Tracy Bennett/Columbia Pictures

(Photo by Tracy Bennett/©Columbia Pictures)

All Adam Sandler Movies Ranked

The critics haven’t always been kind to Adam Sandler over the course of his film career, but box office receipts don’t lie — his detractors have been handily outnumbered by his many ardent fans, many of whom have been laughing it up over the SNL vet’s shtick for decades. His filmography’s certainly had its share of ups and downs, but it includes some of the biggest — and most eminently quotable — comedy hits in recent memory, from Billy Madison to Happy Gilmore, as well as a number of beloved rom-coms like The Wedding Singer and 50 First Dates, and indie gems in the form of The Meyerowitz Stories and Punch-Drunk Love. In fact, one of his latest was exactly that: 2019’s Uncut Gems, the intense crime thriller from the Safdie bros, drew some of the highest critical acclaim of Sandler’s career.

Watch out for hired goons, giant penguins, and, of course, Bob Barker, and let’s take a look at his entire filmography, from the best Adam Sandler movies to the worst, ranked by Tomatometer!

#45
#45
Adjusted Score: 1827%
Critics Consensus: Every bit as lazily offensive as its cast and concept would suggest, The Ridiculous Six is standard couch fare for Adam Sandler fanatics and must-avoid viewing for film enthusiasts of every other persuasion.
Synopsis: White Knife, an orphan raised by Native Americans, discovers that five outlaws are actually his half-brothers. Together, they set out... [More]
Directed By: Frank Coraci

#44

Jack and Jill (2011)
3%

#44
Adjusted Score: 5997%
Critics Consensus: Although it features an inexplicably committed performance from Al Pacino, Jack and Jill is impossible to recommend on any level whatsoever.
Synopsis: Thanksgiving is usually a happy time, but ad executive Jack (Adam Sandler) dreads the holiday because his twin sister, Jill... [More]
Directed By: Dennis Dugan

#43

Bulletproof (1996)
8%

#43
Adjusted Score: 8792%
Critics Consensus: In addition to its ability to deflect gunfire, Bulletproof proves sadly impervious to humor, logic, or worthwhile viewing.
Synopsis: A none-too-bright criminal, Archie Moses (Adam Sandler) works for drug kingpin Frank Colton (James Caan) and remains oblivious to the... [More]
Directed By: Ernest R. Dickerson

#42

Grown Ups 2 (2013)
8%

#42
Adjusted Score: 11149%
Critics Consensus: While it's almost certainly the movie event of the year for filmgoers passionate about deer urine humor, Grown Ups 2 will bore, annoy, and disgust audiences of nearly every other persuasion.
Synopsis: Lenny Feder (Adam Sandler) moves his family back to his hometown to be with his friends, but he finds --... [More]
Directed By: Dennis Dugan

#41

The Do Over (2016)
9%

#41
Adjusted Score: 8530%
Critics Consensus: A dunderheaded story of mistaken identity, The Do-Over finds Adam Sandler and David Spade retreading old ground -- minus the comedic pep required to enliven the decidedly uninspired proceedings.
Synopsis: When two guys fake their owns deaths and assume the identify of two others, they quickly discover that those men... [More]
Directed By: Steven Brill

#40

Mixed Nuts (1994)
13%

#40
Adjusted Score: 13455%
Critics Consensus: Mixed Nuts may provoke strong allergic reactions in all but the most undemanding filmgoers -- and the most forgiving Steve Martin fans.
Synopsis: Philip (Steve Martin) manages a suicide-prevention hotline called Lifesavers, assisted by Mrs. Munchnik (Madeline Kahn) and Catherine (Rita Wilson). On... [More]
Directed By: Nora Ephron

#39

The Cobbler (2014)
10%

#39
Adjusted Score: 11227%
Critics Consensus: The Cobbler represents a slight step up from Adam Sandler's recent comedies, but while its cloying sentiment proves a more palatable substitute for his usual crass humor, it still isn't terribly compelling.
Synopsis: A frustrated shoemaker (Adam Sandler) finds a magical sewing machine that allows him to see the world in a new... [More]
Directed By: Tom McCarthy

#38

Grown Ups (2010)
11%

#38
Adjusted Score: 16226%
Critics Consensus: Grown Ups' cast of comedy vets is amiable, but they're let down by flat direction and the scattershot, lowbrow humor of a stunted script.
Synopsis: The death of their childhood basketball coach leads to a reunion for some old friends (Adam Sandler, Kevin James, Chris... [More]
Directed By: Dennis Dugan

#37
Adjusted Score: 14133%
Critics Consensus: Sandler returns to his roots in this nauseating concoction filled with potty humor and product placements.
Synopsis: Davey Stone (Adam Sandler), a 33-year old party animal, finds himself in trouble with the law after his wild ways... [More]
Directed By: Seth Kearsley

#36

Zookeeper (2011)
14%

#36
Adjusted Score: 17730%
Critics Consensus: Zookeeper smothers Kevin James's with a sodden script and a surfeit of jokes inappropriate for the young viewers who would be intrigued by its juvenile storyline.
Synopsis: Kindhearted Griffin Keyes (Kevin James) is one of the best-loved caretakers at the Franklin Park Zoo, but since he is... [More]
Directed By: Frank Coraci

#35

Blended (2014)
15%

#35
Adjusted Score: 20579%
Critics Consensus: Lurching between slapstick and schmaltz without showing much of a commitment to either, Blended commits the rare Sandler sin of provoking little more than boredom.
Synopsis: Recently divorced mom Lauren (Drew Barrymore) and widowed dad Jim (Adam Sandler) let their friends push them into a blind... [More]
Directed By: Frank Coraci

#34
Adjusted Score: 20895%
Critics Consensus: Whether by way of inept comedy or tasteless stereotypes, I Now Pronounce You Chuck And Larry falters on both levels.
Synopsis: Chuck Levine (Adam Sandler) and Larry Valentine (Kevin James) are firefighters and true-blue buddies. When Larry, a widower, learns he... [More]
Directed By: Dennis Dugan

#33

Pixels (2015)
18%

#33
Adjusted Score: 25232%
Critics Consensus: Much like the worst arcade games from the era that inspired it, Pixels has little replay value and is hardly worth a quarter.
Synopsis: When aliens intercept video feeds of classic arcade games and misinterpret them as a declaration of war, they attack Earth,... [More]
Directed By: Chris Columbus

#32

Just Go With It (2011)
19%

#32
Adjusted Score: 23988%
Critics Consensus: Just Go With It may be slightly better than some entries in the recently dire rom-com genre, but that's far from a recommendation.
Synopsis: His heart recently broken, plastic surgeon Danny Maccabee (Adam Sandler) pretends to be married so he can enjoy future dates... [More]
Directed By: Dennis Dugan

#31

That's My Boy (2012)
20%

#31
Adjusted Score: 24412%
Critics Consensus: While it does represent a new foray into raunch for the normally PG-13 Sandler, That's My Boy finds him repeating himself to diminishing effect - and dragging Andy Samberg down with him.
Synopsis: While still a teen himself, Donny (Adam Sandler) fathered a son,Todd (Andy Samberg), and raised him as a single parent.... [More]
Directed By: Sean Anders

#30

Little Nicky (2000)
21%

#30
Adjusted Score: 25051%
Critics Consensus: Despite the presence of a large, talented cast, the jokes in Little Nicky are dumb, tasteless, and not that funny, and Adam Sandler's character is grating to watch.
Synopsis: In a perfect world, he'd be happy to head-bang in his room all day to heavy metal music. But no,... [More]
Directed By: Steven Brill

#29

Mr. Deeds (2002)
22%

#29
Adjusted Score: 25801%
Critics Consensus: This update of Capra doesn't hold a candle to the original, and even on its own merits, Mr. Deeds is still indifferently acted and stale.
Synopsis: Longfellow Deeds (Adam Sandler) is a sweet, lovable guy leading a simple but happy life in the tiny hamlet of... [More]
Directed By: Steven Brill

#28

Airheads (1994)
25%

#28
Adjusted Score: 26851%
Critics Consensus: There's a biting satire that keeps threatening to burst out of the well-cast Airheads, but unfortunately, the end result lives down to its title in the most unfortunate ways.
Synopsis: Three aspiring rock musicians -- Chazz (Brendan Fraser), Pip (Adam Sandler) and Rex (Steve Buscemi) -- are determined to have... [More]
Directed By: Michael Lehmann

#27

Sandy Wexler (2017)
27%

#27
Adjusted Score: 27727%
Critics Consensus: Sandy Wexler marks a mild improvement from the Adam Sandler vehicles immediately preceding it -- which in no way serves as an endorsement for non-hardcore fans.
Synopsis: Sandy Wexler (Adam Sandler) is a talent manager working in Los Angeles in the 1990s who diligently represents a group... [More]
Directed By: Steven Brill

#26

The Week Of (2018)
27%

#26
Adjusted Score: 26671%
Critics Consensus: The Week Of suggests promise in further collaborations between Sandler and Robert Smigel, but its shopworn premise and listless execution aren't enough to recommend it.
Synopsis: Two fathers with opposing personalities come together to celebrate the wedding of their children. They are forced to spend the... [More]
Directed By: Robert Smigel

#25

Bedtime Stories (2008)
27%

#25
Adjusted Score: 30022%
Critics Consensus: Though it may earns some chuckles from pre-teens, this kid-friendly Adam Sandler comedy is uneven, poorly paced, and lacks the requisite whimsy to truly work.
Synopsis: Hotel handyman Skeeter Bronson (Adam Sandler) gets an unexpected surprise when he discovers that the tall tales he has been... [More]
Directed By: Adam Shankman

