(Photo by Gramercy Pictures/courtesy Everett Collection. Thumbnail image: Columbia Pictures / courtesy Everett Collection; Universal/courtesy Everett Collection.)
If your movie nights could take a few more hits, check out our guide to the best stoner movies! These are essential movies to the marijuana experience, ranging from counterculture classics (Up in Smoke, Easy Rider), top-shelf mainstream films (Pineapple Express, Friday), and cult comedies (Grandma’s Boy, Super Troopers), all featuring icons like Jeff Spicoli and The Dude. Then we took all the movies and sorted them by Tomatometer, lowest to highest.
If you’re seeking a trip guide, something to pair with whatever state you’re in, check out the 25 Essential Stoner Movies! (And don’t forget the 20 best movies to watch high.)
Normally this weekend would be considered the calm before the storm as the summer movie season begins a week early this year, but there was a surprisingly strong showing on two films that tracking companies had written off. Again. Both I Feel Pretty and Super Troopers 2 opened stronger than expected. But neither could stand up to the one film most moviegoers can agree is the must-see of the moment: John Krasinski’s A Quiet Place reclaimed the top spot at the box office, maintaining its pace for between $190 million to $200 million domestic, as Rampage took a plunge.
Amy Schumer’s Trainwreck opened to a robust $30 million and 86% Tomatometer score in summer 2015. Two years later her follow-up, Snatched (boasting the return of Goldie Hawn after a 15-year absence from the big screen) opened to a decent $19.5 million; however, the film, with a weak 36% Tomatometer score and boosted by a Mother’s Day weekend campaign, petered out quickly with just a 2.34 multiple for only a $45.8 million total. STX sold I Feel Pretty’s premise to $16 million this weekend, which, on one hand, is another drop for Schumer, but not nearly the kind predicted by tracking, which barely had it in the teens.
The track record of screenwriters Abby Kohn and Marc Silverstein (who make their directorial debut here) has some impressive box office numbers despite some critical drubbings. They include Never Been Kissed (57% Tomatometer score / $11.8 million opening / 4.68 multiple / $55.4 million total), He’s Just Not That Into You (40% / $27.7 million / 3.38 / $93.9 million), Valentine’s Day (where they just had story credit) (18% / $56.2 million / 1.96 / $110.4 million ), and The Vow (29% / $41.2 million / 3.03 / $125 million). Those last three movies opened within two to eight days each of actual Valentine’s Day. Through the Hallmark holiday, those films had already, respectively, grossed 53%, 50.9%, and 44.8% of their final grosses. Critics were also not on board with I Feel Pretty (35%) and the film’s RT Audience Score is currently lower than that for Snatched (28% vs. 30%). If it follows that same path, the $32 million production is unlikely to accumulate the near $100 million worldwide it will need to turn a profit. Snatched did only $14 million internationally and $60 million total.
The Broken Lizard brand has never grossed $20 million at the box office. Super Troopers 2 is going to do that in its first week. The crowdfunded sequel to the cult pickup from Sundance 16 years ago made more on Friday than Club Dread made in its entire run ($5 million.). This columnist’s belief that it’s far and away the troupe’s best film is at odds with Rotten Tomatoes’ collection of critics who rated it as their worst, scoring the film only a 29% on the Tomatometer. Then again their best rating is Beerfest’s 41% Tomatometer score with both Super Troopers and The Slammin’ Salmon coming in at 35%. Critics were not thrilled with the sequel either with just 33% of them rating it favorably. But their fans showed up like they never have before with a $14.7 million opening. Not too shabby for a film that raised $4.4 million after an initial request of just $2 million.
Rampage continues to generate exponential increases over its initial weekend estimates — the film, expected to post a 51% drop, fell just 41%. With a little over $283 million worldwide, the film is still about $76 million away from getting into the black for Warner Bros. Speaking of WB, Ready Player One has become the sixth film of Steven Spielberg’s career (inflation notwithstanding) to gross over $500 million worldwide alongside E.T., Jurassic Park, The Lost World: Jurassic Park, War of the Worlds, and Indiana Jones and the Kingdom of the Crystal Skull. (Jaws, Indiana Jones and the Last Crusade, and Saving Private Ryan grossed over $450 million.) With due respect to international sensations, Operation Red Sea and Detective Chinatown 2, Ready Player One is the second highest-grossing (Stateside) release globally after Black Panther this year. But with a hefty all-in pricetag of around $300 million, the studio may be looking at the home market to recoup all costs. Given their summer lineup, too — Life of the Party, Tag, Teen Titans Go! to the Movies, The Meg, and Crazy Rich Asians — it is possible only one film, Ocean’s 8, will even touch the $100 million milestone in the States.
