(Photo by Lions Gate/courtesy Everett Collection)

The 80 Best 2000s Horror Movies

Welcome to the new millennium. The decade horror came home to America. The decade horror went global. Welcome to the 80 Best Horror Movies of the 2000s.

If horror movies reflect the fears and concerns of a people, it’s notable that America claimed torture-porn as their de rigueur subgenre. Something in Saw and its ilk’s slow-roasted dismantling of human flesh appealed to a nation consumed by post-9/11 paranoia and a bombardment of wartime images and atrocity. But while torture-porn movies made a killing at the box office, none were ever particularly well-reviewed; only Hostel arrives here. Recovering from the ’90s doldrums, the best horror movies came from overseas, as digital cameras lowered the cost to film and the rise of the internet made knowledge and dissemination of these movies as simple as a mouse click. In fact, of the top 10 movies here (which includes the likes of Pan’s Labyrinth and The Host), only two were shot in America. Other trends seen during this decade: Asian originals and occasional remakes (The Ring, Thirst), found footage (Paranormal Activity, Cloverfield), the return of the living dead (Shaun of the Dead, 28 Days Later), and nostalgic throwbacks (Slither, Death Proof). The only stipulation for a movie to be considered for this list was a Fresh rating from at least 20 reviews.

Time to add some scary MIDIs to your MySpace and set AIM status to away (FOREVER), because here comes the best scary 2000s movies!

90 Best ’70s Horror Movies | 80 Best ’80s Horror Movies
40 Best ’90s Horror Movies| 140 Best 2010s Horror Movies
200 Best Horror Movies of All Time | Best Horror Movies of 2021

#80
#80
Adjusted Score: 65125%
Critics Consensus: This gory, senses-assaulting slasher film is an unpretentious, effective mix of old-school horror stylings and modern 3D technology.
Synopsis: Ten years ago, an inexperienced coal miner named Tom Hanniger (Jensen Ackles) caused an accident that killed five men and... [More]
Directed By: Patrick Lussier

#79

Them (2006)
63%

#79
Adjusted Score: 63400%
Critics Consensus: Suspenseful and tense from start to finish, the French horror film Them proves that a lack of gore doesn't mean a dearth of scares.
Synopsis: Lucas (Michaël Cohen) and Clementine (Olivia Bonamy) live in an isolated house near Bucharest. On one rainy night in their... [More]
Directed By: David Moreau, Xavier Palud

#78

Day Watch (2006)
63%

#78
Adjusted Score: 65777%
Critics Consensus: Day Watch is frequently cheesy but it offers enough twists, surprises, and inventive action sequences to maintain viewer interest.
Synopsis: Anton (Konstantin Khabensky), a member of a group of supernatural guardians who monitor the forces of the Dark, discovers that... [More]
Directed By: Timur Bekmambetov

#77
#77
Adjusted Score: 66168%
Critics Consensus: As Diary of the Dead proves, time hasn't subdued George A. Romero's affection for mixing politics with gore, nor has it given him cinematic grace or subtlety.
Synopsis: The dead are returning to life to feast on the flesh of the living. As civilization dissolves in this nightmare... [More]
Directed By: George A. Romero

#76

Cabin Fever (2002)
62%

#76
Adjusted Score: 66926%
Critics Consensus: More gory than scary, Cabin Fever is satisfied with paying homage to genre conventions rather than reinventing them.
Synopsis: Bert (James DeBello), a college student vacationing with friends in the mountains, mistakenly shoots a local man (Arie Verveen) with... [More]
Directed By: Eli Roth

#75

Identity (2003)
63%

#75
Adjusted Score: 68186%
Critics Consensus: Identity is a film that will divide audiences -- the twists of its plot will either impress or exasperate you.
Synopsis: When a vicious storm breaks out in the Nevada desert, 10 people seek refuge in an isolated motel. At the... [More]
Directed By: James Mangold

#74
Adjusted Score: 64244%
Critics Consensus: Poultrygeist may be relentlessly tasteless and juvenile, but it's also a lively slice of schlocky fun.
Synopsis: Some fast-food workers discover the restaurant they work in is built on an ancient burial ground, and the chickens they... [More]
Directed By: Lloyd Kaufman

#73

Martyrs (2008)
64%

#73
Adjusted Score: 64850%
Critics Consensus: A real polarising movie, this Gallic torture-porn is graphic, brutal, nasty and gruesome and not to everyone's taste.
Synopsis: A young woman's quest for revenge leads her down a path of depravity.... [More]
Directed By: Pascal Laugier

#72

In My Skin (2002)
66%

#72
Adjusted Score: 65851%
Critics Consensus: No consensus yet.
Synopsis: A Parisian marketing professional, Esther (Marina de Van) has a gruesome secret. She's been obsessed with the damage she can... [More]
Directed By: Marina de Van

#71

Session 9 (2001)
66%

#71
Adjusted Score: 67354%
Critics Consensus: Relying more on atmosphere than gore, Session 9 is effectively creepy.
Synopsis: A tale of terror when a group of asbestos removal workers start work in an abandoned insane asylum. The complex... [More]
Directed By: Brad Anderson

#70

The Eye (2002)
64%

#70
Adjusted Score: 67984%
Critics Consensus: Conventional ghost tale with a few genuine scares.
Synopsis: After 18 years of blindness, 20-year-old violinist Wong Kar Mun (Lee Sin-Je) regains her vision when she undergoes a corneal... [More]

#69

Willard (2003)
64%

#69
Adjusted Score: 68422%
Critics Consensus: In this creepy story of a man and his rodents, Glover seems born to play the oddball title character.
Synopsis: Desperate for companionship, the repressed Willard (Crispin Glover) befriends a group of rats that inhabit his late father's deteriorating mansion.... [More]
Directed By: Glen Morgan

