(Photo by Paramount/courtesy Everett Collection.)
William Friedkin’s win for the Best Director Oscar on The French Connection, which would also take Best Picture that same ceremony, heralded the peak of the New Hollywood movement. Beginning with late-1960s films like the iconoclastic Bonnie and Clyde and counterculture-defining Easy Rider, and the destruction of the industry’s self-censoring Hays Code, filmmakers in America had been en masse telling darker, more explicit stories. Young, rebellious directors working under this New Hollywood banner included Steven Spielberg, George Lucas, Francis Ford Coppola, Martin Scorsese, and Friedkin. His police thriller French Connection polishes this era’s tendencies to a grubby shine: It was shot cinema vérité-style (Friedkin had cut his teeth directing live television and documentaries) with a morally questionable hero and a crazed, open ending. The film’s most famous sequence (Gene Hackman’s detective Popeye Doyle racing his car against an elevated train) includes unscripted vehicles collisions, refining the movie’s feel of gritty reality.
Just two years later, Friedkin was back in the Best Director Oscar hot seat for 1973’s The Exorcist. With the movie advertised as the scariest movie ever made since its release, and which became a cultural horror touchstone, Friedkin brought a clinical, matter-of-fact approach to the religious and supernatural possession story. The Exorcist would become the first horror movie to be nominated for Best Picture, though the award that year would go to The Sting, whose helmer George Roy Hill would also take Best Director.
Friedkin sought to make a triple-play with audiences in directing 1977’s Sorcerer, a bruising remake of Henri-Georges Clouzot’s The Wages of Fear. Sprawling yet relentlessly taut, with a story both ambitious and ambiguous, Sorcerer would be no match to the compact escapist thrills of Star Wars, released one week earlier. Friedkin claims nothing could withstand being in the wake of such a phenomenon; other films released in the immediate wake of Star Wars include Smokey and the Bandit, Exorcist II: The Heretic, New York, New York, and The Rescuers.
Friedkin has remained working in mid-budget dramas and thrillers since. 1980’s Cruising with Al Pacino generated immediate protest and controversy for its presentation of New York’s gay nightclub scene. (A decade earlier, Friedkin had directed the landmark LGBTQ+ film The Boys in the Band.) 1985’s To Live and Die in L.A. saw Friedkin attempting to top his own achievement for most impressive car chase.
Jade, Blue Chips, and an acclaimed TV-movie version of 12 Angry Men were among Friedkin’s output in the ’90s. Likely inspired by the success of the Star Wars Special Editions, Friedkin and Warner Bros. then revisited The Exorcist, restoring cut scenes (including lil’ Reagan’s spiderwalk) and changing the soundtrack, and released “The Version You Never Saw” in 2000. Friedkin’s latest narrative films are 2006’s Bug and 2011’s Killer Joe.
Now, we’re ranking all William Friedkin movies by Tomatometer!
With the pumpkin holiday approaching, Sony unleashes the terror with its frightfest "The Grudge 2" which aims to dominate the marketplace this weekend.
Giving ticket buyers some not-so-scary alternatives are the political comedy "Man of the Year," the action flick "The Marine," and the historical epic "One Night with the King." After a September slump, the North American box office should continue its October rebound.
Two years after shocking the film industry with one of the biggest openings ever for a horror film, Sony returns to the scene of the crime with its new supernatural thriller "The Grudge 2." Director Takashi Shimizu is once again at the helm, but the PG-13 pic this time tells the story of a young woman who investigates the curse that previously afflicted her sister in Tokyo. Amber Tamblyn ("Joan of Arcadia") and Jennifer Beals ("Flashdance") star in this new installment. "The Grudge 2" has one of the best release dates a studio with a horror film could ever ask for – a Friday the 13th in the middle of the Halloween month of October. But with Sarah Michelle Gellar having only little face time this time around, the sequel has lost significant starpower. The former "Buffy" star was integral in getting teens, young adults, and genre fans out on opening weekend last time. With the story now shifting to her character’s sister, many of those who turned up on opening weekend for the first, will decide to skip the second installment in theaters.