#24

The Longest Yard (2005)
31%

#24
Adjusted Score: 37595%
Critics Consensus: This Yard has some laughs but missing from this remake is the edginess of the original.
Synopsis: Disgraced pro football quarterback Paul Crewe (Adam Sandler) lands in jail, where manipulative Warden Hazen (James Cromwell) recruits him to... [More]
Directed By: Peter Segal

#23
#23
Adjusted Score: 38532%
Critics Consensus: Men, Women & Children is timely, but director Jason Reitman's overbearing approach to its themes blunts the movie's impact.
Synopsis: Like many Americans, average suburbanite Don Truby (Adam Sandler) and his 15-year-old son use the Internet for information, communication and... [More]
Directed By: Jason Reitman

#22

The Waterboy (1998)
34%

#22
Adjusted Score: 37912%
Critics Consensus: This is an insult to its genre with low humor and cheap gags.
Synopsis: Raised by his overprotective mother, Helen (Kathy Bates), Bobby Boucher Jr. (Adam Sandler) is the water boy for a successful... [More]
Directed By: Frank Coraci

#21

Click (2006)
34%

#21
Adjusted Score: 40289%
Critics Consensus: This latest Adam Sandler vehicle borrows shamelessly from It's A Wonderful Life and Back To The Future, and fails to produce the necessary laughs that would forgive such imitation.
Synopsis: Michael Newman (Adam Sandler) seems to have it all but his wife, Donna (Kate Beckinsale), is increasingly frustrated by the... [More]
Directed By: Frank Coraci

#20

Coneheads (1993)
35%

#20
Adjusted Score: 37005%
Critics Consensus: Listless, crude, and overall uninspired, Coneheads offers further evidence that stretching an SNL sketch to feature length can be tougher than narfling a garthok.
Synopsis: Cone-headed extraterrestrials Beldar (Dan Aykroyd) and Prymaat (Jane Curtin) find themselves in New Jersey after a recon mission for their... [More]
Directed By: Steve Barron

#19
Adjusted Score: 43519%
Critics Consensus: You Don't Mess With the Zohan features intermittent laughs, and will please Sandler diehards, but after awhile the leaky premise wears thin.
Synopsis: Tired of all the fighting in his country, legendary Israeli commando Zohan (Adam Sandler) fakes his own death and goes... [More]
Directed By: Dennis Dugan

#18

Big Daddy (1999)
39%

#18
Adjusted Score: 42837%
Critics Consensus: Adam Sandler acquits himself admirably, but his charm isn't enough to make up for Big Daddy's jarring shifts between crude humor and mawkish sentimentality.
Synopsis: Thirty-two-year-old Sonny Koufax (Adam Sandler) has spent his whole life avoiding responsibility. But when his girlfriend dumps him for an... [More]
Directed By: Dennis Dugan

#17

Billy Madison (1995)
42%

#17
Adjusted Score: 43728%
Critics Consensus: Audiences who enjoy Adam Sandler's belligerent comic energy may find him in joyously obnoxious form as Billy Madison, but this thinly-plotted starring vehicle surrounds its star with an aggressively pedestrian movie.
Synopsis: Man-child Billy Madison (Adam Sandler) has been a spoiled rich kid all his life, and spends his days drinking and... [More]
Directed By: Tamra Davis

#16

Anger Management (2003)
42%

#16
Adjusted Score: 48621%
Critics Consensus: Thought not without its funny moments, Anger Management is ultimately stale and disappointingly one-note, especially considering its capable cast.
Synopsis: Dave Buznik (Adam Sandler) is usually a mild-mannered nonconfrontational guy. But after an altercation aboard an airplane, he is remanded... [More]
Directed By: Peter Segal

#15

Shakes the Clown (1991)
43%

#15
Adjusted Score: 43039%
Critics Consensus: Shakes the Clown has a handful of memorable moments, but they're scattered in a movie whose best ideas were left undeveloped on their way to the screen.
Synopsis: The all-clown town of Palukaville provides a colorful backdrop for this tale of an alcoholic funnyman framed for murder.... [More]
Directed By: Bobcat Goldthwait

#14

Murder Mystery (2019)
45%

#14
Adjusted Score: 47531%
Critics Consensus: Murder Mystery reunites Jennifer Aniston and Adam Sandler for a lightweight comedy that's content to settle for merely mediocre.
Synopsis: A New York cop and his wife go on a European vacation to reinvigorate the spark in their marriage. A... [More]
Directed By: Kyle Newacheck

#13
#13
Adjusted Score: 49822%
Critics Consensus: Hotel Transylvania's buoyant, giddy tone may please children, but it might be a little too loud and thinly-scripted for older audiences.
Synopsis: When monsters want to get away from it all, they go to Count Dracula's (Adam Sandler) Hotel Transylvania, a lavish... [More]
Directed By: Genndy Tartakovsky

#12

50 First Dates (2004)
45%

#12
Adjusted Score: 50276%
Critics Consensus: Gross-out humor overwhelms the easy chemistry between Adam Sandler and Drew Barrymore, who bring some energy and yucks to this tale of a girl with short-term memory loss and the guy who tries to get her to love him.
Synopsis: Playboy vet Henry sets his heart on romancing Lucy, but she has short-term memory loss; she can't remember anything that... [More]
Directed By: Peter Segal

#11

Hubie Halloween (2020)
52%

#11
Adjusted Score: 57083%
Critics Consensus: Viewers immune to its star's charms won't find it much of a treat, but Hubie Halloween is sweet enough to satisfy fans of Adam Sandler's antics.
Synopsis: It's October 31st in Salem, Massachusetts, and a town's eccentric, devoted community volunteer and the good-natured object of his fellow... [More]
Directed By: Steven Brill

#10

Spanglish (2004)
53%

#10
Adjusted Score: 58987%
Critics Consensus: Paz Vega shines, and Adam Sandler gives a performance of thoughtfulness and depth, but Spanglish is ultimately undermined by sitcommy plotting and unearned uplift.
Synopsis: Mexican immigrant and single mother Flor Moreno (Paz Vega) finds housekeeping work with Deborah (Téa Leoni) and John Clasky (Adam... [More]
Directed By: James L. Brooks

#9
#9
Adjusted Score: 57925%
Critics Consensus: Hotel Transylvania 2 is marginally better than the original, which may or may not be enough of a recommendation to watch 89 minutes of corny, colorfully animated gags from Adam Sandler and company.
Synopsis: Now that Dracula (Adam Sandler) has opened the Hotel Transylvania's doors to humans, things are changing for the better; however,... [More]
Directed By: Genndy Tartakovsky

#8

Happy Gilmore (1996)
61%

#8
Adjusted Score: 63868%
Critics Consensus: Those who enjoy Adam Sandler's schtick will find plenty to love in this gleefully juvenile take on professional golf; those who don't, however, will find it unfunny and forgettable.
Synopsis: All Happy Gilmore (Adam Sandler) has ever wanted is to be a professional hockey player. But he soon discovers he... [More]
Directed By: Dennis Dugan

#7
Adjusted Score: 68646%
Critics Consensus: Hotel Transylvania 3: Summer Vacation delivers exactly what fans will expect - which means another 97 agreeably lightweight minutes of fast-paced gags and colorful animation.
Synopsis: Your favorite monster family boards a luxury cruise ship so Dracula can take a summer vacation from the hotel. It's... [More]
Directed By: Genndy Tartakovsky

#6

Reign Over Me (2007)
64%

#6
Adjusted Score: 70373%
Critics Consensus: Reign Over Me is a charming, affecting tale of friendship and loss, with solid performances from Adam Sandler as a broken, grief-stricken man and Don Cheadle as his old friend and savior.
Synopsis: Charlie Fineman (Adam Sandler), who lost his family in the terrorist attacks of Sept. 11, still grieves over their deaths.... [More]
Directed By: Mike Binder

#5
#5
Adjusted Score: 72204%
Critics Consensus: It's decidedly uneven -- and surprisingly sappy for an early Adam Sandler comedy -- but The Wedding Singer is also sweet, funny, and beguiling.
Synopsis: Set in 1985, Adam Sandler plays a nice guy with a broken heart who's stuck in one of the most... [More]
Directed By: Frank Coraci

#4

Funny People (2009)
69%

#4
Adjusted Score: 77815%
Critics Consensus: Funny People features the requisite humor, as well as considerable emotional depth, resulting in Judd Apatow's most mature film to date.
Synopsis: Recently learning that he has a fatal disease, comic George Simmons (Adam Sandler) spots a struggling performer named Ira (Seth... [More]
Directed By: Judd Apatow

#3

Punch-Drunk Love (2002)
79%

#3
Adjusted Score: 84507%
Critics Consensus: Odd, touching, and unique, Punch-Drunk Love is also delightfully funny, utilizing Adam Sandler's comic persona to explore the life of a lonely guy who finds love.
Synopsis: Although susceptible to violent outbursts, bathroom supply business owner Barry Egan (Adam Sandler) is a timid and shy man by... [More]
Directed By: Paul Thomas Anderson

#2

Uncut Gems (2019)
92%

#2
Adjusted Score: 112454%
Critics Consensus: Uncut Gems reaffirms the Safdies as masters of anxiety-inducing cinema -- and proves Adam Sandler remains a formidable dramatic actor when given the right material.
Synopsis: A charismatic jeweler makes a high-stakes bet that could lead to the windfall of a lifetime. In a precarious high-wire... [More]
Directed By: Benny Safdie, Josh Safdie

#1
Adjusted Score: 105694%
Critics Consensus: The Meyerowitz Stories (New and Selected) observes the family dynamic through writer-director Noah Baumbach's bittersweet lens and the impressive efforts of a remarkable cast.
Synopsis: The adult children of Harold Meyerowitz reunite in New York in preparation for their father's career retrospective.... [More]
Directed By: Noah Baumbach

In this week’s Ketchup, Matt Damon ends speculation about becoming the new James T. Kirk, The Simpsons Movie takes advantage of cinematic liberties, and Kevin Smith wants Rosario Dawson in his Porno. Also, Damon shows wear and tear from the third Bourne movie and a new look at Iron Man. Read on.