#68

Lunacy (2005)
65%

#68
Adjusted Score: 64660%
Critics Consensus: A Svankmajer movie is not for everyone, but he displays his usual creative flair for surreal imagery.
Synopsis: In 19th-century France a young man (Pavel Liska) meets a nobleman (Jan Tríska) who invites him to spend the night... [More]
Directed By: Jan Svankmajer

#67

Ichi the Killer (2001)
64%

#67
Adjusted Score: 64791%
Critics Consensus: Ichi The Killer is a thoroughly shocking gorefest that will surely entertain those with strong stomachs and a penchant for brutal violence.
Synopsis: A bloodthirsty hoodlum (Tadanobu Asano) sparks a series of violent reprisals after his boss is apparently taken by a mysterious... [More]
Directed By: Takashi Miike

#66
Adjusted Score: 65868%
Critics Consensus: Death Proof may feel somewhat minor in the context of Tarantino's larger filmography, but on its own merits, it packs just enough of a wallop to deliver sufficiently high-octane grindhouse goods.
Synopsis: Stuntman Mike (Kurt Russell) is a professional body double who likes to take unsuspecting women for deadly drives in his... [More]
Directed By: Quentin Tarantino

#65

Carriers (2009)
66%

#65
Adjusted Score: 65802%
Critics Consensus: No consensus yet.
Synopsis: When a virus threatens to wipe out humanity, Danny (Lou Taylor Pucci), his brother Brian (Chris Pine), and their friends... [More]
Directed By: Àlex Pastor, David Pastor

#64

Severance (2006)
66%

#64
Adjusted Score: 68523%
Critics Consensus: A twisted and bloody spoof on office life, Severance nicely balances comedy and nasty horror.
Synopsis: Members (Danny Dyer, Laura Harris, Tim McInnerny) of the Palisades Defense Corp. sales group arrive in Europe for a team-building... [More]
Directed By: Christopher Smith

#63

My Little Eye (2002)
67%

#63
Adjusted Score: 54930%
Critics Consensus: No consensus yet.
Synopsis: As part of an Internet reality show, five people sign up to spend six months in a mansion while cameras... [More]
Directed By: Marc Evans

#62
Adjusted Score: 68469%
Critics Consensus: If nothing else, Happiness of the Katakuris scores points for its delirious, over-the-top originality.
Synopsis: Fearing bad publicity, an innkeeper and his family bury the bodies of their ill-fated guests themselves.... [More]
Directed By: Takashi Miike

#61

Red Dragon (2002)
68%

#61
Adjusted Score: 74530%
Critics Consensus: Competently made, but everything is a bit too familiar.
Synopsis: Ex-FBI agent Will Graham (Edward Norton) is an expert investigator who quit the Bureau after almost losing his life in... [More]
Directed By: Brett Ratner

#60
#60
Adjusted Score: 68548%
Critics Consensus: No consensus yet.
Synopsis: Members of Charles Manson's cult tell their story.... [More]
Directed By: Jim Van Bebber

#59

Tormented (2009)
69%

#59
Adjusted Score: 69614%
Critics Consensus: It relies too heavily on American slasher cliches, but Tormented is a timely, funny, and even somewhat touching entry in the high school horror genre.
Synopsis: Darren Mullet (Calvin Dean) doesn't have it easy. He's overweight, uses an inhaler and is constantly bullied by his spoiled... [More]
Directed By: Jon Wright

#58

May (2002)
70%

#58
Adjusted Score: 70900%
Critics Consensus: Above average slasher flick.
Synopsis: Young misfit May (Angela Bettis) endured a difficult childhood because of her lazy eye. And though contact lenses have helped... [More]
Directed By: Lucky McKee

#57

Dead Snow (2009)
68%

#57
Adjusted Score: 70604%
Critics Consensus: Though it doesn't cover new ground, Dead Snow is an entertaining mix of camp, scares, and blood and guts.
Synopsis: A party of eight Norwegian medical students travel to a remote Arctic mountain for an Easter weekend filled with skiing... [More]
Directed By: Tommy Wirkola

#56

American Psycho (2000)
69%

#56
Adjusted Score: 73426%
Critics Consensus: If it falls short of the deadly satire of Bret Easton Ellis's novel, American Psycho still finds its own blend of horror and humor, thanks in part to a fittingly creepy performance by Christian Bale.
Synopsis: In New York City in 1987, a handsome, young urban professional, Patrick Bateman (Christian Bale), lives a second life as... [More]
Directed By: Mary Harron

#55
#55
Adjusted Score: 75693%
Critics Consensus: Snakes on a Plane lives up to its title, featuring snakes on a plane. It isn't perfect, but then again, it doesn't need to be.
Synopsis: FBI agent Nelville Flynn (Samuel L. Jackson) boards a flight from Hawaii to Los Angeles, escorting a witness to trial.... [More]
Directed By: David R. Ellis

#54

The Mist (2007)
72%

#54
Adjusted Score: 77360%
Critics Consensus: Frank Darabont's impressive camerawork and politically incisive script make The Mist a truly frightening experience.
Synopsis: After a powerful storm damages their Maine home, David Drayton (Thomas Jane) and his young son head into town to... [More]
Directed By: Frank Darabont

#53

Open Water (2003)
71%

#53
Adjusted Score: 78202%
Critics Consensus: A low budget thriller with some intense moments.
Synopsis: Daniel (Daniel Travis) and Susan (Blanchard Ryan) embark on a tropical vacation with their scuba-diving certifications in tow. During a... [More]
Directed By: Chris Kentis