Sony has been giving "Grudge 2" a healthy marketing push hoping to reach young females once again. As a fright flick, guys will automatically be there. The sequel should give the underserved audience of teenage girls an exciting option and the rating opens the door to plenty of business. Even the teen date crowd could contribute a nice chunk of change. However, the competing horror pic "The Texas Chainsaw Massacre: The Beginning" is coming off of a strong bow and will take dollars from some older teens away. Numbers should not come close to Gellar’s first "Grudge" which had the whole horror crowd to itself two Octobers ago with a potent $39.1M launch on its way to a $110.2M domestic final. Still, between the relatively low costs and the solid sales in theaters and on DVD, these types of scary sequels tend to become very profitable, very fast. "The Grudge 2" will spook audiences in 3,211 locations and could gross about $27M this weekend easily giving it the number one spot.
Fresh off of his hit family picture "RV" from last spring, Robin Williams tries to get his career back in order with the new political satire "Man of the Year." Written and directed by Barry Levinson ("Rain Man," "Wag the Dog"), the PG-13 film finds the former Mork playing a popular talk show host who decides to run for U.S. President adding lunacy to an otherwise dull election. Christopher Walken, Laura Linney, Jeff Goldblum, and Lewis Black round out the cast. After struggling for hits after 1998’s "Patch Adams," Williams rebounded at the box office by appealing to kids. He lent a voice to last year’s animated Fox pic "Robots" and enjoyed great legs with "RV" which went on to gross $71.4M after spending seven weeks in the top ten.
Now the Oscar winner goes after adults with "Man" which is not likely to pull in many votes from teens and young adults. The subject matter will appeal most to the 30+ crowd making last weekend’s well-liked champ "The Departed" a serious competitor. Universal’s mid-October release makes sense as the studio is placing the pic in the marketplace just weeks before the country’s mid-term elections when politics are on the minds of many citizens. But the story will not be too big of a factor in pulling in audiences which means Williams will see his starpower put to the test once again. Luckily he is back with a comedy which is his comfort zone when it comes to commercial success. Casting votes in 2,515 theaters, "Man of the Year" might debut with about $11M.
Wrestling superstar John Cena anchors his first Hollywood film in "The Marine" playing, well, a marine discharged from duty in Iraq that must fight to save his kidnapped wife. The PG-13 actioner will play mostly to young males who follow the antics of the champ in the squared circle. Crossover potential is limited as those not familiar with who he is will probably take a pass. Fox won’t see many good reviews and a bigger audience should find it on DVD early next year. Marching into 2,546 locations, "The Marine" could open with roughly $8M this weekend and find itself dismissed soon after.
Babylon is the setting for the epic historical adventure "One Night With the King" which stars Tiffany Dupont, Omar Sharif, John Rhys-Davies, and Peter O’Toole. The PG-rated tale following the rise of the Queen of Persia is using church-based marketing to reach Christian audience members looking for entertainment that the whole family can enjoy together. These types of grassroots efforts have worked magic at the box office in the past, but not every time. Distributor 8X generated a respectable $5,011 opening weekend average with 2001’s "Megiddo: Omega Code 2" but struggled with a $3,315 average for "Carman: The Champion" earlier that year. While those films never made it past 400 theaters, "King" will enter about 900 sites and is getting a more mainstream promotional push so the potential could be more. A $4M bow may result.
Last weekend’s top choice "The Departed" plans to stick around and still be a popular film in its second weekend. Strong reviews and word-of-mouth will help the Warner Bros. crime thriller hold up well in the sophomore frame. Plus there is little competition for adult audiences as "Grudge" and "Marine" should skew younger while the comedy of Robin Williams may play to a different segment of the mature crowd. "The Departed" might fall by 35% this weekend which would give the DiCaprio–Damon hit around $17M and an impressive ten-day cume of $55M.
On the other hand, "The Texas Chainsaw Massacre: The Beginning" will face a direct threat from the "Grudge" sequel beginning on Friday. Horror franchise flicks typically drop hard anyway so a 55% tumble would give the New Line prequel about $9M and a respectable $32M after ten days.
