fire benefits from Wolfgang Peterson's taut direction and charismatic performances from Clint Eastwood and John Malkovich.
Synopsis: A Secret Service agent is taunted by calls from a would-be killer who has detailed information about the agent -... [More]
Directed By: Wolfgang Petersen

#7

The Fugitive (1993)
96%

#7
Adjusted Score: 102752%
Critics Consensus: Exhilarating and intense, this high-impact chase thriller is a model of taut and efficient formula filmmaking, and it features Harrison Ford at his frantic best.
Synopsis: Wrongfully accused of murdering his wife, Richard Kimble (Harrison Ford) escapes from the law in an attempt to find her... [More]
Directed By: Andrew Davis

#6

Apollo 13 (1995)
96%

#6
Adjusted Score: 101223%
Critics Consensus: In recreating the troubled space mission, Apollo 13 pulls no punches: it's a masterfully told drama from director Ron Howard, bolstered by an ensemble of solid performances.
Synopsis: This Hollywood drama is based on the events of the Apollo 13 lunar mission, astronauts Jim Lovell (Tom Hanks), Fred... [More]
Directed By: Ron Howard

#5
#5
Adjusted Score: 104400%
Critics Consensus: Director Jonathan Demme's smart, taut thriller teeters on the edge between psychological study and all-out horror, and benefits greatly from stellar performances by Anthony Hopkins and Jodie Foster.
Synopsis: Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy. Jack Crawford (Scott Glenn) wants Clarice... [More]
Directed By: Jonathan Demme

#4

Unforgiven (1992)
96%

#4
Adjusted Score: 105273%
Critics Consensus: As both director and star, Clint Eastwood strips away decades of Hollywood varnish applied to the Wild West, and emerges with a series of harshly eloquent statements about the nature of violence.
Synopsis: When prostitute Delilah Fitzgerald (Anna Thomson) is disfigured by a pair of cowboys in Big Whiskey, Wyoming, her fellow brothel... [More]
Directed By: Clint Eastwood

#3
#3
Adjusted Score: 101368%
Critics Consensus: It follows a predictable narrative arc, but Good Will Hunting adds enough quirks to the journey -- and is loaded with enough powerful performances -- that it remains an entertaining, emotionally rich drama.
Synopsis: Will Hunting (Matt Damon) has a genius-level IQ but chooses to work as a janitor at MIT. When he solves... [More]
Directed By: Gus Van Sant

#2

Toy Story (1995)
100%

#2
Adjusted Score: 106145%
Critics Consensus: Entertaining as it is innovative, Toy Story reinvigorated animation while heralding the arrival of Pixar as a family-friendly force to be reckoned with.
Synopsis: Woody (Tom Hanks), a good-hearted cowboy doll who belongs to a young boy named Andy (John Morris), sees his position... [More]
Directed By: John Lasseter

#1

Toy Story 2 (1999)
100%

#1
Adjusted Score: 107741%
Critics Consensus: The rare sequel that arguably improves on its predecessor, Toy Story 2 uses inventive storytelling, gorgeous animation, and a talented cast to deliver another rich moviegoing experience for all ages.
Synopsis: Woody (Tom Hanks) is stolen from his home by toy dealer Al McWhiggin (Wayne Knight), leaving Buzz Lightyear (Tim Allen)... [More]

(Photo by 20th Century Fox Film Corp./courtesy Everett Collection)

All Bruce Willis Movies Ranked

Where there’s a Willis, there’s a way. A way to make it from TV sitcom star to eternal everyman action movie hero (Die Hard). A way to make a talking baby movie work (Look Who’s Talking) to the tune of $300 million at the box office in the ’80s. And a way to throw it all away with misfires like Bonfire of the Vanities and Hudson Hawk. And a way to get it all back again by kickstarting the ’90s indie boom with Pulp Fiction.

Since then, Bruce has continued to have a wild career, with the occasional crucial movie released at the exact right time to freshen up his image, whether in epic blockbusters (Armageddon), muted horror (The Sixth Sense), twee comedy (Moonrise Kingdom), or sci-fi cult classics (Looper). Recent highlights include Glass, the surprise finale to M. Night Shyamalan’s trilogy that started with Unbreakable and Glass, and Edward Norton passion project Motherless Brooklyn. And now we’re ranking all Bruce Willis movies by Tomatometer!

#85

Air Strike (2018)
0%

#85
Critics Consensus: No consensus yet.
Synopsis: During World War II, five Chinese people fight their way through Japanese air attacks to protect a military machine.... [More]
Directed By: Xiao Feng

#84

10 Minutes Gone (2019)
0%

#84
Critics Consensus: No consensus yet.
Synopsis: A man loses his memory after a bank heist goes wrong.... [More]
Directed By: Brian A. Miller

#83

The Prince (2014)
0%

#83
Critics Consensus: No consensus yet.
Synopsis: A retired assassin is drawn back into his former life and a confrontation with an old rival when his daughter... [More]
Directed By: Brian A. Miller

#82
#82
Critics Consensus: No consensus yet.
Synopsis: Three Midwestern brothers, a crime lord, and an incorruptible cop are on a deadly collision course when the youngest brother's... [More]
Directed By: Brett Donowho

#81

Hard Kill (2020)
0%

#81
Adjusted Score: 558%
Critics Consensus: No consensus yet.
Synopsis: Mercenaries race against the clock to stop a madman from using a computer program to wreak havoc around the globe.... [More]
Directed By: Matt Eskandari

#80

Precious Cargo (2016)
0%

#80
Adjusted Score: 463%
Critics Consensus: No consensus yet.
Synopsis: To get back in the good graces of her murderous boss (Bruce Willis), a seductive thief (Claire Forlani) recruits an... [More]
Directed By: Max Adams

#79

Cosmic Sin (2021)
3%

#79
Adjusted Score: 3941%
Critics Consensus: Let he who is without Cosmic Sin cast the first stone -- and possibly use it to rouse Bruce Willis from the slumber he seems to be in throughout this dreadful sci-fi blunder.
Synopsis: Bruce Willis and Frank Grillo star in the new epic sci-fi adventure set in the year 2524, four hundred years... [More]
Directed By: Edward Drake

#78

Vice (2015)
4%

#78
Adjusted Score: 3210%
Critics Consensus: Bruce Willis and Thomas Jane are visibly bored by the dreary material in this sci-fi hodgepodge, proving that star power in service of a lousy script is no virtue.
Synopsis: A self-aware, artificial human (Ambyr Childers) becomes caught in the crossfire between a cop (Thomas Jane) and the creator (Bruce... [More]
Directed By: Brian A. Miller

#77
#77
Adjusted Score: 5212%
Critics Consensus: No consensus yet.
Synopsis: Young business consultant Will Shaw (Henry Cavill) flies to Spain for a vacation aboard his family's sailboat. When Will returns... [More]
Directed By: Mabrouk El Mechri

#76
#76
Adjusted Score: 7961%
Critics Consensus: A strained, laugh-free sequel, The Whole Ten Yards recycles its predecessor's cast and plot but not its wit or reason for being.
Synopsis: After faking his death, former killer-for-hire Jimmy "The Tulip" Tudeski (Bruce Willis) retires to Mexico with his new wife, Jill... [More]
Directed By: Howard Deutch

#75

Extraction (2015)
6%

#75
Adjusted Score: 5197%
Critics Consensus: No consensus yet.
Synopsis: A government analyst (Kellan Lutz) launches his own rescue mission when terrorists kidnap his father (Bruce Willis), a retired CIA... [More]
Directed By: Steven C. Miller

#74

Fire With Fire (2012)
7%

#74
Adjusted Score: 4232%
Critics Consensus: No consensus yet.
Synopsis: A firefighter does something unexpected after a man that he has been ordered to testify against threatens him.... [More]
Directed By: David Barrett

#73

Rock the Kasbah (2015)
7%

#73
Adjusted Score: 11559%
Critics Consensus: The Shareef don't like Rock the Kasbah, and neither will viewers hoping for a film that manages to make effective use of Bill Murray's knack for playing lovably anarchic losers.
Synopsis: While visiting Kabul, Afghanistan, washed-up music manager Richie Lanz (Bill Murray) gets dumped by his last client. His luck changes... [More]
Directed By: Barry Levinson

#72

Reprisal (2018)
8%

#72
Adjusted Score: 5847%
Critics Consensus: No consensus yet.
Synopsis: An ex-cop joins forces with a bank manager to track down a highly skilled and ruthless thief. The situation soon... [More]
Directed By: Brian A. Miller

#71

Perfect Stranger (2007)
10%

#71
Adjusted Score: 14810%
Critics Consensus: Despite the presence of Halle Berry and Bruce Willis, Perfect Stranger is too convoluted to work, and features a twist ending that's irritating and superfluous. It's a techno-thriller without thrills.
Synopsis: Rowena Price (Halle Berry), a reporter, uses her investigative skills to solve the murder of a friend. Her search leads... [More]
Directed By: James Foley

#70
#70
Adjusted Score: 13304%
Critics Consensus: No consensus yet.
Synopsis: In the sequel to "Look Who's Talking," formerly single mom Mollie (Kirstie Alley) is about to have a baby with... [More]
Directed By: Amy Heckerling

#69

Four Rooms (1995)
14%

#69
Adjusted Score: 15417%
Critics Consensus: Four Rooms comes stocked with a ton of talent on both sides of the camera, yet only manages to add up to a particularly uneven -- and dismayingly uninspired -- anthology effort.
Synopsis: Working New Year's Eve at a hotel in Hollywood, Calif., the new bellhop, Ted (Tim Roth), has no idea what's... [More]

#68
#68
Adjusted Score: 14040%
Critics Consensus: No consensus yet.
Synopsis: A doctor and his family are held hostage by a wounded gunman and his unhinged brother.... [More]
Directed By: Matt Eskandari

#67

North (1994)
14%

#67
Adjusted Score: 15771%
Critics Consensus: Laden with schmaltz and largely bereft of evident narrative purpose, North represents an early major disappointment from previously sure-handed director Rob Reiner.
Synopsis: North (Elijah Wood) is a talented and bright kid, but his mom (Julia Louis-Dreyfus) and dad (Jason Alexander) are utterly... [More]
Directed By: Rob Reiner

#66
#66
Adjusted Score: 23343%
Critics Consensus: A Good Day to Die Hard is the weakest entry in a storied franchise, and not even Bruce Willis' smirking demeanor can enliven a cliched, uninspired script.
Synopsis: New York City cop John McClane (Bruce Willis) arrives in Moscow to track down his estranged son, Jack (Jai Courtney).... [More]
Directed By: John Moore

#65

First Kill (2017)
15%

#65
Adjusted Score: 15570%
Critics Consensus: No consensus yet.
Synopsis: Trying to reconnect with his son Danny, big shot Wall Street broker Will takes his family on a hunting trip... [More]
Directed By: Steven C. Miller

#64
Adjusted Score: 18421%
Critics Consensus: The Bonfire of the Vanities is a vapid adaptation of a thoughtful book, fatally miscast and shorn of the source material's crucial sense of irony. Add it to the pyre of Hollywood's ambitious failures.
Synopsis: In this adaptation of the Tom Wolfe novel, powerful Wall Street executive Sherman McCoy (Tom Hanks) is riding with his... [More]
Directed By: Brian De Palma

#63
#63
Adjusted Score: 17326%
Critics Consensus: Weighed down by a rote story and passionless performances, Striking Distance represents one of the lesser '90s genre outings from action hero Bruce Willis.
Synopsis: Sgt. Tom Hardy (Bruce Willis) denounces his partner, Jimmy Detillo (Robert Pastorelli), for brutally interrogating a suspect. After Jimmy falls... [More]
Directed By: Rowdy Herrington

#62

Lay the Favorite (2012)
18%

#62
Adjusted Score: 18283%
Critics Consensus: A clumsy misstep for director Stephen Frears, Lay the Favorite puts all its chips on endearing quirk only to go bust.
Synopsis: A former stripper's (Rebecca Hall) talent with numbers lands her a job with a professional gambler (Bruce Willis) who runs... [More]
Directed By: Stephen Frears