#52

28 Weeks Later (2007)
72%

#52
Adjusted Score: 79797%
Critics Consensus: While 28 Weeks Later lacks the humanism that made 28 Days Later a classic, it's made up with fantastic atmosphere and punchy direction.
Synopsis: Six months after the original epidemic, the rage virus has all but annihilated the population of the British Isles. Nevertheless... [More]

#51

The Ring (2002)
71%

#51
Adjusted Score: 77076%
Critics Consensus: With little gore and a lot of creepy visuals, The Ring gets under your skin, thanks to director Gore Verbinski's haunting sense of atmosphere and an impassioned performance from Naomi Watts.
Synopsis: It sounds like just another urban legend -- a videotape filled with nightmarish images leads to a phone call foretelling... [More]
Directed By: Gore Verbinski

#50

Grace (2009)
71%

#50
Adjusted Score: 70471%
Critics Consensus: Though not entirely effective as a conventional horror flick, Grace is still a graphic, disturbing, and artful exploration of twisted maternal instinct.
Synopsis: In the wake of a horrific car accident that kills her husband, Michael (Stephen Park), expectant mother Madeline Matheson (Jordan... [More]
Directed By: Paul Solet

#49

Vampire Hunter D (2000)
72%

#49
Adjusted Score: 71470%
Critics Consensus: Vampire Hunter D's gothic charms may be lost on those unfamiliar with the anime series that spawned it, but the crisp action and nightmarish style will satiate horror aficionados' bloodlust.
Synopsis: In a dark and distant future, when the undead have arisen from apocalyptic ashes, an original story unfolds. Ten thousand... [More]
Directed By: Yoshiaki Kawajiri

#48

Dahmer (2002)
73%

#48
Adjusted Score: 73723%
Critics Consensus: No consensus yet.
Synopsis: In this fictionalized, fragmented biopic of one of America's most notorious serial killers, Jeffrey Dahmer (Jeremy Renner) contemplates his latest... [More]
Directed By: David Jacobson

#47

I Sell the Dead (2008)
73%

#47
Adjusted Score: 74136%
Critics Consensus: A horror comedy that's almost as chilling as it is funny, I Sell the Dead relies on its dark humor and offbeat charm to overcome its low budget shortcomings.
Synopsis: Arthur Blake (Dominic Monaghan) is about to be executed by guillotine for the crime of grave robbing. But before he... [More]
Directed By: Glenn McQuaid

#46

Gozu (2003)
72%

#46
Adjusted Score: 72396%
Critics Consensus: Miike continues his run of compellingly bizarre flicks.
Synopsis: Chaos ensues when a yakuza boss orders a young gangster (Hideki Sone) to kill an insane colleague (Shô Aikawa).... [More]
Directed By: Takashi Miike

#45

Fido (2007)
73%

#45
Adjusted Score: 74832%
Critics Consensus: Making the most of its thin premise, Fido is an occasionally touching satire that provides big laughs and enough blood and guts to please gorehounds.
Synopsis: When a cloud of space dust causes the dead to rise as ravenous zombies, the ZomCon Corp. emerges to conquer... [More]
Directed By: Andrew Currie

#44

Black Sheep (2006)
72%

#44
Adjusted Score: 74774%
Critics Consensus: With an outrageous premise played completely straight, Black Sheep is a violent, grotesque, and very funny movie that takes B-movie lunacy to a delirious extreme.
Synopsis: Sheep-fearing Henry (Nathan Meister) returns to his brother's (Peter Feeney) New Zealand farm, hoping his sibling will buy out his... [More]
Directed By: Jonathan King

#43
#43
Adjusted Score: 71518%
Critics Consensus: A creative and energetic adaptation of a Clive Barker short story, with enough scares and thrills to be a potential cult classic.
Synopsis: When struggling photographer Leon Kaufman (Bradley Cooper) meets the owner of a prominent art gallery, he sees a chance for... [More]
Directed By: Ryûhei Kitamura

#42
#42
Adjusted Score: 74274%
Critics Consensus: This French animated horror portmanteau is monochrome and minimalist, visually stunning, but light on scares.
Synopsis: Animated sequences explore people's fear of darkness.... [More]

#41
#41
Adjusted Score: 75835%
Critics Consensus: Brotherhood of the Wolf mixes its genres with little logic, but the end result is wildly entertaining.
Synopsis: In a rural province of France, a mysterious creature is laying waste to the countryside, savagely killing scores of women... [More]
Directed By: Christophe Gans

#40

Splinter (2008)
76%

#40
Adjusted Score: 75756%
Critics Consensus: Never taking itself too seriously, Splinter scores as a fast-paced, fun thriller with more than enough scares.
Synopsis: When their plans for a nature trip go awry, Polly Watt (Jill Wagner) and boyfriend Seth Belzer (Paulo Costanzo) decide... [More]
Directed By: Toby Wilkins

#39

Frailty (2002)
75%

#39
Adjusted Score: 79101%
Critics Consensus: Creepy and disturbing, Frailty is well-crafted, low-key horror.
Synopsis: Set in present day Texas, "Frailty" centers on the FBI's search for a serial killer who calls himself "God's Hands."... [More]
Directed By: Bill Paxton

#38

Land of the Dead (2005)
74%

#38
Adjusted Score: 81660%
Critics Consensus: George A. Romero's latest entry in his much-vaunted Dead series is not as fresh as his genre-inventing original, Night of the Living Dead. But Land of the Dead does deliver on the gore and zombies-feasting-on-flesh action.
Synopsis: In a world where zombies form the majority of the population, the remaining humans build a feudal society away from... [More]
Directed By: George Romero

#37

Hair High (2004)
75%

#37
Adjusted Score: 67170%
Critics Consensus: Hair High isn't first-tier Plympton, but like the rest of the animator's work, this is an assuredly odd tale that should resonate with fans of strange cinema.
Synopsis: As the prom approaches, the head cheerleader (Sarah Silverman) of Echo Lake High dumps her quarterback boyfriend (Dermot Mulroney) in... [More]
Directed By: Bill Plympton