The Telugu-language film, Bharat Ane Nenu, just missed the top 10 this week. With $2.85 million in just 305 theaters, it also boasted the best per-theater-average of the week with $9,344. Sony Classics’ The Rider (97% RT) added six more theaters (for a total of nine) to grab the second PTA of $8,715. It has made $142,768 in two weeks. (Super Troopers 2 had the third best PTA.)
The Fate of the Furious dropped 61% in its second weekend, but still had plenty in the bank to win the weekend with $38.4 million. It was a weekend of forgotten newbies including Unforgettable ($4.78 million) and Phoenix Forgotten ($1.8 million). Disney’s nature doc, Born in China, led all the new releases in sixth place with $4.79 million. The weekend also saw the release of the $90 million-financed disaster, The Promise, about the Armenian genocide released by then Open Road (now Global Road). It opened to $4 million and finished with $8.2 million. A24 also had their second wide release launch (after The Witch) with Ben Wheatley’s Free Fire. It opened in 1,070 theaters to just $994,431 and finished with just $1.79 million.
Avengers: Infinity War, the first event movie of the summer opens a week earlier than originally announced, getting an extra jump on the upcoming Deadpool 2 and Solo: A Star Wars Story — all surely to be among the top five grossers of the summer. Infinity War should be the undisputed champion crossing at least the half-billion mark domestically and the full billion and then some worldwide. Can it ultimately beat Black Panther, which, this weekend, passed $681 million domestic? Unlikely, given the direct challengers that will face off against the Avengers sooner rather than later. On the other hand, do not be surprised if the film opens to the third (maybe second) highest opening weekend ever, reclaiming the Marvel record while Black Panther continues to linger in the top 10 for its 11th straight week.
1. A Quiet Place – $22 million ($132 million total)
2. Rampage – $21 million ($66 million total)
3. I Feel Pretty – $16.2 million ($16.2 million total)
4. Super Troopers 2 – $14.7 million ($14.7 million total)
5. Blumhouse’s Truth or Dare – $7.9 million ($30.3 million total)
6. Ready Player One – $7.5 million ($126.1 million total)
7. Blockers – $6.9 million ($48.2 million total)
8. Black Panther – $4.6 million ($681 million total)
9. Traffik – $3.8 million ($3.8 million total)
10. Isle of Dogs – $3.4 million ($24.6 million total)
[box office figures via Box Office Mojo]
The Broken Lizard boys have built a following out of their signature brand of fraternal comedy; RT brings you the scoop on their latest flick, The Slammin’ Salmon, straight from the set!
They’ve tackled law enforcement (Super Troopers); they’ve done horror-comedy (Club Dread); they’ve even tread the sudsy world of underground drinking contests (Beerfest). Now, the quintet popularly known as Broken Lizard — comprised of college buds Kevin Heffernan, Jay Chandrasekhar, Steve Lemme, Paul Soter, and Erik Stolhanske — have enlisted the help of Michael Clarke Duncan to bring you a comedy about the joys and sorrows of food service. We’ve got your first look at The Slammin’ Salmon here:
In The Slammin’ Salmon, Broken Lizard’s fifth feature film and the first to be directed by Lizard Kevin Heffernan, the fivesome star as employees of a seafood restaurant owned by former heavyweight boxing champ Cleon “Slammin'” Salmon (Michael Clarke Duncan). One night, Salmon inaugurates a competition among his waitstaff: the waiter who makes the most money in one evening wins $10,000; the loser wins a beating by Cleon Salmon himself.
RT visited the set of The Slammin’ Salmon to observe filming and talk to the Lizards between scenes — but we can’t share that with you just yet! However, we can divulge five of the awesomest details about Slammin’ Salmon:
Awesome Thing #5: The Broken Lizards play waiters at the Slammin’ Salmon (with Heffernan as the house manager) and based many of their characters’ quirks on their own real-life jobs waiting tables.