#61

Death Wish (2018)
18%

#61
Adjusted Score: 26537%
Critics Consensus: Death Wish is little more than a rote retelling that lacks the grit and conviction of the original -- and also suffers from spectacularly bad timing.
Synopsis: Dr. Paul Kersey is a surgeon who often sees the consequences of the city's violence in the emergency room. When... [More]
Directed By: Eli Roth

#60

Cop Out (2010)
19%

#60
Adjusted Score: 24919%
Critics Consensus: Cop Out is a cliched buddy action/comedy that suffers from stale gags and slack pacing.
Synopsis: Veteran detective Jimmy Monroe (Bruce Willis) needs money to pay for his daughter's upcoming wedding, so he decides it's time... [More]
Directed By: Kevin Smith

#59

Breach (2020)
20%

#59
Adjusted Score: 20113%
Critics Consensus: No consensus yet.
Synopsis: Fleeing a devastating plague on Earth, an interstellar ark comes under attack from a new threat -- a shape-shifting alien... [More]
Directed By: John Suits

#58

Blind Date (1987)
21%

#58
Adjusted Score: 20063%
Critics Consensus: Blind Date has all the ingredients for a successful madcap comedy, but the end results suggest director Blake Edwards has lost his once-reliable touch.
Synopsis: When bachelor Walter Davis (Bruce Willis) is set up with his sister-in-law's pretty cousin, Nadia Gates (Kim Basinger), a seemingly... [More]
Directed By: Blake Edwards

#57
Adjusted Score: 22062%
Critics Consensus: Once Upon a Time in Venice has a little more of a spark than typical late-period Bruce Willis tough guy movies, but it's still a steep, disappointing tumble from his best work.
Synopsis: Steve Ford is a private detective in Venice Beach, Calif., who's good with the ladies, bad with the punches and... [More]
Directed By: Mark Cullen

#56

Mercury Rising (1998)
21%

#56
Adjusted Score: 23686%
Critics Consensus: Mercury Rising lays the action on thick, but can never find a dramatic pulse to keep viewers -- or Bruce Willis -- engaged with its maudlin story.
Synopsis: "Mercury Rising" stars Bruce Willis as Art Jeffries, a renegade FBI agent who combats ruthless federal agents to protect Simon... [More]
Directed By: Harold Becker

#55

Color of Night (1994)
22%

#55
Adjusted Score: 24037%
Critics Consensus: Bruce willie shot aside, the only other things popping out in Color of Night are some ridiculous plot contortions and majorly camp moments.
Synopsis: Attempts on his life escalate as a New York psychologist (Bruce Willis) closes in on a colleague's killer in Los... [More]
Directed By: Richard Rush

#54

Sunset (1988)
21%

#54
Adjusted Score: 21253%
Critics Consensus: No consensus yet.
Synopsis: Having retired from a life of gunfights and peacekeeping, the great Wyatt Earp (James Garner) has landed a job as... [More]
Directed By: Blake Edwards

#53

The Jackal (1997)
23%

#53
Adjusted Score: 24243%
Critics Consensus: The Jackal is a relatively simple chase thriller incapable of adding thrills or excitement as the plot chugs along.
Synopsis: During an FBI raid on a Moscow nightclub, the brother of Russian gangster Terek Murad (David Hayman) is killed. Murad... [More]
Directed By: Michael Caton-Jones

#52

Marauders (2016)
24%

#52
Adjusted Score: 23396%
Critics Consensus: From its clichéd story to Bruce Willis' rote performance, Marauders is a crime thriller content to settle for merely competent -- a goal it all too rarely achieves.
Synopsis: FBI agents (Christopher Meloni, Dave Bautista) uncover a conspiracy while trying to nail a group of deadly bank robbers.... [More]
Directed By: Steven C. Miller

#51
#51
Adjusted Score: 26470%
Critics Consensus: The movie is overwhelmed by its chaotic visual effects and disjointed storyline.
Synopsis: An unhappy car dealer (Bruce Willis) believes that a dime-store author/philosopher (Albert Finney) has the answers to life's important questions.... [More]
Directed By: Alan Rudolph

#50

The Story of Us (1999)
26%

#50
Adjusted Score: 31021%
Critics Consensus: A lack of chemistry between Bruce Willis and Michelle Pfeiffer fatally undermines the dull and predictable Story of Us.
Synopsis: After 15 years of marriage, Katie (Michelle Pfeiffer) and her husband, Ben (Bruce Willis), have grown apart. While they keep... [More]
Directed By: Rob Reiner

#49
#49
Adjusted Score: 35104%
Critics Consensus: Though arguably superior to its predecessor, G.I. Joe: Retaliation is overwhelmed by its nonstop action and too nonsensical and vapid to leave a lasting impression.
Synopsis: In the continuing adventures of the G.I. Joe team, Duke (Channing Tatum), second-in-command Roadblock (Dwayne Johnson), and the rest of... [More]
Directed By: Jon M. Chu

#48

Hudson Hawk (1991)
33%

#48
Adjusted Score: 32794%
Critics Consensus: Hudson Hawk's kitchen-sink approach to its blend of action and slapstick results in a surreal, baffling misfire.
Synopsis: Thief extraordinaire Hudson Hawk (Bruce Willis) has just been released from prison and all he wants is a nice cappuccino.... [More]
Directed By: Michael Lehmann

#47

Tears of the Sun (2003)
33%

#47
Adjusted Score: 37086%
Critics Consensus: Tries to be high-minded, but in the end, it's just a stylish action movie.
Synopsis: The Nigerian government has fallen, and the country is on the verge of civil war. Lt. A.K. Waters (Bruce Willis)... [More]
Directed By: Antoine Fuqua

#46

Hostage (2005)
35%

#46
Adjusted Score: 40059%
Critics Consensus: Grisly and cliched, audiences may feel they're being held Hostage.
Synopsis: After one of his hostage negotiations goes awry, LAPD officer Jeff Talley (Bruce Willis) quits the force and relocates his... [More]
Directed By: Florent Siri

#45
#45
Adjusted Score: 36329%
Critics Consensus: Last Man Standing's brooding atmosphere and bursts of artfully arranged action prove intriguing yet ultimately insufficient substitutes for a consistently compelling story.
Synopsis: Loyal to nobody but himself, John Smith (Bruce Willis) hires his services out to Fredo Strozzi (Ned Eisenberg), a bootlegging... [More]
Directed By: Walter Hill

#44

Surrogates (2009)
37%

#44
Adjusted Score: 40317%
Critics Consensus: Though it sports a slick look and feel, Surrogates fails to capitalize on a promising premise, relying instead on mindless action and a poor script.
Synopsis: In the near future, people live their lives free of pain, danger and complications through robotic representations of themselves, called... [More]
Directed By: Jonathan Mostow

#43

Glass (2019)
36%

#43
Adjusted Score: 61525%
Critics Consensus: Glass displays a few glimmers of M. Night Shyamalan at his twisty world-building best, but ultimately disappoints as the conclusion to the writer-director's long-gestating trilogy.
Synopsis: David Dunn tries to stay one step ahead of the law while delivering vigilante justice on the streets of Philadelphia.... [More]
Directed By: M. Night Shyamalan

#42

Billy Bathgate (1991)
38%

#42
Adjusted Score: 38151%
Critics Consensus: No consensus yet.
Synopsis: In 1935, Bronx teenager Billy Behan (Loren Dean) attracts the attention of powerful mobster Dutch Schultz (Dustin Hoffman) and quickly... [More]
Directed By: Robert Benton

#41

Armageddon (1998)
38%

#41
Adjusted Score: 44954%
Critics Consensus: Lovely to look at but about as intelligent as the asteroid that serves as the movie's antagonist, Armageddon slickly sums up the cinematic legacies of producer Jerry Bruckheimer and director Michael Bay.
Synopsis: When an asteroid threatens to collide with Earth, NASA honcho Dan Truman (Billy Bob Thornton) determines the only way to... [More]
Directed By: Michael Bay

#40

Rugrats Go Wild (2003)
39%

#40
Adjusted Score: 41495%
Critics Consensus: The Rugrats franchise has gone from fresh to formulaic.
Synopsis: Chuckie (Nancy Cartwright) and Tommy (Elizabeth Daily) find themselves stranded with their parents on a remote island. By coincidence, the... [More]
Directed By: Norton Virgien, John Eng

#39

The Expendables (2010)
42%

#39
Adjusted Score: 49868%
Critics Consensus: It makes good on the old-school action it promises, but given all the talent on display, The Expendables should hit harder.
Synopsis: Mercenary leader Barney Ross (Sylvester Stallone) and his loyal men take on what they think is a routine assignment: a... [More]
Directed By: Sylvester Stallone

#38
Adjusted Score: 50069%
Critics Consensus: A Dame to Kill For boasts the same stylish violence and striking visual palette as the original Sin City, but lacks its predecessor's brutal impact.
Synopsis: The damaged denizens of Sin City return for another round of stories from the mind of Frank Miller. In "Just... [More]

#37

The Siege (1998)
44%

#37
Adjusted Score: 46010%
Critics Consensus: An exciting, well-paced action film.
Synopsis: After terrorists attack a bus in Brooklyn, a Broadway theater and FBI headquarters, FBI anti-terrorism expert Anthony Hubbard (Denzel Washington)... [More]
Directed By: Edward Zwick

#36
#36
Adjusted Score: 46608%
Critics Consensus: Despite a charming cast, The Whole Nine Yards can't tickle funny bones consistently enough to distract from its sitcom-like story.
Synopsis: Jimmy "The Tulip" Tudeski (Bruce Willis), a mob hitman-turned-informant, ratted on the mob and put his life in jeopardy. Now... [More]
Directed By: Jonathan Lynn

#35

Red 2 (2013)
44%

#35
Adjusted Score: 49895%
Critics Consensus: While it's still hard to argue with its impeccable cast or the fun they often seem to be having, Red 2 replaces much of the goofy fun of its predecessor with empty, over-the-top bombast.
Synopsis: Former CIA black-ops agent Frank Moses (Bruce Willis) and his old partner, Marvin Boggs (John Malkovich), are caught in the... [More]
Directed By: Dean Parisot

#34
#34
Adjusted Score: 47313%
Critics Consensus: The Last Boy Scout is as explosive, silly, and fun as it does represent the decline of the buddy-cop genre.
Synopsis: Once a first-rate Secret Service agent, Joe Hallenbeck (Bruce Willis) is now a gruff private investigator whose latest gig is... [More]
Directed By: Tony Scott

#33

The Kid (2000)
49%

#33
Adjusted Score: 52387%
Critics Consensus: Critics find The Kid to be too sweet and the movie's message to be annoyingly simplistic.
Synopsis: ... [More]
Directed By: Jon Turteltaub

#32

Fast Food Nation (2006)
49%

#32
Adjusted Score: 54002%
Critics Consensus: Despite some fine performances and memorable scenes, Fast Food Nation is more effective as Eric Schlosser's eye-opening non-fiction book than as Richard Linklater's fictionalized, mostly punchless movie.
Synopsis: Don Henderson (Greg Kinnear), a marketing executive for a national burger chain must leave blissful ignorance behind when his boss... [More]
Directed By: Richard Linklater

#31
Adjusted Score: 22756%
Critics Consensus: No consensus yet.
Synopsis: After the theft of copies of SAT exams from a principal's office, teenage reporter Bobby Funke (Reece Thompson) sets out... [More]
Directed By: Brett Simon

#30
#30
Adjusted Score: 55367%
Critics Consensus: What Just Happened has some inspired comic moments, but this inside-baseball take on Hollywood lacks satirical bite.
Synopsis: During the course of an ordinary week in Hollywood, movie producer Ben (Robert De Niro) must navigate his way through... [More]
Directed By: Barry Levinson