#36

Planet Terror (2007)
76%

#36
Adjusted Score: 75981%
Critics Consensus: A cool and hip grindhouse throwback, Planet Terror is an unpredictable zombie thrillride.
Synopsis: An ordinary evening in a small Texas town becomes a grisly nightmare when a horde of flesh-eating zombies goes on... [More]
Directed By: Robert Rodriguez

#35
Adjusted Score: 76038%
Critics Consensus: A smart mockumentary that presents a gory, funny, and obviously affectionate skewering of the slasher genre.
Synopsis: Nice, normal-looking Leslie Vernon (Nathan Baesel) has an obsession with movie-style slashers like Michael Myers, Jason Voorhees and Freddy Krueger.... [More]
Directed By: Scott Glosserman

#34

The Last Winter (2006)
76%

#34
Adjusted Score: 77535%
Critics Consensus: The Last Winter creatively and effectively uses horror tactics -- fear, tension, anticipation, and just enough gore -- to shock, but never repulse, its audience.
Synopsis: Sent to evaluate the environmental impact of oil drilling in the Arctic, James Hoffman (James Le Gros) clashes with the... [More]
Directed By: Larry Fessenden

#33

Dawn of the Dead (2004)
76%

#33
Adjusted Score: 82892%
Critics Consensus: A kinetic, violent and surprisingly worthy remake of George Romero's horror classic that pays homage to the original while working on its own terms.
Synopsis: When her husband is attacked by a zombified neighbor, Ana (Sarah Polley) manages to escape, only to realize her entire... [More]
Directed By: Zack Snyder

#32

Cloverfield (2008)
78%

#32
Adjusted Score: 87066%
Critics Consensus: A sort of Blair Witch Project crossed with Godzilla, Cloverfield is economically paced, stylistically clever, and filled with scares.
Synopsis: As a group of New Yorkers (Michael Stahl-David, Mike Vogel, Odette Yustman) enjoy a going-away party, little do they know... [More]
Directed By: Matt Reeves

#31

Eden Lake (2008)
80%

#31
Adjusted Score: 80423%
Critics Consensus: A brutal and effective British hoodie-horror that, despite the clichés, stays on the right side of scary.
Synopsis: During a romantic weekend getaway, a young couple confronts a gang of youths, and suffers brutal consequences.... [More]
Directed By: James Watkins

#30

Dog Soldiers (2002)
80%

#30
Adjusted Score: 80990%
Critics Consensus: Frightening, funny, and packed with action, Dog Soldiers is well worth checking out for genre fans -- and marks writer-director Neil Marshall as a talent to keep an eye on.
Synopsis: During a routine nighttime training mission in the Scottish Highlands, a small squad of British soldiers expected to rendezvous with... [More]
Directed By: Neil Marshall

#29

Bubba Ho-Tep (2002)
79%

#29
Adjusted Score: 81122%
Critics Consensus: The best movie to star both the King and JFK.
Synopsis: After falling into a lengthy coma following a freak accident involving hip gyration, a now aged Elvis Presley (Bruce Campbell)... [More]
Directed By: Don Coscarelli

#28

1408 (2007)
79%

#28
Adjusted Score: 86707%
Critics Consensus: Relying on psychological tension rather than overt violence and gore, 1408 is a genuinely creepy thriller with a strong lead performance by John Cusack.
Synopsis: Mike Enslin (John Cusack) is a successful author who enjoys worldwide acclaim debunking supernatural phenomena -- before he checks into... [More]
Directed By: Mikael Hafstrom

#27

Wake Wood (2011)
80%

#27
Adjusted Score: 80137%
Critics Consensus: No consensus yet.
Synopsis: The parents of a deceased girl are given three days with their dead daughter.... [More]
Directed By: David Keating

#26

Teeth (2007)
80%

#26
Adjusted Score: 82322%
Critics Consensus: Smart, original, and horrifically funny, Teeth puts a fresh feminist spin on horror movie tropes.
Synopsis: Dawn (Jess Weixler) is an active member of her high-school chastity club but, when she meets Tobey (Hale Appleman), nature... [More]
Directed By: Mitchell Lichtenstein

#25

Thirst (2009)
80%

#25
Adjusted Score: 84501%
Critics Consensus: The stylish Thirst packs plenty of bloody thrills to satisfy fans of both vampire films and director Chan Wook Park.
Synopsis: Sang-hyun (Song Kang-ho), a respected priest, volunteers for an experimental procedure that may lead to a cure for a deadly... [More]
Directed By: Park Chan-wook

#24

Taxidermia (2006)
81%

#24
Adjusted Score: 81105%
Critics Consensus: Surreal and visually striking, Taxidermia is, at times, graphic and difficult to watch, but creatively touches on disturbing subjects with imagination and wit.
Synopsis: Set over three generations and beginning with Morosgoványi Vendel, a sexually frustrated orderly during the war who relieves his tensions... [More]
Directed By: Gyorgy Palfi

#23
#23
Adjusted Score: 86000%
Critics Consensus: Shadow of the Vampire is frightening, compelling, and funny, and features an excellent performance by Willem Dafoe.
Synopsis: F. W. Murnau (John Malkovich) is struggling to create his silent classic "Nosferatu" on location in Eastern Europe. The director... [More]
Directed By: E. Elias Merhige

#22

Trick 'r Treat (2007)
84%

#22
Adjusted Score: 83471%
Critics Consensus: A deftly crafted tribute to Halloween legends, Trick 'r' Treat hits all the genre marks with gusto and old fashioned suspense.
Synopsis: Interwoven stories demonstrate that some traditions are best not forgotten as the residents (Anna Paquin, Brian Cox, Dylan Baker) of... [More]
Directed By: Michael Dougherty

