(Photo by Ron Batzdorff/©Overture Films/Courtesy Everett Collectionn)

All Edward Norton Movies Ranked by Tomatometer

Primal Fear was notable for being a pretty crafty legal thriller and for introducing Edward Norton to the public sphere. Here was a 27-year-old no one’s ever heard of, going toe to toe with Richard Gere, still in the long afterglow of Pretty Woman, and coming out on top with Golden Globe and Oscar acting noms. That he was also in two Certified Fresh films (Everyone Says I Love You, The People Vs. Larry Flynt) the same year as Fear just about seals the deal for the most auspicious debut for an American actor.

The violent, intelligent, and complex performances in Best Actor-nominated American History X and Fight Club, made Norton, for better or worse, an icon of modern masculinity. Naturally, he followed it up with a rom-com: Keeping the Faith, also Norton’s directorial debut, and indicative of a filmmaker willing to power against expectation, behind and in front of the camera.

Norton then got to work with some heavyweights: Marlon Brando in his final film The Score, Robin Williams in Death to Smoochy, and Anthony Hopkins in Red Dragon. He infamously sneered through his contractually obligated role in The Italian Job, which only amplified the villain role.

Just a month after the Marvel Cinematic Universe kicked off with Iron Man, Norton starred in The Incredible Hulk as Bruce Banner. He opted not to appear any further due to the multi-movie commitment required of the MCU, the role then going to Mark Ruffalo.

Norton struck a working partnership with Wes Anderson, who has been the source of most of his Certified Fresh movies in the past decade: Moonrise Kingdom, The Grand Budapest Hotel, and Isle of Dogs. His other Certified movies? Sausage Party, voicing Sammy Bagel Jr., and Birdman, where he satirizes his persnickety reputation, leading to this third acting Oscar nomination.

And Norton kept the faith on pulling double duty as actor and director – and writing the screenplay, too – with Motherless Brooklyn, released in 2019. And now, we’re looking back on all Edward Norton movies and ranking them by Tomatometer!

Adjusted Score: 24303%
Critics Consensus: Well-meaning but fundamentally flawed, Collateral Beauty aims for uplift but collapses in unintentional hilarity.
Synopsis: When a successful New York advertising executive (Will Smith) suffers a great tragedy, he retreats from life. While his concerned... [More]
Directed By: David Frankel


Pride and Glory (2008)

Adjusted Score: 39977%
Critics Consensus: Formulaic in its plotting and cliched in its dialogue, Pride and Glory does little to distinguish itself from other police procedurals.
Synopsis: Ray Tierney (Edward Norton) comes from a family full of New York cops, including his father (Jon Voight), brother Francis... [More]
Directed By: Gavin O'Connor

Adjusted Score: 46536%
Critics Consensus: Although it's an objective and handsomely presented take on the Crusades, Kingdom of Heaven lacks depth.
Synopsis: Still in grief over his wife's sudden death, village blacksmith Balian (Orlando Bloom) joins his long-estranged father, Baron Godfrey (Liam... [More]
Directed By: Ridley Scott


Death to Smoochy (2002)

Adjusted Score: 45512%
Critics Consensus: The talent involved can't save a script that has nowhere to go with its promising premise.
Synopsis: Tells the story of Rainbow Randolph (Robin Williams), the corrupt, costumed star of a popular children's TV show, who is... [More]
Directed By: Danny DeVito


Stone (2010)

Adjusted Score: 53335%
Critics Consensus: Stone boasts a cast that includes Robert De Niro, Edward Norton, and Milla Jovovich, and it features strong dialogue, but it's ultimately undone by its heavy-handed symbolism and overabundant plot twists.
Synopsis: Parole officer Jack Mabry (Robert De Niro) is just days from retirement and busy wrapping up the last few cases,... [More]
Directed By: John Curran

Adjusted Score: 55811%
Critics Consensus: The premise of Old West clashing with modern suburbia is fresh and initially intriguing, but the second act degenerates into a clumsy jumble of events which strain credibility.
Synopsis: On a trip to the beach, a teenage girl named Tobe (Evan Rachel Wood) meets a charismatic stranger named Harlan... [More]
Directed By: David Jacobson

Adjusted Score: 64924%
Critics Consensus: It isn't quite as compelling as the earlier trilogy, but The Bourne Legacy proves the franchise has stories left to tell -- and benefits from Jeremy Renner's magnetic work in the starring role.
Synopsis: When the actions of Jason Bourne spark a fire that threatens to burn down decades of research across a number... [More]
Directed By: Tony Gilroy