Awesome Thing #2: Michael Clarke Duncan on a horse.
Awesome Thing #1: Michael Clarke Duncan on a horse. (So good it counts twice. See below.)
A release date is still TBA; check out more images in our photo gallery, and stay tuned for our extended set visit report on Slammin’ Salmon.
After a very public break-up with Paramount back in August, Tom Cruise and producing partner Paula Wagner have rebounded, set to run the venerated movie studio founded by Hollywood greats Mary Pickford, Charlie Chaplin, Douglas Fairbanks and D.W. Griffith.
Cruise and Wagner will revive the new United Artists by ramping up production at the long-dormant studio, which in recent years only served as the occasional art-house distributor for parent companies MGM and Sony.
Under the new administration, UA will produce at least four films per year, with Wagner serving as CEO and Cruise as producer and star. MGM will distribute their pics.
Prior to this new gig, Cruise and Wagner were comfortably ensconced in a fourteen-year relationship with Paramount Studios, where they reaped big returns with Cruise vehicles like "Vanilla Sky," "War of the Worlds," and the "Mission: Impossible" franchise.
But by last summer, it appeared the honeymoon was over as Paramount denied Cruise/Wagner their $10 million annual fee following a year’s worth of Tom Cruise zaniness in the media (Oprah couch-jumping, Katie Holmes wooing, Scientology-endorsing, psychiatry-bashing, Brooke Shields-feuding).
In any case, Cruise and Wagner have been given near-total reign to "control the development, production, and greenlighting of UA films, though subject to certain parameters."
Cruise has yet to announce his next starring role following this summer’s "Mission: Impossible III" (which grossed $395 million worldwide). Cruise/Wagner Productions is in various stages of production on four upcoming films, including remakes of the Pang brothers‘ Hong Kong horror flick "The Eye" and the 1975 cult film, "Death Race 2000."
Another wave of new releases hits the multiplexes across North America this weekend in hopes of capturing the final dollars of the summer movie season.
Leading the charge are Disney’s football tale "Invincible" for all audiences and the raunchy Warner Bros. comedy "Beerfest" aimed at young men. Music fans will get Universal’s "Idlewild" starring the OutKast duo while the New Line comedy "How to Eat Fried Worms" will play to school kids. Indie hit "Little Miss Sunshine" advances to another round in the box office pageant doubling its theatrical run in hopes of winning over new fans in all parts of the country. Overall, the marketplace looks to remain sluggish with moviegoers not being too impressed with Hollywood’s late-summer menu.
Mark Wahlberg hopes to score a box office touchdown this weekend with the football drama "Invincible" from Disney. The Good Vibrations rapper-turned-actor plays Vince Papale, a 30-year-old bartender who earns a spot on the starting lineup of the 1976 Philadelphia Eagles. With a PG rating and the studio’s brand name behind it, "Invincible" should play to a broad audience with men connecting to the sports angle, women responding to the emotional true story, and kids coming in for the inspirational underdog tale. The studio has devised a strong marketing promotion with the NFL which has been pushing the film to football fans during the pre-season.
Excitement does not match what the studio saw with "Remember the Titans" or what Universal had with "Friday Night Lights." Those fall football films opened with just over $20M a piece. But, "Invincible" does offer a feel-good story that could work for the moment. And Disney can crank out these uplifting sports dramas with its eyes closed. Wahlberg is hit or miss at the box office, but here he should add some decent starpower to the picture. And Greg Kinnear, who plays Coach Dick Vermeil here and also stars in "Little Miss Sunshine," will have a great weekend at the turnstiles allowing his agents to start asking for more bucks for future projects. Charging into more than 2,400 theaters, "Invincible" could live up to its name and score a top spot debut with around $14M.
The Broken Lizard group returns in "Beerfest," a new comedy about a group of American dudes who train to take on the Germans in a secret beer drinking competition in Munich. Warner Bros. is looking to target the frat boy crowd with this R-rated gross-out comedy. With lots of belching and the most shots of bare breasts of any movie released in theaters this year, the studio should hit its mark with older teens and twentysomethings. "Wedding Crashers" and "The 40-Year-Old Virgin" may have been doing brisk business at this time last year, but R-rated sex comedies with no stars often end up struggling at the box office before finding gold on DVD. Films like "The Girl Next Door," "Eurotrip," "Harold & Kumar Go To White Castle," and even Broken Lizard’s "Super Troopers" all opened in the $5-7M range. The troupe’s fan base has grown thanks to cable and video so "Beerfest" should benefit. Plus the studio is giving it a relatively strong push for an end-of-August flick. But it has also been a tough year for R flicks and there is plenty of competition for young males right now. Chugging down brews in over 2,800 theaters, "Beerfest" might drink down about $11M this weekend.