#29
#29
Adjusted Score: 57288%
Critics Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succumbs to a convoluted plot, overly stylized characters, and dizzying set design.
Synopsis: A case of mistaken identity puts a man named Slevin (Josh Hartnett) in the middle of a war between two... [More]
Directed By: Paul McGuigan

#28

Alpha Dog (2006)
54%

#28
Adjusted Score: 59905%
Critics Consensus: A glossy yet unflinching portrait of violent, hedonistic teenagers. Bruce Willis and Sharon Stone chew the scenery, while Justin Timberlake gives a noteworthy performance.
Synopsis: Teenage dealer Johnny Truelove (Emile Hirsch) and his friends kidnap the impressionable younger brother (Anton Yelchin) of a junkie (Ben... [More]
Directed By: Nick Cassavetes

#27
#27
Adjusted Score: 57232%
Critics Consensus: Hawn and Streep are as fabulous as Death Becomes Her's innovative special effects; Zemeckis' satire, on the other hand, is as hollow as the world it mocks.
Synopsis: When a novelist loses her man to a movie star and former friend, she winds up in a psychiatric hospital.... [More]
Directed By: Robert Zemeckis

#26
#26
Adjusted Score: 58588%
Critics Consensus: Look Who's Talking holds some appeal thanks to its affable stars and Amy Heckerling's energetic direction, but a silly script doesn't allow wit to get a word in edgewise.
Synopsis: The romantic ups and downs of accountant Mollie Jensen (Kirstie Alley) are viewed cynically by a most unusual bystander --... [More]
Directed By: Amy Heckerling

#25

16 Blocks (2006)
56%

#25
Adjusted Score: 61717%
Critics Consensus: Despite strong performances from Bruce Willis and Mos Def, 16 Blocks is a shopworn entry in the buddy-action genre.
Synopsis: Boozy and world-weary, NYPD Detective Jack Mosley (Bruce Willis) draws a routine assignment to transport trial witness Eddie Bunker (Mos... [More]
Directed By: Richard Donner

#24

Mortal Thoughts (1991)
57%

#24
Adjusted Score: 57255%
Critics Consensus: No consensus yet.
Synopsis: A loathsome man ends up dead, but it's not clear who's to blame. If ever a person got what he... [More]
Directed By: Alan Rudolph

#23
#23
Adjusted Score: 62607%
Critics Consensus: The Astronaut Farmer is a charming, inspirational drama that successfully avoids modern cinematic cliches while appealing to the optimistic dreamer in all of us.
Synopsis: Charles Farmer (Billy Bob Thornton), a rancher who once trained to be an astronaut, decides to fulfill a lifelong dream:... [More]
Directed By: Michael Polish

#22

Hart's War (2002)
59%

#22
Adjusted Score: 62663%
Critics Consensus: Well-made and solidly acted, Hart's War is modestly compelling. However, the movie suffers from having too many subplots.
Synopsis: Lieutenant Tommy Hart (Colin Farrell) is a second year law student who is enlisted as an officer's aide in World... [More]
Directed By: Gregory Hoblit

#21
#21
Adjusted Score: 63902%
Critics Consensus: Die Hard with a Vengeance benefits from Bruce Willis and Samuel L. Jackson's barbed interplay, but clatters to a bombastic finish in a vain effort to cover for an overall lack of fresh ideas.
Synopsis: Detective John McClane (Bruce Willis) is now divorced, alcoholic and jobless after getting fired for his reckless behavior and bad... [More]
Directed By: John McTiernan

#20
#20
Adjusted Score: 76375%
Critics Consensus: Motherless Brooklyn's imposing length requires patience, but strong performances and a unique perspective make this a mystery worth investigating.
Synopsis: Lionel Essrog is a lonely private detective who doesn't let Tourette's syndrome stand in the way of his job. Gifted... [More]
Directed By: Edward Norton

#19

Bandits (2001)
64%

#19
Adjusted Score: 69236%
Critics Consensus: The story may not warrant its lengthy running time, but the cast of Bandits makes it an enjoyable ride.
Synopsis: Joe (Bruce Willis) and Terry (Billy Bob Thornton) have escaped from prison. Cutting a swath from Oregon through California, these... [More]
Directed By: Barry Levinson

#18
#18
Adjusted Score: 72216%
Critics Consensus: Taut, violent, and suitably self-deprecating, The Expendables 2 gives classic action fans everything they can reasonably expect from a star-studded shoot-'em-up -- for better and for worse.
Synopsis: Mercenary leader Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham) and the rest of the Expendables team reunite when Mr.... [More]
Directed By: Simon West

#17

In Country (1989)
68%

#17
Adjusted Score: 68716%
Critics Consensus: With a slow build to a dramatic conclusion, In Country benefits largely from its strong acting, particularly by Emily Lloyd in the lead role.
Synopsis: Samantha Hughes (Emily Lloyd) lives with her uncle, Emmett Smith (Bruce Willis), in a small Kentucky town. After her high... [More]
Directed By: Norman Jewison

#16

Die Hard 2 (1990)
69%

#16
Adjusted Score: 72566%
Critics Consensus: It lacks the fresh thrills of its predecessor, but Die Hard 2 still works as an over-the-top -- and reasonably taut -- big-budget sequel, with plenty of set pieces to paper over the plot deficiencies.
Synopsis: A year after his heroics in L.A, detective John McClane (Bruce Willis) is mixed up in another terrorist plot, this... [More]
Directed By: Renny Harlin

#15

Unbreakable (2000)
70%

#15
Adjusted Score: 76710%
Critics Consensus: With a weaker ending, Unbreakable is not as a good as The Sixth Sense. However, it is a quietly suspenseful film that intrigues and engages, taking the audience through unpredictable twists and turns along the way.
Synopsis: David Dunn (Bruce Willis) is the sole survivor of a devastating train wreck. Elijah Price (Samuel L. Jackson) is a... [More]
Directed By: M. Night Shyamalan

#14
#14
Adjusted Score: 74084%
Critics Consensus: Visually inventive and gleefully over the top, Luc Besson's The Fifth Element is a fantastic piece of pop sci-fi that never takes itself too seriously.
Synopsis: In the 23rd century, a New York City cabbie, Korben Dallas (Bruce Willis), finds the fate of the world in... [More]
Directed By: Luc Besson

#13
Adjusted Score: 72865%
Critics Consensus: Beavis and Butt-Head Do America is unabashedly offensive, unapologetically stupid, and unexpectedly funny.
Synopsis: Two of the biggest animated slackers around, Beavis (Mike Judge) and Butt-head (also Judge) get a kick-start when two crooks... [More]
Directed By: Mike Judge, Yvette Kaplan

#12

Red (2010)
72%

#12
Adjusted Score: 78999%
Critics Consensus: It may not be the killer thrill ride you'd expect from an action movie with a cast of this caliber, but Red still thoroughly outshines most of its big-budget counterparts with its wit and style.
Synopsis: After surviving an assault from a squad of hit men, retired CIA agent Frank Moses (Bruce Willis) reassembles his old... [More]
Directed By: Robert Schwentke

#11

Over the Hedge (2006)
75%

#11
Adjusted Score: 82241%
Critics Consensus: Even if it's not an animation classic, Over the Hedge is clever and fun, and the jokes cater to family members of all ages.
Synopsis: When Verne (Garry Shandling) and fellow woodland friends awake from winter's hibernation, they find they have some new neighbors: humans,... [More]

#10

Planet Terror (2007)
76%

#10
Adjusted Score: 75392%
Critics Consensus: A cool and hip grindhouse throwback, Planet Terror is an unpredictable zombie thrillride.
Synopsis: An ordinary evening in a small Texas town becomes a grisly nightmare when a horde of flesh-eating zombies goes on... [More]
Directed By: Robert Rodriguez

#9

Sin City (2005)
77%

#9
Adjusted Score: 86441%
Critics Consensus: Visually groundbreaking and terrifically violent, Sin City brings the dark world of Frank Miller's graphic novel to vivid life.
Synopsis: In this quartet of neo-noir tales, a mysterious salesman (Josh Hartnett) narrates a tragic story of co-dependency, while a musclebound... [More]

#8
#8
Adjusted Score: 90071%
Critics Consensus: Live Free or Die Hard may be preposterous, but it's an efficient, action-packed summer popcorn flick with thrilling stunts and a commanding performance by Bruce Willis. Fans of the previous Die Hard films will not be disappointed.
Synopsis: As the nation prepares to celebrate Independence Day, veteran cop John McClane (Bruce Willis) carries out another routine assignment: bringing... [More]
Directed By: Len Wiseman

#7

The Sixth Sense (1999)
86%

#7
Adjusted Score: 93227%
Critics Consensus: M Night Shayamalan's The Sixth Sense is a twisty ghost story with all the style of a classical Hollywood picture, but all the chills of a modern horror flick.
Synopsis: Young Cole Sear (Haley Joel Osment) is haunted by a dark secret: he is visited by ghosts. Cole is frightened... [More]
Directed By: M. Night Shyamalan

#6

12 Monkeys (1995)
89%

#6
Adjusted Score: 93669%
Critics Consensus: The plot's a bit of a jumble, but excellent performances and mind-blowing plot twists make 12 Monkeys a kooky, effective experience.
Synopsis: Traveling back in time isn't simple, as James Cole (Bruce Willis) learns the hard way. Imprisoned in the 2030s, James... [More]
Directed By: Terry Gilliam

#5

Nobody's Fool (1994)
91%

#5
Adjusted Score: 93355%
Critics Consensus: It's solidly directed by Robert Benton and stacked with fine performances from an impressive cast, but above all, Nobody's Fool is a showcase for some of Paul Newman's best late-period work.
Synopsis: Donald "Sully" Sullivan (Paul Newman) is an expert at avoiding adult responsibilities. At 60, he divides all his time between... [More]
Directed By: Robert Benton

#4

Pulp Fiction (1994)
92%

#4
Adjusted Score: 98550%
Critics Consensus: One of the most influential films of the 1990s, Pulp Fiction is a delirious post-modern mix of neo-noir thrills, pitch-black humor, and pop-culture touchstones.
Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this... [More]
Directed By: Quentin Tarantino

#3

Moonrise Kingdom (2012)
93%

#3
Adjusted Score: 104518%
Critics Consensus: Warm, whimsical, and poignant, the immaculately framed and beautifully acted Moonrise Kingdom presents writer/director Wes Anderson at his idiosyncratic best.
Synopsis: The year is 1965, and the residents of New Penzance, an island off the coast of New England, inhabit a... [More]
Directed By: Wes Anderson

#2

Looper (2012)
93%

#2
Adjusted Score: 103710%
Critics Consensus: As thought-provoking as it is thrilling, Looper delivers an uncommonly smart, bravely original blend of futuristic sci-fi and good old-fashioned action.
Synopsis: In a future society, time-travel exists, but it's only available to those with the means to pay for it on... [More]
Directed By: Rian Johnson

#1

Die Hard (1988)
94%

#1
Adjusted Score: 99439%
Critics Consensus: Its many imitators (and sequels) have never come close to matching the taut thrills of the definitive holiday action classic.
Synopsis: New York City policeman John McClane (Bruce Willis) is visiting his estranged wife (Bonnie Bedelia) and two daughters on Christmas... [More]
Directed By: John McTiernan

(Photo by 20th Century Fox/courtesy Everett Collection)

All Die Hard Movies, Ranked By Tomatometer

Just how influential was 1988’s Die Hard? For a good solid decade afterwards, action movies were pitched and sold as “Die Hard on a something,” like Die Hard on a bus, or in a football stadium, or in a dirigible. The movie seemed to re-invent and immediately perfect the action formula, with detective John McClane as the guy who’s simultaneously in way over his head and always one step ahead of the bad guy, brought to life by Bruce Willis with a steely glint in the eye, and cynical everyman wit and humor. (Die Hard also turned “Nakatomi Plaza” into a Los Angeles tourist attraction, in reality 20th Century Fox’s headquarters situated right next to their studio lot, so you can imagine the cost-savings for the company when it got taken over by terrorist scum. Thanks, Hans.)