LAST YEAR: The horror remake "The Fog" topped the charts with the worst gross of the year for a number one film bowing to $11.8M to lead the weak box office. Sony’s fright offering stumbled to just $29.5M. Close behind in second place was the DreamWorks toon "Wallace and Gromit" with $11.5M in its second weekend. Paramount’s Orlando Bloom–Kirsten Dunst pic "Elizabethtown" opened in third place with $10.6M on its way to a mild $26.9M. Rounding out the top ten were Hollywood blondes Jodie Foster with $6.5M for "Flightplan" and Cameron Diaz with $6.1M for "In Her Shoes." Bloom’s Caribbean queen Keira Knightley fared even worse with her action flop "Domino" which debuted to just $4.7M. New Line eked its way to just $10.2M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Wrestler-turned-actor The Rock suffered the worst opening of his career with the football drama Gridiron Gang, but thanks to weak competition, it was still enough to capture the number one position at the North American box office.
The new murder mystery The Black Dahlia bowed in second place with moderate results, but fellow freshmen Everyone’s Hero and The Last Kiss both failed to excite moviegoers. For the first time in over a year, only three movies were able to gross more than $5M during the frame. Overall ticket sales rose slightly from last weekend’s dismal showing, but still managed to post the second worst performance of 2006 giving the fall season a worrisome start.
For the third time in the last four weekends, football ruled the box office as Gridiron Gang topped the charts with an estimated $15M kickoff. Playing extremely wide in 3,504 theaters, the PG-13 drama averaged a decent $4,281 per site and gave The Rock the fifth number one opener of his career, but also his smallest debut ever. The action star continued to see diminishing returns on opening weekend with Gang which followed last fall’s Doom ($15.5M), 2004’s remake of Walking Tall ($15.5M), The Rundown ($18.5M) in 2003, and 2002’s The Scorpion King ($36.1M). The Rock also saw a $23.5M bow for 2005’s John Travolta flick Be Cool, but his comedic turn was only a supporting role.
In Gridiron Gang, the charismatic actor plays a juvenile detention camp counselor who inspires delinquent kids by coaching them in football. Budgeted at about $30M, the pic played to a younger and more male audience, as expected. Studio research showed that 52% of the crowd consisted of guys and 55% was under the age of 25. Reviews were not very good.
For Sony, Gang’s top spot bow marked the tenth number one opening of the year for the studio setting a new industry record. Having already banked over $1 billion in box office this year, Sony aims to extend its record performance with promising sequels like The Grudge 2 and Casino Royale which debut in October and November, respectively. The studio has opened a whopping 18 films so far in 2006, the most of any distributor. It has placed films in the top ten in all but two weekends this year.
September is often the worst month of the year at the box office as people shift their attention to other distractions like a new school year, a new television season, and the return of NFL football. But this year, the late summer and early fall have been especially slow at theaters. Over the past two months, only one film (Talladega Nights) has managed to open north of $30M. Four films did the deed during the same period in each of the last two years while five surpassed that mark in 2003.
Universal debuted its new crime thriller The Black Dahlia in second place with an estimated $10.4M. Playing in about 1,300 fewer theaters than Gridiron Gang, the Brian De Palma-directed pic averaged a moderate $4,655 per location giving it the best average among all the weekend’s wide releases. Starring Josh Hartnett, Scarlett Johansson, Aaron Eckhart, and Hilary Swank, Dahlia played to a mature adult audience with its tale of the investigation behind the brutal murder of a Hollywood starlet in the 1940s. The $60M film needed strong reviews to score with its target audience, but was met with little support from critics. In fact, the film scored only a 30% rating on RottenTomatoes.com’s critic scale which was even lower than Gridiron Gang’s 43%.
The weekend’s two other new national releases were mostly ignored by moviegoers. Fox opened its animated baseball kidpic Everyone’s Hero to an estimated $6.2M from a very wide 2,896 theaters. Co-directed by the late Christopher Reeve, the G-rated film averaged a soft $2,124 per site. 2006 has seen nearly a dozen toons invade the multiplexes. Hero’s opening ranks as the second worst of the year for an animated pic trailing only Doogal‘s $3.6M launch in February.
Paramount quietly opened its DreamWorks romantic comedy The Last Kiss in fourth place with only $4.7M, according to estimates. Landing in a mere 1,357 theaters, the R-rated film starring Zach Braff as a soon-to-be-dad with jitters averaged a mild $3,465 per location. Reviews were mixed.