This Week’s Most Popular News:

Matt Damon Sets the Star Trek Record Straight
For months we’ve heard some sort of rumor connecting Matt Damon to J.J. Abrams’ upcoming Star Trek film. And now the actor has come out and offered the final word.

Full Frontal Bart in The Simpsons Movie
The Simpsons Movie is not an R rated affair like the South Park movie. They did not go overboard on profanity or racy content, but they did manage to slip some full frontal nudity in the film.

Kevin Smith Wants Rosario Dawson for Porno
After becoming well and truly smitten with Rosario Dawson on the set of Clerks 2, it seems that Kevin Smith wants the actress to play the lead in his next comedy Zack and Miri Make a Porno.

Damon Worn Out on Bourne Ultimatum
The Bourne Ultimatum continues the fast paced, brutal fight scenes of the series as Jason Bourne takes out formidable bad guys. Three movies into the franchise, Matt Damon is starting to feel his age.

A Slick New Look at Iron Man!
There’s a reason that Empire Magazine is considered one of the best movie mags in the world. And here’s another one: They snagged a really slick new photo of next summer’s Iron Man!


“Matt Damon!”


In Other News:


r.i.p. Hauptmann Wiesler

Two new star-driven Hollywood comedies face off at the box office this weekend in an attempt to unseat Harry Potter and the Order of Phoenix from the top spot. Adam Sandler headlines the gay marriage pic I Now Pronounce You Chuck and Larry while John Travolta goes one step further starring as a heavy-set mom in the musical Hairspray. For the first time in nearly a month, no new release gets an early midweek headstart.

Adam Sandler is back for his annual trip to blockbusterland in Chuck and Larry starring with Kevin James and Jessica Biel. The PG-13 film reunites Sandler with director Dennis Dugan (Big Daddy, Happy Gilmore)
and tells the story of two heterosexual firefighters who pretend to be married to each other to take advantage of the financial benefits. The former Saturday Night Live star only does one film per year and each comedy has a specific well-defined plot. That has led to a string of hits at the box office as fans so far have not had too much of him. Earlier this year, Eddie Murphy reached $34.2M with Norbit‘s opening while Will Ferrell bowed to $33M with Blades of Glory. Chuck should go a little higher.

The former wedding singer has scored $100M blockbusters in each of the last five years and aims to extend the streak to six with his latest summer offering. Last June, his comedy Click bowed to $40M on its way to $137.3M while 2005’s The Longest Yard debuted to $47.6M over three days before heading to a $158.1M final. Sandler is one of the most reliable box office draws in the business and his usual fan following, skewing a bit more male, should be back again this time. Reviews have been bad as usual but should not factor in much. Potter and Transformers will still provide some competition for young males and females may be swayed more to Hairspray. Universal’s marketing push has been on par with past films from the actor and Sandler has been hitting up all the standard talk shows for his yearly sales pitches. Tying the knot in 3,492 theaters, I Now Pronounce You Chuck and Larry could open to about $37M.


The happy couple

John Travolta, Michelle Pfeiffer, Queen Latifah, Christopher Walken,
Amanda Bynes, and newcomer Nicole Blonsky join forces for the lavish musical Hairspray, the 2007 movie version of the popular Broadway version of the 1988 cult film from John Waters. The new PG-rated pic has earned glowing praise from critics which will certainly help its cause in a summer full of action hits aimed at young males. Hairspray will skew more female and could appeal to multiple generations given the broad range of stars from teen queens to middle-aged sex symbols.

New Line does not have an easy sell here. However the studio was wise to program the release into the second half of summer knowing that audiences may be all actioned out by now and looking for something different. Musicals rarely hit the big screen during the summer although in 2001 Moulin Rouge opened wide to $13.7M and a $6,019 average leading to a respectable $57.4M gross. Hairspray hopes to become a hit like Chicago and Dreamgirls, rather than a dud like Rent or The Producers. Broadway musicals don’t always translate well onto the big screen but starpower often helps to make them click with moviegoers. Hairspray boasts a solid line-up of Hollywood stars and with strong reviews should
attract a good following at the box office. Dancing into more than 3,000 theaters, the Adam Shankman-directed film could collect about $19M this weekend.


Nikki Blonsky in Hairspray

A space team is sent on a mission to repair the dying sun in Fox Searchlight’s futuristic thriller Sunshine which launches in limited release in ten theaters on Friday. Michelle Yeoh, Chris Evans, and Cillian Murphy star in this latest film from director Danny Boyle which expands to more cities in the weeks ahead.


Something resembling sunshine in Sunshine

Warner Bros. will take on the two new comedies and try for a second weekend on top with Harry Potter and the Order of the Phoenix. Had the film opened on a Friday and concentrated its whole audience into three days, the dropoff would easily have been more than 60%. However, the Wednesday launch last week softened the Friday-to-Sunday tally so a smaller decline should result. The biggest foe will actually be Potter himself as the seventh and final book in the wildly popular series will go on sale early Saturday prompting millions of fans to invest their time into reading rather than munching on popcorn in front of a big screen. A 55% drop would give Phoenix around $35M for the frame and a mammoth 12-day cume of $210M.

Transformers should also have a decent hold since no new action entries are hitting the multiplexes. The Paramount/DreamWorks release might fall by 45% to roughly $20M boosting the total to a towering $262M. Disney and Pixar also look to see a good hold for Ratatouille. The animated rodent comedy may slide by 35% to $12M for a sum of $165M to date.

LAST YEAR: For the third straight weekend, Johnny Depp‘s Pirates of the Caribbean: Dead Man’s Chest led the field and grossed $35.2M boosting the 17-day total to a staggering $321.9M. Sony’s animated film Monster House debuted in second place with $22.2M and was followed by fellow freshman Lady in the Water from Warner Bros. which disappointed with a $18M launch. Final domestic tallies reached $73.5M and $42.3M, respectively. Rounding out the top five were the comedies You, Me and Dupree with $12.8M and Little Man with $11M. Another pair of comedies debuted outside the top five. MGM’s Clerks II bowed to $10.1M on its way to $24.1M, while Fox’s My Super Ex-Girlfriend opened to only $8.6M leading to a $22.5M final.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Megatron and his sinister robot chums invade the North American box office aiming to extract riches from the multiplexes over the extended Fourth of July holiday week with the tentpole action vehicle "Transformers."

Also entering the marketplace, but likely to gross only a fraction of the cash, is the comedy "License to Wed" starring Robin Williams. With Independence Day falling on a Wednesday, moviegoers have all different kinds of schedules with some having only one day off from work while others are taking extra time for themselves. That will make for a tricky box office trajectory since ticket buyers have many films to choose from and many days to make their trip to cinemas.

Paramount sets off the fireworks with "Transformers" which already got an early start to the holiday week with a strong $8.8M in ticket sales on Monday night with shows beginning at 8pm. The PG-13 film from director Michael Bay is adapted from the popular toys and cartoon series that became a cult favorite in the 1980s, but instead has been geared up to fit modern summer movie standards with action, humor, and plenty of special effects. Shia LaBeouf stars alongside Tyrese Gibson, Jon Voight, Anthony Anderson, and John Turturro.

[Editor’s Note: "Transformers" broke records for having the biggest opening on a Tuesday at $27.9 million, according to Boxofficemojo.com. As of Wednesday night (the original "official" release date), "Transformers" had raked in $36.7 million at the box office — a figure that grants the flick the title of Best 4th of July opening ever. That number (what many have pointed out amounts to over $36 million in 36 hours of release, or $1 million per hour and $16,666 per minute) results from the Paramount release’s $8.8 million Monday night take combined with $27.9 million on Tuesday. An additional $29.1 million from Wednesday’s moviegoers bumps the current "Transformers" box office to $65.7 million — and there are four more days to go.]

"Transformers" is trying hard to follow in the footsteps of "Independence Day" which eleven years ago this week wreaked havoc on the box office with a Fourth of July opening week gross of $96.1M over five and a half days beginning with Tuesday night shows starting earlier at 6pm. That would amount to about $125M at today’s ticket prices from 1,129 fewer theaters than what the robots in disguise now control. Both films are essentially disaster pictures about alien forces that invade Earth that are driven by amazing special effects and feature ensemble casts with no huge stars.

The fanboy crowd has been energized for months for "Transformers" so that vote is locked in. To really see the grosses soar, Paramount and DreamWorks will need non-fans to pony up the dough and take interest not because they remember watching the cartoon as a kid, but because it looks and feels like good escapist summer fare. Luckily the pic delivers on that. Appeal to teens and young adults is potent but older adults looking for action may be tempted to buy a ticket for Bruce Willis in the latest "Die Hard" sequel. In addition, younger children afraid of mean transforming robots will instead line up for "Ratatouille." But so far reviews have been pretty good for its genre and fans are giving high marks too as witnessed by the encouraging A- average grade from over 6,000 votes on Yahoo Movies.

Other effects-driven sci-fi action tentpoles opening over this extended holiday week include 2002’s "Men in Black II" with $87.2M over five days, 2003’s R-rated "Terminator 3" with $72.4M over five and a half days, and $100.5M over five days for "War of the Worlds" in 2005. Optimus Prime should soar higher since it has a full six and a half days of play this week by the time Sunday night arrives. Invading 4,011 theaters, "Transformers" might gross about $67M over the Friday-to-Sunday period and a stellar $130M from Monday night through Sunday.