The sequels have had their ups and downs, sending John to the nation’s capital (Die Hard 2), Russia (A Good Day to Die Hard), and twice to his old stomping grounds in New York (Die Hard With a Vengeance, Live Free or Die Hard). And now we’ve taken the entire franchise to rank all Die Hard movies. Yippee-ki-yay, Tomatometers!

#5
#5
Adjusted Score: 23343%
Critics Consensus: A Good Day to Die Hard is the weakest entry in a storied franchise, and not even Bruce Willis' smirking demeanor can enliven a cliched, uninspired script.
Synopsis: New York City cop John McClane (Bruce Willis) arrives in Moscow to track down his estranged son, Jack (Jai Courtney).... [More]
Directed By: John Moore

#4
Adjusted Score: 63902%
Critics Consensus: Die Hard with a Vengeance benefits from Bruce Willis and Samuel L. Jackson's barbed interplay, but clatters to a bombastic finish in a vain effort to cover for an overall lack of fresh ideas.
Synopsis: Detective John McClane (Bruce Willis) is now divorced, alcoholic and jobless after getting fired for his reckless behavior and bad... [More]
Directed By: John McTiernan

#3

Die Hard 2 (1990)
69%

#3
Adjusted Score: 72566%
Critics Consensus: It lacks the fresh thrills of its predecessor, but Die Hard 2 still works as an over-the-top -- and reasonably taut -- big-budget sequel, with plenty of set pieces to paper over the plot deficiencies.
Synopsis: A year after his heroics in L.A, detective John McClane (Bruce Willis) is mixed up in another terrorist plot, this... [More]
Directed By: Renny Harlin

#2
#2
Adjusted Score: 90071%
Critics Consensus: Live Free or Die Hard may be preposterous, but it's an efficient, action-packed summer popcorn flick with thrilling stunts and a commanding performance by Bruce Willis. Fans of the previous Die Hard films will not be disappointed.
Synopsis: As the nation prepares to celebrate Independence Day, veteran cop John McClane (Bruce Willis) carries out another routine assignment: bringing... [More]
Directed By: Len Wiseman

#1

Die Hard (1988)
94%

#1
Adjusted Score: 99439%
Critics Consensus: Its many imitators (and sequels) have never come close to matching the taut thrills of the definitive holiday action classic.
Synopsis: New York City policeman John McClane (Bruce Willis) is visiting his estranged wife (Bonnie Bedelia) and two daughters on Christmas... [More]
Directed By: John McTiernan

As we all settle in to stay at home and socially distance ourselves, the planet has been given a unique resource not often afforded in the modern world: time. With no place to go, what shall we do with this new abundance of free hours? Time to finish that book you have had on your bedside table? Maybe take an online French class or learn to play an instrument? Time to binge every series that ever was? Or perhaps, like us, you’re thinking of all the films you wished you’d seen but never had the time to before.

Maybe one of those epic movie franchises that seemed too daunting to jump into late in the game – don’t ever admit you’ve never seen an MCU movie, ever – or a series of which you’ve caught a few entries but want to fill in the gaps. Fear not  we have you covered with our Epic Franchise Movie Binge Guide. Read below as we break down some of the most beloved long-running movie franchises – like The Lord of the Rings, Mission Impossible, or the granddaddy of them all, the Marvel Cinematic Universe – and tell you the best way to approach watching them, how long the binge will take, and which titles you can skip. Because hey, even all the time in the world may not be enough time to make you sit through A Good Day to Die Hard.

Disagree with our picks or have a suggestion for a franchise movie binge? Let us know in the comments. 


The Lord of the Rings

What is it: The film adaptations of the fantasy novels by J.R.R. Tolkien, set in ”Middle-earth,” the fictitious medieval land where elves, men, dwarves, wizards, and hobbits co-exist, often not so peacefully. Over the course of several films, we follow hobbit Bilbo Baggins and later his young heir Frodo Baggins as they go on adventures and battle against the forces of evil. 

How many hours: Extended editions: 20 hours 30 minutes; Theatrical cuts: 17 hours and 12 minutes.

Starts with:  The Hobbit: An Unexpected Journey (2012)  

Ends with: The Lord of the Rings: The Return of the King (2003)  

Best way to watch: Some would argue the second trilogy – though the first by story chronology – from Peter Jackson was an unnecessary and bloated cash grab that should be avoided at all costs, but we have a better suggestion. We suggest you begin with the LOTR animated film from 1978, which will give you all the events of the films in a quicker and to-the-point format. Then, if you are compelled to see the best of The Hobbit live-action series, we would say check out the standard edition of The Hobbit: The Desolation of Smaug, which is the best of the three. We would also suggest you try to watch the extended editions of the original live-action LOTR series – they are more than worth it for the extra content. This recommendation would make for a shorter, 16-hour watch, which could be broken up easily over two days. 

Where to watch: FandangoNOW (Discount Bundle), Amazon, iTunes, Vudu, GooglePlay. The Two Towers and The Lord of The Rings: The Return of the King standard editions are streaming on Netflix.


Marvel Cinematic Universe

What is it: The 23-film saga that chronicles the epic adventures of various superheroes, based on the comics first distributed by Marvel and its subsidiaries. 

How many hours: 50 hours and 3 minutes.

Starts with:   Iron Man (2008)  

Ends with:  Spider-Man: Far From Home (2019)

Best way to watch: Not surprising for a franchise that grossed over $22 billion at the global box office, but Marvel Studios’ 23-film, decade-long opus is quite watchable as is. Some folks would have argued in 2010 that Avengers: The Age of Ultron is a skippable mess, but as we detail here, it is essential viewing to truly appreciate the first four phases of the saga that culminated with Avengers: Endgame. Sorry for those looking for a shortcut, but watching it all is worth it. Viewing all 23 movies straight through, without breaks, however, is not the way to do it.

Instead, we suggest you go in release order and complete each day as follows: day one after Avengers; day two after Ant-man; day three after Black Panther; and finish on day four with Spider-Man: Far From Home. If you’ve previously watched the MCU and are looking to watch it in a new way, use our guide here to watch in chronological order based on the events of each film. If the thought of 50 hours of superheroes is still too intimidating for you, but you want to understand enough to get by, watch these character introduction films (Captain America, Thor, Iron Man, Black Panther, Captain Marvel, Ant-Man, Guardians of the Galaxy) and these team-up films (Civil War, Winter Soldier, Avengers, Ultron, Infinity War, Endgame). Once you have finished that, check out our Oral Histories of the MCU, in which the directors, producer, and casting director who worked on the epic franchise break down all the behind-the-scene secrets.

Where to watch: FandangoNOW, Amazon, iTunes, Vudu, GooglePlay. All of the films save The Incredible Hulk and the Spider-Man films are streaming on Disney+. The Avengers: Infinity War and The Avengers: Endgame are streaming on Netflix; and Captain America: The First Avenger, The Avengers, and Thor are streaming on Amazon Prime.


Die Hard Franchise

What is it: Follow John McClane, a police detective who seems to be a magnet for maniacal criminals no matter which city/structure he is in, and proves to be a tough man to kill.

How many hours: 10 hours and 14 minutes.

Starts with:  Die Hard (1988)

Ends with: A Good Day to Die Hard (2013)

Best way to watch: The original Die Hard is so beloved that many argue it’s the greatest action film ever made – or maybe the greatest Christmas movie, but that is a debate for another day. The film and its follow-ups have a loyal fanbase, and though the second and third entries pale in comparison to the first, we still say they’re worth a watch. The fourth film, Live Free or Die Hard, is a true return to form and, frankly, it’s where you should stop unless you are a true completist. The series’ most recent film, A Good Day to Die Hard, is the only PG-13 entry on the list, and without McClane’s iconic “Yippee-ki-yay, motherf–ker,” there’s really no point pushing play.

Where to watch: FandangoNOW (Discounted Bundle), Amazon,  iTunes, Vudu, GooglePlay. Die Hard and Die Hard with a Vengeance are streaming now on CinemaxGoLive Free or Die Hard is streaming on the Starz app.


The Fast & Furious Franchise

What is it: Follow Dominic Toretto (Vin Diesel) and his crew, which he calls his family, as they shift from illegal street-racing criminals to heist experts and then finally emerge as a new crime-fighting unit that tackles the world of espionage.

How many hours: 15 hours and 57 mins. 

Starts with: The Fast and the Furious (2001)

Ends with:  Fast & Furious Presents: Hobbs & Shaw (2019)

Best way to watch: As Dom and everyone in the Fast franchise says – quite often – this is about family. So, if you’re looking for something to skip, it’s hard to imagine who you’d want to kick out one of the family – though, let’s be honest, 2 Fast 2 Furious is definitely not Dad’s favorite. Without Vin Diesel, that entry can barely call itself a Fast and Furious movie, and the 2009 series soft reboot, Fast & Furious, is not much better and an easy call to skip, as well. We would caution against skipping third entry Toyko Drift; its charms are significantly more than its 37% Tomatometer score would suggest (something we wax about in our book Rotten Movies We Love). Not to spoil anything, but when we finally get Fast 9 in 2021, you’ll need to have seen Tokyo Drift to understand everything fully – check out #JusticeForHan after you finish the series, and you will understand. 

Where to watch: FandangoNOW, Amazon, iTunes, Vudu, GooglePlay. Hobbs & Shaw and Fast Five are streaming on HBOnow; Fast 6 is streaming on FXnow.


Rocky Franchise

What is it: Follow Philly underdog boxer-turned-champion, Rocky Balboa, as he battles various fighters in the ring, as well as his own issues outside of it, and later trains the next generation of champions.

How many hours: 14 hours and 55 minutes. 

Starts with: Rocky (1976)

Ends with:  Creed II (2018)

Best way to watch: This one’s real simple: trust us and skip Rocky V. Just pretend it didn’t happen; we’re pretty sure Sylvester Stallone did. 

Where to watch: FandangoNOW (Discount Bundle), Amazon, iTunes, VuduGooglePlayRocky Balboa is streaming on the Starz appCreed II is streaming on Hulu and Amazon.


Harry Potter / Wizarding World Franchise

What is it: The franchise based on JK Rowling’s phenomenally successful novels follows the adventures of Harry Potter, an orphan-turned-famed wizard, the evil He Who Must Not Be Named, and the Wizarding World they inhabit.

How many hours: 24 hours and 6 minutes. 

Starts with:   Fantastic Beasts and Where to Find Them (2016)

Ends with:  Harry Potter and the Sorcerer's Stone (2001)

Best way to watch: As this is a British series, allow us to put this as politely as possible: Fantastic Beasts is simply not quite on form. The first entry is saved by Eddie Redmayne and mesmerizing magical effects; the second entry is the first and only Rotten flick from the Wizarding World and very skippable at this stage. The original seven films are near perfect, but if you wanted to pass over The Chamber of Secrets you wouldn’t miss much – you won’t be too confused later in the series. (Though if watching as a family, this is one the kids tend to like.) If you follow that suggestion, you can finish the entire series in one day.

Where to watch: FandangoNOW (Discount Bundle), Amazon, iTunes, Vudu, GooglePlayFantastic Beasts: The Crimes of Grindelwald is streaming on HBONow.


X-Men Franchise

What Is It: Follow Professor Charles Xavier and his X-Men as they try to save the world and the lives of their fellow Mutants. Professor X and co. work with, and sometimes against, mutants like the powerful Magneto, Wolverine, and the wisecracking mercenary Deadpool.
How many hours: 21 hours and 43 minutes.

Starts with:   X-Men: First Class (2011)

Ends with:  Logan (2017)

How to watch: The critics will tell you that both X-Men: The Last Stand (the third of the original films) and X-Men: Apocalypse (the third of the rebooted, second-gen films) are shells of their brilliant predecessors. And with the last X-Men film to enter theaters, Dark Phoenix, disappointing on the Tomatometer and at the box office, you should essentially skip any film that has anything to do with Jean Gray’s Dark Phoenix. X-Men Origins: Wolverine is admittedly a hard watch to suffer through, but you kinda have to just to appreciate the brilliance of Deadpool and its sequel, if only for what they did differently with the character. Every film that character is in after Origins highlights why Ryan Reynolds was born to play the “Merc with a Mouth.”