#21

The Others (2001)
84%

#21
Adjusted Score: 89532%
Critics Consensus: The Others is a spooky thriller that reminds us that a movie doesn't need expensive special effects to be creepy.
Synopsis: Grace (Nicole Kidman), the devoutly religious mother of Anne (Alakina Mann) and Nicholas (James Bentley), moves her family to the... [More]
Directed By: Alejandro Amenábar

#20
#20
Adjusted Score: 91817%
Critics Consensus: Using its low-budget effects and mockumentary method to great result, Paranormal Activity turns a simple haunted house story into 90 minutes of relentless suspense.
Synopsis: Soon after moving into a suburban tract home, Katie (Katie Featherston) and Micah (Micah Sloat) become increasingly disturbed by what... [More]
Directed By: Oren Peli

#19
Adjusted Score: 84903%
Critics Consensus: This anthology contains brutal, powerful horror stories by three of Asia's top directors.
Synopsis: ... [More]
Directed By: Takashi Miike

#18

Pontypool (2008)
84%

#18
Adjusted Score: 86081%
Critics Consensus: Witty and restrained but still taut and funny, this Pontypool is a different breed of low-budget zombie film.
Synopsis: When disc jockey Grant Mazzy (Stephen McHattie) reports to his basement radio station in the Canadian town of Pontypool, he... [More]
Directed By: Bruce McDonald

#17
#17
Adjusted Score: 86951%
Critics Consensus: Restrained but disturbing, A Tale of Two Sisters is a creepily effective, if at times confusing, horror movie.
Synopsis: After being institutionalized in a mental hospital, Korean teen Su-mi (Yum Jung-ah) reunites with her beloved sister, Su-yeon (Im Soo-jung),... [More]
Directed By: Kim Jee-woon

#16
#16
Adjusted Score: 88530%
Critics Consensus: Though its underlying themes are familiar, House of the Devil effectively sheds the loud and gory cliches of contemporary horror to deliver a tense, slowly building throwback to the fright flicks of decades past.
Synopsis: Desperate to make some money so she can move into a new apartment, college student Samantha Hughes (Jocelin Donahue) takes... [More]
Directed By: Ti West

#15

Requiem (2006)
86%

#15
Adjusted Score: 86757%
Critics Consensus: This harrowing, naturalistic drama holds you in its grip through Huller's intense performance.
Synopsis: Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and... [More]
Directed By: Hans-Christian Schmid

#14

The Descent (2005)
86%

#14
Adjusted Score: 94126%
Critics Consensus: Deft direction and strong performances from its all-female cast guide The Descent, a riveting, claustrophobic horror film.
Synopsis: A year after a severe emotional trauma, Sarah (Shauna Macdonald) goes to North Carolina to spend some time exploring caves... [More]
Directed By: Neil Marshall

#13
Adjusted Score: 88608%
Critics Consensus: Guy Maddin's film is a richly sensuous and dreamy interpretation of Dracula that reinvigorates the genre.
Synopsis: In this ballet version of Bram Stoker's classic vampire tale, Dracula (Zhang Wei-Qiang) arrives in London and performs a dance... [More]
Directed By: Guy Maddin

#12

Slither (2006)
86%

#12
Adjusted Score: 91837%
Critics Consensus: A slimy, B-movie homage oozing with affection for low-budget horror films, Slither is creepy and funny -- if you've got the stomach for it.
Synopsis: Wheelsy is a small town where not much happens and everyone minds his own business. No one notices when evil... [More]
Directed By: James Gunn

#11

The Orphanage (2007)
87%

#11
Adjusted Score: 94372%
Critics Consensus: Deeply unnerving and surprisingly poignant, The Orphanage is an atmospheric, beautifully crafted haunted house horror film that earns scares with a minimum of blood.
Synopsis: Laura (Belén Rueda) has happy memories of her childhood in an orphanage. She convinces her husband to buy the place... [More]
Directed By: J.A. Bayona

#10

28 Days Later (2002)
87%

#10
Adjusted Score: 95877%
Critics Consensus: Kinetically directed by Danny Boyle, 28 Days Later is both a terrifying zombie movie and a sharp political allegory.
Synopsis: A group of misguided animal rights activists free a caged chimp infected with the "Rage" virus from a medical research... [More]
Directed By: Danny Boyle

#9

Rec (2007)
90%

#9
Adjusted Score: 90898%
Critics Consensus: Plunging viewers into the nightmarish hellscape of an apartment complex under siege, [Rec] proves that found footage can still be used as an effective delivery mechanism for sparse, economic horror.
Synopsis: A reporter (Manuela Velasco) and her cameraman record the horrifying outbreak of a disease that turns humans into vicious cannibals.... [More]

#8

Zombieland (2009)
89%

#8
Adjusted Score: 100283%
Critics Consensus: Wickedly funny and featuring plenty of gore, Zombieland is proof that the zombie subgenre is far from dead.
Synopsis: After a virus turns most people into zombies, the world's surviving humans remain locked in an ongoing battle against the... [More]
Directed By: Ruben Fleischer

#7

Ginger Snaps (2000)
90%

#7
Adjusted Score: 90485%
Critics Consensus: The strong female cast and biting satire of teenage life makes Ginger Snaps far more memorable than your average werewolf movie -- or teen flick.
Synopsis: The story of two outcast sisters, Ginger (Katharine Isabelle) and Brigitte (Emily Perkins), in the mindless suburban town of Bailey... [More]
Directed By: John Fawcett

