Uwe Boll

Sure, he’s confronted his critics — and Michael Bay — in the most unusual ways. And yes, he’s turned a some of your most beloved video game titles into big-screen clunkers (none of which have yet broken 11 percent on the Tomatometer*). Heck, the man who gave us such stinkers as Alone in the Dark, BloodRayne, and Dungeon Siege: In the Name of the King has even agreed to retire if an online petition asking him to simply “stop” reaches one million signatures. But we bet you never expected Uwe Boll to pick veritable classics of cinema as his favorite films of all time…

Read on for Dr. Uwe Boll’s five favorite films, as told to RT.

*Boll’s latest film, the political satire Postal, currently has a career-high 29 percent Tomatometer.


Apocalypse Now

One of my all-time favorites is Apocalypse Now, because it shows the craziness of war, and you have the feeling that the shooting also was a big adventure. And this is what I like.

What is lost, if you see war movies today — not like Pearl Harbor, that’s one of the worst movies of all time — but like Mel Gibson‘s Once We Were Warriors or Soldiers or whatever (2002’s We Were Soldiers), all that stuff, you feel it’s all fake. You feel they go in the evenings to their hotel rooms and it’s all good.

But in Apocalypse Now, you feel like these guys were f—ed!

Dances with Wolves

I love a big adventure; it’s one of the reasons I like Dances with Wolves, also on the list. Because I feel that this was also a big adventure [to film] and I like the very realistic feeling, what Kevin Costner did with that movie. I love that movie. It’s emotional, and it’s real, in a way. I really like it.

[Editor’s note: check back for next week’s full interview with Uwe Boll as he tells us how he almost got Kevin Costner to join the cast of Dungeon Siege: In the Name of the King!]

Citizen Kane

Citizen Kane is, like you see now, P.T. Anderson‘s There Will Be Blood. It’s a good movie; it’s the same kind of thing. You follow a crazy character who gets really successful, and in a very bitter way. So I really love those two movies.

It’s still one of the biggest crimes of Hollywood that they didn’t finance Orson Welles’ movies after a while. To have a genius like him, sitting there and trying to get his last 5,000 bucks together to make another movie after he did a movie like this… (Welles’ follow-up to Citizen Kane, The Magnificent Ambersons, was notoriously completed and re-cut without his input.)

The Searchers

Number five…like I said, it always changes. There are a lot of good movies out there [that are] from time to time favorites. I would do The Searchers, from John Ford, with John Wayne. I’m a big Western fan, and this was a great Western.

John Ford is interesting; if you are younger, you don’t appreciate John Ford so much. I liked more Howard Hawks and William Wyler Westerns when I was younger, and now, later, if you get a little older, you like John Ford more and more. It’s the same with some writers. There are some writers you love when you’re 20, and when you’re 30 or 35 you think it’s completely silly bulls–t what the guys wrote (laughs), but you appreciate other writers.

Tune in next week for our full interview with Uwe Boll, in which the Postal director shares the secret of how exactly he makes money on flicks like Alone in the Dark and Dungeon Siege: In the Name of the King, and answers your submitted questions!

Uwe Boll is a genius. So says a recent video posted to YouTube by…Uwe Boll. But why would the world’s most self-aware maker of movies feel the need to defend his own existence?

There are plenty of reasons why anyone might wish for the early retirement of the world’s proudest bad filmmaker. (“Bad” being an objective term as judged by the esteemed Tomatometer, where Boll has a career average of four percent.) After suffering the derision of his harshest critics for films like Alone in the Dark and BloodRayne, the amateur pugilist challenged five scribes to a boxing match (and won each bout) back in 2006. But perhaps there were better ways for conscientious film lovers to battle the forces of the Raging Boll…

In an April interview with genre website FEARnet, Boll acknowledged an online poll calling for him to quit filmmaking altogether. “How many signatures would it take,” FEARnet asked. Boll’s answer: “One million. Now we have a new goal.” As of today, the Stop Dr. Uwe Boll petition has garnered over 180,000 signatures.

With his detractors more than one-tenth of the way to his retirement, Boll posted a follow-up response.
“So hi, here’s Uwe Boll, and I have a statement to make about that Internet petition,” he begins. “I want…a pro-Boll petition and I expect a million votes pro-Boll. Because look — I’m not a f***ing retard like Michael Bay or other people running around in the business. Or Eli Roth, making the same sh**ty movies over and over again. If you really look at my movies you will see my real genius.”

Boll makes sure to add a shout out to his forthcoming political satire, Postal. “If you go on May 23 to Postal you will see that I deliver a movie what nobody else deliver in the last ten years. What is way better [than] all that social critic George Clooney bullshit what you get every f***ing weekend. You have to really wake up and see me for what I am — I’m the only genius in the whole f***ing business. Goodbye. ”

To refresh your memory, we present Dr. Uwe Boll’s career in Tomatometers:

Blackwoods: 11%

House of the Dead: 4%

In the Name of the King:

A Dungeon Siege Tale
: 2%

Alone in the Dark: 1%

BloodRayne: 4%

Postal: 25% (unofficial)

Now that you’ve done your homework, pick a side. Will it be Stop Dr. Uwe Boll or Long Live Uwe Boll?

Obviously you’ll find a few hundred movies to pick through at every Sundance Film Festival, but the ones people want to know about FIRST generally fall under two categories: The "Premiere" picks and the "Spectrum" selections. And next month’s festival looks to have a healthy slate on both!

In the Premiere section we have Samuel L. Jackson and Christina Ricci in Craig Brewer‘s "Black Snake Moan," Catherine Keener and Ellen Page in "An American Crime," Jared Leto and Lindsay Lohan in "Chapter 27" (which is about the guy who killed John Lennon), Gwyneth Paltrow and Penelope Cruz in "The Good Night," Michael Douglas and Evan Rachel Wood in "King of California," Laura Linney and Philip Seymour Hoffman in "The Savages," Kevin Kline in "Trade," and Molly Shannon in Mike White‘s "Year of the Dog."

Moving over to the Spectrums slate, things look even more interesting. Here we have Luc Besson‘s long-awaited "Angel-A," Meryl Streep and Aidan Quinn in "Dark Matter," Steve Buscemi and Michael Pitt in "Delirious," Jason Patric and Samantha Morton in "Expired," Sienna Miller and (yep) Steve Buscemi in "Interview," and "Waitress," which was directed by actress Adrienne Shelly, who was, sadly enough, killed last month by a construction worker. Should certainly make for an interesting screening.

Keep in mind that the Premiere and Spectrum categories are considered "non-competition" films. Interesting titles in the Dramatic Competition arena would be Heather Graham and Victor Rasuk in "Adrift in Manhattan," Parker Posey in "Broken English," Bill Paxton and Zooey Deschanel in "The Good Life," John Cusack in "Grace is Gone," Sam Rockwell and Vera Farmiga in "Joshua," and the "Untitled Dakota Fanning Project," which has been the recipient of much controversy. Yeah, THAT Dakota Fanning movie.

For a lot more info on the movie (and the fest itself), check out the official Sundance website.

Click here for last year’s Rotten Tomatoes coverage, Fundance at Sundance 2006!

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