Andre Benjamin and Antwan A. Patton of the Grammy-winning hip hop act OutKast reunite for the new music-driven film "Idlewild" which also stars Terrence Howard, Cicely Tyson, Patti Labelle, and Ving Rhames. The R-rated drama about the goings-on at a Prohibition-era nightclub will have significant appeal to hardcore fans of the popular musical act and should see much of its business come from African American adult audiences. Casual fans who only know them as the "Hey Ya" guys are not likely to spend money on tickets. Last summer, "Hustle & Flow" played to a similar audience and bowed to $8M from 1,013 theaters for a solid $7,915 average. "Idlewild" is going out in about the same number of playdates and could end up in the same neighborhood. Debuting in 973 theaters, the Universal release could capture about $7M over the frame.
New Line offers up "How to Eat Fried Worms," the big-screen adaptation of the best-selling kids book.The PG-rated film is aimed at school children and the tween set with a pic filled with immature boy pranks. Last weekend’s top five lacked any movies for kids so "Worms" should not face too much direct competition. However, excitement might not be high enough to generate a large opening. Parents and children familiar with the book might take a trip to the local cinema for this one. But the real cash will be made on DVD. Opening in about 1,800 theaters, "How to Eat Fried Worms" could bow to around $6M this weekend.
In limited release, Sony Classics opens its dramatic thriller "The Quiet" which stars Elisha Cuthbert as a popular cheerleader whose life changes when her parents adopt an orphaned deaf girl into the family. Edie Falco co-stars in the R-rated film which opens in six sites in New York and Los Angeles on Friday. Reviews have been mixed.
Last weekend, "Snakes on a Plane" eked out a victory atop the box office charts with a less-than-expected $15.2M bow. About half of that business was generated on Thursday night and Friday leaving little audience left for the days and weeks ahead. A steep drop is sure to occur this weekend now that the hype is all gone. Most people interested in "Snakes" in the first place have already gone and seen it. A 60% fall would leave New Line with a $6M weekend and a ten-day tally of $26M.
Will Ferrell has been satisfying audiences with "Talladega Nights" all month long. A 35% drop could result giving the Sony hit about $9M for the frame which would push the cume to $128M. A similar decline could be in the works for Paramount’s "World Trade Center" which may grab around $7M this weekend boosting its total to $56M.
The comedy sensation "Little Miss Sunshine" will more than double its run this weekend and further infiltrate theaters across the country. Fox Searchlight’s unstoppable hit will expand from 691 to over 1,400 locations on Friday and could collect about $7M in its fifth frame. That would put "Sunshine’s" cume at $22M putting it on course to become a bigger hit than "Snakes on a Plane" will be.
LAST YEAR: The Steve Carell surprise hit "The 40-Year-Old Virgin" enjoyed a small decline and held onto the top spot with $16.3M dropping only 24% in its second frame. Miramax opened its Matt Damon adventure "The Brothers Grimm" in second with $15.1M on its way to $37.9M. The airline thriller "Red Eye" followed with $10.3M with the revenge actioner "Four Brothers" in fourth place with $7.9M. Opening poorly in fifth was "The Cave" with $6.1M leading to a disappointing $14.9M finish. The teen flop "Undiscovered" opened to an embarrassing $676,000 from 1,304 theaters for a pathetic $518 average landing in the number 20 spot. The Lions Gate release ended up with a miserable $1.1M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
This week at the movies, we’ve got four underdog stories. An average Joe tries to play pro football ("Invincible," starring Mark Wahlberg), the new kid in school tries to ward off bullies by consuming soft-bodied invertebrates ("How to Eat Fried Worms"), a ragtag bunch tries to win an international keg-tapping contest ("Beerfest," starring Broken Lizard), and two struggling 1930s musicians try for a big break ("Idlewild," starring Outkast). What do the critics have to say?