#6
#6
Adjusted Score: 96511%
Critics Consensus: Creepily atmospheric and haunting, The Devil's Backbone is both a potent ghost story and an intelligent political allegory.
Synopsis: After losing his father, 10-year-old Carlos (Fernando Tielve) arrives at the Santa Lucia School, which shelters orphans of the Republican... [More]
Directed By: Guillermo del Toro

#5
#5
Adjusted Score: 99854%
Critics Consensus: Shaun of the Dead cleverly balances scares and witty satire, making for a bloody good zombie movie with loads of wit.
Synopsis: Shaun (Simon Pegg) is a 30-something loser with a dull, easy existence. When he's not working at the electronics store,... [More]
Directed By: Edgar Wright

#4

Drag Me to Hell (2009)
92%

#4
Adjusted Score: 103766%
Critics Consensus: Sam Raimi returns to top form with Drag Me to Hell, a frightening, hilarious, delightfully campy thrill ride.
Synopsis: Christine Brown (Alison Lohman) has a loving boyfriend (Justin Long) and a great job at a Los Angeles bank. But... [More]
Directed By: Sam Raimi

#3

The Host (2006)
93%

#3
Adjusted Score: 98758%
Critics Consensus: As populace pleasing as it is intellectually satisfying, The Host combines scares, laughs, and satire into a riveting, monster movie.
Synopsis: Careless American military personnel dump chemicals into South Korea's Han River. Several years later, a creature emerges from the tainted... [More]
Directed By: Bong Joon-ho

#2

Pan's Labyrinth (2006)
95%

#2
Adjusted Score: 105995%
Critics Consensus: Pan's Labyrinth is Alice in Wonderland for grown-ups, with the horrors of both reality and fantasy blended together into an extraordinary, spellbinding fable.
Synopsis: In 1944 Spain young Ofelia (Ivana Baquero) and her ailing mother (Ariadna Gil) arrive at the post of her mother's... [More]
Directed By: Guillermo del Toro

#1
#1
Adjusted Score: 105156%
Critics Consensus: Let the Right One In reinvigorates the seemingly tired vampire genre by effectively mixing scares with intelligent storytelling.
Synopsis: When Oskar (Kåre Hedebrant), a sensitive, bullied 12-year-old boy living with his mother in suburban Sweden, meets his new neighbor,... [More]
Directed By: Tomas Alfredson

Director Ari Aster unleashes Midsommar this week, his follow-up to breakout debut Hereditary, the family shocker made very much in the horror tradition of dark corners, black nights, and creeping shadows to conjure up scares. Midsommar, set in remote Sweden during a flower-dressed festival, is designed as an anomaly: A gruesome horror movie that allows all its gore and brutality to curdle in open, bright daylight. There’s no hiding away in this one, folks, inspiring us to offer up our own selection of the 11 scariest scenes where the blood shines bright as the sun.


11. Pinbacker Attacks in Sunshine (2007) 76%

(Photo by Fox Searchlight. All rights reserved/Courtesy Everett Collection)

Here’s a movie that turns up the heat — literally — as a space crew treks with a nuclear payload to reignite our dying sun. A monumental task for those onboard the Icarus II, but the real danger takes on a more human face when they encounter the derelict Icarus I, which disappeared on the same mission seven years earlier. Sunshine morphs into a sun-bright slasher in its third act, a contrast to the earlier somber psychological tone, but director Danny Boyle tackles the shift with zest, challenging himself to pull the knife out of shadows and into retina-searing white light.


10. The Finale in Session 9 (2001) 66%

A condemned asylum. Inside: clattering chains, disturbed wheelchairs, and crumbling wards. A group of people enter to clean up the place, some who harbor dark histories. Sound like a set up for classic dark and stormy Gothic tale? Not so with Session 9. What kind of clean up crew would work at night? Come on, this is a horror movie: Logic is king here. A slow atmospheric burn with minimal gore until its final minutes, but even when things go to hell, the blood is bathed in New England sun.


9. Freddy’s Coming For You in A Nightmare on Elm Street (1984) 95%


Time for a victory lap: Hop into the convertible on this bright school morning having vanquished the tormentor of fatal dreams, turn around and wave goodbye to your mom standing on the porch. Suddenly, the top slams down and the car peels down the street, as mama is sucked through the front door window. The nightmare has only just begun. The original Friday the 13th‘s Jason Voorhees made the last-second jump scare a mandatory inclusion for ’80s slashers and beyond. Freddy Krueger may have perfected it.


8. Michael Myers Stalking in Halloween (1978) 96%


John Carpenter’s classic did a lot of things right. Gave us a classic creepy synth score. Destroyed suburbia’s manicured image as a stronghold of safety and comfort. And it rolled out the red carpet to let masked killer Michael Myers to wander and stalk his prey in broad daylight. The shot of Myers staring up at you from among the billowing laundry sheets hung to dry in the yard remains an iconic and violating image.


7. The Day After in The Hills Have Eyes (2006) 52%


The Carter family is subjected to a litany of brutal terror over the course of 24 hours. During the initial day, they’re led off-road and their car gets mangled in the desert. The family separates in search for help. A dog gets gutted. The gas station attendant commits suicide. And always mutants are watching them from afar in the brush and rocks, leading to a long night of crucifixions, immolation, rape, murder, and baby-snatching. And then the next day, the cannibals feast on sun-cooked flesh. It’s a torturous chain of events that transforms the remaining Carters into out-for-blood hunters in a highly questionable, deeply satisfying revenge ending.