Leaves of Grass (2009)

Adjusted Score: 60615%
Critics Consensus: Edward Norton delivers one of his finest performances in Leaves of Grass, but he's overpowered by the movie's many jarring tonal shifts.
Synopsis: An Ivy League professor (Edward Norton) returns home, where his pot-growing twin brother has concocted a plan to take down... [More]
Directed By: Tim Blake Nelson

Adjusted Score: 76375%
Critics Consensus: Motherless Brooklyn's imposing length requires patience, but strong performances and a unique perspective make this a mystery worth investigating.
Synopsis: Lionel Essrog is a lonely private detective who doesn't let Tourette's syndrome stand in the way of his job. Gifted... [More]
Directed By: Edward Norton


Rounders (1998)

Adjusted Score: 69238%
Critics Consensus: Richly atmospheric and colorful performances contributed to the movie's entertainment value.
Synopsis: Mike McDermott (Matt Damon) loses his money in a poker game against Russian gangster Teddy "KGB" (John Malkovich). Under pressure... [More]
Directed By: John Dahl

Adjusted Score: 75671%
Critics Consensus: The Incredible Hulk may not be quite the smashing success that fans of Marvel's raging behemoth might hope for, but it offers more than enough big green action to make up for its occasionally puny narrative.
Synopsis: Scientist Bruce Banner (Edward Norton) desperately seeks a cure for the gamma radiation that contaminated his cells and turned him... [More]
Directed By: Louis Leterrier


Red Dragon (2002)

Adjusted Score: 73209%
Critics Consensus: Competently made, but everything is a bit too familiar.
Synopsis: Ex-FBI agent Will Graham (Edward Norton) is an expert investigator who quit the Bureau after almost losing his life in... [More]
Directed By: Brett Ratner

Adjusted Score: 73229%
Critics Consensus: A dramedy featuring an unusual love triangle, Keeping the Faith is a perceptive look at how religion affects us in everyday life.
Synopsis: Best friends since they were kids, Rabbi Jacob Schram (Ben Stiller) and Father Brian Finn (Edward Norton) are dynamic and... [More]
Directed By: Edward Norton


The Score (2001)

Adjusted Score: 77742%
Critics Consensus: Though the movie treads familiar ground in the heist/caper genre, Robert DeNiro, Edward Norton, and Marlon Brando make the movie worth watching.
Synopsis: Career thief Nick Wells (Robert De Niro) is about to mastermind a nearly impossible theft that will require his joining... [More]
Directed By: Frank Oz


The Italian Job (2003)

Adjusted Score: 78186%
Critics Consensus: Despite some iffy plot elements, The Italian Job succeeds in delivering an entertaining modern take on the original 1969 heist film, thanks to a charismatic cast.
Synopsis: After a heist in Venice, Steve (Edward Norton) turns on his partners in crime, killing safecracker John Bridger (Donald Sutherland)... [More]
Directed By: F. Gary Gray


The Painted Veil (2006)

Adjusted Score: 79860%
Critics Consensus: Visually, The Painted Veil has all the trappings of a stuffy period drama, but Norton's and Watts's deft portrayals of imperfect, complicated characters give the film a modern-day spark.
Synopsis: Caught in an affair with another man (Liev Schreiber), a scientist's callow wife (Naomi Watts) accompanies her husband (Edward Norton)... [More]
Directed By: John Curran


The Illusionist (2006)

Adjusted Score: 81289%
Critics Consensus: The Illusionist is an engrossing, well-crafted story of mystery, magic and intrigue that is certain to enchant, if not hypnotize, audiences.
Synopsis: A master magician named Eisenheim (Edward Norton) vies with Crown Prince Leopold (Rufus Sewell) of Vienna for the hand of... [More]
Directed By: Neil Burger


Primal Fear (1996)

Adjusted Score: 78293%
Critics Consensus: Primal Fear is a straightforward yet entertaining thriller elevated by a crackerjack performance from Edward Norton.
Synopsis: Defense attorney Martin Vail takes on jobs for money and prestige rather than any sense of the greater good. His... [More]
Directed By: Gregory Hoblit


Frida (2002)

Adjusted Score: 79991%
Critics Consensus: Frida is a passionate, visually striking biopic about the larger-than-life artist.
Synopsis: This is the true story of Frida Kahlo (Salma Hayek) and her husband Diego Rivera (Alfred Molina), the larger-than-life painters... [More]
Directed By: Julie Taymor