Pity the poor Philly football fan. Despite some recent success, the Eagles haven’t had a championship season since 1960. I’ll bet a lot of residents of the City of Brotherly Love think they could do better themselves. Well, "Invincible" tells the true story of a guy who felt that way… and was right. Mark Wahlberg stars as an over-the-hill substitute teacher and bartender who shows up at an open tryout and wows coach Dick Vermeil (Greg Kinnear) with his speed and skills despite never playing ball in college. The critics say what could have been another clichéd sports drama is elevated by strong performances by Wahlberg and Kinnear, as well as a palpable sense of time and place. "Invincible" is at 74 percent on the Tomatometer.
Despite a title that conjures images of a pre-teen "Fear Factor," the critics say "How to Eat Fried Worms" is actually quite tame — or quaint — compared with much of contemporary family fare. Although its youthful cast contribute solid performances, the critics say "Worms" doesn’t quite live up to the standard set by the classic children’s book of the same name. Still, they also say the film is good-natured fun for the kids. At 61 percent on the Tomatometer, "Worms" is a reasonably appetizing item on the cinematic menu.
Those Broken Lizard folks are at it again, with another gleefully juvenile movie that should appeal to their cult audience while confounding the critics. Sort of like "Dodgeball" for the pub set, "Beerfest" tells the tale of a group of misfits who take on the world in an international beer drinking contest. While critics concede that there are more than a few moments of boozy, tasteless fun, they also say the film, at 111 minutes, is a little too hit and miss to justify its running time. At 51 percent on the Tomatometer, "Beerfest" is a little too sudsy. Still, it’s the best reviewed Broken Lizard film, beating "Super Troopers," which scored 36 percent.
"Beerfest": More subtle, sophisticated humor from Broken Lizard
Ain’t nobody dope as Outkast — in the studio. The silver screen may be a different matter. Big Boi and Andre 3000 bring their Southernplayalisticadillacmuzik to a story set in the Depression era south in "Idlewild." Critics say that with the musical scenes, the cast are the type of people make the club get crunk. But, ah ha, what’s that fuss, then? Well, the scribes say there’s too little of Outkast’s power music electric revival, and the plot gets bogged down in clichés. At 52 percent on the Tomatometer, critics don’t love the way "Idlewild" moves — but don’t hate it either.
Also in theaters this week in limited release: "Old Joy," an exploration of friendship starring indie darling Will Oldham, is at 100 percent; "LOL," a no-budget tale of hipsters and technology, is at 100 percent; "Princesas," a story of friendship between prostitutes in Madrid, is at 70 percent; "Rolling Family," sort of like an Argentine "Little Miss Sunshine," is at 63 percent; the Spanish sex comedy "Queens" is at 57 percent; and the Elisha Cuthbert/ Camilla Belle psychological thriller "The Quiet" is at 27 percent.
Even though last year’s "Dukes of Hazzard" raked in a respectable $80 million at the box office, don’t look for another go from the Broken Lizard crew. "Dukes" director Jay Chandrasekhar and fellow Lizard Kevin Heffernan told RT they’re over it, and after this month’s "Beerfest" they plan on turning their attention to more Broken Lizard projects, including "The Greek Road," "The Babymaker," and … "Super Troopers 2!"
A direct-to-video "Dukes of Hazzard" prequel is already being filmed without the involvement of the Broken Lizard guys, but they seem ok with that. "Beerfest" kicks off the first release from Warner Bros. in a three-year deal, and they’ve got a few more crazy scripts up their sleeves.
This month, the Broken Lizards compete in every drinking game known to man in "Beerfest"
"The Greek Road"
One such project is a completed script called "The Greek Road," which the Lizards (Heffernan, Chandrasekhar, and fellow members Steve Lemme, Paul Soter, and Erik Stolhanske) have finished co-writing. They are in talks with Warner Bros. to secure funding for the period pic, which is set in ancient Greece and would require a larger-than-normal budget for a Broken Lizard movie.
And what is the plot for this next pic? Heffernan explains, "The movie we really want to do next is called The Greek Road. It’s set in ancient Greece, it’s a comedy. The general idea is that I play a fellow by the name of Plato — he is a freshman wrestling recruit at Athens University, and he’s failing his freshmen seminar, Basic Thought."