Watching in the order of events is the best way to approach things if you don’t want to be confused by the time travel that happens later in the series. That order is: First Class, Days of Future Past, X-Men Origins: Wolverine, X-Men Apocalypse, Dark Phoenix, X-Men, X2, X-Men: The Last Stand, The Wolverine, Deadpool, Deadpool 2, Logan. If you leave off the aforementioned weakest entries (The Last Stand, Apocalypse, Dark Phoenix) you can complete the entire series in one day.

Where to watch: FandangoNOW (Discount Bundle), Amazon, iTunes, Vudu, GooglePlay. X-Men: Days of Future Past and Deadpool are streaming on FXNowX-Men Origins: Wolverine is available to stream on the Starz app. 


Jurassic Park Franchise

What is it: In these films, we welcome you to Jurassic Park, a theme park – and eventually various associated islands, mansions, West Coast cities – where dinosaurs have been genetically recreated to walk the Earth alongside humans. Over the course of series we watch as that combination invariably doesn’t work out well for the humans.

How many hours: 10 hours and 1 minute.

Starts with:  Jurassic Park (1993)

Ends with:  Jurassic World: Fallen Kingdom (2018)

Best way to watch: This was a subject of contentious debate among the RT staff: some thought the Jurassic World part of the franchise is unwatchable, while others had strong takes on Jurassic Park 3 and The Lost World. As this is only a five-film series so far, we compromised: Watch them all and make your own determinations. Either way, we all agreed that the original Jurassic Park is a bona fide classic, and if you haven’t seen it, please remedy this injustice as soon as possible. It only takes a day to watch them all. 

Where to watch: FandangoNOW (Discount Bundle), Amazon, iTunes, Vudu, GooglePlay. Jurassic World: Fallen Kingdom is streaming on CinemaxGo.


Mission Impossible Franchise

What is it: Watch secret agent Ethan Hunt (Tom Cruise) and his crew of talented spies as they battle the world’s most dangerous criminals along with the bureaucracy of his own organization, the IMF. The films are based on the 1960s television show.

How many hours: 13 hours and 3 minutes.

Starts with:   Mission: Impossible (1996)

Ends with:  Mission: Impossible -- Fallout (2018)

Best way to watch: It’s apparent after six films (with a seventh on the way): Tom Cruise really likes playing Ethan Hunt. And with every film, Cruise looks to top the jaw-dropping stunts from the last. Still, there is a stark contrast between the first three films and the rest, in regards to quality and scope. Many will tell you the second film, directed by John Woo, and the third, directed by J.J. Abrams, are the weakest of the set, but they’re still thoroughly enjoyable and feature some truly astonishing stunts – so we suggest you watch them all. And thankfully this is not – yes, we’re gonna say it – impossible to do in one or two days. 

Where to watch: FandangoNOW (Discount Bundle), Amazon, iTunes, Vudu, GooglePlay. Mission Impossible: Fallout is streaming on Amazon Prime and Hulu; Mission Impossible: Ghost Protocol and Mission Impossible: Rogue Nation are streaming on FXNow.


James Bond Franchise

What is it: James Bond, MI6 intelligence officer and international playboy, charms women, thwarts terrorist plots, and sips a shaken martini in well-tailored suits. Based on Ian Fleming’s iconic novels.

How many hours: 55 hours and 11 minutes.

Starts with:  Dr. No (1962)

Ends with:   Spectre (2015)

Best way to watch: For completists, we recommend you start with the Connery films on day one, then do a day of Timothy Dalton, David Niven (the satire Casino Royale from 1967), and George Lazenby’s films, adding one or two of Roger Moore’s. Finish with Moore on day three, then do a full day of Pierce Brosnan for day four, and end the series on day five with Daniel Craig. If that’s a bit too daunting, you can break up the films we suggested for one day across two days instead. If you’re looking for a few to skip, we’d suggest A View to Kill and Octopussy. We’d also suggest you skip Never Say Never Again, as it is a shadow of Connery’s older work; Moonraker is only enjoyable for how laughable it is; and there’s not enough vodka on earth to make The World is Not Enough a good time. Quantum of Solace is another one you can miss, but at least watch the opening scene – it’s fantastic.

Where to watch: FandangoNOW (Discount Bundle), Amazon, Itunes, Vudu, GooglePlay. Goldeneye, Tomorrow Never Dies, The World is Not Enough, and Die Another Day are streaming on NetflixQuantum of Solace and Casino Royale (1967) are streaming on HBONow.


Star Trek Franchise

What is it: These are the stories of the USS Enterprise, crafted for the silver screen. Watch Captain Kirk (William Shatner) and later Captain Picard (Patrick Stewart) as they lead their crews to the furthest reaches of the universe on a peacekeeping mission to discover new worlds. The films are based on the Star Trek television series and its subsequent spin-offs.

How many hours: 25 hours and 17 minutes.

Starts with:  Star Trek: The Motion Picture (1979)

Ends with:  Star Trek Beyond (2016)

Best way to watch: At the risk of angering the original series Trekkies, the first film – Star Trek: The Motion Picture – is simply not very good (it’s 42% on the Tomatometer). The same can be said of The Final Frontier. When we shift into The Next Generation part of the franchise, the series starts off strong but fizzles with Star Trek: Nemesis. We suggest you should skip those four. When you start the reboot franchise, some would advise you to skip Star Trek: Into Darkness, which was much maligned by the fandom but which we say is worth seeing for Benedict Cumberbatch, if nothing else. As far as ordering your binge, watching the series as the films were released is the way to go. Begin with the first set of films featuring the original series characters, followed by the films centering on the cast of The Next Generation, and finish with the reboot films that started in 2009. If you are skipping films following our advice, the new order is original series (The Wrath of Khan, Search for Spock, The Voyage HomeUndiscovered Country), followed by the Next Generation films (Generations, First Contact, Insurrection), and finishing with the 2009 reboot films (Star Trek, Into Darkness, Beyond).

Where to watch: FandangoNOW (Discount Bundle), Amazon, iTunes, Vudu, GooglePlay. Star Treks 1-6, First Contact, Insurrection, and Generations are streaming AmazonStar Trek: Into Darkness is streaming on FXnow; and Star Trek Nemesis, First Contact, Generations are streaming on Crackle.


Thumbnail image: yParamount, Paramount, courtesy of the Everett Collection 

Renny Harlin

Finnish director Renny Harlin has one of the most schizophrenic CVs in movie-dom. He’s directed some of the most beloved action films of the last 20 years, including Die Hard 2, Deep Blue Sea, The Long Kiss Goodnight and, of course, Cliffhanger (sample dialogue: “I must say, you’re a real piece of work.” “I must say, you’re a real piece of shit.”). His latest, the faintly-ridiculous but always-enjoyable 12 Rounds continues this tradition.

He’s also, however, responsible for two of the most reviled movies of recent times — for notorious flop Cutthroat Island and for taking a hatchet to Paul Schrader‘s The Exorcist: The Beginning. For someone with such a varied back catalogue, we had no idea what his five favourite movies would be.


Renny Harlin

Rosemary's Baby

Rosemary’s Baby

“I would say that one of the most profound memories was when my mother – who was film fanatic and loved thrillers – took me to see Rosemary’s Baby when I was nine years old. The film had a huge impact on me and, of course, scared the shit out me! I certainly wouldn’t take my 10-year-old to see Rosemary’s Baby.

“It is a masterpiece in terms of the way it uses the language of movies and it directed me towards Hitchcock and that kind of visual storytelling, and thrillers in general – or maybe more psychological thrillers. So that was my first and most memorable movie. It was the psychological fear and oddness, the oddness of the characters; I remember I didn’t even understand it all when I first saw it. Visually there were so many things that I hadn’t seen before that have stayed with me.

Click on a thumbnail below.

Rosemary's Baby
Rosemary’s Baby

They Shoot Horses, Don't They?
They Shoot Horses

Apocalypse Now
Apocalypse Now

Lawrence of Arabia
Lawrence of Arabia

Cinema Paradiso
Cinema Paradiso


Renny Harlin

They Shoot Horses, Don't They?

They Shoot Horses, Don’t They?

” I don’t know what it was about that movie that was just incredible. It was something about the storytelling, the characters, and the pace of the movie, the atmosphere of it and the tragic ending that absolutely blew my mind. It made me realise movies could tell stories in a different way. That was the day – when I was 11 years old – when I decided to get involved in movies. It was when I said to myself, “I want to be a director.” It was so powerful to me. It’s really worth seeing; it’s an amazing bleak, beautiful, tragic movie.”

Click on a thumbnail below.

Rosemary's Baby
Rosemary’s Baby

They Shoot Horses, Don't They?
They Shoot Horses

Apocalypse Now
Apocalypse Now

Lawrence of Arabia
Lawrence of Arabia

Cinema Paradiso
Cinema Paradiso


Renny Harlin

Apocalypse Now

Apocalypse Now

“It’s a typical choice maybe. I’m a huge Coppola fan – I’ve seen it many times in many different versions and formats and that movie, to me, is just fantastic storytelling, interesting characters, maybe the best war film I’ve ever seen. You are transported into his incredibly exotic world and it tells the story of something that is based on reality but the director kind of creates his own reality. He constructs this horrible place – his own interpretation of hell and he that makes me believe in it. It’s a movie that I can always watch again and never get tired of, and it always feel like I’m in the presence of a genius magician. I think I prefer the theatrical cut of the movie. The Redux, with the scene with all the French colonialist people, I didn’t feel added much.”


Renny Harlin

Lawrence of Arabia

Lawrence of Arabia

“Another movie that is hugely influential to me and I never get tired of watching it. The cinemascope photography is unbelievable, evolutionary and fantastic. The performances, the production design and the pacing – it’s kind of slow but it draws you into it and it makes you wish there could still be movies like that nowadays. I mean most movies these days are made for teenagers. It’s almost as if people’s brains work differently these days. Maybe its commercials and music videos and videogames and you just want more stimuli at a faster pace. Filmmakers seem to be afraid to trust the audience more. I don’t mean that movies should be slow and boring, but if you have a good enough script you should be able to use the power of the image to tell a story. It’s like if you look at Pixar movies like Wall-E, actually I do think they have a slower pace, there’s such richness in every frame.”

Click on a thumbnail below.

Rosemary's Baby
Rosemary’s Baby

They Shoot Horses, Don't They?
They Shoot Horses

Apocalypse Now
Apocalypse Now

Lawrence of Arabia
Lawrence of Arabia

Cinema Paradiso
Cinema Paradiso


Renny Harlin

Cinema Paradiso

Cinema Paradiso

“Despite the kind of movies I make, I love small, little movies. I love foreign films in general, I love to see something that really moves me emotionally, and that moves me to tears. Maybe Cinema Paradiso is a little bit of a cliché, but I’m sure every cinema lover lists it as their favourite movie. There’s something so beautiful about it, I love the milieu of the little town and this boy’s story and what the whole thing says about how lives go and about our dreams and memories. When he grows up and goes to the movie theatre and sees all the bits that the priest cut out and it reminds him of his childhood… Cinema doesn’t get more beautiful. The whole film is about the incredible nostalgia of movies in general.”


If you were channel surfing last night, chances are you saw Fred Thompson. It might have been on a Law and Order rerun, or maybe it was when he announced on The Tonight Show that he’s running for president!


After much speculation that Thompson would declare his candidacy for the Republican presidential nomination via his website or in New Hampshire, the former Tennessee senator and noted character actor dropped the candidacy bomb on Jay Leno’s show — and the audience burst into applause. Although some political pundits questioned his choice of venue — a few feel that The Tonight Show is not a serious political setting — it worked pretty well for Arnold Schwarzenegger, seeing how he ended up being the governor of California and all.