"Transformers"

Taking one of his worst beatings from critics in years, Oscar winner Robin Williams hit multiplexes on Tuesday with his latest comedy "License to Wed" playing a wacky priest who puts a newly engaged couple through a series of tests before marrying them. The PG-13 film stars Mandy Moore and "The Office"’s John Krasinski as the lucky twosome. The Warner Bros. title is slotted into this extra long holiday week as counter-programming to the Decepticons and hopes to appeal to women and adult couples not interested in the summer’s umpteenth action extravaganza.

Aside from the former Mork, "License" has no real starpower at the box office. Even Williams has struggled to pack them in on opening weekend in recent years. His last film "Man of the Year" bowed to $12.3M last fall. Word-of-mouth is not likely to be very positive and if anything, the early opening may spread bad buzz as by Friday many will hear from friends that they should avoid this pic. The midweek debut will also dilute the weekend numbers too. A stronger title could have excelled this week with the target audience given all the testosterone flicks, but this one just doesn’t have the goods. Opening in 2,401 theaters, "License to Wed" might collect about $11M over the weekend and $18M during the extended Tuesday-to-Sunday debut period.


"License to Wed"

Disney and Pixar enjoyed a brief three-day stint in the number one spot last weekend with "Ratatouille" before being pushed aside by the Autobots on Monday. Second weekend drops for Pixar’s summer toons include 44% for last year’s "Cars" and a slimmer 34% for 2003’s "Finding Nemo." The rodent flick is well-liked by moviegoers and competition for younger children is not too direct this coming weekend so a decline in between those two may result. A 35% drop would give "Ratatouille" about $30M for the weekend and a ten-day cume of $109M.


"Ratatouille"

Bruce Willis will have his hands full with "Live Free or Die Hard" on the second weekend thanks to fierce direct competition from "Transformers." A 50% drop would not be surprising and would give Fox around $16.5M for the session boosting the 12-day tally to $83M. Universal’s "Evan Almighty" should continue its rapid slide and dip by 45% to roughly $8M. That would put the Steve Carell comedy at $78M after 17 days.

LAST YEAR: After a long four-year term as the top opening of all-time, "Spider-Man" had its record stolen by Captain Jack as "Pirates of the Caribbean: Dead Man’s Chest" crushed the industry mark with an eye-popping three-day bow of $135.6M. The Disney smash easily became the biggest blockbuster of the year with $423.3M domestically and a towering $1.065 billion worldwide and it still stands as the third largest global grosser of all-time. "Superman Returns" tumbled down to second place falling by a disturbing 59% to $21.8M for Warner Bros. Fox’s "The Devil Wears Prada" enjoyed a better sophomore hold dropping 46% to $15M for third place. Rounding out the top five were Adam Sandler‘s "Click" with $11.9M for Sony and Disney/Pixar’s "Cars" with $10.7M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Source: Boxofficemojo.com

Disney and Pixar aim for their eighth straight number one hit together with the latest computer animated film from the industry experts, "Ratatouille."

For those looking for a higher body count in their weekend entertainment, Fox offers the actioner "Live Free or Die Hard" which stands as the ninth sequel in nine weeks this summer. In more limited national release, Lionsgate expands its Michael Moore documentary "Sicko" while Focus opens its anti-"Die Hard" pic "Evening." This weekend’s box office champ will only have a short-lived stay at number one since "Transformers" will begin its assault on the multiplexes on Monday night attacking at 8pm.

Scurrying into its usual position atop the charts, Pixar returns to capture the family audience with "Ratatouille" hoping for what could be a long run at the summer box office. The G-rated pic tells of a lovable rat with a gift for cooking that finds itself working secretly in a famous Paris restaurant with a clumsy human boy. Brad Bird ("The Incredibles," "The Iron Giant") directs and the voice cast includes Patton Oswalt, Peter O’Toole, Brian Dennehy, and Janeane Garofalo. Not the biggest names in the biz, but this one will not be sold on the starpower of actors. It is the Pixar brand name, and to an extent the Disney logo, that will bring in paying customers. Parents and children know they are guaranteed a great time so the brand will sell itself. Reviews have also been glowing across the board which will help too.

Last summer, the Disney/Pixar team saw its "Cars" drive off with $60.1M on opening weekend on its way to a $244.1M final which by the end of the year made it the second biggest blockbuster of 2006 after "Dead Man’s Chest." "Night at the Museum"’s prolonged run into 2007 allowed it to eventually surpass "Cars." Pixar’s previous toons "The Incredibles" and "Finding Nemo" both bowed at the $70M mark however. "Ratatouille" will cater to the same audience, but direct competition for families will be tougher than it was with the prior pics. Though fading fast, "Evan Almighty" and the "Fantastic Four" sequel are both PG films specifically designed to appeal to kids and should steal away close to $25M combined. But the rat film should enjoy an extended stay in North American multiplexes as word-of-mouth will be very positive and moviegoers will enjoy having a new story with new characters instead of the same old sequels all the time. Launching in over 3,500 theaters, "Ratatouille" could gross about $57M this weekend.


"Ratatouille"

Bruce Willis returns to his signature franchise after a dozen-year gap with "Live Free or Die Hard," Fox’s next big entry into the summer movie sweepstakes. Keeping with the new fad of tamer ratings, the fourth installment of the series keeps the action high but cuts back on extended shots of blood and foul language in order to secure the PG-13. The previous "Die Hards" were all R-rated with the last two being number one openers. Directed by Len Wiseman, who helmed both "Underworld" pics, "Live Free" co-stars Justin Long and finds Bruce’s John McClane character assigned to protect a computer hacker who holds the key to stopping a virtual terrorist from taking control of the country electronically.

Since today’s teenagers never felt the excitement of rushing out to the theaters to see a new "Die Hard" flick, the studio has worked hard to make it relevant to the most sought after demographic so they don’t think of this as their father’s action movie. The new rating, the high-tech plot, and the Mac-friendly Long could certainly help. Plus in a summer filled with super heroes and pirates, "Die Hard" gets retro with action not driven by effects, but by stunts. The audience should skew male and older. Plus there are die hard "Die Hard" fans that have been waiting patiently for twelve years that will be out upfront to see their hero return. Reviews have been good and the film actually delivers solid entertainment without being the type of creative disappointment that audiences have unfortunately become used to this summer. Opening Wednesday in 3,172 theaters, "Live Free or Die Hard" could generate about $31M over the three-day weekend and around $48M over the five-day debut period.


"Live Free or Die Hard"

Oscar winner Michael Moore turns his wrath on the health care system in his latest documentary "Sicko." The PG-13 entry comes with the filmmaker’s usual desperate need to generate controversy in order to sell tickets. The new film does not carry with it the monstrous buzz that propelled "Fahrenheit 9/11" to a surprise number one opening three years ago. Given the subject matter, "Sicko" should skew older. Lionsgate is rolling the film out slowly instead of opening nationwide on the first weekend as it should take a little longer to get people interested in buying a ticket. The distributor is hoping that last weekend’s solo New York debut, last Saturday’s sneak previews in Moore-friendly markets, and this frame’s limited expansion to a few hundred sites will get people talking as the country heads into the Fourth of July holiday week ahead. Holiday buzz would then justify a wider rollout. Expanding to 441 theaters on Friday, "Sicko" could collect about $7M and generate a sizzling per-theater average.


"Sicko"

In the weekend’s toughest sell, acclaimed Hollywood actresses band together to define the term "chick flick" with the dying-mother drama "Evening." Vanessa Redgrave, Meryl Streep, Glenn Close, Claire Danes, and Toni Collette star in the Focus release which should see most of its business come from white adult women. The PG-13 film is trying to offer summer ticket buyers an alternative to the endless string of testosterone-fueled action sequels, but it comes up short when it comes to commercial bells and whistles. Sure there is some well-respected starpower, but comedy always sells better than drama with female-skewing pictures. And look for mothers to join their kids for "Ratatouille" which take many in the target audience out of the picture. Opening nationally in 978 theaters, "Evening" might gross about $3M this weekend.


"Evening"

Last weekend’s top earner "Evan Almighty" wasn’t exactly explosive out of the gate. This weekend will be a tough one as well since Pixar will steal away the family audience and John McClane will take away his share of summer moviegoers too. A 50% drop to about $15M would leave Universal with $60M after ten days.

"1408" scared up some strong sales last weekend in its debut. But fright flicks fall hard on the second weekend so a 55% decline would give the John Cusack thriller around $9.5M for the frame and a ten-day cume of $39M.

A similar fate could await "Fantastic Four: Rise of the Silver Surfer" which tumbled by 66% in its sophomore session. Fox might drop down to roughly $9M boosting the 17-day total to $115M.

LAST YEAR: Warner Bros. flew into the top spot with the ultraexpensive comic flick "Superman Returns" which bowed to a not-so-muscular $52.5M over three days and $84.6M in its first five days. The Man of Steel made its way to $200.1M domestically and $390M worldwide which fell below industry expectations. Exceeding pre-release expectations was Meryl Streep‘s "The Devil Wears Prada" which bowed to $27.5M for Fox. The sleeper hit went on to gross a surprisingly strong $124.7M in North America and did exceptionally well overseas too with a global tally of $325M. Rounding out the top five were Adam Sandler‘s "Click" with $19.9M, the Disney/Pixar hit "Cars" with $14.6M, and Jack Black‘s "Nacho Libre" with $6.6M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Universal looks to score its first number one hit in nearly a year this weekend with the new Steve Carell comedy "Evan Almighty" which hits the multiplexes on Friday targeting a broad family audience.