25th Hour (2002)

Adjusted Score: 83715%
Critics Consensus: An intelligent and well-acted film despite the usual Spike Lee excesses.
Synopsis: In New York City in the days following the September 11, 2001, terrorist attacks, Monty Brogan (Edward Norton) steels himself... [More]
Directed By: Spike Lee

Adjusted Score: 79150%
Critics Consensus: A likable, infectious musical, Woody Allen's Everyone Says I Love You is sometimes uneven but always toe-tapping and fun.
Synopsis: The daughter of wealthy Manhattanites Joe (Woody Allen) and Steffi (Goldie Hawn), D.J. (Natasha Lyonne) has to contend with her... [More]
Directed By: Woody Allen


Fight Club (1999)

Adjusted Score: 86263%
Critics Consensus: Solid acting, amazing direction, and elaborate production design make Fight Club a wild ride.
Synopsis: A depressed man (Edward Norton) suffering from insomnia meets a strange soap salesman named Tyler Durden (Brad Pitt) and soon... [More]
Directed By: David Fincher


Sausage Party (2016)

Adjusted Score: 95762%
Critics Consensus: Sausage Party is definitely offensive, but backs up its enthusiastic profanity with an impressively high laugh-to-gag ratio -- and a surprisingly thought-provoking storyline.
Synopsis: Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the... [More]

Adjusted Score: 86626%
Critics Consensus: American History X doesn't contend with its subject matter as fully as it could, but Edward Norton's performance gives this hard-hitting drama crucial weight.
Synopsis: Living a life marked by violence and racism, neo-Nazi Derek Vinyard (Edward Norton) finally goes to prison after killing two... [More]
Directed By: Tony Kaye

Adjusted Score: 90009%
Critics Consensus: The People Vs. Larry Flynt pays entertaining tribute to an irascible iconoclast with a well-constructed biopic that openly acknowledges his troublesome flaws.
Synopsis: Pursued by opponents who say his "Hustler" magazine breaks decency laws, pornographer Larry Flynt (Woody Harrelson) hires lawyer Alan Isaacman... [More]
Directed By: Milos Forman


Isle of Dogs (2018)

Adjusted Score: 111580%
Critics Consensus: The beautifully stop-motion animated Isle of Dogs finds Wes Anderson at his detail-oriented best while telling one of the director's most winsomely charming stories.
Synopsis: When, by executive decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island,... [More]
Directed By: Wes Anderson

Adjusted Score: 105954%
Critics Consensus: A thrilling leap forward for director Alejandro González Iñárritu, Birdman is an ambitious technical showcase powered by a layered story and outstanding performances from Michael Keaton and Edward Norton.
Synopsis: Former cinema superhero Riggan Thomson (Michael Keaton) is mounting an ambitious Broadway production that he hopes will breathe new life... [More]

Adjusted Score: 104614%
Critics Consensus: Typically stylish but deceptively thoughtful, The Grand Budapest Hotel finds Wes Anderson once again using ornate visual environments to explore deeply emotional ideas.
Synopsis: In the 1930s, the Grand Budapest Hotel is a popular European ski resort, presided over by concierge Gustave H. (Ralph... [More]
Directed By: Wes Anderson


Moonrise Kingdom (2012)

Adjusted Score: 104518%
Critics Consensus: Warm, whimsical, and poignant, the immaculately framed and beautifully acted Moonrise Kingdom presents writer/director Wes Anderson at his idiosyncratic best.
Synopsis: The year is 1965, and the residents of New Penzance, an island off the coast of New England, inhabit a... [More]
Directed By: Wes Anderson

Tom Cruise climbed into his usual number one spot at the box office with his heavily-hyped spy sequel Mission: Impossible III, however ticket sales fell below most industry expectations as the debut was not spectacular.

The weekend’s other new releases, the horror flick An American Haunting and the kid drama Hoot, both generated lukewarm openings. But thanks to a weak early May in 2005, the overall marketplace still beat out last year for the seventh consecutive frame.

Paramount claimed the top spot with MI3 which invaded a staggering 4,054 theaters collecting an estimated $48M in ticket sales over the Friday-to-Sunday period. The third installment in the decade-old franchise averaged a potent $11,846 per venue. But Tom Cruise’s box office muscles were expected to lift the tally much higher given all the factors that were working in the $150M film’s favor. The newest Mission pic obviously had plenty of starpower but with its early May bow, it had virtually no competition in the multiplexes to deal with. Plus the studio’s marketing hype was deafening, the pic opened in the second highest number of theaters in history for a live-action film (behind Spider-Man 2‘s 4,152), and even the reviews were mostly favorable. That was a welcome bonus as critics are rarely kind to big-budget action sequels.