Thompson joins the ranks of the Governator, Clint Eastwood, and, oh yeah … former President Ronald Reagan (looking Fresh at a career-spanning 70 percent on the Tomatometer, baby!) as familiar Hollywood faces trying their hand at the world of politics. And although Thompson’s profile in the acting game may not be as high as the others in the bunch, he’s a recognizable character actor who often plays gruff authority figures; Thompson’s fans can easily imagine him in a presidential role.

Thompson’s Hollywood résumé is full of well-known films, such as In The Line of Fire (currently at 97 percent on the Tomatometer), Cape Fear (77 percent), and Die Hard 2: Die Harder (64 percent), and some not-terribly-beloved movies like Baby’s Day Out (23 percent) and Iron Eagle 3: Aces (at a robust zero percent). Senator Thompson has most recently been in the spotlight as the district attorney on Law and Order, and is one of only four actors to play the same character in all of the Law and Order series.


Only time will tell if Thompson’s campaign will catch fire like the plane in Die Hard 2, but RT will keep you posted along the way.

Although the 1988 original is one of the touchstones of modern action cinema, and although Bruce Willis is still as big a star as he’s ever been, there were concerns among "Die Hard" diehards that the latest installment, "Live Free Or Die Hard," would be a letdown. There was the PG-13 rating, and the fact that it’s been 12 years since Willis’ iconic Det. John McClane was on the case. Fear not, critics say.

The pundits are calling "Live Free Or Die Hard" one of the series’ best installments, a popcorn-ready throwback to the pre-CG days of crazy stuntwork. Despite the title, the setting for the latest "Die Hard" isn’t New Hampshire; it’s Washington, D.C., where a group of super-hackers (led by Timothy Olyphant) are plotting to attack America’s computer infrastructure and bring the nation to its knees. McClane teams with a cyber geek to stop them; rousing pyrotechnics ensue. Critics say that while the plot is beyond preposterous, it’s of little matter with stunts and action this exhilarating and intense. And they also note that Bruno settles nicely into his iconic role. At 76 percent on the Tomatometer, "Live Free" is not only Certified Fresh, it’s the second-best-reviewed "Die Hard" after the original. (Check out RT’s interview with Bruce Willis here.)


All these years later, and still no CGI.

Die Hards:
————
96% — Die Hard (1988)
66% — Die Hard 2: Die Harder (1990)
47% — Die Hard With a Vengeance (1995)

Who wants to see a fifty-two-year old action hero? If that hero is Bruce Willis, the epitome of cool who redefined the action genre decades ago, then sign us up! We talked to Bruno about making "Live Free Or Die Hard," beefing with Michael Bay, and why this one may be the best "Die Hard" yet.

It’s been nearly two decades since Bruce Willis crept barefoot across broken glass as tough cop John McClane in 1988’s "Die Hard," and a dozen years since the series’ last installment reaped boffo numbers at the box office. This summer has McClane fans yelling "yippee-ki-yay" once more as Willis resumes his iconic role yet again — and, he hints, it won’t be the last time we’ll see John McClane onscreen.

Willis sat with Rotten Tomatoes recently at a San Francisco roundtable interview to hype his return to the action genre; with an appropriately tongue-in-cheek title ("Live Free Or Die Hard," or alternately "Die Hard 4.0"), a new young sidekick ("Dodgeball"’s Justin Long, AKA the Apple computer guy), and a set of eye-popping, CGI-free set pieces, could this "Die Hard" be, as Willis has repeatedly enthused, the best "Die Hard" yet?

The hard-nosed Willis is trim in his fifty-two years, and speaks deliberately, as if decades in the movie biz have taught him to choose words wisely. An irreverent rebel of sorts in Hollywood — the New Jersey native always seems to have a rascally twinkle in his eye — Willis most recently delighted fanboys for days posting as himself on AICN, where he made himself available and receptive to a passel of questions about his career choices.

Here he discusses many subjects, including his tough, physical shoot on the set of "Die Hard 4," why youngish director Len Wiseman (who saw the original "Die Hard" at the age of sixteen) was a perfect fit for the sequel, and why the film’s PG-13 rating won’t matter once you see the film. Willis also mentions why "Die Hard 4" is the only film you’ll see this summer with real, live performed stunts (instead of, say, CGI-created battling robots?), why he went around the publicity machine to speak with fans online, and if he has any regrets about his infamous beef with Michael Bay (guess what the answer is).

Q: Could you talk a little about the journey to "Die Hard 4?"

Bruce Willis: The journey to it? That is such a literate question…can’t you ask me an easier question than the journey to "Die Hard 4?"

Q: Is that true, that it was a long, protracted journey?

BW: No. Not true. I saw a lot of scripts that went on to become other films that weren’t called "Die Hard," but they were kind of action films. I was waiting for a good script, I suppose, and this was a script that Fox had that we had been working on for a couple years, in a couple different ways and a couple different storylines. But it finally came together about a year ago, last May. It was a really fast shoot, and a really fast post-production, the whole thing was done really quickly in order to get it out for July 4th.

Q: Can you talk a little about Len Wiseman, because I understand he played a big part in making you want to do "Die Hard 4."

BW: He was sixteen years old when the first one came out, and he grew up on these films and grew up a fan. He’s a really good storyteller and he had the same goal I did, and that is to make a film that was a close to the first film as we could, and I think we did. I know we did.

Q: Have you seen the whole thing?

BW: I’ve seen the film. It’s great, it’s really great.

Q: Would you say otherwise?

CW: I wouldn’t say that it was great if I didn’t think it was great; I would kind of skirt the issue. ‘Cause I’ve done films that when I saw them I wasn’t as pleased as I was with this film. If you like "Die Hard," then you’re gonna like this film — I’m really proud of it. Everyone’s proud of it.

Q: What do you like most about playing McClane?

BW: I like the sensibility of this character, I like his attitude. A good friend of mine, Jason Smilovic, who’s a screenwriter — he wrote the film "Lucky Number Slevin" — he helped us out about a year ago, when we first started talking about storyline elements. He started talking about the "mythology of Die Hard." I’d never heard that said before, and it kinda makes sense that in a film that spans twenty one years, and over four films…for me, it’s kind of an interesting thing to go back and look at the first film and watch myself age over the 21 years… his lack of respect for authority, I think, is the thing that is most in line with my South Jersey sensibility. And why I was talking about the mythology of "Die Hard" is that there are certain things, there are certain elements that the audience expects from John McClane that happen in this film. That he loves his family. Loves his country. He’s not gonna let anyone do harm, he’s not gonna let anyone hurt anybody that’s innocent or can’t defend themselves.

We did have to kind of…be cautious about the whole 9/11 issue, because we didn’t want to make light of, or dishonor, the memory of the folks who lost their lives on that day. That said, the other three "Die Hard"s used the word "terrorist" all the time and just kind of took it for granted, prior to 9/11…it was just a story point. But it was always terrorists who were thieves, or terrorists who had some other plan. But we had to pay a little bit more attention to it on this one.

Q: How do you feel that this "Die Hard" improves upon ones of the past?

BW: Being able to look back at all three films is something I did before we started shooting this film. At the time, we tried to make a good film. "Die Hard 3" is great, it has great elements in it. "Die Hard 2," because it came out so soon after the first film — the first film is so well built, and so well crafted and so claustrophobic, and the good guys and the bad guys and the hostages are all in one building, it’s almost a perfect action scenario– the second film was kind of everywhere, we were all over the place. In retrospect I didn’t like the fact that the second film was so self-referential to the first film.

But there are big "Die Hard" moments in the second film; me jumping out of that helicopter onto the wing of that airplane is a "Die Hard" moment. And the sequel business is a much different thing now, sequels are treated with a lot more care and a lot more respect these days than they were in the early years of sequels being made. I think we were really fortunate to have Sam Jackson and Jeremy Irons in the third film. I like that it was set in New York. I like the idea of my character being an alcoholic in the third one. And he’s just, you know, a mess and he still has to deal with these terrorists, or fake terrorists. There are big "Die Hard" elements in that; me, that dam breaking and me riding that truck kind of surfing on that big dump truck I thought was interesting.

But this film, I didn’t have to do. I didn’t have to do this one, I really could have retired undefeated, but I always wanted to make a film that was much closer in nature and in the overall feel, much closer to the first film, which for me is the only really great one. And we did it. When you see it, you’ll see what I mean, it really lives up to the mythology of "Die Hard" and it lives up to, I think, what the audiences have come to expect.

Q: Is this going to be the last one?

BW: I don’t think so, I think they’re already talking about getting a script together for the fifth one.

Q: What was your best experience of shooting this new one?

BW: When it was over. When it was done. It was hard, it was a really difficult shoot, physically, and it was just a tough schedule. We had a lot of nights, and we’d go back and forth from one week of nights, to one week of days, which is a difficult thing. It’s like being jet-lagged all the time. The director got an ulcer. He never slept, just working all the time.

The thing that I think makes this different from other films that are out right now, especially films that are out this summer, is that 90 percent of the stunts that are in this film are real stunts, or real guys, real stuntmen, real cars…I think you saw this scene where this car tumbles in the tunnel, that’s a real car! I think other films would probably make the choice to CGI the car, and my 13 year old daughter Tallulah, who I go to see a lot of movies with, we went to see a film one time that had a lot of CGI effects in it and I asked her what she thought afterwards and she said, you know I just didn’t think anybody was in danger, it never seems like anyone’s in danger, because you know that those creatures aren’t real, and you know that it’s all computer graphics. So if a thirteen year old knows about CGI — I mean, she has a little bit of a head start because her mom and dad work in films — I think kids know, that they’re not looking at something real. So this film, the stunts were all pretty hardcore, smash mouth stunts. The car that they shot into that helicopter, it was a real helicopter, it was a real car. They actually did that. Me jumping out of the car at 25 miles an hour really happened. I’m glad that’s over.

Q: This movie deals with analog vs. digital, and recently I read your AICN thread…in a realm where very few filmmakers put themselves out there for fans. Why did you do that, and will you revive your website?

BW: Well I think I’m kind of past my interest in my own website, it was just taking up too much of my time. It was an interesting social experiment; I put it together because, to be honest with you, I was tired of talking to reporters — nothing personal — or talking to my friends about my films. My friends are always honest with me about films. But I really wanted to talk to, you know, regular people and kind of have a forum to interact with them; not just about films, but about everything. The AICN thing came about because Sylvester Stallone told me he did it, I think he answered twenty questions that they choose. So I went in to check out the site, and I talked to the guy who runs the site, a guy named Harry Knowles, and I thought it was really interesting. What I saw was a website full of people who were really passionate about films…sometimes in a dark kind of way, but they’re really film fans and I just wanted to talk to them.

Q: Do you feel any regrets or any backlash from what came out of that? Like the Michael Bay thing…

BW: I don’t have any regrets. I don’t have any regrets. What I say is what I say, I don’t always say the right thing, I don’t always say the politically correct thing…but yeah, I don’t have any regrets about that.

Q: So will you be going to see "Transformers?"

BW: I’ll probably go see it. I’ll probably go see it. I’m a fan of films. But I don’t think I have anything else to add about what I said about Michael Bay…

Q: You’ve had to defend this movie from being PG-13, will we ever see an R-rated John McClane again?

BW: I wouldn’t be surprised. I’ve been asked not to comment on that…I don’t know if I’ve had to actually defend it. I have the benefit of having seen the film, so I know how hardcore it is. Fifteen minutes into this film, you’re not gonna be going, wow this really feels like a PG-13 film — it feels like an R-rated film. The argument becomes a non-issue.

Click here for the full interview!

Bruce Willis has been chatting up some lucky web readers over his upcoming reemergence in "Live Free or Die Hard," talking movies and alienating "Armageddon" director Michael Bay along the way. Today: Bay’s response!

The folks over at AICN hit the motherlode of fanboy crushing come to life this week when a certain forum poster named "Walter B." turned out to be none other than "Die Hard" star (Walter) Bruce Willis. Willis first emerged May 5 in a discussion over "Die Hard 4"’s PG-13 rating, encouraging skeptical readers to be patient because, PG-13 or no, "DH4" would be the best series installment yet.