Reaching out to adult moviegoers are MGM with the John Cusack chiller "1408" and Paramount Vantage with the Angelina Jolie starrer "A Mighty Heart." Overall, the marketplace could slow down a bit this weekend before another wave of high-profile summer blockbusters arrives towards the end of June.

The sixth consecutive sequel to open at number one has a different formula up its sleeve. "Evan Almighty" loses Jim Carrey from "Bruce Almighty," drops the rating from PG-13 to PG, and shifts the plot over to a Biblical story while courting family audiences. Michael Bay isn’t the only one with a transformer at the box office this summer. Universal’s big-budget comedy offering should easily top the charts, however the financial picture will be very different. Steve Carell, whose starpower has blossomed since the 2003’s "Bruce," takes over as the lead playing a TV anchorman-turned-congressman who is told by God to build an ark because a mighty flood is coming. Morgan Freeman reprises his supporting role as the big G.

On a budget rumored to have ballooned to $175M thanks to extensive special effects and overages, "Evan Almighty" stands as one of the priciest comedies ever. The loss of Jim Carrey means it has almost no chance of reaching the $68M three-day opening weekend gross of "Bruce" from four years ago when it shocked the film industry by kicking "The Matrix Reloaded" out of the top spot in only its second frame. It reached a domestic haul of $242.8M. "Evan Almighty" could conceivably gross half the amount of "Bruce," while costing twice as much to produce. Does that mean it will lose money? Not necessarily. "Evan" would love nothing more than to follow in the footsteps of "Night at the Museum," another effects-driven comedy led by a popular comedian aimed at families, which has grossed over $570M worldwide. If it can tap into that crowd, then it will be a divine road ahead.

"Evan"’s trim running time of about 90 minutes will help since multiplexes can schedule numerous showtimes per day. Competition will come from current chart-topper "Fantastic Four: Rise of the Silver Surfer," another action-comedy sequel tamed down to a PG to cater to eight-year-old boys on summer vacation. Teens and young adults who have to wait until the fall to see new episodes of Carell’s "The Office" may line up for "Evan" and give it a try, despite the negative reviews. There’s not much else exciting that demo right now. And given its themes, moviegoers in the Bible Belt may contribute some solid sales on opening weekend as the studio is wisely targeting churches in its marketing outreach. Opening in 3,602 theaters, "Evan Almighty" could premiere to about $40M this weekend.


"Evan Almighty"

John Cusack hopes to avoid the current horror curse at the box office with his new psychological thriller "1408." The MGM release finds the actor playing a writer who checks into a haunted hotel room that many have died in. Samuel L. Jackson co-stars in the PG-13 pic. Scary movies have been slaughtered at the cash registers lately. Even star-driven adult thrillers have struggled as witnessed by openings of $11.2M for "Perfect Stranger" starring Halle Berry and Bruce Willis, $10M for Hilary Swank‘s "The Reaping," $10M for Kevin Costner‘s "Mr. Brooks," and $7.6M for Luke Wilson‘s hotel-themed "Vacancy." Managing to surge a bit higher were Sandra Bullock‘s "Premonition" with $17.6M and Jim Carrey’s "The Number 23" with $14.6M. "1408" may not scare up that much business given consumer apathy towards fright flicks right now. Plus Cusack and Jackson are not really known for packing them in on opening weekend unless there are bigger stars present. Checking into 2,678 theaters, "1408" might take in about $12M this weekend.


John Cusack in "1408"

Angelina Jolie headlines this weekend’s serious offering for adult audiences, "A Mighty Heart." Directed by Michael Winterbottom ("The Road to Guantanamo," "Welcome to Sarajevo"), the R-rated film finds the Oscar-winning actress playing Mariane Pearl, wife of slain Wall Street Journal reporter Daniel Pearl, and documents her struggle to find her kidnapped husband in Pakistan. In a summer of sequels and effects-driven action pictures for kids on vacation, Paramount Vantage is going after the adults that are often neglected at this time of year. Reviews for "Heart" have been strong with Jolie already earning kudos buzz and the film should appeal to the same audiences that came out for other acclaimed political thrillers like "United 93" ($11.5M, $6,395 average), "The Constant Gardener" ($8.7M, $6,444), and "Syriana" ($11.7M, $6,699). Competition will come from "Ocean’s Thirteen" and "Knocked Up" which have both been playing well with the 30-plus crowd. Debuting in about 1,350 theaters, "A Mighty Heart" might open in the vicinity of $7M.


Angelina Jolie in "A Mighty Heart"

Last weekend, Fox’s "Fantastic Four: Rise of the Silver Surfer" opened at the top and was just one of six sequels to land in the top ten. Its 2005 predecessor tumbled 59% in its second weekend thanks to poor word-of-mouth and intense competition from newcomers "Charlie and the Chocolate Factory" and "Wedding Crashers" which stole over $90M worth of ticket sales away from holdover pics. "Silver Surfer" has been greeted with marginally better responses and will not face as much competition from the incoming class this weekend, although "Evan Almighty" will be gunning for that PG-loving family crowd. A drop of 55% would give the new "Fantastic Four" saga around $25M for the frame and a ten-day cume of $103M.

"Ocean’s Thirteen" will see some of its adult audience get pulled away by the weekend’s two new mature-skewing flicks. A 40% decline will leave the caper sequel with roughly $12M pushing the total to $91M after 17 days for Warner Bros. Universal’s comedy sensation "Knocked Up" will smash through the $100M mark this weekend, probably on Friday. Look for a 30% fall to around $10M boosting the cume to $108M.

LAST YEAR: Adam Sandler scored his usual table at the top spot with his comedy "Click" which bowed to $40M for Sony on its way to $137.3M domestically and over $235M worldwide. The Disney/Pixar toon "Cars" dropped to the runnerup spot but dipped only 31% to $23.3M. Sophomores "Nacho Libre" and "The Fast and the Furious: Tokyo Drift" were both hit hard and tumbled by more than 50% each to $12.7M and $9.8M, respectively. Focus launched the Tyrese Gibson actioner "Waist Deep" to a solid $9.4M from just over 1,000 theaters on its way to $21.3M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This word arrives by way of a British gossip column, so you know what to do with it, but here’s the dirt: Kate Beckinsale is apparently being considered for the lead role in Dino De Laurentiis‘ "Barbarella" remake. And you won’t hear any complaints from me.

Best known for kicking Lycan tail in leather in "Underworld" and "Underworld: Evolution," the British actress is also well-known for her work in "Van Helsing," "Pearl Harbor," "Serendipity," "The Aviator," and "Click." She’s also well-known for being stunningly hot, but that’s just one guy’s opinion.

Still no word on who’ll be directing the new "Barbarella," but we do know that "Casino Royale" screenwriters Neal Purvis and Robert Wade are on adaptation duty. (They also wrote "Plunkett & MacLeane" and "Johnny English.") Just sayin’.

Source: Daily Express

The Johnny Depp juggernaut Pirates of the Caribbean: Dead Man’s Chest remained the most popular film in North America for a second weekend easily defending its box office crown against two new comedies that fought bitterly for the runnerup spot.

According to studio estimates, Sony’s Little Man narrowly edged out Universal’s You, Me and Dupree opening in second and third, respectively. With less than $400,000 separating the two new releases, chart positions could change when final numbers are tabulated on Monday.

Disney shattered more box office records with its runaway smash Pirates which hauled in an estimated $62.2M in its second weekend in theaters to boost its ten-day total to an eye-popping $258.2M. That’s the largest ten-day start of any film in history and the fastest any movie has cracked the quarter-billion dollar mark beating the old records which were both set last summer by Star Wars Episode III. The final Jedi sequel collected $236.9M in its first ten days and surged to $255.6M in its eleventh day.

Pirates did suffer a sizable 54% drop from its record-breaking opening weekend, however a large decline was widely expected since it had already absorbed such a massive amount of business when it entered its sophomore frame. Second weekend declines for the summer’s other big-budget tentpole pictures were larger including 56% for The Da Vinci Code, 59% for Superman Returns, and 67% for X-Men: The Last Stand. In just ten days, Dead Man’s Chest has quickly become the top-grossing film of 2006 and now sits at number 34 on the list of all-time domestic blockbusters ahead of Monsters, Inc. which grossed $255.9M in 2001.

The high seas adventure also enjoyed the third best second weekend gross ever trailing the $72.2M of 2004’s Shrek 2 and the $71.4M of 2002’s Spider-Man. Pirates is already the seventh biggest film ever for Disney and the fourth largest among live-action pics for the studio. The Mouse House also scored its 13th film to top the $200M mark which is the most of any Hollywood studio.Where can Captain Jack Sparrow sail to from here? The triple-century barrier should come crashing down by next weekend as the megablockbuster sequel continues on a trajectory that could see it loot $350-400M from the domestic market alone.

Opening in second place with an estimated $21.7M was Little Man starring Marlon and Shawn Wayans from director Keenan Ivory Wayans. The $64M Sony release averaged a stellar $8,567 from 2,533 theaters and tells the story of a diminutive crook who masquerades as a toddler in order to retrieve a stolen diamond. Teens and young adults made up the core crowd as studio data indicated that 59% of the audience was under the age of 25. Women slightly outnumbered the guys with 53% of the crowd. Reviews were mostly negative.

Little Man enjoyed an opening that was similar to that of the last effort by the Wayans brothers, White Chicks. That Sony comedy bowed on a Wednesday in June 2004 with a Friday-to-Sunday take of $19.7M as part of a $27.2M five-day launch on its way to $69.1M. The studio reported encouraging exit polls for Man with 85% marking it "excellent" or "very good." If estimates hold, it will be the third consecutive second place opening for Keenan Ivory Wayans after 2001’s Scary Movie 2 and White Chicks which were also summer comedies.