According to studio research, MI3 connected with the same audience that the previous two did. Men made up 56% of the crowd and 64% were age 25 or older. Joining Cruise in the PG-13 film’s cast were Ving Rhames, Jonathan Rhys Meyers, Keri Russell, and recent Oscar winner Philip Seymour Hoffman.

Openings for other high-profile action films debuting on the first weekend of May include $68.1M for 2001’s The Mummy Returns, $85.6M for 2003’s X2: X-Men United, and $51.7M for 2004’s Van Helsing. MI3 didn’t even reach the level of Van Helsing. In fact, its opening gross was even weaker than that of Mission: Impossible 2 which launched over Memorial Day weekend six years ago with $57.8M over three days, $70.8M over four days, and $91.8M over its six-day Wednesday-to-Monday span. Even with higher ticket prices, a Friday bow, and hundreds of more theaters, MI3 still failed to reach the heights of MI2. Adjusting for inflation, MI3’s opening was the weakest among the Ethan Hunt flicks. The first Mission bowed to $74.9M over its six-day holiday frame in May 1996 including $45.4M over the Friday-to-Sunday span.

Instead, the new J.J. Abrams-directed IMF saga opened in the same neighborhood as other recent star-driven spy films like last summer’s Mr. & Mrs. Smith ($50.3M), 2004’s The Bourne Supremacy ($52.5M), and 2002’s James Bond film Die Another Day ($47.1M). Although opening near the $50M mark over three days is an impressive feat, Cruise’s new film was backed by one of the most expensive marketing campaigns in recent memory. The highly-paid star/producer attended premieres all around the world, popped up on major talk shows and magazine covers, and press coverage, not surprisingly, was non-stop.

Industry watchers must now wonder – was there too much marketing? Were audiences sick and tired of hearing and seeing Tom Cruise everywhere? Did they really want to spend money seeing even more of him? Media-saavy moviegoers voted with their dollars and those who seemed to have had enough chose to stay away. The MI3 hype machine brought back memories of Sony’s Charlie’s Angels: Full Throttle from three years ago. That action sequel also arrived in theaters on a disturbingly loud wave of promotion revolving around its flamboyant stars and Demi Moore‘s relationship with Ashton Kutcher which was constantly covered on the airwaves. Despite the pricey marketing investment, Throttle debuted weaker than expected with $37.6M and crumbled 63% in its sophomore frame.

Charlie’s Angels: Full Throttle

Paramount was pleased with the international results for Mission: Impossible III as the actioner took in an estimated $70M over the weekend opening in almost all major markets around the world except for Japan. The spy sequel blanketed the globe with roughly 9,500 theaters in 55 markets putting its worldwide opening weekend tally at $118M. The ratio between sales outside and within North America remained the same as with previous Mission pics. The 1996 original grossed 61% of its $465M global tally overseas while MI2 took in 60% of its $538M internationally. This weekend, 60% of MI3’s dollars came from abroad.

With no major competition for the family audience, the Robin Williams comedy RV enjoyed the smallest decline in the top ten easing just 32% to an estimated $11.1M. The Sony release dropped one notch following its top spot bow and has grossed a solid $31M to date. In just ten days, RV has already become the second biggest live-action grosser for Williams in the past seven years after the $67.4M of 2002’s Insomnia. Look for the $50M road trip flick to end its journey in the neighborhood of $60M.


Opening in third place was the supernatural thriller An American Haunting which scared up an estimated $6.4M in ticket sales in its first three days. The PG-13 film averaged a decent $3,825 from 1,668 theaters. Reviews were mostly negative for the Donald SutherlandSissy Spacek starrer about a possessed young woman in the 1800s. Distributor Freestyle Releasing’s weekend estimate included an unusually low Saturday-to-Sunday decline of less than 5%. Final grosses released on Monday could see the figure come down.

"An American Haunting," "Stick It," and "United 93"

The gymnastics comedy Stick It tumbled 49% in its second weekend to an estimated $5.5M giving Buena Vista $18M in ten days. Look for the teen pic to reach $27-29M which is commendable for its genre. After a solid takeoff last weekend, the 9/11 hijack thriller United 93 declined a substantial 55% in its sophomore frame and grossed an estimated $5.2M. After ten days, Universal’s $15M pic has collected $20.1M and should find its way to roughly $30M domestically.