The next day he returned to anonymously discuss the film, identifying himself as "someone who worked on the picture"; eventually he disclosed his true identity, but not before dropping the diss on Michael Bay (with whom he worked on 1998’s "Armageddon": "[Bay] would have ruined DH4. Few people will work with him now, and I know I will never work with him again."

Later, he added more on the "Armageddon" experience: "I loved working with all the guys, the actor [sic] I mean. It was a great crew, but a screaming Director does not make for a pleasant set experience."

Writing on his own blog, Bay hit back at the comments:

"Hard to believe it really is Bruce saying that stuff on AICN. I loved working with Bruce. He gave me a big hug one month ago at the GM party and we talked for 20 minutes. We even talked about working together again! I mean it would be sad if he felt this way – he’s never one to hide his feelings – I say sad, in that he wouldn’t be man enough to say it to my face. But truly sad that such a big time actor would have to hide on a little talk back section. So I really don’t believe this story.

I find it also totally odd that my agents at William Morris got the call from Bruce’s people to inquire if I would like to helm Die Hard 4, but I was already on Transformers."

Willis has been busy "unofficially" discussing "Die Hard 4" in the media of late (see his live courtside F-bomb endorsement at a recent Nets playoff game). Perhaps it is because, as he posted on AICN, he just really wanted to bypass the Hollywood hype machine and get down to discussing the flick with "real" people on the internet. He certainly has been entertaining the wide-ranging variety of questions lobbied at him on the AICN forum; read the full thread for an entire day’s worth of tense "is he or isn’t he Bruce Willis" talk (a reader finally verifies it’s Willis via video chat, before AICN honcho Harry Knowles gives his official confirmation).

Some highlights of the thread (click here to read at AICN):

  • On "Die Hard 4" helmer Len Wiseman: "[Wiseman] will be remembered as the guy who not only brought Die Hard into the 21st Century, but brought it back to Life."
  • On "The Last Boy Scout": "The Last Boy Scout started out to be a great film about Sports Gambling. Somewhere along the line it got changed into some silly f***ing chase to save a Senator that got me fired."
  • On his duds: "I reject all judgment, and in general keep my own counsel, for good or bad. Which is why I can take credit for deciding to do movies like 12 Monkeys and Pulp Fiction, as well as having to hang my head for deciding to do dogs like Striking Distance and Sunset…."

"The lesson of Tears [of the Sun] was never start a film without a finished script."

"And Perfect Stranger was ruined by the producers."

  • On "Die Hard 2": "The second was my least favorite, and the least fun. Far to [sic] self-referentially precious, the story was all over the place, and suffered from severe un-claustrophobic-ness."
  • On being misconstrued in Vanity Fair: "Writers often need to present a "thesis" to their articles, and Peter Biskin chose the rating as his."
  • On the MPAA: "I believe it’ll come around to a less antiquated system, but who knows when. Jack Valenti ran that sytem into the ground."
  • On missed opportunities: "The only 2 passes I regret are not doing Ghost, and passing on the part of Moose in The English Patient. I passed on Ghost thinking, a Romance with a Dead guy? And I was talked out of working with by my then agent. I also wanted to play the Andy Garcia part in Ocean’s 11, but thought I would wait for a film with G. Clooney where it was just him and me."

"Live Free or Die Hard" hits theaters June 29 (and, if Bruno is to be trusted, will be good).

Yes, you heard me right: "Die Hard 4.0," because I doubt the title "Live Free or Die Hard" would mean a whole lot in France or Indonesia. Anyway, the international trailer is a bit shorter … but a whole lot more action-intensive.

AICN’s Merrick is the guy who found the international trailer, but a friend of mine recommended we all use this site. (Thanks, Will.) The clip is basically 90 seconds of full-bore mayhem and Bruce Willis insanity. (I notice that the international trailer features a shot of the United States Capital Building being destroyed — yet that bit was entirely absent from the American trailer. Hmm.)

I still don’t care for Justin Long‘s "Have you done this kind of thing before?" line. Way too "on the nose," if you ask me. But just you try and keep me away from this flick. Call it what you will, but the fourth "Die Hard" opens stateside on June 29th.

If you’re MySpace friends with "Clerks" man Kevin Smith, you already know that the uber fanboy is a ginormous Bruce Willis fan (OMG he’s online now!)…and now, the writer-director-turned-actor has announced he’s fulfilled a lifelong dream by joining Bruno in the upcoming "Live Free or Die Hard."

Kevin Smith ("Mallrats," "Clerks") has parlayed his own admitted fandom into guest appearances in projects like "Daredevil" and "Veronica Mars," but now he’s landed a big one: playing opposite Bruce "Die Hard" Willis in the upcoming fourth series installment, "Live Free or Die Hard."

Yes, he’s a lucky guy. He knows it. And just like all you other regular schmoes on the internet, Smith has shared his elation in the best possible way: on MySpace.


Click for more images from the "Die Hard 4" trailer

From Kevin Smith’s MySpace blog:

"’Mortal Thoughts‘, ‘Billy Bathgate‘, ‘Pulp Fiction‘, ‘Nobody’s Fool‘, ‘12 Monkeys‘, ‘Armageddon‘, ‘The Fifth Element‘, ‘The Sixth Sense‘, ‘Unbreakable‘ — I’d follow Willis’ career anywhere (even to ‘Hudson Hawk‘).

Last year, I was beside myself when they released ‘The New Twilight Zone‘ on DVD, because it meant I could finally re-watch the Wes Craven directed segment entitled ‘Shatterday’ — in which Bruce Willis, as Peter Jay Novins, accidentally dials his home phone number and hears an alternate version of himself answer.

This past summer, while in Cannes with ‘Clerks II‘, I watched the daily festival coverage in French just to see the man arrive on the red carpet for the ‘Over the Hedge‘ screening."


Smith in 2001’s "Jay and Silent Bob Strike Back"

"So last week, after I wrapped the ‘Manchild’ pilot (which went phenomenally), the very next morning, I reported to work on a flick that’d reveal a heretofore unrealized dream I’d unwittingly harbored since I first watched David Addison limbo in the Moonlighting Detective Agency offices, twenty years prior…

For five days, I acted opposite Bruce Willis in this summer’s ‘Live Free or Die Hard.’"

Click here for the full (expletive-filled, very Kevin Smith-esque) blog entry. And go ahead, request him as a friend — even people with 145,257 MySpace buddies need more!

John McClane is back in action and that means two things: more explosions and more evading certain death. Check out our flipbook images from the newly released teaser trailer for "Live Free or Die Hard!"

You’ll have to wait until next summer (June 29, 2007 to be exact) to see the long-awaited fourth installment of the "Die Hard" series, but 20th Century Fox has let loose the first trailer to whet your action-hungry appetite. It’s got car chases! Fiery explosions! Evil helicopters! Watch the trailer here.

Known in various incarnations as "Die Hard 4," "Die Hard 4.0," "Die Hard 4: Die Hardest" (IMDB also lists the Bruce Willis-happy "Die Hard: Tears of the Sun"), "Live Free or Die Hard" will see super cop John McClane getting with the times and battling some tech-savvy terrorists…Internet terrorists.

Willis is joined by nerd-boy du jour Justin Long (delivering the only line in the teaser), Mary Elizabeth Winstead (as McClane’s daughter), Timothy Olyphant, and Jeffrey Wright, with Len "Underworld" Wiseman directing.

A wave of new releases hits the multilplexes on Friday as the North American box office looks to bounce back after a slugglish weekend and get the final month of the year started with a bang.

Mel Gibson‘s ultraviolent historical epic "Apocalypto" hits theaters nationwide while his "What Women Want" director Nancy Meyers counters with the feel-good romantic comedy "The Holiday" starring Cameron Diaz and Kate Winslet. The latter’s iceberg lover Leonardo DiCaprio stars in the new political thriller "Blood Diamond" and kids too young for all those flicks will be offered the family comedy "Unaccompanied Minors."

Mel Gibson once again plays tricks on the box office bringing forth one of the most unpredictable grossers of the year in "Apocalypto." The R-rated film examines the end of the once-great Mayan civilization from five centuries ago with the story of one brave man, captured by warriors and set to be sacrificed, who must break free and rescue his pregnant wife and young son. As one of the bloodiest and most violent films of 2006, the Buena Vista release is also one of the most challenging to market. Like the director’s last effort, 2004’s smash hit "The Passion of the Christ," "Apocalypto" is made in a language now dead and is subtitled all the way through. But whereas "Passion" had some small level of starpower, Gibson’s new offering boasts a cast of unknowns including many non-actors.

Selling a subtitled film with no stars about a part of history that few today are talking about is risky enough. But Gibson’s arrest over the summer for drunk driving and his anti-Jewish remarks led to horrible PR for "Apocalypto’s" only marketable asset. A few weeks ago, this film looked like it would have a tough road to travel in order to succeed. But like with "Passion," targeted marketing at those audience segments most likely to embrace the pic has helped fuel positive buzz and even good reviews have sparked more interest, not only with moviegoers, but also with exhibitors. Disney upped its opening weekend run from 2,000 to 2,500 theaters as the exhibition community is showing more confidence in the box office potential of the film. "Passion" also saw its theater bookings jump in the final weeks before launching.

Because of Gibson’s summer escapade, there are some who cannot be convinced to spend money and time on a Mel movie. However, the controversy has given "Apocalypto" a ton of free media exposure over the last couple of months and curiosity has grown. Plus the studio has wisely targeted the large Latino audience which never gets to see a big Hollywood epic made about its ancient history. They came out in big numbers for "Passion" and are expected to show up again this weekend. Also there are moviegoers sick of wasting time and money on sequels and remakes who want something fresh and unique that are looking at the Mayan adventure as an experience they can’t get anywhere else. It will be a closely-watched opening for "Apocalypto," but a weekend tally of about $15M could result giving Gibson a reasonable shot at scoring back-to-back number one hits with foreign language movies.

Mel Gibson’s "Apocalypto."

Moviegoers in search of less bloodshed and a lower body count this weekend will be checking out the new romantic comedy "The Holiday" which stars Cameron Diaz and Kate Winslet as two frustrated professionals who decide to swap homes in order to get away from their woes. The PG-13 film finds Diaz going to snowy England while Winslet’s character heads to sunny Los Angeles. Jude Law and Jack Black play the love interests in the Nancy Meyers film. "Holiday" boasts plenty of starpower even though the casting of Nacho Libre in a date movie will have many scratching their heads. Teenage girls and adult women will make up the primary audience, but male interest will be there too thanks to the sassy Diaz who remains a big box office pull with both genders.

Female audiences have been neglected in recent weeks with most major grossers tapping into male or family audiences. The December marketplace will welcome a multi-star romantic comedy set during the Christmas season, however the whites-only casting policy may prevent a more diverse turnout. Sony offered sneak previews last Saturday to boost awareness and word-of-mouth. "Holiday" looks to reach the same crowds that came out for previous mid-December romantic comedies like last year’s "The Family Stone" ($12.5M opening), Meyers’ 2003 hit "Something’s Gotta Give" ($16.1M), and 2002’s Yankee-Brit combo "Two Weeks Notice" ($14.3M). "The Holiday" should receive good cheer from ticket buyers and take in roughly $15M this weekend.

Kate Winslet and Jack Black in "The Holiday."

Like this weekend’s Mel Gibson epic, Leonardo DiCaprio’s new film "Blood Diamond" is also a violent tale of a man whose village is ransacked by warlords and who must fight to retrieve his wife and family. This time, the action takes place only seven years ago in the African nation of Sierra Leone where rebels fight to protect their illegal diamond trade. Djimon Hounsou and Jennifer Connelly co-star in the R-rated film directed by Ed Zwick ("The Last Samurai," "Glory"). Warner Bros. has poured some major marketing dollars into hyping up its new political thriller and like most major releases these days, "Blood Diamond" has some controversy of its own which the studio hopes will help generate more interest. Many stories have been written about how the film might impact the global diamond industry as more Americans (by far the world’s largest consumers of the gem) learn about how conflict diamonds make their way into the market.