Close behind with an estimated $21.3M debut was Universal’s new comedy You, Me and Dupree. The PG-13 film averaged a solid $6,815 from 3,131 theaters and stars Owen Wilson as a houseguest who crashes in the home of a newlywed couple played by Kate Hudson and Matt Dillon. The $54M film played mostly to young adults in their twenties and thirties and skewed more towards women. Studio research indicated that 58% of the audience was under the age of 30 and 58% was female. Reviews were not very favorable. Dupree opened below the levels of Wilson’s previous hits like Starsky & Hutch which bowed to $28.1M in March 2004 and the $33.9M of Wedding Crashers which debuted one year ago this weekend.

While both new comedies opened with roughly the same weekend gross, and chart positions could change on Monday, it was Little Man that clearly delivered the more impressive performance. Playing in 600 fewer theaters, the Wayans brothers attracted enough of an audience to still sell the same amount of tickets and generated a per-theater average that was 26% stronger than Dupree’s. The Owen Wilson film however, cost $10M less to produce as it did not need to rely on costly special effects.

In its third battle against the forces of box office evil, the big-budget super hero flick Superman Returns fell to fourth place with an estimated $11.6M. Off a moderate 47%, the Warner Bros. pic lifted its cume to $163.7M after 19 days. The Man of Steel is well behind the $192.4M that War of the Worlds collected over the same period last year, but a bit ahead of Men in Black II‘s $158.1M from July 2002. However, those pricey pics posted stronger third weekend grosses of $15.2M and $14.6M, respectively. Superman Returns remains on a course to fly to $190-200M domestically which is less than what most in the industry were expecting from the Bryan Singer film.

Superman flew into over a dozen new countries around the world this weekend and grossed an estimated $38M from 36 markets to boost its international cume to $77M. In most territories, the comic book pic rocketed straight to number one, however in the United Kingdom it scored a solid number two bow behind the sophomore weekend of Pirates.

Despite competition from two new comedies, Meryl Streep held up well with her hit The Devil Wears Prada which grossed an estimated $10.5M in its third session. Down a little more than 30%, the Fox release has commanded an impressive $83.6M and is heading for the vicinity of $115M.

For the third straight weekend, the Disney/Pixar toon Cars enjoyed the smallest drop in the top ten and slipped less than 30% to an estimated $7.5M. After its sixth weekend, the G-rated blockbuster has upped its cume to a sturdy $219.7M passing The Da Vinci Code to become the third highest grossing film of the year after the Pirates and X-Men sequels. Cars is running 6% behind the pace of Pixar’s last film The Incredibles after the same amount of time, but is 3% ahead of the company’s Monsters, Inc. Those pics ended up with $261.4M and $255.3M, respectively. Cars looks to have enough gas in its tank to be able to reach $250M. Barring any surprise megahits, that would give Disney the two biggest blockbusters of the summer season. Coincidentally, the studio also ruled the 2003 summer contest with the first Pirates and Pixar’s Finding Nemo both crossing the $300M threshold.

Adam Sandler followed close behind in seventh with Click which fell 41% to an estimated $7M in its fourth frame. With $119.7M in the bank, the Sony release is still running a bit ahead of the studio’s 2003 Sandler vehicle Anger Management which collected $115.3M at the same point on its way to $135.6M. Click should be able to reach $135-140M.

The Lake House starring Keanu Reeves and Sandra Bullock grossed an estimated $1.6M, off 45%, for a $48.9M total. The Warner Bros. romance should end with a respectable $53M. Paramount’s Nacho Libre laughed up an estimated $1.5M, down 54%, putting its sum at $77.1M. Jack Black‘s wrestling comedy looks to go home with around $81M.

Warner Independent Pictures expanded its animated crime drama A Scanner Darkly from 17 to 216 theaters nationwide and hit the top ten with an estimated $1.2M. Richard Linklater‘s R-rated film averaged a healthy $5,486 per location and raised its cume to $1.8M. The Keanu Reeves-starrer will stay in roughly the same number of locations this coming weekend.

With a brutal heat wave hitting much of the country, audiences continued to flock to the hit global warming documentary An Inconvenient Truth which slipped a scant 5% to an estimated $1.1M. Now in its eighth weekend of release, the Paramount Vantage title finished a hair out of the top ten and has taken in a solid $17M.

Three films from the Universal Studios family fell from the top ten over the weekend. The racing sequel The Fast and the Furious: Tokyo Drift dropped 59% to an estimated $1M in its fifth lap pushing its domestic total to $59.7M. The $75M actioner has grossed an additional $42M overseas and continues to open in new countries each week. In North America, look for a final take of $61M.

The Break-Up fell 52% to an estimated $777,000 giving the Vince VaughnJennifer Aniston comedy $116M to date. The $52M production should end its relationship with theaters at $118M. Internationally, Break-Up has grossed $24.5M thus far with major European markets like the United Kingdom, Germany, and Italy still to come between now and September. The Focus Features actioner Waist Deep tumbled 63% to an estimated $695,000 putting its cume at $20.7M. Little more is expected for the inexpensive film which might close with around $22M.

The top ten films grossed an estimated $146.1M which was off 4% from last year when Johnny Depp‘s Charlie and the Chocolate Factory debuted at number one with $56.2M; but up 8% from 2004 when Will Smith‘s I, Robot opened in the top spot with $52.2M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

A pair of new star-driven comedies will try to steal away some treasure from the record-breaking hit Pirates of the Caribbean: Dead Man’s Chest in a laugh-filled battle for the number two slot.

Universal launches You, Me and Dupree starring Owen Wilson, Kate Hudson, and Matt Dillon while Sony counters with Little Man anchored by Marlon and Shawn Wayans. Neither film, though, is expected to come close to the massive second weekend haul that Johnny Depp will take away as his blockbuster sequel looks to shatter the quarter-billion mark in a mere ten days.

52 weeks after Wedding Crashers opened to stellar business, Owen Wilson returns to the big screen playing a slacker in his mid-thirties who moves in with his best friend and his wife who are a newlywed couple. The PG-13 film stars Hudson and Dillon as the lucky duo while Michael Douglas plays the father to Hudson’s character. The date crowd will be the primary audience here and like most romantic comedies, Dupree should skew a little more female. However, the starpower and the concept give the film solid male appeal so both genders should show interest which will be important. Though formulaic and predictable as can be, the Universal release does offer up lots of laughs which will work with audiences willing to check their brain at the door.

As the anchor, Wilson has seen his share of box office hits, especially when there are other stars surrounding him. The R-rated Wedding Crashers with Vince Vaughn bowed to $33.9M this weekend a year ago, 2004’s Starsky and Hutch with Ben Stiller opened to $28.1M, and his last Jackie Chan action-comedy Shanghai Knights debuted to $19.6M. The blonde funnyman plays the exact same character for the umpteenth time, but somehow audiences keep buying it.

June has served up a steady diet of hit comedies like The Break-Up, Click, and The Devil Wears Prada so audiences are certainly not starving for a laugh right now. Competition will be tough and Little Man’s arrival will take away some folks looking for a chuckle too. Even Pirates, which packs a hundred laughs into its two-and-a-half-hour package, will be a factor. But Dupree does offer four big and likable stars even if Douglas has been underutilized in the marketing campaign. The plot has come across very clear in the advertising which is crucial. And the same audience that powered March’s Failure to Launch to a $24.4M opening could be out once again for this one. Making itself comfortable in 3,131 locations, You, Me and Dupree could gross around $22M this weekend.

For the fourth time in seven summers, the Wayans brothers regroup for some raunchy fun in Little Man opening this Friday. Keenan is once again at the helm while younger siblings Marlon and Shawn take to the screen in another high concept story. This time, a pint-sized criminal disguises himself as a toddler in order to uncover a stolen diamond from an unsuspecting couple. CGI allows Marlon to become a little man and laughter ensues. The Wayans clan last hit theaters two years ago in White Chicks which opened to $19.6M and a five-day $27.2M take. Little Man’s plot is not as catchy as Chick’s, but much of their loyal fan base is still likely to give it a try.

Sony has been pushing its latest summer comedy heavily, but with so many other laughers in the marketplace right now, some of the audience will get split. The Wayans team has always had a strong urban following which will once again be out in solid numbers. Waist Deep has been the only summer film anchored by black stars so an underserved audience is sure to come out and drive ticket sales. With about 600 fewer theaters than Dupree, Little Man is likely to find itself debuting in third place with an average that will challenge Owen’s. Poor reviews should not make a difference and a PG-13 rating will open the doors to a large teen crowd that might find Dupree to be too mature. Hiding out in 2,533 theaters, Little Man could make off with about $18M over the weekend.

Dead Man’s Chest set off the kind of box office fireworks last weekend that the industry has never seen before with a towering $135.6M opening and a per-theater average of nearly $33,000 from more than 4,000 locations. Despite its popularity, the Disney smash is bound to see a substantial drop this time coming off of such a large number. Spider-Man, which previously held the record for the largest opening weekend, dropped only 38% in its second session in May 2002 while fellow megahit Star Wars Episode III fell 49%. However, the webslinger was not a sequel and did not have Thursday night preview grosses during its debut frame, and the final Jedi flick had the Memorial Day holiday prevent its decline from surging too high.

Even though audiences are happy with Johnny Depp and his motley crew in their second adventure, big budget summer sequels like Chest are made to erode quickly. Plus with no holiday or expansion to soften the blow, sales could get sliced in half and then some. Weekday sales have been red hot with the Davy Jones pic looting $18.1M on Monday and $15.7M on Tuesday. By the end of its first full week in theaters, Disney should have more than $190M in its chest. A weekend fall to about $66M would give Pirates the third largest sophomore weekend gross in history after Shrek 2 ($72.2M) and Spider-Man ($71.4M). Coincidentally, all three franchises will launch their third installments next May. After only ten days, Captain Jack Sparrow would drink down an amazing $261M worth of rum.