6. Randy’s Death in Scream 2 (1997) 81%


You knew director Wes Craven wasn’t fooling around when he killed off know-it-all cinebuff Randy, portrayed by Jamie Kennedy as someone as smart and cynical as the audience. How could he have fallen for the afternoon masked killer in the local news van with noisy nearby breakdancers? Oldest trick in the book! But it’s also series’ most shocking homicide outside of Drew Barrymore’s, the one that tells the oh-so-smart audience that no one was truly safe. The Arquettes, Courteney and David as Gale and Dewey, frantically search for the killer in the college square by accosting students with their new-fangled mobile phones, presenting on screen when awful taunting calls escaped the constraints of landlines and curly cords, and into a new world of free-roaming terror.


5. The Ceremony in The Wicker Man (1973) 89%

Midsommar owes a blood debt to this provincial classic: the unsettling tale of an uptight Christian cop investigating a young girl’s disappearance on an island of decadent mystic pagans has thematic and visual parallels to Aster’s film. Likewise, nearly the entire movie is set during the day among verdant nature and maypole celebrations and foreshadowing musical rhymes that seem to follow the officer everywhere he goes. It’s far too late when he realizes the true nature of his work, leading to a fiery climax in the friscalating dusk light.


4. The Premonition in Final Destination 2 (2003) 48%

Some of the best horror wedges its way into the normal, degrading the routine and humdrum into a morass of paranoia and fear. Final Destination 2 does that with the daily morning commute, because what could be more humdrum than getting in our 1,000 lb. metal husks every day, navigating them manually down the road as cars careen towards us in the opposite direction separated only by capriciously painted lines on the ground? Suddenly, something as innocent as a flatbed of loose tree logs becomes a rolling thunder revue of broken windshield, splattered heads, and Michael Bay–style auto explosions.


3. The Opening Chase in 28 Weeks Later (2007) 72%

28 Days Later‘s famous opening features calm shots of the hero wandering an empty London metropolis depopulated by zombies — moments we would consider eerie, almost beautiful, but not scary. 28 Weeks Later takes the opposite approach. It’s set in the countryside, as a band of infected descend upon defenseless survivors. The camera is in your face, the footage choppy and frantically (but not confusingly) edited, save for a gliding crane shot as our new “hero” flees across the field and towards a waiting river boat. The fact that he just abandoned his wife to the zombies moments earlier contribute to the gut-punching bleakness of the situation. Now that we consider scary.


2. Leatherface Appears in The Texas Chain Saw Massacre (1974) 89%

Like a rusty chainsaw, Tobe Hooper’s horror masterpiece takes a moment to rev up. But once it gets going, the movie is relentless, grinding down the viewer’s endurance up until the famous ending of Leatherface cutting the rising sun light in boiling anger. It’s a great final appearance, but his first introduction is even better. Hapless travelers, in search of gas for their thirsty boogie van, approach a piquant homestead, oblivious that its inhabitants are cannibal freaks who have no qualms doing their dirty deeds in daylight. Leatherface suddenly appears from out of a hallway, smashes his victim’s head in with a hammer as the body crumples and twitches on the ground, and then slides the slaughterhouse door shut. Looks like meat’s back on the menu, boys!


1. The Beach Attack in Jaws (1975) 97%


The scene that made a generation of filmgoers terrified of open water. It’s immaculately crafted pop horror and it still works today. Steven Spielberg uses a collage of beach crowd noise and throngs of people innocently rising to disorient the viewer, telling us to be just as alert as Roy Scheider’s police chief. Spielberg famously had to use every filmmaking tool he knew to overcome critical obstacles like a malfunctioning shark, and here heightens and stylizes reality as Jaws approaches the beach. A split diopter lens shot puts an obtrusive face and a possibly drowning distant swimmer in equal focus. A dog is discovered missing. We get that terrifying first-person viewpoint as Jaws picks his victim, and the incessant John Williams theme building on the soundtrack. Then a dolly zoom as terror dawns on Schieider’s face. A geyser of blood erupts out in the ocean as pure pandemonium breaks out, and a frantic mother loses her son. It’s a powerful scene in how powerless it makes a man of law feel against a force of nature.

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Bestselling author Chuck Palahniuk burst onto Hollywood’s radar when his psychological novel, Fight Club, was adapted into a major motion picture directed by David Fincher; the resulting film became every American male’s aggro-fantasy (“The first rule of fight club is, you don’t talk about fight club.”) This month, the Palahniuk touch returns to cinemas via Choke, a raunchy and delightfully vulgar adaptation of his novel about a sex addict (Sam Rockwell) who cons people using the Heimlich maneuver.

Chuck Palahniuk took time to share his Five Favorite Films with RT. The results were morbid, to say the least. In no particular order, here are Chuck’s five favorites!



They Shoot Horses, Don’t They?
(1969, 83% Tomatometer)



Once again, we see sex and death wed like chocolate and peanut butter. Jane Fonda looks like the angel of bitter, angry suicide girls before such girls were ever born. Bruce Dern plays the psycho hillbilly we loved him playing in ‘The Big Valley’ on television. Gig Young claws his way to the bottom of the bottom-feeders, winning the Oscar just before his own real-life suicide. Here’s my favorite “date movie” of all time.




Alien
(1979,
97% Tomatometer)



Do I really need to explain this? Except for the weird disco typeface spelling out “nostromo” on everyone’s uniform, this film seems timeless.




Session 9
(2001,
60% Tomatometer)



Again, everybody dies. That is such the best, most-great formula for a true masterpiece film. A classic film should leave you thinking, “How in the hell did this idea ever get financing?” The director, Brad Anderson, does more with his small budget than most movies do with huge, fat mountains of cash. The moment the credits start to roll, I want to watch the whole story over again.




Sunset Blvd
(1950,
100% Tomatometer)



Everybody ends up dead or insane-slash-arrested. Nancy Olson is dismissed to wed Jack Webb — the real off-screen horror ending. Every performance is outlandish, as big as anything on any Mexican soap opera. The dead monkey. Buster Keaton. The fun never ends. The best noir comedy, ever.