"So they bring in this hotshot senior to tutor him. His name is…Socrates. So Socrates tutors him and they end up road tripping to the Olympics to wrestle. And then the gods try to stop them. It’s a period piece. Steve is Socrates, and then Eric, Paul and Jay play Zeus, Poseidon and Hades who are trying to stop us from getting to the Olympics."
Chandrasekhar says "The Greek Road" will likely start filming in spring 2007; but first, he’d like to squeeze in another Broken Lizard production this fall:
"I want to make a movie with Kevin called "The Babymaker," said Chandrasekhar. "He plays a former high school football star who’s married and he and his wife want to have a kid, and they try for a year and they just can’t have a kid. Sothey go to a doctor and the doctor says, "Your sperm is no good," and he goes, "Nah, trust me dude, the sperm’s good." And [the doctor] says, "It’s no good, I’m telling you it’s no good," and he goes, "IT’S GOOD."
And so he eventually tells his wife that five years ago he donated 20 batches of sperm to a sperm bank, and they don’t take it unless it’s good. He did it because he needed a little extra money for his wife’s ring. And she’s furious; "You have other kids out there, you bought my ring with beat off money!" So he goes back to the sperm bank and says, I need my sperm back…And they say, well we only have one batch and we promised it to somebody. So then he goes and puts together a little team of his friends, and they go and try to do a sperm bank heist."
"Super Troopers 2"
But what of a sequel to the beloved cult hit, "Super Troopers?" Though fans have long been screaming for a sequel, reprising their Vermont State trooper characters is not on the immediate horizon for the five-some. However, they are considering the sequel in the future and have settled on a loose story — it would be called "Super Troopers ’76," and it will be a prequel in which they play the equally inept fathers of their "Super Troopers" characters.
"The joke is that we’ll make it Super Troopers ’76, set during the bicentennial," Chandrasekhar told RT. "We’ll have a little shaggier hair and mustaches…we might do it, I don’t know. That movie has sort of a special place in a lot of people’s hearts, so all we can do is f*ck it up…So I don’t know…I’ve been writing some little gags and I have a little file of "Super Troopers 2" gags, and we’ll see if we turn that into a flick or not."
Broken Lizard, the comedy troupe behind Super Troopers, Club Dread, and the upcoming Beerfest, have another deal lined up with WB. Seems the boys will soon be transformed into a bunch of Ambulance Chasers.
Story revolves around what happens when two fiercely competitive personal-injury lawyers fight over a new client.
The Broken Lizard team, based on the Warners lot, consists of Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter and Erik Stolhanske. They inked their production deal with the studio last year after the box office success of "The Dukes of Hazzard," which Chandrasekhar directed.
First up in the Warners-Broken Lizard deal is the Chandrasekhar-helmed "Beerfest," which is in post-production. As with their previous pics, "Super Troopers" and "Club Dread," the comedy troupe’s members wrote "Beerfest" together and all star.
According to The Hollywood Reporter, those crazy Broken Lizard guys are about to mount a comedy called "Beerfest" over at Warner Bros. They’re describing it as "Fight Club," only with beer-drinking games instead of bare-knuckle brawlings.
"Warner Bros. Pictures, which has become the Broken Lizards’ home studio, is acquiring the project from Sony, where it originally was set up, with an aim to shoot the movie in January in New Mexico. "Beerfest" tells the tale of two brothers who go to Oktoberfest in Germany and stumble upon a super-secret, centuries-old beer games competition, described as a "Fight Club" with beer games. After the brothers are dealt a humiliating defeat, they return to the U.S. and assemble a group of all-star beer drinkers in order to make a triumphant return."
Variety reports that the Broken Lizard comedy troupe – the knuckleheads behind "Club Dread" and "Super Troopers" – have signed a three-year contract with Warner Bros., and the first flick will be a comedy set in ancient Rome entitled "Greek Road." "Warners said the deal with the five-member Broken Lizard team — Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter and Erik Stolhanske — marks an aggressive step in trying to improve the studio’s track record with feature comedies.
One project already in discussion is Broken Lizard’s "Greek Road," a Monty Python-like spoof set in ancient Athens about a young Plato and his mentor that Chandrasekhar is set to helm.
Warner Bros. Pictures production prez Jeff Robinov, who has made it a stated priority to develop more comedies, said Broken Lizard is "key to bringing us fresh, unconventional ideas that appeal to a more broad audience.""