Story and starpower should be the main factors at the box office, however. DiCaprio has pull and Hounsou has been getting lots of notice for this role including winning the Best Supporting Actor award from the National Board of Review this week. A year ago this weekend, DiCaprio’s "Departed" foe Matt Damon teamed up with George Clooney for the international political saga "Syriana" which went nationwide with a $11.7M opening from 1,752 theaters for a $6,699 average. With mixed reviews and only 158 more theaters, "Blood Diamond" could find itself in the same neighborhood as it will appeal to much the same audience. Young women who dig the "Titanic" boy and want more upbeat entertainment may get steered over to "The Holiday" and young men who seek screen violence will find much more of it in "Apocalypto" so competition will be fierce this weekend. Opening in 1,910 theaters, "Blood Diamond" might shine with around $12M this weekend.

Leo and Djimon in "Blood Diamond."

Kids have just one new movie aimed at them this weekend. Warner Bros. offers up its second wide release of the frame with "Unaccompanied Minors," a story about a group of children causing chaos when left behind at an airport. The PG-rated film will play exclusively to the family crowd and with "Happy Feet," "Deck the Halls," and even "The Santa Clause 3" still lingering in the marketplace, competition will be tight. Lewis Black and Wilmer Valderrama are the only major names here so starpower will not be much of a factor in drawing in paying customers. "Minors" just does not have enough bells and whistles to rise above the crowded arena. Although the film opens with the most number of theaters, it may end up with the worst gross among the newbies. "Unaccompanied Minors" sneaks into 2,775 sites and could take in about $9M.

A group of kids up to airport hijinks in "Unaccompanied Minors."

After a three-week party atop the box office charts, "Happy Feet" will dance its way down a couple of notches thanks to the wave of new product. "Unaccompanied Minors" will be the only true competitor so the drop should not be too hard. A 35% fall to about $11M could result giving Warner Bros. $136M overall.

James Bond has also been celebrating a solid box office run with its three straight silver medals and is hoping to surpass "The Devil Wears Prada" ($124.7M) and "Over the Hedge" ($155M) to eventually become the top-grossing film of 2006 to not reach the number one spot. This weekend, a 40% decline could be in order giving Agent 007 around $9M for the session pushing the cume for Sony to $129M.

LAST YEAR: Making a big splash at the box office was "The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe" which bowed to a ferocious $65.6M for the second largest December opening in history. Disney’s effects-filled adventure went on to capture $291.7M domestically and a stunning $750M worldwide. Opening far back in the runnerup spot, but still posting solid numbers, was the oil industry drama "Syriana" with $11.7M and a $6,699 average. The Warner Bros. release went on to gross $50.8M domestically and $93M globally. "Harry Potter and the Goblet of Fire" dropped to third after three weeks at number one and grossed $10.3M. The Johnny Cash flick "Walk the Line" followed with $5.7M and the family comedy "Yours, Mine & Ours" rounded out the top five with $5.1M. Debuting in limited release with explosive averages were "Memoirs of a Geisha" with a $85,313 average from eight locations and "Brokeback Mountain" with a $109,485 average from only five theaters. Final domestic grosses reached $57M and $83M and each won three Oscars.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Mary Elizabeth Winstead, soon to be seen in the ensemble drama "Bobby," told Rotten Tomatoes that she plays John McClane’s daughter in the upcoming "Live Free or Die Hard."

As Lucy McClane, Winstead will add some family drama to the thriller sequel, in which tough guy McClane (Bruce Willis) will defend the country against the vilest of villains: internet terrorists.


Mary Elizabeth Winstead in "Final Destination 3"

"[It’s] kind of similar to the Bonnie Bedelia character in the first one just as far as it focuses a bit on their relationship and then she kind of gets thrown into the plot as it goes," said Winstead.

Since Lucy was only a toddler in the original film, Winstead kind of had free reign to create her character. "She’s briefly shown in the first "Die Hard" but you really don’t know anything about her as a person."

Compared to low budget horror movies and indie dramas, "Die Hard 4" is a whole new style of acting for Winstead. "On a big action film, it’s a lot more kind of sleeping in your trailer for hours and hours while they set things up, and then you go and you act for 20 minutes and then you go back to your trailer. It’s hard to stay excited and inspired so you have to work a little harder to give a good performance in that kind of situation. But it’s still a lot of fun."

"Live Free or Die Hard" opens June 29, 2007 and is directed by Len "Underworld" Wiseman.

The "Die Hard" series is well-known for giving Bruce Willis nasty villains played by good actors: Alan Rickman, Bill Sadler, Jeremy Irons… And now comes word that Jeffrey Wright might be pulling villain duty for John McClane’s fourth manic misadventure.

From the humorously titled website JewReview.net: "Since I wasn’t able to actually be in my hometown of Baltimore for the set of "Live Free or Die Hard," I sent out my feelers for at least a few scoops on the fourth installment of the Bruce Willis action flick. And wouldn’t you know it, JewReview.net has some major news coming out of the Len Wiseman-directed flick.

Jeffrey Wright ("Syriana," "Angels in America") is going to be that one guy making John McClane’s life a living hell? And it would only make sense, as production moves from Baltimore to Wright’s hometown of Washington DC.

Right now, all we know is he’ll be the head of an agency; McClane will then be leading the team to stop him. A call back from Wright’s people hasn’t been returned to confirm any extra plot details."

Click here for the full report.

Tag Cloud

trailers TLC Marvel Television Endgame Holidays Lifetime basketball period drama high school posters Extras cartoon First Reviews comiccon Bravo nfl emmy awards Comedy Central Tumblr crossover target critics Chilling Adventures of Sabrina screenings TruTV feel good Sundance Now Paramount superhero Marvel comic books FOX justice league supernatural Netflix popular facebook crime drama Teen singing competition Classic Film dc Western American Society of Cinematographers mutant Hollywood Foreign Press Association 24 frames Spike trophy Tarantino Mindy Kaling black comedy docudrama Apple Universal Pictures CNN werewolf HBO Go 2018 new zealand Disney+ Disney Plus women laika El Rey The Walking Dead Comedy FX true crime Mary Tyler Moore HBO Max cops binge comics Reality 90s ESPN video on demand Broadway HFPA 71st Emmy Awards batman Musical IFC Films Biopics Brie Larson Polls and Games all-time USA Network football Neflix Holiday CBS remakes game show know your critic natural history scene in color worst movies golden globes Fargo cancelled OneApp Avengers venice spanish language children's TV Quiz Amazon Prime Pop TV composers satire Infographic RT21 italian The Walt Disney Company TBS spinoff Tomatazos live action RT History Tags: Comedy YA Spectrum Originals Amazon Studios GIFs 45 PlayStation Kids & Family Dark Horse Comics quibi 73rd Emmy Awards DirecTV black VOD Peacock Writers Guild of America stop motion zero dark thirty Rocketman Winners Summer biopic universal monsters Podcast Comic Book Drama Superheroe Fox Searchlight diversity latino chucky Box Office Super Bowl Emmys nbcuniversal sag awards james bond cats Martial Arts San Diego Comic-Con cancelled television new york 2021 Trophy Talk Fox News politics cars Emmy Nominations Oscars Britbox DC streaming service witnail blockbuster blockbusters book adaptation anthology Musicals Academy Awards Fall TV award winner mission: impossible Funimation Walt Disney Pictures AMC Plus dogs Amazon Prime Video mockumentary Logo BBC One comic book movies DGA Showtime golden globe awards Black Mirror scary movies dreamworks Lionsgate Crunchyroll rt labs die hard marvel cinematic universe king kong sitcom renewed TV shows Ellie Kemper action-comedy psycho biography PBS Exclusive Video APB Shondaland The Purge streaming The Arrangement Awards documentary japan stoner Heroines LGBT CW Seed Adult Swim lord of the rings Mary poppins fast and furious cinemax reviews TV Land free movies thriller australia Disney television BBC south america doctor who MSNBC transformers TV movies adventure Superheroes spider-man HBO book halloween slashers french king arthur Prime Video Spring TV war political drama SDCC razzies hispanic mob anime 99% gangster New York Comic Con best First Look Baby Yoda 72 Emmy Awards X-Men Set visit TV One Animation Freeform comedies Disney Plus Travel Channel Pop Paramount Network cults reboot cancelled TV shows movies YouTube Red child's play spider-verse Watching Series green book breaking bad zombie romantic comedy Vudu IMDb TV a nightmare on elm street VH1 Lifetime Christmas movies BBC America legend Interview 007 mcc Legendary monster movies 2020 game of thrones versus 4/20 Countdown Tokyo Olympics 2016 Hear Us Out NBA Trailer christmas movies unscripted Country wonder woman Creative Arts Emmys Reality Competition SXSW dceu kids Thanksgiving obituary dramedy Opinion The Witch news spain Horror rotten Trivia video olympics 78th Annual Golden Globe Awards Turner Classic Movies zombies Film Festival Wes Anderson Crackle Alien Year in Review vs. historical drama vampires comic book movie parents Chernobyl TV Best and Worst rom-coms A24 rt archives Ovation Winter TV Mudbound discovery independent Columbia Pictures asian-american police drama elevated horror Hallmark Christmas movies Esquire PaleyFest series new star wars movies Paramount Plus Unbreakable Kimmy Schmidt Acorn TV disaster YouTube Anna Paquin Television Academy Nat Geo hidden camera Pirates spanish dark TCA Awards ratings 93rd Oscars GLAAD hist criterion Apple TV Plus Comics on TV films Awards Tour TV renewals ID Stephen King rt labs critics edition teaser young adult crime thriller Mystery adaptation Arrowverse See It Skip It stand-up comedy medical drama debate Image Comics Photos Music 79th Golden Globes Awards National Geographic Sundance TV Action crime kong Premiere Dates Hallmark aapi hollywood spy thriller travel Universal cancelled TV series BAFTA 2017 social media classics Schedule TIFF ABC Family heist movie Syfy 2019 hispanic heritage month adenture NYCC Pixar Rom-Com festival Nominations documentaries psychological thriller Star Wars franchise LGBTQ Television Critics Association DC Universe Election WGN Captain marvel WarnerMedia Hulu Toys Warner Bros. GoT 2015 royal family ABC finale Ghostbusters SundanceTV animated telelvision based on movie dragons CMT worst dexter marvel comics talk show Pet Sematary E3 Tubi comic indiana jones scorecard directors Instagram Live twilight Discovery Channel sports deadpool President USA serial killer VICE NBC boxoffice cooking saw FX on Hulu 1990s Family Epix space BET ViacomCBS Mary Poppins Returns Netflix Christmas movies TCA 2017 theme song Christmas Binge Guide japanese streaming movies Black History Month Lucasfilm The Academy Cosplay YouTube Premium DC Comics canceled harry potter Pride Month critic resources toy story Starz technology sequel indie Marathons A&E suspense international canceled TV shows Sneak Peek Certified Fresh Shudder aliens blaxploitation festivals sequels superman toronto Red Carpet genre Valentine's Day screen actors guild miniseries prank Film MCU TCA Rocky slasher Fantasy Pacific Islander boxing Elton John Character Guide Apple TV+ strong female leads robots Disney streaming service fresh 20th Century Fox The CW Food Network FXX ITV rotten movies we love Cartoon Network tv talk live event what to watch Nickelodeon Video Games name the review concert Women's History Month Sony Pictures godzilla movie leaderboard casting Calendar Comic-Con@Home 2021 science fiction richard e. Grant pirates of the caribbean Rock Turner CBS All Access Sci-Fi sopranos art house Sundance romance Marvel Studios History Masterpiece kaiju TNT joker ghosts revenge nature ABC Signature OWN Star Trek halloween tv Disney Channel MTV IFC jurassic park docuseries archives AMC Song of Ice and Fire TCA Winter 2020 21st Century Fox Cannes foreign Grammys E! BET Awards Amazon jamie lee curtis TCM scary