Falling from first place was the supernatural teen thriller The Covenant which grossed an estimated $4.7M as well, off 47% from its debut. With $15.7M collected in ten days, Sony’s $20M pic could end its run with $24-26M. Another former number one, Buena Vista’s football drama Invincible, placed sixth with an estimated $3.9M, down only 31%, lifting the total to $50.9M.
A pair of solid word-of-mouth hits from smaller distributors followed. Yari Film Group’s period mystery The Illusionist slipped just 17% to an estimated $3.8M in its third weekend of wide release and upped its cume to $23.3M. Fox Searchlight’s indie hit Little Miss Sunshine became the company’s second-biggest grosser of all-time this weekend taking in an estimated $3.4M, down just 22%, raising the sum to $46.4M. The distributor’s only bigger hit has been 2004’s Sideways with $71.5M thanks to a prolonged Oscar run.
The George Reeves murder mystery Hollywoodland fell sharply in its second weekend tumbling 54% to an estimated $2.7M. Suffering the worst decline in the top ten, the Focus release has taken in a disappointing $10.5M in ten days and looks headed for a quick finish with only $15-17M. Rounding out the top ten was the Jason Statham actioner Crank with an estimated $2.7M as well, down 45%, giving Lionsgate $24.4M to date.
Buena Vista offered sneak previews in 800 theaters on Saturday for its upcoming marine adventure The Guardian and drew a well-balanced audience with males slightly edging out the women with 51% of the crowd. The Ashton Kutcher–Kevin Costner pic played to 70% capacity and will officially open on September 29 opposite Sony’s animal toon Open Season and MGM’s comedy School for Scoundrels.
Arthouses were flooded with new product this weekend as a number of films platformed in hopes of generating strong indie buzz. Lionsgate got off to a good start with its documentary The U.S. vs. John Lennon which debuted in only six theaters and grossed an estimated $72,000 for a solid $12,000 average. The film expands on September 29 into more than ten additional markets.
Proving once again that he is not much of a box office draw without pirates or Hobbits around, Orlando Bloom‘s new revenge thriller Haven flopped in its debut grossing an estimated $38,000 from 24 sites for a dismal $1,588 average for Yari Film Group. Fox Searchlight also struggled with its new wedding mockumentary Confetti which debuted to an estimated $20,000 from a dozen sites for a poor $1,701 average. Both films still plan to expand this Friday with Haven widening to about 75 theaters and Confetti falling into over 130 playdates.
Four films dropped out of the top ten this weekend. The Thai action pic The Protector grossed an estimated $2.5M in its sophomore frame falling 51% from its opening. The Weinstein Co. has kicked up $9M in ten days and should end up with only $13-15M. Nicolas Cage‘s suspense thriller The Wicker Man dropped 48% to an estimated $2.1M pushing the cume to a lukewarm $20.7M. The Warner Bros. title looks to complete its run with around $25M.
The summer’s top-grossing comedy, Tallageda Nights: The Ballad of Ricky Bobby, slipped 34% to an estimated $2M in its seventh lap and boosted its stellar total to $145M. Sony’s Will Ferrell smash could cross the $150M line before calling it quits. Paramount’s Barnyard, another late-summer hit, grossed an estimated $1.6M while also in its seventh weekend. Down 40%, the animated entry has laughed up $69.1M thus far and is headed for $72-74M.
The top ten films grossed an estimated $57.4M which was down 14% from last year when Just Like Heaven debuted at number one with $16.4M; and down 4% from 2004 when Sky Captain and the World of Tomorrow opened in the top spot with $15.6M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
When a new horror movie shows up that was directed by the man who helmed "The Exorcist," it’s probably a movie worth checking out. Then again, William Friedkin did direct "The Guardian," so obviously nothing is guaranteed.
Synopsis: "A lonely waitress with a tragic past, Agnes rooms in a run-down motel, living in fear of her abusive, recently paroled ex-husband. But when Agnes begins a tentative romance with Peter, an eccentric, nervous drifter, she starts to feel hopeful again–until the first bugs arrive."
Check out the trailer right here.