Fox’s Ice Age: The Meltdown dropped 45% to an estimated $4M in its sixth frame to boost its cume to $183.3M. Crumbling 58% in its third spook was Sony’s fright flick Silent Hill which grossed an estimated $3.9M lifting the cume to $40.8M.

"Ice Age: The Meltdown," "Silent Hill," and "Scary Movie 4"

The spoof sequel Scary Movie 4 fell 52% to an estimated $3.8M and brought its total to $83.7M. The Starbucks-promoted kid drama Akeelah and the Bee enjoyed a respectable second weekend hold dropping 43% to an estimated $3.4M. After ten days, the Lionsgate release has still only grossed $10.7M and seems likely to finish close to $20M.

Opening to dismal results with an estimated $3.4M from 3,018 theaters was the kid drama Hoot from New Line. The PG-rated story of a group of boys who set out to save endangered owls averaged a pitiful $1,127 per location. Fans of the best-selling book apparently avoided the film adaptation and critics for the most part were unimpressed.

"Akeelah and the Bee," "Hoot," and "The Promise"

A handful of films opened in limited release to mixed results. Warner Independent debuted the Chinese epic The Promise in 213 theaters but grossed only $271,000 according to estimates for a poor $1,272 average. The Golden Globe-nominated adventure was China’s official submission to this year’s Oscars and is reportedly that country’s most expensive film ever made. U.S. critics were not very pleased.

Sony Classics bowed its indie comedy Art School Confidential which grossed an estimated $142,000 from a dozen sites in New York and Los Angeles averaging a strong $11,833 per site. The Terry Zwigoff-directed film expands to nearly 800 theaters in most major markets on Friday. ThinkFilm debuted its Edward Norton starrer Down in the Valley to an estimated $26,000 from three New York houses for a solid $8,770 average. The film widens to three more cities on Friday before gradually expanding throughout May.

"Art School Confidential"

Among holdovers, Fox Searchlight expanded its widow drama Water from five to 36 theaters and grossed an estimated $188,000 for a $5,222 average. The ten-day total stands at $270,000 and this Friday the Deepa Mehta film will widen to about 60 sites. The distributor’s indie sensation Thank You for Smoking collected an estimated $1.1M, off 40%, for a $20M cume.

Three April releases were pushed out of the top ten this weekend. The Michael Douglas political thriller The Sentinel took a big hit from MI3 and crashed 62% to an estimated $3M putting its 17-day cume at $30.9M. Fox should find its way to about $36M. Disney’s underperforming toon The Wild slumped 46% to an estimated $2.6M. With only $32M in the bank, the animated film looks to conclude with $36-38M. Sony, on the other hand, has generated solid numbers for its sports comedy The Benchwarmers which grossed an estimated $2M this weekend. Down 54%, the Rob SchneiderDavid Spade film has taken in $55.6M thus far and is set to end with just under $60M.

The top ten films grossed an estimated $94.7M which was up a healthy 24% from last year when Kingdom of Heaven opened at number one with $19.6M; but off 4% from 2004 when Van Helsing debuted in the top spot with $51.7M.

Author: Gitesh Pandya, BoxOfficeGuru.com

ThinkFilm has acquired the rights to distribute a new indie flick starring Edward Norton and Evan Rachel Wood. It’s called "Down in the Valley," and it sounds like quite the interesting little story.

Says The Hollywood Reporter: "ThinkFilm has nabbed North American rights to the Edward Norton/Evan Rachel Wood romantic crime drama "Down in the Valley." The film from writer-director David Jacobson will have a limited release in the spring. The Element Films production centers on a disaffected high school senior from the San Fernando Valley (Wood) who encounters a mysterious cowboy type (Norton). The two bond in the face of objections from the girl’s sheriff father (David Morse), who is concerned over disparities in their ages and backgrounds."

"Down in the Valley" is writer/director David Jacobson’s third movie, after 1994’s "Criminal" and 2002’s "Dahmer."

Edward Norton will play the lead in "The Illusionist," to be directed by Neil Burger, Variety reports. Norton will play a magician in early 1900s Vienna who tries to use his powers to win the love of a woman above his social standing. Norton will also be working on an indie film, "Down in the Valley," with Evan Rachel Wood.

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