Superman Returns has been completely overshadowed by Pirates. Its 59% sophomore fall last weekend was troubling but this weekend’s decline should stabilize to around 50%. No new action films will be opening which is good news to Warner Bros. A weekend gross of about $11M would give the Man of Steel $163M in 19 days.

Meryl Streep‘s The Devil Wears Prada is likely to see more competition from Dupree than from Little Man.this weekend. A 40% drop would give Fox a weekend take of about $9M and a 17-day cume of $81M surpassing the $71.4M of 2001’s Bridget Jones’s Diary which was also based on a best-selling book.

LAST YEAR: Starting an annual tradition, Johnny Depp was the handsome groom and Owen Wilson settled for the best man spot at the mid-July box office. The dashing pirate reteamed with his favorite filmmaker Tim Burton for Charlie and the Chocolate Factory which opened impressively at number one with a $56.2M debut. The Warner Bros. remake would go on to collect $206.5M domestically and over $470M worldwide. Premiering in its shadow at number two was Wedding Crashers starring Wilson and one of his favorite co-stars Vince Vaughn. The New Line sleeper smash bowed to $33.9M but enjoyed amazing legs and eventually outperformed Charlie in North America with $209.2M. The global gross reached a terrific $285M. Dropping 59% to third place was Fantastic Four with $22.8M in its sophomore frame for Fox. More effects-driven actioners rounded out the top five. Paramount’s War of the Worlds grossed $15.2M and Batman Begins captured $6M for Warners.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Are you between the ages of 13 and 19? Do you like … stuff? Then click right here and cast your votes for the 329th annual Teen Choice Awards, which is where you can tell the universe that Puffy is more illing than Snoop Dogg, Will Ferrell is funnier than Brad Pitt, and Katie Holmes is cuter than Katey Sagal. Or something.

Click right here for the ballot, but don’t even think of voting if you’re older than 19. The Teen Choice Awards employ a bunch of enforcers who’ll come to your house and check your birth certificate.

I had to lie about my age to check out the nominees (don’t tell anyone), but the TCAs are poised to celebrate some of the following flicks:

Best Action Adventure:
"King Kong," "Mission Impossible 3," "Pirates of the Caribbean: Dead Man’s Chest," "Superman Returns," "V for Vendetta," "X-Men: The Last Stand"

Best Drama: "Flightplan," "Harry Potter and the Goblet of Fire," "Pride & Prejudice," "Take the Lead," "Goal!," "Walk the Line"

Best Chick Flick: "Failure to Launch," "Just Like Heaven," "Just My Luck," "Last Holiday," "Aquamarine," "The Lake House"

Best Comedy: "Click," "Nacho Libre," "Scary Movie 4," "She’s the Man," "The Benchwarmers," "The Break-Up"

Best Thriller: "An American Haunting," "Hostel," "Red Eye," "Saw 2," "Silent Hill," "The Omen"

They also have a bunch of actor’s categories, but the choices managed to somehow get even sillier. Click here to cast your votes, kids.

Multiplexes are stocking up on popcorn and soda in anticipation of the massive crowds expected to descend upon them on Friday for the opening of the highly anticipated adventure sequel "Pirates of the Caribbean: Dead Man’s Chest." Rival studios all backed off this weekend when Disney first claimed it as nobody wanted to challenge Captain Jack Sparrow and his mighty treasure-seeking companions. After its top spot debut, reigning champ "Superman Returns" will have a big task ahead of it as the super hero film tries to keep audiences from fleeing in its all-important second weekend. With "Pirates" and "Superman" leading the way, the North American box office looks to zoom higher than last year and even seems strong enough to soar past 2004’s lofty heights.

For the first time in company history, Disney will break the 4,000 theater mark with the launch of its new "Pirates of the Caribbean" sequel. The PG-13 film reunites the cast and crew of the 2003 megablockbuster with Gore Verbinski once again in the director’s chair and Johnny Depp, who earned an Oscar nomination the first time around, returning to play the central character. Orlando Bloom, Keira Knightley, and superproducer Jerry Bruckheimer are also back giving audiences another swashbuckling adventure on the high seas. In the latest saga, Sparrow owes a blood debt to the great pirate Davy Jones and must find a mysterious treasure chest, or else be doomed to eternal damnation.

Three years ago, the studio hit theaters with a big-budget action film based on a Disneyland ride which seemed to be one of the riskiest pics of the summer. "Pirates" bowed on a Wednesday and was an instant hit with audiences grossing $46.6M over its first weekend and $70.6M over its five-day launch. But beyond that, "Pirates" had legs and spent eleven weeks in the top ten before ending its run with $305.4M making it the second biggest blockbuster of the summer. Depp provided a breath of fresh air during an endless summer of action sequels with recycled characters and plots. Worldwide, "Pirates" sailed away with $654M worth of loot giving the studio a craving for more gold. Two sequels were greenlit with the concluding chapter set to open over Memorial Day weekend 2007.

Disney has staked out the same weekend after Independence Day for "Dead Man’s Chest." This time around, with a bigger upfront audience and a Friday bow which will compress business into a standard Friday-to-Sunday period, the pirate adventure has a chance of scoring one of the largest opening weekends in box office history. Five films have generated three-day bows north of $100M. The first, 2002’s "Spider-Man," still holds the record with $114.8M from 3,615 theaters. Since then, some of Hollywood’s biggest sequels have come within striking distance of the webslinger, but none has truly been able to match it. "Shrek 2" opened to $108M after a Wednesday bow, "Star Wars Episode III" debuted to $108.4M after a Thursday start, "Harry Potter and the Goblet of Fire" launched to $102.3M, and "X-Men: The Last Stand" opened to $102.8M over the three-day portion of its Memorial Day weekend holiday opening.

The second "Pirates" saga has an excellent chance of reaching nine digits in its first three days and even Spidey himself has to be a little nervous about losing his trophy. Disney’s marketing efforts have been very strong, but not over the top. As Paramount found out with its third Ethan Hunt film, moviegoers can get turned off by an overmarketed movie. "Pirates" actors have been doing the talk show and magazine cover rounds, but the studio has made sure that the hype doesn’t get so big that it backfires.

Appeal for the new Captain Jack film is broad as moviegoers of all ages will be lining up. And more importantly, "Pirates" has some of the strongest appeal to women of any of the action franchises around. Men are an easy sell for the genre, but with Johnny and Orlando front and center, the female turnout will be key in getting those grosses up to levels rarely seen. The first film saw its audience grow significantly during its theatrical run and later on video so this time around, there could be twice as many people showing up on opening weekend.

Cutting into "Dead Man"’s potential, however, could be the long running time — a common problem with so many of this summer’s films. At two-and-a-half hours long, the film will test the patience of some and have one less showing per auditorium when compared to the standard two-hour films. Of course, the last "Harry Potter" and "Star Wars" films had similar lengths and still soared past the $100M mark on opening weekend. And even though they should suffer large drops, "Superman Returns" and "The Devil Wears Prada" will be in their sophomore frames and still absorb a solid amount of business.

But with no other films opening, the entertainment media has been focusing solely on "Pirates" this week so at least there won’t be fellow freshman to deal with. Reviews have been mixed, and as with most sequels, they have not been as glowing as they were the first time around. That should mean little on the debut frame though. Excitement is sky high and Disney has a solid product on its hands. With clear sailing ahead of it, "Pirates of the Caribbean: Dead Man’s Chest" might capture around $104M worth of box office loot this weekend.

Since no other studio dared to challenge Disney this weekend with any wide releases, Warner Independent Pictures picked Friday for its limited bow of the futuristic crime drama "A Scanner Darkly." Directed by Richard Linklater ("Dazed and Confused," "Waking Life"), the R-rated film stars Keanu Reeves, Robert Downey Jr., Winona Ryder, and Woody Harrelson in a story about an undercover cop hooked on a popular narcotic who is out to bring down drug dealers. "Scanner" is based on the popular novel and features live-action material animated into a stylized new look. The film debuts in 17 theaters this weekend before expanding to more markets later this month.

And what of the son of Krypton? Analysts will be watching the second weekend numbers closely for "Superman Returns" to find its true trajectory over the long run. Will it hold up like "Batman Begins," crash and burn like "The Hulk," or fall somewhere in between? Its opening weekend delivered sales that were lower than expectations, but Warner Bros. insists that those paying to see the pic are liking it. Sophomore drops for recent Independence Day weekend launches include 53% for "War of the Worlds" last year and 49% for 2004’s "Spider-Man 2." The Man of Steel is coming off of a similar type of midweek debut, however it faces the mammoth "Pirates" sequel which will play to much of the same summer action audience. With a little luck, "Superman Returns" might keep its drop-off rate to 50% which would give the Bryan Singer-directed pic about $26M for the frame. That should boost the 12-day cume to $146M.

Meryl Streep was rolling in cash last weekend with the opening of her new comedy "The Devil Wears Prada" which was a potent number two in the holiday race. A sizable decline is in order since Hurricane Johnny will hit but also because the film’s audience of readers of the popular book probably made it out already. A fall of 45% would give "Prada" around $15M for the session and a stellar ten-day tally of $62M.