But wait, there’s more! We’ve got an exclusive clip from Choke for our RT readers, featuring Sam Rockwell as Victor and Anjelica Huston as his deranged mother, Ida.



Click above to watch the exclusive clip!

Click to check out the latest reviews, images, and trailers from Choke.

This week at the movies, we’ve got a complex tale of heroism (Clint Eastwood‘s "Flags of Our Fathers," starring Ryan Phillippe), a story of dueling magicians (Christopher Nolan‘s "The Prestige," starring Christian Bale, Scarlett Johansson, and Hugh Jackman), a yarn about a girl and her horse ("Flicka," starring Alison Lohman and Tim McGraw), and a post-punk-scored period piece about the least punk human being ever (Sofia Coppola‘s "Marie Antoinette," starring Kirsten Dunst). What do the critics have to say?

Is America a great country? Yes. Do the soldiers who fought in WWII, the Greatest Generation, deserve our utmost praise for their sacrifices? Without a doubt. Is the truth often more complicated than the myth? Definitely. Clint Eastwood‘s latest, "Flags of Our Fathers," tells the story of that famous photo of the servicemen raising the flag atop Iwo Jima, and the trials and tribulations their celebrity caused. Critics say the film is so rich with historical information and inherent drama that it’s occasionally a little too much, but strong performances and Eastwood’s sure directorial hand keep things on track. At 69 percent on the Tomatometer, "Flags" may not reach the heights of Eastwood’s last film, "Million Dollar Baby" (92 percent), but it’s still flying pretty high. (Check out our feature on Clint’s filmography here.)


Clint Eastwood pays tribute to the Greatest Generation.

With "Memento," Christopher Nolan made a name for himself by holding his secrets close to the vest to the bitter end. Now comes "The Prestige," in which the director again serves up a brain-teaser, this time involving a pair of public manipulators in their own right. Christian Bale and Hugh Jackman star as bitterly competitive magicians in turn-of- the-century London who play a deadly game of one-upmanship. While some scribes say the movie is uneven in spots, "The Prestige" is winning praise for its remarkable production design, sharp performances, and more than enough cinematic sleight-of-hand to keep audiences interested. At 68 percent, this is Nolan’s worst reviewed film, and it’s still getting its share of prestige.


"Headlines don’t sell papes. Newsies sell papes."

There is no shortage of stories involving adolescents and their beloved equine friends, from Steinbeck‘s "The Red Pony" to "The Black Stallion" to last year’s "Dreamer." Critics say "Flicka," itself a remake, is a strong and affecting entry into this sub-genre. The film stars Alison Lohman as a 16-year-old who loves her untamed horse and the freedom of the open range, and Tim McGraw as her father, a man with different ideas about her future. Some critics say "Flicka" is an old-fashioned, solid family drama with a notable lack of schmaltz, but others say the material is too well-trodden to really hit home. At 60 percent on the Tomatometer, "Flicka" ain’t Secretariat, but it’s not ready for the glue factory, either.


"Flicka": Full of horsing around!

In the song "Natural’s Not In It," the socialist British post-punk band Gang of Four sarcastically lamented "the problem of leisure / what to do for pleasure," words that are especially resonant if you’re a teenage monarch ruling a country you know little about, and your subjects are calling for your head. Sofia Coppola‘s long-awaited (and already controversial) "Marie Antoinette" tells the story of the queen (Kirsten Dunst), her inattentive husband, Louis XVI (Jason Schwartzman), her gossipy, silver-tongued court, and all the empty fun she had before she gets her head chopped off. Critics say Coppola’s film offers a wealth of visual riches and makes Marie’s hardships somewhat empathetic, but they’re split over its apparent lack of substance, as well as the anachronistic use of music by the likes of New Order, the Strokes, and Siouxsie and the Banshees. At 64 percent on the Tomatometer, this is definitely a cut (pun intended) below Coppola’s last feature, "Lost in Translation" (95 percent), but it’s still a pretty tasty piece of cake.


"A new royal family / A wild nobility / We are the family."

Also opening this week in limited release: "51 Birch Street," a documentary exploring the hidden lives of the filmmaker Doug Block’s parents, is at 100 percent on the Tomatometer; "Requiem," a German tale of epilepsy/demonic possession, is at 100 percent; Tim Burton‘s stop motion anti-holiday classic "The Nightmare Before Christmas," getting a re-release, is at 96 percent; "Sweet Land," a sweeping tale of the American immigrant experience, is at 93 percent; "Jonestown: The Life and Death of Peoples Temple," a documentary about cult leader Jim Jones and his flock, is at 92 percent; "Hair High," a perverse animated comedy about a strange high school, is at 63 percent; "Sleeping Dogs Lie," Bobcat Goldthwait‘s sweet, taboo-busting rom-com, is at 59 percent; and "Running with Scissors," a tale of therapy and growing pains starring Annette Bening and Gwyneth Paltrow, is at 17 percent.

Recent Clint Eastwood-Directed Movies:
————————————————-
92% — Million Dollar Baby (2004)
86% — Mystic River (2003)
56% — Blood Work (2002)
78% — Space Cowboys (2000)
50% — True Crime (1999)

Recent Kirsten Dunst Movies:
————————————–
28% — Elizabethtown (2005)
62% — Wimbledon (2004)
7% — Kaena: The Prophesy (2004)
93% — Spider Man 2 (2004)
93% — Eternal Sunshine of the Spotless Mind (2004)

Recent Christian Bale Movies:
————————————
59% — The New World (2005)
84% — Batman Begins (2005)
85% — Howl’s Moving Castle (2005)
72% — The Machinist (2004)
68% — Laurel Canyon (2003)