The usual erosion should hit "Click" which has been playing out like the usual Adam Sandler comedy. Look for another 50% fall to roughly $10M for a cume to date of $101M. The animated hit "Cars" has enjoyed some of the best legs of any summer film so far, but older kids will certainly start walking the plank for Disney’s other big summer blockbuster this weekend. Pixar’s latest flick could drop by 40% to around $9M which would boost the total to $202M making it the third film of the year to break the $200M mark. The May releases "X-Men: The Last Stand" and "The Da Vinci Code" were the first.

LAST YEAR: Super hero power ruled the weekend as Fox’s "Fantastic Four" opened atop the charts with a potent $56.1M launching another successful Marvel film franchise. Reed Richards and pals went on to gross $154.7M domestically and $330M worldwide and will hit theaters again next summer in the sequel. Tom Cruise‘s alien invasion pic "War of the Worlds" dropped to second place with $30.5M in its sophomore session losing 53% of its business. Another comic book flick, "Batman Begins," placed third in its fourth outing with $10M. Debuting close behind in fourth was the Jennifer Connelly horror entry "Dark Water" with $9.9M on its way to $25.5M for Buena Vista. "Mr. & Mrs. Smith" rounded out the top five with $7.9M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

When is it OK to sequelize a Jim Carrey flick without Jim Carrey? When you have someone like Steve Carell in the lead role this time around. You’ll no doubt remember Mr. Carell’s brief-yet-hilarious turn in "Bruce Almighty," which means you’ll probably be interested in the semi-sequel "Evan Almighty." And we have a few pics and set reports to mention…

Courtesy of USA Today we have some photos and the set report, and from Dark Horizons we get some reactions from a guy who worked as an extra during the flick’s Virginia shoot.

Written by the "Click" guys and directed by the man who brought you "Ace Ventura: Pet Detective," "Dragonfly," and "Liar Liar," "Evan Almighty" hits theaters next June.

Moviegoers grabbed their remote controls and flocked to the multiplexes this weekend to see Adam Sandler‘s latest comedy Click which became the comedian’s eighth number one hit thanks to its $40M opening, according to estimates.

Sony launched the PG-13 film in 3,749 theaters and averaged a healthy $10,670 per location. It was the second best opening of the year for a live-action comedy after the $40.2M bow of Scary Movie 4 in April. With this latest film, the funnyman has become the only actor to score $30M+ openings in each of the last five years proving what a consistent box office draw he continues to be. A-listers like Tom Cruise, Tom Hanks, and Jim Carrey cannot claim the same feat.

In Sandler’s latest vehicle, he plays a man who gets a magical remote control that gives him power over all others around him. Frank Coraci, who directed the comedian’s 1998 hits The Wedding Singer and The Waterboy, helmed this latest pic which co-starred Kate Beckinsale, Christopher Walken, and David Hasselhoff. Sony’s $83M production played to a broad audience. According to studio research, 51% of the crowd was female and 50% were under 25. Sandler has always been a strong draw with young guys, but with his role as a husband and father in Click, the actor was able to appeal evenly across the board to all four quadrants.

Reviews were poor, as expected, but audiences didn’t seem to care. Click is a marketing-driven film and starpower and concept sold it to those looking for some harmless summer laughs. The opening was right in the middle of the $37-43M range that five of Sandler’s previous comedies have debuted in. With the Fourth of July holiday coming up, Click could very well go on to become the star’s seventh $100M blockbuster.

Following its two-week run in the top spot, the animated comedy Cars slipped to second place but displayed solid staying power. The G-rated film eased only 33% to an estimated $22.5M pushing the 17-day total to $155.9M. The decline was smaller than the third-weekend drops experienced by the most recent Disney/Pixar films The Incredibles (47% in November 2004) and Finding Nemo (39% in June 2003). Despite opening weaker, Cars is now holding up better and continues to benefit from word-of-mouth from family audiences. After 17 days of release, Cars is running 12% behind the pace of Incredibles and 19% behind Nemo. Competition for kids from Superman and Pirates in the weeks ahead will be fierce, but the racing toon could still drive to a final domestic haul of over $240M making it bigger than any other film released up to this point in the year.

After a stellar opening, the Jack Black comedy Nacho Libre stumbled 57% and placed third with an estimated $12.1M. Paramount has grossed a solid $52.7M in ten days and is heading for the $70-80M range. Nacho cost $35M to produce.

Tyrese Gibson flexed some muscle with his new actioner Waist Deep which opened impressively in fourth with an estimated $9.5M from just 1,004 theaters. The Focus Features release averaged a sizzling $9,414 per location. Reviews for the kidnapping drama were mostly negative, but audiences responded to the starpower and the action.

Slamming on the brakes, the action sequel The Fast and the Furious: Tokyo Drift suffered the worst decline in the top ten crashing 62% to an estimated $9.2M in its sophomore frame. With $42.6M in its tank, Universal’s $75M franchise pic has been performing exactly like another of the studio’s recent June action sequels – 2004’s Vin Diesel pic The Chronicles of Riddick. That film opened to a similar $24.3M, dropped 61% in the second frame, and generated a ten-day cume of $42.5M before finishing with $57.6M. Tokyo Drift should cross the finish line near the $60M mark as well.

The franchise’s last installment, 2003’s 2 Fast 2 Furious, performed in the same way tumbling 63% in its second lap so Drift’s huge drop was expected. Overseas, the latest street racing pic remained at number one in the United Kingdom for a second straight weekend and pushed its international gross to $15.6M from a dozen countries. The studio projected number one openings this weekend in Indonesia, Finland, Portugal, Romania, and Trinidad. Japan, expected to be a big market for Tokyo Drift, does not open until September 18.

The Keanu ReevesSandra Bullock romance The Lake House enjoyed a reasonably good second date grossing an estimated $8.3M dropping 39%. After ten days, the Warner Bros. drama has taken in $29.2M and looks headed for the neighborhood of $60M. Lake bowed at number two in the U.K. this weekend with an estimated $1.5M from 343 locations. The film’s international roll-out will be spread out over the coming months.

Holding up well in seventh place was another film targeting adult women, The Break-Up starring Jennifer Aniston and Vince Vaughn. The Universal release grossed an estimated $6.1M, off only 38%, for a $103.7M cume. The unromantic comedy became the seventh film of 2006 to cross the $100M mark. Eight films had joined the century club at this point last year.

Fox’s kidpic sequel Garfield: A Tail of Two Kitties dropped just 35% in its second weekend and collected an estimated $4.8M. With a mere $16M in ten days, the PG-rated film looks to reach a disappointing $30M domestically or less than half of the $75.4M of its 2004 predecessor.

The year’s two highest-grossing films rounded out the top ten. Fox’s X-Men: The Last Stand took in an estimated $4.4M, down 44%, pushing its cume to $224.1M. The Da Vinci Code grossed an estimated $4M, off only 24%, giving Sony $205.5M to date. Collectively, the top five summer films have grossed $861.6M trailing last summer’s corresponding blockbusters by 5% at this same point in the season.

Two summer hits fell from the top ten over the weekend. Paramount’s release of the DreamWorks animated film Over the Hedge grabbed an estimated $2.7M this weekend. Off 37%, the PG-rated toon boosted its total to $144.5M and should reach around $152M by the end of its run. Fox’s remake of The Omen has had no legs and tumbled another 63% to an estimated $2.1M this weekend. The $25M film has scared up a solid $52M and looks to end with about $55M.

Paramount Vantage kept expanding its global warming documentary An Inconvenient Truth which widened from 403 to 514 theaters this weekend and grossed an estimated $1.9M. Averaging a decent $3,762 per site, the Al Gore pic has upped its sum to $9.5M and counting. Further expansions are planned for the coming weeks.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got a magical remote control ("Click") and a father who’s trying to rescue his son ("Waist Deep"). Will the critics dig "Deep?" Will they pick "Click?"

Adam Sandler‘s latest, "Click," traffics in a premise that most of us have probably considered at one point or another: Wouldn’t it be cool if we could control everything around us with the push of a button? And would that necessarily be a good thing? But lemme tell you something about Hollywood, kids: good ideas are a dime a dozen. And the critics say "Click," like an aimless round of channel surfing, is pretty inconsistent, veering from yuks early on to goopy sentiment toward the end. It’s at 22 percent on the Tomatometer, but we know that Adam Sandler is pretty critic-proof; his average Tomatometer is 29 percent, and we love him anyway.


Adam Sandler "Clicks" with the Fonz! Heyyyy!

"Waist Deep" is an attempt to cross gritty urban action with a story of redemption; unfortunately, according to critics, it’s not terribly successful. The plot involves an ex-con, played by Tyrese Gibson, who must venture outside the law in order to recover his kidnapped son. While a number of critics say the film is well-made and well-meaning, others say it’s too violent and far-fetched to be truly compelling. At 44 percent on the Tomatometer, this "Waist" is only sporadically worth watching.


"Wassup Rockers:" Skateboarding is not a crime.

Also opening this week, albeit in limited release: "The Road to Guantanamo," a searing mix of documentary and fiction, is at 92 percent; "The Hidden Blade," a subdued samurai tale, is at 85 percent; "Leonard Cohen: I’m Your Man" is at 75 percent, which will perhaps prompt the fans of the cult figure to exclaim, "Hallelujah!"; and "Wassup Rockers," Larry Clark‘s film about a wild day in the life of a posse of teenage skaters, is at 38 percent.

Recent Adam Sandler Movies:
——————————————
29% — The Longest Yard (2005)
52% — Spanglish (2004)
43% — 50 First Dates (2004)
42% — Anger Management (2003)
81% — Punch Drunk Love (2002)

Recent Tyrese Gibson Movies:
—————————————-
11% — Annapolis (2006)
52% — Four Brothers (2005)
28% — Flight of the Phoenix (2004)
38% — 2 Fast 2 Furious (2003)
67% — Baby Boy (2001)

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